#i hope he gets to date alexis mateo
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stunfiskz · 2 years ago
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IM LOSING IT WHAT IS THIS
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dommexbritt · 4 years ago
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FONDUE FOR TWO // ELECTION WEEK      ⤷ PRESIDENTIAL CANDIDATES RECAP
HELLO DEVERUEX! There is a lot going on this week on campus but if you have a moment, it’s time to zero in on the 2021 School Counsel elections. Now, you may or may not know this but for the first time this school has decided to allow students say on the board and that is a BIG deal. Another peg in the growing line of progressive moves for the school and I think I can speak for everyone when I say we are so excited for a change like that! 
 I’m Brittany, your stunning host and this is Fondue For Two Election Edition. There are three presidential candidates and the cheese is HOT. Let’s get stirring... 
 Please-- introduce yourselves and tell us why you chose to run for the position!!
- MATEO: Sure. I'm Mateo Weston, first year Dominant. I think education in d/s is beyond important if we're gonna be living together in this society. It's what's gonna make sure we're all safe and aware of possible risks we might encounter and how to deal with them. And I think being involved is also incredibly important, so this is a great opportunity for us to help shape this school. I'm running to make sure everyone's voice gets heard and that this is an environment for everybody to feel comfortable in.
QUINN: Thank you again for this opportunity, Brittany. I appreciate it. I'm Quinn Fabray and I stand for structure and equality. In recent times, we've all experienced what inequality feels like and that should not become a norm at this school. Structure and respect are important notions, but not at the sacrifice of human rights. So, as president, I hope to assure such situations don't arise again and that we can stand up against them together.
BRITT: Amazing. You hear that Devereux Academy? These candidates are here to have your back! 
Unfortunately not all the candidates have shown up but their silence will be speaking for them... [a pause for cricket sound effect] 
Now, that all sounds very serious but my role here on this show is to truly find and serve the good dish. The extra sides AND the dessert. So I have a few rapid fire questions for you all. Mateo, you’re up first...
Q&A W/ MATEO WESTON -
B: If elected how do you see your ties and affiliations with the people of grimace affecting your presidency? And do you see there being a clear cut line between church and state?
M: I... don't think it will affect it. While I certainly respect everyone's believes, I don't think religion's go much of anything to do with this school. I think everyone can make their own choices as far as that goes but the school is supposed to represent everybody, regardless of what they do or don't believe in. So I'd say in general, I don't see there being a lot of overlap between church and state unless it's something individuals choose.
B: Hypothetical: out of nowhere, picture this... it’s a foggy Sunday morning on a quiet campus when suddenly an alarm blares. First thoughts are hurricane warning but no school announcements quickly clarify that extra terrestrials have landed and are targeting finishing schools in an effort to learn our culture. As a leader, how would you respond?
M: Hypothetically? I would do my best to make sure everybody stays calm and doesn't add to the panic I'm sure would be happening already. I'd then make sure we can all collect somewhere safe, perhaps the cafeteria or somewhere along those lines. Once we're mostly safe and everybody is accounted for, a plan can be formulated. In this very hypothetical and admittedly unlikely scenario, I suppose wanting to learn our culture isn't the worst of intention so perhaps enough contact can be made to satisfy this purpose and encourage them to leave again.
B: And finally, have you ever been in official charge of anything before?
M: I have. There's the basics of sports teams and siblings and responsibilities at my jobs and internships. But I used to volunteer at a finishing school back in Texas for like.. five years and definitely got a lot of experience in being in charge of things as well as a glance into the behind the scenes stuff there. Most of the instances I've 'been in charge' have been with people -- I've had a lot of really close friends I've had mostly platonic d/s relationships with and I've always been very comforted and comfortable being able to take care of someone. In this case, I know it's a lot of someone’s but I'm confident I'll be able to handle that responsibility as well.
-
Q&A W/ QUINN FABRAY -
B: With almost little to no social media presence you were totally tricky to pin down Quinn, but I think the question that is burning in everyone’s mind is... what really goes on in celibacy club?
Q: You should really take a look at the Cheerleader's Instagram profile -- it's a gold mine if you ask me. But, it does what it says on the label. We come together to discuss our choice to refrain from sex until we're ready for a claim. There's a lot of different reasons for a choice like that and especially at this school, it's not always an easy one. So the club is a safe space for us to talk openly and free of judgement.
B: Speaking of the cheer team... say you get elected do you have plans in the works, with my help if you want, to overthrow the current HBIC Alexis St James for the Cheerio captaincy?
Q:  ... Alexis is doing a great job. And besides, I think my presidency would have a few more pressing issues than Cheerio captaincy. But thank you for the confidence, Brittany. I appreciate that and in theory, would make a great captain.
B: If anything like the change up of administration or crack down in the rules were to occur again how do you feel you, as President, would respond? Furthermore, considering of course that this last time the deans we got were said to be hand chosen by YOUR father... would there be any future conflicts of interest should he involved again?
Q: I would hope that as student body president, I would have prior knowledge of such events so an extreme situation like last time can be avoided. I'm aware administration can not always stay the same and that different people may bring different views to the table, but none of those should restrict the freedom of students as strictly as they did last time. And I assure you, there will be no conflicts of interest. While I respect my father and his choices very much, I am my own woman and intend to make my own decisions.
-
FINAL QUESTIONS FOR EVERYONE - 
BRITT: We've heard your main concerns about the campus, is there anything you'd like to add? And also, what is the first action you are planning to take if elected?
MATEO: I still stand by everything I've said before. Student involvement as well as structure to rely on are still two of my biggest focus points that I'm excited to develop further at this school. My first action would be to take stock of where everybody's head is at and see what the student body is currently most in need of and then work out a plan to accomplish that in a way that is suitable for everybody.
QUINN: I would like to say that voting Fabray means electing someone able to look at this school from both angles -- the perhaps more traditional one, as it is undoubtedly known that my family has a history with it as well as the modern one that we are currently pushing towards. I promise students from all aspects of the spectrum that no change will come without consultation and that we are not driving towards extremes in either direction. But we are ready for a mode current approach. As for my first action, I believe there should be a conversation between then elected team of president and vice president as well as administration to review the recent happenings and formulate a plan to deal with such occasions going forward.
BOOKER: [ cricket sounds ] 
-
Well that’s that people!!. From master plans to alien invasion preparation, now you know! The fondue is still sizzling and thank goodness for that because we totally have our Vice President line up next! 
Mark down the date now, election day is APRIL 22nd and one of these candidates are waiting for YOUR support! 
You’re listening to Fondue For Two and the voice of one Brittany S Pierce! STAY TUNED! 
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artificialqueens · 5 years ago
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gold coloured prisms of light, chapter two (branjie) - holtzmanns
(read on ao3) | (tumblr: plastiquetiaras) | word count: 4922
AN: Thank you SO so much for all the sweet feedback on the first chapter! This fic is absolutely becoming one of my favourites to write, and I am so glad that you all are enjoying it so far, it makes me so happy. I made a playlist for this fic too, if music is your thing. Listen here. Writ is the best beta <33
Brock is nineteen and his friend Emily from ballet school is putting her makeup on his face and he’s never been more excited about Halloween in his life.
He writes to Jose on his forearm while Emily dusts blush on his cheeks, hoping that she doesn’t notice.
I’m dressing up in drag for Halloween
Me too!!!
WHAT
YEAH
Show me your look I wanna see
Not yet I’m doing my makeup
Brock remembers Jose mentioning his new job at Mac, seeing the pictures he’s sent of his makeup looks that make him look even more ethereal than he already is. He wishes that Jose could be here now, be the one to do his makeup.
Emily tosses Brock a dress, tells him to try it on and sure, Brock still has a shadow on his face and his jaw is big even under his wig but he looks-
Good.
He could get used to dressing up in drag.
His phone buzzes because Jose’s sent a picture, and Brock gasps because Jose looks like a woman. Granted, Brock’s perception of what women are actually like is a bit warped, having gone to the gay village with his friends to watch drag queens too many a time after reaching the legal drinking age, but Jose looks like one. Better than the ones he’s seen.
Wow
You look amazing
THANKS
Now show me yours
No I don’t look as good as you
Yes you do I bet
So Brock sends one, because he can never really say no to Jose for long.
OMG
You look SO TALL
A whole ass model
Do not
You’re just trying to make me feel better
Lemme do your makeup next time
It tugs on Brock’s heart, because he wishes there was a way that Jose actually could.
Brock is twenty six and on a date with a guy and he’s absolutely bored stiff.
Because the guy is not Jose.
They’d agreed to date around a little bit, to explore a few years back. To see what other guys were like (even though Brock knows Jose is the one), just to be sure, until they’re in the same place.
Besides, they have forever in front of them, right?
But Brock’s never really found any of them interesting, connected with any. He finds more and more that he sleeps with them and is inevitably disappointed, waking up the next morning to doodle on his side until Jose wakes up and replies, too.
He never texts any of the guys back, never goes on a second date. It feels disloyal, somehow, even though he knows that Jose is probably doing the same thing.
He tries not to think about Jose kissing someone else, or sleeping with someone else.
He ends the date without so much as a kiss goodbye, already pulling out a Sharpie from his coat pocket on the walk back to his apartment. He barely gets the cap of the marker off before his phone buzzes.
“There’s a pageant in Georgia that I want you to do.” His drag mom’s voice crackles on the other end of the line, Farrah always wanting to push him, wanting him to try more.
“A plane ticket’s going to be expensive.” Brock bites his lip. He’s been picking up part time jobs during the day to fund his drag, after stopping ballet because his tired and worn body can’t take it anymore, the touring and the dancing that’s been breaking him down.
“We’ll drive down. We have all your drag to take, too. It’ll be good for people on the Southern scene to get a look at you, get you on their radars.”
“Just tell me in advance so I can book time off work.” Brock unlocks his apartment door, letting himself in as he tugs off his jacket, dropping it on the couch.
“In two weeks. So we��ve got to work on your looks and your numbers again.”
Being able to perform in drag feels good to Brock, makes him feel alive. Lights him up on stage the way he’s always wanted ballet to do so, because now he actually gets to wear the hair and outfits that he’s always wanted to and transform and draw all the eyes in the room towards him.
He wants to tell Jose about it, send him more pictures of his drag, but he’s intimidated. Jose still works at Mac and does drag on the side and he looks good, real good, every time he sends a picture and makes Brock zoom in on it to see exactly how he’s done his contour, his cut creases.
Jose’s started drawing drag makeup sketches with coloured markers on his legs and Brock realizes that Jose is his favourite artist, maybe ever.
Brock is in Georgia and the backstage of a pageant reminds him of his ballet days but more fun, because now he gets to dress up all pretty too.
Brock gets his makeup done before everyone else backstage, dusting setting powder on his face and adjusting his wig line while the rest of the girls competing are still outlining their contours.
It’s both a blessing and a curse, being able to do his makeup so fast. On one hand, he knows that he’s finished and doesn’t need to worry about being on time but on the other hand, he ruminates.
He mentally rehearses his talent routine over and over in his mind, trying to get the steps just right, the way that they were with the backup dancers in rehearsal. He can’t have any mistakes, at least, not ones that he can prevent.
Brock has heard of most of the girls competing, seeing quite a few on the pageant circuit a little north. But there’s a handful of queens that he’s never met before, including Alexis Mateo, who’s also ready like Brock and standing with a crowd of dancers, tapping her foot and scowling as she checks the time on her phone.
“José, si no estás listo en los próximos cinco minutos, juro por dios-”
“I’m coming, I’m coming, Mary! Wait up!” Brock is nearly knocked over when a guy bounds past him, yelling excuse me’s as he weaves himself past all of the vanity mirrors and towards Alexis. A backup dancer, Brock guesses, from the way that his outfit matches the rest of them.
But then the guy joins the group, runs a hand through his hair as turns around, shooting one last look at the queens getting ready before turning back to face Alexis and Brock’s heart stops beating right in his chest, his breath hitching as the makeup brush falls from his hand and onto the table.
The eyebrows, the perfect jawline, the features that have been burned into Brock’s memory by now by how often Brock sees him in his mind?
It’s Jose.
“Ready? Let’s practice your walk, since you’re already done.” Farrah’s tugging on Brock’s hand and getting him to stand up and it’s a miracle, really, that his legs are supporting him because Jose is right there, walking out the door with Alexis’ group and every fibre of Brock’s being wants to go after him.
But he also knows that they’re about to start a competition, and Farrah would absolutely kill him if he went after a boy.
Even if that boy is his soulmate.
Brock floats through his numbers in a daze, because nothing seems real and Jose is right there, laughing and dancing and yelling his head off and he’s perfect, just like Brock knew he’d be.
He gets first alternate and he’s not even disappointed like he usually would be, because sure, he wants to win but he’s found his soulmate and as soon as he gets off the stage and takes off his crown and sash and heels, he can go find him, talk to him.
Brock looks around frantically, handing Farrah the flowers he’d been given on stage, because he’s about to drop them and he needs to find Jose , needs to find him now.
Jose’s with Alexis and the rest of her dancers, Red Bull in hand and making silly jokes and Brock is shaking as he walks towards him, and maybe he should have gotten out of drag first-
He grabs for Jose’s arm and it feels like he’s been struck by lightning.
Jose turns around as if he’s been burned, looking him up and down curiously as if trying to place his face (why, why didn’t he get out of drag first) before his mouth drops open, and Brock is nearly knocked over by the weight of Jose in his arms.
“Oh my god, oh my god, oh my god-”
Brock’s never felt this much before, never been convinced that he’s absolutely going to be bowled over until right now, because how are his legs supporting him when Jose is in his arms and burying his face in his chest as if he’ll disappear, they’ll disappear if they let go?
Brock pulls back, draws in a gasp because it’s become hard to breathe, and Alexis is looking at them curiously because both of them look like they’ve seen a ghost.
Jose is perfect, from the way his eyes are wide, flitting along Brock’s face and the way his hand is running through his hair while his other hand is reaching out for Brock and Brock gets it, because he doesn’t want to let go of Jose again.
“Sorry, I’m still in drag, I should have-”
“Let me help you, come with you.”
“Okay.”
They grab Brock’s stuff from his vanity mirror and head for a bathroom because Brock doesn’t want to be around anyone else except for Jose. His hands are shaking as he puts down his makeup bag and makeup remover and Jose grabs the makeup wipe from his hand.
As loud as he had been earlier Jose is gentle now, pulling off Brock’s fake lashes with care and his wig and running his hands through Brock’s curls after his wig cap is off, and Brock feels himself leaning into the touch, still feels like he’s on fire.
As the layers and layers of makeup come off and Brock leaves Brooke behind, Jose’s face is filled with more and more marvel. His eyes map the contours of Brock’s face, his fingers tracing his patterns along Brock’s jaw, his cheekbones, above his eyebrows. As if he’s trying to commit everything to memory.
Jose helps Brock unlace his corset, though it doesn’t help Brock in bringing the air back into his lungs, because he feels like it’s been permanently knocked out of them now. Brock is about to pull on a hoodie, something soft after the hours and hours of restricting drag, before Jose throws his arms around him.
Brock’s had first kisses before. First kiss with a boy. First onstage kiss for ballet. First drunken kiss.
But this one? Blows all of them out of the water.
Jose is energy, pure energy that is feeding Brock’s soul, and he’s making Brock wonder how he’s survived nearly twenty seven years on earth without this. Without Jose, without feeling like he’s whole, because now he truly, truly gets the definition of a soulmate.
No wonder he hasn’t felt something with any other guy. How could he even begin to try, when Jose is entering his heart and fixing everything and making it whole again?
Jose whines into his mouth and Brock gets it, because it’s enough but it’s not, it’s not, he needs more and Jose needs more and he’s waited more than two decades for this and he needs it now.
Brock pulls back from the kiss and Jose’s eyes are wild, his lips swollen and parted and his hands shaking. They’ve talked to each other every day since they were kids and Brock feels like he knows absolutely everything about the man in front of him, but he needs to know more.
Brock is in a hotel room in Georgia and Jose is in his arms.
He doesn’t know how he’s going to go back to Toronto while Jose goes back to Tampa, how he’ll return to his everyday life without Jose there with him. Now that Jose is lying on his chest, fast asleep and mouth slightly parted as his eyes flutter, now that Brock finally, finally feels like he’s complete, he doesn’t want to let him go.
He can’t stop staring at him. Jose, beautiful perfect Jose who is funny and loud and had made Brock smile the entire night more than he has in his entire life. Jose, who is a ball of lightning that ricochets around the room and Brock isn’t able to take his eyes off of him, no matter how hard he tries.
Brock had gotten to kiss every inch of Jose’s skin that he could reach, see goosebumps rise along the areas where he’s written messages to him for what feels like forever.
Jose had taken out a Sharpie from his bag after their second round, when they were both spent but didn’t want to let go of each other, didn’t want to stop holding on, being connected. He’d drawn a heart on his own wrist and both of them had watched as it appeared on Brock’s mere moments later.
Their bodies aren’t quite the same but they complement one another, the drawings showing up on their skin in matching places, mirror images reflecting on each other almost perfectly. They had drawn new designs after every round, traced their hands over each mark in wonder, as if they’d never seen it happen before and hadn’t been writing to each other for nearly their entire lives.
Now here they are, in a hotel bed somewhere in Georgia as the moonlight streams in through the slightly open window, and the slight breeze makes Brock hold Jose just a bit tighter to him. Brock swears that he can feel Jose’s heart, how it beats at the same pace that his own does as he sleeps on top of him. Because they’re linked somehow, the blood that’s running through their veins and keeping them alive beating in sync, the way that the two of them have always been.
Brock calls in sick to work the day that Farrah starts to drive back to Toronto without him, because he can’t leave Jose just yet. Jose argues with the manager of his Mac store over the phone (’I told y’all, I got mononowhatever it is, I ain’t coming in’) and Brock’s eyes trace over his taut form, marvelling at how he had fit so well against his side like a puzzle piece.
He puts his duffle bag in Jose’s car (he’s sent his drag back up to Toronto with Farrah already) and climbs in the passenger seat. They drive to Atlanta because they can, because it’s a new city for both of them and they can make fresh memories there, even if just for a day. The car ride is filled with snacks and stolen kisses and Brock’s hand drawing patterns on Jose’s thigh, nearly making him crash at least twice.
They stop at a diner and share a milkshake like they’re a well worn cliche, trading whispers across the table and Jose’s voice when it’s soft reminds Brock of the way that Jose always writes goodnight on his palm before he falls asleep.
Their sex that night is less frantic, less exploratory, more reaffirming. Brock finds that it’s incredibly easy to figure out how to make Jose come undone and dig his nails into his skin. Maybe it’s because he’s already known all along. Worshipping Jose with his mouth makes him believe in something bigger, something with a higher power upon the universe, more than any visits to church as a child ever did. Because what else would allow Brock to experience this, experience Jose, making him feel like his soul is never going to be the same afterwards ever again?
They order in food to their hotel room and Jose pulls on Brock’s hoodie, and Brock swears that he sees him bury his face in it more than once.
They’re lying in bed when the clock reads 2 a.m., and Jose is tracing patterns along Brock’s ribs. Brock almost expects to see ink marks appear on his skin underneath Jose’s fingertips. Jose looks up at him, under those long lashes like he can’t get enough, like looking away from him for more than a second means that he’s losing out. Brock gets it, because he’s been doing the same thing.
Time seems to pass faster with Jose, as if being in proximity to a soulmate means that every moment is precious, so easily lost.
“What are we gonna do?”
“I dunno.” Brock wishes that he did. That he had an answer for this, that they didn’t live two thousand or so kilometers away from each other.
“Me neither.” Jose grabs onto him ever so slightly tighter.
“We’ll figure it out. It’s not going to be forever.” Brock runs his fingers through Jose’s hair, hears him let out a hum. “We can visit.”
“You better bring your ass to Tampa often. I don’t wanna go back without you.”
“As long as you bring yours to Toronto.”
“That don’t even sound like a real place.” Jose’s eyes are sparkling and it reminds Brock of the night sky.
“They found a monkey in a fur coat in an IKEA once in Toronto, so I’m not really sure that it is.” Brock watches as Jose raises an eyebrow, waits for him to say that he’s joking. Jose scoffs when he doesn’t.
“Canada sounds whack. But it gave me you, so.” Jose leans back into Brock’s side, presses a kiss to his ribs and Brock feels like it puts him back together.
Brock’s on a flight back to Toronto and he’s never felt emptier in his life.
I miss you I miss you I miss you
Jose’s driving back to Tampa so he can’t reply, Brock knows, but he hopes that he sees the words on the back of his hands as they hold the steering wheel.
Brock falls asleep after the flight attendant gives him a diet coke, and he wakes up to stars on his palms and hearts along his wrists.
Going back to work during the day, and back to the drag scene in the Village during the night makes Brock feel empty. How can he clock in for eight hours while trying to pretend to care, when his soulmate is far, far down on the coast? How can he tuck his dick back and pull on hip pads and layers of makeup and a wig that squeezes his head too tight, knowing that Jose won’t be there to help him take it all off?
It makes everything feel worthless.
But a little nagging voice in the back of his head reminds him of what his sisters had said, back when they were young and would weave stories about soulmates and what it meant to fall in love.
People have gone mad for their soulmates. Thrown their whole lives away, only to have everything blow up in their faces. Lost family and friends and money all in pursuit for one person, who may not be able to give them what they need.
Brock knows that him and Jose aren’t like that. They’re not. They’re Brock and Jose, they write messages to each other and maybe, just maybe, it keeps him from drowning.
But he also doesn’t want to rest the responsibility of his happiness solely on Jose.
So Brock gets into drag every night, picking up gigs on Church Street and he keeps on trekking.
Brock is twenty eight and packing for appearances as Miss Continental when Jose’s words blossom on his forearm.
So are you applying for drag race this year or what
Yeah. Again. You?
Brock’s applied once already. Last year, when he’d moved to Nashville and Jose had cheered because he was closer but grumbled because he wasn’t close enough. But now they take turns driving to each other, the ten hour trek not feeling so long to Brock when he knows what’s waiting at the end of it. They take long weekends, holidays, any short stretches of time they have. But it never feels like it’s satisfying enough, like it quenches Brock’s need for Jose to always be within reaching distance.
Yeah filmed an audition tape. Alexis directed it and it’s wild
I wanna see
Show me yours too
Brock’s is boring, pretty much a resume of his drag career with his crowning of Miss Continental as a highlight. But the video that Jose sends him makes him burst out laughing.
He’s his usual perfect hilarious self but cranked up about ten notches, shouting about how he deserves to be on the show and lip syncing with numbers full of death drops that make Brock’s tired knees ache just from watching.
He’s magnetic.
God, they’re gonna love you
What no you think so??? It’s not too crazy????
Oh, it’s crazy alright. But so you
Bitch what’s that supposed to mean
It’s a compliment, you goof
Yours is good too, you professional fish
I don’t know if it’s good enough, though
You’re always good enough
But a month and a half later Brock is the first one to find out that Jose’s made it on season ten of Drag Race after he gets the call, when Jose writes the number 10 with exclamation points purple ink on his palm.
Brock doesn’t get the same call.
He continues his Miss Continental appearances, helps Jose put together outfits for the runways with some of his designer connections. He tries not to be bitter when he can practically feel Jose’s excitement pumping through his own veins.
Jose goes radio silent on social media but his nerves bleed through ink on Brock’s thigh the night before filming starts for episode one.
Oh my god oh my god it’s tomorrow
Brock
I wish you were here
Me too
Brock really, really does.
You’ll do amazing, you’ll show them just how amazing you are
Everyone deserves to see you, be impressed by you
Have you light up their worlds like you light up mine
That’s poetic as shit
I know you’re tearing up over it though
Fuck yeah I am
You’re the worst
That’s a lie you’re the best
Go sleep, you need to be fully rested before tomorrow
A flower appears on Brock’s hipbone before he drifts off to sleep.
Brock is getting into drag at Play Nashville when words start to appear on his forearms and his chest and his ribs and he can tell Jose is upset.
So fucking stupid, I fucked up, Alexis is gonna be so upset shit shit shit
Brock puts his foundation down because Jose needs him more, right now. He knows that Jose’s only his second day into filming and hasn’t wanted to bother him, but now that he’s in trouble Brock is more than willing to be there.
What happened?
I messed up, that’s what
How?
They sending me home first
I’m first out Brock I’m fucking first out
I thought I did well in the lipsync but this other bitch brought money and threw it around stage
Who the fuck does that
Shit
I’m sorry baby, shit
Brock bites his lip. He can only imagine Jose right now, getting out of drag while Brock is getting into it, Sharpie shaking in his hands as he tries to write.
Jose is a star and Brock knows it, and he doesn’t know how Jose ended up in the bottom but he doesn’t want to pry, make things worse. Brock wishes he could be there instead, in LA at whatever studio they’re filming at just to wrap Jose in his arms under the guise of making everything better, while also giving the judges a piece of his mind.
Not that he has the courage to do that, but still.
Brock doesn’t need to watch the episode to know that Jose deserves better than this. But he knows Jose, knows how good he is at making everyone turn their eyes towards him, command them to pay attention.
Brock knows, he just knows, that Jose is still going to be successful. Maybe they’ll even bring him back for another season.
He draws out plans on his leg for what they’ll do when Jose comes to visit him next, then writes a story about how Jose is going to be a bigger star than anyone on his season. Jose scoffs and writes little annotations and jokes around his words, but Brock somehow can already feel the way the burden is lifting from his chest.
Brock is twenty-nine and his soulmate has just gone and broken the internet.
It seems that Brock can’t go to a gig, can’t scroll through Instagram without seeing ‘Miss Vanjie’ memes everywhere. Jose’s face all done up in drag, strolling backwards and making the judges crack up and absolutely everyone around him is repeating the words over and over again.
Jose is as befuddled as he is after the episode airs, and it feels like the universe as they know it is beginning to explode.
I swear my brain wasn’t even working I was just walking backwards and acting a damn fool not even knowing what was leaving my mouth
Didn’t even properly remember till watching this
And now you’re a meme
Fuck
I think Kathy Griffin tweeted about you
Who tf is that
Apparently I need to get a manager and an agent now
Wow
Alexis said so
People be calling left and right
I’m so proud of you
I didn’t even do anything I just said my name cause I forgot every other word that exists
And everyone absolutely loves it
Jose starts getting booked first all around the country, and then all around the world, and they can’t drive to visit each other anymore because Jose is always on the road but he always makes sure to write I love you under Brock’s ribs every night.
Brock gets the call for season eleven of Drag Race at 2 in the afternoon and he nearly falls off his couch and brings Henry and Apollo down with him.
They’re making him sign an NDA but he’s read it over, and no one’s mentioned soulmates and Brock needs to find a Sharpie or pen, damnit, and why does his living room suddenly seem devoid of them?
He stubs his toe on the kitchen counter when he finds one on the table, swearing under his breath as he pops the cap but then words are showing up on the back of his hand.
BROCK BROCK BROCK
THEY CALLED ME BACK
THEY WANT ME FOR SEASON ELEVEN
Brock wants to pick up Henry and dance around his kitchen because he’s going to be on season eleven of Drag Race and now Jose is going to be with him.
I JUST HUNG UP THE PHONE TOO
WHAT!!!
You’re not playing are you
Tell me you’re not playing
NO THEY REALLY CALLED ME
WE’RE GOING TO BE ON SEASON ELEVEN TOGETHER?????
oh my GOD
Facetime me facetime me
Jose picks up while he’s walking through an airport terminal with his manager, Jason, and fuck NDAs because Jose is being loud, practically screaming at the top of his lungs and Brock feels like he’s never ever going to stop smiling again.
“You did it. You’re going back.” Brock knew that Jose was meant to be a star, back when they were kids and Jose would tell him stories about how his abuela had thought the same thing. And now Jose’s going to do it twice over, after having done it on season ten already.
“I’m going- bitch, you fucking made the season!” Jose spins around and Jason’s running behind him, telling him tokeep his voice down but Jose doesn’t seem to care and Brock doesn’t either, really. “They really loved your Canadian ass this time around, huh?”
“Seems so.” It’s not quite sinking in for Brock just yet, the fact that in a handful of weeks he’s going to fly down to LA and film Drag Race and oh boy, he has so many runway looks that he has to put together before that and practically no time to do so-
“Hey. You. Don’t lose your shit on me.” Jose’s looking at him with that all knowing expression, because he always has an inkling of when Brock’s brain starts to get the better of him. “You made it. The hard part’s done and now the journey’s just beginning, baby.”
Brock smiles despite himself. He’s done it, he’s done it, and now he’s going to be there with Jose and have him to lean on and they can write to each other constantly and-
“Just don’t get out first like I did.” Jose snorts. It’s an old wound now, one that’s scabbed over and healed by the endless success that Jose’s been experiencing in the past year, much more so than quite a few girls from his season.
Jose really can do anything, in Brock’s eyes, his magnetic force of a man that Brock first saw command a room but now is commanding the entire world. Brock would say that he’s surprised by Jose being selected for season eleven again but he’s not, not at all, because who wouldn’t want him back?
And now Brock gets to go with him, too.
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kynaswhereabouts · 6 years ago
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Bringing art closer to the hearts of the Bicolanos
Written by: Kyna De Castro
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In celebration of Arts Month, the Salingoy Art Group and Kintab Art Group held separate art exhibits at SM City Naga and Robinsons Place Naga. Both groups have been holding art exhibits annually in public places such as malls, to bring art closer to the heart of Bicolanos with the advocacy of promoting art appreciation and to support our Bicolano artists. Renowned and emerging artists had the opportunity to share their passion, talent and inspiring stories through theses exhibits. Art enthusiasts who have been visiting their exhibits also had the pleasure in viewing different artworks and indulging themselves with the art.
Naga City is the business and commercialization center in the Bicol region, our malls became the potential venue for the art exhibits because of the absence of art museums and lack of knowledge of existing art galleries in the city. People are always at malls either for shopping, dining or leisure. Art exhibits in malls get to extend their audiences to mall-goers which in return, could turn one into appreciating art or be inspired to be artists themselves.
The growing number of our art enthusiasts, local artists and art groups with same advocacy, is now creating Naga City as a central hub of arts in the Bicol region. The wide array and collection of artworks was evident in the recently held Art for Everyone Exhibit last August 2018 at SM City Naga which was participated by renowned, emerging and independent artists from the Bicol Region with a total of 1,080 artworks exhibited. Moreover, SM City Naga gained the recognition for holding the biggest art exhibit in all of the SM Supermalls nationwide.  
 Murals of Bicol and Salingoy
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The “Murals of Bicol” Art Exhibit of the Salingoy Art Group opened last February 16, 2019 and will be running until February 24, 2019, showcasing the latest artworks of the Salingoy artists, to introduce emerging artists and provide an avenue to know them better through their masterpieces. Most of the artworks features our rich Bicol culture, traditions, and interpretations of mythology and barrio sceneries. Murals can be a technical challenge to artists but metaphorically, it also portrays that the size of the art is just as large as its significance to community building.
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The Salingoy Art Group was formed way back in December 30, 2000 and founded by Mr. Pancho Piano, a renowned artist, who is well-known for his artworks in stained-glass windows and considered as one of the pillars of Bicol art. His works can be found everywhere in Naga City and neighboring towns. In his effort, the group was formed with the belief that we need a group that will push the advocacy for a multi-disciplinary arts in Bicol and promote Bikolnon artists. The group was named “Salingoy”, a Bicol word which means “to look back”.
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To date, The Salingoy Art Group is longest running art group in Bicol that has been conducting several art exhibits in Bicol. Aside from art exhibits, they also conduct lectures on art, panel discussions, workshops and outreach activities. As a group, they often visit museums and art galleries to widen their horizons as well as, hone their artists in their creative vision and spirit.  
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“Our goal is to really bring art closer to people. Not just in galleries, spaces or textbooks. We recognize that art has big role in the community. It is better conducting it in public places so that it can be enjoyed by all walks of life and fulfill its role in community building,” shared Ms. Melissa Villa-Real Basmayor, writer and artist of Salingoy Art Group.
“Naga City has malls and few galleries. There are limited choices for venues where art exhibits can be held. However, the practicality will depend on the availability of the venue. But we also consider which venue is apt for the objective. Like for the murals, we need a bigger space,” she said when asked about how they choose venues for their exhibit.
“Sometimes we have events like art lectures for students. We held them at the Naga City Art Gallery which is in JMR Coliseum because it will more conducive for the students. They don’t need to pay for any fees and could freely indulge themselves with the artworks,” she added.
Moreover, she also expressed her opinion about having a museums or galleries that is wholly dedicated to arts in Naga, “We have Naga City Art Gallery. We are advertising it so that people will know that we have a gallery. However, I think that it will be better to have a dedicated gallery or museum, preferably in a more prominent space in downtown (Centro) so that it will eradicate the stigma that art is hidden or can only be found in special private places.”    
“Art is a way of thinking and making sense of the world. It is a way of how the human spirit negotiates time and space. In my personal creative pursuit, I see that art is a process and not just a product. It is the idea of creating art which is important for me, as an artist,” she furthered.
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 Ang Pagsirang asin an Kintab
With the theme, “Pagsirang: Emerging Images and Emotions”, The Kintab Artist Group is bringing hope through their art exhibit featuring Bikolnon Visual Artists at Robinsons Place Naga which will run from February 18-24, 2019. “Pagsirang” is the Bicol term which means “sunrise”. Kintab Artist Group President, Mr. Harold Gomez explained, “Bicol Region is prone to calamities like typhoons. We call this exhibit “Pagsirang” or “sunrise” because there is always hope. There is always sunrise.”
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The Kintab Artist Group was formed in late January 2013. They first started in Pili, Camarines Sur where its mayor, happen to love art. Former  Pili Mayor Alexis San Luis have been supportive for the arts and through the efforts of Mr. Harold Gomez and his wife, Maricris, they gathered artists in Pili with the purpose of exploring the possibilities of organizing themselves as group. They worked hard in convincing local artists to come together and finally form the group. During their first meeting at the Pili Municipal Park near an acacia tree, some suggested to name the group, “Kinang”. However, they all agreed to translate it to Bikol language and finally named the group as “Kintab”, a Bicol word which means “to glow” or “to shine”.
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Every arts month, they conduct art exhibits since the foundation of their group. They invite local artists and even manila-based artists to participate in their events like art exhibits, workshops and cultural tours where they can all meet and create network of artists.
“We want every artist to be recognized. For newbies, we want to guide them through our workshops. We are quality over quantity. We are progressive in carrying out the advocacy in connecting with small communities. We are artists with a cause,” He shared.
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The Kurit Aki Exhibit which was held just last month is one of their projects which focused in helping the children who are victims of TD USMAN. They conducted psychosocial activity for children by engaging them into art. The Kurit Aki Exhibit featured the artworks of the children who undergone the psychosocial activity and sold their artworks during the exhibit. The proceeds for every artworks sold will be given to the victims of TD USMAN in Buhi, Camarines Sur.  
“For me, art is not just social or cultural, or something that must be mind-blowing. It needs a heart, an emotion. It must make you feel something. An artist does not need to isolate itself. An artist needs to go out there to be with people so that they will be recognized that they are recording time and emotion,” he also added.  
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Other than conducting art exhibits in malls, they have also been having exhibits at The 98 Art Gallery is located along San Mateo St. Penafrancia Avenue, Naga City. Sometimes, they are also conducting their exhibits for Humanities and Arts appreciation classes of schools and universities like Ateneo de Naga University and Naga College Foundation.  
The Kinatab Artists Group is now a non- profit group of visual artists, writers, musicians and other art forte which expresses different identities in expressing their own art pieces which main goal is to preserve, promote and develop Bicol culture, tradition and arts. They are highly motivated and responsible team of individuals committed to developing themselves professionally to be able to make direct contribution towards enhancement of health and wellness in the arts and with fellow artists, as well as contribute to the relevant advocacies through information dissemination, relevant training and outreach activities.
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Efforts for the arts
The absence of an art museum in the city where one can house the collection of the finest masterpieces has led for local Bicolano artists, art groups and art enthusiasts to reach out an audience through public spaces for the efforts of introducing arts. Along with this effort, came the newly opened art space in Naga City, located at 416 Bagumbayan Sur called, “The 416 Art Space”.
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The 416 Art Space is an intimate space surrounded by the best art pieces in Bicol, a cup of freshly pressed coffee, and conversations on art. This is managed and owned by Mr. Dennis Gonzaga who believes that market for art will naturally evolve and develop. “My advocacy right now is to educate would-be patrons on why art is a worthy investment, both commercially and culturally,” he shared.
“The art space is merely a meeting point. The 416 Art Space is not really designed to be an enclosed space. It is an organic and mutable space that can evolve, adapt, expand, or specialize, depending on what the Visual Arts community needs and requires,” he explained when asked about his plans for the art space.
Just like cafes that started in something small but then suddenly have been sprouting like mushrooms in the city, we wanted to know what awaits for the arts industry. Even though still new, we also cannot help but to look forward and think about the future for the art space. Where do we see The 416 Art Space in five years?
“I don't know,” he answered. “To be honest, I am simply focusing on the ‘here and now’. I am hoping that in the next few years or the next decade, The 416 will be a bridge instead of a gateway, for anyone who wish to channel their passion for the arts, regardless of their status,” he added.  
He has also been marketing and encouraging people to visit his art space through word of mouth and social media. They also might have a website soon. However, he strongly believe that nothing would beat the word of mouth in marketing which is the most authentic feedback. They are currently having auctions every day until the end of February. Also, they have a backroom inventory of fine art pieces for sale.
When he was finally asked about what inspired him in opening the art space, he said, “I feel that the visual arts culture in Bikol is one of the richest in the country in terms of talent and creative inspiration. But while the talent is there, we have a gap in terms of curation and criticism. In my contemplation of the development of vibrant art scenes across the archipelago, I came to the realization that there are four core sectors that are needed to sustain the emergence of Art: Creatives, Curation, Criticism and Collectors.”
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