#i just found a good bootleg for the lighting thief musical

[amazingmsme]

Epic Odysseus & Lighting Thief musical Percy Jackson are the same to me 💗

[tearlessrain]

time to subject myself to Dracula: The Dark Prince, aka another bad movie starring another dude from black sails. this time with 100% less horny on main because my only real motivation for watching it is it truly looks to be a whole new caliber of horrible and I have to see it.

witness my standards for incomprehensibly bad movies being raised prohibitively high in every way imaginable under the cut

I seriously doubt that.

this was made in 2013 by the way, not 1994 as the graphic design of that logo might suggest

oh good, once again we’re opening with an exposition narrator. except this time it’s a woman and she has less vocal inflection and emotional investment than an amazon echo.

I feel like she’s gonna tell me to turn left in 800ft

it feels like a dragon age epilogue, but just. worse.

WE ARE WATCHING A TRULY HIGH QUALITY MOVIE TONIGHT MY FRIENDS

I can’t even describe how bad this is, you really need the sound. that’s where the true lack of quality shines through. siri’s depressed sister is talking about pre-vampire dracula’s epic feats in battle to more weird sepia dioramas and the dying soldiers sound like they hired muppets to voice them

HOLY WIG BATMAN

also this dude is obnoxiously jovial considering he’s supposed to be dracula, even if this is pre-vampire

oh no dracula’s advisors, who all wear black hooded robes and scowl ominously, have betrayed him and killed his wife, how unexpected

someone drew these, looked at them, and thought “yeah that’s good enough to go in the final movie”

the characters are speaking both english and what I assume is... romanian or something? transylvanian? it’s not spanish or welsh I can tell you that much. anyway there are no subtitles and also no rhyme or reason to which they’re speaking at any given time so I hope I’m not missing anything important. probably not.

so like... they killed his wife, yes. and he went on a murderfest in what appears to be a church in revenge, makes sense. now a dude who... I think maybe he’s supposed to be a priest or something? but he wasn’t speaking english so I can’t be sure, then a voice over said “I have killed for god, the hand that fought for him will now be turned against him” but I’m unclear on who was speaking. this movie is an absolute clusterfuck and we aren’t even five minutes in yet. this is still the prologue.

now zombie alexa claims dracula was cursed with immortality “in punishment for his defiance” but I’m still not sure... what defiance. he killed the dudes who murdered his wife and that’s somehow not okay despite his apparent status as a war hero, a designation that implies a LOT of killing has already happened?

fucking finally, the title screen. usually a prologue clarifies what a movie is about but I went in thinking I knew and now have absolutely no idea what I’m watching.

a carriage drawn by friesians is rolling through a misty forest with wolf howling sound bites playing at random in the background to vaguely urgent music, now this is what I’m here to see.

nevermind the carriage is too slow so they’re leaving it because that’s a thing people do (?????)

“Lady Arwen, we cannot delay”

seriously though everyone’s mumbling so much I can’t understand them much better than when they were speaking whatever the other language was

BOOTLEG XENA RIDES AGAIN

but this time she’s accompanied by esme. we don’t know who esme is yet either.

there she goes

and now the knights are being attacked by hilarious squeaky goblin things? who I guess are led by this power rangers villain with, again, an unintentionally hilarious voice. it’s like a bad batman impression.

with every minute that passes I become less certain of what I’m actually watching.

they’re looking for the “light bringer” and telepathically overseen by the world’s most halfassed lestat dracula

they’ve also got some random prisoners in a cage wagon

okay the prisoners are being taken to dracula’s castle and I’m sorry for such an image-heavy post but I NEED you to understand the community theater level of set design/quality we’re dealing with here

“what is that?” cardboard and mod podge is my guess

so far the only thing esme has done is fall off her horse and be knocked unconscious, and now a Roving Band of Misogynists has appeared to harass Bootleg Xena 3.0 in the most generic way possible (the words “what ‘ave we got ‘ere” accompanied by a chorus of malicious cackling and some whistles have been spoken)

oooh no the ringleader of the Roving Misogynists has been given a name, and it’s ~Lucien~. I have a horrible feeling that I’m about to bear witness to the worst romantic subplot in the history of cinema.

oh for... I thought at least bootleg xena 3.0 would be a Strong Female Character and fight them off, but she just rapped lucien on the head with her sword and then they stole her very important box and left as obnoxiously as they came

OH NO SHE’S ASKING TO GO WITH THEM, SOMEHOW THAT’S HER PLAN I THINK I’M RIGHT SHE’S GONNA HOOK UP WITH LUCIEN AND IT’S GOING TO BE HORRIBLE.

“trust me” she says to esme, who, wisely, obviously does not.

I appreciate the timely thunderclap every single time the castle comes on screen

who the fuck are you, did you wander onto the wrong movie set

nope okay they’re not gonna explain that shot at all we’re just moving on to a shot of a weird angel shadow doing slow flamenco moves on the ceiling while ominously gurgling, and the prisoners being led into the throne room

“what’s happening to us?” I WOULD LIKE TO KNOW THE SAME THING, PRISONER #3

oh never mind that guy from before wasn’t a priest, he is remfield, chancellor of this kingdom, which means the last scene he was in makes even less sense

AKSLDGHJFGAKDLFJGHKAJGHFDKLFDS;GJokay so. remfield introduced himself then said “I will see that your needs are tended to.” then dracula in his new white contacts gets up from his shadowy throne, circumnavigates the cluster of prisoners, sniffs them dramatically, and walks back to his throne. remfield then says, “come, I will see that your needs are tended to” because proofreading is for COWARDS

now remfield is... literally giving the prisoners a tour of the castle and going on the “oh you’re our guests and many pleasures and adventures await you” speech and somehow the prisoners are accepting this despite the fact that they were just carted in on a barred wagon in shackles and got sniffed by a bad alucard cosplayer. they have a fucking harpist.

seriously, who the fuck are you

she’s just been twirling around in the background of this entire scene for no discernible reason no matter what rooms they go into

what the hell am I watching

yeah they’re just going for that incredibly suspicious food and also seem weirdly okay with the ambient clusters of scantily clad lesbians no one will explain okay they deserve whatever happens to them

WHOA TITS apparently this movie is a different rating than I thought

remfield: the newcomers have settled in

dracula: I  d o n ‘ t  l i k e  s t r a n g e r s

then why pray tell have you brought them directly into your home in chains. I cannot stress enough how avoidable this situation was for you my dude

“just think sire, once the light bringer is in your possession no one need die again” “except those who defy me” [ominous chime as the angel shadow on the ceiling continues its sensuous flamenco dance]

meanwhile in the misty blue filter forest of eternal night, some guy in a tricorn finds a gold amulet that I think bootleg xena 3.0 dropped, and the power ranger villain rides menacingly in a random direction for a few seconds

I’m still waiting on whether this masterful display of cinematic calvinball has any cohesive story to it.

ah joy and we’re back to The Non-Adventures of Xena 3.0, Esme, and the Roving Misogynists

as an aside, I’m not calling her that just to be dumb, I’m calling her that because they still haven’t given her a name even though her sidekick got one in the first five minutes

they’ve opened the box and revealed... the light bringer, which is a wooden staff. because it is not shiny gold, the roving misogynists regard it with confounded disgrunglement and scoff at xena 3.0′s insistence that it can defeat dracula

these guys sound like what an eleven year old thinks gangs of ne’er-do-wells sound like. like cartoon weasels, if the weasels were also mediocre pirates who have heard of women, conceptually, but never seen one. like goblins in a pre-written D&D campaign run by a slightly overwhelmed first time DM.

HUR DUR WALKING STICK NOT TREASURE, WOMAN DUMB

it’s what cain used to slay abel, apparently. given that zombie alexa mentioned that dracula is the descendent of abel, this leaves us with the terrifying implication that someone did put at least some vestige of effort into writing this movie.

oh good she’s finally gonna fight lucien

no she failed again. please someone just punch the shit out of lucien so he’ll stop.

NO WHY ARE YOU MAKING OUT STOP IT GOD HAVE SOME STANDARDS WOMAN. STOP PLAYING FLOATY ROMANTIC MUSIC IN THE BACKGROUND THEY ARE LITERALLY STILL STANDING IN THE MIDDLE OF THE ENTIRE BAND OF ROVING MISOGYNISTS

I thought it might at least be a trick but no she is actually, genuinely starstruck over this profoundly mediocre olde-timey frat boy who called her “sweetheart” while she was trying to explain to him why the ancient dracula-defeating relic was important.

this guy.

we did it boys, we found a worse love story than twilight

also I just. I wish I could convey with words the way the roving misogynists react to every single thing lucien and sometimes xena 3.0 says like the world’s worst greek chorus in a literally neverending stream

lucien (post makeout and xena 3.0 explaining again that the relic is ancient and powerful and they’ve searched for ages to find it): well we may not be knights but we can respect that

[cacophony of rowdy but understated agreement]

lucien: what do you think boys, should we give it back?

[assorted grumbles of assent]

xena 3.0: hm, a thief with a conscience

[gruff mercenary-esque chuckling]

lucien: maybe even a heart

[chorus of “ooooooOOOooh”s and some whistles]

it just goes on like that in every scene they happen to be physically adjacent to, they never shut up but also never actually contribute or say anything meaningful

ah, the mysterious leonardo has appeared. I think he was the one they were trying to take the light bringer to so that’s handy

“what is happening here? what is this flirtation?? is this the people to share your sacred secrets with???” - leonardo, the only remotely rational person in the entire movie

oh he is schooling these idiots, finally someone with sense. it’s bouncing right off of lucien, but at least he’s saying it.

“the scourge” - leonardo

“scourge!” “scourge!?” “scourge?” “hrgghhg??” “hrrm...” - the roving misogynists

power ranger villain and his squeaking goblins vs leonardo, the most useless female leads of all time, and the roving misogynists. who will win.

not the people watching this movie, I can tell you that much.

oh no, the lightbringer isn’t working. this will do nothing to convince the roving misogynists that it isn’t a walking stick

oop, wilhelm scream

oh no lucien has picked up the light bringer

goddamn it he’s the chosen one isn’t he

yep he activated the stick and now we all have to suffer

oh xena 3.0′s coming for power ranger villain maybe she’ll actually do something

nope she bounced off him and now he’s grabbed her and hauled her onto his horse

“you’re coming with me” he says in his weird batman voice, to make sure the audience can tell that he is in fact taking her with him

and esme has yelled ��no” to make sure we remember that she’s in the movie

wait what the. did lucien just yell “xena” is that her actual name what the fuck. what the fuck. I had to have misheard that. okay I can’t tell what he’s saying for sure but someone’s bound to say her name again at some point in the movie so I’ll revisit that.

and on that note, I think I’ll end here, because there ended up being a LOT more to unpack in this movie than I expected, it’s after midnight, and I’m tired.

tomorrow, we follow lucien as he presumably goes to save some lady he wildly disrespected and then made out with one time whose name may or may not actually be xena, and hopefully figure out what the hell is even going on with dracula, remfield, and their castle full of artfully strewn half naked harpist lesbians and dancing ceiling shadows. because right now I really don’t have time to unpack all that, and I have a feeling it will only get worse.

[geek-patient-zero]

Part 1, Chapter 6

Or: Phantomas of Notre Dame

Blood War: Masquerade of the Red Death Trilogy Volume 1

Paris—March 12, 1994

The official smile of Paris is the sneer. The rich sneer at the middle class. The middle class sneer at the poor. And they all sneer at the hordes of tourists who flood their city each year.

I’ve actually remembered these lines since I first read them as a kid. I don’t know why, beyond it being Baby’s First French Stereotype Joke, but I did. I forgot what book they were from though, so when I reread Blood War and found them again, it was a nice surprise.

Their mockery, according to the guidebooks, is part of the charm of Paris. The city, with it’s great restaurants, fabulous museums, superb monuments, and long history, breeds contempt for the lesser achievements surrounding it. The average Parisian citizen considers himself far superior to anyone from outside the city.

It’s only Paris being singled out here, but still, I want to apologize to any French readers. It isn’t going to get much better for you guys in this book. But hey, at least your capital city isn’t a gang warzone.

That attitude explains, at least in theory, the joy the natives get from telling tales of the Phantom of the Paris Opera.

Not only are Parisians assholes, but they bug you into reading their Phantom of the Opera fanfics.

There’s some cliffnotes about the story (written by Gaston Leroux, demented genius living under the Paris Opera, hideously scarred, etc.), then we learn the titular Phantom is the French equivalent of Australia’s drop bears: a made up monster they tell gullible American tourists about to fuck with them.

Parisians loved to elaborate on the fantasy for gullible tourists, saying how, though he had reportedly been destroyed, the body of Eric, the Phantom, had never been found. And that every year, a few unwary tourists to the Opera House disappeared without a trace.

It was typical malicious Parisian humor. Often, the story was accompanied with a breathless attempt to sell bootleg souvenirs such as an authentic map of the catacombs or a page from the score of the Phantom’s infamous lost opera.

Or those little Mickey Mouse paper dolls that supposedly dance to music but are just attached to a motor by an invisible string. My ma fell for that one.

I don’t know if Parisians in real life actually do this, but it wouldn’t surprise me. I hear the Louvre used to give The Da Vinci Code themed tours. This sounds more fun than that, and less soul-crushing.

I admit that I’ve never read The Phantom of the Opera. I saw the play on an elementary school field trip to Broadway, but I barely remember it. I know the book begins with an intro where Leroux claims it’s a true story, but I figured it’s a true story the way The Texas Chainsaw Massacre is a true story. I looked it up anyway, just so I don’t look like an uncultured moron if I dismissed it and was wrong. Turns out, the story was inspired by a real incident at the Paris Opera where a chandelier counterweight (not the chandelier itself) fell down and killed someone. There was a crackpot theory at the time that the accident was actually an assassination attempt. That’s something I didn’t know. Guess I owe Weinberg one for getting me to learn something.

Back to the story. Parisians like to use the Phantom to fuck with tourists, but there are other stories they don’t tell them. Stories that poor shopkeepers tell each other behind closed doors like the superstitious European peasant stereotypes they pretend they aren’t. Stories that were handed down from generation to generation about unexplained disappearances plaguing the Île de la Cité (aka the place where the Notre Dame cathedral is).

Common to every narrative was the same name. A title that when said aloud could cause the most elegant Parisian to blanch in terror.

What, Quasimodo’s some kind of French cryptid too? I know the original book character wasn’t as nice as the Disney version, and he’d be an obvious candidate for a Nosferatu (or a Ravnos if you wanna be a dick) but he was hardly-

Phantomas.

Oh. Alright, yeah, different literary character, but I can go along with it.

Officially, the French Sûreté (cops, pigs, po-po, babylon) dismiss such rumors as the insane ramblings of demented poets living on the West Bank. No mention is made of a file, five inches thick, hidden deep in the files of police headquarters. Contained in it are hundreds of reports, dating back a hundred and fifty years to the time of Chief Inspector Vidocq, detailing the circumstances surrounding hundreds of disappearances in the vicinity of the famous cathedral of Notre Dame.

I bet at least one report blames Quasimodo.

One actual report is a six page article, never made public, by a historical commission about the hundreds of myths and legends surrounding the church, all connected by a ghostly figure seen in the Cathedral at night. I’ll give you one guess at what it actually is.

Though he is called by a dozen different names in the tales, he is always described as incredibly ugly. And a drinker of human blood.

Yep. A goddamn mage.

In turn-of-the-century France, the vampire’s name had gained such notoriety that a series of mystery thrillers featuring an arch-fiend called Fantomas became best-sellers. None of the stories explained the origin of the mastermind. Or why he preyed on the citizens of Paris. They were works of fiction, not fact.

In case old French pulp isn’t your thing, Fantomas, spelled with an F, was a character created in 1911 by Marcel Allain and Pierre Souvestre. He’s a master criminal like Arsène Lupin, except instead of a gentleman thief he was a sadistic murderer and Grade-A pure evil bastard. There’s nothing supernatural about Fantomas. He’s just a regular human who’s really good at murder, framing innocent people for said murder, and getting away with it. Apparently, thanks to the 1960′s film trilogy, he’s usually remembered in French pop culture wearing a blue mask that covers his entire head.

You can see how that guy would inspire a Nosferatu character. Also Destro from G.I. Joe.

But as just explained, in this setting it’s the other way around. And despite being portrayed as what the French call “a homicidal piece of shit”, the “real-life” Phantomas is a big fan of the stories.

The subject of these various novels, reports, and studies found them all vastly amusing. He had enjoyed the Fantomas novels immensely and had even sent the author several anonymous letters suggesting future ideas for plots. To his intense disappointment, none of his ideas had ever been used. Once or twice he had mentally debated visiting the novelist to plead his case. But Phantomas suspected his physical appearance might do his cause more harm than good.

That... is goddamn fucking adorable. He’s just been introduced and I already hope he survives the trilogy and discovers online fanfiction.

The vampire readily acknowledged his ugliness. Standing exactly five feet tall, with skin wrinkled as a prune, eyes like raisins, and a nose the size and shape of a sweet potato, he had caused more than one drunken Parisian to swear off red wine forever. A gaping mouthful of yellow teeth and bulging red eyes propelled his face out of the realm of the bizarre into the domain of the grotesque.

Eh. Someone in this fandom would still bang him.

Wait, eyes that were both “like raisins” and “bulging”? How does that work?

Phantomas is the Nosferatu on the cover of the second book of this trilogy, if you want a visual reference.

See, he’s even still got some hair. He’s not that bad looking.

Phantomas might enjoy the fiction he inspired about a murderer, but he’s not happy about being blamed for real murders of innocent people, regarding it as “cheap slander”. The centuries of recorded disappearances were the results of more natural and obvious crimes.

While he occasionally satisfied his thirst on some poor unfortunate, Phantomas rarely killed innocents if it could be avoided. A quiet, gentle soul, all he wanted was to be left alone in his underground lair, pursuing his research.

Over the years a host of villains had used his presence on the Île de la Cité as an alibi for their murders. Their victims ended, not in his hideaway, but dumped in the Seine. Most had escaped the guillotine. However, Phantomas was less forgiving. And his justice was as sharp and final as any blade.

So other than a few accidents, the only people Phantomas “disappeared” were the criminals responsible for the rest of them.

Phantomas isn’t thinking about that dark business right now. He’s feeling great because he’s on his way to a party. The Prince of Paris, one Francois Villon, holds court once a month, and today’s such a day. Villon’s both a Toreador elder and French, so obviously he holds court in the Louvre.

Dozens of Kindred, along with several hundred of the Prince’s favorite ghouls and kine, attended the festivities. This evening the Prince entertained an important Tremere wizard visiting from Vienna. Phantomas loved such events. Though never invited, he never missed one.

There goes my heart, breaking for poor old Phantomas again...

But this time the snub isn’t a case of a Toreador being a snob to a Nosferatu. Villon just doesn’t know Phantomas exists.

The Prince was under the mistaken impression that he was the oldest, most powerful vampire in the City of Lights. He was neither. Phantomas had come to the Île de la Cité with the invading legions of Julius Caesar in 53 B.C.

I should apologize to the French again. Turns out Phantomas isn’t one of you guys. He’s a nice Italian man.

From here we’re launched into Phantomas’ pre-Phantomas backstory. In life he was Varro Dominus (Strong Ruler or Master), a young noble and soldier who worked under Caesar himself, and was in charge of recording his military campaigns. Ceasar’s legions arrived in the Île de la Cité, then called Lutetia, using it as a stepping stone across the Seine. Unfortunately for Varro, living among the easily conquered native tribesmen, pretending to be a forest god, was a fifth-generation Nosferatu named Urgahalt. The invading legions fascinated Urgahalt, what with their military strength, impressive latin names, and neat centurion helmets, and he Embraced Varro so he could introduce him into Roman society.

There’s an obvious flaw in this plan, since it’s difficult for a guy to introduce you to his culture when you’ve just made him an outcast from that culture, turning him into a shriveled prune monster with a sweet potato nose. And Varro knew it too. The Romans, or at least Varro, knew more about Kindred (or lemures, as they called vampires) than Urgahalt realized, including how to kill them. Pissed that bumping into this guy cost him his life and career, Varro staked him in the heart and turned him into a bonfire.

Convincing the legions to take him back would be a hard sell now, so Varro stayed behind on the island, pretty much never leaving during the millennia as modern Paris rose up around the guy.

He was as much a part of the city as the Eiffel Tower.

Which undersells Phantomas quite a bit since the Eiffel Tower’s only been around since 1889, but you get the point.

Turning into an ugly son of a bitch also turned Phantomas into the ultimate introvert, aside from those parties he likes attending. He stays hidden from everyone, including other vampires. Even other Nosferatu.

More than two hundred Kindred inhabited Paris and its suburbs. The Toreador Clan held control of the central city, but several other bloodlines roamed the streets, including rebel bands of Brujah, Gangrel, and Malkavians. Rumors spoke of a Sabbat pack anxious to spread dissension and revolt, with headquarters in the slums. At least a half-dozen Nosferatu lived in lairs beneath major museums and churches [sic] Yet even among the Kindred Phantomas was a legend, an unseen presence with no basis in reality. He was a phantom to the living and the undead.

Good call. If Parisians are like how the opening paragraphs describe them, I wouldn’t want to talk to them either.

In order to stay hidden, Phantomas lives in a huge underground lair hundreds of feet under Notre Dame, connected by a network of tunnels that stretched across Paris. He’s also a master of Obfuscate, the discipline that allows vampires, especially Nosferatu, to go around unnoticed, commonly by turning invisible. Right now, in order to get into the party, Phantomas is using the Mask of a Thousand Faces, the third-tier Obfuscate power that disguises a vampire as a random nobody human or an unimportant vampire, depending on whose looking at him. Looks like it also lets you pretend to hold an invitation and get away with it.

Shortly after midnight, he strolled past the two Assamites guarding the glass pyramid that served as entrance to the Louvre. They nodded without interest as he displayed an imaginary invitation and walked into the main hall.

That pyramid pissed a lot of older Parisians off when it was first built. Yeah, they complain about everything, but since the artsy-fartsy Toreador control the city, you’d think they would’ve prevented its construction. Unless the pyramid’s a Toreador idea, in which case no wonder everyone hated it.

(Parisians are over hating the pyramid these days, so don’t mention it unless you want them to think you’re in their city for one of those Da Vinci Code tours.)

Phantomas muttered a word of thanks to his Roman gods that Villon considered electronic monitoring devices provincial. His psychic camouflage worked flawlessly with humans and vampires. It was useless against cameras or television monitors.

The Louvre doesn’t have any security cameras? None at all?

In Phantomas’ opinion, the Prince was a pompous dandy who wouldn’t recognize true art if it hit him in the face.

Looks like Phantomas agrees with me about Toreador tastes in art.

Master of the Louvre, the finest art collection in history, Villon ignored the treasures of the past for the ephemeral pleasures of the moment.

Alright, In Villon’s defense, I think grandpa here might have some bias.

His mercurial tastes dominated the Parisian fashion scene. He surrounded himself with the most beautiful models in Paris, blood dolls who sipped on blood and dreamed of immortality. Like too many of the Kindred, Villon had never come to terms with his undeath.

I like Phantomas and all, but it’s not Villon sneaking into one of his parties, so what right does he have being judgmental?

But I think I get what Phantomas is thinking. Villon owns one of the most famous historical art museums in the world, but he only cares about celebrity shit and making beautiful but angry-looking women wear weird shit nobody else will actually wear.

The party was being held in the glass-roofed Cour Marley, but Phantomas was in no hurry to go there. Though he had visited the Louvre many times, he never skipped the opportunity to visit the galleries housing the Greek, Roman, and Egyptian antiquities. The museum housed perhaps the finest such collection in the world and, though Phantomas had the face and body of a monster, he possessed the soul of a poet.

This is the real reason he loves these parties so much, isn’t it. Grandpa just wants an excuse to visit the museum for like the billionth time.

Ten minutes he spent staring at the Venus de Milo.

Art appreciation, or the closest he gets to seeing boobs?

He walks around admiring other things, like “Winged Victory of Samothrace”, “Winged Bull”, and the statue of Queen Nefertiti.

The bust of Agrippa drew him to the Roman section. The famous general, the hero of Actium, had served Octavius, the grandnephew of his mentor, Julius Caesar. Staring at the statue made him feel old. Two thousand years separated him from his heritage.

I feel the same way whenever I meet someone born after Spongebob Squarepants first aired.

If not for a chance encounter in Gaul, his children might have fought against Mark Anthony. Or served in the Senate with Cicero.

Not if you stared at potential mothers the way you stared at the Venus de Milo and Agrippa’s bust.

He finishes his tour and finally heads to the party. If you’ve been paying attention to the plot, you know what’s about to happen.

As he drew closer to the courtyard, he frowned. There was no music. Villon’s parties always featured a loud rock band playing the latest hits. Tonight, the corridors were strangely silent.

Nirvana was supposed to play “About a Girl” but Villon kicked them out when Cobain let his turtles wander around and shit everywhere.

A tall, young man slender [sic], with blond hair and bright blue eyes, stood in front of the door leading to the Cour Marley. Dressed in a white suit with an open-necked white shirt, he nodded in greeting as Phantomas approached. It was almost as if he had been waiting for [sic] there for him.

Weinberg’s editor must’ve quit before getting to this chapter, after reading the part about Flavia’s rock hard leather-penetrating nipples. Also, ‘sup Reuben? What’ve you been doing the past two years?

Reuben doesn’t introduce himself. He just warns Phantomas not to go in. Phantomas is shocked that a human is talking to him at all. Mask of a Thousand Faces is supposed to disguise him as someone so boring not even Kindred are interested starting a conversation with him

“The Final Death waits inside,” continued the stranger, evidently not troubled by Phantomas’ concerns. “If you enter, you may never leave.”

“I am no coward,” stated the vampire simply. “After twenty centuries, I fear very little.”

Let’s see if that lasts longer than a page.

The young man smiled. “I suspected you would say that.” He stepped to the side. “Beware the Red Death, Phantomas.”

“Who are you?” asked Phantomas, startled. “How do you know my name?”

But the stranger had vanished. It was as if he had never been there.

Good old Reuben, scaring an old man, the trolling bastard.

Successfully freaked out, Phantomas opens the courtyard doors. To no one’s surprise, everyone’s dead. Even the regular non-ghoul humans.

The smell of charred and blackened human flesh assaulted his nostrils. A horrified glance around the courtyard revealed a dozen bodies of Villon’s favorites, their beautiful features burned beyond recognition. The fashion runways of Paris would be missing a number of familiar faces tomorrow. Mixed among the dead were the remains of twice as many ghouls. Nowhere was there life.

How he’s able to tell the models and ghouls apart, I don’t know.

Villon was gone. As were all other Kindred. However, dark shadows on the ground indicated to Phantomas that more than one had departed the Louvre permanently.

Can the French art and fashion worlds finally recover from the dark and untalented reign of the Toreador?

As if in answer to Phantomas’ unasked question, a gruesome figure stepped from behind the Marly Horses. Tall and lean, he wore a rotted shroud of funeral cloth held together by strips of moldering bandage [sic]. His face was

-that of a long-dead corpse, chalk-white skin, blah blah blah it’s the Red Death.

Slowly, the monster smiled.

“The meddling record keeper,” said the Red Death. He stretched out a skeletal arm. Phantomas could feel the heat thirty feet away. “Your termination will be a fitting conclusion to the celebration.”

Confronted by this horrifying fire monster who just massacred an entire party of vampires, ghouls, and humans, what does the famous Phantomas do? Something that both proves him a hypocrite and the smartest person in this goddamn book.

He hauls ass out of there.

Hundreds of years hiding beneath the streets of Paris had taught Phantomas an important lesson. When threatened, flee. Immediately. Don’t search for alternative solutions, don’t negotiate, don’t look back. Run as fast as possible until you reach safety. It was a basic survival technique that worked in the past. It served him tonight.

Phantomas ran. He burst through the doors of the Cour Marley, raced down the halls leading to the glass pyramid, and sprinted out into the night air without turning his head once to see if he was followed. Short and misshapen, he ran astonishingly fast.

Phantomas doesn’t stop running until he’s safely hundreds of feet underground in one of his tunnels. He escaped the Red Death.

He had escaped for the moment. But Phantomas felt certain he had not seen the last of the monster.

It had named him the record keeper. Somehow it knew of his great project. And the Red Death obviously disapproved.

We’ll find out more about Phantomas’ hobby the next time we catch up with him. For now, Chapter 6 ends on that mystery.