#i hope this isnt taken in bad faith (i say while posting on the bad faith website) so for legal reasons this is a joke

[scattered-winter]

i NEED to be more autistic

[antiloreolympus]

7 Anti LO Asks

1. Do you know what really gets my blood boiling about this comic? Persephone and Demeter's relationship.

In the myths, Demeter and Persephone loved each other more than anything. Their reunion is so important - it marked the coming of spring and growth. A whole cult was dedicated to this for crying out loud. Yes, the myths were far from perfect, but the Persephone and Demeter myth showed the strength of a loving mother-daughter relationship with Demeter searching endlessly to find her child that was ripped away and had her innocence forcibly taken.

Now, RS is not the only author to make Demeter this over-bearing mother type in order to put more positivity onto the Hades-Persephone relationship. However, RS takes this trend to a whole new level - to the point where I would even consider it misogyny.

How is it, she takes this beautiful mother-daughter relationship and makes it out to be an abusive and controlling one, and then takes the Hades-Persephone relationship from a forceful one to a loving, perfect relationship with no problems? How is it ok to ruin one relationship to elevate another?

I understand that many versions of the myth try to downplay Hades' actions, and even make it so Persephone actually falls in love with him and there is no rape. But it doesn't change that this relationship was problematic, and meant to represent the loss of innocence.

Then fans have the gall to claim this comic is feminist and then claim on top of that that Demeter and Persephone's relationship was the same in the myth? These fans clearly don't know the myths, and neither does RS.

Making Hades a good person is fine. Changing it up a bit to make Persephone's loss of innocence something else is also fine. But ruining Demeter and Persephone's relationship? Especially when Persephone has to spend half the year with her? So horrible. 

2. im sorry, but rachel cant introduce KRONOS coming back and then dropping it for several episodes to focus on a stake-less trail and persephone not knowing what lingerie to seduce hades in. like thats too much of an earth shaking development and huge stake plot point to just ignore for months to focus instead on something as minor as hxp's relationship, which only points out a huge flaw: why is hxp's relationship so minor in this? isnt the whole point supposed to be about them?

3. I think LO completely dropped the ball over Hades’ characterization. 

From the first ep I thought ok, this is good, we have some bones to see he’s not that lucky in love and is just tired and lonely, and while ignoring the creepy actions towards Persephone, I thought ok, Artemis hates him, Hestia hates, even Ares hates him, maybe once Persephone finally sees the underworld and probably gets to know him it’ll be a clever twist and they’ll be proven wrong. The underworld will turn out to be fair and just, the citizens will love Hades, he’ll be revealed to be a good leader and king and not like his brothers, it’ll be like everyone saying Hades of myth isn’t actually that bad, and it’ll help reinforce why this sweet and bubbly Persephone wants him, she sees the real him, not the mean rumors and assumptions, this is perfect.

And then it just didn’t happen. The exact opposite happened, actually.

We’re shown the LO underworld is cruel and unjust, where the poor dead are forced into slavery and Hades created a harsh class divide with him and him only on top, the citizens hate him, the underworld gods don’t trust him and openly seem ok if he’s taken out of power, he’s not a good leader and king and doesn’t even want the job yet keeps it for his own ego and grip of power m, and on top of it all he is just like his brothers, if not worse. He loves to get violent over any little slight against him, he hoards wealth and resources to enrich himself while his citizens starve and struggle to survive, he’s corrupt, he controls all the media and laws to bend to his will, sleeps with his brothers wife for centuries behind his back while claiming to be holier than thou, he has sex with his secretaries who are made dependent on him for any way to survive, and now he lusts after his barely legal intern who is also now dependent on him for her way to survive, and that’s only what I remember off the top of my head.

LO perfectly set up to prove Hades isn’t the devil or the false pop culture assumption that he’s evil and to show some actual facts from myth, and yet Rachel only ended up reinforcing exactly that and even making him even worse with her made up ideas, all while thinking having Persephone ignore or excuse it somehow makes it not bad or even a good thing. It’s honestly kind of impressive just how bad of writing that actually is. 

4. Chapter 172 is not that interesting. It’s setup had me excited to see Hephaestus and Hera and learning more about echo, but it’s cut so short. Because again the story can’t leave HXP out for 2 seconds.

I can also see why Zeus is gonna go insane. 

5. i agree w/ other anon. LO should have pulled a PJO or a BoZ and just made up OCs and have them interact with the gods than whatever Rachel thinks shes doing, which is lying she's being accurate and faithful while completely changing all of it, removing what is needed, and adding what isnt so that it lines up with no actual myth besides like, various 50 shades fanfic she read in 2015 and some popular tumblr text posts.

6 . the animation studio behind blood of zeus literally can only draw one face for the men and one face for the women and they were still able to make the gods all look distinct and hot while LO can't even bother to use more than 6 colors and can only have the women look as tiny as possible with the biggest boobs while the men are all just lego men.

7. ////FP SPOILERS////

Okay so like I stopped reading LO way back before season 1 ended, and a majority of my knowledge of the series comes from what I read here on your blog which is enough for me lol and I decided to read the latest 5 chapters just to see what's up (on zahard. I refuse to give the actual series any views)

And I just. Could not take the whole scene with Daphne running from Apollo seriously? The anatomy and art inconsistency was so distracting that i genuinely could not find it serious. Even when Thanatos discovers her hibernated body I couldn't take it seriously because of how she looked?

And when Hades had that call (??? Was it a call? Or his inner dialogue? I couldn't really tell ngl) with Zeus and said he's causing Persephone unnecessary distress, and that she didn't pose any threat. B!tch??? She killed a ton of mortals??? She has no control over her powers???? She's literally a fugitive for the aforementioned things??? She apparently woke Kronos up? (Idk if anyone knows about that, again my knowledge only spans to whatever I read here) Hello????

And I have a lot to say about the chapters starting the trial but I'll only mention one thing; Hades saying "I don't think blindly supporting my little brother would be doing him any favours (as a ruler)" had me cackling. This is coming from a guy blindly supporting a girl he's literally only known for a few weeks, who's like what, only recently turned 20? Sit tf down Hades you're not cool, you creepy ass overgrown smurf.

Overall I still hate this series lmao. Regarding art though I feel like I wouldn't be so miffed about the anatomy much if the character designs were consistent and the story was compelling. They literally change hairstyles and body types frame by frame, and it's distracting.

The timeline from what I read here is laughable. 4 years in publication with almost 200 chapters and you're telling me only like a month has passed canonically. That's wild and such poor writing.

And as someone who literally will sympathise with any lead character pretty quickly, the story makes me hate them. It makes me want to root against them. I also hate the fact this trash is somehow top ranked on webtoons when so many other stories are far better then it.

Anyway, many thanks to this blog for existing and allowing me to dump so much text here to vent out my hate for this series lmao. You the mvp fam, hope you're having a good day 🥂🥂🥂

[blxetsi]

armin arlert, mikasa ackerman, and eren jaeger polyamorous headcanons (modern au)

armin arlert x gn!reader, mikasa ackerman x gn!reader, eren jaeger x gn!reader, mikasa x armin x eren x gn!reader

warnings: uhh fluff, this is very long, reader has a gf b4 getting w ema,

this is like my first post since feb that isnt a request 😍😍😍 how did i pull this out of my ass

- obv eren, mikasa, and armin have been besties since childhood so its no wonder they all got together first 🤩🙏

- and theyre all hot so why wouldnt they wanna date each other

- i think armin and eren wouldve gotten together first, and then invited mikasa into their relationship

- the three of them have been officially going steady for like over a year now, and its going really well

- they didnt really expect you to drop into their lives tho

- youre an old friend of historia's and you two reconnected after you moved to the city, securing yourself a decent paying job working as a writer for the city paper

- you usually get the boring stuff, never able to get a good story to write about, focusing your time on heartwarming stories in the community or the sports column

- its boring but it pays the bills

- you were thankful when historia called you during your lunch and asked if you wanted to get drinks at a bar with her and a couple of other friends

- of course you said yes

- so historia and her girlfriend ymir picked you up after work, having dinner with them after a long week was the best, but you were a bit nervous to meet all of their friends

- thats how you met eren, mikasa and armin

- at first you were sure that mikasa and eren were dating, seeing as mikasa had her head on the taller man's shoulder, while his arm was wrapped around her

- but when armin leaned down to give mikasa a kiss before heading off to the bar you werent so sure

- ymir pulled you away to get more drinks and explained to you what the situation was, while commenting on the way you gawked at the three of them before

- you were embarassed to say the least but they didnt bring it up that night so you hoped the throuple didnt notice (they did)

- you really hit it off with all of them though, especially sasha and jean, and were constantly talked about among the friend group

- because of your demanding job dealing with writers block and deadlines you couldnt really meet up with all of them often, usually just having sleepovers at ymir and historia's apartment, the three of you drinking while you wrote on your laptop

- after a couple months of casual hangouts with historia and ymir and their friends, you kinda became one of them too which was nice

- you were added to the groupchat, you all followed each other on social media, and a certain brunet had taken a liking to you

- eren didnt know why exactly he was so attracted to you but he was, maybe it was your hair, or how pretty your skin looked even when oily or with breakouts, maybe it was your smile or your body or your sense of humor or you kindness or maybe it was all of it

- eren jaeger would always stay faithful to his boyfriend and girlfriend, but maybe they could add another person into the mix, more to love right ?

- he had only known you for a couple of months though, he didnt want to jump the gun and bring this up with his partners so soon, especially if they didnt feel the same way he did

- and it would be a bummer if you turned out to be a bad person or smth

- so summer rolls around with lots of memories being made with your new friends, as well as friends from work, and you get a girlfriend ??

- shes not really your girlfriend you two have only been out on a couple of dates and she kisses you a lot but, you havent talked about labels

- one night you, along with your friends are back at the same bar where you first met them

"so, tell us about the girl youre seeing." ymir says, smirking over her beer.

eren's ears perked up at the mention of you seeing someone. "girl ?"

historia nodded. "mhm ! y/n's been talking to someone recently, they've gone on dates and kissed and stuff."

"and stuff, jesus tori you make it sound like we've had sex." you sighed.

the blonde just laughed, leaning her body onto her freckled companion.

"well ? what about her ?" eren asks. armin slapped him on the arm, already having suspicions about eren's interest in you.

your shoulders sagged. "well, she's great and everything, truly..."

"but ? is there a but in this ?" connie asked. sasha started laughing at connie's use of the word but, while jean slapped the girl on the arm because of her reaction.

you shrugged, swirling what was left of your fruity cocktail in your glass. "well, i'm not sure. she's very lively, and sweet. but i don't know, i just don't see myself being able to be in a steady relationship with her."

"so you're gonna end it ?" eren asked. you thought he seemed a bit too eager about your failure in the love department.

"why do you care so much ? you like the thought of me being lonely ?" you shot back, before downing the rest of your drink.

"no i just-"

"i think what eren means is," mikasa intervened, her smooth voice calming you as she looked at you with a smile on her face. "is that there's no point in staying with her if you can't see yourself with her. don't lead her on."

you nodded. "you're exactly right my friend. which is the plan for tonight because i," you quickly checked the time on your phone. 8:17. "have a date with miss molly at nine, so i will be taking my leave."

the group engaged in a chorus of boos for leaving so early, while you chuckled and took the lighthearted insults thrown at you by sasha and connie with ease. grabbing all of your things you put down two twenties onto the table. "i'll see you guys later, have a goodnight." as you walked off you heard jean yell "have a good time you heartbreaker !" making you shake your head

- the date with molly went less then well. she yelled, and cried, and even tried hitting you at one point. your walk back from the park was spent blocking her on every form of social media you followed her on, and when you got back to your apartment you spent the night in a hot bath before retiring to bed

- meanwhile, armin and mikasa were trying to pry the truth out of eren, who was constantly denying his attraction to you

- finally mikasa took one for the team "eren, you aren't alone with the way you feel, i do too." this made eren more willing to open up to his partners

- armin doesnt say anything about you, only saying how youre kind. he doesnt feel the way that his girlfriend and boyfriend do, but he knows that may change

- soon enough, more time flies and christmas rolls around, with you all deciding to have a secret santa get together.

- historia invites everyone to her home on christmas eve, with ymir begrudgingly allowing it

- bertholdt and annie come too, reiner not being able to make it due to going home for christmas, while everyone else decided to stay in the city

- you picked out your secret santas at the beginning of november so you would all have enough time to find something for each other, you hoped whoever picked your name gave you something good

- after hours of games and karaoke and drinking you all decided it was time to open the presents

- ymir got socks from bertholdt, connie got an ugly beanie from ymir, historia got new pens from mikasa, mikasa got knitting needles from annie, annie got a dumbell from eren, jean got a not so appropriate t shirt from connie, jean gave sasha more comic books, armin gave new stationary paper to bertholdt, sasha gifted you that new biography you've been wanting to read and you gave armin your old copy of frankenstein by mary shelley

- he was surprised but very thankful, "how did you know i needed a new copy ?" "well i remember you said eren spilt water on your old one, and the pages just stuck together so i thought you might as well have mine"

- it warmed armin's heart that you remembered something so insignificant, and opened him up to the thought of being with you

- the rest of the night was spent with hugs and thankfulness, cheering when the clock struck 12 and it became christmas day

- after getting things cleaned up everyone decided it was time to leave, with armin, eren and mikasa offering to give you a ride home

- a ride where armin straight up kissed you in the backseat

- you stopped him of course, thinking that it was weird he would cheat on his partners right in front of them, while they were shocked all on their own for different reasons, armin who didnt have feelings for you KISSED you

- and surprisingly armin took the lead in explaining how he felt, why he kissed you, an apology for doing so, and an offer to start dating all three of them

- your heart was pounding in your ears and your entire face felt hot, it was probably the alcohol, or the way his lips felt so soft when they touched yours, so you said yes.

- its not smooth sailing from there

- youre kind of awkward

- this is your first relationship where you really feel like you could love these guys (you already do) but its also your first relationship with multiple people

- the trio start inviting you over more often, soon for sleepovers, and start inviting themselves over at your own place, mainly eren

- he just comes at random times, sometimes when youre not even there and waits for you, or stays and cleans up a bit before leaving

- armin and you share a deep love of literature, and you often find yourselves in hot debates about whatever youve read (mikasa and eren have to pry you two away before things get physical)

- mikasa likes to cook with you, she shares recipes that her mom taught her, and her and armin love to cook dinner together whereas eren is the breakfast maker of the household

- the first time you slept in the same bed as them you were so nervous your whole body thumped to the tune of your heartbeat, you were convinced armin could even hear it as he was laying beside you, but eren wrapped an arm around your waist, pulling you into his large chest before whispering "youre as stiff as a board, relax honey"

- eren snores, mikasa drools, armin has those dreams where you fall and then violently wake up before you hit the ground

- slowly but surely you stop thinking about your relationship as the trio and you, but as all of you together, and that really helps you come out of your shell a bit

- you may still be in the honeymoon phase, and there may be bumps along the way, but you like being with armin, eren, and mikasa. they make you so happy, it feels like the happiest youve been in a long time

- you like watching eren and armin dance in the living room while you and mikasa cuddle on the couch, before the boys pull you two up as well

- you like when armin reads to you, his soft voice reciting the words of the great gatsby

- you like it when eren can just tell youve had a rough day, and pulls you into a hug like hes protecting you from all the bad things in the world

- you love being with them. you love them. and you think that theyre it for you

i rushed the ending bc im fucking tired but i kinda wanna do a poly!series with like sasha, connie and jean, or annie, bertholdt and reiner, or any other poly ships u guys may request !

so yeah pls give me feedback it rlly helps me figure out whether you want a polyamorous series (or just like what i write in general), and it would be my first series ever which would be super cool anyways

yeah requests open for poly!ships anyways

[paladin-pile]

Shiro’s role in VLD and what that means for us.

I see a massive variety of opinions on Shiro these days, most of them negative, and I’m getting tired of it. I’m not posting this to be salty or argumentative. I’m here to explain why we should be grateful for this brilliant rep, this character with the most beautiful and inspiring story that should got down in history. Shiro is not the show’s “punching bag” or anything else, and in this meta I’d like to begin explaining my position on why Shiro’s story is exactly what the world, (that includes us) needs. No matter what your position, please take just a few minutes and read.

In my perspective, being a punching bag means that a character is being repeatedly hurt, beaten down, and being ground into lower and more painful places in life, for no reason, or for reasons that are for action purposes only, not contributing to a meaningful arc for the character. It might even be detrimental to their arc. The characters in the MCU are a perfect example if this. I like Marvel movies, and I love the characters, but as I watched through the movies I started to like them less and less because of how the characters were treated. It was hard to watch the people I cared about accumulate trauma on top of trauma that was never addressed. They were never allowed to rest, heal, reach a better place in their physical/mental/emotional states.

 Sometimes in little things, yes, but not much. I just watched people get beaten to a pulp physically and emotionally. I cared about them, I want them to be okay, I want them to have hope and opportunity of meaningful connections, peace, and recovery. If Tony Stark or Steve Rodgers die in Avengers 4, I see that as a horrible end to horrible arcs for both of them. Steve has been fighting his whole life, never got to have a home and family, or deal with some of his issues. Tony has barely gotten a glimpse of a happy life with Pepper and a baby, and has grown so close to Peter. Peter has lost his parents, his uncle, and now he might lose Tony too. 

Do you see what I mean here? If you’re familiar with the MCU you might see my point. This is because the movies exist to serve the comic book action, not the people. The action, the aliens, the robots, the fight scenes; that’s the whole purpose of these movies and they’re not going to take time to show us how Natasha is slowly recovering from her childhood trauma with help from Clint and his family. When we watch endless action-based stories like this, we tend to get depressed because we long for hope. Everyday in real life we see hopeless situations where the people we love get hurt and hurt again without any hint of things getting better, we don’t want to see that in our media.

But Voltron...Voltron is different.

The problem is that people come to Voltron looking for a utopia (“If war was perfect this is what is should look like. If everything happened perfectly for so-and-so this is what I think it should be and its not so it’s evil,”etc). That’s not going to work. Voltron does a great job of showing realistic experiences that we can relate too, and still give us hope and inspiration. The character development and story arcs for each character are nothing short of brilliant. Please also keep in mind, some characters are more central than the others and will receive more focus, but everyone gets at least some meaningful things. What makes Voltron do this while other shows/movies don’t, is that Voltron is not about Voltron, it’s about the characters. The first season or two you might think it’s about the robots and the big fights, but I recall it was around season 5 that the realization hit me. “Holy shit this isn’t about Voltron, it never was.” What made me realize? Well, Shiro and Keith’s related arcs specifically. The entire plot revolves around how they revolve around each other. Pay some close attention to each plot point and ask how it relates to Keith trying to save Shiro or vice versa. But that’s beside the point of this post. I came here to talk about Shiro.

Shiro is the main character of Voltron. No contest. Everything revolves around him, is influenced by him, or is tied back to him somehow. It’s incredible to watch. The show starts with him and I’ll damn well bet it’ll end with him. He’s the fated, Chosen One that the whole show is on the shoulders of. So why don’t most people realize this?

Shiro isn’t a loud person, he shoulders a lot of his work in the background. We don’t see things from his pov very often. It’s easy for our attention to drift to the more outgoing, loud and chaotic characters, but that does not determine how important they are to the story.

Doing rep right is not, “This person is LGBT/poc/mentally ill character, therefore nothing bad can every happen to them.” That would be of no help to anyone at all. People need to see rep that goes through things that they do or even worse, and is still ok, who can still be happy and adapt and be strong and find meaning in life, be in healthy, wonderful relationships. People who can climb higher and shine brighter because of what they’ve been through, not in spite of it.

Remember the beginning where I described what it means for a character to be a punching bag? Shiro is none of those things. This sweet, earnest, and lovely boy has been through so much suffering. You’ve all seen it, or inferred it from what we did see. But never have I ever seen someone with such a mighty heart, or such resilience. He kept fighting, never lost hope, never gave up on the people and causes he cared about. He never got any less kind and selfless. He stayed loyal to what was right and never sought his own glory. And he has been abundantly rewarded for it. The MCU characters I talked about have gotten worse of the course of their arcs. Shiro has gotten better.

His life isnt perfect. It’s not a utopia. He has sustained a lot of losses, his path has changed direction in confusing and sometimes painful ways. But he takes it in stride. No suffering Shiro has been put through has been for nothing, and in this is the basis for my argument. It has all changed and influsned his character arc in positive ways. Even if it took a while for that to become apparent. He has been leveling up this whole time. Even things that seemed the worst turned out to be a blessing to both him and the universe.

Is he sad about no longer being a paladin? We will never know. Even if he was he is not one to dwell on it. He now has a bond with another mecha just like he had with black, one that’s his and only his. (One that's 100 times bigger than his old ship and way cooler, Voltron whomst?) He has his own path and his own crew, he’s working side by side with the people he considers family. He is showing signs of healing, of being happy. He’s just as much a part of the team as he was before. It’s the fandom who excludes him from their art and fics of the othes, the fandom who is casting him aside, not the show.

For someone to say “Oh Shiro’s arc is terrible and he’s being treated badly because look at these things that happened to him. Things he loved got taken away and now he’s lost and sad and feels useless and is getting knocked down a few pegs in life.” Where are you seeing this? What happens in our own lives when things change or painful things happen. Do we roll over and die? Say “oh my life will be miserable from now on because this or that happened?” No, and neither would Shiro.

We see Shiro growing. He is leveling up. He knows how to live and adapt and find meaning. I don’t think Shiro regrets or mourns anything for very long. His coping skills are very good since he came back form the “dead.” He may have feelings of sadness and loss. Of his arm, of people close to him like Adam or others, of the people lost on Earth. But roles? Jobs? Circumstances that he knows could have happened to anyone and he can’t change? He knows better than that. Have more faith in Shiro people. I have been more inspired and encouraged and blessed by his character and story than I have in any other media ever. I love him and I am grateful.

I understand that a lot of good folks who love Shiro have been genuinely concerned and confused. If you are one of those, please message me. I would love to talk to you. I know some folks have made posts mentioning specific events in the show that have influenced their perception and I was not able to address all the specifics in this post, only generally. Anyone is more than welcome do drop by my ask box and start a conversation! 

[jisokai]

Hello! The jumin cheating fic was really a heart breaker. Can you write an alternate ending (happy ending) loving your writings by the way ♥♥

aaa im sorry this has taken so long!! ive been trying to get a system up where i write for 2 inboxes a day so i can catch up to them all, but then i get two more… but feel free to keep requesting!! it helps motivate me to get shit done! someone also requested an angsty ending to the scenario, so ill try to get that done later today and link it up. the original post is here, and my masterlist is here,, enjoy!! 

this scenario could take a few different endings, so i decided to write two endings (normal and good) you could consider happy. [spoiler for the scenario] i wrote a normal ending where mc dies but on good terms with jumin, and a good ending where she lives and jumin makes things right [end spoiler] im not gonna say what the bad end is but you can probably guess what im planning….

jumin cheating scenario - good & normal ending

normal ending [death mentions]

- it only took jumin a week to find where you went- he had all sorts of connections, you couldnt hide forever- but you tried really hard- as soon as he saw where you were headed, he knew you were headed to your parents house- you wanted to tell them about your illness and plans to travel the world for a few of your remaining months- currently, you were planning to stay home for a couple more days, leave for about three months, and then come home and stay with your family when you grew weaker and neared death- but jumin showed up a week into your stay with your parents (a variable you didnt take into account but really shouldve)- he starts apologizing, tears falling as he begs for your forgiveness and a possible second chance- he promises to do better and stay faithful, trying everything he can to win you back and stay with him- you sigh and close your eyes, deciding to explain the situation- you tell him that the cheating wasnt what drove you away, but that you might die soon- you explain you dont want to go back to that life and spend the last bit of it with someone who already has your replacement- you tell him your plans to travel and see the world before its over- hes in shock when he finds out about this and offers to try and get doctors behind you to fight for a cure- you just decline and say you dont want his help and youve already accepted what was to come- he hesitantly leaves you after that, understanding your situation and telling you to call if you ever need anything- the next day theres a large sum of money transferred to your bank account and you accept it, what do you have to lose?- you have a wonderful three months of travel, seeing so much and meeting so many great people- you return home and spend your last remaining time with your family- jumin comes by to visit a couple times, holding your hand and telling you he loves you, even after all hes done- when your time ends and your body lays limp on the bed, jumin cries and mourns for you- days pass and he still mourns, unable to let you go- he ends things with the other person, he cant bring himself to do it anymore- he carrys on, but its not the same without you- he reverts back to his unemotional state and works like a robot, efficient as ever but tangled inside- however, once a year when he visits your grave, he lets himself cry 

good ending

- you didnt make it on the plane- you sat at the gate, waiting for your group to be called while jumin was running around the streets looking for you- but when you stood to get in line, he was running down the halls of the airport- and a scream of “MC!” got your attention, making you look back in awe at the business man clumsily running to get you back- jumin stands in front of you panting- “mc,, please come back and think this through. i promise to do better, ill do anything.. just, please not so soon. i cant live without you”- you sigh and he just continues his rambling before you have to cut him off- “jumin i have a terminal illness. im probably going to die within six months”- hes shocked, eyes widening and the fear is so big in his eyes- “ i wasnt planning to leave you until i found out. i didnt want to live like how i am for the rest of my short life”- hes speechless, unable to understand what you were saying- “m-mc oh my god… when did you find out? what do you plan to do?”- “i found out earlier today and i plan to see my family and then travel around the world”- he still cant understand it, “mc come back to me, please.. we can get the best doctors and treatments, im sure of it! we still have time, we can make this-”- you cut him off “jumin no. six months is what i have and i cant spend that time mending a broken relationship.”- he took a deep breath and looked you in the eyes “two months. come back to me after two months. ill give you the money for travelling and leave you alone. afterwards, come back to me. ill find the best people i can and we will push to cure you. please mc, i cant live without you.”- you hold eye contact for a few moments and sigh before replying- “jumin i love you and i believe in you, but even if i live, who knows if youll cheat again. will it really be worth it? no matter how long i live, i dont want the rest of my life being spent with someone who isnt loyal”- he put a hand on your shoulder “two months”- ,,…..- you sighed and agreed, “fine. but you only get two months in return. if i dont seem to be recovering, we’ll give up on it. i dont want needles in my body for the rest of my life either.”- he smiled so big his face hurt, “deal.”- two amazing months passed and you were back in his apartment- during his two months he found amazing doctors and treatments and would do everything to cure your illness- he had ended his affair, devoting himself entirely to you- the first month was hell, trying to get samples and make comparison, choosing treatments and setting up a plan- but when the second month came, you went a week without vomiting blood and new hope arised- you knew treatment would be long, but the signs were so big you had to do it- the full recovery took over a year, but it was so fucking worth it- jumin was there by your side for the entire road- he checked up on you everyday and sat with you every night to help you sleep- his commitment to you during this time restored your faith in him and the relationship you both have- when you fully recovered, the two of you decided to try again at love- you also became well known for being a survivor of a certain terminal illness and traveled to give speeches and talk about your story- you paired with his company for advertising and starting a new branch in health related business- but most importantly, your lives became one again and you could return to how your relationship used to be- he makes sure to tell you he loves you every day, he makes sure to sit by you in the mornings long enough to watch you wake up, and he works to prove his love every day- and he saved you in a way, so why wouldnt you let him try again?- and youre so happy you did, because things truly did work out in the best way possible

[tellytantra]

So Atar Matar Aryan was out of the closet with Veer's trick! He was bought to tarnish the image of Oberois but the situation was handled well by them in Rudra and Bhavya's Gift Ceremony. However there were two people absolutely anxious tonight. One for holding the secret and the other for being kept in dark about the same.It hurt more because there was a vow taken in their relationship that whatever life threw at them they would tell each other and handle it together. But each time one of them would forget this rule in the relationship n surge ahead in danger annoying the better half. Anika being at the recieveing end everytime knew how it felt n thus today keeping Shivaay in dark wasnt happy about the same.Especially when past an hour he hadn't looked in her direction.  Will Anika be able to explain and justify her act of hiding Aryan? Will Shivaay understand Anika's decision for keeping him in dark? Thwisha16 When the gift ball opened, Atar Matar Aryan fell right into Rudra's lap. Everybody around looked baffled & surprised. Shivaay looked at Anika and one glance at her he knew that this is what she was hiding for the reasons best known to her. But currently that was not important. They had to deal with the mess at present thus Shivaay took matters in his hand before Veer could call Media. He kept the party going much to Veer's annoyance. Thus, Saumya and Veer left the party to hatch their big plan of bride swap day after tomorrow.  An hour went by interacting with the guests and despite of the continuous efforts to make him see in her direction she was royally ignored by her husband. Generally in their relationship he has been the one always hiding things for their benefit. But whatever benefit it had she always felt the other person has the right to know. So today after hiding Aryan from him despite of him seeing the boy in the kitchen the other day she felt bad of what she chose to do.  To lighten the atmostphere at Rudra's Gift ceremony, Pinky came forward and gave Bhavya hand in Rudra's and urged them to dance. Following them other couples took centre stage too. While Om reached out to Gauri asking her for the dance, Shivaay moved out of the circle pretending to interact with more guests. Anika understanding the non chalant behaviour, walked right to him and in front of other guest asked for a dance. Unable to ignore his wife anymore they walked to the dance floor since when a wife asks, a man must listen.  Lights dimmed creating the right atmostphere and a song played in the background Baatein teri karte huyeThak ke so jaati hoonSirhaane aasmaan I sleep under the sky tired, speaking about you. As their feet moved in tandem to the song Anika conveyed in her thoughts, I wanted to tell you thing under the open starlit sky, but I chose not to. Defying him when he asked in the kitchen about Aryan, she chose not to say anything coz she wanted to take matters in her own hands n not burden him. But not she is tired and and under the star lit sky wants to fall asleep in his arms.  Jaane kahan mud jaati haiDekhte dekhte tujhe ye galiyaanTeri tarah khushboo chaleTaare humari tarah raaton se mile I look at you but the curves of the road make you vanish from my sight. I feel your fragrance in the air, when I see the stars meet like us in the darkness of night. Looking into his eyes holding onto his shoulders a little more tightly she conveys the curves that this journey is taking I feared losing the sight of you & I didn't want to burden you with the truth.Taking in his unique fragrance she nuzzles in his ears making him understand her position. Suni nahiZamaane ne teri meri kahaniyaanKarde koiNawashein karam meharbaaniyaan The world didn't listen to our story. Please someone have mercy upon us and do kindness.  Not giving in just yet and not letting her torture him anymore with her closeness he twirls her facing her back. Adamant she tells him I know the world doesn't understand me but I faith in you. She twirls back hand still in his hand she nudges him to look into her eyes and despite of all the planning and plotting to convey there is still hope. Once again facing him joining their foreheads all the time dancing to the rhythm she prays to the god for its mercy upon them and grant their wish.Ye aarzoo thi ke dekhein yeh duniyaHum jaisa koi deewana hi nahiKarde koiNawashein karam meharbaaniyaanWe had desired that the world would see upon us and think that there no one as loving as we are. Please someone have mercy upon us and shower kindness upon us.Now resting on him with hands on his heart dancing to the last bits of the rhythm she she feels sorry for keeping him in dark and prays to god to show mercy and and kindness to get them out of this situation.  Before Shivaay could keep his hands on his the music stops and he has broken out of their reverie and thus moves away from her towards the guests.  After some time the party gets over it's decided that Aryan will sleep with Rudra tonight. After making Aryan sleep in his room everybody retire to their respective rooms. As Anika travels the corridor sad that Shivaay has still not heard her out and she needs some time to explain him things he sees her walking ahead of him loosening his bow tie. She calls out for him but he doesn't seem in a mood to listen. Determined that she needs to speak to him, she takes faster steps and reaches the room before him, " Atleast hear me out, I had my reasons. Didn't you tell me you will wait till  I come and tell you. " Ignoring all that he goes to change. Anika closing the door behind waits for him to come out. He enters the room post the change and is about to retire to bed when she holds him from behind.  A: "itni narazgi ki ab baat bhi nahi karenge mujhse? S: " ab kyun baat karni hai, jab pani sar ke upar ja chukka hai. I told you that I was worried seeing you worried. I asked you what was bothering you. But you chose not to say. So why should I hear you out now? A: " Shivaay I didn't want to burden you with things since you were already prepalexed with veer antics. S:  "Toh aur ab kya hua, burden toh ab bhi hai, par iss baat ka zyada afsos hai ki tumhe kuch bother kar raha tha but you chose not to share with me because I would get worried. Didn't I say I get worried when I see you worried? Is not involving me in the plan more important than burdening yourself? Chalo theek hai may be you thought I was incapable of solving it for you Or u wanted to solve it yourself. Theeke phir dikhao apni anekta mein ekta aur solve karo sab khud mil ke. Aage se mujhe kuch bhi batane ki zarurat nahi hai." Anika had tears in her eyes which ofcourse shivaay cudnt see. So he decided to sleep since they had bigger battles to fight tomorrow. He told Anika to sleep promising that they will talk tomorrow.  Early morning Anika got up looking for Shivaay, who was already up and sipping his saira bano with a newspaper. She greeted him with a good morning. Since he wanted he conversation to be on between them he replied politely, "There is nothing good about this morning. Get ready, Veer has called in the doctor for a DNA Test. Congratulations we need to get through this now. Saying this he went out of the room.  He needed some time alone to think what could be done. In an hour the doc would be coming for a DNA test which ofcourse would be false. After rattling his brains which seems to stop working without Anika by his side, he made a few calls regarding the situation and waited patiently for the some visitors. Now he was getting tired of Veer's stupid games and wanted to tackle him head on. And currently his tiff with Anika would have made him punch Veer harder! Finally Aryan's real parents walked in to take him back and in one swift move he had checkmated Veer and Saumya who now panicked as Rudra wedding got preponed and was to take place tomorrow.   By the time everything got over it was night and after dinner with the marriage being preponed everybody retired to bed early. Since tommrow would be a long day! Anika had waited whole day patiently to talk to him and now was her time. She decided she will no longer take his silence and thus barged in the room where Shivaay was sitting sipping his saira bano trying to calm his nerves down with the laptop to give him company. She closed the door behind her and pulled in the curtains.  Shivaay sensing the upcoming drama told her, "Anika I m in no mood for anything like this" A: "But I m in the mood for everything like this. Kabhi kabar aapko meri bhi sun leni chaiye. S: Baffled by her accusation, "Tum toh aise bol rahi ho jaise ki main tumhari sunta hi nahi hun. Walk back down your memory lane n try to remember how many times I came n asked you, "Is there any problem? Par nahi kisi ko toh jhansi ki rani banna hai. Sab kuch khud se karna hai and ab toh ekta bhi hai with both the daughter in laws joining you. Shivaay jaye bhaad mein, nahi?" She tried hugging him to calm him down, but he gestured not to be near him.  A: Surprised with his gesture, she conveyed, "Shivaay, abhi zyada ho raha hai. S: "Zyada? Abhi toh kuch hua hi kahan hai? jab main kuch chupaun toh mere peeche pad pad ke u want to know everything. When I want space to think u don't even let me think over it giving me a big lecture on our so called Vows. Par jab tum chupao toh nari Shakti zindabad!Isnt this wrong?.  A: "I just wanted to be sure who was behind Aryan. S: "Whats there to be sure about? You  all were sure it isn't ours. So isn't it obvious someone planned it. And who can plan it other than veer? He repeated in Anika's language the *Logic* gesture.  Anika wanted to smile in this serious situation but controlled herself as she saw Shivaay was in full mood to act like her and rant his heart out, because he felt bad that she didn't include him in the plan. So silently she heard him out.  S: Continuing, "I thought we are a team first, Anika. I thought when a problem arises and you need a place to go to, I will be your hiding place. But no u want to depict nari Shakti these days toh theeke go and get yourself empowered, leave me alone!  With that he tried moving out of the room but all he heard was *splash*!By the time Shivaay struggled to get out of water Anika was in. Holding him close she wrapped his hand around her and he asked, "And what do u think you are doing? A: "Are you trying to behave like me, giving me dose of my own medicine? Shivaay laughing in his mind, controlled himself not letting go of the act said, "Havent I had enuf drama in my life that I add more by doing all this! A: "Well u weren't listening to me and moved out so this was the only way I could put water on your plans of running away from me without my permission.  Shivaay raised his eyebrows on "Your Permission? I see! Cutting the long story short, when he turned away from her, she made him look at her and said, "I'm sorry Shivaay, infact I'm very very sorry, yeh dobara nahi hoga.  S: With that kind of plea from his doe eyed wife he couldn't resist, "That's all you want to say?  A: "Yes, that's all I want to SAY that it won't be repeated again. With some mischief in her eyes, she added "But if You want I can DO a lot many things for You. Shivaay understanding the underlined statement, smiled "Acha ji! But for that we will have to get out of the water first. Anika nodded and together they started to walk out of water before she held by his collar, "Somebody said he wants SPACE in this relationship, well I can give YOU some if u want.  Taking in the sarcasm, he held her close with their bodies colliding right into each other touching at the right places, "In our relationship, not even a inch of space I want. And he sealed his thought with a deep kiss retiring for the night with absolutely no spaces in between them. Also each tasting their own medicine at respective time intervals, made mental note to not hide anything from one other and be each other's hiding place whenever the need arises. 

http://jodifiction.blogspot.com/2020/05/shivika-os-i-thot-i-was-ur-hiding-place.html

[apsbicepstraining]

Here’s a conclude: how do footballers do what the hell is do? | Gregg Bakowski

It is not often a footballer expands on what goes through their thoughts when they play at the highest level but when they do it is fascinating

The concerning the relationship between footballers and the media is frequently a extremely naive one. Before a coincide a actor is asked what their hopes are for the challenge onward. Their explanation invariably has them looking forward to the game while perhaps including a bit deflection when steered towards a topic who are able to to be translated into controversy. In post-match interrogations actors are asked how they feel about the result and perhaps something they did in the accord. Through shortfall of age, tirednes or media practice, we often memorize little beyond what feeling a actor is knowing at that moment. This is often no flaw of the footballer or even the interviewer. Thoughtfulness is not provide support to football. Consequently, it is rare to truly understand how a participate does what they do.

What are they envisioning when they are moving their own bodies in a way that enables them to open up cavity where a millisecond ago there appeared to be none? We take for granted, whether sat high up in the digests or when watching on television, how quickly a footballer is able to calculate gesture and day. Our perspective is a false one. The predicament of what they are doing is skewed by interval. When a truly remarkable purpose is scored, such as Mesut zils elegant winner against Ludogorets, it is often is complemented by exaggeration or cliches. When deeper thought is given to how a piece of footballing splendour is crafted, the players take on it is usually overlooked, perhaps because were not used to hearing anything from them that tells us something new. Even after reading a 75,000 -word autobiography we can be left wondering, beyond fitness, proficiency or tactical comprehension, what it is that a actor contains that gives them an advantage over others. Relationships, defies, achievements and altercations help build narrative within their life story , not introspection. “Theres” exclusions of course, such as Andrea Pirlos I Think Hence I Play, which intentionally plays up to Pirlos reputation as a cerebral midfield maestro.

On the subject of delivering he paints a picture of a playing realm that isnt so much a fraught mass of moving limbs and testosterone but a series of shapeshifting breaches of which it is his enterprise to thread the ball through.

Ive understood that there is a secret: I see video games in a different way. Its a question of viewpoints, of having a wide field of regard. Being able to see the bigger portrait. Your classic midfielder examines downfield and ensure the sends. Ill focus instead on the space between me and them where I can work the ball through. Its more an issue of geometry than tactics. Andrea Pirlo

Dennis Bergkamp, one of video games great thinkers, has alluded to exhaustive modern-day coaching as one of the reasons participates dont use their own the terms of reference of insight enough. They dont have to think for themselves any more, he told Amy Lawrence. It is all done for them. Its a problem. If they get a new statu, they look to someone as if to say, What do I have to do now? And while Bergkamp was talking specific about the ability to think critically in the midst of video games, his comments pass us a clue as to the lack of faith footballers have in their own ability to self-reflect.

Throughout his more youthful years, Wayne Rooney was pigeon-holed as an instinctive street-footballer, fearless and reliant on playing off the cuff. Hed have been the last being you would have picked to give careful consideration to how it is that he has been capable of doing things on a tar which go beyond the vast majority of other professionals. But in a uncover interrogation with David Winner he explained that he relies heavily on visualisation to prepare for parallels and his thoughts as moves develop can often move into the future. Winner “ve opened” that rarest of things: a opening to the in-game footballers mind and gave us a fascinating glimpse of how the cogs move.

I go and ask the kit man what emblazon were wearing if its red-faced surface, grey abruptlies, grey socks or pitch-black socks. Then I lie in bed the darknes before video games and visualise myself tallying points or doing well. Youre trying to put yourself in that minute and trying to prepare yourself, to have a remembering before video games. I dont know if youd call it visualising or dreaming, but Ive always done it, my whole life. When I was younger, I used to visualise myself tallying wonder objectives, substance like that. From 30 gardens out, dribbling through units. You used to visualise yourself doing all that, and when youre playing professionally, you realise its important for your cooking. Its like when you play snooker, youre always remembering three or four hits down the line. With football, its like that. Youve got to think three or four moves where the ball is going to come to down the line. And the very best footballers, theyre able to see that before much more quickly than a lot of other footballers you need to know where everyone is on the tone. You need to see everything. Wayne Rooney

Did Wayne Rooney visualise this goal against Manchester City or just anticipate the cross quicker than anybody else did? Image: Matthew Peters/ Man Utd via Getty Images

I once tried to razz this profundity of thought out of Alan Shearer when asking how he tallied a aim that he considered to be his greatest but, even after knocking on the door in as numerous new and interesting rooms as I could muster, he wouldnt let me in: That volley was one in a hundred I belief, he said. Its an answer that could have been given by thousands of other footballers who perhaps dont understand that what they are able to do and the rush at which they do it is extraordinary.

In the same room that pilots construe “the worlds” in slow-motion, the very best footballers are often spoken about as having this hyper-developed gumption when it comes to digesting multiple flows. Anyone who previously played with or against a former or current professional who has taken a step down to play an amateur activity, can see this first-hand. A musician such as Jan Molby, even when bellying out of his shirt and years past retirement, can run a game without moving. This is all part of the prowes of understanding space. Xavi, while has become a much more energetic proponent of this ship, stirred football sound like a manic competition of Tetris in a brilliant interview with Sid Lowe in 2011.

Think promptly, look for seats. Thats what I do: look for openings. All date. Im ever appearing. All daytime, the working day. Here? No. There? No. Public who havent played dont always realise how hard that is. Space, space, opening. Its like being on the PlayStation. I believe shit, the defenders here, play it there. I visualize the opening and pass. Thats what I do. Xavi

With socks down round his ankles and his play seemingly shortfall the gloss of other upper-echelon participates, Thomas Mller can give off the intuition of has become a forward who plays in the moment, never stopping for long enough to consider what it is that has induced him so effective. But in fact the opposite is true. In a piece for Eight by Eight magazine by Uli Hesse, the Bayern Munich player addrest astutely about the significance he targets on timing. And although he clearly checks his persona as being different to a metronomic passer such as Xavi or Pirlo, he considers his near-perfect punctuality in the six-yard casket as being a product of his ability to calculate intervals in a razor-sharp fad. In reality, he has thought about his role on the football lurch to such an extent that he has invented a refer for it.

Im an translator of opening. Every good, successful actor, specially an attacking actor, has a well-developed feel of seat and occasion. Its not a phenomenon you exclusively find in two or three people on ground. Every great striker knows its all about the timing between members of the public who plays the pass and the person making a run into the right zone. Its good-for-nothing new when you make a pass, you dont ever do it for yourself. Often you do it to open the door for a team-mate. Thomas Mller

So it would appear that some of the very best footballers, when made to feel comfy and requested the right queries, view their visual to better understand seat and experience as being vital components in putting them at the top of their profession. But what about one of the best, a participate who moved all over the pitch in the unhurried way of someone who had “ve been there” and done it a thousand times before, even at a relatively young age. In the fascinating documentary, Zidane: A 21 st Century Portrait, the Real Madrid legend and World Cup winner conjures an image of himself as an ethereal attendance on the football pitching with psychic powers.

Zinedine Zidane knew exactly what was going to happen.

I can imagine that I can sounds the ticking of a watch I recollect playing in another place, at another time, when something amazing happened. Person overtook the ball to me, and before even touching it, I knew exactly what was going to happen. I knew I was going to score. Zinedine Zidane

There are millions of words written and spoken about football and footballers every day. Some good. Some bad. On subjects of tactics, feelings, hopes and reveries, were well gratified for. So when one of video games enormous, such as Zidane, lets us into his head mid-match even for exactly a few moments it puts out. Well done to those reporters who get us there. And kudos to the footballers who take the time to think.

The post Here’s a conclude: how do footballers do what the hell is do? | Gregg Bakowski appeared first on apsbicepstraining.com.

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[apsbicepstraining]

Here’s a conclude: how do footballers do what the hell is do? | Gregg Bakowski

It is not often a footballer expands on what goes through their thoughts when they play at the highest level but when they do it is fascinating

The concerning the relationship between footballers and the media is frequently a extremely naive one. Before a coincide a actor is asked what their hopes are for the challenge onward. Their explanation invariably has them looking forward to the game while perhaps including a bit deflection when steered towards a topic who are able to to be translated into controversy. In post-match interrogations actors are asked how they feel about the result and perhaps something they did in the accord. Through shortfall of age, tirednes or media practice, we often memorize little beyond what feeling a actor is knowing at that moment. This is often no flaw of the footballer or even the interviewer. Thoughtfulness is not provide support to football. Consequently, it is rare to truly understand how a participate does what they do.

What are they envisioning when they are moving their own bodies in a way that enables them to open up cavity where a millisecond ago there appeared to be none? We take for granted, whether sat high up in the digests or when watching on television, how quickly a footballer is able to calculate gesture and day. Our perspective is a false one. The predicament of what they are doing is skewed by interval. When a truly remarkable purpose is scored, such as Mesut zils elegant winner against Ludogorets, it is often is complemented by exaggeration or cliches. When deeper thought is given to how a piece of footballing splendour is crafted, the players take on it is usually overlooked, perhaps because were not used to hearing anything from them that tells us something new. Even after reading a 75,000 -word autobiography we can be left wondering, beyond fitness, proficiency or tactical comprehension, what it is that a actor contains that gives them an advantage over others. Relationships, defies, achievements and altercations help build narrative within their life story , not introspection. “Theres” exclusions of course, such as Andrea Pirlos I Think Hence I Play, which intentionally plays up to Pirlos reputation as a cerebral midfield maestro.

On the subject of delivering he paints a picture of a playing realm that isnt so much a fraught mass of moving limbs and testosterone but a series of shapeshifting breaches of which it is his enterprise to thread the ball through.

Ive understood that there is a secret: I see video games in a different way. Its a question of viewpoints, of having a wide field of regard. Being able to see the bigger portrait. Your classic midfielder examines downfield and ensure the sends. Ill focus instead on the space between me and them where I can work the ball through. Its more an issue of geometry than tactics. Andrea Pirlo

Dennis Bergkamp, one of video games great thinkers, has alluded to exhaustive modern-day coaching as one of the reasons participates dont use their own the terms of reference of insight enough. They dont have to think for themselves any more, he told Amy Lawrence. It is all done for them. Its a problem. If they get a new statu, they look to someone as if to say, What do I have to do now? And while Bergkamp was talking specific about the ability to think critically in the midst of video games, his comments pass us a clue as to the lack of faith footballers have in their own ability to self-reflect.

Throughout his more youthful years, Wayne Rooney was pigeon-holed as an instinctive street-footballer, fearless and reliant on playing off the cuff. Hed have been the last being you would have picked to give careful consideration to how it is that he has been capable of doing things on a tar which go beyond the vast majority of other professionals. But in a uncover interrogation with David Winner he explained that he relies heavily on visualisation to prepare for parallels and his thoughts as moves develop can often move into the future. Winner “ve opened” that rarest of things: a opening to the in-game footballers mind and gave us a fascinating glimpse of how the cogs move.

I go and ask the kit man what emblazon were wearing if its red-faced surface, grey abruptlies, grey socks or pitch-black socks. Then I lie in bed the darknes before video games and visualise myself tallying points or doing well. Youre trying to put yourself in that minute and trying to prepare yourself, to have a remembering before video games. I dont know if youd call it visualising or dreaming, but Ive always done it, my whole life. When I was younger, I used to visualise myself tallying wonder objectives, substance like that. From 30 gardens out, dribbling through units. You used to visualise yourself doing all that, and when youre playing professionally, you realise its important for your cooking. Its like when you play snooker, youre always remembering three or four hits down the line. With football, its like that. Youve got to think three or four moves where the ball is going to come to down the line. And the very best footballers, theyre able to see that before much more quickly than a lot of other footballers you need to know where everyone is on the tone. You need to see everything. Wayne Rooney

Did Wayne Rooney visualise this goal against Manchester City or just anticipate the cross quicker than anybody else did? Image: Matthew Peters/ Man Utd via Getty Images

I once tried to razz this profundity of thought out of Alan Shearer when asking how he tallied a aim that he considered to be his greatest but, even after knocking on the door in as numerous new and interesting rooms as I could muster, he wouldnt let me in: That volley was one in a hundred I belief, he said. Its an answer that could have been given by thousands of other footballers who perhaps dont understand that what they are able to do and the rush at which they do it is extraordinary.

In the same room that pilots construe “the worlds” in slow-motion, the very best footballers are often spoken about as having this hyper-developed gumption when it comes to digesting multiple flows. Anyone who previously played with or against a former or current professional who has taken a step down to play an amateur activity, can see this first-hand. A musician such as Jan Molby, even when bellying out of his shirt and years past retirement, can run a game without moving. This is all part of the prowes of understanding space. Xavi, while has become a much more energetic proponent of this ship, stirred football sound like a manic competition of Tetris in a brilliant interview with Sid Lowe in 2011.

Think promptly, look for seats. Thats what I do: look for openings. All date. Im ever appearing. All daytime, the working day. Here? No. There? No. Public who havent played dont always realise how hard that is. Space, space, opening. Its like being on the PlayStation. I believe shit, the defenders here, play it there. I visualize the opening and pass. Thats what I do. Xavi

With socks down round his ankles and his play seemingly shortfall the gloss of other upper-echelon participates, Thomas Mller can give off the intuition of has become a forward who plays in the moment, never stopping for long enough to consider what it is that has induced him so effective. But in fact the opposite is true. In a piece for Eight by Eight magazine by Uli Hesse, the Bayern Munich player addrest astutely about the significance he targets on timing. And although he clearly checks his persona as being different to a metronomic passer such as Xavi or Pirlo, he considers his near-perfect punctuality in the six-yard casket as being a product of his ability to calculate intervals in a razor-sharp fad. In reality, he has thought about his role on the football lurch to such an extent that he has invented a refer for it.

Im an translator of opening. Every good, successful actor, specially an attacking actor, has a well-developed feel of seat and occasion. Its not a phenomenon you exclusively find in two or three people on ground. Every great striker knows its all about the timing between members of the public who plays the pass and the person making a run into the right zone. Its good-for-nothing new when you make a pass, you dont ever do it for yourself. Often you do it to open the door for a team-mate. Thomas Mller

So it would appear that some of the very best footballers, when made to feel comfy and requested the right queries, view their visual to better understand seat and experience as being vital components in putting them at the top of their profession. But what about one of the best, a participate who moved all over the pitch in the unhurried way of someone who had “ve been there” and done it a thousand times before, even at a relatively young age. In the fascinating documentary, Zidane: A 21 st Century Portrait, the Real Madrid legend and World Cup winner conjures an image of himself as an ethereal attendance on the football pitching with psychic powers.

Zinedine Zidane knew exactly what was going to happen.

I can imagine that I can sounds the ticking of a watch I recollect playing in another place, at another time, when something amazing happened. Person overtook the ball to me, and before even touching it, I knew exactly what was going to happen. I knew I was going to score. Zinedine Zidane

There are millions of words written and spoken about football and footballers every day. Some good. Some bad. On subjects of tactics, feelings, hopes and reveries, were well gratified for. So when one of video games enormous, such as Zidane, lets us into his head mid-match even for exactly a few moments it puts out. Well done to those reporters who get us there. And kudos to the footballers who take the time to think.

The post Here’s a conclude: how do footballers do what the hell is do? | Gregg Bakowski appeared first on apsbicepstraining.com.

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Here’s a conclude: how do footballers do what the hell is do? | Gregg Bakowski

It is not often a footballer expands on what goes through their thoughts when they play at the highest level but when they do it is fascinating

The concerning the relationship between footballers and the media is frequently a extremely naive one. Before a coincide a actor is asked what their hopes are for the challenge onward. Their explanation invariably has them looking forward to the game while perhaps including a bit deflection when steered towards a topic who are able to to be translated into controversy. In post-match interrogations actors are asked how they feel about the result and perhaps something they did in the accord. Through shortfall of age, tirednes or media practice, we often memorize little beyond what feeling a actor is knowing at that moment. This is often no flaw of the footballer or even the interviewer. Thoughtfulness is not provide support to football. Consequently, it is rare to truly understand how a participate does what they do.

What are they envisioning when they are moving their own bodies in a way that enables them to open up cavity where a millisecond ago there appeared to be none? We take for granted, whether sat high up in the digests or when watching on television, how quickly a footballer is able to calculate gesture and day. Our perspective is a false one. The predicament of what they are doing is skewed by interval. When a truly remarkable purpose is scored, such as Mesut zils elegant winner against Ludogorets, it is often is complemented by exaggeration or cliches. When deeper thought is given to how a piece of footballing splendour is crafted, the players take on it is usually overlooked, perhaps because were not used to hearing anything from them that tells us something new. Even after reading a 75,000 -word autobiography we can be left wondering, beyond fitness, proficiency or tactical comprehension, what it is that a actor contains that gives them an advantage over others. Relationships, defies, achievements and altercations help build narrative within their life story , not introspection. “Theres” exclusions of course, such as Andrea Pirlos I Think Hence I Play, which intentionally plays up to Pirlos reputation as a cerebral midfield maestro.

On the subject of delivering he paints a picture of a playing realm that isnt so much a fraught mass of moving limbs and testosterone but a series of shapeshifting breaches of which it is his enterprise to thread the ball through.

Ive understood that there is a secret: I see video games in a different way. Its a question of viewpoints, of having a wide field of regard. Being able to see the bigger portrait. Your classic midfielder examines downfield and ensure the sends. Ill focus instead on the space between me and them where I can work the ball through. Its more an issue of geometry than tactics. Andrea Pirlo

Dennis Bergkamp, one of video games great thinkers, has alluded to exhaustive modern-day coaching as one of the reasons participates dont use their own the terms of reference of insight enough. They dont have to think for themselves any more, he told Amy Lawrence. It is all done for them. Its a problem. If they get a new statu, they look to someone as if to say, What do I have to do now? And while Bergkamp was talking specific about the ability to think critically in the midst of video games, his comments pass us a clue as to the lack of faith footballers have in their own ability to self-reflect.

Throughout his more youthful years, Wayne Rooney was pigeon-holed as an instinctive street-footballer, fearless and reliant on playing off the cuff. Hed have been the last being you would have picked to give careful consideration to how it is that he has been capable of doing things on a tar which go beyond the vast majority of other professionals. But in a uncover interrogation with David Winner he explained that he relies heavily on visualisation to prepare for parallels and his thoughts as moves develop can often move into the future. Winner “ve opened” that rarest of things: a opening to the in-game footballers mind and gave us a fascinating glimpse of how the cogs move.

I go and ask the kit man what emblazon were wearing if its red-faced surface, grey abruptlies, grey socks or pitch-black socks. Then I lie in bed the darknes before video games and visualise myself tallying points or doing well. Youre trying to put yourself in that minute and trying to prepare yourself, to have a remembering before video games. I dont know if youd call it visualising or dreaming, but Ive always done it, my whole life. When I was younger, I used to visualise myself tallying wonder objectives, substance like that. From 30 gardens out, dribbling through units. You used to visualise yourself doing all that, and when youre playing professionally, you realise its important for your cooking. Its like when you play snooker, youre always remembering three or four hits down the line. With football, its like that. Youve got to think three or four moves where the ball is going to come to down the line. And the very best footballers, theyre able to see that before much more quickly than a lot of other footballers you need to know where everyone is on the tone. You need to see everything. Wayne Rooney

Did Wayne Rooney visualise this goal against Manchester City or just anticipate the cross quicker than anybody else did? Image: Matthew Peters/ Man Utd via Getty Images

I once tried to razz this profundity of thought out of Alan Shearer when asking how he tallied a aim that he considered to be his greatest but, even after knocking on the door in as numerous new and interesting rooms as I could muster, he wouldnt let me in: That volley was one in a hundred I belief, he said. Its an answer that could have been given by thousands of other footballers who perhaps dont understand that what they are able to do and the rush at which they do it is extraordinary.

In the same room that pilots construe “the worlds” in slow-motion, the very best footballers are often spoken about as having this hyper-developed gumption when it comes to digesting multiple flows. Anyone who previously played with or against a former or current professional who has taken a step down to play an amateur activity, can see this first-hand. A musician such as Jan Molby, even when bellying out of his shirt and years past retirement, can run a game without moving. This is all part of the prowes of understanding space. Xavi, while has become a much more energetic proponent of this ship, stirred football sound like a manic competition of Tetris in a brilliant interview with Sid Lowe in 2011.

Think promptly, look for seats. Thats what I do: look for openings. All date. Im ever appearing. All daytime, the working day. Here? No. There? No. Public who havent played dont always realise how hard that is. Space, space, opening. Its like being on the PlayStation. I believe shit, the defenders here, play it there. I visualize the opening and pass. Thats what I do. Xavi

With socks down round his ankles and his play seemingly shortfall the gloss of other upper-echelon participates, Thomas Mller can give off the intuition of has become a forward who plays in the moment, never stopping for long enough to consider what it is that has induced him so effective. But in fact the opposite is true. In a piece for Eight by Eight magazine by Uli Hesse, the Bayern Munich player addrest astutely about the significance he targets on timing. And although he clearly checks his persona as being different to a metronomic passer such as Xavi or Pirlo, he considers his near-perfect punctuality in the six-yard casket as being a product of his ability to calculate intervals in a razor-sharp fad. In reality, he has thought about his role on the football lurch to such an extent that he has invented a refer for it.

Im an translator of opening. Every good, successful actor, specially an attacking actor, has a well-developed feel of seat and occasion. Its not a phenomenon you exclusively find in two or three people on ground. Every great striker knows its all about the timing between members of the public who plays the pass and the person making a run into the right zone. Its good-for-nothing new when you make a pass, you dont ever do it for yourself. Often you do it to open the door for a team-mate. Thomas Mller

So it would appear that some of the very best footballers, when made to feel comfy and requested the right queries, view their visual to better understand seat and experience as being vital components in putting them at the top of their profession. But what about one of the best, a participate who moved all over the pitch in the unhurried way of someone who had “ve been there” and done it a thousand times before, even at a relatively young age. In the fascinating documentary, Zidane: A 21 st Century Portrait, the Real Madrid legend and World Cup winner conjures an image of himself as an ethereal attendance on the football pitching with psychic powers.

Zinedine Zidane knew exactly what was going to happen.

I can imagine that I can sounds the ticking of a watch I recollect playing in another place, at another time, when something amazing happened. Person overtook the ball to me, and before even touching it, I knew exactly what was going to happen. I knew I was going to score. Zinedine Zidane

There are millions of words written and spoken about football and footballers every day. Some good. Some bad. On subjects of tactics, feelings, hopes and reveries, were well gratified for. So when one of video games enormous, such as Zidane, lets us into his head mid-match even for exactly a few moments it puts out. Well done to those reporters who get us there. And kudos to the footballers who take the time to think.

The post Here’s a conclude: how do footballers do what the hell is do? | Gregg Bakowski appeared first on apsbicepstraining.com.

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