#i hope i made the right choice! but i'll be more realistic in the future about what i can accomplish so that i'm not so late again :((((

[marshmallowgoop]

My @heishinvalentineexchange2025 gift for the immensely kind and patient @caliowl333, who graciously allowed me to participate with a video instead of fic or art! (And wrote me a 20,000+-word piece in exchange?! Oh my goodness!)

Song is the SadBois & NIO Remix of "Other Side" by ILLENIUM, featuring Vera Blue, which you can listen to in full here. Ramblings under the cut!

When I first began seriously video editing, I didn't think much about composition or how well clips flowed together—lyric sync was arguably my main goal, and anime pieces were thrown onto the timeline pretty much purely based on that.

Now, I put much more care into the very visual elements—the effects, the match cuts, the dazzle. But in the process, I fear that I'm losing what audiences found engaging about my early videos: the actual ideas.

So, for this AMV, I aimed to put the most effort into a strong concept. The titular "other side" is a world without the Black Organization, where Shinichi can freely be himself. Heiji is waiting for that world, where he no longer has to lie and pat Conan's head and pretend that they're not peers, and Shinichi is dreaming of that world because he's always dreamed of working with somebody just like him. The thought of meeting Heiji someday, when he first learns of his existence (Episode 490), fills Shinichi with excitement. He does a lot on his own, but he also loves working on a team—and doing so, being with people, sharing his enthusiasm with others—is what he wants more than anything.

(Heck, there's even a piece of official art called "Conan's Dream Vacation" where he dreams of playing beach volleyball with Heiji and Ran and Kazuha—as himself.)

Sure, you could argue that Shinichi simply enjoys working with Heiji as Conan because Heiji treats him as he truly is. But the times he spends as Shinichi with Heiji point to the fact that no, he just really likes deducting with Heiji. Eagerness, big smiles—in "The Scarlet School Trip" (Episodes 927-928), involving Heiji in the case of the day takes precedence over solving it himself, as he immediately shares what he knows and even jostles Heiji awake when he learns more, before doing anything else, because there's no way he's going to solve it alone. He doesn't want to.

But as things are, being Shinichi is pain. He takes an antidote, but it's poison. Being Conan is what's become "normal" and "comfortable," but Conan can't be what Shinichi is to Heiji. Conan isn't strong enough to catch Heiji when he's falling. Conan can't save him from bullets. Conan can't even talk to him naturally without hiding and secrets. His dreams have become nightmares.

And it can't be easy for Heiji, either. To see someone you care about suffering. To know that Shinichi is in a dangerous situation—and involving himself in it applies that same danger to himself. It'd make sense for Heiji to walk away and wash his hands of it... but Shinichi really wants him to stay. Despite everything, he wants Heiji to stay. For that someday when they can be true partners "on the other side."

I tried to say other things in here, too. Shinichi cementing himself as a precious person to Heiji by countering his insecurities with a one truth prevails and this isn't a competition and you don't have to prove yourself to me. Heiji finding Shinichi even after becoming Conan because he'll always find Shinichi, no matter what, because he's dreaming of being "on the other side," too (even if he didn't know it initially). Shinichi pushing Heiji away with coldness because maybe it's selfish to want him to stay, maybe it's cruelty to involve him, but he can't deny that he cares, that he wants Heiji with him, that he doesn't want to do this on his own.

And while I maybe still went a little ham on the effects, I do hope my ideas are the strongest of all! "No effects" versus effects comparison can be found here!

Thank you again for all your hard work organizing this event, Cali!!

[your--isgayrights]

Probably a bit silly and you’ve likely answered this before, but do you think you’re going to come back to “at the Very least, the Wall will change?” I’m just getting into ORV and I want to read some fanfic! I promise I am patient but I’m hesitant to start reading something that’s abandoned. I hope this doesn’t come off as disrespectful! I completely understand burnout (med student here hehe) and there’s no shame is shelving a project for a time if it no longer speaks to you. I just wanted to check

You're right that I've answered this before but like it's totally fair to ask me again after how long it's been lol. Bc like I think about this a lot too and thus the answer/feelings I have about it kind of changes?

Like my journey with this fic has kind of been tumultuous because I started it before I had access to ADHD medication and a lot of my life can be divided into the Before times and the like Now Times where my baseline happiness/standard of care of myself is vastly improved. I outlined all of wall fic before publishing the first chapter and then the scenes I wanted to include took up a lot more time to create than I initially thought they would and that like frustration was really harmful to like my sense of being a "writer," I guess?

Sorry, getting into this bc I'm trying to articulate my own feelings to myself, but I'll tldr; it at the end probably.

Like when I first started wall fic it had like a strangle hold on my imagination and was a way I was able to articulate feelings about things in life. Truth is, I'm someone who has called 911 for suicide/self-harm of friends/classmates like 4-5 times before turning 18. There is this feeling of helplessness I always had as a minor that the world was always ending around me but even when I was up till 5 am making sure my friend got to the hospital ok without any way of really knowing except waiting for a text back, I still had to just buck up and go to school the next day. The emotions I have towards these times in my life really latched onto omniscient reader, because the way it discusses suicidal ideation and what can help with it rang really true to me. I love KDJ a lot, part of that is, in my interactions with suicidal ideation, his sense of narrative inevitability really describes the emotions behind it well, the feeling of "this is the only Solution that will Actually work" is sewn into the fabric of the universe as "probability." And I've actually been thinking about that term "probability" a lot lately, and how it relates to ideas about Narratives. We're always estimating the likelihood of future events based on past experiences, calling things "realistic" or not. But the function of this system in my own life has often been to convince myself to 'give up' on certain things, conserve the energy it would take to try them. Sure that has helped me when Ive not had any free time/energy in crunch times or big projects, but when something is actually important, giving up feels like shit to be honest. Which is part of why I really love and kind of idealize this character of Yoo Joonghyuk, someone who 'never gives up.' To me KDJ and yjh in wall fic represent these two radical sides of a spectrum where someone becomes unhappy by giving up caring about everything and someone becomes unhappy by never giving up on anything. KDJ is then sort of this love letter to people who give up on themselves, people who could never imagine living past a certain age and yet somehow implausibly remain. YJH is a love letter to people who have been left behind and are So aware of their choices and their power over situations that they blame themselves for things that were actually out of their control in the first place. It's these two different ways of interacting with helplessness and grief and fear, giving up knowing you never could have made a difference in the first place or being convinced you could always have done Something and blaming yourself for failing, constantly stressing about what you could have done and what you ought to do the next time it happens.

Codifying these themes into Characters is originally this fun way of exploring emotions I have about them and sharing the experience of feeling them with others without having to tear too much of my self a part. I feel like when we're young it feels like a sense of self is something like a wall, an image of ourself that we have Built and must put in work to Maintain from erosion. This sense of self and protection makes us feel distinct from other people, the line we draw where we begin and end in the universe, and they become rules dictating How we will Act and Appear towards others. Drawing these walls and lines is pretty important to KDJ's perspective in wall fic, but i now realize I had sort of started doing to myself? Towards the middle of writing it?

Just because I've been on the Internet so long, I know the sort of "narratives" of being different "kinds of authors" online. Because of this, when I started posting wall fic, something that was of a lot of concern to me was how I appeared as an Author to people reading. I honestly think now that the performance of things I associated with like Being an Author were more sort of motivated by a fear of failure and disappointing others than anything else. It's kind of only been recently that I've realized that I have a choice to do things because I enjoy them instead of the fear of not doing them, which sounds a little crazy/obvious to be honest, but forcing myself to be an honor roll student for like more than a third of my adolescence while completely unmedicated kind of made that sort of intrinsic fear of disappointing others the ole'reliable of Task Motivation. Participating in ORV fandom has sort of been this emotional tight rope walk for me of like. Kind of really desperately desiring validation from others but also being afraid of receiving it bc of like the pressure it then puts on to Keep Doing the thing that Works and otherwise feeling like a Failure. But obviously like creative writing isn't going to have the same like Fear/Urgency factor as life stuff and it shouldn't feel that way, anyway, tbh. I'm kind of having to like. Re-invent the idea of writing being Fun and Relaxing for myself. And the idea that talking to other people on the internet (also like. People in general I still do this at uni even) does not actually have to have like any performative elements or factors of like? Disguise? Because like my sense of self doesn't actually have to be a wall I keep building and have to repatch whenever someone comes along with a pickaxe like my sense of self doesn't actually need a metaphor attached to it because it just is what it is lol. Like whatever I am RN is my "self" and that meaning would only suffer under the restraint of comparison, lol.

It's been easier to like feel normaler/better quicker in like my day to day stuff, but because a lot of the time I spent previously trying to write wall fic lies in that like that brain space where I felt afraid and stressed out etc I think I currently have like an aversion to sitting down with it out of like a fear of returning to that mindset. Because I'm like looking it in the face and such I do have like strategies of getting over it like doing warmups or taking time to make nice writing spaces and having a name to/strategies to access the creative part of my brain, but that stuff takes time and because it's a lot less likely I'll have writing on the brain than go through my every day life like the process of becoming normaler/feeling better goes a lot faster day to day than in my approach to writing.

Because in my brain the progress of wall fic is a sort of gentle curve I've been trying to shape the growth of upwards, I wouldn't say it's abandoned at all. But also like because the next "update" is not really guaranteed and I'm kind of hesitant to force myself to commit to a timeline for finishing/releasing it, I think it makes sense to like hesitate about starting it as a reader? In terms of a sense of completion, the chapters are organized in such a way that each one concerns a sort of complete Section of KDJ's life/relationships, tho. Like, Chapter 1 shows KDJ and YJH's first meeting as kids and establishes the "soulmate" setting. Chapter 2 shows the life KDJ carved himself to thereafter, how he and YJH's paths have diverged, established the stakes of KDJ's current "world" in a way parallel to the first few chapters of wos/orv. Chapter 3 focuses on how the soulmate worldview and KDJ + YJH's characters/past interact with the way they view children/the idea of "childhood/youth." Chapter 4 is meant to show how that worldview encounters adult life/ adult friendships/relationships, but the final part of it is something I'm still working on a bit. The structure is such that I tend to bring the end of the chapter back to a moment of peace/resolution/settling in the "new world" after the events of the chapter and then writing a one sentence cliff hanger about what the next chapter includes. So if you want to give some of it a read but don't want to be left feeling too incomplete, I'd read up till before the last sentence of Chapter 3, tho that's a bit silly, lol.

I will say again and have said before, I don't mind that much getting thoughtful comments/messages like yours at all. Thoughtful in the sense of like, desiring a response from me as a person, I suppose? Towards the start of writing online i really like needed the validation of little comments to feel good about myself/my work, but now I realize that the thing I like actually desire that ao3 comments aren't often a good format for is that I just like talking/discussing these things with other people. Sometimes comments will make me feel more like an unpaid customer service representative getting feedback or a student looking at a quick note on my report card. The kind I like most are messages where people want to ask me questions, argue with me about something, share something of their own interaction with the text that there's room for me to interact back with them as a person. The thing I hate most is feeling like I care too much about something/talk/think too much to the point that people are tired of hearing from me/form a bad opinion of me.

So like typing this all out has actually put myself in the brain space of remembering some of the things I like to write about and feel and how the current part of wall fic explores them. I'm kind of setting up my computer and such to start working on it like rn actually, hopefully the like feelings I'm having towards wall fic won't evaporate when i have to go to my class in 1/2 an hour or when i try to reread some of what I've written so far lol.

TLDR; Wall fic isn't abandoned or on hiatus or anything, but I am super slow about it lol. If you wanna give it a read I recommend stopping before the last sentence of Chapter 3 if you don't want any "cliff hangy" feelings. Questions like yours that ask me to interact with orv/wall fic/related themes do honestly help me start thinking about it again and I'll probably try to work on some of it tonight bc of you so thanks 👍

[aetherarf]

Dude, I love love love what you did for the ask about puppet joint Scaramouche. Utterly beautiful in all the right places and more. You captured it perfectly as I imagined and I thank you for that.

I have another request if you’re willing to take it, it’s about the interlude quest regarding Scara and changing his name to the player’s wishes. And I was just hoping you could capture his reaction to us wanting to call him Babygirl. I see that everyone is call him that as a joke and wanted to see his reaction to that myself. And when he obviously refuses that name, how about the consideration of Mochi instead since he has squishy mochi cheeks that we want to bite out of cuteness. I think about this a lot. Thank you for all your efforts in your work!

this one genuinely stumped me for months on end

because in a realistic way? I don't think it'd end well. I don't think it'd end well at all. Crack is a different story, but... I don't write crack. Not much, anyway, so I didn't take it that route.

He'd be hurt, he knows he owes you this, but you remembered him, even when he didn't remember himself.

His heart is raw and bare, he lived through five hundred years of misery within a few moments, and he's still reeling. He's vulnerable.

He's baring whatever lingers where his heart was meant to go, giving you the choice, the privilege to name him. To decide his future for him.

And to call him... Babygirl... is a very ... rough way of not reading the room, and he would- okay, he could... accept a joke. it's a joke. It has to be a joke. So, he would of course refuse-

And being called Mochi, a name many people name their pets back in Inazuma, he doesn't think it's cute or silly, even if the reason is explained.

He's hurt.

He feels you're treating him like something that belongs to you- a pet, nay, just a toy to do what you want with now that he's not a blatant threat.

It hurts, it hurts, it hurts.

It hurts so much he's not sure what to do with himself, other than to just laugh, tense and strained, "You're not taking this seriously. Fine- I'll do it myself."

He does not accept Mochi. He does not consider any other names. Either by then, he goes by Wanderer. Just Wanderer.

He does not trust you to name him.

He did, and you crushed it with mirth and amusement in his eyes, when he was still so weak and wounded and defeated.

You made him into a joke.

He would not accept anything from you he didn't have to for Buer.

[chili-mango]

Well, I was right. You haven't unblocked me.

Quite honestly? I'm relieved. I wanted to keep my word to reach out to you, partially because I have moral standards of behavior I don't feel good about dropping, but also partially because there's still that part of me that hopes even past realizing it's not realistic that maybe things can still be fixed. And now I don't have to worry about that part of me overriding the part of my brain that actually lives in reality.

You made a decision that you didn't want me in your life anymore, and even while that hurts, it means this is done. I've NEVER met anyone more stubborn than you. If you've decided we aren't in each other's lives anymore, then there's just straight-up no way I convince you to try again. No matter what anxiety spiral or 11pm insecurity grips me and tries to convince me I've made a mistake, and you were my soulmate, and I'll never love another the way I loved you, and I gave up before it was really over (even though it's been TEN YEARS, it's not like I gave up at the first hint of trouble!). I am no longer the only thing standing between me and a desperate, masochistic urge to repeat the cycle. You and your immovable object mindset are also acting as my safety net.

I can move on now without slipping up and going back in a moment of weakness. It won't matter if I'm not strong enough, I absolutely HAVE to figure out how to carry on without you, or remain miserable til I die. And I just don't have accepting being miserable forever in me.

I'll mope, sure. I'll grieve, and I'll process, and then, just like what happened with Michelle, I'll realize one day 3 or 4 years from now that not everything can be talked out. Not everything can be fixed, even if both sides want it to be. Sometimes, when things turn toxic and you're both just hurting eachother over and over, letting go of that connection so that you can both go find other, happier lives IS what love & respect look like.

I really, really hope you build a good life for yourself. You are a smart, funny, compassionate, creative, brilliant, adorable person. AND, we aren't very good life partners for each other. Maybe we'll both grow over the next few years and some day in the future we'll reconnect as friends again. But I'm not going to hang my hat on that.

You're a full-ass adult, and you are responsible for your own quality of life, and your own advocacy for support & resources, and your own emotional state. I am choosing to believe you will figure it out for yourself.

I don't know if you'll figure out being comfortable with nuance, or if you'll just feel like I betrayed you forever (even though it was NOT being honest about my needs and breaking up with you earlier that was my real failure as a partner), but honestly? If I'm never going to see you or talk to you again? I'll go ahead and tell myself the story that you'll get it eventually. That one day you'll be as sympathetic towards my choices and the reasons I made them as I am towards yours.

You're not a bad person, and you're not a bad partner. And you are worthy of being loved, and I do love you. But we both need things the other cannot provide us, and I would rather we both get what we need than we stay together. Because I love you, I WANT you to be getting what you need from a partner. And I cannot give you what you've been asking for, just as you can't give me what I've tried to ask for.

Thank you for ending this. I'm gonna go cry about it a lot. You brought so much joy and depth into my life, so thank you for the time we spent together.

[ahgasegotarmy116]

hi 😊 me again so difh hmm 🤔where do i start I don't think oc is even 49% not culprit she 100% guilty. She has her flaws as a sweet person bt nah nah he did not come across initially as that manipulative. She just wanted to unconsciously 1) save her marriage with a kid (things did seem to be going in troubled waters due to prolonged distress with the og couple) & 2) not ruffle any feathers with him incase he gets too angry with them and cuts them off financially soso ------ There's no way someone says just that and I'll be opening my legs sir you'll be eating with a straw for a long long time 🍼🧊

Also my heart doesn't believe for a second jk is not hitting a younger escort/clg gal at side for no strings emergency service hotline. He totally seems the type and He's emotionally invested in OC at this point there's a huge difference in the highs he gets from both🌶☕

and i love you but i don't think for a second anyone's getting divorce or therapy in that household for a long time. There's no way he'll LET og couple divorce split custody AND LET EVERYONE IN SOCIETY KNOW he fathered 2 kids. It's neither going to be a public thing nor is it going to feature even in hush hush high society gossip radar. 🧐🤣🤣

They'll be caught soon by the husband with how sloppy jk is bt i just don't see any open clear air or therapy or new beginning for the son. Jk's the kind to rub his disability in his face both bodywise, familywise and workwise (like plz how do u come home and tell ur papa i missed my impy flight, are u like 5?? call ur fucking secretary arrange charter plane, reach that fucking meeting in style) how son's so deficient at everything he HAD to make new heirs who are more great like him (can u imagine though if kids especially the boy turns to be 100% jk) he doesn't shows those murderous symptoms but you never know with the kind of psychopath jk is his son might even be in a car crash 😉😉 and then starts the court drama of oc trying to leave but this is fucking Korea and he's richie rich. Hell probably even house her in his mansion and adopt kids as his heirs legally all the while abusing her in private (hiding initially and then in front of his wife) while cashing on brownie points from public. (Maybe even OC was pregnant with their 3rd kid) such sadness on the family and the new kiddo who never got to meet his daddy 🥲🥲

My heart feels for OC though the mental stress she's constantly under and it's good that this is a fic atleast here things can end with her leaving bit i fr don't think she CAN leave EVER if u think about it realistically. She's trapped for life and he's hooked for life on her (third time's the charm😇)

Now I'll completely understand if u dint reach to the bottom of this kyle richards style msg but i have a couple of scenarios do u care that i share?? In the next one they are😊

Hey so I really do appreciate the analysis of the story but in your previous ask telling me or any writer "you're wrong" about their own story or that they're not being they're not "Think(ing) about it realistically" when it come to some of the choices made comes off as extremely rude.

I think/hope you didn't mean it that way so please try to figure out a way to reword that statement. You said "I don't think" or something to that equivalent throughout this whole ask and you are totally entitled to think anything you would like about anything but saying things like "I love you but..." in any context is very hurtful since it's showing your love is conditional.

You can totally give constructive criticism and I'm not super pressed about what you said but I would just say for future reference just because you think something should go one way or was the wrong decision doesn't mean you were right and the person who created the story and put time and effort into releasing it for free is wrong.

At the end of the day the writer has the last say and it's their story. Only they know the full details and true thoughts and feeling of their character and what they would or wouldn't do.

Imagining the story going a different way is fine but maybe keep those thoughts and feelings to yourself if you're telling them that they've made multiple wrong choices throughout the story.

Now I'll start responding to your analysis

I do agree that she is 100% in the wrong and she never said she wasn't in the wrong. In Drabble 1 she admitted to herself "I've backed myself into a corner, and there really is no one else to blame but myself. Jungkook might've pressured me into this but the choice was ultimately mine, and I chose wrong" so she knows that she fucked up.

This might've not been something that you read or noticed but she does think about these things and has been for years. Sometimes it's easy to put the blame on someone else so it would be seen that way but she is self aware it's just hard for her to have Jungkook around and throwing things in her face.

He might've seemed very manipulative at the beginning but he caught her at a time where she was feeling vulnerable and desperate and so people sometimes don't make the best decisions when they're in that sort of headspace and Jungkook knew that and used it to his advantage.

She didn't make those decisions "unconsciously" because she knew exactly why she said yes and therefore knew that although this wasn't the right thing to do it would be the easiest way for everyone to get what they wanted. And just like the title of part three says "I Did It For You" and thought of how much pressure this would take off of him.

Although people might've been able to say no to him some people might've said yes. There were multiple factors to this story and sometimes people aren't as strong willed as some others are. She's all talk at this point because of the fact that she doesn't want her husband to find out.

Not because of the fact that she doesn't want people to know what she's done (ofc that is a factor in it) but because she really truly does love her husband and she knows just how much this will shatter him and she doesn't want to see that happen and that's why it went on for so long.

People think differently and that's what makes life and stories more interesting because if we all thought and felt the same way then things wouldn't be all that interesting and very predictable.

I mean he definitely gets hit on and flirts with other women but he does have self control. In Drabble 1 he says "Darling it's your fault, you've ruined sex for me with other women. Nothing about them compares to you" so he doesn't find pleasure in it anymore because he's 1) obsessed with her and 2) obsessed with the power trip and how he can have her as much as he wants as long and she still wants to keep this all a secret.

Like you said he's emotionally invested in oc and so he feels like theres' no point if it's not with her.

In terms of divorce there's no real reason why anyone with need to know that he's the father. It might be something that comes out later but as far as the public knows he's still just their grandfather.

There are a lot of dirty secrets in high society that no one finds out about and couples get divorced all the time and it's not seen as uncommon these days so it's not taboo.

Plus the secret could still come out whether she was still married to her husband or not. The people that she wanted to keep the secret from already know so she doesn't care if it goes to the press if that's the only way to get away from them.

If anything that would be the best way that she could get her revenge and Jungkook at that point would see the divorce as necessary because what person in their right mind would go around keeping the family together once everyone knows the truth.

Oc doesn't want revenge though because she's not like that and she wants to keep her kids out of the press as much as possible and doesn't want people to treat them any differently.

Will it put a ding in the families reputation if she tells everyone? Sure but Jungkook doesn't have the power to nor have the desire to stop the divorce. Jungkook's manipulation stops when he loses oc.

He's not someone who wants to get revenge on someone in this situation because although he lost her, this is something he's always gonna be able to hold over her head and that's humiliation enough.

No one needs to LET oc do anything because this isn't the dark ages and woman decide what they can and cannot do. He wouldn't lock her in a dungeon and hold her captive because if he did then her mother in law would be the one to go to the press.

Her mother in law is actually very understanding and keeps in contact with oc throughout all of this. Even though what oc did was majorly fucked up her mother in law knows Jungkook and what he's capable of and understands why she did it.

Although you think they'll get caught by the husband that's not what happens.

It might be seen that in that situation her husband was being irresponsible but people make mistakes plus he was being run ragged and this time he didn't want to put in the effort to make things right even though he knew there would be consequences.

He honestly saw this as a way he could majorly fuck up so Jungkook would stop making him go on so many trips. Like who wouldn't be upset that he has to leave his wife and kids all the time? He truly loves them and wants to be there for them all the time and be there for those important milestones.

This was a way to kind of push back and wanted to seem like he was incompetent and that Jungkook needed to find someone else to do that kind of work for him. Someone who might be seen as more capable and qualified. It didn't end up working out that was because Jungkook just assigned an additional colleague to help him so it wouldn't happen again.

It's not his son's fault that he couldn't have kids so let's just get that part out of the way. Just because one slip up was mentioned doesn't mean that that's how he handles things all the time. The reason why he's sent on all of these trips is because he's successful and does convince a lot of clients to sign.

It would be way too suspicious to everyone in the company and be way to obvious and confusing to her husband if he was shit at his job was still was sent to go take care of extremely important matters and sign big clients pretty much monthly in most cases. Like he would give the company a horrible reputation if he was that "so deficient at everything"

Creating heirs is important for a corporate family so it wouldn't have mattered if his son was competent or incompetent, it's something that needed to happen anyways. Of course you want your heirs to be better. Who would want to hand over your legacy to someone who can't do their job or improve upon the company? The goal is to make things bigger and better so therefore you need your successors to be better than the one that came before him.

Saying that Jungkook would go so far as to murder someone does not match his character at all. He's manipulative and if he had those murderous tendencies he definitely would've made that known and gotten his son out of the way a long time ago.

No Jungkook's youngest son won't be like him. Just like Jungkook's first son his mother will be raising him right so that won't be happening. He's more or the artsy easy going, kind hearted type of guy but he will put on that suit and tie and take over the company when the time comes if his sister doesn't want the company instead.

That situation is something that you're allowed to make up ofc but as the writer I can tell you that that doesn't happen. It would be crazy but it doesn't fit well with the storyline and no theres no possibility of a third child.

She realistically CAN leave and she DOES but she knows full well that she'll still have dealings with the family since she does indeed have 50/50 custody of the children.

Again I appreciate the analysis but next time think about the way that you're phrasing things and just because you think something is wrong doesn't mean that it is. We're all entitled to our own opinion but telling the writer of the story that they wrote it wrong is majorly disrespectful.

I feel like you were creating a whole different story with the way you were talking about it 🤷🏻‍♀️

[fablesofkitkat]

pov: you netflix & chill with Sero

PART 1 CLICK HERE

genre: fluff

Day to night to morning, keep with me in the moment

- Doja Cat

tags: @bootyholelicker idk if you even like Sero but u my perma guest of honor

@speedmetalqueen you also my guest of honor, tagging you but not asking you to read this, also your Katsuki fic will be updated last, I have four more fics to write before I get to your fav.

@mattesatoruuu I'M SORRY I FORGOT TO TAG, LET ME KEEP YOU, I'LL MAKE IT UP TO YOU I SWEAR 😔 (IOU ONE POV OF YOUR CHOICE)

@cellotonins xix 🤣 I'm sorry i didn't get it. really thought it was kith, you, kith

@vanilacaramel @akaashis-liquidluck @vtte @charlie-xo @theultimatefrenchfangirl @un-limit-edd @rabbitholeforany-mediailike

---

It was a long drawn out burn. The buildup to this intimacy. Every little thing felt precious, or memorable, to be frank, it was scary. How terrifying is it to see your life in someone else's eyes? As much as you act cool, that you had your expectations in a realistic extent, you daydream of a future with Sero. Of being pro heroes, even working in the same agency.

How terrifying was that?

To have this glimpse of a dream, and hope, to expect it even, that it'll come true. But somehow, most of the time, it stopped being scary. Like now for example, in his dorm room, time seemed to slow down. You and Hanta are alone. Bakugou went to go shop with Kirishima for some customization on their training gadgets. Mina went back home for a visit. Denki as well.

When people have been together long enough, they'd fall into lapses of comfortable silence. Just by being with them feels really good. You and Hanta were watching this show "A Través De Mi Ventana" on Netflix.

"The friend is hot compared to the neighbor." You blurted, sitting infront of Hanta with his arms around you. The laptop was placed on a round table, which was moved by the end of the bed to avoid kicking it by accident.

"Que?" He asks, squeezing his arms around you.

"I mean look at him, he wears a bathrobe to school!" You reasoned, trying to wiggle out of his strong grip. "Ease up, you're crushing me."

"First Klaus from The Umbrella Academy, now this guy. You have a type." His voice in deferential casualness.

Hanta was just asking for it. You hold one of his arms and bit. Hard. He tried to jerk his arm away but your grip was tight, you dig your teeth even more until you hear him groan. You stilled. That— was that— sounded sexy.

"You left a mark." The tape quirk user, waved his bitten arm for you to see. The sight of your teeth mark on his skin had your heart leaping out of your chest. The redness on his skin pulled you, and you leaned down to give the spot a quick kiss. You vaguely hear his breath hitching, but he cleared his throat.

"You're too cute for me, cariño." His lips brushed against your forehead.

You and Hanta went back to watching the movie. Tried. And failing miserably because you were hyper aware of his arms crossing over you, his right palm on your left waist and his left on your right; rubbing your sides up and down leisurely, drawing lazy circles, gradually his fingers padded an inch below to the side of your breasts.

You don't realize you're holding your breath. You are only aware of your heart punching its way out of your chest that Hanta should be able to hear it. And then, he slides his palms down back to your waist. What a fucking tease! You leaned back, wiggling your butt on him as pay back. You held back a moan when you felt his arousal. "Hanta. . ."

"Mhm." Was that a teasing tone? He pecks your cheek, then the spot behind your ear, and then your left shoulder. His lips lingered, blossoms swirled in your tummy. "I'm watching."

You turn your head, and brushed your lips against his. It was a little hard to kiss in that position, so you tried to move your body to face him but he stops you when his hands started to cup your chest over your shirt. It made you lean back into him more, and nuzzle your face on his throat. He squeezed them, four fingers under and the thumb above. He makes a gentle fist, kneading slowly. You feel a trickle down your crotch. You open your mouth to press a wet kiss on his throat, absolutely loving the way it bobbed. In a deliberate manner, you grazed your teeth on his skin. "... Hanta?" Hearing your own voice, low and husky, it sounded needy. Seductive even.

"Should I keep going?" His palm pulls up, but his fingertips stayed, sinking into your soft, supple mounds. He taps rhythmically, and massaged, lightly at first then into gradual pressure.

"Yes." You blurt. And then he- snickered, laughing quietly. Maybe a tadbit mean to you because it made you feel embarrassed.

"I was translating for you, cariño.Quieres que siga. You're not paying attention to the movie." He says in your ear; it leaves a trail of goosebumps on your arms, leaving your cheeks numb and tingling. You looked at the screen and saw the scene of the rich neighbor on his knees, caressing the girl's thigh, and then gripping hard.

It felt hot. Everything did, especially his body against your back. You sat up and took off your bra, and then you held his hands, brought them under your shirt and made them grope your breasts. It felt even better, his calloused hands creates sweet friction on your smooth skin. It made him curse and groan. "Dios mio, you were so shy back then, mi amor." He continued to rub his palms gently around your breasts, and his thumbs made light circles around your nipples. His touch was gentle, cupping was sweet, and rubbing was low-pressure. It created an expectation in you, at the same time it made you relaxed. It was chill, like lounging while drunk, except this time it was being touched, and to be made feel good, leisurely, in a haze of sweet ache down your crotch.

"I want to touch you too." You say before letting out a small gasp when he finally flicks your nipples. He takes your hair to the side and kissed the back of your neck, and then he lets go of you to stand on the bed, while you turned to look at him and watched him undress his shorts along with his boxers. Your eyes widened at his length, and the curve. The leaking pre-cum was enticing, and the vision of his red slit makes you lick your lips. You reach out but his hand meets yours and intertwined.

"Wait," said Hanta as he sat on the bed once more. He turns you around and lifts you up, guiding you to sit on his stomach, and then making you lie your back on him. His shaft directly rubbing under your snuggly, wet heat. "Do you touch yourself?" He guides your hand and enclosed it on his cock. Hot and throbbing. "Get yourself off on me, cariño." His voice hitched low, mesmerizing. It got you hypnotized. He goes back to playing with your tits.

---

<- previous next ->

[horriddler]

playlists for my redacted babes (repost)

i actually just got into the fandom a month ago and kinda just binged listened erik's vids buuut! this is how i depict guy, david, sam, caelum and milo in music because i can and wanted to (there will be more in the future)

pizza guy

i headcanon him as a band/theater kid shrugs so i may or may not have added some...musicals in the playlist

but i mean come on, look at me in the eye and tell me he really loves to sing the lyrics to "sexy" by mean girls. look at that little menace and then to me.

his favourite song is sincerely me btw

dabey wabey, our little fiance,

i know he loves crazy by gnarls barkley ONGG

probably listens to it in the car while waiting for angel to finish their shift.

he’s the type to tap on the beat on his steering wheel aswell because he’s mysterious like that

our little derek hale's twin here definitely DEFINITELY likes those jazz kinda stuff like this is the lost generation by the lost generation) to make him look more like a mysterious man.

(will add more songs like that soon!)

sam cowboy collins

unironically added some country music (the catchy songs)

and ALSO HE DEFINITELY LIKES RHCP. TELL ME IM WRONG | DARE YOU.

but i do think some songs doesn't really fit him, but at the same time i do think it does.

he's kinda like those 50-60's rock and roll type of guy too or he just turns on the radio and listen to whatever (similar to david)

milo (the drink)

okay in all honesty, i don't know if i'm right with the song choices here and i'm quite sad about it…

but i do think his music taste is a little similar to asher's, just a bit.

he sounds like the punk/2000's rap loving kinda guy but his whole vibe really gives off deftones.

oh yeah his favourite song is cupid's chokehold. it's fucking canon in my head.

caelum my sweetest babyboy

he's my kin so he gets all the mitski songs teehee, so imagine this playlist is him having the best time of my life!!!!

he definitely would love mitski and just anything that reminds him of the sweet times he and david had together, i don't make the rules.

the whole playlist is kinda depressing to be honest

but i'll try to add some more happy happy songs for when he feels excited when he notices he had untied some knots!

ivan (sadism’s hold)

oh no.

had an awfully little time to make this one. i really just tried to pick up the sadism's hold vibe, kinda creepy aura of music!

and some songs that make me want to scream (drunk walk home)

i'm actually kind of proud of this one tbh, i had the right (in my opinion) songs for ivan but yes! :)

everytime i talk about my playlist of him, i keep thinking of the song caravan because i feel like both the movie whiplash and sadism's hold are similar to me. the psychological stress and manipulation are so fascinating. the ending to whiplash and how ivan manipulates the listener comes out so natural and realistic, it can't be seen unless you really open your eyes and see the dark side on things. it makes you forget what had happened and the process throughout it that made andrew and the listener become like how ivan/fletcher wanted them to be. and the way it makes you give in and think it's completely okay and comforting and safe because it was what you have loved and/or what you have been needing. the whole thing with the psychology behind it makes it so eerie but interesting.

——————————————

but please do check out my spotify profile for some more playlists and maybe you can be updated when i add another character playlist

so that's it so far :)! i'm still new to the redactedverse so i'm sorry if i'm not feeling it like how yall are feeling it ykyk, i was newly obsessed so i was itching. ITCHING. to make a playlist so yeah!! hope you enjoy! but please do be aware that this is my kind of music taste and i pick songs that i really like so it's okay if it doesn't suit your taste

[pet-genius]

The Death Eaters as a Cult - Part 1

This is a very lightly edited old Reddit post, that I'll publish in parts because the whole thing is like 7000 words. Analyzing Voldemort, the DE and their dynamics, Dumbledore and Harry in comparison, and individual Death Eaters. Hope you like it!

Some say Voldemort is a cartoon villain, or wizard Hitler. I think he is very realistic, and that the focus on his political aspirations ignores interesting aspects of him. I cannot prove that JKR had cults in mind when she wrote Voldemort and his followers, but this is how I read them. It’s nearly impossible to define a cult, so, for the purpose hereof, I’m going with “a group dedicated to the worship of a person”. Many cult leaders in real life present themselves merely as “god’s voice” or “the messiah”, but Voldemort specifically didn’t bother to hide behind a power higher than himself.

Tom Riddle comes from humble beginnings, like many cult leaders - he’s raised in an orphanage. He already has delusions of grandeur, only in this case they’re not delusions, because he really is magic, which makes it all the more dangerous. Look how he reacted to discovering he was a wizard, and how Harry did.

Immediately following the revelation that Lily and James did not die in a car crash, and that Harry is famous, and that he survived an attempt at his life by the worst wizard in history:

Hagrid looked at Harry with warmth and respect blazing in his eyes, but Harry, instead of feeling pleased and proud, felt quite sure there had been a horrible mistake. A wizard? Him? How could he possibly be? He’d spent his life being clouted by Dudley, and bullied by Aunt Petunia and Uncle Vernon; if he was really a wizard, why hadn’t they been turned into warty toads every time they’d tried to lock him in his cupboard? If he’d once defeated the greatest sorcerer in the world, how come Dudley had always been able to kick him around like a football?

“Hagrid,” he said quietly, “I think you must have made a mistake. I don’t think I can be a wizard.”

Heart-breaking. Harry doesn’t believe he can be special, he blames himself for the way he’s treated.

This is Tom Riddle:

“I know that you are not mad. Hogwarts is not a school for mad people. It is a school of magic.”

There was silence. Riddle had frozen, his face expressionless, but his eyes were flickering back and forth between each of Dumbledore’s, as though trying to catch one of them lying. “Magic?” he repeated in a whisper.

“That’s right,” said Dumbledore.

“It’s... it’s magic, what I can do?”

“What is it that you can do?”

“All sorts,” breathed Riddle. A flush of excitement was rising up his neck into his hollow cheeks; he looked fevered. “I can make things move without touching them. I can make animals do what I want them to do, without training them. I can make bad things happen to people who annoy me. I can make them hurt if I want to.”

His legs were trembling. He stumbled forward and sat down on the bed again, staring at his hands, his head bowed as though in prayer.

“I knew I was different,” he whispered to his own quivering fingers. “I knew I was special. Always, I knew there was something.”

His megalomania and violent nature are already apparent, as is his preternatural control of his magic. It also hints at rudimentary legilimency.

Dumbledore spells out that young Tom Riddle equated magic with immortality and liked to collect trophies, and that Tom Riddle liked being special, as he resents the name Tom for being too common; he already lives behind a mask and only shows his true face in shock. This, and not Dumbledore’s magical prowess, is what always scared Tom. Voldemort knew Dumbledore knew what he was. That was the only tactical advantage Dumbledore had.

It’s also one of JKR’s strokes of brilliance: Dumbledore saw Tom for what Tom was, and others never did until it was too late, not because he was that clever, but because he knew from experience. Dumbledore had allowed himself to fall for a charismatic but heartless man before, and it took Ariana dying to slap him awake. Dumbledore knows good people can be led astray: It happened to him. It has nothing to do with intelligence or “goodness”. Gellert was able to give Albus exactly what Albus lacked, stuck at home taking care of Ariana: the promise of freedom and a bright future, and the companionship of an equal. Albus fell for it, despite warning signs that should have been obvious.

Later, we know Tom is chosen by a wand of yew and phoenix feather. Both yew and phoenix are associated with immortality; yew trees are very long-lived. Compare this to Harry’s wand, holly and phoenix feather: both these characters will experience death and rebirth, except Tom Riddle’s wand tree is yew, and Harry’s is holly.

From Wikipedia: “The Christian church commonly found it expedient to take over existing pre-Christian sacred sites for churches. It has also been suggested that yews were planted at religious sites as their long life was suggestive of eternity, or because, being toxic when ingested, they were seen as trees of death.” Also from Wikipedia: “Christians have identified a wealth of symbolism in the holly tree’s form. The sharpness of the leaves help to recall the crown of thorns worn by Jesus; the red berries serve as a reminder of the drops of blood that were shed for salvation; and the shape of the leaves, which resemble flames, can serve to reveal God's burning love for His people.”

The two orphans’ wildly different views of death are also apparent in their wand trees. Voldemort will murder to attain his goals; Harry will sacrifice himself. That the phoenix feather came from Fawkes is also meaningful - Dumbledore taught both magic in some capacity, but he never could defeat Voldemort, because they’re too alike. One of Harry’s advantages in this battle is the integrity of his soul, which cannot be compromised.

Next, Tom Riddle is sorted into Slytherin. For a child who is already prone to megalomania, the house values bring out the worst in him, and under Slughorn, he grows into a manipulative, cunning, ruthless young man. I’m not blaming Horace for Tom being a psychopath, but some of the particular ways his psychopathy manifested in seem to have been directly due to Slughorn’s influence. Slughorn is a blood-supremacist, who was convinced Tom must come from fine stock. Slughorn tests drinks for poison using house elves; Tom Riddle tests the effectiveness of his Horcrux’s protection on Kreacher. Slughorn emphasizes the importance of connections and outright praises Tom for knowing more than he needs to, and encourages an attitude of “it’s only wrong if you get caught.” But Slughorn, prejudiced and cunning as he is, is not violent - he is academically curious about Horcruxes, but he finds them repugnant. Tom’s heart is not so faint - at the point of asking Slughorn about Horcruxes, the diary is already a horcrux, and Tom has already murdered his father. This is how Dumbledore describes Tom’s original gang, who were the proto-Death Eaters:

As he moved up the school, he gathered about him a group of dedicated friends; I call them that, for want of a better term, although as I have already indicated, Riddle undoubtedly felt no affection for any of them. This group had a kind of dark glamour within the castle. They were a motley collection; a mixture of the weak seeking protection, the ambitious seeking some shared glory, and the thuggish gravitating toward a leader who could show them more refined forms of cruelty. In other words, they were the forerunners of the Death Eaters, and indeed some of them became the first Death Eaters after leaving Hogwarts. Rigidly controlled by Riddle, they were never detected in open wrongdoing, although their seven years at Hogwarts were marked by a number of nasty incidents to which they were never satisfactorily linked, the most serious of which was, of course, the opening of the Chamber of Secrets, which resulted in the death of a girl. As you know, Hagrid was wrongly accused of that crime.

Dumbledore explains what motivated people to join Tom: some were afraid, some ambitious, some cruel. He controlled his so-called friends, and already started framing others for his own crimes (Hagrid’s framing was followed by Morfin’s and Hokey the house elf’s).

This is followed by Tom’s attempt to become a teacher (Dumbledore spells out his motivations: He is attached to the school, he wants to study its magic, and he already wants to build himself an army). He is denied, oddly chooses to work for Borgin and Burkes, a choice fueled by the desire to trace down more items to make into Horcruxes. Through the memory of the meeting with Heptzibah Smith, we see that Tom was definitely charming when he needed to be, and knew how to make people feel good. He did not use magic to trick her into showing him her precious locket and cup: he used muggle manipulation - flattery, making an old and forlorn lady feel valuable, perhaps even flirting with her (she’s certainly flirting with him). He was pleasant enough that Ms. Smith eagerly looked forward to his visits - but as she showed him her treasures, he was caught off guard by hearing about his mother and how she sold the locket, and she saw him for what he was, although she quickly fell into denial. Sadly, she was murdered two days later.

Why rely on Horcruxes to gain immortality? Tom must have known about Nicholas Flamel and the Philosopher’s Stone, and the Horcruxes require someone else to perform the resurrection ritual. Either making the Stone is so hard that it would deter Tom (unlikely), or he already expected to rely on followers who would find him and revive him - he certainly seems to have expected his followers to have searched for him earlier. Maybe Horcruxes were appealing because they require murder. In any case, this is followed by the memory of Tom asking Dumbledore for the DADA job again, a decade later. Tom has spent a decade gathering followers, and he has already changed his name to Lord Voldemort. This is reminiscent of real life cult leader David Koresh, and the leaders of the Children of God, Aum Shinrikyo, etc. The meeting between Voldemort and Albus is interesting, because it’s clear that Dumbledore had tried to teach Tom about the power of love:

“The old argument,” he said softly. “But nothing I have seen in the world has supported your famous pronouncements that love is more powerful than my kind of magic, Dumbledore.”

“Perhaps you have been looking in the wrong places,” suggested Dumbledore.

This did not help. Tom never learned - how could he? At 16, he was already a murderer - who could love him now for who he was? He could never be truly loved, and he could never truly love another, and he underestimated the power of love for his entire life, leading to his downfall - twice (were that it was so simple in real life).

Voldemort is trying to obfuscate the nature of the relationship, like all cults - they never admit this is what they are.

“I am glad to hear that you consider them friends,” said Dumbledore. “I was under the impression that they are more in the order of servants.”

“You are mistaken,” said Voldemort.

But LV can’t lie to Dumbledore, who changes the subject. He denies him the DADA job again, and the curse is placed on the job. LV’s ascent is due to begin in a few years. Hagrid tells the story:

Anyway, this — this wizard, about twenty years ago now, started lookin’ fer followers. Got ’em, too — some were afraid, some just wanted a bit o’ his power, ’cause he was gettin’ himself power, all right. Dark days, Harry. Didn’t know who ter trust, didn’t dare get friendly with strange wizards or witches...

Voldemort isn’t just interested in immortality. He wants complete control. He wants everyone fearing him - even fearing his name. He has people isolated and distrustful, fearing for their lives.

But we know his reign of terror was dreadful - what I’m interested in is the way he treated his own followers. We know little about how he treated them in the first war, but we do have what Sirius had to say about Regulus’s fate:

From what I found out after he died, he got in so far, then panicked about what he was being asked to do and tried to back out. Well, you don’t just hand in your resignation to Voldemort. It’s a lifetime of service or death.

We know the real story of Regulus’s disappearance, and it’s different. Kreacher tells us that Regulus died in the Horcrux cave - but more telling is that Regulus forbade Kreacher from telling his parents what had happened to him. Why did he feel the need to do that? This suggests that Regulus knew LV destroyed traitors’ families, which is a tactic used in cults and other abusive dynamics. We know LV would leverage Draco’s welfare against Lucius for his failure in the Department of Mysteries, too. We know also that instead of going to Dumbledore, or to his own brother, Regulus chose death – unless he was really dumb, and I don’t think he was, he must have been manipulated into believing that was his only option, or his world made no sense after his faith had shattered. So many people never readjust to life outside the cult.

Voldemort “dies” about two years after that, having successfully recruited about 400 followers (“the death eaters outnumbered us the Order 20:1” - Lupin). We can’t say if all these people were genuine Death Eaters or people who had been Imperiused or otherwise coerced, or allies like Narcissa, but that coercion is used to recruit shows that Voldemort did not take his own followers’ ambitions and wishes into account. People who use outright coercion don't suddenly draw the line at manipulation.

[the-trashy-phoenix]

Supernatural season 1 review (part 1, with a little summary)

Link to part 2:

As Carly just said, some weeks ago she finished to watch the last season of Supernatural (if you've never seen or heard about this TV series, I'm sorry to inform you that it has 15 seasons, yeah, crazy) and for some reason she wanted to rewatch every single episode from the beginning, with me. I'm not really into TV series and I haven't watched many, but I accepted because I thought I couldn't leave my teen years without making this thrilling experience.

We've just finished the first season (I don't wanna know when we'll finish the whole show, I'll probably spend the next two or three years on this) and I collected some opinions about it.

I was informed about the storyline and the contents, nevertheless the very beginning of the first episode quite shocked me. For those who don't know, the first scene is about the murder of a woman by a supernatural creature, which gives start to the narration because from then on her husband and their two sons, Sam and Dean, dedicate their life to hunting that demon and all kinds of supernatural creatures they find on the way, so that every episode is devoted to a different "hunt", as they call it. The background storyline, in the first half of the season, is the search for Sam and Dean's father, who is somewhere missing hunting that demon that killed his wife, while in the second and final part the family gathers in order to be stronger to eventually fight it.

Of course the supernatural creatures they hunt are different every time, and I appreciated that the authors had a great fantasy to invent or desume them from local traditions and myths: Sam and Dean fight all kinds of demons, ghosts, animals and even people and, being the first season, you learn how to defeat them with the protagonists and feel deeply involved in their job. What they're doing, freeing the world from evil, feels so right that you can even easily understand and excuse their continuous breaking the law and lying, also because every episode has a happy ending and all the people involved end up trusting and thanking them. Moreover, the general skepticism they meet really contributes in making the story realistic and believable, making unbelievable, but still true, everything the brothers find on their way and making us feel like we know something secret to most of other people.

I've just said "job" ... Well, they call it job but in fact they never get paid and I wondered many times how they can live or travel all around the USA on a beatiful car without any money, but, you know, that's just fiction. By the way, they really travel a lot to catch supernatural events, it could probably be interesting to draw a map of their journey...

The only aspect I have to criticize is that the episodes are not so linked by a sort of "fil rouge", but Carly reassured me that the next seasons will be much better also under this point of view.

Talking about her, I highly recommend to watch this show with someone, and better when you're not home alone, if you get frightened easily like me, because some scenes are quite scary.

It's of course a thriller/horror series, and other themes, such as love, are touched, as far as I can say at this point, just to contribute to the characterization of the protagonists. I can never tell what is my "favourite thing" out of a group, so I won't say what's my favourite episode because I couldn't choose, but I'll make an effort and confess my favourite character so far is Sam.

He's the younger brother, and he's always been an outsider in his family: while his father and Dean thought hunting supernatural creatures was their duty and activity for life, he decided to leave them to have a "normal life" studying at University. This dream vanishes when Dean convinces him to come back with the family because their father is missing, but Sam never really quits thinking about studying. Also because the "hunting life" means never settling down, never building strong relationships (while before leaving he had a girlfriend), and Dean, apparently convinced they must dedicate their life to hunting, seems to underestimate the choice he forces Sam into. Of course it's not Dean's fault, but maybe he should've been more comprehensive about what his brother was going through. So, Sam often seems to be more sensitive and wise than his brother, and I say "seems" because I also think Dean hides much more of his personality and feelings which I hope will emerge in the next seasons. I feel like he experienced somehow similar struggles, but he knew how to make hunting fun, and he is able to show Sam that their life could be much better than he expected. Together they make an amazing team, always supporting and taking care of each other, because they are so different that they find help in the other one every time.

Family is certainly the main motive of the first season: Dean gathers Sam and eventually their father together, but it's not that simple as he had imagined. Every family has some hidden issues, and when the Winchesters start hunting together Sam can't stand John's domineering attitude, to which Dean is completely used, because his only desire is to emancipate from him and show him his worth. That's the power of the last episodes: you can fully understand Sam wanting to create his own future but also willing to follow his family and do the job he's destined to. But you can also understand Dean (or maybe you'd want him as a friend since he's so fun!) who loves his brother and father so much he has to be strong to support them. You will even understand some of John's actions, because at the end he made all his choices in the name of the love for Sam and Dean, even if not without mistakes.

So, if you haven't watched Supernatural already, go and do it because you'll grow with these two boys and you will slowly grow fond of them (or at least you'll know how to defeat a demon speaking Latin, which could always come in handy).

Can't wait to see what's happening next…

- Irene 💕