#i just have a lot to say about this apparently

[clockwayswrites]

The Birdritch's Nest part 25

masterpost

“That is a lot of plants,” Jason said. He swept his eyes over the space as he slipped his lock picks back into their little pouch.

“He has a botanist friend, apparently, and she keeps giving him plants,” Dick explained as he squeezed past Jason and into the apartment.

“Why are you here again?”

“Because I have a car which is better to carry all of Danny’s stuff in than your bike,” Dick explained. He went over to the wall of plants in front of the windowed corner and squinted down at something on his phone.

Jason pulled out his own phone to glance at what Tim had sent. “You say ‘all Danny’s stuff’ like the list was long. The guy hasn’t exactly been demanding.”

“The ‘guy’ expects to actually go home in a few days,” Dick pointed out.

“And is an adult and so can, you know, actually go home,” Jason retorted.

“Damian’s attached.”

“…I concede to your point,” Jason said once that thought sunk in. “Double the clothing asked for?”

“Basically. Make sure that he has a weeks worth, Alfred can always do laundry,” Dick said before letting out a little noise of triumph and doing something over by the plants. “There, watering system turned on.”

“Congratulations, you’re a genius,” Jason drawled. “Now go get his medication gathered up and snoop a little while you’re at it.”

“I thought we weren’t supposed to be snooping,” Dick, words a teasing sing-song as he passed by.

Jason flicked him off. “Like you wouldn’t anyways. I just want to know what you find.”

“Only if you tell me what you find in the bedroom.”

“Deal.”

The bedroom was almost startlingly normal after the plant filled living main room. It didn’t look like Danny really spent much time in it beyond sleeping. The bed was absentmindedly fixed, a black down comforter over pale blue sheets. There was a paperback on the nightstand next to a lamp and a pocket sized notebook with a pen clipped onto the bent and battered cover.

It was the first thing that Jason picked up.

The notebook was obviously where Danny made notes when he was already settled in bed. As Jason flipped through the pages there was everything from to-do lists to invention ideas to… a lot of thought about wings. Jason turned the notebook in his hands. That page wasn’t in English. The language felt like it was on the tip of Jason’s tongue but he just couldn’t get it out.

Maybe some sort of dialect?

Jason couldn’t actually read it, but there was enough to piece together from similarities that tugged on his memory. Enough to understand it was about the wings. Something about the process of change? Aging?

“Hey Jay?” Dick interrupted, scattering Jason’s thoughts. “Can you read the label on these bottles? There’s some serious printing issues happening, I can’t even tell what language it’s in.”

The pill bottle felt oddly cold in Jason’s hand when he took it from Dick, but maybe the bathroom just had shit heating in this place. It would be just like Gotham builders to mess that up.

“Oh, that’s the same thing Danny is writing in here,” Jason said passing the notebook to Dick. “It’s something about wings and getting old, I think, but I can’t really read it.”

“Read it? I don’t even know what it is. Gives me a headache just to look at it,” Dick grumbled as he flipped through the notebook. “The whole bird thing has really been on his mind, hasn’t it?”

Jason gave a little huff. “Do you blame him? The guy has wings now. It would be on my mind too.”

“Yeah… guess I really can’t,” Dick said and snapped a picture of the page with the unknown writing to send to the group chat. “Any idea what it is?”

“Nope. It’s like it’s a distant dialect or that it uses some of the same alphabet of something I learned some of once. Like how Chinese and Japanese use some of the same characters, you know?” Jason explained as he opened the side table drawer and then quickly closed it again. That was more than he needed to know about Danny. “Maybe something from when I was catatonic in the league, who knows. There were a lot of languages in that place.”

“Cass or Damian might now it then,” Dick said as he eyed the drawer Jason had now moved away from.

“Don’t, trust me,” Jason said. “Did you get the medications you needed to grab?”

“Yeah, they’re in the bag. Just a standard bathroom, really. Though he keeps his toothbrush in this old mug with a hero I don’t recognize on it, someone called Phantom.”

“Doesn’t ring a bell, but it sure sounds like a hero name. Add it to the list,” Jason said as he started on gathering up the requested clothing and extra enough to last a week. “Check the closet to see if there are any shits in there that work around wings.”

Jason rolled his eyes as Dick threw the closet doors open dramatically and focused on his task. Jeans, sweatpants, underwear, what he guessed was pajamas were all added to the bag.

“So, nothing that looks like it was made for wings,” Dick said and tossed some normal shirts and a few sweaters into the bag. Jason sighed and folded them neatly. “Maybe he hasn’t had time to find any yet? It hasn’t been that long since the bird thing and seems it all started there. Or maybe he’s just always home when he’s had then?”

“Better let Alfred know then. He’ll want to get something as soon as possible.”

“Yeah, good point,” Dick agreed.

While Dick stepped out of the bedroom to call Alfred, Jason took the time to double check the list. It really was pretty basic. Jason didn’t know if Danny was just trying to not be demanding or if the guy didn’t need much, but Jason went ahead and put the bedside paperback and notebook in the bad too. Jason slung the duffel bag Dick had brought over his shoulder (he totally could have ridden his bike like this) and took a little bit of time to snoop through Danny’s bookcase while Dick finished the call. Sci-fi, horror, old text books, and a ton of notebooks filled the shelf with knickknacks and a few figures. Jason at least had to give Danny points for having some of the sci-fi classics, even if the range of works was pretty limited.

“Okay, Alfred is on it,” Dick said. “Anything else we need to do?”

“Nah, I think we’re good,” Jason said. Something made him not want to look through the notebooks, like they had already done enough snooping. It was an odd feeling. “Let’s get going, I’m hungry for whatever dinner is.”

“You’re always hungry,” Dick said.

Jason shrugged rather than dealing with how true that statement was. “I’m a growing boy.”

“You’re a trash pit.”

“Yeah, you want to go there, cereal boy?”

“Leave my cereal out of it!”

---

AN: I do love writing Dick & Jason so much. Can you tell I have an older brother? Also sorry for the mistakes I'm sure are abounding. Guess who turns out to be anemic? This critter! Maybe getting that fixed will help...

[imsobadatnicknames2]

ok but i need the evrart claire essay

Okay just be warned that this is gonna be less of an "essay" and more of a loose collection of thoughts, and I don't know how fresh or novel any of these ideas are going to be when it pertains to popular Disco Elysium fan discourse because I don't really do fandom, you know?

Anyway, I think the most obvious factet of Evrart's character is how he very intentionally calls to mind a caricature of corrupt union leaders, the image of a sleazy mobster who only cares about his own personal gain but pays lip service to leftist politics and pretends to care about the interests of workers as a way to obtain and maintain his power. And I think a lot of people straightforwardly read him as such, because that's the way he carries himself and the type of character the game is riffing on. There's also the question of how much of Evrart's manipulative, duplicitous attitude is just how he normally acts and how much of it is him specifically acting that way towards Harry and Kim specifically, it's important to have in mind that your main character is a cop and that would definitely play a role in making Evrart go out of his way to be a bit more of a bastard and toy with you a bit before he decides to actually do anything helpful.

However, once you dig a little deeper into his characterization, it becomes clear that he's pulling a very interesting double bluff, because it becomes apparent that the shady mobster who only cares about his personal gain is an act he's putting on. He's very self-aware about the fact that he's playing the villain, he seems to actively revel in it, but ultimately, it seems like he does it because playing the villain is the way he gets shit done.

This is not to say he's not actually corrupt, or that he's not ALSO involved in all sorts of shady stuff and taking advantage of his position of power, but the game does make it apparent that on some level he DOES have the interests of the people of Martinaise at heart.

For example, it is textually stated that the harbor doesn't need a night watchman, and Evrart created the position specifically to provide a source of income for René. He knows the pension Rene gets is not enough for him to live on, but he's also aware that René is the sort of right-wing guy who would rather starve to death than take a handout (especially from those dirty union commies), so Evrart created a job position which pretty much involves doing nothing for a few hours every night so he could help him with his economic troubles in a way he wouldn't refuse out of principle. René hates his guts, ideologically stands against everything his organization represents, and is generally an unlikeable asshole and a fascist prick, but he's also a disadvantaged member of the community and that seems to matter more.

Even when he asks you to get the signatures to build the community center, which is definitely one of the most morally questionable things he does during the events of the game (as it will improve the community, but at the same time displace the people from the fishing village), his intentions seem to be ultimately good. Due to the very nature of his character and the act he puts on, it's purposefully hard to tell when he's being sincere and when he's being manipulative. However, if Harry's drama and empathy skills are high enough when he's confronted about it, you'll be able to tell that he's not lying about his motives for wanting to build a community center or about the fact that he intends to provide better housing for the people displaced by the project, and that he feels genuine rage about their current living conditions. It can still be said that he's ignoring their self-determination and essentially forcing these people out of their current homes, but he does seem to have good intentions and think he's doing a good thing for them in the long run, even if his methods are morally questionable at best.

In that way, the Union is an extension of him in this regard too. They're pretty unapologetic about the fact that they're openly operating as a crime syndicate, but the game doesn't give you any reasons to believe they're lying when they say they're doing it as a way to muslce out all the more dangerous gangs and crime organizations out of Martinaise, or that their involvement in the drug trade is at least partially motivated by a desire to make sure it's not controlled by more dangerous and violent crime organizations. Again, they're playing the villain as a way to fill that power vacuum and make sure more dangerous people don't fill that role (but of course, that doesn't erase the fact that, noble as their intentions may be, they're still involved in all these shady activities and turning a pretty substantial profit from them too)

Of course, on the other hand, just because the game seems to hint at the fact that Evrart and the Union are, deep down, a force for good, doesn't erase the fact that he's done plenty of bad shit to further his interests, and the game doesn't shy away from this. He's still extremely corrupt, his long-term plan to wrestle control of the harbor away from the company and turn it into a worker-owned operation (which *would* massively improve the material conditions of the dockworkers if succesful) involves endangering the lives of a lot of his own workers, he and his brother Edgar pass the position of union foreman back and forth between each other to circumvent the term limit and keep themselves in power indefinitely, and if you explore all dialogue options with the Deserter it's all but explicitly stated that they rose to power by getting him to assassinate the previous Union forewoman.

These are things that Evrart himself would probably rationalize as sacrifices that need to be made for the greater good. After all, it is implied that the previous union forewoman was also corrupt, except in favor of the company's interests, and might have even been a company plant. However, this doesn't make those things morally right. Good intentions nonwithstanding, it's clear that the Claire brothers are very "the ends justify the means" kind of people, they probably see getting the previous Union leader killed or endangering the lives of the dockworkers to overthrow the company that exploits them as "pulling the lever" in the trolley problem, which is extremely callous at best.

Here's where we get a little more into "disjointed thoughts" territory, but Evrart can also be seen as a critique of the limits of trade unionism and social democrat politics. Something that I completely missed in my first playthrough but was able to catch on during my second is that the people of the fishing village refuse to unionize, and as a result they don't get the same level of support and protection that the union provides to the people of the more urban section of Martinaise. This is apparently widely known enough for characters other than Evrart to comment on (I forget what character I learned this from, but it was definitely not Evrart). So it's clear that Evrart and the Union put their interests of the members of their own organization over those of other working class people, which is one criticism that can be leveraged against the way a lot of leftists seem to treat unions as the ultimate tool for worker class liberation.

Similarly, when Evrart tells you his long-term plans, it's clear that his ultimate goals don't involve complete worker liberation. As far as the game shows, he's a socdem who's still looking to work within the confines of capitalism. There are more radically left wing characters in Disco Elysium, but Evrart is the only one with any actual power to affect change, which kinda speaks to the lack of presence of more hardline leftist positions in mainstream politics. As someone living in Latin America, I kinda ended up seeing a bit of a lot of our currrent socdem politicians in him in that respect, I guess, but i'd need more time to articulate this thought properly, I guess.

Ultimately, I think Evrart is an amazingly crafted character. He evokes a well-known archetype of a shady, corrupt, power-hungry union leader, but he adds a lot of depth, self-awareness, and nuance to it and subverts that characterization in several ways. I think he atually serves an important role of ideologically challenging players who share the developers' and writers' political leanings. I think it would have been very self-congratulatory and autocomplacent to make the most influential leftist character in the game an unambiguously good paragon of workers' rights and working class liberation. By instead giving us someone who's an absolute callous bastard who definitely has a bit of blood on his hands, who's a socdem at best and a self-serving mob boss at worst, but can ultimately be interpreted as a force for good, and asking the players to decide what they think of him I think it brings interesting questions to the table of our commitment to material gains, what sorts of people we're willing to work with, and the sort of acts we're willing to tolerate, and makes the game a lot more thematically rich.

I also think a good analysis of Evrart is incomplete without an analysis of the ways in which he serves a a charater foil for Joyce, but I don't feel like getting into that rn.

[beloveds-embrace]

Part two of monster!141 x chubby reader

Part One.

CW: reader isn’t in a good place mentally and it’s affecting her reactions and the 141 absolutely take advantage of it. This is definitely not accurate in terms of reality. Reader has a lot of self-esteem issues, especially regarding her weight.

The thing is, you know you should be panicking way more. You know you should be fighting back, trying to think of an escape plan.

But you don’t. Exhaustion clings to you like a second skin, and you simply decide you don’t have any energy to do anything much- especially against shifters twice your size at the minimum. If they want to kill you, so be it. You doubt there’d be anyone to miss you; your parents only ever cared about your other siblings, your friends weren’t exactly your friends apparently, and you ex…

“Penny for your thoughts, dove?” The harpy whose lap you are perched on murmurs, wings fluffing out around you, the feathers soft and warm. You haven’t been on any couches or cushions ever since you woke up here, always in one of their laps. You had been terrified at first, and fear still lingers even now, but all they do is hold you tight and occasionally sniff you. Nothing more.

“Not worth much.” You whisper, closing your eyes as you take a deep breath. The feathers around you rustle again, tickling your skin ever so slightly, and you can feel him nuzzle the crown of your head.

“I disagree,” Kyle says, voice musing.. The arms wound around your waist tighten, and you are pulled impossibly closer to him. Your head still finds it hard to believe just how strong they are- easily maneuvering someone even of your size like your weigh nothing. Your ex never bothered; often just made a passing mention that maybe he’d carry you like that if you hit the gym and lost a few pounds. “Worth quite a lot to me. To us.”

You don’t have a reply to that; it’s still weird and unbelievable to you. Soulmates. What a joke. Even if they existed, you doubted anyone would like you like this. Not to mention the soulmate of a harpy, a werewolf, a dragon and a wraith? It sounded like a crappy plot you’d find while scouring the internet, written by a college student driven insane in their last year.

But they insisted they were right, and refuse to let you go, and now here you are being cuddled to one of them while the other three thud about upstairs. You can hear their voices, but not what they are saying. Though it sounds like they are quite busy.

“You cold, dove?” Kyle asks when he feels you shudder again, at last wrapping his wings fully around you even before you can answer. The feathers are so soft, and he smells so nice, like jasmine and vanilla. You almost felt hungry, simply smelling him.

“No.” The answer is quiet, croaked out tiredly. Sleep tugs at you even though it hasn’t been that long since you’ve woken up, the pounding, hungover headache long since dissipated.

You hate this syrupy slowness that lets you remain snuggled against him. You hate how safe you feel, despite your mind screaming at you otherwise. You don’t know these men, don’t know anything about them except their names, and yet your body has never felt quite this comfortable.

“Sleep, precious.” Kyle croons, his hand rubbing down your back. He buries his face in your hair, still crooning, and leaves a trail of kisses across your temple. “Sleep. You are safest and soundest here, with us.”

And so your eyes flutter shut, and your breath evens out; sleep comes to you as easy as breathing, and for one, ephemeral second, you don’t worry about your weight being too much for him.

[sometipsygnostalgic]

I mean, yes, this is all correct, but voter disenfranchisement in the US has been extremely targeted over the last five years. It may not flip the election on its head, but it is worth thinking about how difficult it has become for voters in eastern blocs.

For example Virginia voters were told that if they didn't register by October they wouldn't be allowed to vote, and I know several people who didn't even bother because they didn't learn about this requirement until after the deadline had passed. Whether it's true or not, the more obstacles you put in the way of voters, the more likely you are to get flakers.

But... the ultimate cause of the election result seems to be that uneducated and business-oriented americans believed that Trump would have the better outcome for them. And that's over half of Americans. For whatever reason, the people most determined to vote grouped themselves in with Trump and not Kamala. And this is across most demographics - it's not just white men who voted Trump. It's white women, it's black men. It's lots of people and Trump won the popular vote, the first time a Republican has done so in quite some time.

I don't think any Democrat politicians have accused the Republicans of rigging the vote, even in areas where republican policies have affected the vote, they would not do so for two reasons. One - all parties benefit from gerrymandering. And two - they know they need to win back that Republican base somehow and claiming Trump is some kind of fraud has not helped them in the slightest.

Where I think the democrat campaign shat itself is when it turned back into those tried-and-failed attempts to say Trump would be bad for America, instead of showing why Kamala would be good for the country. We had this entire song and dance in 2016 with Hillary and it did not work. Everyone knows what Trump is like and apparently that's not a big enough turn off, they like his anti-establishment nature enough to keep voting him back in. As long as the Democrats continue to represent the establishment, they will keep failing, at least until people temporarily get tired of Republican chaos.

The most likely outcome is... Republican president>republican houses>democrat houses>Democrat president>democrat houses>republican houses>Republican president... People will vote whatever is the opposite of the current president over and over and over, for as long as it takes to change the establishment.

If your democrat friends start muttering about stolen election conspiracy theories, the time to have a sit down with them and express your concerns is NOW, while you still have a chance to reach them, not 6 months from now when they're fully conspiracy-pilled.

Here's some of the talking points and why they're bullshit:

'10 million votes don't just disappear!' -> Joe Biden's 81 million votes were a statistical outlier, sparked by the recent experience of the Trump presidency. The democrats failed to maintain that sense of urgency, but Harris still got more votes than Hillary Clinton, more than Obama and more than any previous democratic candidate. These numbers are not weird at all.

'The Republicans tried to infiltrate election- and vote counting organizations!' -> yeah, they did, and yet hundreds of independent legal observers didn't see anything go wrong enough to raise any alarms. Independent exit polls are also very consistently similar to the counted votes. Tons of international organizations specialized in this stuff observed the election and didn't see a reason to raise the alarm.

'But I know a dozen democrats whose mail-in votes were not counted!' -> In any election a certain number of votes are registered as invalid because something was wrong with the ballot. In a country the size of the US, that translates to many thousands of votes. The internet allows these people to find each other, creating the false impression that a suspiciously large group of voted was not valid.

'Musk used Star Link to mess with electronic voting!' -> Electronic voting machines are not connected to the internet and dozens of independent media have already debunked this myth. It is absolutely impossible to use Star Link to fake election results.

'There is voter disenfranchisement!' -> This is true. This has always been true, for every election. It's an issue worth talking about but it's not a special secret conspiracy that's unique to this election.

But just as importantly as the facts: sit down with your friend and talk about the anxiety that's behind their conspiracy leanings. Acknowledge their pain and fear. Help them find ways to feel less powerless and regain their sense of agency. Take them to a mutual aid event, involve them in a fundraising event for a marginalized group, invite them to a local community effort. If they spend more time feeling connection and empowerment and less time doom scrolling online, they're far more likely to stay in reality.

[poguehearted77]

Lights, Camera, Action!

Summary-> It's your first day on set and your nerves are through the roof but the cast makes you feel at home. You practice your lines, but the sparks between you and Drew are unscripted.

Belongs to my: OBX Season 5: Payback for Maybank Series

These can be read in any order!

You're jet-lagged, but your body has no idea. Too distracted from the abundance of nerves pumping through your veins as you walked around the enormous film lot toward the set.

You stand on the edge of the bustling Moroccan set, heart pounding as you clutch your sides. The scarf draped over your head feels both like a costume and a shield, helping you blend into the character you’re about to bring to life. Even with the months of preparation and the script readings under your belt, this moment feels surreal.

Everyone hustled across the set with purpose, knowing exactly what their job was and how to do it. You had only a fraction of that confidence as you were approached by a familiar face, one of the directors, Josh Pate.

"I can sense your anxiety from a mile away." He teases and it pulls a smile and a small breath of relief that he was friendly. With a comforting hand on your shoulders, "Take a deep breath, go grab a muffin from craft, have some water and I'll see you back here for your scene in 20, alright? I don't need any more faintings on the clock."

Once the words process, he's already gone. Fainting?? More??? With dazed eyes, your eyes scan the environment, dozens of people dressed just like you. Some sitting on the sidelines while others got into place on set. You'd even spotted Madelyn off to the side, a make-up artist lightly padding her face to protect it from the lighting as she prepared for her scene.

You took Josh's suggestion seriously, and promptly, or at least you tried to. You had no idea where to find crafts services or even if you'd be able to find your way back. "Craft Services is the first door on your left." Your head whips around with a face of slight terror in your eyes at the mind-reader from behind you. It's JD.

"How did you know?" It's the first thing you say, slight amusement and a hint of awe evident in your voice. He shrugs, "You were either looking for craft or the bathroom. It was a 50/50 shot, to be honest." He laughs and it calms your nerves a little. After a little while and a good conversation with JD, you glanced at the clock on the wall.

It became apparent you didn't have much time left. Quickly you end the conversation and head inside the room he'd directed you to. The studio was warm, credit to the Morrocan heat that surrounded you on the outside.

"Cups, cups, cups.." You mutter to no one in particular as you desperately scan for the item you need. "Here you go," A big hand is outstretched in front of you with a new cup dwarfed in its palm.

Your eyes followed up the length of the arm until they met those famous ocean-blue eyes that owned your TikTok feed for months last fall. Drew. He has the infamous buzz and soft smile as he looks down at you.

"Thank you," It's a simple response but it's the best you can do in a situation like this. Turning away from him, you fill your cup and finish its contents in nearly one sip before tossing it and rushing back to set not wanting to be late.

You rush back to set, still feeling the phantom warmth of Drew’s presence. For a moment, you wonder if this strange mix of tension and excitement is something all new actors feel or if it’s just you. The scarf draped over your head has now become a makeshift security blanket, as much for your nerves as for your character.

Josh greets you with a reassuring thumbs-up as you step into position, the antique shop set sprawling around you with meticulous detail. Dusty shelves lined with ornate trinkets, cracked pottery, and rusted brass figurines fill the space, dimly lit to convey the musty atmosphere of a forgotten bazaar. The air smells faintly of incense, which only adds to the immersion.

As the Pogues enter the set, Madelyn offers you a friendly wink, her playful energy making the tension in your shoulders ease. You remember bumping into her at one of your meetings with the writers. She's as pure as her character and it was relieving to see a friendly face on set.

Chase gives you a nod of encouragement, while Jonathan seems almost shocked to see you, probably since you'd never mentioned who you would be playing. He sends you a motion of acknowledgement anyway and you smile back.

The cameras start rolling, and suddenly, you are no longer you. As though it were a chemical reaction to the words 'Action', your brain switches to the character you've studied for months in anticipation. No longer Y/n, now Piper.

You busy yourself behind the counter. Attending to the tasks that depend on you as the owner of your antique shop. Your focus is set on the vase in your hands as you sweep over its rim with a cloth.

The bell of the shop chimes as six foreigners enter the shop, standing in a crowd with some of the most grim expressions you'd ever seen. "Vases on the left, woodwork on the right. Let me know if you have any questions." The phrase sounds ingenuine as it has only been repeated every day for the last three years.

"We're not here for some fucking pottery-" Rafe claps his hands down on the counter, you don't react. Sarah corrects him, "Rafe." You look back to the bunch, now standing at your full height,

They were filthy, covered in sand, dirt, and essentially any other grime that could find them. "We need supplies." Sarah says and you shrug, "What did you have in mind? Glasses? Lamps? Clocks?" The group lets out a frustrated set of sounds.

Pope clears his throat, "We need weapons, and we were told to come find you... the pied piper." You tug down the fabric that'd been covering your face to the bridge of your nose. Unveiling the full length of the scar that begins in the center of your forehead, runs down over your left eye and reaches your cheek.

John B whispers, "Just like he said," You make him speak up, "Just like who said. Who sent you?" He steps closer, "Mr. Alami, the merchant from Agapenta. He said you would be able to help us." Your expression elicits a sign of understanding but quickly returns to disinterest.

"I don't help foreigners." The explosive one outbursts again, "You sound just like we do, clearly you're not from here either, so stop shitting us and give us the guns." Those cobalt orbs penetrate the window of your soul but only bring out the sinister grin on Piper's face. "Fine," Swiftly reaching behind your back, revealing the weapon they so desperately wanted, you hold them at gunpoint.

"-And Cut!" You place the gun down on the counter and Drew approaches the counter once again. "That was really good, I even got caught up in it." He places a hand on his chest to add sincerity.

"Thank you so much. I was really nervous for today, I had no idea what to expect." Someway somehow your conversation moves off to the side of the set, seated on those acting chairs.

You laugh as he brings up your fleeting encounter earlier, "I had no idea you were playing Piper. One second I handed you a cup and I turned around and you're gone." Your stomach hurts from laughing. You take a deep breath of air to stop yourself from dying. "Stop stop stop," You beg, neither of you sure what you were laughing about anymore.

There wasn't much time until you would resume the scene but in the short time, Jonathan and Carlacia invited themselves over, giving a proper introduction, sparking a lively group conversation. Being 26 put you somewhere in the middle of the cast's ages, but no one got treated any differently because of it.

This current moment was proof. You and Carlacia posed for a selfie she insisted on taking, honouring the 'newest member' into their family. Both leaning in over the image on her screen you share a hearty laugh. JD is captured in the background in the middle of a gnarly yawn.

"Give me the phone, Lacy. That picture is a federal offence." He threatens, not an ounce of seriousness to be sensed in his voice. "I demand justice." You're almost certain you'd have a fully developed six-pack by the end of filming just from all the laughing.

Before you knew it the break was over and you were back where you'd left off. Went through the scene once more, adjusting anything that needed to be altered and carrying on. "I'm only going to ask you once, what do you want?" You've got a tight grip on the weapon and a crazy look in your eyes.

For the first time, Kiara breaks her silence. "Chandler Groff killed our friend! We can't let him get away with it." Her pleas pique your interest, and it's evident in your expression. "Chandler Groff, The conman?" They nod slowly and you begin to fume.

"Come." You wave them over, whipping open the curtains and entering the back of your shop. Four walls filled with various weapons from swords to machine guns. "Feeling like a kid in a candy store." Cleo beams, looking at the options, nothing but revenge in mind.

"Is that a canon?.." Pope trails off, "You've gotta be ready for anything. Expect the unexpected." Pope wholeheartedly agrees while John B begins questioning your knowledge about Groff. "He wronged some friends of mine. He got away before I could get to him, and that was a good call. I would've blown his brain to bits if I got my hands on him."

Kie smiles at that mention, "That's the dream," John B mutters. "Last time he was here, he was after some magical relic, a mythical one might I add. The blue... crest?" The item is lost on you when Sarah fills in. "The blue crown." It dawns on you at the mention.

"It's real," Kie admits and all the pogues turn to her with horror at her honesty. "Groff has it and god knows where he could be with it." You think, "If what you're telling me is true... then that crown is worth hundreds of millions of dollars. He can't just sell it at any auction. There's only one person with money like that. Mr. Finch."

"Where can we find him?"

"He's far. A two-day journey at minimum. You'll be forced to cross enemy territory and only locals know how to navigate the oasis under the radar. If you really are set on killing Groff, I'd be happy to lead you."

You notice an exchange of various looks between the group. "We need a second." Suddenly there's an exclusive huddle that leaves both you and the tall man at odds. He was sending daggers towards you. "Too cool to be part of their little club, are you?" Rafe stalks towards you, long intimidating strides. Displeased with your little joke.

Your faces were close enough that you could see his pupils dilate and contract now in the light from the window. "Listen. I've heard everything you said, and I'm not buying it. I don't trust you, and if you think for even a second I'll let you get in my way, you've got another thing comin'."

You noticeably gulp, it was unscripted but your nerves propelled it. He towered over you, your dark brown eyes searching his blue ones for any signs of insincerity but none was to be found. Every word he said, he meant it.

"And Cut! Drew, Y/n, amazing," Josh adds, and it's only when you hear your names called that you both back away from each other. However, it felt a little harder than normal, as if something was drawing you in.

Madison calls you over, and your feet are already on the move. With one last glance over your shoulder, your eyes meet his for just a moment.

His piercing eyes hold yours, a mix of curiosity and something unspoken flickering behind them, making your chest tighten with uncertainty. You can see it—he feels it too.

Taglist: @percysley, @lilithblackkk, @rafegf-real, @eternallovers65, @drsza

[crescenthistory]

hi there love! i hope you're doing well 🤍 if it's okay w/ u, i'd like to request a regulus fic (are we surprised? no-) with an animagus! reader. maybe reggie and reader got into a fight about something and reader's still holding a grudge. they refuse to change out of their cat (or any animal u choose!) form and regulus is trying everything to get them to change back. ending in fluff probably :D

~🍓

i'm quite alright darling, hope the same goes for you<3 this little drabble is written with the same cat!animagus!reader i've written for reggie so far in mind (whiskers, my love) since she's known to be petty...

Words: 1.3k

Warnings: fem!reader, minor fight (lighthearted), embarrassment, you're petty, regulus grovels, black brothers have poor people skills, make-up, background wolfstar and (judgemental) bsf!remus

"How long has she been like this?"

Sirius was eyeing Regulus funnily, seemingly drawn between wanting to laugh at him and wondering if maybe he should comfort him. Remus felt none of the latter sentiments and all of the former.

"Since our last class on Friday," Regulus replied miserably from where his face was buried in his hands, resting atop his knees. "She shifted immediately after."

"So... for over 24 hours," Sirius surmised.

That was apparently the wrong thing to say, based on how Regulus lifted his head from where he was practically bent in half, just to glare at his older brother. "Thanks for doing the maths, Sirius. Not the problem I needed solving, though." Throughout his sentence, his eyes increasingly narrowed at his brother as if his irritation grew with every word.

"No, your problem," Remus volleyed. "Is whatever the hell you've done."

Regulus groaned and buried his face once more.

Across the common room from the trio, a white and grey cat was pettily walking back and forth along whatever furniture it could reach. Its tail was standing up straight, whipping about in annoyance.

Remus poked Regulus in the ribs to get a response. "What'd you do, Baby Black?"

"I may or may not have corrected her in Potions in front of Slughorn, even though she may have been working on gaining his respect all term," Regulus murmured.

The chuckle that escaped Remus was finally one of understanding. "Ah," he said through a smile. "I believe that is what we in the business call a rookie mistake."

Regulus sat up with a jerk, hands moving emotively as he made his case to his brother and brother-in-law, where they were sat on top of each other in a plush chair. "But I've apologised! Profusely, and several times! I don't know what else to do?" The last sentence was voiced as a question, though it was not formulated as one. Perhaps the closest the younger Black brother could get to asking for help.

"Maybe you should give Slughorn a speech about how great she is."

Regulus quirked up at that, eyes zeroing in on Sirius. "You really think that would work?" Remus could have burst out laughing at the lack of sarcasm in the younger boy's voice.

"No," Remus said softly, while chidingly patting Sirius' knee. "Don't listen to him, you lot have the same amount of people skills. Do you know your girlfriend, Regulus?"

"Yes?" Regulus' voice was uncertain, looking between the boys with furrowed brows.

"What usually motivates her to hold a grudge?" Remus prompted then, ever patient.

He was quiet for a minute as he thought. "When she feels wronged. Like when Evan apologised for her 'interpretaion' of what he said instead of for him hurting her feelings, and she disliked him for three years."

Remus nodded solemnly. "And is there a reason she might still feel wronged by you now?"

Regulus' gaze finally fixated on the cat across the room, nodding too as the puzzle pieces slowly assembled in his mind. "I apologised for correcting her... but not embarrassing her. She probably feels like I was lording over her or something."

"Meaning..?" Gods, Remus was really laying it on thick here. The curse of the Black family.

"I should go tell her as much." Regulus nodded and moved to hurry over towards you, swinging around at the last minute to give the two boys an almost-smile. "Uh, thanks Sirius. Remus."

Then he was off.

Sirius turned his face into Remus' cheek. "No idea what he's thanking me for; you did all the talking."

Remus sighed, melting further into his boyfriend. "That's what I've been saying."

Regulus tenderly approached you, sitting down somewhat gingerly in a chair beside the table you were currently parading around. "Hi, amour," he said softly. "Can we talk?"

You just wagged your tail in response, in a fashion Regulus has come to learn means displeasure.

"Please love, I want to give you a proper apology. It would be best to do so face-to-face, no?" He reached his hand out towards you, an open invitation. You stopped for a moment to regard him, but then lightly slapped at his hand to get it out of your face. Regulus decided to take it as a victory that your claws were retracted at the very least – you weren't out for blood.

“Okay,” he said through a breath. “I guess I’ll just… talk to a kitten and look crazy.” Upon your quiet hiss, he amended, “Talk to a cat, sorry. Gods, I’m sputtering today, aren’t I?” That final part you seemed to agree upon at least.

“Amour, I am truly deeply sorry for embarrassing you like that. It was such a little thing, and Slughorn has been so unfair towards you this year. I didn't mean to set you back in your progression with him, though frankly, he is in the wrong there, not you. As am I. For someone who feels like he can go around correcting people, that was quite air-headed of me, yeah? The one person keeping me grounded is you, amour, please would you come back to me? You can give me a proper scolding if you’d like, I can take it.”

Regulus was pouring his heart out, and if he dared to hope, he thought your feline face might have softened. You walked closer to him, seemingly studying his face.

Then, you jumped off the table and ran away.

He sighed heavily, letting his forehead fall down to the table with a light thump. If you were going to keep giving him the furred shoulder, he might just stay here. It was hard work being a tosser who’s missing his girlfriend.

Before he could wallow further in his sorrows, he felt a soft hand be placed on his shoulder. A touch he would recognise anywhere.

His head flew up from the table to look up at you – standing above him, smiling softly and somewhat sheepishly. The hand on his shoulder grew bolder, squeezing, while the other came up to cup the side of his face. Regulus ignored any instinct to cower away and instead happily melted into your touch.

“Hi, baby,” you whispered, and he knew he was mostly forgiven.

Emboldened by this new development, he turned in his seat so that his body faced you, slotting you in between his thighs and letting his hands come to rest heavily at the top of your hip. “Hi amour,” he breathed out, reverent. “Thank you.”

“For what?” you laughed, and he knew you knew what. He indulged you anyway.

“Coming back to me.” His voice was murmured, eyes hooded as he stared up at you. “I miss you when you remain as Whiskers, you know?”

“I do know,” you teased. “That’s kind of the whole point, yeah? Make you think.”

He shook his head and leaned his forehead tentatively against your stomach. “A cruel punishment, but an understandable one. I truly am sorry, I didn’t mean to.”

Regulus sighed when your hand migrated to scratch through his hair. “I know, baby. I just wanted to hear you say it. And–” at this point he could hear the blush in your voice “– at some point it just became principle. Too late to back out.”

Laughing against the fabric of your shirt, he moved to rest his chin against you, gazing up at you at an angle that was slightly uncomfortable but definitely worth it. He let a small grin slip. “Stubborn minx,” he whispered.

“Oi!” you chided gently. “You’re in no position to levy such accusations, mister.”

“I can’t imagine loving you more,” he said through a sigh, not even thinking over the words. They were just right, and demanded to be brought up.

If the way your body melted against his was anything to go by, you didn’t mind.

A booming voice cut the moment short. “You two are painfully dramatic,” Sirius yelled from across the room, clearly having paid attention to the whole make-up conversation. “Please never fight again.”

“And that’s coming from Sirius Black,” Remus added solemnly, earning himself an indignant swat from his partner.

“He’s right,” Regulus whispered conspiratorially to you. “I cannot be the most dramatic Black brother, that would be blasphemy.”

“Then I suggest,” you said before giving him a light peck, “you be on your best behaviour from now on.

A grin. “Yes ma’am.”

[aro-absol]

[ID: A digital comic with a simple drawing style. It consists of long text that is accompanied by small drawings, matching what is said in the text. The text reads as follows: "I've always been a big reader. I was treating earlier and faster than most of my peers my whole childhood. [Three books: one is titled "Magic treehouse" and has the caption "kindergarten", one is titled "Harry Potter" and has the caption "first grade" and the last one is titled "Percy Jackson" and has the caption "third grade".] and my tastes have alwaystended towards the magical. fairytales, myths, and fantasy have been longtime favourites as far back as I can remember.

As I got older, my tastes didn't change all that much. They did expand, to being ok with things like horror, violence (and mild gore), death... As children's tastes tend to do. But I still loved fantasy stories just as much. When I hit eighth grade, however, they noticed a bit of a problem. I was getting a bit old for a lot of the middle-grade fiction books I liked. I thought: "Okay, sure! I've read adult-level books with no problem before, I'll just head for the fantasy section!" I asked a couple of friends for book recommendations, and culture reading except… [A drawing of many different scraps from books, all clearly from romantic and/or steamy scenes] ... All of it was just so stuffed with sex and romance. [A drawing of a person shaking their heads in disbelief and saying "ew" while reading the book, with an arrow pointing to them saying, "14 and very aro/ace"]

Needless to say, I did not want to read those books (and haven't to this day.) Thought bubble of the person just described continuing: okay, this is probably just my friend's stuff. I know they like these kinds of things. I'll just look for myself! [A drawing of a person standing in front of a big bookshelf that is labeled "young adult and teen fantasy". There are many different phrases pointing to the box on the shelf. The phrases read: "sex scene on the first page", "sex", "twilight", "romance "' subplot'", viscerally upsetting description of making out", "fade to black sex scene", "no sex but only technically", "sexy elves", essentially a romance really", "insane amounts of kissing".]... you gotta be kidding.

Over the years since then, I've tried to find fantasy stories that I can actually enjoy. [A drawing of a list titled "typically good". The bullet point read: D and D based (sex jokes but party focused), comics, fanfic, older media (pre-90s), MG fiction (last resort)] I've had some success at finding patterns that work for me, but a lot of these categories are very digital. (At least for me.) And because of that, all the time I once spent reading is now on my phone.

I don't really know where this is going, or what the solution is. Most people do like sex and romance, and reading about them. And this is just a thing for making a terrible comic day. I think it's pretty common for aro and/or ace people to feel left out, since so often these are treated as universal ideals. But to anyone feeling that way: I promise you are not alone. Also, allos: get better writing material, seriously. And better friends, since yours are apparently so terrible you can't write deeply meaningful relationships without kissing. (Half joking.) / End ID]

Note: this image description is not fully complete, as I left out some smaller drawings that I couldn't add into the text in a way that makes sense and weren't crucial for understanding. Also, I apologize if this description isn't clear to people who use screen readers but I do not know how to make it any better. If you have any suggestions, tell me please.

My (late) contribution for Make A Terrible Comic Day! I've been going to the library more often lately so this has been coming up a lot, cause I want something to read but have had trouble finding anything that I'm comfortable with.

If anyone has recommendations please please let me know because I am struggling.

[neverenoughmarauders]

Lily's meaningless sacrifice

One thing that irks me is when people suggest that in canon, Lily had any idea that Harry would survive (this is merely a canon post, nothing to do with fanfiction). It irks me, partly because it's just incorrect and that's the sort of person I am. More importantly, however, it irks me because Lily not stepping aside when she had nothing to gain from dying is fundamental to the story.

Let's start with JKR own words from an interview in 2005:

MA: Did she know anything about the possible effect of standing in front of Harry? JKR: No - because as I've tried to make clear in the series, it never happened before. No one ever survived before. And no one, therefore, knew that could happen.

Lily knew nothing about the possible effect of standing in front of Harry. Lily was faced with this choice:

Scenario 1: Steps aside, and Harry is killed.

Scenario 2: Be killed, and Harry is killed.

Scenario 1 is (on the surface) objectively better (unless you're a DE and thus want less muggle-borns around). To Voldemort, it's a simple choice: In both scenarios Harry will die, in one, Lily will survive. In fact, this is what makes a lot of people defend Severus' choice to only ask Voldemort to spare Lily. Severus could not save Harry (and apparently it's totally cool not trying to save others if they bullied you).

Lily could not save Harry.

Lily's choice, as far as she is aware, is not whether to save Harry or not, but whether to save herself. And yet, Lily cannot stand aside. As JKR points out earlier in the interview, what Lily did is not that surprising to us readers ("I don't think any mother would stand aside from their child"). Why? Love. Because, as Dumbledore reminds us on multiple occasions: there are worse things than death - most notably in DH:

"Do not pity the dead, Harry. Pity the living, and, above all, those who live without love."

Love, and life with and without love is an undercurrent in the story. Lily's sacrifice is meaningless when made, and yet it's the biggest and most understandable expression of love anyone can show someone else. Lily cannot, and does not want to, live in a world where she has witnessed her son being murdered - especially when her husband has been murdered too. A world without Harry and James is no world for Lily Potter.

It is also - bear with me - not that different from what it was like to be in the Order at that time:

[Y]ou weren’t in the Order then, you don’t understand, last time we were outnumbered twenty to one by the Death Eaters and they were picking us off one by one...

“He — he was taking over everywhere!” gasped Pettigrew. “Wh — what was there to be gained by refusing him?”

The Order operated against the odds and were being picked off one by one. As Peter asks - what was there to be gained by refusing him? What was there to be gained from standing (metaphorically or not) in front of Voldemort's victims? I've said this before and I'll say it again, Sirius' answer is powerful:

“What was there to be gained by fighting the most evil wizard who has ever existed?” said Black, with a terribly fury in his face. “Only innocent lives, Peter!” “You don’t understand!” whined Pettigrew. “He would have killed me, Sirius!” “THEN YOU SHOULD HAVE DIED!” roared Black.

Only innocent lives. They weren't fighting this war because they were winning. In fact they were very much losing. But they were fighting because it was right thing to do. Many Order members chose to die, rather than to step aside and let Voldemort take over. Only in their case it didn't make a difference - or at least, it didn't feel like it at the time. Members were murdered, and Voldemort was just getting stronger and stronger.

What was there to be gained by refusing Voldemort?

I firmly believe this is a theme that is repeated throughout the book: not just love and choice, but the obligation to choose what is right, no matter the odds (the irony that this was written by JKR will never be lost on me), and how love is a powerful motivator to do just that. Doing the right thing might seem hopeless in the moment - wasteful even - but that doesn't mean it's not worth doing, or that in the end, it won't add up.

Imagine what Harry felt like at the end of PS/SS when he risked his life to stop Voldemort, only to realise that Voldemort would keep trying to come back:

“Well, Voldemort’s going to try other ways of coming back, isn’t he? I mean, he hasn’t gone, has he?” “No, Harry, he has not. (...) Nevertheless, Harry, while you may only have delayed his return to power, it will merely take someone else who is prepared to fight what seems a losing battle next time — and if he is delayed again, and again, why, he may never return to power.”

Harry Potter isn't about doing the right thing because it will bring you rewards, but because it is the right thing.

“Remember Cedric. Remember, if the time should come when you have to make a choice between what is right and what is easy, remember what happened to a boy who was good, and kind, and brave, because he strayed across the path of Lord Voldemort. Remember Cedric Diggory.”

This speech doesn't sit well with a few people because it sounds like you're asked to remember what happened to someone who did do the right thing (spoiler: he died). But that's not the point, of course. Cedric wasn't killed for doing the right thing or making a hard choice - Dumbledore asks the students to remember Cedric because the enemy is willing to kill innocent people indiscriminately. Standing aside will not be good enough against people like Voldemort. There is, as Dumbledore put it, a need to keep fighting what seems a losing battle. Why? Only innocent lives.

Both James and Lily die that evening because they are unwilling to let Voldemort near their innocent son as long as there is breath in their bodies. James had no choice (this irks me because he did, he could have run away - he could have not fought Voldemort in the Order to being with. They all had a choice, but not the point). Lily had a choice. And she chose, like many had before her, to fight what seemed like a losing battle. She died, not knowing that she had saved her son. Her sacrifice was meaningless - like so many before her - and yet her sacrifice changed the world.

In the end, by choosing to do what was right, she was granted the wish she most desired: Her son lived.

[biapascal]

I have a request pretty pls 🙏 could you maybe write a lil sumn about the reader/oc being married to acacius in a diplomatic marriage to prevent war and show that her country surrenders and they sent her as like a prisoner of war/hostage princess situation. the reader/oc loves Marcus but doesn't think he'd choose to love her over roman beauties and Marcus doesn't want to force her into anything bc of the politics. With like whole lots of yearning, jealousy, angst and oh, more yearning, and the delicious most happiest of endings pls pls pls

Hi honey! 🫶🏻✨ I hope this is enough 🪶

Duties

Tw: forced marriage, loss of virginity mentioned.

First, they killed your soldiers while destroying your city. You saw the streets you walked in your childhood reduced to ruins. The houses were graveyards. They have taken everything and everyone away from you, even from your family. When they brought you to Rome, you were apparently too pretty to be killed. You could have been a slave, but the emperors had other plans for you. You became the general's wife. As your husband, your life was his property as well as your body. In Rome, before the wedding, the girl is supposed to leave everything from her childhood home behind. You couldn't do that because you had nothing left. They took care of you on your wedding day. You had to be a pretty thing for your future husband, nothing more than a doll, like one of those you used to play with as a child. During the ceremony, Acacius was stoic. You were forced to smile and had the impression that he knew this, but couldn't tell what he thought about it. It was almost as if marriage to a beautiful woman was a duty and not a gift from the gods. You were then taken to the house of Marcus for the last rites that would lead to the loss of your dignity. Paradoxically, your husband should have cleansed you with spring water. Meanwhile, the thalamus was prepared. Crocus flowers, considered by the Romans to be a powerful aphrodisiac, were scattered on it. After these rites, you were undressed by an older maid, who also removed ornaments and jewelry that could be dangerous to your husband. you were naked, shivering, your eyes colder than your body. Your sight was blurry and you tried not to look at him. "Can we blow out the candles?" you asked the maid. She shook her head. "You have to see him, now I'll leave you two alone." You finally looked at Marcus and you didn't care that he was a trained general, you would never let that man deflower you. You would rather be killed than to have to carry his child. "Just kill me already, because you are not taking me tonight" you spat. He didn't react. You reached for something to cover your shaking body and jumped when you felt his hand on your arm. "I'm not going to take your virginity tonight." Your expression hardened. "Be a good wife, do as I say, go where I suggest, but know that I won't rape you.” He seemed so serious, you almost couldn't believe it. Then he also covered himself. "Now lie down” he ordered. You slowly did as he said. "Tomorrow they will ask you what happened tonight. Lie, tell them it was painful" you nodded, holding your breath. You fell asleep crying, but you were glad he didn't touch you. The next day, as expected, everyone asked about the first night of marriage. Lying wasn't hard, the other women believed you right away. Life in Rome was depressing. You missed your hometown, the way your people used to act, the typical food. You missed your family, the laughter of the children, your own laughter. Every night Marcus was aware of it and heard you sobbing. He knew it was his fault. The emperors wanted a Roman world, without borders. He was forced to kill and take things from people, but he was not used to it. With you he was gentle, you found yourself searching for him more than once, and you hated yourself for it. "Can I talk to you?" You were in the garden, praying to your ancestors. You nodded and he sat down. "The Romans are greedy. We don't want freedom, we want power."

"We?" you caught him off guard. "No, actually I don't care about power, but I don't expect you to believe me" you gave him a lame smile. "I have to do what the emperors want, and what they wanted back then was your city.” He apologized and you couldn't forgive him. But you felt he was being honest.

February came, the month of rebirth, the Romans had to pay homage to the god Lupercus, and you were still a virgin. the passage to adulthood and the fertility of women was celebrated. Rome was chaotic and several women and men approached you. It was clear that you wanted Marcus to be with you. You couldn't find him and were pulled into the middle of the crowd. He had always given you the impression of being a man true to his own integrity. But you did not know if he was in a brothel on this occasion. "The General's wife!" Two men grabbed your hand and you tried to free yourself. "Come on" they dragged you away from the crowd, and you begged them to let you go. "You should be used to this" one of them said. They were beginning to get irritated with your stubbornness. They were in a hurry to have a look at you and consume you. “Let me enjoy my wife” Marcus arrived. “Won’t you share her with us?” He kissed your cheek and shook his head. "No, I won't share my treasure." You felt strange, you really enjoyed that touch. After that night, you began to soften and you began to know your husband more and more. He was tired, he didn't care about expanding the empire, he just wanted to rest. He was kind to almost everyone, except the emperors. He was wise. He taught you about his ancestors, and you gained the courage to tell him about yours. The nights became your favorite time, you spent hours talking and learning from each other. This was your yearning for intimacy. One night you felt like there were other things you wanted to know, other ways to know him. "I have to be honest with you, Marcus" he nodded. "I'm glad you're my husband. You told me to follow your instructions, but what you have done these months is let me grieve, you have even protected me. Am I still a gift of war or something else?" He approached, his face dangerously close to yours. You felt your cheeks burn crimson. "No” he looked at your lips. "If I may, I'd like to kiss you." You nodded and then felt it. The fear was gone, the mourning was done.

[nagaytoe]

Got a req! Howlw about some angst? What would happen after the bad end?

Evanescent

(Adj.) Soon passing out of sight, memory, or existence; quickly fading or disappearing

Solivan Brugmansia X Reader

TWs: Murder, attempted murder, weapons, just a lot of death in general, loss of loved one, shifting blame, like one mention of necrophilia

Word count: 2.3k

I am currently cooking up 3 more scenarios of what could've happened after the bad end on day 2 but this is the first one that's actually finished (there were just too many ideas popping into my head so ofc i have to write for all of them lmao)

Requests: open

Disclaimer: i tried my best to proof-read it and tried using they/them pronouns but when i first wrote it i used she/her, i just hope i got all of 'em lol

Also, apparently 'whose' can also be used for objects as well and not just for people??? Sounds wrong to me but if the internet says it's right then lets hope its right haha

SPOILERS FOR DAY 2 OF THE KID AT THE BACK

Sol was inconsolable, his face buried in your neck, tears staining your shirt. His arms were wrapped around you but you didn’t reciprocate the gesture. How could you anyways? You were dead. Stabbed by Sol's only friend, Hyugo, who was currently cleaning up the gory scene.

---------------------------------------------------

Just a few moments ago you stumbled upon a horrifying view: Your friend, best friend, and your first love, Jericho Ichabod, laid on the dirty ground of a shed whose door you just broke down, his head barely attached to the neck.

Your knees gave in beneath you as soon as you gazed upon Crowe, grabbing his body, shaking it and willing him to wake up again. How could this happen? He was well liked, nice to everyone he met, who would think about taking his life? You barely registered footsteps behind you because of how loud you were sobbing, but the clanking of metal on the ground didn't slip past you. Turning around, your eyes are met with the sight of someone you didn't expect. You expected a gang leader, a thug, everyone but the one who actually stood in front of you.

Solivan Brugmansia

Just yesterday you befriended the seemingly timid boy and now he was soaked in blood, his red eyes wide as your gazes met.

“[____]...?” Tears of his own started to well up in his eyes which currently roamed over your hunched figure.

“What are you doing here? You're not supposed to be here, you need to leave!” By the end of his sentence he was yelling, tears streaming down his face.

Truly a miserable, pathetic sight.

“You killed him, you killed Crowe, didn't you?” Anger was bubbling up in the pit of your stomach. On the inside you were praying to whatever god was watching from heaven above, if there even was one to begin with, that all this was nothing more than a bad dream, hoping insistently to wake up. However, this was a nightmare you were not permitted to ever wake up from.

“I only did what I should've done years ago.” His words caused you to huff in disbelief, “You're not even gonna deny it, huh?”

“I would never lie to you, [____]” Was he fucking serious? He just killed someone, but at least he's not a liar? What the hell was wrong with him?! You were enraged, he had no reason to kill Crowe, to play god by ending his life and taking your love from you.

“Why? Why did you kill him?!”

"BECAUSE I LOVE YOU! I LOVE YOU AND HE TRIED TO TAKE YOU AWAY FROM ME! I COULDN'T SIT BY AND LET THAT HAPPEN… YOU'RE MINE! MINE ALONE!” he finally snapped, showing his true colors. Was everything he showed you before just a facade? It had to be.

The words he just spoke left a disgusting taste in your mouth. Love? Love?! How dare he use this sweet word in such a disgusting fashion? How dare he taint it in order to justify his vile actions? It made you sick to your stomach and you were blinded by rage as you lunged at him.

“YOU MONSTER!”

You unbuckled the strap of his choker and pulled on it, strangling him in the process.

“YOU LOVE ME?! I LOVED HIM! HE WAS EVERYTHING TO ME! MY BEST FRIEND, MY FIRST LOVE, MY SAVIOR! YOU ARE NOTHING TO ME, I DON'T EVEN KNOW YOU! DON'T YOU DARE IMAGINE YOU KNOW ME IN THE SLIGHTEST! I WILL MAKE YOU PAY FOR WHAT YOU'VE DONE!”

Sol was clawing at your wrists by now, but it was no use, every action of his seemed slow and heavy, as if it took a lot of effort, almost as if he was paralyzed.

His hands fell to the side and just as you thought you managed to avenge your love something sharp pierced through your chest.

--

Here you were, taking your last breaths in the arms of the person you despise most.

“[____], please… please stay with me… don't leave me [____]...” his pleas were a stark contrast to what he is screaming at the person who stabbed you.

“HOW COULD YOU!? ARE YOU OUT OF YOUR MIND?!”

Then he went back to sobbing into your shoulder. He seemed completely out of it, switching between grief and anger every other second.

You couldn't seem to make out the words your killer was saying, everything they said was incoherent, except for the last two words:

“No witnesses.”

---------------------------------------------------

“What do you plan on doing? Hold them until they start rotting?”

Hyugo was standing in front of Sol, who was still sitting on the ground, sobbing and cradling you in his arms. After he managed to clean up the scene, the only thing left to do was the disposal of your corpse.

“Just kill me alongside them.” Sols voice was quiet, barely above a whisper and it was strained from crying and screaming so much. It hurt Hyugo to see his best friend like that.

“You know very well I can't do that.”

“YOU WERE ABLE TO KILL THEM THOUGH! I JUST GOT THEM BACK AND YOU TOOK THEM FROM ME!”

Hyugo couldn't hold back his anger anymore. How could Sol still fail to see that this would've never worked out either way?

“THEY TRIED TO KILL YOU!”

Hyugo sighed deeply in an effort to calm himself before continuing, “Even if I had only knocked them out, do you think they would’ve forgiven you for killing Crowe-”

“Don't you dare bring up that bastards name. All of this is his fault anyways. If it hadn't been for him… me and my sweet [____] would still be together now…”

Sols voice was laced with venom as he gripped your body tighter. You have stopped breathing by now, the color has long drained from your face and the warmth of your skin has vanished. All that was left was an empty shell of who you once were.

Just yesterday, you were breathing, talking, laughing. Now? Now you will never be able to do any such thing again.

“It was you or them, Sol. I need you to understand that. Do you truly believe they could've loved you back after finding out you killed someone? Do you think the two of you would have lived happily ever after?” The blue haired man was trying his best to reason with his best friend, but to no avail.

“We could've made it work, I know that we would have… We were destined to be together, there wouldn't have been any other way…Maybe I should just keep them…”

“Sol.” Hyugo put his hand on the taller males shoulder, who was still sitting on the sheds ground. “We need to bury them.”

Sol seemed to be pondering for a moment, the hold he had on your body relentless.

“I can't… I can't let them go. They're gonna be really scared if we bury them and leave them in the darkness forever…”

“Sol, I'll repeat myself one last time. We need to bury them. What else are we supposed to do with their body? Keep it?” Hyugo put his hands on his hips, his patience wearing thin.

“I see no reason to not keep it…” the males words were muttered, but his friend was still able to hear them.

“You can't be serious! Do you know what happens to a body when it decays? They'll have 2 weeks at best before there's nothing left of them, except for the bones.”

Sol knew his friend was right, but how was he supposed to let go of you?

“They deserve a gravestone… a funeral… they deserve a memorial and not to be buried in the woods like some dead animal…”

Hyugo sighed. He knew that there is pretty much nothing he could do right now to convince Sol to do the right thing, he will keep arguing until he gets his way.

“What's your plan?”

Sol considered his options for a few moments before responding,

“Let's call the cops, make it look like an accident or shift the blame onto someone else”

Hyugo scoffed, “And what do you plan to tell them? We don't exactly have an alibi and there aren't that many families with Katanas either, you know? The only other family I can think of right now is Subarus.”

Red eyes met Hyugos teal ones, it's obvious an idea struck Sol. “That's right…”

Hyugo immediately cut Sol off before the latter could finish his sentence.

“Absolutely not! I will not drag my brothers family into this.”

“He doesn't even like you!” Sol retorted.

The shorter males eyes grew wide for a moment, but he quickly regained his composure.

“You know what? Do whatever you want. Keep their body like some necrophilie if that's what you desire.” Turning on his heel, Hyugo began walking off. He already took care of everything necessary, cleaning the scene and disposing of the weapons alongside Crowes body. He was not in the mood to argue with someone whose judgment was clouded and wouldn't even listen to him in the first place.

Sols rage grew stronger by the minute. How dared he? Hyugo killed his one and only soulmate in cold blood, like they were nothing and now he walked off just like that? No… No, he won't. Sol won't let that happen. He couldn't let him disrespect you like that. Carefully lowering your body to the ground and standing up, just as Hyugo walked out of the cabin, Sol quickly lunged at the shorter, unsuspecting male.

If there was one thing he knew, it was that Hyugo might be good with weapons but he wasn't all that strong physically.

Well, at least he was weaker than Sol. Since Hyugo buried his katana alongside any other evidence all he can fight with were his bare hands.

“SOL, GET OFF OF ME!”

Sols hands wrapped themselves around Hyugos throat, just like yours were wrapped around his not even half an hour ago. Pressing his friend's head into the dirt ground, Sol is blinded by rage. Hyugo clawed at the taller males wrists, kicking him but Sols grip won't loosen. Letting go of the hands that were wrapped around his throat, Hyugo felt the dirt ground around him for something he can potentially defend himself with and sure enough - he managed to grab ahold of a rock, swiftly smashing it against the side of Sols head.

The taller male staggered and collapsed on the floor next to Hyugo, who hit the exact right spot to knock someone out.

Hyugo stood up, dusting off his clothes and sighing. What a mess. He knew that he needed to get rid of the body, even if it'll drive Sol further into madness.

So that's what he did. He buried [____]s body deep in the forest before sitting down by Sol's side, waiting for him to wake up.

—————————

Sol didn't attempt to kill Hyugo again after the first time, though part of the reason might be the ax Hyugo found in the shed and kept on him afterwards for self-protection. Either way, Sol acted like Hyugo didn't exist. To him he was dead anyways.

He tried his best, tried to go to school but the next days there were hell. People talked, gossiped, conspired as to what could've happened to [____] and Crowe. Were they kidnapped by the mafia? Did they commit suicide together? Did they run away together? Did they join a cult? People made up all kinds of stories in order to make sense of the situation, but only Sol and Hyugo were the ones who knew the truth.

After a few days, Sol stopped going to school. He couldn't handle it any longer.

Every time he sat in his classes he would draw you, instead of paying attention to what the teacher was saying.

Every time he sat in art class he was met with the sight of your unoccupied seat.

Every time lunch break rolled around he would go to the library where the two of you met and sit down in the seat he sat in on that day.

After school he would go to your apartment complex and break into your apartment to lay down on your bed, hugging your sheets and pillows, pretending they were you.

Hyugo never told Sol where he had buried you, too anxious about what Sol might do were he to know where you've been buried.

Not even a week passed before Sol decided what he had to do next.

On monday, almost a whole week after your death, Sol went back to school. The place where he first saw you, where he fell for you and in whose proximity you had died. Though, instead of attending class, he walked up the stairs to the school roof. The cool november breeze brushed over his face, twirling his hair and swaying single strands from side to side.

He climbed over the fence, briefly sitting down on it.

There was no further purpose in living, that, he was sure of. He lost his only purpose and what meaning does life have if it has to be spent without you, his darling?

All he could do was atone for his sins.

His mind is occupied with memories of you as he leapt forwards, clutching his fist to his chest where his heart resided.

“See you soon, pumpkin.”

Everything went dark as his body met the ground. There was no pain, there was no afterthought. All that's there is nothingness.

Of course, to the people now surrounding his body there was a gruesome scene, perhaps they would prefer nothingness as well. But if there was nothingness, there would be no note either, tucked away in his fist.

“In the forest”, the note read.

Sol promised to atone for his sins and he would never lie to you, remember?

[ellevandersneed]

Kamala Harris spent a large chunk of the tail end of her campaign trying to appeal to the median republican voter and lost. "dems are a minority" in the sense that the voter difference in the 2024 election amounts to a difference of less than 3%. Trump still got less votes this time around than Biden achieved in 2020. The average voter is not ride or die for any particular candidate or, really, any particular party. The majority of voters are currently registered independent, half of which "lean" republican. This does not mean that they are ideologically, inherently aligned with Trump and crave his policy, or are staunchly anti-abortion and pro-Israel. People vote because there is a psychological expectation to choose A or B, and as Harris constantly told people she "wouldn't be much different from Biden," which, for a lot of people, meant that the economy would not change for the better. US Americans seem more interested in a lower cost of living than anything, and I imagine the allure of Trump, who again, promises "something different" gave them a potential "out" from rising costs. You talk to me about how anyone offering a "simple solution" is a fool or an extremist, but you are also vastly oversimplifying things (both the US election, US democracy as a whole, and Israel).

"But whatever the right or wrong of 1947 was it was 80 years ago." OK. Let's drop the past and look at the present. It makes sense to think that Israeli Jews have a right to live where they are born, sure. Simple, straightforward morality. Do the Palestinian people have that same right? Amnesty International posits that the state of Israel is committing the crime of apartheid against Palestinians living in Israel and in the occupied territories.

Here's another for you.

The Jerusalem-based nonprofit, B'Tselem, outlines how the Israeli government demolishes the houses of Palestinians suspected of committing crimes (or, what is much more common, suspected of being *related* to Palestinians suspected of committing crimes) as a form of "collective punishment," forcing those Palestinians to relocate. If the US government did this to its black and/or Hispanic citizens, how would you feel?

Human Rights Watch put out a report citing several people who have held high ranking positions in the Israel government, who admit to an apartheid state created by Israel and used against the Palestinian people.

The Israeli government segregates Palestinians based on race, blocks aid from going into Gaza, and bombs people indiscriminately.

The first link I share in this reply, from Amnesty International, has this to say on the de jure discrimination against Palestinians in Israel and the Occupied Palestinian Territories:

Israel denies Palestinian citizens their rights to equal nationality and status, while Palestinians in the OPT face severe restrictions on freedom of movement. Israel also restricts Palestinians’ rights to family unification in a profoundly discriminatory manner: for example, Palestinians from the OPT cannot gain residency or citizenship through marriage, which Jewish Israelis can.

So there is clear discrimination against one type of person, but not against another.

We can talk about the war crimes Israel committed during Operation Cast Lead during the 2006 "Gaza War," the war crimes committed by Israel during the invasion of Lebanon, or the war crimes committed by Israel during the Six Day War. Most moral army in the world, folks! Clearly nothing has happened since 1947; the Palestinians, who are all apparently to blame for anything Hamas does, though I doubt you'd think that all Israeli Jews are to blame for the extreme actions of it's government and "Defense" Force," (but hey "it's the only democracy in the middle east, and since majority rules in a democracy according to you, I guess the majority of Israeli Jews love committing genocide! Somehow I doubt this) just need to keep their heads down and believe in peace and order (not complaining while the Israeli government displaces, starves, and murders them.)

Change, or go fuck yourself.

was watching this video the other day and Ilan Pappe makes a pretty good point, where the reason why Israel doesn't have a major left wing (and if it did at one point, it definitely doesn't anymore) is because people can see through the logical fallacy of "progressive settler colonialist genocide" and I feel like the same thing is happening with the Democratic Party in the US, where you can't be the party of social equality and violent imperialism at the same time without becoming a walking contradiction, and this is probably why a lot of leftists get filtered out at the lower levels of the party while the leadership remains staunchly conservative in everything other than slogan

[dp-marvel94]

Real -Chapter 1

Summary:

While hiding from his parents in Gotham, an ill-timed encounter with his neighbor, Jason, has Danny pretending to be his own twin. Fortunately for Danny, the more he pretends the easier it gets. Until he is not pretending at all. Or: Danny names a duplicate and via ghost logic, said duplicate ends up becoming real.

Next->

Also on AO3

Notes:

This story was written thanks to @jackdaw-sprite who commented on a Tumblr post a wrote asking what I should write next with "I haven't read nearly as many of your works as I'd like to before saying which ones I'd like to see continued, but there's one where Danny names a duplicate, and because of ghost logic, the duplicate becomes real. It feels like such a neat idea to play with!" So here I am writing a whole fic about it! Structurally, this is still very much half-fic outline with some important scenes written out. I'm not planning on expanding it beyond what it is. Still, I hope you enjoy the story. :) A note for readers, those here for the DC content especially: this is very much a Danny heavy fic. The focus will be on Danny and Jamie's relationship as the clone goes from just a duplicate without its own life, to a real person with his own identity. The Bats, Jason especially, will be present, and important for Jamie becoming his own person. But those relationships are definitely secondary to Danny and Jamie's.

After a reveal gone wrong, Danny runs from his parents and the GIW. Soon, he finds himself living in a crummy apartment and trying to keep a low profile. He doesn't have very much, so he is very excited to find an actually in decent shape couch that someone was throwing out. It's late so, figuring no one will see him, Danny duplicates to have two pairs of hands to get the furniture up the stairs and into his apartment. 

Of course, Danny does get spotted by his neighbor, Jason, who offers to hold doors open and help with the unwieldy couch. Names are exchanged: Danny and, after a pause as Danny realizes he has to come up with something for his duplicate, Jamie. The "three" manage to get the couch inside. But now Jason is worried about what appears to be a pair of twins, 16 years old at the most, living alone in the apartment with one ratty couch and a bookbag between them. Jason isn't pushy or overly concerned, but he does make a point to check on his new neighbors regularly. 

After the second time running into Jason and being asked about "Jaime," Danny realizes he's going to have to pretend to be his own twin. Duplication is very helpful for that, though he tries not to do it too often and for too long; it does use a lot of energy. He'll just have the "twins" make regular, short appearances together. It's not like he's trying to get close to anyone in Gotham 

But inevitably, short appearances escalate into having dinner with Jason. The first is a one off; man claimed he made too much and Danny didn't really have money for food. Plus it was really good. Accepting the hospitality just this once wouldn't be that bad. Of course, "Jamie" has come to dinner too.

One dinner leads to more meals with his neighbor, to Jason trying to teach "the twins" to cook more than easy mac. 

Jason's youngest brother meets the "twins" when he pounds on the door during dinner and barges in, complaining that "Father is being unreasonable" and had ground him.

Damian and "the twins" end up huddling in Jason's apartment during Danny's first rogue attack since he arrived in Gotham. Jason ran off as soon as the alert went off, claiming that he was needed at the fire station where he worked. He pointedly says that Damian can stay and look after his non-Gothamite neighbors since he's grounded. The preteen is prickly but does stay put. Danny starts to get restless, unable to re-merge and starting to fear that his energy will waver and "Jamie" will pop out of existence. He nervously eyes the door and Damian threatens to stab him if he tries to leave, saying that "Todd is apparently fond of you both and will be quite peeved" with Damian if something happens to Danny and Jamie. 

Well.... Jamie will definitely disappear if Damian stabs him. So Danny manages to maintain his duplicate for five hours, more than twice as long as any time before. By the time the threat is over and Danny can go back to his apartment, he is straining, desperately trying to hide how exhausted and shaky he is from the excursion. He loses hold of the duplicate as soon as the door is closed.

Despite the hardship, maintaining a duplicate is somehow so much easier after that. He can stay duplicated for longer and gradually, he realizes controlling the secondary body is becoming easier. At the beginning, he needed a lot of effort and control to pilot the duplicate, having to mentally direct it to speak or move. He played "Jamie" as being shy and quiet, so there was less talking to dictate. But overtime, the need for mental prompting becomes less and less. Playing "Jamie" became more automatic, more instinctual. Almost like the duplicate runs on auto-pilot, mostly acting how Danny himself would, though more reserved. To an outside perspective, it looks like "Jamie" is finally getting comfortable and coming out of his shell. But to Danny, this was a relief, spending less energy running his duplicate and less time worrying about being found out.

Slowly, Danny meets more of Jason's family. One of Jay's brothers, Tim, runs into him at his coffee shop job and, blinking sleepily, asks which twin he is, before realizing that Danny is wearing a name tag. This leads to Danny's coworkers finding out about "Jamie" and his "twin" visiting him at work.

As the act grows and more people end up meeting "the twins," Danny spends more and more time pretending to be a pair of twins in more and more ridiculous situations. Playing both of them gets easier and easier, more and more comfortable until the twins can banter, share inside jokes, and tell stories from their childhood. Maybe it is intentional, maybe it's subconscious. But slowly, differences develop to differentiate the twins. "Jamie" is growing out his hair. He loves toast and watching documentaries about history. Danny, more and more convincingly, pretends to have a brother until at some points... it no longer feels like he is pretending.

Despite his new friends, Danny is still so lonely. The apartment is still almost bare, the money he gets from his job barely enough. It's never the job he wanted; he wants to be in school now, applying to colleges so he can get into NASA. But he can't do anything to draw attention to  himself, not with the government breathing down his neck or the danger of the vigilantes running him out for being a “meta”. And he misses his friends and sister so badly.

One particularly hard night, when he is heartbroken and hurting, Danny lies on his second-hand mattress in the dark, weeping. He mourns his parents turning on him, his heart aching for Sam, Tucker, and Jazz. He wishes more than anything that he was not alone right now.

Suddenly, there is a yanking on his core that leaves his gasping. A full body pulling sensation that almost feels like being peeled, except somehow it does not hurt. A second later, it is over and through his blurry eyes, Danny can barely make out a figure kneeling in front of him. Arms coax him into sitting up and pull him into a hug. Danny cries for a long while, not thinking about what just happened, not thinking about what... or who... is holding him. He just accepts the comfort, savors the feeling that he is not alone.

Finally, after the tears slow, Danny pulls back and looks. He lets himself realize what he is looking at. And as he takes in eyes like his, the feeling is something between awe and fear. There is a light in the blue eyes, a spark that he does not recognize. 

And as the brow wrinkles in confusion and the mouth slowly works, words spiral out. Words that Danny could never have predicted.

"If we... if you keep doing this..." Each word is slow and deliberate, as if each takes great effort. "This...." One hand motions slowly, vaguely, as if un-used to movement. "Jamie won't be a lie anymore."

Danny is stunned. He stares for a long while, unable to process. He does not understand what the words mean, why the spark in those eyes makes him just as elated as it makes him afraid.

So he takes the duplicate's hand and pulls the ecto-energy back inside himself. He reabsorbs it and "Jamie" disappears. And Danny thinks.

Slowly, he realizes how easy staying duplicated has become, how distant and foggy memories from his duplicate's perspective are. He replays the words in his head. 'If you keep doing this... Jamie won't be a lie anymore.' He wonders if they mean what they suggest, and most startlingly.... he wonders where they had come from, if not from himself.

For a few days, he avoids anyone who has met the twins or claims that his "twin" is busy whenever someone asks. But inevitably, his trusty neighbor Jason notices the avoidance and invites himself over to cook dinner. Reluctantly, Danny duplicates; there is clearly no avoiding this conversation.

The dinner is awkward. Danny has a hard time looking at Jason.... and an even harder time looking at his seeming twin. None of the three say much and by the end, their neighbor huffs a sigh and says his piece. 

“Look. I know that no one, especially two teens, live in a shitty apartment in Crime Alley if they can avoid it. I don't know if you got kicked out, ran away from home, are hiding from something. And I don’t care. I won't ask. But I was an alley kid. I lost my mom younger than both of you, ended up on the street. I know what it's like just scraping by, trying to survive all on my own.  That's why I look out for the kids here. I want to help you guys, no matter what your story is.”

Danny stammers out a disbelieving thanks. He is touched, really, despite the fear of discovery, of vulnerability quivering in his heart. Jason is a good guy and it feels good to have someone who cares. But... the maybe-not-a-lie sits on the couch beside him. A story he could never hope to explain...

Jason smiles, ruffling both of the twin's hairs. He stands to leave. "Take care," he says, almost afterthought. "You're lucky to have each other."

"Jamie" seems to lean, just the tiniest bit closer to Danny at the words. 

Jason leaves and it is just Danny and his duplicate. The half ghost releases a breath, letting some of the tension release. He reaches to reabsorb his double and-

A shaky hand grips his forearm. Danny looks, meeting the blue eyes. The spark is back, just the smallest hint in the posture that something is different. Slowly, the brow wrinkles, becoming something worried.

"What is it?" Danny finds himself saying, as if he expects a real response.

"Have... each other." Again, the words are slow as if just the act of thinking is hard. "Not a lie."

Now Danny's brow is wrinkled. "Not a lie? Are you saying that's true? Or asking if it is?"

"Not a lie." The words repeat. "Jamie not a lie."

Danny's stomach knots. He’s heard his duplicate speak dozens of times, even been surprised by some offered puns. But this…

“Not a lie.” One more repeat, this one faster, surer, almost desperate.

Danny looks up again. “Jamie.” He says the name. He’s spoken to his double before in front of other people, as part of the act. But this… it feels as bizarre as it feels right. “Jamie…. Are you… real?”

For just a second, there is something like hope in the other’s eyes. Then, the brow furrows in great effort. “Yes… No….” One more longer, unsure pause. “Becoming.”

“You’re… becoming real?” The words are breathy. Danny isn’t sure whether they make him feel that same hope, or if he feels sick.

The half ghost looks away, staring down at his lap. He doesn’t know what this is, how this is  happening. A moment of panic stabs. Is he sick or insane? Or… is it a trick? A trap?

Danny reaches with his mind, trying to feel. A parasite infecting him? Another ghost, trying to overshadow. There is a connection, a bundle of a dozen fine threads. It is a link to… something not quite separate. Danny feels the almost presence at the end, the not-quite himself he is speaking with. And… It is like cradling a baby bird. Small, fragile, and so young. No malice, just pure innocence.

The half ghost looks up again. His hand shifts, feeling the cold flesh. His fingers press, the almost flutter of a heart beneath the skin.

The awe from that late night rises, a question echoing in his head. What happens if he lets this  continue? 

He… won’t be alone. Danny remembers that night, crying on his mattress and desperately wanting comfort. And all those times hanging out with Jason. The jokes and banter started as an act to sell the lie. But… weren't they so much more now? Danny had pretended to have a brother and in pretending had imagined one… Now that brother, that twin sat beside him. 

But at the same time… fear spiked. What would happen if he didn’t stop this? Could he even stop this if he wanted to? It feels inevitable, unstoppable. Not if he stays living next to Jason. But… if he tells the truth? Or if he runs, starts again somewhere else. He could reabsorb his duplicate now and let this whole thing fade into memory. Jamie would disappear…

A wave of fear surges from outside himself. Danny meets terrified eyes. Something in him softens, crumples.

“Jamie?” Danny asks again and can almost feel the heart-flutter solidifying. “Do you want to be real?”

There is a pause, the fearful face becoming something narrowed eyes and sure. “Yes.” So much determination. Danny feels the one thread of dozens snap.

“Alright then.” Danny heaves a sigh, deciding. 

He will hold out as long as he can. He will stay duplicated, keep Jamie here until he’s not a duplicate at all. Jamie will be real.

[lunaroracleofvenus]

The Best Way You Can Spiritually Protect Yourself - PICK A PILE

What is Spiritual Protection? Spiritual protection is about being protected from what may harm us spiritually.

how we protects ourselves spiritually is very personal to one's own source of magic, ancestors, and spirit guides. let's divine to see what is your unique method of spiritual protection.

LEFT TO RIGHT

P1 -> P2

P3-> P4

Pile one

Tending to your emotional state is the best way to protect yourself spiritually. You might be a person that overthinks, procrastinates, and has a lot of anxiety. Anxiety and mental health is very human and very natural. You can protect yourself more spiritually by tending to these issues, nourishing yourself. it ‘s okay to have a bad day. It matters more how you bounce back. Connecting more to the divine will also amp up your spiritual protection. Whether that’s praying more to your god, ancestors, or spirit guides. Just pure connection will amp up your protection. Fill up your cup, and walk towards the dreams that exist within. If you ever feel you are unprotected spiritually, do something you enjoy or nourish your mind.

Pile two

Tending to the connection you have with your inner child is the best way to protect yourself spiritually. Moving forward with a more childhood innocence will protect you. You know the saying ignorance is bliss? Well, pile two ignorance is certainly your bliss in this circumstance. The energy of charting forward, with fierceness, strength, and faith is how you can best protect yourself spiritually. Embody this energy and mindset. The sun archetype is very strong in this pile. Strengthen your I AM, and solar plexus or even research more about Christ consciousness. This is an ethereal energy of confidence, strength, fierceness, and lightness. This energy feels good and makes me want to dance pile two lol. You might be the type to overthink spiritually, relax into the energy of spiritual ignorance. You do not need to know everything, and you won’t. That’s okay. Of course there’s balance, always do your research but not to the point of exhaustion, anxiety, and fear. You are most protected, and safe when you lean more into this child archetype spiritually. 

Eternal Beings - Gayathri Krishnan

Phenomenal -  Janelle Monae

Pile three

Stillness, contemplation and meditation are the best ways you can protect yourself spiritually. You might be bombarded with lack of progress, delays and obstacles. Attempting to force what does not fit. I am hearing you are being protected by these alleged delays, and to rest more. When you lean into this energy, things pan out better for you and thus you are more spiritually protected. You are getting the fruits of divine alignment and protection through stillness and introspection. Through apparent delays you are becoming stronger in mind and gaining greater patience. These attributes may be very important in creating more abundance for yourself. Do you have Saturn in the 2nd or 6th house? Anyway, just keep your mind focused on what you desire and relax. You will get what you want. This is only a saturnian delay. Where Saturn delays but never denies. So if you ever want to feel more protected spiritually, just stop and meditate. Go within. Perhaps visualize. 

Pile Four

You may need to check out pile one, there are some similarities here. You are spiritually best protected by breaking old traditions and doing what makes you happy. There is something here about family or ancestral traditions. You may need to break some toxic patterns or follow your own path spiritually. There is also a lack of stability here. You are best protected spiritually, by following your personal joys. Your unique path is divinely protected and ordained. You are enough. You are enough as you are, and your path doesn’t need to look like others. Your authenticity is self protection. Connect more to the moment, and connect more to yourself. Going outside and being in nature might be highly effective for your spiritual protection as well.

[homeofhousechickens]

Arctic Eggs and CHICKENS ramble

There is a ton of themes and stuff and different interpretations going on in this game but Im going to just talk about the chickens an the stuff i noticed.

To start off, the chickens are modeled after a red sex link production hens a type of hen bred for egg production at the cost of their lifespan. Battery hens rarely make it past their second birthday. Im not sure if the devs chose this breed on purpose or if it was just what a generic chicken looked like in their mind. Maybe they chose this breed because a white chicken would be washed out in the arctic environment.

The game starts with the player looking at the chickens in the cages and it brings up a lot of questions. Why are there so many chickens? Why are we the player character here? After you walk through this poultry prison you are tasked with the job of a poultry prepper meaning you cook eggs. It doesn't matter how many eggs you drop there is always more to fall into your pan. Its interesting to me that there is a surplus of chickens and eggs but their is apparently a food shortage going on in the game.

I think the player character has much more in common with the battery hens then they realize. It doesn't matter though you are greeted with the first line in the game, "Can you fry eggs ontop of Mount Everest?" It seems like and irrelevant question and in a way it is.

This game is quick to show you that you have very little freedom, same with the people you are cooking for. A lot of people are hungry and its not really for food is it? You cook cigs, bullets, beer, sardine cans and cockroaches. Eggs are not the only thing on the menu.

As you play the game multiple people tell you they are caring for the chickens but they are worried about what happens to them when they get taken away. Many seem quite distraught that they aren't being told what is happening to them especially since eating poultry has been banned (but not eggs). Some people still think about eating the chickens but are quickly disgusted by it soon after. One person even said they all "taste like tomatos now"

We can almost see this worry about caring for something and having it be taken away paralleled to the robot prisoners and their cockroaches, one of them weeping over the roaches you cooked for them like they were their own children. We can assume people also get taken away in this game, we see the prisons and the discarded brain in the garbage after all. Maybe this isnt about losing the chickens or the roaches? Maybe the poeple raising the chickens wish to know if they are being eaten?

There is no privacy in this game, people squat over toilets full of feces in front of everyone and the prisoners do the same as the guards watch. It reminds me of the conditions of a chicken battery cage, cramped and full of feces. These people are living very similar lives to the chickens with little freedom to choose how they live.

After feeding the necessary amount of people you go and meet the Saint of Six Stomachs, the supposed ruler/dictator of this place. He is an amalgam of organs and.. chickens? To me It is implied 3 of his stomachs are hens. You see these trapped chickens right before you see his face. Perhaps this is why chickens are banned because the Saint is made up of chickens, maybe this is where the chickens who are taken away go. This part of the Saint's anatomy fascinates me. You go and cook the hens 6 eggs.

Afterwards you are met with the Saint's head eerily making eye contact from their glass container. After cooking his egg he asks "Can you fry eggs ontop of Mount Everest?" He says he never thought about it since it was irrelevant to him. He is right about that, how would someone in his situation even think about doing that, like you and the chickens he is trapped. Just like to the player character it is a nonsense question that is irrelevant.

The credits roll after you grasp the saints hand, you pilot some kind of fighter plane to a mountain where you have a serious crash landing. As you and your friend look over the wreckage (where you may have died in tbh) you ignore your objective of frying eggs since you abandoned your pan at the Saint's and climb the mountain finding a chicken out of her cage perched on a rock. Maybe the chicken is here because you need an egg or maybe she is here because she made the choice to be. It is quite likely the player character will die on the mountain or is already dead.

The game ends after you slowly reach out and pet the chicken.

This game is absurd and challenging. The surreal vibes can kind of make it easy to not take it seriously especially with all the silly dialog but there is something very special about this game and what it is saying. I think it really "gets" chickens as a symbol as well and it was nice to see a game really use them for its story.

[eregyrn-falls]

^^^^^^ !!!!!

There's so much I'd like to add but it would be carrying coals to Newcastle. Great post! (And a lot of great tag-rants in the notes, too.)

I did want to add one thought to this set of tags from @achromaticegoist, about the punch in particular.

It took me a long while to realize it, but not only is the punch reflective of a whole lot of things about Ford's state of mind on his arrival back through the portral... but, it also serves as some really interesting closure (and I'm not even sure the writers realized it).

In the episode, it's told out of order, so we see the punch FIRST. But later in the ep, when we see the fight that led to Ford going through the portal in the first place, what happens is that he and scan are scuffling, and there's that moment when Ford pushes Stan off with his foot and inadvertantly presses Stan against the glowing (apparently red-hot) symbol on the side of the control panel.

Stan screams in pain, of course. And immediately, Ford is suddenly worried, and contrite. He says, "Stanley! Oh my gosh! I'm so sorry! Are you alr-"

And Stan punches him in the face.

That punch is what sends Ford stumbling out into the portal room and falling against the activation lever; and landing inside the danger zone. Ford does get up, but before he gets a chance to say anything else, Stan shoves the journal into his chest, Ford begins to float, and the disaster unfolds from there.

We don't spend enough time thinking that, basically, from Ford's point of view (if he replayed those last moments over and over in his head, as he probably did), the last things that Stan did to him was: punch him in the face, and then shoving him into the portal. The latter was accidental (though disastrous); but the first kind of wasn't. Ford stopped fighting, switching to concern and apology. While Stan lashing out due to the pain is understandable, Stan's punch is what prevents the fight from being over.

Ford coming out of the portal 30 years later and immediately punching Stan in the face kind of creates a book-end with that earlier punch from Stan, doesn't it? Ford getting to hit back the way he didn't (wouldn't?) 30 years ago. (He stands up, but he just stands there angrily staring at and listening to Stan as he approaches. He doesn't try to leap at Stan again or try to wrestle him for the book, etc. Was Ford, effectively, done fighting the moment Stan got seriously hurt?)

As I said, I'm not sure the writers were thinking about that consciously. I don't remember hearing them comment about it (i.e. that Ford's punch was a mirror of the punch that Stan gave him 30 years prior). But I do like to look at what's written and think about it in terms of, these scenes are deliberately written, the way it goes and the details included are chosen, often at the end of a long process of collaboration. I think that what's chosen for the final version is always very interesting.

And I just don't often see people discuss that moment where Ford stops fighting, and immediately becomes worried and apologetic. Not least because, like... up to that point in the series, we haven't seen Stan be apologetic very often. A few times, yes! And it's always notable when he does it. It clashes with the exterior he presents to the world; the man for whom saying "Please" gives him physical pain, etc. Some of which is meant for laughs, too! And some of which is just the product of being hardened by experience and so on.

It tells us something, I think, that Stan truly getting hurt, and screaming in pain, is enough to end Ford's desire to fight. That even after 10+ years of estrangement, he's that ready to be concerned for Stan; and that he's that ready with an apology. Later reads of Ford (post-portal) will portray him as the man who won't say "thank you", and I have other thoughts and feelings about that. But getting back to this, it's the show's choice to have Ford stop their fight and make a slight turn towards a sort of reconciliation. When they could have easily just had him and Stan keep fighting and struggling and the portal turn on because of that. It's such an interesting writing decision; and I just don't hear people dig into what it means for the characters very often.

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.

[fuck-customers]

Had a customer today order a strawberry doughnut (among a few others), and I know she said “strawberry” because it sounds nothing like “rainbow” and not even in the same way that “two” and “three” sound nothing alike yet I may still mistake them if the road is loud enough. It was “strawberry” —my boss heard her say it too!

I give her her order, she checks it over. “This is the rainbow?” Uh, what? I don’t remember her ordering one—I check my pad, there’s no rainbow, so either she forgot or I didn’t hear (it’s happened). “I got a glazed, a strawberry—” “That’s a rainbow.” All righty then. I take the box back, tell my boss the change, void the strawberry, and charge a rainbow. The difference in price is 95¢. I report this to the customer with an apology, and she does this little “Oh” (the little eye-rolling kind that could just be “Duh, me, would help if I got my wallet back out!” but in this case… probably wasn’t). She tells me she only has her card (we’ve got a card minimum of $3), and I wave her off since this is one of the cases we’ll waive the min, and accept her card.

She starts asking if there’ll be an extra charge for it only being 95¢, and I think she’s asking if the store will have to pay extra—we do, occasionally, get customers who are concerned about us. I don’t like speaking any more than I have to (I have speech issues, and talking takes a lot of breath and energy which I don’t always have), so I just shrug that off too since it’s nbd. She gets angry and starts yelling at me, and I realize she means will she for some reason have to pay more than the 95¢ I’m charging her, so I explain that it’s just the store, that the store has to pay a fee on all card transactions and for ones under $3 it isn’t worth it, but this is one of the situations we’ll accept it anyway. Thankfully, she seems mollified, and the remainder of the interaction passes smoothly.

But this isn’t the first time she’s pulled this shit, it’s just apparently the first time she’s actually had to pay for her upgraded doughnut, or at least the first time when she didn’t have cash.

Because when she did the “Is this the rainbow?” thing, my boss recognized her. She’ll come on Fridays, often during our rush so there’ll be a line of cars behind her, and she’ll order one doughnut and after paying claim she had actually ordered a rainbow. During those times, my boss will just hand her the rainbow doughnut no charge since she’s more worried about getting the line moving than about a single dollar. But after today my boss ain’t gonna let her get away with it anymore.

And like, seriously? Why the fuck would you do that at a small, one-location, family-owned shop? Go pull that sorta shit at a big chain. I thought everyone knew you steal from corporations, not local/ma-and-pa.

No but I hope I remember her next time I’m at the window when she drives up, so when she “conveniently” orders a cheaper doughnut instead of the specialty one she actually wants, I can sweetly ask her, “No rainbow today?” Unfortunately though, while I’m generally good at recognition, I’m shit at association. There are regulars who’ve been getting the same thing for years, and while I’ll recognize them as a regular, I still don’t know their order.

Posted by admin Rodney