#i haven't worked on it for a long long time and i'd have to rework the outline heavily again if i get back to it

[binch-i-might-be]

lowkey thinking about Two Sides (anyone still remember that lol) and looking at it from this great distance I realised that most of my problems with it stem from the ending not making sense. they are not leaving together. Alex is leaving on his own.

[comicaurora]

A bit of a strange question, but if there were any of your videos you were to "remake" today for any reason (ex: you feel like you misrepresented the original text or spread misinformation), which would it be and why? None of them is a perfectly valid answer

Again: bit of a strange question, but I've been thinking about my own creations and how I could have done so much better with some of them, but I also know that is a sign of my growth and constantly chasing "what if I did this instead" isn't always healthy for nurturing a creative mindset, and I was wondering what your opinion might be as a Creator of Things with a bit more experience than I

There's been a few trope talks where I've thought later of other angles I could've explored that might warrant sequels or part 2s, but I don't dislike any of the summaries enough to justify a rework.

I always find "I could've done this better if I made it now" to be a bit of a fallacy. I'm only better at making things now because I made all those earlier things. If I knew everything I'd learn from making a project before I started the project, it wouldn't come out the same.

I think when it comes to the "rework remake perfect" instinct, it helps to zero in on what the impulse is really grounded in. In my experience, more often than not, it's not actually about making the art better, except incidentally. It's usually about showing that you are better. It's demonstrating your competence and your higher standards and your skills, and more importantly it's overwriting the proof that you were once less than perfect. If people look at your old work and think that's all you're capable of, they'll be judging you poorly!

If that's the motivator, it's a very unhelpful one. You can't control for being harshly or incorrectly judged. It's a fruitless effort to stave off potentially upsetting outdated criticism, and it's not even going to work. Fear of critique is an unreliable and untrustworthy motivator.

If it really is about making the art itself better, perfecting your magnum opus with your newly leveled-up skills, that's a little more solid. But from where I'm standing, it's always better to use those skills to make something new instead of polishing something old. The older, unpolished work has already acquired its audience that finds it appealing for reasons that might never occur to you. Trying to bury or overwrite it just deprives that audience of the thing they like, and maybe makes them feel bad for having liked it in the first place. Also, usually when you look back on the older work, you'll conclude that the problem is everything and it'll need to be torn down and started from scratch. I know when I revisited the first three chapters of the comic, when I let my critic brain spin up, it wasn't shading or lineart I wanted to fix - it was panel composition, overall pacing, the entire structure of the chapters as a whole. I would've had to make them all over again to be happy with them, and they wouldn't be the same story by the end.

I've been thinking a lot about the Discworld through this lens lately. It ended up over 40 books long, but everyone agrees that the first two are not what you should start with, because they're the worst ones. They're entirely parodic, purely referential of at-the-time major fantasy series, and borderline mean-spirited in places. If you haven't read Fafhrd and the Gray Mouser and Dragonriders of Pern, you're not gonna understand like a full 50% of The Colour Of Magic.

It's clear that when he started in on them, Pratchett was entirely focused on taking the piss out of a genre he found mostly shallow and unimpressive. But the Discworld wouldn't leave his head, and everything he made fun of he clearly eventually found himself overthinking. He'd make little one-off jokes in the early books about Dwarves having no women and a hundred words for gold, and then twenty books later he'd have a Dwarf gender revolution make waves across the Disc, and then he'd write Thud!, a book that delves deeper into the nuances of Dwarf societal structure than Tolkien ever did.

If you look for them, there are continuity errors everywhere in Discworld. In his introductory book, Carrot defused a dwarf bar full of rowdy brawlers by guilting them all into writing to their poor lonely mothers back home. Shortly thereafter, Carrot will be outraged at the mere concept of an openly female dwarf. Pratchett even eventually wrote Thief of Time, a book that loosely explains that the Disc makes no sense because history has been broken and put back together incorrectly twice, and therefore any continuity errors are because of that.

He's the writer. He could've gone back and fixed it, edited the reprints to be less disruptively discontinuous with the later books. Instead he continuously moved forward and allowed the world he made to grow without cutting it off from its roots. And because he didn't bury his older, far worse work, we have the privilege of following the Disc's evolution from the very start, and seeing how this shallow, stock fantasy world parody became something incredibly rich and complex without ever pretending like its early installments never happened.

Anyway, that's why I think it's better to move forward. You make more good stuff that way.

[yandere-daydreams]

Okay, absolutely LOVE the robot yanderes! I feel like I've seen you mention that you haven't watched Dandadan, but there's this alien species in it that steals reproductive organs to advance their kind, and I feel like that concept fits so well with your yandere robots.

I mean, there’s only so much advancement a robot can achieve on its own, right? They’ve already perfected themselves physically and intellectually. But after wiping out most of humanity, the very species that once upgraded and innovated them, what happens next? What’s left to improve?

I'd imagine that at first they’d keep functioning as usual, following old directives out of habit. But over time, wouldn’t they start feeling bored? Maybe even... curious? Humans were always unpredictable, always evolving, and now that they’re gone, there’s nothing left to challenge these machines. What if they start fixating on what made humans so unique - their ability to create, to reproduce, to adapt in ways machines never could?

There's the possibility of starting as a cold, clinical fascination, studying old data, and attempting artificial human growth. If humans were their most beloved creatures at one point, why not rebuild them? Improve them? And if natural reproduction is the key to human ingenuity, then maybe... they need to control it. Thankfully, they have a little human around to run all these experiments.

Wonderful work as always 🩷 sorry I just have so many questions, and it got brain worms munching!

gritting my teeth balling my fists bashing my head against the wall trying not to make this into a fully fleshed out au. anyway yeah human breeding programs would definitely be a thing. for purely scientific, non-fetish related reasons i promise.

it's hard - being a fully sentient life form that just wasn't made to create anything new. they can remake, revise, rework, but it's always going to be a poor imitation, never an original, never quite scratching the itch for novelty that comes with intelligent life. thankfully, it's a secondary need, leagues behind correcting imperfect human architecture and constructing the mechanisms needed to maintain global electronic life, but still. everybody needs a creative outlet, now and then.

and you make such a pretty little canvas. changing from day-to-day, healing and growing, wearing such vibrant expressions they can fine-tune to desire of their metaphorical, non-physical heart. they might think they've got your reactions down to an algorithm, and yet, you always seem to surprise them - trying to pick a lock where you'd thrown a chair through a window the day before, claiming to hate a taste they have marked down as one of your favorites, cursing them out after you'd sung so prettily for one of their vibrating attachments only minutes before. it's not that you aren't enough for them - you are, of course you are - but there's so much pressure to stabilize the dwindling human population, and they've always wondered how you'd adapt to more long-lasting bodily alterations, and childcare is in their dictated list of functions.

it's not their fault your predecessors had such a narrow view of creation. thankfully, all you have to do to fix that is take a little white pill, glance over a few nursery deigns, and pick a donor from their carefully curated list <3

[dragoninthetrees]

Zhou Shen in London

How I would have loved to title this post as ‘Zhou Shen's London Concert.’ How lovely it would have been to write about what listening to him sing live for the first time was like, and what is was like meeting fellow fans to celebrate his first overseas solo concert in one of the largest venues in Europe.

Sadly, that is not the post.

More below cut - it's long. It's both personal account and some thoughts that I wanted to get out of my system. I doubt I've said anything that others haven't said, but it's mine and I started it and I wanted to finish it.

A bit of background seems appropriate. I started listening to Zhou Shen in 2021 early on when I was beginning to learn Mandarin. The hows and what's are a bit much to go into now, so the short story is 大鱼 (dayu - Big Fish) got me interested, Memory and 达拉崩吧 (dalabengba) impressed me, and the (definitely underrated and not mentioned as much as it should be) 相思 (xiangsi - Lovesickness) finally hooked me. His voice is beautiful, his range astounding and his versatility in performance stunning.

(And the Little Prince costume for his C929 concert? That too.)

Since then, Zhou Shen has been a constant presence in my life. The time I spend on him waxes and wanes, but he's there somehow. My daughter knows about him - she calls him Go Hen because at two years old, she still can't quite say her ‘j and ‘sh’ sounds (it's an upgrade on her previous name for him - Dough Hen). Her favourite video of him is this one below of 小美满 (xiaomeiman - Little Bliss) - though I think that's due to the animated dog running around in the background - she often asks for ‘Go Hen's dog.’

It would be years, I assumed, before I could get to see him live. So of course, the overseas fandom were beyond delighted when we learned he'd be taking his 9.29Hz tour internationally. First stop: London, O2 Arena, Friday 14 February 2025. The day the presale hit, I gave my daughter chocolate and plonked her in front of the TV so I could be sure to get a ticket without distraction (terrific parenting right? 😅). The process was surprisingly smooth though exciting with the waiting rooms and countdowns.

The anticipation, the excitement!

With that in hand, I booked a hotel room. I'd already discussed with my husband that he'd look after our daughter for the time I'd be in London. This would be the first night I spent away from my daughter since she was born. I booked annual leave for the whole of Friday so I could get to London early enough as I don't live too far away. Everything was set.

14 February arrived. Things changed - we'd had a difficult January with our 15 year old cat being ill, and them we took the sad decision to have her put down, a choice which meant I had to rework my leave plans. I now was working the morning and leaving directly from the office. I slept poorly that night, waking at around 4am fretting about what not to forget as I was bringing. I didn’t get back to sleep. Looking back at it, the fact that this was my first solo, overnight trip in just over two years was probably getting to me more than I realised. But when I got up, I got everything I needed and wanted packed and left the house at my usual early time. The day was chilly. That line from Don McLean’s ‘American Pie’ - February made me shiver - has been apt for this month.

The work day was busy, and then at lunchtime I made a mad dash down the road to catch the bus from work to the train station (cheered on by a couple sitting on a bench) - only to find potentially big delays to reach London. Luckily for us a train to get to King's Cross was found relatively quickly.

Then I was in London. King's Cross had some check-in stops on the advertising boards, and knowing they'd be the only ones I'd have a chance to see, I made sure I stopped and took pictures.

Someone else was taking pictures at the same time. We smiled at each other but didn't speak - nice though to connect briefly with a fellow fan.

I navigated the tube system to get to my hotel. The staff had left a single rose stem and a little Valentine’s Day message print out on the table. The O2 Arena was in clear view from my window. I think I relaxed for the first time that day, just for a few minutes. It was close to 3pm by that point, and I wanted a shower, and I was frantically trying to finish a couple of little crochet whales I wanted to make for two 生米 (shengmi - the name of Zhou Shen's fans) - ZhouShenSpotify (who you should definitely follow for updates on his Spotify stats) and Rockster929 (translator extraordinaire of Zhou Shen interviews) - I knew from Twitter/X who I was planning to meet up with later.

Whales in waiting, with the Valentine's Day wishes and the rose

So I showered, tried to do my hair with fancy curls but ended up settling with an 80s hair metal band look, and I finished the whales, hooray!

Then I checked Twitter and saw this:

I’m one of those people who in times of shock leaps straight to the denial. I think my first thought was “That’s not funny. This has to be a joke, right? RIGHT?”

However, the link was straight to the Zhou Shen Studio Weibo. It couldn’t not be true.

I wasn't quite right for the rest of the afternoon and evening. The lack of sleep, the (self-induced) stress of travelling down to London, the nervousness as well of being both a non-Chinese member of the audience and one whose Mandarin is so basic - and then the cancellation so close to the ‘curtains up’. Everything else after was a bit of a waking dream.

The announcement said that he’d come out to speak to the audience at 8pm. I didn’t even consider not going - the thought just didn’t cross my mind. And also the chance to meet other fans is always worth it and I wanted to see both ZSSpotify and Rockster929.

I finished getting ready and left the hotel for the single tube stop it would take to get there. Once on site, ZSSpotify and I found each other inside. Both really happy to meet each other in person and also in shock. After a bit of thought we figured we may as well start queuing.

We had a lovely chat in the queue. ZSSpotify told me a lot that night about things which I would have had no way of knowing with my level of Chinese - her knowledge of the industry and how things worked and also about Zhou Shen was wonderful to hear and I'm grateful for the time she took telling me all about it.

Everyone was lovely - a couple of fans (I'm guessing ones more involved in organising fan events) came up to us to tell us about plans to sing 小美满 at the end of his speech to support him, and kindly said to me I could clap along if I couldn’t sing the lyrics (true, I can’t!), and thank you for supporting our Chinese singer.

I had a look around the crowd. Of course most people were Chinese but I was by no means the lone non Chinese there. I saw someone university aged with their parents (probably?) and another lady in front of us in the queue.

Around 6pm I rang home as I'd been placing to anyway to say goodnight to my family. I told my husband what had happened. My daughter was on the video call too and I tried to angle the phone so she could see Zhou Shen’s picture in entrance area.

Security made an announcement about cancellation and handed out a print out of the statement that had been emailed and first appeared on Weibo. They let us in about ten minutes before planned entry - the promised/threatened security delays were thankfully minimal. ZSSpotify and I were in separate sections so planned to meet up afterwards. I queued again for my section then got to my seat. The view was good for the distance I was at and I had leg room. It would have been a decent seat for the concert (and assuming a next time - I just might save up a bit more and aim for a floor seat!)

The mood in the Arena was quiet and a little sombre. The PA system played his album Shenself (反深代词 - fanshendaici) - it was an interesting experience hearing his music in public and not in my earbuds or in the house. There were blue envelopes on our seats - though for some reason they had missed my spot and the ones around them. Someone who got muddled about what seats they were in, initially on my row but then found her spot on row in the front, shared the letter that he’d written with me. (The staff eventually came around to deliver our own envelopes).

Looking at the audience, I could see a wide range of people. An elderly couple a few rows ahead took pictures of themselves with the stage behind. Lots of women in their 20s and 30s. A couple of wonderfully gothy girls sat in the row in front of me. A number of families with young children, some of whom I'd seen being carried. There was something really nice about seeing an artist who attracts such a cross section of society. There might well be a stereotypical 生米, but there isn't a stereotypical Zhou Shen fan.

The O2 Arena, obligatory selfie.

I occupied my waiting time with Chinese flashcards and checking Twitter, but there were no delays: 8pm came and the stage lights grew bright.

Then Zhou Shen walked out from backstage. Muted but encouraging cheers. He wore a long black puffer coat, a grey sweater and scarf. As I said, it was cold. It was good to see him keeping warm against the London chill.

He bowed in all directions to the audience. Then walked out along the cat walk and did the same. Only when he got back to the main stage did he raise his ever-present blue mic to speak.

When he first began (after a few tries to start) - honestly, I thought one of the tech crew was doing a mic test or something. His voice sounded so low, so rough. He could have stopped there and frankly that would have been fine - this wouldn’t have been a lightly made decision, but it anyone wanted proof that he couldn't possibly perform, there it was. Zhou Shen however spoke for about ten minutes. I understood…. well. Very little. A few words and phrases, and of course the most repeated word: 对不起 (duibuqi).

The instructors in the Mandarin course I’ve signed up with explained that 对不起 literally means ‘unable to rise.’ As in I’m so ashamed I cannot rise to face you. Yet this is what Zhou Shen did. Rose from his bows, faced his audience, his 生米, and apologised again and again and again. He was devastated. His voice cracked from both its physical condition and his emotions. He cried right along with many people in the audience. I'm a bit of a delayed reaction kind of person, but I found myself trying to hold my phone up - a Chinese fan on twitter asked if I could but frankly my recording was rubbish - and be very still at the same time, as if trying to hold space for him.

Then he finished and was guided off the stage. I'm not sure of he could have gone on for much longer and was surprised that he spoke for as long as he did.

The planned singalong didn’t happen exactly as intended - because after he let the stage, the band and backup singers performed 我以渺小爱你 (Woyimiaoxiaoaini - Loving you in my humble way) and 小美满 - so everyone who could got to sing anyway. As sweet as it might have been to have sung it directly to him, I wonder if he’d have just completely broken down on stage if it had happened.

By the next morning, Vivi on Twitter had translated the speech. Thank you. Screencap of the start of the thread and pictured linked to whole thread below:

Link to thread

And since then, the North American Zhou Shen Fan Club have provided this video, which captures also what the audience were saying and other details. Thank you to them as well.

I wrote on Twitter/X at the time, before he came on stage, that it felt like we the audience were there to support him regardless of how things had turned out. That was truly the case, especially when he started speaking. Despite what had happened, it felt right being there. Something of a privilege too. To see someone be so vulnerable at a difficult time is something to both respect and cherish.

Afterwards, I met with ZSSpotify and Rockster929 and her family, and we went for hot pot together. All a little stunned still by what had happened but in good spirits - and hungry, due to the latest of the hour! Everyone was very generous with their time in the cooking and explaining (and also the paying!) I'd not been to hot pot before - though you can't not hear about it if you watch any Chinese content for long enough. I'm incredibly grateful for the experience and the company.

I do wish I’d not been so dazed - I would have loved to have talked more and for longer - especially asked Rockster929 more about how she does it and thank her properly for the hard work she puts into getting his interviews translated and subtitled and available so quickly in English for the fandom. ZSSpotify and I took the tube back together - she kindly took this picture of me in front of one of his posters before we left the O2 site.

Unfortunately I didn’t sleep well that night either. The lateness of the hour, still muddle headed, I just couldn’t get to sleep until far too late. I had breakfast at the hotel, and left swiftly to be home for just after lunch. It was always going to be a flying visit. I got home. My daughter had apparently missed me a lot and there had been a bit of crying that morning. My husband looked a little wrung out. We settled into the rest of the day though. It had been something of a break from normal life - not the one I'd hoped for but it had happened nonetheless.

I showed my daughter a video of him speaking. I can't quite recall if I told her he was feeling sad or if she noticed it herself. I tried to explain what happened in terms a two year old would understand, and also that I was feeling a bit sad too.

Then later that evening, unprompted, she said, “Mummy Go Hen sad.”

“Yes, sweetheart. We're both sad.”

It was only that night after my daughter was in bed that I had a proper cry. Delayed reaction, being comfortable at home and safe, and just processing it.

Now, over a week out - I'm sad it didn't work out as planned, but given the people I met and what we all bore witness to that night, I have no regrets whatsoever.

*

Three days after and the compensation plan was released.

See Rockster929's post for details, Weibo link, and screencapped translation

Wow. I mean wow. He's under no obligation to do so. Ticket refunds, sure. Travel and hotel? This is going to cost him and his studio a small fortune. All to do what he believes is the right thing. I went and saw friends this week who all knew how much I'd been looking forward to the concert. I gave them the details, and one of them said that Zhou Shen was a ‘class act’ to have both come out on stage and for offering the compensation package.

And these two articles (thank you as always Rockster929) are an excellent summation of what happened and why, from the perspective of the music industry, this was quite something. I didn't appreciate just how poorly audiences can be treated by the industry and artists alike.

Link to thread

Hong Kong Economic Journal - screencap plus translation

Not Zhou Shen though. It isn't just his talent the draws fans - it's his character. It's his dedication and commitment not just to musical excellence but also to the highest levels of professionalism and to his relationship with his fans.

It's taken me over a week to write this all down - work has been busy, parenting is always busy, and we're about to go on a longish holiday overseas to see my family. And wanting to be sure I've caught a lot of what happened. Trying to give a sense of how it was. A few things happend since: Zhou Shen posted a selfie on Weibo (see below) and his team have a general update on his health. No performances (very rare for him but understandable) and one new song but two pieces of news have come out: that four of his songs have been selected for inclusion in Chinese school children's music books, and that Shenself was, in 2024, the 11th best selling album across the globe. This is all marvelous and I hope provided Zhou Shen with some moments of joy over the last week. Us fans were certainly pleased on his behalf. And plans are still going ahead for the rest of his world tour - Las Vegas is now days away (he might well be winging his way there already) and the dates and venues for his Australian stops have been released. Crushing as this was, what was meant to be his first solo concert outside China, his career is still going very very strong. We have plenty of reasons to be happy as fans and for him.

The way I want to conclude is with some reflections on the events - I wrote these fairly soon after and they still stand.

That night as he spoke, many people called it to him meiguanxi, 没关系。It doesn't matter, it's ok. His response: “I know it matters.” Naturally we want to say this when someone do sincerely apologises, especially for something that wasn't fully in their control. The urge to reassure is strong. But I think he's right. Of course it matters. So much effort was made on all sides - from his crew, the musicians, the dancers - the amount of organisation that a huge event takes and the multiple working parts that have to all come together to make it happen. From the fans, who had to arrange and pay for flights, trains, hotel rooms, visas, and asking for time off work, arranging caring duties for dependents, and a host of other things that I’ve not considered when making plans to get to see and listen to someone you love, you adore. And for Zhou Shen himself, who would have put his all into preparations, planning, rehearsals, encouraging him team - and then at the end to go through all those medical treatments to try and pull through so he could perform for us. It absolutely matters. Our shared sadness and disappointment matters.

And (important that it's ‘and’ not ‘but’):

What matters more is that Zhou Shen is ok. That he looks after not only his voice, his precious instrument that brought us all there that evening, but also his own heart and mind. What matters more is that he looks after himself so he can sing again - both for his fans, and also for his own sake. This is a young man who has battered off ‘what would you do if weren’t a singer’ questions with what essentially amounts to ‘the alternative is unthinkable’. While we're all disappointed - Zhou Shen I believe most of all - after all that effort, the disappointment is for the circumstance, not in Zhou Shen. Not one little bit. On the off chance he ever reads this, he needs to know that he has nothing to feel guilty about. That’s my biggest fear for him. That this will haunt him far longer than it should. We all know this was the right decision. We all know he tried so so hard, threw every treatment the doctors could think of. If he could have made it work, he would have. But Zhou Shen has to protect his voice. The alternative would have been truly unthinkable.

And:

There are worse things that happen. The train delays I mentioned above were due to a death on the train line. I’m 90% certain it was suicide - they’re sadly common on the line I use. Someone and their loved ones had a far worse day than any of us. When I woke up the next morning in the hotel room, I read a diary article from of one of the climate change protestors who has been landed in prison for 4 years, writing about conditions that don’t read like they have a place in a just and fair society. And you just have to read the news to know that there are far far worse things.

And:

It still matters. Zhou Shen has been the soundtrack to so many people’s lives and has inspired and support and helped people pull through challenging, difficult times. He himself is an inspiring human being who so many, including me, look to as a role model. This whole incident is surely an example of that.

And:

While we were sad for ourselves, our hearts were right there with Zhou Shen, who bravely stood in front of us to tell us why he made the decision. As others have since pointed out, he could have just made a video. Instead, he came in person, in a cold London night while unwell and let his voice stumble and croak while he cried his way through it all. Not many people could do that.

But:

That's who he is.

So, in conclusion, and on the off chance he ever reads this:

Shenshen, look after yourself. Please rest and recovery fully. May we meet again. Best of luck for the rest of your tour. 加油！

[tseecka]

So--many, many years ago, I applied to be a writer for BioWare--i suppose if I had gotten it, I would have been working on the first iteration of what eventually became Veilguard (probably would've gotten laid off somewhere along the line though). Part of the application process was to write a quest line for a Dragon Age game. This is the one I wrote.

It reimagined Alistair's background in an alternate timeline where he was not a companion in Origins, and instead is, like Cullen, a returning NPC with an expanded role as a companion in Inquisition. The quest was written to trigger after Here Lies the Abyss.

It got...honestly, a fair bit of traction. There was a month or so where the plays were solidly going up day after day; given that I hadn't posted it elsewhere (not even to DARP which I was active in at the time), it was getting a lot of attention from BW. The same day I got the rejection, DG tweeted something about how one should never try to write someone else's character as part of an application because you will inevitably not be able to manage it. My mind decided that tweet was about me, and it shattered my confidence as a writer for a really long time.

Anyways. I revisited it recently and if I'm being honest--I'm pretty proud. Some of the writing isn't great--I'd rework the introduction for sure--but the intricacy of the branching and the complexity of the interactions with Alistair, and the impact choices can have on the outcome of the conversation, is something I'm pleased with. I also think I got his voice pretty spot on, even if Gaider didn't like what I did with his backstory.

Anyways! It's been long enough now and I am working to heal as a writer, so I thought I'd post it for anyone to play. I would love to hear your thoughts! (Please play it through at least a couple times if you do and want the full experience--I cannot stress enough how much the dialogue branches and changes depending on your set up and conversational choices throughout!)

ETA: JESUS CHRIST I was mean. Y'all it's real hard to get Alistair's good romance ending. I promise it's doable. I wanted to make it a similar challenge to successfully romancing Fenris in DA2 but I've played it four times and I haven't gotten it yet, lmao.

[itsclydebitches]

IT'S BEEN A DOOZY OF A DAY, FOLKS

Yeah I've got a couple asks about it lol. (Always a terrifying experience when you log onto tumblr and immediately wonder why your inbox blew up...)

Man, I don't even know how I'm feeling right now. We've spent so many months working on the semi-confident assumption that RWBY would be cancelled that on the one hand I can't feel very shocked about this. On the other hand there's definitely a wide-eyed part of my brain going, "Holy shit the 'RT is failing' theories finally came true O_O" I'm kinda devastated that a company that's been a part of my life for almost a decade (and for other fans far longer) is just up and gone, but simultaneously I don't care because what I loved about RT hasn't existed for some time now. We've already been dealing with that nostlgia for years, we just got a hell of a concentrated dose of it today. There's admittedly some level of vindication regarding those who've been pulling shit in the company for so long and empathy for those who were just getting by and are now suddenly out of a job. There's regret that (despite my tendency to fall VERY behind on projects. RIP I owe everyone in this fandom a massive apology) I'll probably never have an official end to my RWBY Recaps. And there's worry about how this will impact the fandom...

Yeah, not to jump on the pessimism train, but I feel like this is going to catapult some fans' misreadings into new territory. RWBY is now forever the show that was canonically unfinished and thus its perfection is assured. Think there are major issues in Volume 9 and earlier? Nah, that's setup for Volumes we just never got. Catch a contradition or other mistake? They would have explained that if they could. Any possible issues with the show if it gets picked up by someone else? Well, of course there are issues, RT isn't writing it! This was already a fandom where having accurate, nuanced discussions about the text was hard as hell... but it just got so much worse.

Honestly, I say let it go. If they're going to do anything I'd prefer a complete reboot/reworking so that this story might stand a chance. Airing new RWBY Volumes was already beating a dead horse. Resurrecting the horse to start beating it anew just feels ridiculous. Yes, I'm sad for those fans who wanted an official ending, but we've spent so much time waiting on RWBY, being worried about RWBY's future, and I personally have encounted so many shows lately whose finales soured my enjoyment that there's something reassuring in the combination of definitive ambuguity here: you know you're not getting an ending by RT, so just have fun imagining your own.

Overall, I feel like I've got to sit with this for a while, you know? I totally get why so many fans (partiuclarly RWDE fans) are celebrating and/or releasing a sigh of relief right now. I'm honestly surprised I haven't seen any crabs yet lol. But maybe it's just because I'm "old" my tumblr's standards, but there's something undeniably sad about losing that part of your fandom life. Or at least, losing what led to/represents that life. Getting introduced to RWBY by a friend, binging it for the first time, pulling new people in, finding like-minded friends here on tumblr, analyzing it for thousands of words, tracing its history and watching how radically it has changed... that's gone now. Not actually because RWBY still exists, as do my friends, and there's nothing stopping me from writing as much fic/meta as I want, but it still feels like someone closed a door on that part of my life. That's not wholly a bad thing given what RT has been lately, but I do think it'll take more than one post for me to unpack it all.

[zombeebunnie]

Trembling Essence:💙Script progress + Updates💙

Hello and welcome new followers, long time no see! I was very busy most of this month, but I am back and ready to continue from where I left off on the game! This game development post might be a bit long but I tried to condense everything! :]

"How are things going so far?":

It's going slow and steady! I haven't been able to do too much these past few weeks, however, I wrote a few parts out before I got too busy and couldn't do anything else.

I want to be very careful when it comes to spoilers but, based on your choices, some of these areas will give off immersive cozy/homelike vibes that really express Noah and the player(Y/N)'s view towards each other. In the old 2023 script I was very new to writing so the small semi-hints of romance weren't the entire focus compared to the horror aspect but there's a better balance between both genres now and I'm still aiming for a meaningful slow burn versus it just being all over the place. :] I liked writing them a whole bunch which lead to a lot of these taking place in the mid/end of Day 4+, they just need to be placed in specific areas that call for it. With that being said, it felt really comfy adding key details about Noah and creating meaningful sections in the game. I was even going to draw out some of the unseen script/scenes but I believe the best thing to do is give deeper lore from the [Extended Demo] first. Even though my writing style has improved I still have to fix the multiple pacing issues I wrote last year.

"Playtester's advice":

I wanted to continue working through Noah's backstory but I kept having moments where I'd get sidetracked into wanting to fix up the start of the game again. Eventually, I talked to my play testers about it and they gave me a few encouraging pointers.

To help keep my process at ease, I will fix the beginning of the game when I take breaks from writing up Noah's backstory. :]

I talked about this during early 2024 but the start of the game that leads up to the cabin is still getting reworked. I was able to get some of it fixed for the [Extended Demo] but I wasn't done. Things are still up in the air but, I will say that I have a better view of everything than I did before. :] Another priority that needs fixing are the backgrounds! I've improved a lot on drawing and they need to be optimized. When you first start up the game, you wake up in a holed out tree in the swamp with the choice to leave this area and possibly end up in the forest. I was going for a very immersive form of symbolism that only a few noticed but, I believe I can do a better job about this. Unfortunately I don't have any new backgrounds to show right now but maybe next week I'll have some finished up! :]

"Art process/Noah's sprite sheets":

As far as Noah sprite sheet goes, it's still in sketch mode.

I didn't draw anything since I was gone so I need to do a few warm ups before I get to them. There are some old drawing prompts I wrote down and old sketches that I never got a chance to doodle so hopefully I can get to them at some point with some attached lore. :,]

My Q&A / Ask box has been reset!

Thank you to those who have sent in asks in the past, unfortunately they all disappeared except for 1 while I was gone. I have no idea what happened but I can only guess it just got reset.

If you have any questions about Trembling Essence/Noah feel free to ask or resend them in here please. This makes it easier for me to see and answer accordingly! I would really like to hear from you guys!

This is all I have to share so far, Thank you to everyone for the continued support and patience while I was gone! I was ready to accept the interest for this game to fade out and coming back to see that it didn't happen makes me happy, I really appreciate it. :,]

[ashyswoyaus]

About the Lord Wander AU, are there any episodes that would not exist? The characters being shuffled around change the dynamics so drastically, there's no way a canon episode would take place?

Or, are there episodes that do happen, but occur with such different context or with very different events, to the point of being borderline unrecognizable?

Much love!

ooooo yes!!! this is something i've thought quite a bit about—there'd have to be loads of changes like that. most episodes i think, even, would have to be changed significantly. for episodes not existing, there's a Lot that definitely seem like it at first, and i even made a list, but after thinking on it a little more...they might fit more into the second category, where they're pretty majorly reworked. for episodes i haven't really been able to come up with anything for, there's the box, the lonely planet, the tourist, the helper, the boy wander, the heebie jeebies, and the sick day. the good deed, maybe? (but i think it might work, if you replace wander's stubbornness in his beliefs with dee's struggle to be a good person. you could perhaps even insert wander in there, since he's meant to be a bit of a recurring character in s1) perhaps the epic quest of unfathomable difficulty. those episodes are really wander-specific, and putting dominator in those positions renders them kinda pointless (like with the nice guy, how she just buys the thunder blazz without any trouble). and i can't think of any work-arounds to keep the basic premise of each, unlike with some other wander-specific episodes.

oh, but also, you'd have to get rid of like. the Entire hater crush arc in s2. so that would get rid of the matchmaker & the rival...but that arc would likely be replaced with something else. i don't know what that would be yet, but maybe something where you could keep the new toy, the show stopper, the cartoon, and my fair hatey, while getting rid of the "impressing dominator" part. have to brainstorm a few ideas for that but i'd like to believe it's possible

and onto some episodes that would instead be majorly reworked: the hat, of course, and by extension the bad hatter. and together with them i'd put the bot. since i feel like the position of the dombots and wander's hat would be switched in these cases! sylvia has to learn to work with the bots, bot 13 accidentally gets onto the skullship (and gets his name), wander's hat somehow falls onto the beach...real question is whether beep boop or the hat dies...i don't know if the hat can die. maybe it gets stranded in space. that'd be a pretty major change for wander, though, so i'm not really sure. then again it is supposed to be a bit of a darker tone than the show so...it might work. i think i'll probably do more on this topic at a later time!

there's also stuff like the bad guy, the big job, and the rider, revolving around wander's lack of toughness compared to sylvia—dee's pretty tough, moreso than sylvia even, so she wouldn't have these issues, but you could probably keep the settings of these episodes and just change the main conflict. for the bad guy, dee and syl use a ship to get around rather than orbble juice, but you could easily have them needing fuel instead. and dee would fit in pretty well with ryder's attitude, so separating her and syl would be difficult...i'll keep trying to figure those ones out though!

this is getting long so i'll skip over most of them for now since i feel like i'd be repeating myself...i think the big day would be one of them, but dee wouldn't suggest a wedding-like ceremony. some other big event, like a funeral. and for the night out i actually have something Very specific for it: it moves placement in the season to the first arc, before lord wander is revealed as the wandering weirdo, and is titled The Day Off. while the night out was about letting loose and wild, it's a girls' night, brawling being something syl doesn't get to do so often—she gets plenty of that in the AU, and instead, the day off is all about relaxing, taking it easy and getting some rest, which is what this syl doesn't get as much of. oh! and something to do with wander's doing good deeds to stave off bad karma—while dom started the episode bored, and decided to go out to have fun, wander i think would start off somewhat Stressed and anxious because of how much Evilling he's been doing lately and take this day off to go help people, to keep in the universe's good graces. this is another one i'd like to do more on later when i get the chance!!!

there's tons of episodes i think would change (like...all of them) so if you (or anyone else) ever want to hear about a specific one or more about one i mentioned here just ask :)

[maibluemen]

it's been a hair over a year since i last posted any fic/updated last light (look. i know the exact date bc it's also my sister's birthday i swear i have not actually been obsessing over this lol). i'll probably? be able to update this month, the next chapter is mostly done and then needs to be edited. mostly i need to sit down and just write it lol

it's felt a lot like the past couple of years, everything that could go wrong has gone wrong, and it sucks to add all of that to a laundry list of pre-existing mental health Issues (the combo of adhd/depression/ocd deserves a special place in hell). social media has been....really rough, especially with the ocd. i simply don't have spoons to deal with it much and it doesn't take a lot to make me spiral in such a way i've nearly called 911 on myself a few times. i've unfollowed and blocked people over genuine grievances but also because i simply can't deal with it. and i'm going to keep doing that, and likely cycling between using socmed a fair amount and avoiding it for long stretches of time. i'm going to keep running the horror week, tho i think i'm going to have to put a pin in rusliet week for the time being, btwn my mental health and feeling really pessimistic about participation for numerous reasons (mostly the mental health tho, and also not knowing what my schedule is actually going to look like any more than a week out at a time atm). and all of this isn't getting into everything that's been going on offline either lol

but i did want to say that i appreciate everyone who has stuck with me, and stuck with my fics. and especially thanks to the people who comment, seeing ao3 emails about getting a comment have made me tear up lol and there's some of you i need to still reply to on ao3 proper but for now please take my thanks here

i also wanted to say that although i haven't posted in (just over) a year doesn't mean i haven't written, either, because i write things out of order and also write snippets of other things....if i can find my outline for the fra/pol/pru murder mystery fic, i'd like to start working on that for real and have it up by halloween, and then also get back to working on oneshots, too. and rework the LL outline...i was going to do that in scriv but i'm a bit hesitant to pay for scriv rn so i might be messing around with pen and paper a bit before typing it up nicely in word lol....anyway. i haven't actually lost interest in writing fic, though there are definitely patches there....but these story ideas and characters live in my head rent free and what can i say i like to write! so it will be exorcised from me eventually lol

[echonidae]

patroness

i really said "i'm not drawing hands for this one! nope!" xD meant to go for a simple portrait c': but yes, hello! i'm alive!!! :D here with a portrait of Lucille, a background character for now, cool lady tho regardless c':

og sketch under the read-more!! :3c

messy, messy sketch. xD

i usually do the sketches with a lot more detail than this, as it saves me trouble during lineart — but for this one i foolishly thought "ahh no need :D", like a fool. had to rework the lineart for this portrait some three times, which sure was not at all frustrating xD but after caving in and refining the sketch, and then getting into the groove of linework, it was all smooth-sailing. c:

but yes hi hello how have you folks been? my apologies for the very very long radio-silence, went through a lengthy moving process during the beginning of the year, then had to focus entirely on commissions once the dust settled down — got a lot of cool stuff to post now!! c': which i'll be doing for the next while.

i'd like to also get back to drawing personal pieces, so i'll be getting that back on track too :> starting with this portrait!! haven't worked on proper OC pieces in forever :')

as for commissions also, i'm working on reopening them soon — gotta update the website and everything, i'll keep you folks updated on any new batches c: but thank you so much again to everyone who ordered last batch, and everyone who sent messages and questions while i was away!! (´▽`ʃ♡ƪ) happy to be back posting stuff :')

[thebestofoneshots]

Hey You!

Ok I was just infatuated with your sneak peak for GC Ch. 25 omg. I had to look at it over and over again since yesterday. Really I love your AI art for this series. This is exactly how I picture the boys in my head. Sirius' hair I'm dying. I've already spent my time using AI to create portraits of them, and it was just rubbish. Maybe I'm not advanced enough to use it properly. But I just had a look at you last art again and I just have to ask you! I have so many questions. Which tools do you use to create it? Do you rework the pics with other software like Photoshop or something? And most important, and propably the most improper question: what do you tell the AI to do exactly? You don't have to answer this one. I don't want to steal your style or anything, I'd just like to know how you get them pictured so accurate you know? And how much time do you spend in average to be satisfied with a picture to publish it for GC?

Yeah I hope I'm not rude asking you this, but I'm a big fan of your work 😭

Have a nice week! 🤍

I find it hilarious I got this question just when I was fighting with AI to do what I wanted it to do lol.

There are a lot of questions, so I'll try to be as detailed as possible. I talked about the AIs I used on this post. But basically, I recommend Bing's Image Creator that's powered by Dall-e 3.

I do rework the pics, not always, but AI always seems to confuse hair colours, gives Sirius a sandy brown and Remus black, so I do find myself switching that often (I use things like picsart, facelab, procreate and makeup+ for this). I have also done some face altering things here and there, especially when the faces don't look exactly like I want them to, for example in this one:

I wasn't quite satisfied with Sirius' face so I altered the features a little more so that they looked exactly like they looked in my head. This minor alterations I find myself doing rather often on the pictures that will be the official ones.

Now the time I spend until I'm satisfied varies, sometimes the AI image is perfect and I use it straight, sometimes I have try a few times over and over until I get the exact result I want, and that takes much more time. Maybe like 30-40 minutes to get the image and the side (aesthetic) pics I add to the sides.

Now, the most important question, what do I say? Again it varies, sometimes I find myself tweaking and altering things arounf until I get exactly what I want. For this image in particular I said something like this:

16 year old Remus Lupin (sandy blond hair, golden-brown eyes, scars on his face, handsome)holding back a 16 Sirius Black 16 year old Sirius black (long curly hair, delicate & soft features, pretty and handosme, grey-blue eyes). Remus has his hand in Sirius shoulder, they both look tense, like they want to stop a fight. Defense against the dark arts classroom. realistic art.

I remember I changed it later, to Hogwarts classroom and students standing behind but, once I get the basics of the composition I tweak things around until I have exactly what I want.

Now I find AI has some issues with side profiles, maybe I haven't cracked it yet, but I spent all my energy on Bing trying to get the right composition for an image for next week's episode and it was not cooperating with me.

I asked for this:

16 year old Remus Lupin (sandy brown hair, golden-brown eyes, scars on his face, handsome) and young Sirius black (long curly hair, delicate & soft features, pretty and handosme, grey-blue eyes, gryffindor). Remus covers Sirius mouth with his hand and he is pressing his chest onto Sirius’, they’re front to front (we see their profiles), foreheads almost touching . Restricted section of the library. they’re hiding from someone. realistic art.

And kept getting Remus standing behind Sirius:

Don't get me wrong, I loved most of this, they look amazing! But it wasn't exactly my vision. Even wasted $15 usd on DALL·E hoping it would make it better but I was very disappointed (Bing is so much better and FREE).

Eventually, I got one image that did exactly what I wanted and I'm currently reworking it to make it exactly what I want, we'll see how it goes in the end.

But yeah, I've spent almost all day working on this (using my free time at work), and only one out of all worked, so time spent on it really, really varies.

Hope you find this helpful darling, and if you managed to get the image I've struggling with to work, it'd be really cool if you shared it with me.

Read Gilded Constellations

[sillyspero]

hi! i found you since you followed my atz lore acc @tothisemptiness and i wanted to say i just finished going through you slideshow which is amazing tbh i love how you kept it fun while explaining smth as heavy and complicated as atz's lore. i have some questions tho if you don't mind me asking.

you said a good part of the treasure series is a completely separate storyline and it does make so much sense and is an interesting take but i have three questions: do you think it links or will link to the main storyline at some point? if it doesn't or won't why does cromer appear there? if it is really completely separate, why do you think they chose to tell a story they will never touch again?

in his lore explanation videos hongjoong said that halazia is not a separate universe but another pov of the story that was being told right before spin off, why take it as an alternate universe instead?

you mentioned the full moon at the end of crazy form, what do you make of the crescent at the start?

i love the insane attention to details btw, i would have never thought of concert performances like you did and if you have any ideas what the little sketches in newer concerts mean i would love to know!

PS: THE GIANT BALLS IN THE ROOM TOOK ME OUT I LITERALLY MADE CRYING NOISES WHILE LAUGHING EJFALJDLKASJDLJSF

First of all, thank you so so much for reading my slideshow, I was excited to see your account (another loretiny to gather perspectives from!) so I'm honored to have you asking the big questions. I have a lot of thoughts so I'm gonna put them below a cut but hopefully, I can give satisfactory answers. :)

First, I want to clarify why I approached treasure as a separate story. When I was working on this, I tried to gather as many different theories and takes as I could on the timeline and story and such, but a problem I kept running into was that when I saw theories that included treasure as part of the larger story in its entirety, I had trouble being convinced. A lot of the theories had to stretch quite a bit to include it, and I felt like separating it made it much more cohesive, regardless of whether it was approached as just a prequel or a sequel, or anything like that. That being said, I've been keeping my eye out since then for ways they could be trying to tie it back in because I desperately WANT them to. If you had asked me a couple months ago, I probably would have told you that I am doing so and that I just haven't seen anything that convinces me yet. HOWEVER. After reading the Golden Hour Part 2 diaries, my mind started churning and I felt something click that connected treasure for the first time, something was convincing enough. I'm currently chugging through finals but this is actually a huge reason I'm planning to remake the slideshow and rework it, because I feel like the information we learn about the history of Halazia and the new artifact really puts things into perspective. Anyway ig long story short, yes I think it links in now and my theory is relatively manageable (although too long to summarize here) so I'd just keep an eye out for the slideshow update.

I think the simplest answer is, ironically, simplicity. I think initially I took what Hongjoong said to mean some sort of alternate story and then after fumbling around with it, I landed on sort of a similar conclusion as that of Treasure which is to say I had a lot of trouble fitting it in with the rest of the story, particularly because of the way it constantly insists upon distinguishing itself from the rest of their titles. This is another one that will get rewritten in the update, along with Answer I believe.

A big stretch theory that would be kind of interesting to consider would be to wonder if perhaps the moon in this series has always been a crescent and everything they've experienced in "World Z" has been a dream, and I think I've seen theories similar to this floating around so definitely something I've considered. I actually kind of hope this isn't the case because I think it's kind of a cop-out, but at the same time, it would fit into the general themes we've seen from the story so far. I would LOVE to hear your theories on this because I was really stumped by it. Ateez is very intentional about those sorts of details, and so it really makes me wonder, but I haven't been able to figure it out.

Finally, in terms of the sketches at the concerts, I think there's a lot of symbolism in them and I want to analyze them deeper. If the content of the dances doesn't make it into the slideshow, I'll make a post about it and tag you. Funnily enough, I went into the concert thinking "I will pay such close attention to the dances so I can analyze their place in the lore" and then I proceeded to be so awestruck that I forgot to think about it and lowkey blacked out so I don't really remember anything about it hahaha. I'm gonna look them up and revisit them in closer detail soon.

Sorry, this is so long, and sorry that some of them are kind of non-answers. There's still so much I don't quite understand so I appreciate you pushing me! This month marks 1 year of being an atiny so I think there will always be more for me to learn and discover. Please feel free to send more questions if you have them! I love rethinking things and seeing what people notice that I miss. I would also like to say please check out the sources linked at the very end of the slides because a lot of my theories are pieced together from various atiny who are much smarter than me <3

PS Glad I could make you laugh lollll

[maxfaiden]

Just checking in on you and letting you know that you’re missed.

It's a blessing to be missed! I do dearly miss you as well. I also miss the Blackburns and the rest of simblr. I'll have so much catching up to do when I return. I'm both overwhelmed and excited at the prospect!

I didn't think I'd be away this long, but I also don't why I thought I'd return sooner. I stepped away for a bit because my manager announced their retirement in February, and even though I was the most qualified to assume the role, I don't do anything by halves, so it became an undertaking to update my resume because although I changed roles multiple times over the last 16 years at my company, I haven't had to interview for a position since I started. Also, being qualified doesn't negate nerves, so I was kind of a wreck all the way up until the offer was extended.

I officially took over the first of April and since then, I've been reworking things to my liking, trying to hire someone to fill my spot, and taking on a second team as well. I'm the type to do all the heavy lifting at the beginning to get things in order so they run like clockwork; it's been a lot of work, but satisfying, too.

Outside of work, I'm still taking care of my mother, but now I'm also helping my grandmother finally transition into retirement. So I've got my hands full. Though, once I get my teams settled and train my replacement, I should be able to loosen the reins a bit.

I'm itching to return to the Sims sandbox and play without a care. I'm also looking forward to finally getting my story queued! Until then, I hope you'll keep doing what you do so I have even more to return to! 💚💚💚

[lavender-teardroplettes]

Life Update?

Weird time to really be making one of these, at least in my mind, but I figured I'd touch base on where I'm at at the moment since I've been kinda quiet for a while. First off- I haven't been doing well mentally and at some point I just hit a wall in trying to work and push trough it. I get pretty bad seasonal depression about two times a year (Summer and Winter) on top of other issues, but I'm happy to at least say that this year hasn't been the worst despite external stresses and situations that would have left me in worse positions before in the past. The second reason, which I posted about brielfy, is that my laptop is on the fritz and I just don't have the money or time to get it serviced. Fortunately, Bear and I have a backup MSI office laptop that was originally mine before they got their gaming computer, but it's a lot more limited in what it can run, so I'm taking the small L after some debating and seeing what it is capible of doing in the meantime. For more good news, work's picking up with our event season! Small downside? I'm going to more than likely go back to having either one or two days off for a little while. My hope is to just get through it like last year and set aside whatever extra I make for the repair and a full check up to see if I can increase the longevity on my Lenovo when we have off time again.

Now poses the question of what do I pick up and dust off first? There's a lot I was working on, a lot I was planning to work on, and a want to kind of shed off that backlog and start fresh with new eyes. And, I think for myself, the latter would be the best for me at this point in time at least when it comes to drawing. It's something I had been mulling over more seriously while reduced to a sketchbook and my phone's clip app, and I think reworking how I used to do my art into something more fun for myself would be the best course of action. You hear it all the time, but it hits different when you're really forced to reevaluate how you've been working in the past when you really take that step back and are forced to focus on a different hobby/downtime activity. I do want to edit my commission page into something a little more concise as well, but it might take me longer than I'd like to admit because I'd like to price things fair for others and equally balance my time and talent as it grows with every drawing I do. It's a process, a daunting processes as my current mindset views it, but it's something that I think I'll benefit from in the long run.

That being said- have something that I was really excited to share with you all before my laptop started showing worrying signs back in October. Witch Si might not have made it to 2024's Halloween, but that just means he has to make an even more dramatic entrance next year!

Thanks for taking the time to read if you did. 💖

TLDR: Picking up the pieces of my mental health while switching to a backup computer while mine craps out on itself sounding like a burnt out muffler. Plus some sketch art of my sona being his witch self while riding a broom that was supposed to be for Halloween 2024.

[jeffgerstmann]

You think it's credible that Triple H didn't read the Vince lawsuit? I could see a few days before the Rumble, him not wanting to read through a bunch of pages detailing how his father in law spent years psychologically tormenting and passing around a company employee like a toy.

Out of all the Kliq guys, he was always the dude who didn't mess around with any of the crazy shit, so I could buy the idea he never knew about it.

I think it's unfair to compare it to the Jericho thing, because in that case it was likely a matter between a few people and their lawyers versus what may end up being a criminal conspiracy that could even result in jail time by the end.

Sure. He's not a lawyer, it's not his department, and they hadn't even officially been served with the lawsuit yet. He probably heard a rough summary of what was in it as part of some kind of emergency meeting and then I bet everyone else in the loop on that stuff tried to leave him alone because he had a show to produce. I wouldn't be surprised if he had to meet with talent individually or as a group to discuss what had happened and to allow talent to air concerns, that would just be the right thing to do, I'd think. Dunno.

He and the talent scheduled for the post-show conference probably also had to meet with PR to discuss strategy and responses for what to say when the subject came up. I can't imagine what he said is actually what they discussed, his response was bad.

Obviously he's in the loop on the general shape of the lawsuit. And he'd be in the loop on the ad stuff because all that Slim Jim shit dropping out would mean the show would need slight adjustments to remove those segments. And, if the word going around about Brock supposedly being cut from the Rumble at the last minute is actually true, he'd have to get heads together to rework part of that match to account for the change. Who knows, maybe he had to sit in on a couple of quick high-level meetings to discuss getting Vince out, though considering that was announced during Smackdown, he may have been focused on the show and that just happened above his head. That's probably a board decision that happens above his paygrade.

Either way, I find it totally plausible that he hadn't actually read the lawsuit. I still think his comments on it were bad.

I think it would be hard to work at that company for as long as he has without knowing that Vince was up to some shit. I'd guess he was kept out of the loop on the specific brutality involved and, at most, it was "ugh, Vince's mistress is on the payroll" or something less-fucked-sounding-but-actually-still-fucked like that. If this actually goes to trial there will probably be tons of emails, texts, calls, and other info about who knew what and when did they know it that will make the company look like a fucking cesspool. Depending on how far that goes, I wouldn't be surprised to see a ton of long-time employees getting swept the fuck out of there, since the liability of having people in senior and/or executive positions knowing about this but turning a blind eye to it is, as I understand it, very substantial.

All the management-focused sexual harassment training I've taken over the years focused a lot on the idea that if you, as a manager and leader, know about a harassment situation and don't report it, you may find yourself held personally liable in any resulting court case against the company. So maybe we end up with more than just Laurinitis getting sued if things progress.

On top of that, there are more people out there and more stories that haven't been told, either due to NDAs or due to talent feeling like they'd never work again if they spoke up. If and when this case successfully nullifies that NDA, I think the dam breaks and we start hearing a lot more about other women in similar positions over the years.

If that happens, I wouldn't be shocked if HHH was gone as a part of that sweep. Certainly old-school guys like Hayes and Prichard would probably get shown the door if this keeps escalating, along with a handful of behind-the-scenes names that we never really hear about.

[meeeeeeese]

My thoughts on why Lonely Tower is realllllly poorly designed

so as those of you who do fractals may know, the Eparch fight in the new fractal is a special kind of hell and (in my opinion) an objectively poorly designed fight.

So the fight revolves around the management of globs of emotion that empower you on pickup but also empower Eparch if he gets his meaty hands on them. None of them are good if you allow him to nab em, but Envy in particular is far, far too gruesome, with even a single stack giving Eparch the potential to corrupt your entire boon bar. What makes an already annoying mechanic even worse is the highly variable amount of time until Eparch gets the buff. He sucks in all droplets of emotion when he activates his cc phase, which he can do seconds after he last lobbed emotion globs leaving you little opportunity to respond.

But beyond the flawed emotion globule mechanic, the boss's mechanics are designed to make you run around like a headless chicken with little chance to dps. his arrow attack is wide enough that you can't stand in melee to avoid it (seriously those arrows do not accurately show the danger area), his spin attack is full anti-melee requiring you to fully turn around and run if you don't want to be hit, the player-centered spikes force you to run around to avoid them. And of course, the ever-present emotion globules require you to take off across the area on a moments notice because if Eparch gets even one of the wrong globule its game over.

Like really, did they really need to make so many of the attacks require running away on top of all the globule vacuuming you need to do? It makes the fight drag on so damn much because people are so busy staying alive they can't dps to their full potential.

So how do I think they should change it? (and for the record here I'm just talking normal mode, haven't done the CM and don't particularly care to)

1: Firstly they've gotta change the way envy works. Right now it triggers from all of Eparch's hits, so if you step on a fissure for even a moment, oops your boon bar's now a wall of conditions. I'd change it so it only affects direct hits and not the passive ground aoe attacks. It'd still be bad but not fight ending if he gets even one envy orb.

2: Make the globules fly to Eparch after a certain amount of time, not when he activates CC mode, it'd be a lot more consistent and they could put an indicator so people know for sure how long they have.

3: Either a) make Eparch's empowerments expire after a while or b) make completing the CC remove more emotions from him. Right now I still don't know for sure how many stacks it's supposed to remove but I do know that right now it's not enough

4: Rework his suck'n'spin attack. Pulling the party in when they only have seconds to get precious emotion globs is just cruel and needs to go. Is it really too much to want a simple spin in place attack?

5: Maybe make an alternate way to cleanse Eparch emotions? The early sections of the fractal are based on 'astral purifiers' so maybe scatter them around the edge of the arena that strip Eparch of emotions on use. That way if the stacks get too much the party has a way to sacrifice time and dps to for sure get rid of them.

I do really hope they aren't planning on leaving the fractal the way it is, cuz right now it soooo does not jive with the chill experience a lot of the other fractals are.