#i have so much to say about the line at the end of the trailer 'putting others before yourself again?' too but i gotta get ready to head out | Explore Tumblr posts and blogs

idkdudethisisntpermanent · 8 days ago

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Blurred Lines

jenna ortega x female reader

summary: You and Jenna, best friends and actresses, are cast as lovers for the first time, tasked with bringing a romantic chemistry to the screen. But as scenes unfold, the lines between acting and reality begin to blur.

word count: 2.1k

a/n: This was actually the first Jenna story I wrote!

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What are you thinking so hard about? Jenna asks plopping down in the director's chair next to you.

After being best friends for years, you and Jenna have finally gotten the opportunity to work alongside each other on your latest film Lovestruck, a romance film where you two are playing the lead couple.

You. You wanted to say, but you were 8 years too deep in the friendzone to truly say what was on your mind. "Just the next scene," you smile at her tiredly.

Her eyes light up, "I've been looking forward to this scene for so long! God just look at that view Y/n! I'm so jealous of Lalya," she sighs, referencing the character she's playing in the film. "Just who wouldn't love to be confessed to here," your co-star finishes looking over at you with sparkles in her eyes.

When your manager gave you the script for this project, you could only laugh at how much the story paralleled your situation with Jenna. You were playing Quinn, a girl who has been in love with her friend for years, but couldn't do anything about it. Eventually the mixed signals and watching the one she loves be with others got too much, and Quinn angrily confesses by the lakefront during a sunset; the view Jenna was fawning over just a minute ago.

You could only wish that the aftermath of any potential confession of yours could resemble the one in this film. Layla ends up reciprocating Quinn's feelings and it's a happy ending.

Unfortunately the universe isn't as perfect as an angsty teen romance, and is rather a sick minded individual who gets a kick out of meddling with people's lives. For years you and Jenna have auditioned for the same projects to play friends, enemies, even sister's but why is it that the one project both of you manage to land is this one?

"Y/n/n!"

Startled, you look over at the girl who's been trying to get your attention for all this time while you zoned out. "Y-yeah sorry. You're right. It would be a dream to be confessed to here."

She hums and stands up before placing a hand on your shoulder looking intently into your eyes, "I'll see you on set after the break, hope you bring your A game Y/l/n," she winks with a smile before walking off.

Jenna walks over to Andrew another actor working the film and immediately starts laughing and touching his arm in conversation. You couldn't help but roll your eyes, but you also couldn't tear your eyes away from the scene that always happened to unfold in front of you.

It hurts you beyond belief watching your best friend interact flirtatiously with other people. Having to hear about rumoured boyfriends and especially having her not deny them. The mixed signals you got from the girl wasn't any help either, like what was that hand on the shoulder just now? The wink?!

You walk away trying your very best to calm yourself down before your big scene. Jenna frowned as she watched you walk away and towards your personal trailer.

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The director calls everyone to set and has prepared to shoot the big confession scene. The crew helps you and Jenna find your places and fixes up any imperfections in your clothing. As you stand before your co-star you're hit with a strong wave of emotions. The 20 minutes you spent in the trailer wasn't much help, and now as you watch Jenna who is looking at you curiously, you make a realization.

You may never confess to Jenna. How could you? This friendship was the greatest you've ever had and you were aware of the fact that friendships like this one, don't come easy. It would be insanely stupid of you to confess your love and single-handedly lose a gem like Jenna completely. The more you thought about it, the interactions between Andrew, the rumours with Percy, and countless other boys, the more helpless you felt. There was no way she could feel the same.

"You okay?" the gentle voice you've come to love speaks.

You're silent. She looks at you with her big doe eyes that you've come to love, but at this very moment you hate so much. The concern in her eyes is pushing you off the edge. You hated it. You hated how her caring nature has only gotten you falling tenfolds harder. Why does she have to be good to me, why does she torture me like this you ask yourself.

"Y/n/n."

You look away, refusing to look into her eyes, scared of the emotions you'll find in them, scared of finding out how much more you could fall in love with her in this moment, so you settle on the view of the sunset.

The director begins a 10 second countdown to cue in the start of the scene and you're still looking at the sunset pondering. This may be the only time that you'll ever speak the words of a confession to Jenna. Yes, to her it'll be you performing the script, Quinn speaking these words, but she doesn't have to know that you will mean all the words you speak with every fibre of your being.

A light smile plays on your lips as you think about the performance you're about to give and how it should get you nominated for all the acting awards in existence. The lines of Quinn and Y/n have blurred, and you are playing no character other then yourself.

You won't be acting.

"Action!"

The scene begins and you start marching away from Jenna like the script told you to.

"Wait- Stop!" Jenna says frantically grabbing on to your arm.You roll your eyes, shrugging her off and continue walking.

"Why do you insist on hurting me?" She shouts, following the script. You stop walking and pause.One beat. Two beat. Just like the script instructed. You turn around, glaring at her with more intensity than the script demands, "Me? Hurt you? That's rich coming from you."

Jenna hesitates, caught off guard by the seriousness in your voice, but quickly recovers, staying in character.

"Yes you asshole! I invite you to the lake house, and all you do is ignore me!" Groaning into your hands, you speak your next line. "Layla. You're joking right?"

"No Q, I'm not. Do you even care about me? It's my fucking birthday, and you're acting like I'm not even here, sulking in one of your moods and embarrassing me in front of my friends!"

"Then what am I?"

"What?"

You laugh, running your hands through your hair, struggling to keep your emotions in check.

"If those are your little fucking friends, then what am I to you?"

Jenna acted taken aback like she was supposed to, "My friend? My best friend? I don't know that's not the point! Wh-"

You cut her off, "But it is the point!"

You break the script.

You blink hard, letting the tears that were building up before the scene fall down your face.

Jenna had a look in her eyes that you've never seen before it was confusion and something else you couldn't pinpoint. Being the amazing actress that she is, she improvs her next line, so the scene can get back on track.

"Here you go again not wanting to address the real issue," she rolls her eyes.

You decide to stick to the script with tears streaming down your face. "I can't keep doing this anymore Layla," the words carrying the weight of years of hidden feelings. "Watching you with them, pretending I'm fine when I'm not. I can't just be your friend anymore."

Jenna's eyes widen, her character momentarily forgotten as she registers the raw emotion in your voice. "Quinn... what are you saying?"

You take a deep breath, letting it all out, the pain, the frustration, the love. You're about to do it and you hope that just for a second your performance will blur the lines for Jenna. "I'm saying that I'm in love with you, and I have been for a long time. And it kills me every time I see you with someone else, knowing I can't be the one to make you smile like that."

The silence that follows is deafening. You can feel your heart pounding in your chest, waiting for her response, both in character and out of it. The director's voice seems far away as he doesn't call cut, letting the scene play out naturally. For a moment you start to think that Jenna has forgotten her line, she's supposed to say, "For how long?"

But she goes off script.

She takes a step forward so she's only a foot away from you and takes your trembling hands (that you didn't even realize were shaking) in her own, an attempt to calm you down.

Jenna, as Layla, steps closer, her own tears glistening in the fading light. "Why didn't you tell me sooner, Quinn? Why did you let me go on thinking we were just friends?"

Your voice cracks as you respond, "Because I was scared. Scared of losing you, scared of ruining what we have. But I can't keep pretending anymore."

Jenna reaches up, gently cupping your face with her hands, her touch warm and soft. "You idiot," she whispers, her voice trembling. "How could you not know? How could you think for even a second that I didn't feel the same way?"

Her words hit you like a ton of bricks, and for a moment you forget that you're on set, that this is all supposed to be a performance. It feels too real, too raw.

"T-then what about everything I see? All those guys?" You say staying true to the script, but you couldn't hold your tongue and add, "The rumours? The interactions I always see?"

Jenna clearly seems taken aback by your addition to the script, and opens her mouth and closes it, at a loss for words.

You can't help yourself and continue, "Do you have any idea what it's like to watch you with other guys? To see you flirt with everyone else and feel like I'm just...invisible?"

Jenna's heart races as she realizes the depth of your feelings, the lines between the script and reality blurring completely.

Jenna continues, the rest of the scene now being pure improv. With tears in her eyes, "I wasn't trying to hurt you...Q. I wanted you to notice me. To see me the way I see you.

You freeze, your heart pounding in your chest. Jenna's voice is trembling, her gaze locked on yours, and for the first time you realize she's not just playing a role. She's confessing, right here, in front of everyone.

"I've been in love with you for so long," you get out through tears, "But all I've ever seen is you with them... like I don't even exist."

The shorter girl steps closer, dropping the last remnants of her character. Her hands reach up to cup your face, her touch gentle and filled with unspoken emotion.

"I didn't know how to tell you, Quinn. I was scared, so I tried to make you jealous, provoke you into action, hoping you'd finally do something. I-I was hoping you'd see how much I care. How much I...love you.

Your breath catches, your heart pounds in your ears, and you break character completely not caring anymore, in a trembling voice you ask, "You really feel the same way?"

Jenna nods, tears spilling over as she smiles, a mixture of relief and vulnerability in her expression.

"Yes, Q. I've always felt this way. I was just too scared to admit it... but not anymore."

You blink, struggling to process what's happening. This wasn't in the script—none of this was. But it's real, and it's happening now.

You smile through the tears, "Then let's stop pretending, Jenna. No more games... I'm yours if you'll have me.

Jenna lets out a small, tearful laugh, pulling you into a tight embrace. The cameras are still rolling despite your name drop, but none of that matters anymore. She pulls back just enough to look at you, her eyes shining with a love that's no longer hidden.

"I've always been yours. Always."

In that moment, you lean in, pressing your lips to hers in a kiss that's filled with all the years of longing and love you've both kept hidden. When you finally pull away, you're both breathless, tears of happiness mingling with the raw emotion of the scene.

The director calls "Cut," but neither of you moves, still lost in each other's eyes. For a moment, the set is silent, the crew unsure if they've just witnessed the best acting of your careers or something far more real. But you both know the truth—and it's better than any script that could have been written.

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alotofpockets · 9 months ago

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Confidence | 18+ MDNI

Pairing: Reneé Rapp x Reader

Summary: Reneé asks you to come to her first day off shooting Mean Girls to give her the confidence she needs to play Regina George. (based on this scene)

Warnings: 18+ MDNI, smut

Reneé Rapp Masterlist | Words: 1.2k

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Reneé usually didn’t have a problem with showing off her body, she was proud of the way she looked, and often showed the world her confident side. She wore revealing outfits all the time, and never really gave a care in the world what others thought about her appearance. However, as the first day of shooting Mean Girls came closer, she started getting more and more nervous about portraying this confident character in front of the cameras.

Of course, Reneé had played Regina before, and knew the character well, but in front of the cameras it was different. On stage she got into character and played the part in front of a lot of people, but they were all sitting at a distance, and observed not only her but also the rest of the set around her. On set the cameras and the crew would be focussed on her playing the character the way they had envisioned her, of course they did the same for the other actors there, but the scene she was most worried about was Regina’s opening scene.

It didn’t take much convincing on your girlfriend’s end to get you to join her on set for the first day of shooting. You loved supporting her in person whenever you were able to. Supporting her didn’t just mean her music and her acting, you supported her in every aspect of life, and she did the same for you, that is why your relationship worked so well.

While it was an early call, Reneé still took some time to show you around the set. You hadn’t been to the Mean Girls set yet, and were looking at everything full of amusement. When you were younger, you had watched the original, and you always loved the movie, so seeing the set of the remake made you feel very nostalgic.

You sat to the side as Reneé was getting ready in the hair and make-up trailer, talking with her costars and the hair and make-up team. It was nice getting to know the girls she’d be working with for the next couple of months.

Before you headed to the set they’d be shooting at this morning, you took Reneé to the side. “I just wanted to say that you are amazing, and you look incredible. You are going to crush this scene, and every scene after. You are the perfect Regina George, and I cannot wait to see the lines we rehearsed together come to life. I love you, baby. Have fun out there, and I will be right behind the crew supporting you.” Reneé pecked your lips, “You’re the best, but shush now or you’re going to make me cry.” You both laugh, and head into the hall the scene would be shot in.

They were shooting the scene where Cady met Regina for the first time to the song ‘Meet the Plastics’. It included a close up shot of Reneé signing the song, while the camera slowly panned out, revealing more of her. It took a few takes to get the close up right, but when the crew was happy with the results, they moved on to the part that Reneé was most nervous about. It was a shot where she would sensually open her leather jacket and show off her boobs.

The first few takes were cut, “Reneé can you give us a try with some more confidence please?” The director asked and she nodded in response. Reneé looked up to you for some reassurance, and found you clenching your thighs together. You hid it well, no one else around you would notice, but Reneé knew. That familiar look in your eyes, and the subtle movements, she knew all too well. That sight alone gave her the confidence she needed to act the scene exactly how the directors had in mind.

Once the scene was done, and Reneé had quickly said bye to her co-workers she walked up to you, “I knew having you here would do the trick. Wanna head back to my trailer?” Reneé wouldn’t be in the next couple of scenes they were shooting, so she had some free time. She knew just the way she wanted to spend that free time.

After entering the trailer door behind you, Reneé pressed you up against it. Your breath hitched at the sudden movement, but a smirk started playing on your lips once you saw the look in your girlfriend’s eyes. “I told you you looked incredible.” You tease, letting your hand drag over her chest. When your hands found the zipper, you undid it the rest of the way, and took off the jacket. Your hands moved up her arms slowly until they reached the nap of her neck. “You are so beautiful, baby.” You tell her before she crashes her lips onto yours.

The kiss was instantly heated, you were very turned on from watching the scene Reneé acted in, so every small touch of your girlfriend letting her hands explore your body sent electricity throughout your body. Her lips made their way down your neck, kissing, sucking, and licking the spots you knew were going to have small bruises later. Your soft moans filled the trailer.

Reneé pulled you towards the bed in the back of the trailer. Only breaking the kiss, once you made it to the bed, so she could take off your shirt, and your bra. “So pretty.” She said before taking one of your nipples into her mouth, and swirling her tongue around the hardened bud. With one of your hands behind her back to pull her closer, and the other massaging her breasts, you fell back onto the bed.

It didn’t take long for both of your clothes to be thrown onto the ground, and your moans filled the trailer once more, as Reneé drags her finger through your folds. “Fuck, you’re so wet baby.” Between moans you manage to say, “I told you, you looked incredible.” Reneé chuckled, “Once again proving that you are a boob girl.” Her comment made you laugh, but it got caught short as she entered one of her fingers into you, and started fucking you at a fast pace right away.

Your moans start to get so loud that you’re afraid that someone will hear you, so you pull Reneé closer and crash your lips together to muffle the noises. You felt yourself nearing your high fast, as she entered a second finger, and used her thumb to run circles around your clit. “Baby, I-” Reneé’s darkened eyes meet yours, “Fuck, I’m close.” Reneé fastens her pace even more, loving the way she can feel you tighten around her fingers. “Come for me, baby.” Her sultry voice brings you over the edge. You moan her name loudly, no longer being able to control yourself as she fucks you through your orgasm.

You let your head fall back onto the bed, while you come down from your high with a heaving chest. Reneé cleans off her fingers on the sheets, before she places soft kisses all over your face. “You did so great, baby. I should take you to set with me more often.” She says smiling down at you, admiring the way your sensitive body reacts to her soft touches.

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💗 If you enjoyed this fic, please consider liking, commenting, and reblogging! You can also supporting me by leaving a tip 💗

#renee rapp #renee rapp x reader #renee rapp x you #renee rapp x y/n #reneé rapp x reader #renee rapp smut #mean girls #mean girls 2024 #mean girls movie #regina george #mean girls x reader #regina george x reader

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sparrowlucero · 4 months ago

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ik you were joking but I would be genuinely interested to hear about the flux cowriting credits strife if you feel like going into detail on it

So I have a big conspiracy theory about season 13 of Doctor Who ("Flux"), namely that there's a lost episode was scripted and even possibly filmed in near entirety, but ended up being cut and cannibalized in post production due to behind the scenes issues, and the fandom has yet to pick up on it.

For anyone who doesn't watch the show: Flux is a miniseries of Doctor Who; a full season was not commissioned because it was produced during Covid. The most important stuff about it for the purposes of this post are:

It's 6 episodes long (¹). The episodes are all directly continuous and could not be shuffled around. (I should clarify here that, no, the showrunner can't simply choose on a whim to make 10 episodes, or only make 4; they had to stick to 6, as that was the amount they were picked up and scheduled for)

The showrunner, Chris Chibnall , wrote every episode apart from episode 4 (Village of the Angels) which he has a co-writing credit on.

(More subjectively but perhaps relevant) The season is largely considered to be kind of a structural mess and (less subjectively) there appears to some abnormal and consistent production issues (²)

So the first thing I need to evidence here is that Chris Chibnall, aforementioned showrunner and writer of the entire season, was late. Like, really late.

Word of mouth gossip had been circulating for a while that there was some sort of on-set problem involving filming having to be paused because he was still finishing scripts: (³)

This would later be confirmed at a Gallifrey One panel (⁴) with Matt Strevens, the executive producer, who suggests that filming stopped to allow Chris Chibnall to finish scripts; he further implies that large swathes of episode 5/Block 2 weren't written until Episode 4/Block 1 (in which Kevin McNally debuts) was filming:

So with that context, let's talk about that Episode 4, "Village of the Angels", the only episode not attributed solely to Chris Chibnall. Co written by Maxine Alderton.

The filming pics reveal an interesting bit of trivia for Village: namely, the clapperboards show that the story was actually filmed as episode 5, not 4:

As the above tweet suggests, this doesn't make much sense. The miniseries is, again, a single continuous plot. It's not like they flipped Village and the current episode 5, Survivors of the Flux; the latter explicitly takes place chronologically after it. And yet, Village having been intended as the penultimate episode 5 is further evidenced by the original trailer for it, in which a character states that the story takes place on the 28th of November. This line is dubbed over in the final episode and subsequent trailers to instead say the 21st:

Why is this line important enough to dub? Because that's meant to line up with the air date of the episode. Episode 4 aired on the 21st and 5 on the 28th. But something happened in post production, and now it's episode 4 on the 21st instead (⁵):

So if none of these episodes were moved around but it does seem like Village was meant to be episode 5, where and what is the original episode 4?

I have a theory.

Flux has a recurring subplot involving two side characters, a married couple (Bel and Vinder) who have been separated by the titular disaster and are traveling the universe to reunite with each other. This story is told through segments sprinkled throughout the episodes. These have a different writing style (including a diary-esque narration only present in these scenes) and an internally consistent visual style that looks somewhat different to the other parts of the season.

Village of the Angels, for instance, is a moody, dark episode set in a village in the 1960s:

However, Bel and Vinder's segments in the episode have a somewhat different look:

On top of this, they never intersect with the episode's A plot (literally or in any clear thematic way), and the majority of these segments piece together into one single scene that seems to have been cut up.

So, what I think is that the bel and vinder scenes across the middle of the season were originally a single full story, an episode 4 that took a breather from the main plot and characters to follow the lives of these two side characters; the differing visual and writing style is due to it originally having been filmed separately and with a somewhat different artistic intent. I believe Chris Chibnall's cowriting credit on Angels exists because these specific scenes are from a script he wrote, but that otherwise the Angel script can be credited solely to Maxine Alderton by normal cowriting standards.

"But wait," you might say, "I thought there were already 6 episodes that are all plot relevant? If no episodes existing right now can be cut, how could this 7th episode exist?"

Remember this tidbit:

The adventures in question comprise a large amount of the next episode (Episode 5: Survivors of the Flux), nearly 20 minutes of a 50ish minute runtime (and frankly, much of the rest of the episode is somewhat fluffy build up that feels like it's taking advantage of an extended runtime). A version without this added plot would, in my opinion, only warrant one final episode rather than two.

I think the showrunner, still scrambling to finish scripts as the episodes were being filmed, and making a snap decision to include a new major subplot (⁶), wrote a finale script so long and with so many plot threads that the only way to keep all this material of was to split it into two episodes, 5 and 6. And because they only could only make 6, he had to get rid of one of the previous 5 episodes - the already scripted and filmed ones - to make room for this new episode 5. A tough order when it's a plot-heavy miniseries... if not for episode 4 being a standalone divergence from the main plot about the lives of two side characters, one that could, in theory, be cut up and dispersed throughout the season without continuity issues for the main story.

(Some notes and clarifications under the cut)

(1) some sources initially reported the episode count as 8; this wasn't inaccurate - the 2022 new years/easter special were part of the episode order. Flux itself was always meant to be 6 episodes long. (2) A few of the production issues include: - episodes filming without a second draft:

- the fx team that had been on the show since 2005 abruptly leaving midseason (because they "didn't feel like part of the team anymore") and returning as soon as the creative team changed, including the head of the studio implying they weren't properly credited (mild vfx body horror warning in link):

- people working on additional projects such as books not receiving clear information on the characters they were assigned to write:

- and likely a director who was put on hold due to a script being rewritten:

Among other things I can't directly cite at the moment, including vfx artists having to do whole episodes solo in crunch time and writers not being told their work was massively overhauled until it aired due to major changes being extremely late in production.

While I don't wish to pontificate too much here and many of these things are pretty normal by themselves, I do think it could paint a picture of a production where an episode well into filming may genuinely be cut on a whim and without consideration for the crew, artists, etc. working on the show. (3) This reddit post comes from a leaker who was known to be consistently accurate. (4) Gallifrey One does not allow filming of panels. I know Kevin's livetweets of panels to be accurate. (5) It's very, very unlikely the entire season was moved back a week, as the premier is a Halloween special that was certainly always intended to air on Oct. 31st. (6) I don't wish to insinuate Chris Chibnall is, throughout his career, an inherently poor showrunner, but I do think that maybe his jump from police procedural - a genre that doesn't involve quite as much concept art, vfx work, marketing, convention panels, set building, episodic storytelling, and keeping in touch with expanded universe producers - to flagship science fiction adventure show may have contributed to some of these issues, especially when he was already in the mindset that things could be changed on a whim (perhaps not such a major issue when it's broadchurch and no new sets need be built)

(source) Basically I don't really think this is "the showrunner's fault" or anything; more that a perfect storm of a showrunner who was habitually late on scripts, used to writing lowkey cop dramas, covid, an entirely serialized season, etc. may have led to these issues

#sorry this is insane #thirteenth doctor #flux #doctor who #long post #thank u to my friends and allies who helped me track down those sources for the scripts being late. i remembered them but couldn't find any

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luveline · 1 year ago

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Would you write for Spencer with shy!reader? I feel like they'd be so cute together, neither of them would feel confident enough to make the first move until the team pushes them together probably

thank you for your request ♡ fem!reader

"Hi," Spencer says in a whisper.

You look up, extremely relieved to see him, even if your tongue ties into tight knots whenever he's around. "Hi, Spencer. Is it only you?"

Spencer takes the empty seat beside you. Your entire row at the back of the theatre is a line of unbroken, crimson velveteen, not a friend in sight.

"Yeah, I'm…" His lips quirk into a confused pout. "Not really sure where Garcia is. I was supposed to meet her on the way."

"I was supposed to give Emily a ride, but she said Derek's bringing her instead." You rub your lips together, worried for your friends and feeling sorry for yourself; being alone with Spencer is agony, you like him that much. Sheepish, you hold out your popcorn bucket. "Popcorn?"

It's huge to account for Emily and her light fingers. Spencer laughs under his breath, hurrying out of his jacket to take a handful. "Think you'll have enough?" he teases.

You tuck your arms in tight from the rests so as not to touch him. His phone pings, drawing his bright eyed smile down to his lap. He clicks through the page and then leans over to show you what he's been sent.

Hey garcia, I'm outside your apartment. :) 7:32PM

Spencer!! Going to be late!! Go without me, I'll catch up! <3 :) 7:33PM

I'm heading into the movies now, unless you want me to wait? 7:46PM

No, Y/N's in there go find her and save our seats!! 7:46PM

Then, another from Garcia.

Change of plans Spencer, I can't come anymore Kevin threw out his back!! Give Y/N a hug for me :D. 8:09PM

You'll miss Penelope, but surely Derek and Emily are on their way. You frown at Spencer, as if to say, That sucks. The lights go down and the trailers start rolling, and things aren't as awkward as you imagined. Spencer whispers half facts and half jokes with his face inclined to yours, his breath warm where it kisses your ear. You giggle at him and, with startled pleasure, realise that anyone looking might think you were on a date. It's shameful how much you like that hypothetical.

Your phone dings in your pocket.

hey babe, me n Derek got waylaid by two hot blondes. be there as soon as we can ♡ 7:56PM

You're not nearly as scared to receive it as you thought. "Spence," you whisper, showing him your phone.

He snorts. "Typical. Well, we'll be alright without them, yeah? I'll go get us some drinks and stuff before the movie starts." You dig for your purse, Spencer waves his hand. "I got it."

He gets your favourite. You don't even have to tell him what you want. Your hands touch as he passes you your drink. You're about to say thanks, but the screen turns black before the movie title and age rating fills the screen.

It only takes Spencer a solid forty minutes to work up the courage to take your hand. Eyes pinned to the screen, you let your fingers relax under his, his palm to the back of your hand and his fingers twining between yours.

He leans over, and you think for sure he has a fact to tell you, some tidbit about the movie or how it was made. "Is this okay?" he whispers. You can hardly hear him.

You turn your face, meeting his eyes in the dark. "Yeah. It's okay."

He smiles (dreamily, so dreamily) and turns back to the movie. You do the same, the two of you wearing twin grins, his hand a steadying warmth. His thumb rubs the side of your pinky finger softly.

From a row much further down, Emily hisses. "It's my turn with the binoculars."

"They're holding hands!" Penelope croons.

Derek looks up from the mouthful of nachos he'd been enjoying. "What? Let me see?" he says, snatching the binoculars from Penelope's hand.

"Twenty dollars says they kiss by the end of the night."

"As if."

"It's my turn!"

#spencer reid #spencer reid x reader #spencer reid x you #spencer reid x y/n #spencer reid x fem!reader #spencer reid imagine #spencer reid fluff #spencer reid fanfic #spencer reid oneshot #spencer reid scenario #spencer reid drabble #spencer reid fic #spencer reid fanfiction #criminal minds fanfiction #criminal minds #criminal minds fic #criminal minds x reader

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strangersteddierthings · 1 year ago

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Sequel to Good People - The fic in wherein Wayne doesn't like Steve and overheard a conversation he shouldn't have. Here's the aftermath of that :3

Part One🦇Part Two🦇Final Part

Wayne had stayed in his bedroom long after he heard the boys leave. Eddie had knocked on his door to let him know he'd be staying at Steve's and to not expect him back until late tomorrow, a courtesy he'd never shown until after he'd been the victim of a manhunt back in spring. Wayne never asked him to do that but he thinks Eddie picked up on how worried Wayne would get if he were gone for any amount of time.

Eddie's always been good at reading people when he bothers to pay attention to them. Maybe that should have been enough reason for him to give pause to his dislike of the Harrington boy, instead of needing to overhear the boy crying about how he thinks there's something rotten deep within him that only Wayne can sense.

He'd been so sure he knew what kind of person Steve Harrington was. Eddie had been hung up on boys just like him pert-near his whole life, Wayne thinks, and it's never ended differently.

It's a Tuesday night and his friends usually gather at the bar on Friday nights, but Wayne needs to get out of the trailer to think. A beer might help. So, he grabs his keys and heads out.

He's been a regular at this bar since before he was even old enough to drink. Used to come with his pa, may he rest in peace, just to get out of the house. He's been a patron longer than any of the staff have worked there, he realizes.

"Hello Linda," Wayne greets as he takes a seat at the bar instead of at his usual table. He'd done a cursory glace when he came in and confirmed none of his drinking buddies were in before choosing the bar.

"This isn't your usual day," Linda says, leaning a hip on the counter, "but it's always a pleasure to see you."

"I got some thinkin' to do," Wayne replies and Linda nods and moves away, returning soon with a bottle of his usual beer. She picks up the bottle open and removes the cap before setting the drink down in front of him.

"Need a sounding board, hun?" She asks.

Wayne does a quick survey of the bar again but it's pretty quiet so he returns his gave to Linda and says, "if you wouldn't mind too much hearin' about how an old man might have messed up."

Linda laughs. "You aren't even half a decade older than me, so you best not be sprouting that 'old man' nonsense around me, 'cause I am not some old lady."

"Terribly sorry, Linda. I'm just really feelin' like an old fool."

A small frown comes to Linda's face then. "Now what could you have possibly done?"

"Well, I guess I'm tryin' to figure out if I did mess up. Eddie's got a friend and I don't trust 'im. Thought I had good reason not to, but, well, I overheard somethin' I wasn't supposed ta and now I'm not sure."

Linda hums, "hmm, that doesn't sound like you, judging someone unrightly. You are usually a good read about people."

"I'll admit, I haven't bothered to spend enough time with the boy to, uhh, judge him."

"Wayne Munson," Linda scolds, "you best not be telling me you judged that boy because of other people."

Judging by Linda's raising brow line, he thinks his guilt must be clear on his face. "You know Eddie, and how people have treated him. And with what he just went through- I just want 'im safe. Sure, his new friend graduated last year, but he was on the basketball team his whole career. And I'm jus' supposed ta believe this one boy didn't side with the group who started the manhunt?"

"Unless you've got evidence otherwise, yes," Linda says, brows furrowed.

Wayne sighs. "I ain't got proof. I got a lot of people sayin' he's good, actually. But it's the Harrington boy. The same boy Eddie would come home and complain 'bout. Harrington, Hagan, Hargrove, though I shouldn't speak ill of the dead. All them boys treatin' Eddie like he wasn't worth nothin' until they wanted somethin' form him."

Linda's mouth is almost a perfectly straight line with how much she's pursed her lips the more he talks, but she doesn't interrupt and no customer calls for her, so he continues.

"And you know what Richard Harrington was like. I know y'all only shared one school year together, but Janice wasn't any better, and she was your year, wasn't she?" Linda gives him one nod in response. "That boy's a product of them. I- You can't fault me for thinkin' differently."

"So, when do you expect Eddie to end up in prison?"

The question throws Wayne and fills him with anger at the same time. "Now, Linda, I ain't likin' what you are implyin'."

"I ain't implyin' nothing," she says, using the same tone with him that he did with her. "I'm applying your logic. Eddie's a product of his parents, ain't he? Al's in prison, and his mama's long gone, bless her soul. And since Eddie ain't sick, last I heard, he must be following after his daddy."

The anger leaves him then, and all he's left with is shame. "Point made. And if I'm bein' fully honest with ya, I don't even need ya to defend that boy. That thing I overheard. That what's eatin' at me. He called me good people."

Linda softens, shoulders dropping, "you are good people, hun."

"That boy told my Eddie that I'm 'good people', and that his parents are bad ones, and I. I don't know what to do about that."

"He thinks his own parents are bad?"

Wayne nods, "is what he said. Thinks I can somehow sense he's also rotten just by association."

"There's nothing to it, then," Linda says, like they've already talked out the tangled mess that is Wayne's thoughts on Steve Harrington and have reached a conclusion. Well, perhaps Linda already has. She's always been bright, and she's usually right. "You, Wayne Robert Munson, need to apologize to that boy. The guilt and shame's gonna put you into your cups otherwise."

Wayne nods slowly, though he isn't even sure if he agrees or is just acknowledging what she said before he takes a long pull from his bottle before lowering both his arms to rest on the counter as he replies, "You're right as usual, Linda my dear. I just gotta let go of the fact he's Richard Harrington's son and try and see just Steve."

"Damn right. Eddie might be Al's by birth, but you raised him and he turned out alright. Maybe Steve got the same treatment. Had his own Wayne around to raise him right."

There might be a bit of truth to that. He's heard enough talk about Steve Harrington over the years to think that. One of his drinking buddies used to be Jim Hopper. He's heard about the amount of parties he'd had to go shut down at the Harrington's house, with no parents to be seen. (Always Jim's biggest gripe back then. "Where's this kids goddamn parents!?) Wayne always assumed their kid just took advantage every time his parents were gone, but maybe it's the opposite. Maybe they were always gone, and Steve had parties to not be alone in his house.

Linda's right. There is nothing to it. He needs to talk to Steve, properly apologize, and go from there.

"It ain't an easy thing, admittin' you might be wrong," Wayne sighs.

Linda reaches across the counter and places a hand on Wayne's arm just below his wrist. Wayne looks up from where he'd ended up staring at his bottle, making eye contact with her. "If your boy is friends with this boy, it's for a reason. Just give him a chance. You are one of the good ones, but even we can have a lapse in judgment now and then. Doesn't make you bad, makes you human."

"Ain't no one perfect but the good Lord," Wayne says and Linda nods in agreement.

"Alright. I'll leave you to your beer and your thoughts for now, but you best keep me updated on your situation. I wanna know how it goes," Linda retracts her hand and heads down the counter to check on the few other people sitting about nursing drinks.

Wayne sits in his thoughts more than he drinks, so by the time he's done with the beer it's warm but that's fine. He will talk to the Harrington kid, but he wants to talk to Eddie first. He owes his nephew that much, and he does recall Eddie saying something to the effect of 'he'll come around' to Steve, and Wayne wants to tell Eddie he'll try.

Also he doesn't want to just corner the boy after he's been somewhat intimidating intentionally. He's going to get Eddie to ask if Steve'll talk to him.

True to his word, Eddie returns home late the next day. The clock says it's almost 6 when Eddie finally comes through the front door. If he's surprised to see Wayne awake, he doesn't show it. He does work the graveyard shift, and he's got a shift at 10 tonight, usually wakes up two hours before his shift. He'd wanted to make sure he caught Eddie, though, so he's been up since three.

"Eddie, you got a minute?" Wayne says.

"Sure. What's up?" Eddie says as he pulls off his jacket, depositing it on the nearest surface before plopping sideways on the couch so he's facing Wayne.

"I gotta come clean. I overheard some of what you and Steve were talkin' about," Wayne says, because he's a man of his word and he's always been good at doing the hard thing if it also turns out to be the right thing. He's got to be honest with Eddie, so he can be honest with himself. "Heard Harr- Steve talkin' 'bout how he thinks I'm a good person, and his parents aren't."

Eddie's quiet for a moment, blinking owlishly back at him while he thinks. "Oh. Umm. Sorry. I just- I think this is the first time I've heard you say Steve's name."

"Not the part I thought you'd focus on," Wayne huffs a laugh, "but I owe your boy an apology and I was hopin' you could help me make it happen."

"My boy- what is happening," Eddie drops his voice to whisper the question to himself.

"What's happening is I'm doin' the thing I always told you ta do. Taking accountability and fixin' my mistake."

"Oh. Oh!" Eddie narrows his eyes at Wayne, "you've made an ass out of me. All those times I assured Steve you were just being standoffish and you were- what were you doing?"

"Intentionally keepin' the boy at a distance 'cause I thought he was gonna hurt you. I sure as hell ain't been friendly. I been judging him because I knew his parents, thinkin' about how an apple don't fall far from the tree," Wayne stops, giving pause to see if Eddie will speak but he isn't. He's just staring at Wayne like he's a puzzle. "It was brought to my attention that it's mighty unfair to judge someone 'cause of how their parents act."

Eddie's brow furrows and his lips purse. It makes him think of Linda. She'd made the exact same face. "I- Jesus fuck this is weird, but I. I think I'm mad at you. Disappointed."

Eddie doesn't say it with an angry tone, and his face still looks more puzzled than mad, but the sentence feels like a kick to the chest anyway. Eddie and he have never been mad at each other, not in the eight years Eddie's lived here with him. They've been worried and scared for each other that, or mad at someone or something else that they take out on each other, but never mad at each other.

"You've every right to be."

Eddie stands from the couch, paces down the hallway, and Wayne thinks this might be the end of any conversation tonight, but instead Eddie comes storming back up the hall. "So, what, did you take me in expecting me to be my dad!?"

"No. He mighta contributed to your birth, but we both know that man ain't nurtured you a day in his life."

"Yeah, well, Steve's parents didn't raise him either, so all this has been bullshit! You made Steve think he's, he's broken and a bad person! And," Eddie's eyes are wet and he's angry but also about to cry. Wayne hasn't seen him like this in a long time. Not since the day they learned Al was in prison, fifteen years with a chance for parole if he's on his best behavior. Eddie had been so angry, and sad, and hurt by the news. Eddie's like that now, worked up so much he's repeating himself as he hiccups his words out around the lump in this throat, "And, and you made me help him feel that way! Because I didn't take him serious when he said, said you didn't like him! I thought you were being, being a dad, all fake gruff to intimidate the guy I like but it's- you were- FUCK!"

Wayne lets him yell. He deserves it, and Eddie needs it. Eddie's not saying anything untrue. He takes in what Eddie is yelling at him; Steve's parents didn't raise him, and how Wayne's cold shoulder must have added to whatever else Steve has going on in his life.

"I, I h-held him while he b-bawled into my shirt last night! He, he thinks- and you, you didn't even trust me! T-trust my own j-judgment of, of Steve! I, I need- I can't-" Eddie doesn't finish the sentence. He turns on his heel and storms back down the hall, the slamming of his door finalizing this conversation.

To say that Wayne feels terrible is inadequate. He's hurt his boy, and he's hurt his boy's boy, and he's got no one to blame but himself.

Now he's got two apologies to make.

I tried to tag as many people as I could remember that expressed interest in a follow up fic. I am SO sorry if I missed you. Please let me know if you want to be tagged in the final part. I will only be tagging people who ask to be tagged going forward 'cause it's a lot of people to remember and my memory is garbage.

@i-less-than-three-you @nburkhardt @afewproblems @skepsiss @unclewaynemunson @itsthestrangestthings @emofratboy @devondespresso @finntheehumaneater @loopholesinmydreams @yourmom-isgay @wrenisflying @emsgoodthinkin @messrs-weasley @madigoround @jackiemonroe5512 @gutterflower77 @zerokrox-blog @eriquin @samyuck @lunarmaruna @mugloversonly @kaij-basil-lionelli88

#steddie #my fic #wayne pov #wayne munson #eddie munson #honestly this didnt go the way i thought it would #so there will be a third and final part. Wayne's gonna make it right because he's a good uncle. A good dad.#SPOILER: steve doesnt even show up in this part so im not tagging him

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pinkhoneydrop · 5 months ago

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LoveIsland: EpisodeOne

Welcome to week one in the villa I’m so happy to see everyone together. I hope you’re ready to spend the summer getting flirty and maybe a little feisty. Keep your goal in mind throughout the week when you make your choices!! - Liz

BIG SHOUTOUT TO @finelinepie THANK YOUUU SOOOO MUCH I APPRECIATE YOU SO HARD!!!!!!

///

You didn't think you would be this nervous when you signed up. You had been a fan of the show for a while and got an ad to apply. At first the idea of charity seemed like a good cause to objectify yourself but after some deliberation with friends you quickly realized that you craved the dramatization of the show.

… “You might find the love of your life, you never know.” Your best friend sat across from you in a local cafe. You explained to her the email you received inviting you to join the show this season.

“What if I regret it?” You laughed at yourself as you leaned back in the cafe chair. A lump formed in your stomach from just thinking about what you had done.

Sending in your audition tape while drunk after a night out was probably not the best idea.

“Promise me you'll go and try it out. Try and find a man or even just get laid. You need it and if anything, you leave with a shit ton of money. What's the harm in that?” ...

Maybe your friend was right. Maybe you would fall into a whirlwind romance with your dream guy. But you might not either and that was fine. Living with your best friend forever if you ended up embarrassing yourself on national television was also fine? Right?

For a while before the cameras started up you sat by yourself. All the contestants had their own vans with an obstructed view of the villa. South Africa was a long way from home. The lush landscape and harsh temperature added to the anxiety of meeting everyone you would be spending the summer with. You leaned back in your chair and closed your eyes trying to prepare yourself. A knock on your trailer door and a high-pitched voice alerted your senses.

“Need you all in 5.”

“Here we go.” you whispered to yourself. You looked in the mirror and adjusted yourself. You were wearing your favorite color and felt like you would never truly be ready, so you fluffed your hair and exited your trailer. Three other girls exit as well. The three of you walked along with some crew members to separate spots and each of you entered one by one to a mini bar. Palm trees lined the edge of the deck and tall tables stood in the middle between the bar and the end of the deck. You sighed as your turn came.

“Oh my gosh hi how are you I’m Leila.” A girl who was much taller than you with a head of dark curly hair smiled and greeted you as you walked towards the bar. “Wow, she's cheery. If everyone is like this then summer should definitely be fun.” you thought to yourself as you smiled at her. Not only was she cheerful, but she was also beautiful. A green bikini sat on her hips and wrapped around her shoulders. You chuckled nervously to yourself. Leila took notice and sparked up some casual conversation with you.

{cut to interview}

… “Hey, I’m Leila I’m 26 years old.” music played in the background as Leila spoke during her interview.

“Originally from just outside Manchester and I'm here to find the love of my life.” She smiles as a blush rises to her cheeks and giggles a little as the camera angle changes.

“The other girls better watch out; I've been known to be a bit feisty back home.” the music fades out and the camera returns to the bar…

{cut back to camera 3}

“It's so nice to see a friendly face first thing. I'm kind of nervous.” your smile weakens as you talk to Leila. Not too long after another girl walks in.

“Holy shit.” Leila says as the girl gets closer. You turn to have a look and almost pass out. Long tan legs leading up to the tiniest bikini bottoms that probably ever existed. Your eyes widened and you were lost for words. The girl spoke before you could even form a coherent thought.

“I’m Chloe.” Her voice was a bit high, but you supposed it might have just been all the traveling catching up to her. You watched as Leila gave her the same cheerful smile that she gave to you. Chloe gave a short smirk and twisted her neck to look at you next. Her blonde hair seemed to flow with her movement.

“Y/n.” You stuck your hand out as you introduced yourself. Chloe just looked at it and headed for the bar to get a cocktail.

“Gosh, a bit cold now, isn’t she?” Leila frowned as she watched her. You raised your brow and decided this might be a long summer.

{cut to interview}

… “Hii I’m Chloe I’m 25 from Glasgow and I’m just living life.” Music plays again as another interview starts.

“I love a good English boy who gives good chat and has pretty eyes.” Chloe winks and laughs at herself.

“If my girls would describe me in one word it would be...Maneater.” …

{cut back to camera 3}

“I hope I’m not the only one drinking today.” Chloe spoke as she set three glasses on the table in front of you. It was odd. At least you thought so, but you took the drink anyway hoping to calm yourself.

“Oh, I’ll absolutely take this, thank you, Chloe.”

“No problem girl.” A large smile graced her lips as she watched you drink.

“Guess I’ll have another one as well. Thanks.” Leila was polite enough to escape a glare from the blonde, but you immediately noticed the tension between them. “Interesting…”

Just before anyone could continue the conversation another girl walked into the villa.

{cut to third interview}

… “I’m Genevieve I’m 27 from Dewsbury but I live in LA currently.” The brunette was calm as she spoke and smiled at the camera.

“I’m trying to find work as a model. Navigating LA life is hard but navigating my love life is harder. I just seem to always find my worst match so hopefully it’s different here.” …

{cut to camera 2}

Her confident stride and striking appearance instantly drew everyone’s attention. Chloe, the first to react, sized her up with a quick, appraising glance before flashing her trademark bright smile.

“Well, look who decided to join the party,” Chloe said, her tone dripping with a mix of faux friendliness and thinly veiled competitiveness. Genevieve smiled graciously, taking in the room. “Hey everyone,” she greeted, her voice smooth and inviting.

“I’m Genevieve. I hope I’m not too late.” Leila, who had been nursing her drink, immediately stood up and walked over to Genevieve.

“Hi Genevieve, I’m Leila,” she said warmly.

“Nice to meet you. Want a drink?” Genevieve’s smile widened.

“Sure, I’d love one. Thanks, Leila.”

As Leila prepared a drink for Genevieve, Chloe leaned in closer to you. “Another model, huh? This should be interesting,” she whispered, her eyes never leaving Genevieve. You could sense the undercurrent of tension in Chloe’s voice but chose to stay neutral.

“Yeah, let’s see how things unfold,” you replied quietly, taking another sip of your drink. Leila returned with a drink for Genevieve, who accepted it with a grateful nod. “So, Genevieve, tell us a bit about yourself,” Leila encouraged, her genuine interest in breaking the ice.

“Well, I’m 27 and I’ve been living in LA for a few years now,” Genevieve began.

“I’m trying to break into modeling. It’s tough and I have to keep the lights on by serving, but I love the challenge. And, of course, I’m here to hopefully find the right guy.”

The other girls listened intently, some nodding in understanding. Chloe, however, remained somewhat aloof, swirling her drink thoughtfully.

“LA, huh? That must be quite a change from Dewsbury,” she commented, a hint of skepticism in her voice. Genevieve nodded, unfazed by Chloe’s tone.

“It is, but I love it. The energy, the opportunities—it’s all worth it.” Chloe smirked, leaning back in her chair.

“Well, good luck to you babe. You’re going to need it.” Leila shot Chloe a disapproving look before turning back to Genevieve.

“Don’t mind Chloe. She can be a bit much sometimes as were learning,” she said with a wink. “We’re all here to find love, after all.” Genevieve laughed lightly, clearly not perturbed.

“Thanks, Leila. I’m looking forward to getting to know all of you.”

You didn’t know how Leila did it. Keep up the niceties with all these women. The relationships right now were all surface. This is the time to be strategically quiet. Or in your case just nervously so. As the conversation continued, the initial tension began to dissipate, replaced by curiosity and a tentative camaraderie. The girls were eager to see how Genevieve would fit into the group dynamics, and despite Chloe’s initial frostiness, there was a sense of anticipation about what the next days would bring.

{cut to camera 1 in a wide shot panning over the girls and host}

“Hello ladies and welcome to the villa. We have you here today in this beautiful villa to hopefully find some love, friendship, or fortune. We have gathered you here on the lawn beside the pool deck to introduce you to the guys.” The sun was high in the sky as you stood on your marked spot. The girls lined up next to you all giggled and cheered at the introduction. You smiled along and tried to calm your nerves. Were they really about to just parade a bunch of hot guys around for you to ogle over? You looked to the right, and you saw Chloe and to your left you saw Genevieve and Leila. Not knowing too much about anyone yet you felt a little out of place. 6 weeks with these people and you would be competing with them the whole time. Not a single one of them seemed to share the nerves building in your body. The camera crew hustled about, and you stood to attention after adjusting your bikini bottoms on your hips.

{cut to camera 3 on the pathway}

“First we have Daniel Jones, he is from south London.” a blonde man with a toned physique who walked down the path leading to the pool deck where the host was standing. “He's cute.” you thought to yourself.

“How are you doing this morning Daniel?” the host turned to speak with him. The sun beat down on everyone but despite that the girls all smiled at Daniel.

“I'm doing great now that I have some eye candy to look at.” Daniel's words came out confidently as he smiled at each of you on your marks. He was definitely fit. Tan skin shining in the sun and a pair of navy-blue trunks on his waist. You eyed him from your spot, and he winked at you in acknowledgement. Heat manifested in your cheeks at the gesture.

“How are you today, ladies?” His voice was smooth, catching your attention and no doubt the other girls as well.

“Alright Daniel, go stand on that first mark and let's see the next guy, shall we?” The host smiled and turned to face the pathway.

The sun was high in the sky that morning as the next guy came out. All of the girls adjusted themselves as the cameras cut back and forth between them.

“Here we have Elias, he is from London but lives in LA. Elias, how are you?”

Elias was gorgeous. Dark hair sitting atop his head and muscles peeking out of darker skin that looked perfectly Sunkissed. He wore deep rust orange shorts and had his ears pierced. You blushed as he caught your eye and sent a small nod in your direction.

“I'm doing alright.” His voice was deep and gravely. You could only imagine what his personality was like as he stood at attention. A couple of the ladies snickered at one another, and Elias smirked at the attention he was getting. Just like Daniel, Elias moved to stand next to his mark.

“Ladies, how are we feeling about the selection so far?” The host spoke to all of you and garnered some exclamations from the whole group.

“The selection is fit; how can we complain?” Genevieve spoke up first. She was beautiful to look at and if you were one of the guys you definitely would want her to couple up with you. Long brown hair with highlights framing her face. As you were admiring her, your thoughts were interrupted by a rather whiney voice.

“Yeah exactly, but I have to say I'm excited for this special guest.” The next girl to speak was Chloe and she turned to give the other girls a light glare as if she were daring them to challenge her. Chloe was a natural blonde with green and brown eyes that peered into your soul. You made a mental note not to get in her way if you could avoid it.

The host continued on and introduced the next man to the group. All the ladies gave him their attention, as it seemed he was a crowd favorite as soon as he was in sight.

“Ladies, this is River Davis from Michigan.”

River was hot, you have to admit. Lighter hair shaved low on the sides and defined muscle tapering into his trunks. Your eyes traveled trying to find a decent place to look that wasn't suggestive.

“Nice to see you, River.”

River smiled at the host and took her hand for a light shake. Turning his attention to the ladies he kept his smile and stood up straight.

“Nice to see you too. Ladies, how are you all doing?” His voice was deep too. Elias might have some competition with this one you thought. All the ladies replied in various ways as the men stood on their marks.

“Before we get to coupling time, we have one more guest joining us. Our celebrity guest this season is…” honey smiled at the group as she paused for effect.

All the ladies waited with bated breath to hear and see who was coming out next. Your breath caught in your throat as you saw brown hair through the bushes.

“Harry Styles!” The host turned and began clapping.

Harry emerged from the trail looking amazing. Tan underneath his inked skin, Trunks resting low on his hips exposing the ferns and a freshly cut head of hair to match his mustache.

“Hello everyone, m’Harry.”

You almost melted after hearing his voice in person. There was just something about him that made you feel at home, and you didn't even know the guy yet. Did you want to get to know him? Part of you felt like maybe you shouldn't, like it would be better to remain a fan of his work and omit yourself from the possibility of him being an asshole.

First choice is coming next episode!!!!

The islanders

@chelseawgnr @rafesfavoritegirl @finelinepie @sunflower-golden-vol6 @unlikelystay @sarah-ev @playhousebunni @gem1712 @indierockgirrl @boldlycoolkitty @wherearethewatermelons @tpwkvickysblog @harrystylesconcepts @superiorfemme @vashapnin @sassamanda77 @henrysteelsmurryme @littlenatilda @devilsqueen722 @ashleighsss @b3ccaaa @x100preme @lomlolivia @fanfictioncafe @racshouse42 @crazygirlinthisworld @harrys-flower @bloodywickedlips @harryshousewitnessprotection @champagnepronlemsxxxx

@harryhad-alittlelamb

#harry styles #harry styles fanfiction #harry styles imagine #hslot 2023 #harry styles x black!reader #harry styles one shot #harry styles smut #harry styles x reader #harry styles fluff #harry styles x reader smut #Harry styles choose your own adventure #love island

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unfinishedslurs · 2 years ago

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eddie's flat ass (steddie)

Dustin whips around as soon as they’re alone. “Steve!”

“I’m Eddie.”

“No, I mean you and Steve. You like him.”

“Of course I like him, Henderson,” Eddie says flatly, pressing a little harder on the gas in hopes of getting to Dustin’s house before he admits something he regrets. “We’re friends. Best buds. A couple of dudes being bros.”

“You’re full of shit,” Dustin says. “I’m not stupid. I saw that. I wish I hadn’t, but I saw it. You’re, like, stupidly into him. I don’t know how I didn’t see it before.”

“Jesus Christ,” Eddie mutters. His street can’t come soon enough.

Dustin pushes through. “When are you gonna ask him out?”

“Uh, never?”

“What?!”

“Close your mouth, you’ll catch flies,” Eddie rolls his eyes. “Nothings going to happen, Henderson. Yeah, I’ve got a stupid fucking crush on your babysitter, it doesn’t mean that Steve’s interested in me. He likes girls, Dustin, did you miss that part in the dossier? He thinks we’re a couple of straight guys horsing around, if he found out I was flirting with him I could be thrown into Hunt the Freak 2: the thrilling sequel.”

Dustin’s mouth snaps shut, and he laughs nervously. “Right,” he agrees. “He likes girls. But, uh, hypothetically, if he was into guys…”

They roll to a stop sign, and Eddie turns away from the road to tell the little shit off. But Dustin’s fidgeting, staring steadfast at the road and refusing to meet his eye.

“You know something,” he realizes.

“Uh…”

Eddie’s about to shake it out of him. “You’re hiding something, you little shit. What is it? Tell me.”

“I’m not,” he squeaks.

“Bull-shit you aren’t. What is it? Is it about Steve?” Eddie pales. “Shit, does he know about me?”

“Well…”

“What the hell?!”

“I didn’t tell him!” Dustin yelps. “If you didn’t want him to know, maybe you shouldn’t have been so obvious!”

“Check your tone,” he snaps, hand shaking as he pulls on his hair. “Shit, shit, shit, okay, it’s fine, I just need to flee the country—“

“Why?”

Eddie is this close to throttling the kid. “What do you mean why?”

“Why is this such a big deal?”

“It could get me killed!” He shouts, banging a hand against the steering wheel. “He could—he could fucking tell somebody, and—“

“He wouldn’t do that!”

“How the fuck am I supposed to know that? You think someone’s a good guy until you’re interested in them, and then it’s all ‘You’re fucking disgusting,’ or ‘Freak,’ or ‘Don’t touch me, you fa—‘“

“Stop!” Dustin shouts, white knuckling the armrest. “Eddie, stop. He’s not going to tell anyone. It’s gonna be okay. It’s fine.”

“It’s not.”

“It’s fine,” Dustin stresses. “Steve doesn’t care if you’re gay. He definitely doesn’t mind you flirting with him.”

“You don’t know that,” Eddie says.

“Yeah I do.”

“How?”

There’s that deer in headlights look again. Then Dustin takes a deep breath, and his expression turns guilty.

“I know you’re not supposed to tell people this,” he says, “but you’re freaking out really bad and I’m, like, 99% sure Steve thinks you already know.”

“Steve thinks I know what?”

Dustin tells him.

Two hours later, he’s still laying on the floor in the trailer, looking up at the ceiling.

Bisexual. Steve Harrington, the man Eddie’s always hailed as the patron saint of heterosexuality, likes men.

Might like Eddie.

“Are you flirting with me?” Eddie blurts out, and immediately tries to bolt.

He runs face first into a wall and ends up on the ground, wishing the demobats had just killed him.

Steve appears in his line of vision, standing over his sprawled body. Eddie is treated to a wonderful view, eyes moving from his long, athletic legs to his crotch to his chest and broad shoulders, and finally reaches his face. His very amused face.

Eddie’s entire body lights on fire.

“What the hell was that?” Steve asks, laughing.

“Uh…”

“Wile E Coyote over here. Seriously, man, that was some Loony Toons shit. I’m embarrassed for you.”

“Oh my God, shut up,” he groans. “Just let me die.”

“No way in hell. Sorry, Munson, I put too much work into saving your flat ass to throw it away like that.” Steve grins, holding a hand out for Eddie to take. He ignores it, rolling over so Steve can’t see how red his face is.

“My ass isn’t flat,” he mumbles into the carpet.

“Oh, it is,” Steve says cheerfully, nudging said ass with his foot, because he’s a bastard. Eddie doesn’t know why he likes him so much. Everything he does is catastrophically bad for his continued survival. “It’s cute though. I like it.”

“Henderson said, uh, that you were…umm…maybeflirtingwithme?” Eddie finishes in a rush.

“What?”

Steve’s face is open, automatically tilting his right ear towards Eddie. Eddie doesn’t know if he’s aware that’s something he does. Robin says it’s because of all the concussions, his left ear just isn’t what it used to be.

Eddie sags, unable to lie to his wide-eyed confusion. “Dustin said you're flirting with me.”

Steve stares at him.

Eddie fidgets under his incredulous gaze, growing more anxious by the minute. Oh God, Dustin was wrong. Dustin was wrong about everything. Steve probably doesn’t even actually like boys, Jesus. The whole thing is obviously a bust. Eddie needs to cut and run, maybe make some bullshit excuse about his uncle needing him home even though Steve knows Wayne’s working right now—

“You needed Henderson to tell you that?”

#eddie's flat ass au #i tried to come up with a name for two whole minutes and that's what i landed on #eddie munson #steve harrington #dustin henderson #steddie #sorry to all the thicc eddie truthers out there but that man is a board #idk what his actors ass looks like and idc. some things surpass the physical #stranger things fanfic #listen technically dustin is outing steve but in his defense steve fully thinks eddie knows he's bi #and if eddie wasn't told he was going to do something drastic

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littlexdeaths · 3 months ago

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older brother’s best friend eddie x fem reader

warnings: slight suggestiveness on eddie’s part, but also lots of tooth rotting fluff <3

it’s a recipe for disaster masterlist.

a/n: this takes place somewhere after the car troubles saga, but before the fake dating saga. based on this lovely request, i hope you like it my love! i appreciate your patience xx

“dude, you sound like fucking shit.”

you hear sid’s voice ring out loudly from the dining room.

you sit up, your inherent nosiness now quickly outweighing any desire to pay attention to the movie flashing across the television. so you carefully get up from the sofa and you peek your head around the corner into the dining room.

sid has his back to you, watching out the window while he continues to talk on the phone. wednesday nights were always slotted for band practice, so you knew it could be one of four people that he was talking to. you just hoped it wasn’t a certain curly haired lead guitarist on the other end.

wednesdays had quickly become your days together as well, once sid fell asleep that is.

your brother snorts but just shakes his head in response to whatever the person on the other line just said.

“nah, don’t worry about it, ed. i’ll see what the other guys wanna do, no need to infect the rest of us with your crap.” he laughs and your heart sinks a little.

so eddie wasn’t coming tonight.

while you feel a little disappointed, an idea suddenly comes to you. and your mind is already made up before sid can even finish hanging up the phone. you grab your keys and purse and hurry past him to the front door.

“hey! where the hell are you going in such a rush?” your brother calls while you slip on your sneakers.

“robin’s having really bad cramps, gotta get her some stuff.”

you’re a little shocked with how easily the lies and excuses come to you now, but you know it’s better than dealing with the reality of sid knowing.

“okay— too much info!” he says with a whistle before he picks the phone back up to call jeff.

you make it to the bradley’s big buy without any issues, besides a disapproving look from hopper as you flew past him on main street. you’re just grateful he was feeling nice today and didn’t pull you over.

as you push the squeaky cart through the aisles you begin to pile saltines, pedialyte and chicken noodle soup into the basket. paying extra mind to grab a couple packages of reese’s pieces and twizzlers on your way past the register.

two of his favorites.

during your short drive to forest hills trailer park, you can’t help the nerves from rumbling in your belly. would he be upset that you showed up unannounced? you didn’t think that was likely, but things were still so new between you. and you really don’t want to mess anything up.

but the look of delighted surprise that crosses his features when he opens the door has any lingering worries dissolving almost instantly. while he’s dressed in a pair of checkered pajama pants and a ratty old band tee— he still manages to take your breath away.

“surprise!” you mumble sheepishly.

“you know,” eddie grins, the tip of his finger tapping against his chin, “i don’t think i ordered a nurse?”

his small chuckle quickly morphs into a hacking cough, the male resting his body further against the doorframe. but the way he’s leaning against it is very reminiscent of that night your car broke down, the night that changed everything. only this time the sweat on his brow is from a fever and not the raging humidity.

“well lucky for you, i do house calls,” you tease, lightly brushing past him to enter the trailer.

eddie had set up camp in the living room, if the amount of tissues strewn about the floor were anything to go by.

“uh… sorry ‘bout the mess,” his already pink cheeks flush a shade darker while he quickly tries to tidy up. “—wasn’t expecting company.”

you can tell by his wobbly stance that he shouldn’t be up and moving around at all right now, so when he bends down again to grab more discarded tissues— you stop him.

“hey, don’t worry about that now, okay?” you reassure him, slipping your hand around his waist to guide him back towards his bedroom.

eddie all but deflates into your side, his mouth lifting into another grin when you reach the edge of his unmade bed.

“i see what’s going on here…” he hums, “trying to get me in bed before we’ve even been on a proper date.”

one of his palms slaps over his chest in mock horror as he flops down onto his mattress in the most dramatic, yet completely eddie-like manner imaginable.

“what kind of guy do you think i am, sweetheart?”

you roll your eyes fondly when he sits back up, eyebrows quirking up suggestively beneath his bangs.

“oh shame on me, we must keep that precious virtue of yours intact.” you giggle, letting him wrap his arm around your waist while he tucks you into the space between his thighs.

you can feel the overwhelming warmth radiating through the thin cotton of his shirt, and the beads of sweat beginning to trickle down his neck when you wrap your arms around him.

“please tell me you’ve been taking tylenol or something for this fever, eds.”

concern laces your tone, but you already know the answer by the way he peeks up at you under his lashes in feigned innocence.

“—uh… no.”

you let out a sigh before untangling yourself from him and he almost manages to follow you out of his room. but you are quick to turn on your heel and press a firm hand to his chest.

“nuh uh, mister. you need to lay down,” you scold, despite the pout adorning his features. “and that’s an order.”

eddie utters a soft, so bossy under his breath before he retreats back to his bed. you’re quick to rummage through the medicine cabinet in his bathroom until you find what you’re looking for. coming back to his room with a full glass of water and two tylenol in tow.

he tosses the pills back without any further argument, much to your relief. but the male immediately reaches for you again and you unwillingly slip through his fingers.

“nooo— where are you going now?” he all but whines.

you merely respond with a giggle as you slip out of his room, padding down the hall towards your bag of goodies you left near the front door. you snatch out the candy and pedialyte, and graciously clean up the rest of his tissues before making your way back towards his room.

eddie perks up at the sight of you, immediately pulling back the bedsheets and welcoming you in with open arms. you set your goodies down on his nightstand before sliding in next to him, the male completely enveloping you in his embrace.

“thank you.” he mutters softly, pressing a kiss to the top of your head.

and truly, he means it.

eddie has spent most of his life fending for himself, so he’s not used to someone wanting to dote on him like this. but the fact that you were so willing to drop everything to come here and check on him — spoke volumes.

you carefully tilt your head up to glance at him, his soft chestnut hues meeting yours as he tucks comfortably into his side.

“anytime, eds.”

and you mean it too.

you spend the better part of the evening nursing him back to health, as much he’ll let you anyway. while eddie is beyond grateful that you’re willing to care for him like this, he’s just happy to be in your presence.

and he can’t deny he’s become quite attached to you in the short time you’d started seeing each other. so much so that when you finally get up to make him some dinner he all but clings to your side, despite your protests for him to go rest.

eddie is nothing if not stubborn, so he follows you into the small kitchen. keeping his arms wrapped securely around your waist and his chin resting on your shoulder while you heat up a can of campbell’s chicken noodle soup.

but as much as he's enjoying the coddling in his current state, he draws the line at your attempts to spoon-feed him. it only leads to him playfully nipping at your fingers until he finally manages to sneak the utensil from your grasp.

with his belly fully and his fever beginning to break the two of you make your way back to his bedroom. slipping comfortably beneath the covers while you flip through the tv stations until you’ve settled on some old the price is right reruns.

eddie falls asleep not even five minutes after his head hits the pillow, soft snores tumbling from his plump lips. the utter picture of content. so you can’t help when your gaze quickly shifts from bob barker and the spinning wheel to his sleeping features.

you admire the way his long lashes fan across his freckled cheeks and the little scar on the slope of his nose that you’ve never noticed before. the way his lips are slightly chapped, but still kissable all the same. and when you lean up to press a soft peck to the corner of his mouth, he doesn’t even stir.

but as you snuggle yourself into his chest you miss the way his lips quirk up in a half smile, the male ultimately catching you in the act. eddie decides to say nothing as your breathing begins to slow and you drift off to sound of his steady heartbeat in your ears.

and later, when wayne returns home from work that evening to find you both entangled and sleeping soundly in his nephew’s bed, he just quietly shuts the door behind him with a knowing grin on his face.

series taglist: @nailbatanddungeon @devil-in-hiding @mugloversonly @eddiemunsonfuxks @munsonhoneybaby @alagalaska @creative1writings @missmarch-99 @stolen-in-moonlight @xxbimbobunnyxx @calumfmu @bastardstevie @prestinalove @indigosparkle444 @tlclick73 @hellfire--cult @take-everything-you-can @guiltyasquinn

let me know if you’d like to join the taglist!

#the freak writes 🫧#my series: it’s a recipe for disaster 🫧#if you catch my little twilight reference i love you #eddie munson fluff #eddie munson x fem!reader fluff #eddie munson x fem!reader #eddie munson x female reader #eddie munson x f!reader #eddie munson x reader #eddie munson x y/n #eddie munson x you #brother’s best friend!eddie munson #brothersbf!eddie munson

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hairmetal666 · 1 year ago

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Eddie's supposed to be writing. The guys, they all agreed they'd each come to practice armed with two whole new songs they could pick from to add to their set list at the Hideout. And he's got his pen, and he's got his most recent trusty Composition Book, and all his lyrics are fucking bullshit about golden tanned skin and honeyed eyes and tracing constellations in freckles and moles, pathetic lines about being twisted in bed sheets, and the hopeless love he found himself in.

For the fifth time in an hour, he rips out the offending page, crunches it into a tight ball, and throws it across the room.

He can't write about Steve Harrington for the rest of his life; spend his nights aching for the boy who established himself as a fixture in Eddie's life and then just disappeared.

The worst of it--the very worst--is that Eddie knew better. Steve was never his, not in any real way, no matter how many times they fucked. He's Steve Harrington. Straightest guy in Hawkins. Popular. Rich. Whole fucking life laid out for him on a silver platter. And Eddie fell for him. It's the Munson curse, he supposes; always wanting what you can't have.

It started the way these things usually do, "got any weed?" and "come back to my place, Harrington" and "I got this stupid job at the mall, meet me there?" and lying "hey, guys, can't make band practice, gotta help Uncle Wayne" and "Munson, I really want--can I kiss you?"

In every other fantasy Eddie's ever had, it ends there. Steve gets his kiss and they never see each other again. But Steve Harrington--he's full of surprises. It catches Eddie off guard, makes him want, makes him trust. Because it's not just kisses. It's hands and mouths and "anything you want, Eddie. Let me make you feel good."

Maybe it wouldn't have hit so hard--maybe Eddie could've stopped from falling--if Steve hadn't been so good. Bitchy, sure, but genuine and kind. Had this whole gaggle of junior high kids he babysat, like what the fuck. Would hang out with Wayne and shoot the shit about whatever sports nonsense was on tv. Harrington never was as mean, as spoiled, as superficial as Eddie suspected.

Then Starcourt. That's when it all changes. Steve stops coming around then, in the aftermath. It hurts, but Eddie tells himself it's for the best. Now, he knows it would have been.

Two weeks with no contact, and Steve shows up at his door in the middle of the night. Eddie winces at the healing bruises and cuts on his face, can't imagine how much worse they were to start. He steps aside, lets Steve in, plans to say that he can't be whatever they are anymore.

Steve kisses him. It's a hot, needy thing, wild with teeth and tongue, nothing like before. Eddie is helpless to it, helpless to the way Steve grinds against him, already hard. He should slow it down, check-in that Steve is in the right headspace for this, but Steve is moaning low in his throat and Eddie can't think.

They're in Eddie's bed and Steve says, "fuck me, Eddie?" and Eddie says "are you sure" because he can't stop himself. Steve rolls his eyes (beautifuly bitchy), says, "I need to feel you inside me, baby."

How can Eddie say no?

Eddie's never done this before, but it doesn't matter. It's everything--Steve is everything--he could ask for.

The next morning, he expects Steve to be gone. Thinks they'll never see each other again. But he finds Steve in the kitchen, in his boxers and Eddie's Iron Maiden shirt, making eggs and talking to Wayne like it's the most normal thing in the world.

The next month and a half are the best of Eddie's life. He and Steve spend more time together than they do apart. Nights at Eddie's trailer, in Eddie's bed. Days lounging at the Harrington pool and driving around the nothing that surrounds Hawkins. Sometimes they'll stop in the middle of nowhere, climb on top of the van, and just--be. Steve takes his shirt off, and Eddie traces their names in the sun-soaked freckles, thinking maybe he really gets to have this, have Steve.

It ends as quickly as it started. One morning in September, Steve is cupping Eddie's neck, pulling him in for a goodbye kiss, saying, "sorry, baby, gotta get home for my parents. I'll see you later tonight, yeah?"

Except Eddie doesn't. Eddie doesn't see Steve that night, or the night after, or the night after that. He stops coming around and all Eddie is left with is a broken heart and these piss poor excuses for songs.

He rips out the latest page, waxing lyrical about the wonders of August, and time slipping away, and the boy he'll never forget. Crumples it into a ball and bats it into a pile of junk accumulated in the corner of his room.

Eddie needs a break.

He flies into the living room, snatches up his keys from the floor by the coffee table, and flees his house and all those memories of Steve. It's not like he has anywhere specific to go, so he drives around town, with his windows down and his music up.

His tires screech as he rounds the corner to the video store and arcade. He's not planning on stopping, but honestly, maybe a few rounds of Space Invaders is exactly what he needs.

The van hasn't even come to a stop in the parking spot when his eyes fall on Steve Harrington. He's standing in the middle of the parking lot surrounded by a gang of kids (including some of Eddie's new little sheepies) and Robin Buckley. Steve wears a sunny yellow sweatshirt, tight jeans, and his hair is perfectly coifed, falling in an elegant wave. His hands are on his hips, mouth and brows pinched stern. He's gorgeous, perfect.

It's an assault, an attack, Eddie's entire body shakes as the months they spent together crash over him. He has the van in reverse before he consciously thinks to do so, flooring it out of the space hard enough to burn rubber.

The noise, the speed, it draws the entire group's attention to him.

His eyes meet Steve's.

Time stops and so does he, idling in the middle of the parking lot. For a second, one moment in time, Steve's face falls. His mouth loses that grumpy pinch, his eyebrows drop, his beauty transformed by grief, by fucking longing.

Steve takes a step forward, and Eddie hits the gas, van screaming out of the parking lot. He watches the group shrink in his rearview mirror, sure that he imagined the sorrow in Steve's face, anyway.

They're nothing to each other.

Never were.

By popular request: Part Two

#steddie #steve x eddie #steve harrington #eddie munson #oneshot #ficlet #angst #no happy ending #august #summer romance #heartbreak #mutual pining #based on a taylor swift song #i probably went overboard with the references to the lyrics #i'm not sorry #it's about the longing #august slipped away into a moment in time #whatever you do don't think about how the next time they see each other is Eddie pinning Steve to the wall in the boat house

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wynnyfryd · 5 months ago

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Trailer park Steve AU pt 66

part 1 | part 65 | ao3

cw: i don’t do drugs, dad, it’s only marijuana

“Uh,” Steve splutters, choking on his own spit. “Is that wise?”

It’s a question Eddie gives zero fucks about, apparently, because he’s already lighting a joint — cherry bright, shadows sharp, chin held aloft as he hollows his cheeks. “Extremely,” he croaks, blowing smoke out in a thick ring.

Steve’s mouth flattens to a frown. “Literally how?” he begs to know. “I thought we were supposed to be, like, fortifying our defenses. Building our mind shields or whatever the fuck.”

“Au contraire, mon frère.” Eddie takes a hit and holds it. “We are fighting a psychic wizard. Therefore…” Another toke, another trail of perfect smoke rings, ducklings lined up big to small. “It stands to reason that we should trash his battlefield.”

It stands to reason we should what?

“…Ohhhhhh,” Steve nods when he gets it. He reaches up to take the joint, tipping his chin in thanks when Eddie slots it into the V of his fingers, and squints as he sips in a quick puff; adds a French inhale at the end of a second huge hit. Eddie’s not the only one who knows how to do cool tricks. “So this is like the time we let a bunch of cows loose on Thompson’s field the night before the homecoming game.”

“Yeah, exactly— well- well, no, actually, not like that, what in the Indiana bumpkin fuck—? Never mind.” Eddie tosses his hair and rocks on his heels, and Steve can’t help but snort as he watches him shake himself clear like a little Eddie Etch-A-Sketch. “Important things only,” Eddie mumbles to himself. “Essentials,” he’s saying, “Essentials. What are essentials?”

And meanwhile Steve is saying: “Eddie-A-Sketch.”

Eddie hollers a startled cackle as he whips his head around, his face all squiggly with confusion, brows pinched, nostrils flared. “Steve, what the hell?”

Steve giggles uncontrollably. “Etch-A-Skeddie? No—”

“Holy shit.” He scrubs his hands down his face and laughs weakly at the ceiling. “How much weed did you just smoke?”

From anyone else it would sound like scolding, but Eddie just pulls out a few more joints, sticks three in his mouth at once, and mumbles good-naturedly, “Lemme catch up, I guess. Christ.”

While Eddie smokes enough weed to briefly hotbox a room with a hole in the floor, Steve watches the water ripple, spellbound by shimmering shapes in the dark for what feels like decades until he remembers all at once that it fucking sucks in here. It’s cold, and he’s starving, and his back is kinda stiff. “Hey…”

He looks over his shoulder, rolling into the stretch. Eddie’s doing some weird noodly shit in a corner, bent at the waist with his arms pretzeled overhead, swinging side to side, the ends of his hair sweeping the dusty, splintered planks. “Hey! Eddie.”

“Hmm?”

“Weren’t we supposed to be finding supplies?”

“Oh, shit.” Eddie swings himself upright; starts pacing back and forth. “Shit, yeah. What did we need?”

“Besides food and water?”

“Booze!” He steps onto a pile of boxes just to hop back down again. “Booze, music, more drugs…”

More drugs. Great idea.

Steve plucks the stubby remnant of a joint up off the floor; Eddie spins around on tiptoe to peer out the boathouse window, and when he looks back at Steve he’s got a Cheshire cat grin. “Say, Steve-o. Stevie boy. Svennie—”

“I’ll kill you,” Steve coughs around a mouthful of smoke.

“Since I’m pretty sure we’re one hundred percent going to jail for, uh. All of this…” He waves his arms around at their whole situation, then gestures invitingly to the house at the top of the hill. “Whaddaya say we add breaking and entering to the list?”

—

part 67

tag list in separate reblogs under '#trailer park steve au taglist' if you'd like to filter that content. if you want to be added please comment and let me know (must be over 21; please either verify in the comment or have your age visible on your blog)

#trailer park steve au #steve harrington #eddie munson #steddie #steddie fic #my writing #my fic

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dovveri · 7 months ago

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everyone’s girlfriend but mine

𓂃𐀔 - includes smut

chp 1. looking for love

sana asks reader to join her on the next season of the bachelorette, undercover. night 1.

chp 2. the blurry line between friendship and something more

the second day on this season’s bachelorette involves our first group date, a solo date with last night’s lucky winner, and of course, a rose ceremony to say goodbye to a few more contestants.

chp 3. hickeys and swimsuits 𓂃𐀔

day 3 on the set of the bachelorette and y/n has to deal with sleeping with her best friend, a messy group date, and a tender evening.

chp 4. sun-kissed

an unexpected arrest deters filming for day 4 so instead, y/n and sana spend the day together. almost like a date?

chp 5. misunderstandings 𓂃𐀔

reader watches the most recent episode of the bachelorette and is met with something she doesn’t like. sana also seems to be angry for whatever reason and it builds up into a big argument at the end of the night.

chp 6. the right reasons

the final stretch of the season. home visits.

chp 7. aftermath

the finale! and then afterparty :’)

a/n: okay so first ever fic and i had no idea where i was going w it til the end so this ended up just being sort of a trailer ig and ill maybe try continue

“We have plenty of time darling, don’t stress.” Sana places the finishing brush of her lipstick gently across her slight pout. She frowns at you in the mirror as you fiddle with the silk of your evening gown, “The driver will be here in 10 minutes and look!” She twirls around and does a cute little flourish with her dress, “I’m already done so I’m actually 10 minutes early.”

You can’t help but smile at the gesture and then you remember what you were talking about. “That’s not what I meant and you know it Sana.” You return your gaze to your hands, fingers prettily painted a light shade of blue to match your dress for the night.

She sighs and walks forward, slipping her fingers between yours and interlocking them, stopping your fiddling. Everything about her is soft. The way her skin feels after she’s finished her morning stretches, the way her eyes look at you when you’re up late talking about everything and nothing, the way she’s sliding into your lap now and lifting your face gently with her hands. You’re avoiding her gaze as much as you can, eyes darting all over the room, anywhere but her pretty, pretty face.

But she grips a little harder and settles her forehead against yours, breaths mingling, noses touching.

“Baby… look at me.” Her voice is hushed against your lips, and god you’re only so strong. You meet those soft eyes you’ve fallen in love with.

“There we go.” You can hear the smile in her voice. “You can see it can’t you? Us, together in the perfect little villa only a few minutes drive from the big city, maybe a kitten or two, definitely stinky morning kisses and tickle fights.” Your eyes close as she presses light, slow kisses all over your face. “That’s waiting for us angel. It’s not going anywhere. I’m not going anywhere. I promise.” The last word is spoken right against your lips, and she seals the promise with a kiss as sweet as her.

The driver calling Sana’s phone interrupts you and you chase after her lips as she breaks away with a giggle, sliding off your lap and picking up her phone.

You sigh, pinching your nose as you gather your things preparing to go to the ball where they would be announcing exactly who won Minatozaki Sana’s heart on live television in this year’s Bachelorette rendition. For now, her promise clouded the fact that it wasn’t your name she would be reading out tonight.

#sana #twice sana #minatozaki sana #sana x reader #sana imagines #twice #twice x reader #dovveri

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felassan · 3 months ago

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Transcript of the DA:TV ‘Meet The Companions’ panel @ SDCC.

Update: this post has now been updated into a full transcript.

BioWare have said that they are going to share a recording of the panel at a later date. In the meantime, here is a transcript of it. When the recording is available, I will update this post further if required. This is a word-for-word transcript (in as far as it was possible to make one, it was quite a noisy room with lots of people in it), but a few bits were not clearly audible - these are marked as "[...]". listening to the original source in audio/video format, when it’s available, first-hand is of course always advisable, in case of any mis-hearings or missing things out etc on my part!! :>

there are other things from the panel here in this BioWare blogpost, collected in this compilation post, and also in this Tumblr post.

The panel was moderated/hosted by Lucy James. In attendance were creative director John Epler, creative performance director Ashley Barlow, and the actors of Lucanis, Neve, Emmrich, and Harding - Zach Mendez, Jessica Clark, Nick Boraine, and Ali Hillis respectively.

----

[panel begins]

Lucy: Goodness me, there are a lot of you. Hello everyone. Hello San Diego. But more importantly, hello Dragon Age fans! Give yourselves a cheer! Now welcome to a panel that I am so excited to be moderating today. A little bit of, what do you call it, a little bit of, I'm just gonna say it, we're doing Q&A at the end. There is a microphone right here. I will give a warning - housekeeping was the word I was searching for. We're gonna be doing Q&A at the end. I will give you a warning to come up and ask questions to this incredible panel of developers from BioWare and actors from the brand new Dragon Age game, The Veilguard. I'm Lucy James, I'm your moderator for today, but you're not here for me, you're here for these incredible people, so let's go down the line and see who we have on the panel today. We have creative director John Epler. Creative performance director Ashley Barlow. The poised and pragmatic assassin, playing the role of Lucanis, Zach Mendez. The necromancer Emmrich, we have Nick Boraine. Absolutely did not mean to skip, but we have different, different lineup over here. The voice behind the private detective Neve, Jessica Clark. And returning franchise favorite, you know her as Lace Harding, the lovable Scout, Ali Hillis. Now, we all love Dragon Age games for multiple reasons, whether it is the combat, the impactful decisions that we get to make, the romances - I know my [...], I know my - but the heart and soul of every game is always the companions, and so we are gonna be doing a deep dive into some of the new cast as well as, like I said, returning franchise favorite. So I'm gonna kick off with you, John.

John: Awesome.

Lucy: Can, you know, you've been at BioWare for a couple of years now.

John: Yeah, seventeen years as of this year, so.

Lucy: Wow. Can you tell us a little bit about your history with Dragon Age?

John: Absolutely. So as mentioned, I've been at BioWare for coming up on seventeen years now. I worked as a QA tester on Dragon Age: Origins, moved into cinematic design, did that [...] Dragon Age II, Dragon Age: Inquisition, and then became lead cinematic designer for Dragon Age: Inquisition - Trespasser, where I worked closely with Trick Weekes, building out that story. And then now as creative director on Dragon Age: The Veilguard, which has been just a fantastic project to be a part of.

Lucy: Now, I assume pretty much everyone in this room has gone frame-by-frame through the trailers and gameplay videos and every BioWare social post about Dragon Age, but just in case there's anyone in the room who is unfamiliar, give us the quick overview of Dragon Age: The Veilguard?

John: Absolutely. So Dragon Age: The Veilguard is the latest entry in the Dragon Age franchise. It takes place approximately ten years after the end of Inquisition. You start the game hunting for Solas. It's a game built on some core principles of: be who you want to be, in a world worth saving, and with characters who matter. So, again, companions always at the heart of Dragon Age, they're at the heart of this one as well.

Lucy: And so, I mean, why is this team coming together? You mentioned it a little bit there, and like, what's bringing this, kinda 'rogues' gallery' together?

John: I mean it's the end of the world, and each character that you bring into your party understands that the world's ending, that they need to stop that, and you're really building, what I would say is more of a found family. These are characters who may not start off liking each other, may not even start off liking you, but over time, they grow to understand the importance of what they're doing and just, how critical it is to stop the elven gods.

Lucy: Now we were chatting a little bit before the panel, and you kinda said, like, a bold statement which was that this is one of the best groups BioWare has ever written. I say 'bold', cause we all have our favorites. What makes you say that? What's going on with The Veilguard that makes them so special?

John: Yeah, I mean, I think that every Dragon Age game the companions we write and create for those games are the best companions for that one. And I think in this case, what's really fascinating and what I've really loved to see come out through the game, through its development is, the way these characters form relationships, not just with you but with each other, so, whereas, you know, sometimes characters maybe don't interact as much. Each one of these has a relationship that extends beyond Rook, the protagonist, but also some become friends, some become lovers, and some become rivals. And it's just, the way that they learn to get over their differences, or put them aside, has really been fun and exciting, because they all represent a different part of the world of Thedas.

Lucy: I am very excited to see how these family dynamics come together, avoiding my real life family for my virtual family. Ashley, you’ve been playing a huge role in helping bring these characters to life. Can you tell us a little bit about your role at BioWare?

Ashley: Yeah. I’m the creative performance director, so I get to cast all of these characters, with the team at BioWare, of course. And then work tirelessly in the booth with them, I mean, they just met like this weekend. I just silo them off, and they do their work, and they listen to each other, and, you know, 3000 hours later, and then they get them back around, and we can iterate on it, and they can say, ‘oh, oh that’s what everyone sounds like!’, now they get to play off of it. So, it’s a big road-trip in a VO booth. From my house.

Lucy: A big road trip. A big deal. A big game. Where do you even begin with a behemoth like this?

Ashley: We, we audition our companions. We have to make sure that our leads can play off of each other, that compliment each other, that juxtapose each other. Like John said, it’s kind of like a family, an un-chosen family, and so we need them to, you know, it’s, you need to create an ensemble, a diverse ensemble, so that the players get the choice of who they want to bring on this hero’s journey. And so, we brought them all in, you know, and they, we do motion capture, so we need to see how they move, and how they walk, and how they talk, and how they can act like heroes. And they all carry themselves so well. Now, it’s tripping me out, because they all look like their characters to me.

Lucy: Now, there are plenty of returning faces in The Veilguard, but there are new companions that we will get to know and love. Let’s start with Lucanis. John, can you give us a little quick overview of his background, and what’s his deal?

John: Absolutely. So Lucanis is the stylish assassin from the Antivan Crows, you know. But, not bloodthirsty, more, as he sees assassination as a job, one that he is extremely skilled at. Over the course of the story, you learn more about him, more about his character, more about his relationship, not just within The Veilguard, but also with the Crows and with other characters in the world. And I think, it’s fascinating to see how that grows over the course of the game.

Lucy: Now Zach, you are the voice. I mean, how do you approach this? Where did you […]?

Zach: Well, when I first found out I got the role, I read Tevinter Nights, which is the book, that came out [...] and you should read. And I read The Wigmaker Job, in which Lucanis is featured. I read it about three times, and after I closed the book I realized, ‘this might be the coolest guy I ever get to play’. I mean, not only is he a smooth assassin, not only is he determined - yes, he can kill you a thousand different ways, but what struck me was, his mind is as dangerous as his knives. I mean this is a guy who takes in the environment with all five senses. He’s constantly attuning himself to the kind of shifting terrain of every mission. And also, he’s kinda hilarious. I mean, if you look at his relationship with his cousin Illario, in The Wigmaker Job, they’re constantly giving each other crap. But there’s a lotta love there, so I got to pull, you know, from my relationship with my brother. Because we love each other dearly, but we can be ruthless with each other. And so, it was really easy to play in that way.

Lucy: I mean, yeah, you mentioned being a comedian there. Ashley, how was working with Zach?

Ashley: Yeah.

Lucy: Harnessing that and bringing it to the character.

Ashley: Zach’s one of the funniest people I know. And that’s a lot to live up to. But, you know, he came in as one of the most adaptable actors. And, you know, we did a lot of motion capture during 2020, 2021, 2022, even 2023, and so Zach stood in for like, Assan, and Varric, like all the characters [...] just mostly, most - [a scene plays on the screen behind the panel of the actors doing mo-cap. Zach as Assan hops along the ground like :D over to Davrin, Rook and another character. Davrin is happy to see him and scratches him under the chin. Davrin motions to Rook, who then bends down and hugs Assan] - I mean I’m pretty sure [...] a huge inspiration for the cinematics. Once you see this scene that this is, like - remember it, 'cause [...] -

Zach: Just know, when you’re hugging Assan, you’re hugging me. That means a lot.

Ashley: It’s true! But, yeah, but, for Lucanis, Zach was able to bring, I mean once you get in the game and you meet Lucanis, you’ll know that he’s, you know, a murdering Crow, and then, is a […], you know, there’s a darkness. [there is a rumbling noise in the background and the panelists look around confused]

[?]: I think it's just thundering.

Ashley: It’s thundering, let's, let's do a -

Zach: The darkness.

[...]

Ashley: But in the darkness -

Zach: Prepare yourselves. [background noise continues]

Ali[?]: It’s coming.

Zach: Seriously, what is that? What’s happening?

A person off to the side: Other rooms!

Zach: Okay, okay, okay, thank you.

Ashley: Okay, thank you. [...] think you were doing it. As you can tell, he brought like a, he brings a lightness to it, ‘cause you can’t always be that heavy. I don’t want to be scared or crying in the booth all the time. And thank God the writers, John included, and all of the writers of Lucanis really brought some fast, quick-witted writing. So he’s quick as a whip, he really lightened it up, and can’t wait til you guys get in and play it and romance this sucker! Sorry! Sorry not sorry!

Lucy: I was going to say, how does it also feel to play a romanceable character?

Zach: Oh, I’m quite excited about it. Ashley has promised to give me the stats of how many people romance me. I'm really looking forward to that.

Lucy: No pressure, gotta get those numbers up!

Zach: Yeah, I know. But, that’s the great thing about Lucanis, is that, you know, he’s extremely smooth, as an assassin, but, and, yes, he does have a heart, he does have a soft side, he’s not completely adept at always dealing with other people and interactions of that such, you know, he’s extremely stubborn and stuck in his ways, so it’s really hard for him to let people in sometimes, so I’m really excited for fans to get to meet him, and, you know, help him open up.

Lucy: And before we go to the rest of your illustrious cast members, what’s, what was, what’s been your highlight of working on The Veilguard? Is it, you know, this moment getting to see everyone in person? Was it a story from on set one day, or an interaction with one of the devs?

Zach: Well, you know, I did, before the first day of shooting, I did kinda get an idea about how passionate the fanbase was, which made me really excited. I don’t wanna say nervous, because I don’t say I’m nervous, I say I’m excited. And so before the first day of shoot, I was very excited. And luckily, you know, Ashley and them, didn’t have me do too much on the first day. I played a lot of darkspawn. I darkspawn-ed my ass off, though. I want you guys to know, I really –

Ashley: Oh he did, yeah.

Zach: – and when I got home, I thought to myself, you know, ‘Zach, did you darkspawn hard enough?’ I was just worried! You know, and within an hour I got a text from Jeff, who’s a part of this cast as well, and Jee, telling me what a great job I did. And then, I’ll never forget. I got a call from Ali Hillis down here. And I will remember that conversation, because for thirty minutes, she made me feel like I was welcome in the Dragon Age family, and it gave me so much confidence moving forward. So thank you Ali, so much, I still remember that, God bless you.

Lucy: That is lovely. See, the family stuff coming up already. I’m very excited.

Ashley: [...]

Lucy: Right, let’s move on. Coming to the private detective, Neve, who we actually got a glimpse of in the gameplay reveal from a few weeks ago. Let’s take a quick look. [a scene plays on the screen; the scene when Rook meets Neve in the prologue with Varric and Harding, that we saw in the gameplay reveal video] Now John, can you give us a quick overview of Neve?

John: Absolutely. So Neve, as you can see in the video, is one of the first companions that you encounter in Dragon Age: The Veilguard. She’s from Tevinter, Minrathous specifically. And anyone who’s played Dragon Age before knows that we’ve always talked about Minrathous, we’ve always talked about Tevinter, so we wanted to have a character who showed, not the parts of Tevinter that we’ve touched on before, you know, obviously slavery is a big part of it, it’s a mageocracy, but somebody who was pushing back, fighting back against that. And Neve’s shown up in the ancillary media as well, in the comics The Missing. And it’s just, she is that, you know, somewhat cynical detective with a bit of a heart of gold, bit of [a?] romantic, and just seeing her character evolve over the course of The Veilguard, over the course of the game, because again, she’s one of the first people you meet, is. Always fun seeing Neve’s character bounce off other the followers, banter has been super fun, just the way that she, what she brings to the table is always, it’s always so interesting to me.

Lucy: Jessica, I mean, what was it like getting that call to find out that you were gonna be in Dragon Age?

Jessica: It was slightly terrifying, and it was, I just felt really honored immediately, because I feel like, to be, I feel like they entrusted me with such, something with such significance and such importance to so many people, and so I just really wanted to honor that, and bring everything that I could to this fabulous character that I had been gifted. So yeah, that was.

Lucy: And I understand that you are kind’ve newer to the kind’ve voice acting, kind’ve realm. How was it different from more traditional roles?

Jessica: I am pretty new to it. I’ve barely done anything as significant, Dragon Age is enormous. It was very freeing honestly, I mean, like Ashley said, they auditioned and auditioned and auditioned and auditioned us. Like, every time I was brought in, I was like, ‘oh I didn’t get that’, you know what I mean? And then three months later there was another audition, and. But it was just so interesting and so freeing, because it really is sort’ve, it almost felt like play pretend, like when I was a little girl, you know? And it’s like what you dream up in your imagination. Because they, you know, they give you this character, and they give you some of the dialogue and then they really wanna see where you go with it and how you move and how you embody her and how you react to dragons that aren’t there because you’re in an audition room. You know, like all of that. So, and then, also, playing Neve, it really allowed me, and being a voice actor, it really allowed me to sort’ve step into my power a bit more, because, you know, I’m very tall, and things like that. And so, in a lot of my, sort’ve, more traditional television and film work, they kind’ve want you to be the girl, and I have to raise my voice, and be a little softer, and you know, kind’ve, not diminish myself, I don’t wanna say that, but just be very conscious of my physicality. And then Neve, it’s completely the opposite. You know, so Ashley had to work with me literally on dropping my register and things like that, and it was so confusing at the beginning, and then it was so amazing, to kind’ve have that opportunity, so I’m very grateful.

Lucy: Yeah. I mean, what drew you, what’s your favorite thing about Neve? – get that applause going, go on, let's go!

Jessica: I love her loyalty, I love her dedication, I love how much she loves Docktown and its people and how she really sees a different vision for Tevinter than, as John said, than what’s previously been depicted. And she’s really really fighting for those people, and she loves those people, and so yes she’s cynical, and yes she’s kinda tough and brusque and all these other things, but when they say there’s a heart of gold, there really, like to have that kind of a passion and dedicate your life to something like that, I think that, that’s my favorite part about her.

Lucy: And what were some of your highlights from, I mean, is it, is it kind of strange to record a video game, because I assume you’re doing things in different orders -

Ashley: Yeah.

Jessica: Oh yes.

Lucy: - working with some people some days and other people different days - tell me about that?

Jessica: I mean in terms of that, I just trusted Ashley and John, you know, and they know, and I was there to learn and embody and kind’ve grow into that. But I think my favorite thing, even though we were all separate disembodied voices a lot of the time, we kind’ve really all bonded in the way that we were intended to, you know? And that’s why we’ve been so excited all week and all weekend, because we can be like, ‘oh my god, you’re here, oh my god you’re here, you’re here, you’re here’, finally, you know? And you know, I know on a lot of projects, people are like ‘oh yeah, we’re all like, we love each other’, but we really do, we really really do. And it just evolved so organically. And there was something magical about it just being our voices in the beginning. You know, like sort’ve taking anything else out of the -

Zach: Equation.

Jessica: – you know what I’m saying. I’ve run out of words.

Ashley[?]: Yeah, it’s like an audible penpal. […] speaking to each other for so long.

Jessica: Yeah, yeah, yeah.

Ashley: It's nice with Jess, [...] she hit it on the head, you know, voice acting, you know, I hate to say it, I don't wanna put Jess - Jessica’s obviously a beautiful woman, but in the booth, it doesn’t matter. We just, pulled out the power and the range that Neve has, and it’s limitless, and as a woman to see that kind of writing and that kind of performance ability is, I know for a lot of us in the room, probably, pretty badass.

Lucy: Jess, I wanna, I'm gonna come back to something, because you mentioned, like, you’ve been messaging, and that the cast, you know, really loves each other, is there a Veilguard groupchat?

Jessica: There are several.

Lucy: Hold up. Who sends the most memes, who is the person who only reacts with the thumbs-up emoji?

Jessica: I, I would say Jeff is the most active, who plays one of the Rooks, I would say, in that respect, and to bounce off what Zach said, just an incredibly generous actor. And then, Ali, like it’s so true, like I had that story too, like literally even being back there, I was like, [gasp], I was like, she’s like, ‘it’s gonna be okay’, she’s like, ‘it’s good, it’s like, you’re gonna love it, it’s gonna feel special’. She literally like held my hands and like looked into my eyes and was like [inhale, exhale], you know? [looks at Ali and reaches out to her] I love you.

Lucy: I was gonna say, if we’re doing an Ali love-in, she did that for me too. So.

[?]: She does that for everyone.

Lucy: She’s done it for everyone? Fantastic!

Ali: Guys, you’re making me cry!

Lucy: We didn’t expect, hang on, we did expect one of our companions to be - a stone cold gray fox. BioWare treating us well. Emmrich has been driving the internet wild. And so, John, can you give us a little bit of background there?

John: Absolutely.

Lucy: Where did Emmrich come from?

John: I mean honestly, I will say like, we expected a great reaction to Emmrich. Went beyond what we expected for sure. But it’s been fascinating to see, because again, Emmrich is this character, he’s more of the professorial, more, he brings a wisdom and kind of a calmness to the group, so even when things are at their worst, there’s that one person in the group who’s kind’ve like, ‘okay, you know, we’ve got, let’s figure it out, slow, take a deep breath’. And just his journey through his character arc and his interaction with the others, it’s been fantastic to see. Even just finding opportunities for him to bounce off the other characters, you know, the way he talks to Bellara, the way he talks to Neve, it’s all so different, but it’s all so just, again, based around this core of this warm, kind-hearted, professorial necromancer, which again is not something that you see a lot of in media, usually necromancers are depicted a very specific way. But it’s been, just awesome to see how Emmrich has grown and just, really one of the most, one of my favorite experiences has been just working with Emmrich’s writer and working with Emmrich as a character.

Lucy: And Nick, you are the voice behind Emmrich.

Nick: I am.

Lucy: How did you prepare for the role, you know, what were you told about him before you got into the booth for the first time?

Nick: I think I’ve been preparing for Emmrich all my life. I was very attracted to the role initially. And I was so, I was overjoyed when I got it because I think it was, the writing of Emmrich is really fascinating. It’s this, this man that is obsessed with death, on one hand, but on death as a comfort, death as a transition, death as something that is not scary, and that ability to enable people to transition, and the investment that he gives in that sphere, which we don’t give in our own lives. I was immediately attracted to that and I thought that that was – I’d never seen that before, and so to go in these two ways, to talk about death and to talk about it in a way that is kind and that the transition becomes a kind transition, that was fascinating to me, and I think, will be fascinating to you too, yeah.

Lucy: And I hear as well that Emmrich gets, I mean, you’re all gonna get some fantastic lines, but I hear that Emmrich has some quite spectacular ones. You, Nick, you and Ashley, I would love to hear about the process of, was it difficult to get like some of those tongue-twisters, and?

Ashley: Yeah, Sylvia the lead writer basically was like, ‘Ash, you’re gonna need a dictionary for all of the sessions with Emmrich’, it’s like, 'Okay!'. And we get there, you just nailed them all, like 'shduhfejdkjjdhdjdhfjehfjkhehe into the Fade'.

Nick: Well, I don’t know if I nailed them all, that’s very kind of you. But, there was some serious tongue-twisters there, and, but it’s great, it’s great to be in the booth, and to be given a challenge like that, and. Yeah, it’s fantastic, I mean that’s what I love to do, so it was great to be just gifted that.

Ashley: You’re such a natural nerdy scientist. […]

Nick: It's my inner self.

Ashley: It's your inner secret.

Nick: Yeah.

Lucy: Now I love that, and I think, I think the, I, I’m drawn towards with Emmrich is that like, he loves learning.

Ashley: Yeah!

Lucy: It’s very clear, like, it seems like you’ve really just thrown yourself into this role and the world of Dragon Age. You know, I asked Zach a similar question and it’s like, you’ve been working on this for so long, what’s it like now that people have caught a glimpse of your character, it is just a glimpse, but people are desperate to know more?

Nick: I mean it’s so interesting that this character has kind of caught fire a little because, when I did it I thought ‘okay, well everyone else is like so sexy and like, it’s just amazing, and I’ll just be this kind of professorial kinda guy chatting in the background, having fun, you know, dealing with death, and you know, on the side’, and suddenly it became this thing of like, no, this is actually really interesting. And I think people have found it interesting, and I love that! I love that you guys have also found it as interesting as I have as because, it’s, it's a fantastic character, he’s a fantastic character, honestly.

Lucy: I mean, Ashley, working with Nick, any other highlights to share about your time in the booth, or?

Ashley: Oh man, every, Nick is the most consistent person I’ve ever met in the booth – or in his garage.

Nick: Yeah.

Ashley: Recording booth, he’s really like [a hippy in art?], so I, so it’s kinda trippy, seeing you again in person and knowing what your character looks like.

Nick: Yeah.

Ashley: But yeah, you’ve just been so consistent with Emmrich and bringing this grounded-ness, and I’ve learned so much working with you, and. Yeah, now, you tell me, what, what good really looks like.

Nick: Oh wow, thank you, thank you. Appreciate that.

Lucy: I mean obviously, there’s Manfred too.

Nick: [gasp!]

Lucy: Played by Matt Mercer. What was it like kind’ve having another character to [...] bounce off of?

Nick: Oh man! I mean that is such a hard question because Matt and I have never met.

Ashley: Yeah.

Nick: And we worked completely separately, and. I mean I know that the rapport is really great, but it’s in the ether, I mean it is just, the magic that these guys create, telling us how to respond, how to do that, but it’s, I can’t wait to meet Matt.

Ashley: We recorded, basically before Manfred.

Nick: Right.

Ashley: All of before Manfred.

Nick: Right.

Ashley: And so Manfred got to play off of your straight delivery -

Nick: OH he did? I did not know that. Oh man!

Ashley: I know!

Nick: He got the easy part!

Ashley: Yeah, totally! So you set him up, just to knock it out of the park –

Nick: Right!

Lucy: Okay, so you got to set the tone. You get [...]

Ashley: Yeah, yeah […]

Nick: Right right right right. I set the tone!

Lucy: And, finally. Last but certainly not least, Ali Hillis returning as Scout Harding. Please [indicates for applause]. Now, I’m so excited because, she’s one of my favorite Dragon Age characters period and it looks like we’ll be seeing a lot more of her. But what has she been up to, John, between Inquisition and The Veilguard?

John: So I mean, if you’ve read the comics, you know that Scout Harding has been working with Varric to track down Solas. So she has been on his tail for quite some time. The game starts just as they finally - tracked him down, figured out where he is, but she’s been working with the remnants of the Inquisition, working with Varric, and then also working with Rook and Neve. Again, if you read the comics, you know that Harding has met Neve, they have a […] relationship before the events of the game. But yeah, she is dedicated to taking someone who used to be a friend, someone she considered, you know, even if they weren’t close, because Harding wasn’t part of the Inquisitor’s core companions, somebody she knew, somebody who treated her with some amount of respect, and knowing what he’s up to now, knowing she has to stop him, so.

Lucy: She was in the core Inquisitor’s, of my heart, so.

John: That’s right, well, I mean, she had the light romance, so.

Lucy: I tried to flirt with her every time. Never went anywhere. Ali, you are no stranger to playing beloved BioWare characters, obviously, Doctor Liara T’Soni.

Ali: [in her Liara voice] It is very nice to see you all today.

Lucy: What’s it like to be returning as Lace Harding?

Ali: First of all, it was a complete surprise. I don’t know if it was for you guys, but it was for me. So I was so excited when I got that call, because I had no idea it was coming. And after recording the last Dragon Age, and going to cons, much like this one, and having the line in front of me and all my pictures spread out, and every few people, someone would come up and say, well, ‘Where’s your Scout Harding photo?’ I was like, ‘oh, I didn’t bring one! Like. I didn’t realize! Okay!’ So I started getting more into the idea that this was a really beloved character, and I didn’t realize! And she was so much fun to create because BioWare gives us so much freedom as actors, it’s such a collaborative effort, both with Liara as well as Scout, I remember getting in the studio for the very first time to record these characters. I do a lot of voiceover, I do a lot of amazing games, I don’t always remember the very first day in the studio with a project, and I do for both of these projects. Because they were so poignant in my life, because it was, it was, a group of people coming together, they had already obviously conceptualized these characters. There was art, there was writing, brilliant writing that we are only so lucky to chew on in these voiceover sessions with such expert direction. The material that we are given to work with, only, just blasts us off this planet, in the acting world. But, just, knowing that when we went in to create Scout Harding to begin with, and one of the ideas I remember us talking about was, like, ‘well, I wonder if she’s kind of a character whom, when she talks, maybe she draws in the dirt with her toe?’ You know, coming up with these little tiny bits of yumminess to create a character and build it, the fact that they give us that honor to work with them on it, you know, is incredible. So when I heard that she was coming back, I was thrilled from the inside out, because I felt a part of this whole thing, so thank you, guys, for bringing her back. You! [to the audience] You! [to BioWare devs' direction] Thank you.

Lucy: I think I can speak for all of us when I say, we are thrilled.

Ashley: Yeah.

Lucy: You know, a lot has changed in the time since Dragon Age: Inquisition. I mean, what, how, for you has the experience of recording changed, like, technology-wise? Obviously, a little thing happened in 2020 we don’t have to talk about, but how has it changed for you?

Ali: Yeah, and speaking of that little thing that we’re not supposed to talk about, but the way that this company pivoted and, I mean, we were working on something, we had a project in the works, and somehow, every single person had to deal with this big thing in the world that we’re not talking about -

Lucy: We can talk about it.

Ali: - and somehow produce a game! So when you guys play this, just know that the amount of effort that went into this one, you know, maybe exceeds every game I’ve ever worked on because, we had to, everyone had to pivot, you know, suddenly we’re working from our garages – me too – and usually we’re wearing pants. And, and, you know, when I worked on past games with BioWare, everybody was in Edmonton, pretty much, and then everyone just kinda dispersed and I didn’t know where anybody was, and Ash was working out of her house all the time. It was incredible because we just did it, we pivoted, like all of you did, like all of us did, and we all came together and we made it happen and I was really really proud of that. Anyway, I know we weren’t supposed to talk about it, but it was magical, and powerful, and incredible. And I’m so sorry, back to the original question.

Lucy: No, I mean, how has the process changed for you?

Ali: The process has changed for me? I got to do p-cap! I got to be her! I got to physicalize, they gave me that, I got to physicalize her this time, which I didn’t get to do last time and I did not get to do in Mass Effect. And I really had a great time with it! Because, just like these guys have all talked about, we all come from different acting and theater backgrounds, I think Ash as well, and different types of performance, and it was cool to get on the volume - the p-cap stage -because, it’s like a theater.

Ashley: Yeah.

Ali: You have freedom! It’s better than a theater because you can turn around backwards and talk like this and everybody still knows what’s going on, so, it’s freedom in acting and we get to really bring the character to life outside of being behind the microphone and envisioning all of it, we actually get to perform. So that was one big difference for me in this game particularly. That, and the, doing it from my home sometimes in voiceover, or studio, it was, we kinda just, went with the flow.

Lucy: Is it easy to come back to a character that you kinda know inside out, or is it kind of like a mental block about it because you’re returning to something, or is it easier to come up with something new to […] What was it like getting back into the shoes of Harding?

Ali: That’s a really good question because it had been a minute. I mean, I’m so excited this game is releasing, how about you? Woo! You know what, with her, again, just kind of like Liara, because we came about this character so organically, I did ask, I remember asking to hear voice-bytes, I just wanna make sure we were in the same ballpark. But also, you know, there’s been an evolution.

Ashley: Yeah, you’ve seen some shit.

Ali: Yeah. We can’t really talk about it, you guys’ll have to find out for yourselves. But there’s been an evolution, so.

Ashley: Yeah.

Ali: So, yeah, it’s, it's, I can’t really say anything else about it without giving stuff away.

Ashley: She comes back with such, like, a veteran voice, y'know?

Lucy: Yeah, I kinda noticed that, like, she’s, she’s got a little bit more of an edge to her.

Ashley: Yeah.

Ali: Yes.

John: Well, she’s been chasing Solas for almost a decade, so.

Ali: And I love that, that is an amazing relationship that you guys created. And then I’ll stop talking about that. Damn!

John: No more!

Ali: I’m so excited!

John: I know!

Ali: I defer to these guys!

Lucy: I mean, question, kind’ve for all of you. We kind’ve touched on it a little bit, the challenges, and you know, the fact that the game is almost here, Fall 2024. I’d love to know, down the line, and just, you know, what’s been kind’ve your guiding light for all of you on this project?

John: I mean for me, it’s always been about, Dragon Age has always been about the people. I mean, the companions, the villains, the allies you make along the way. And for us, making sure that that stayed central, that that was still our guiding light. We really wanted to focus the game, the story, the gameplay, always around yourself as a character, but also the other characters in the world, not just, again, how they relate to you, but also, having these relationships, having this idea of this world that exists, with people that exist, not just as kind’ve a theme park for the player character to go through. But they have lives, and they have internality, like they’ve got an internal life of their own, that cause them to act in ways that may not always be predictable, but is always fascinating, and makes them feel real, even if you’re only getting a few dozen lines, they feel like real people.

Lucy[?]: Yeah.

Ashley: Yeah. I think that was my guiding light, like, I’m, have to find logic in these, you know, over hundred thousand lines in the story and over 700 unique characters you can meet. And I, in this fantasy world, I, we’re all still looking for the truth. What is the truth? How can we ground this? Do I believe it? Do you believe it? Are we in it? And that was always my North star. And, you know, often times I’m in the booth, and sometimes I’ll just, ‘I don’t buy it, I don’t buy it’, or, and, so, it was my job to be the gatekeeper, I felt, in the booth, to make sure, that I buy it, so you will all buy it.

Zach: I made the mistake, before we started shooting, of checking out the Reddit of Dragon Age. Not a good idea. It was a bad idea. But what I did, what struck me is that these people, these fans, have the same passion for this game that I have had for a hundred fantasy worlds. You know, places where I’ve gone into and discovered different parts of myself through. through, following these stories. And so I felt an, I felt so, it was so incumbent upon me to put as much effort as I could into this game. And I really do feel like the fans inspired me to pour my heart and soul into this, and I just cannot wait for you guys to play it, I really cannot.

Lucy: Jessica, what about you?

Jessica: I would say for me it was the dialogue, honestly. I loved the writing, Brianne was my writer, and Ashley, and John, and she’s right, like it’s, you gotta go deeper, and like we’re trying to find it, and we’re trying to find it together, and sometimes we’re not there, and sometimes we have to come back to it, you know, there was, I could tell there was such an evolution in my work, and part of that was because I just kind’ve gave it over to the writing. And whenever I did get to play off the other actors, you know, sometimes they’ll have, you can play in with their lines, and that was just such a joy, and I got to like discover other little parts of the game that I had no idea about, you know, because we’re doing it in isolation. So that was kind’ve the joy for me, and just honestly trusting, trusting the team and Ashley and John, so.

Lucy: Nick?

Nick: Yeah, I mean I’d have to say narrative as well, I think what the writers have done on this show, you don’t get in other games, you just don’t. You don’t get the level of, the depth of character. And character makes story. And that is what they focused on here. And I just kept coming back into that booth going, ‘I’ve never, I’ve never, experienced this before’. And just one last thing as well, I think the fact that we were separate, and I’m only just sort’ve putting this together now, the fact that we didn’t see each other, the fact that we didn’t know each other, has created a kind of magic that, I think is extraordinary. You can’t see somebody and you have to listen in the dark for cues and signals, and you have to put it together. That, that is magical. And I think, out of the chaos of 2020, 2021, 2022, which was exactly when we were recording and trying to figure this out, that’s when the magic came together, that’s, and I think we all feel that here, and I really hope you guys do too.

Lucy: Ali?

Ali: Well I feel like they’ve kinda covered it. I was gonna speak to kinda like what John said. One thing I really like about this game particularly, and I think you guys will find this as well, is you really find yourself in it.

Ashley: Yeah.

Ali: And the relationships, not only with the player and the people you bring along, but the team with each other, it’s just, it’s so well-written, the relationships are so conditioned that you really get lost in the moment. And I love when I’m at a con signing somewhere and someone comes to the table and says, you know, ‘this is a game that took me away from something I was dealing with in my real life, and I’m so grateful for it’, and I feel like, this is one of those games. This is gonna take you into a world that’s gonna blow your mind. And, I was just so honored to be a part of this group, again, again, I’m just gonna echo everything everybody said. But when I would hear their voices in my cans, in my headset, and I don’t get to see their faces, there is something so specific and so intimate about that experience, when you’re not seeing each other, and you’re just hearing, they have this amazing system where we get to hear each other. Whoever’s recorded first is played, if I’m having a conversation with these guys, if they’ve recorded first, I get to hear them and talk back. Acting is reacting. So it’s really nice that I actually get to react honestly off of these guys with expert guidance. So, I was really appreciative that we’ve conditioned these relationships in a fantasy land and also in real life, and I think you guys will feel that when you play.

Lucy: Now we do have time for Q&A. I'm gonna ask the panel another question, but if you wanna start lining up, we have, people are jumping to their feet already, this is great. We have a microphone right here. Before we go to Q&A, I suppose, what's the big, the biggest takeaway you want when people actually get to play later this year?

John: For me, honestly, it's just, how much this project has just been a team effort in a way that, everyone is working collaboratively with each other, everyone is bouncing off each other. Everyone was talking earlier about the writing, but I think what's fascinating for [...] has been so awesome to see is, the actors also shaping these characters as we built them. Seeing, like, how, Nick delivers a line, how Zach delivers a line, how Jessica delivers a line, how, and then, bouncing off that and then forming the character, shaping the character, so. We realize, okay, so, Ali has this, you know, has this, says things in a very specific way. Maybe we, let's re-write a few things, let's really lean into this, you know, what she brings to the character, and it's just. That's true across the entire team. It's not just the actor, it's not just the writer, but everybody who has worked on it, has a little piece of themselves in it. And to me there's just this excitement that that brings, and just this amazing passion that you can see in everything that's been built in this game.

Ali: It's so cool, I was gonna say, when we were recording, and I know we gotta get these questions, when we were recording during the pandemic and we were at home, I didn't realize sometimes that on the Zoom call I'd only see Ashley's face, or sometimes, you know, whatever, whatever she puts up. And then suddenly I'd have a question, 'hey, so in this line, this and this?', suddenly, like, John, or somebody else would just pop in, and talk about the line, so, we were always collaborating, it was just amazing, I was very grateful to have you guys ever-present.

John: Thank you.

Lucy: Alright. Shall we go to our first question? We all ready?

[?]: Yeah.

Lucy: Alright.

Audience member: Hello. [...] fan of Dragon Age since Origins. Oh, I must say, I am very disappointed with this panel. You've failed to mention a very important part of the game! The factions!

John: Mmm!

Audience member: So I would like to know, what can you tell me about them, and, can you join them, or do you just interact with them?

John: So, you start the game, you get to choose which background you go with. Each one is tied to one of the major factions. But one of our principles from the start was the concept of 'characters not causes'. So we didn't wanna just give you, 'here's the Grey Wardens, they're just kinda this group that exists in the world', we wanted to attach characters to them. So I can speak to the Grey Wardens in particular, anyone who's read comics and any of our short stories know Evka and Antoine, they kind've represent your connection to that faction. And you can work with them throughout the story, you can help them out. And decide how much you want to spend time with them. But each one of them [...] represents these important forces in the world that you need to get on your side if you're gonna stop the end of the world, so.

Audience member: Looks good.

Lucy: I was gonna say, Zach, you've done, you've done your research, so how exciting was it for you to kind've see and hear all these factions coming into play?

Zach: What, I'm sorry, can you repeat the question?

Lucy: You did all your research, so.

Zach: Oh, yeah.

Lucy: How exciting was it for you to hear about these factions and then hearing about how they'll come into play in the game?

Zach: Well, I don't think they kept my voice for Antoine, but I did my best French accent, I think it was pretty painful for everybody else on set, I really did. Oh yeah, the Grey Wardens are a barrel of laughs, those guys, they're absolutely wonderful. Well, yeah, so I had to play a bunch of characters, so I had to really steep myself in the understanding that, okay, the Grey Wardens go a lot, go through a lot, actually, doing what they do. They make a pretty intense bond in order to carry out exactly what they do. So, I tried to bring that as best I can to the physicality when I did do the motion capture and whatnot, but I cannot wait to see how it plays out in the game.

Lucy: Next question.

Audience member: Hello, I've also been a fan of Dragon Age since Origins. So, I've noticed in pretty much all of the games, there's a lot of influence from classical fantasy and mythology. So I was wondering, general question for the whole panel, what was your first exposure to fantasy or mythological storytelling, and do you use any of that in your voice-acting?

John: Hm. I can speak to mine but I can't speak to the voice-acting part, obviously. I mean I read Lord of the Rings at a very young age, and everything that you read that you, any piece of art that you enjoy, engage with, it's obviously gonna have an influence on yourself and also what you do.

Ashley: Yeah, there's a [depth?], in it, you know, to the fantasy world, that acting, it's kind of timeless, right? It can be anything, anywhere, and I feel like when we were doing the voices, we, you know, we didn't want it to be in 2020 or 2024 or whatever, so I think that's how I was most influenced, is, what's the most universal sound or a language, or a mixture of those, that can feel like nobody knows what it is?

Zach: I mean I was obsessed with, I think it's Theseus and the Minotaur, that story, when I was young. Did I just put my foot, I think it's Theseus, it could be Perseus, I can never remember okay?

Audience member: It's Theseus.

Zach: It's Theseus? My man! Thank you. I appreciate it. But I love the symbolism in those types of myths, right? Like, the Minotaur is this half-man, half-beast, who sits in the middle of the labyrinth, and the labyrinth is, of course, your mind, and you are also the Minotaur, and you are also Theseus. But so, getting to see the symbolism that's represented in Dragon Age, and how deep the meaning is, like that, those the stories I've always wanted to tell, ever since I was young, so I, it was a real honor to get to bring this to life.

Jessica: I also, my first, was Lord of the Rings, but I also was very interested in Greek mythology growing up. And, yeah, I think it's that, as Zach said, the symbolism, that you see, and like, I think you really see that in Dragon Age, and I know you know, right, you all, like, know the lore, and go looking for things, and that's really exciting to me. And then, just, yeah, the limitless possibility, right? You're not limited to what people look like, or whether you're human, I don't know, you know what I'm saying, like, that can really can take your mind and the world and the depth of the world anywhere and everywhere. And that's so exciting.

Nick: Yeah, I mean, for me it was The Hobbit, as well, my mom read me The Hobbit, and I would go, 'stop, stop!' And I would run to her closet and put on a pair of her boots, these shiny boots, and wear a cape, and I would go 'okay, okay, carry on' [...], you know, just, I would just, I would just be so in it. And then I'd go like, 'stop, stop, I'm gonna read that bit, I'm gonna read that bit'. And, you know, it was just, it absolutely informed why I'm sitting here today.

Ali: I wish I had better answers. Talking about, instead of yesteryear, talking about recently, I was travelling, and we were in Greece, and I feel like I saw Dragon Age everywhere. Just like an inspiration to travel and look back and, I'm now infatuated with castles. So, actually, it's brought me into this world, instead of me discovering it, you know, a long time ago, this has what's really brought me here.

[?]: Thank you very much.

[?]: Thank you.

Lucy: Thank you for your question.

Audience member: Hello, thank you for answering questions. For the new companions, if you could romance, from your companion's perspective, which older companion would you romance?

Ali: This could get embarrassing!

Zach: I kinda have a thing for The Iron Bull. Yeah, I saw him for the first time when I was looking up some answer to some question I had when I was reading the books, and I was like, 'oh, that awakened something inside of me! Huh! Look at that!' - You guys are gonna leave me hanging after I said that I want to have sex with The Iron Bull?

Jessica: [...] Um, I, I, don't know, honestly, I'm overwhelmed by that question, so [...]

Nick: I guess I'm a little overwhelmed by that question too. I have a particular fondness for Manfred, but, you know that's, that's a very particular relationship. I would say, like, I think what you've done with Solas is really sexy [...]

Zach: Dorian is really cute too. Yeah. [...] the mustache. Dig that guy.

Ali: Well, he's sitting right next to me, so this is a little embarrassing, but every time I heard Emmrich in my cans. Just, woooo. I might be on-board with all of the fans out there for Emmrich. If you'll have me, if you'll have me.

[?]: Thank you.

Panel: Thank you.

Audience member: So, the first game I played was Inquisition, and, this is not a knock, but, because, my reference would be Mass Effect, and I love that series. For Mass Effect 1 to Mass Effect 3, it seems the games was more streamlined. I'm getting the same feel from Inquisition to this one. Does that, what you can expect from gameplay-wise?

John: I mean, I don't think there's any, I don't think it's streamlined, it's. Again, each Dragon Age has been fundamentally different in its gameplay. We've tried things, seeing what works, seeing what didn't. In the case of The Veilguard, just like the other games, you wanna keep that tactical, strategic complexity and make that the centerpiece. And each one we focused on a little bit differently. In the case of this one, I think our skills in particular are some of the best we've done. There's some exciting combinations you do there, so.

Audience member: Thank you so much.

John: No worries.

[?]: Okay. There we are, okay.

Audience member: I was wondering what your favorite aspect was of the character you voiced?

Lucy: Ali, should we start with you this time?

Ali: I mean, so many layers, man, we're talking BioWare characters here! I think some of my favorite things about Lace Harding are the little things. Like, she loves her mom, you know, she loves to write letters home, she's always talking about her mama's soup and stuff like that. I love that relationship. She likes plants, and raising plants, which is inspirational, since I kill them. But just the texture they add to the characters, that's, in general, but for me, yeah, it's those little things that really kinda give me a bunch of stuff to work with in my brain, for bringing these characters to life.

Zach: I love the fact that Lucanis is a good cook. I just imagine him finishing a job and then going home, and, you know, cooking him a meal to kind've calm himself down, but with like the same knife he just used to murder somebody. He cleaned it of course, he cleaned it, but at the same time [...] -

Ali: I recommend my mama's soup.

Jessica: I really enjoyed, we sort've worked to bring, like, a noir element to Neve, and her being a private investigator, and so I really enjoyed leaning into that. And then she's just so dry, you know, like, things really mean a lot to her, but she's not necessarily gonna let you know that, you know what I mean? You have to kind've, like, discover that underneath. And, so I, I related to that, and I love that about her.

Ali: I was gonna say, 'I don't know anyone like that'.

Nick: I loved the, the fact that the writers just took Emmrich and explored the whole idea of death. The whole idea of necromancing, and, I really responded to that, I got into that, and bringing kindness into it, I know that sounds crazy, but it's to not have this idea that death is vulgar or kind've to be, something to be terrified about, but something to actually engage with on so many levels. I just thought the fact that the writers had the courage to do that in a game like this, I thought, it just blew my mind.

[?]: Thank you for the question.

Lucy: I think we have time for a couple more quick ones.

Audience member: Hi, okay, so first of all. Okay, hi, again. So, first of all, my dad just died, so [...]

[?]: Oh, I'm sorry.

Audience member: [...] Thank you. [...] So, [...] what you said about your take on Emmrich, really, really, I appreciated that. So, my question, to, I guess, John, would be, so, lore-wise, mechanically, not like story-telling-wise for the lore, how do you decide what lore goes in what games? Like, just, okay, so like, what decides what goes in Dragon Age 3, what goes in Dragon Age 4, what goes in Dragon Age 90-bajillion? Not from like a story perspective, right, but from, like a, what do we want to do, right?

John: Mhm. I mean it really does come down to, each one, as we build, it's, it's hard to say it as [...] something that we come [...], it's like, 'okay, we're gonna do it this way, this way, this way', mechanically, but, we kind've, we always know the base lore of the franchise, of the IP, and as we start to build the story, we start to see these opportunities to again, [...] speaking mechanically, bring certain elements in that make the most sense with the characters we're building and the story we're telling. We try not to overwhelm by saying a bunch, having a bunch of lore included that's not necessarily critical to the understanding of the story, but we always wanna expand the universe, and expand the IP, so.

Audience member: Thank you.

John: You're welcome.

Ali: And, can we please have a Dragon Age 90-bajillion?

John: I'd like that.

Ali[?]: That'd be amazing.

Audience member: Hi, I'm Matt. I've been a fan of Dragon Age since, actually, The Stolen Throne book, before I even knew there was like a game. And my question was, for the voice actors, one of my favorite things is the party banter. Was there any, like, lines of party banter that you recorded that you can say that just made you just, like, laugh, 'cause some of the party banter is pretty hilarious. Like, is there a certain thing that just sticks in your mind, whether you can say what it is, or just who it was with, like, so I can be on the lookout for it?

Ashley: I have one, it's so not appropriate. Do I have permission to say it?

Ali: That's what I was gonna say.

Zach: Yeah, say it.

Ashley: Listen for "hand-to-bone combat".

Lucy: I mean, do we end it there?

Ali[?]: And, scene.

Lucy: Well thank you so much everyone for coming to the panel. Thank you [...] Fall 2024.

[panel ends]

[source: DA:TV ‘Meet The Companions’ panel @ SDCC. BioWare have said that they are going to share the recording of the panel at a later date].

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strangersteddierthings · 1 year ago

Text

Beg You to Love Me

"I'm surprised you even remembered, Harrington," Eddie shrugs, hoping he comes off as aloof as he wants to, instead of shaky and unsure like he feels. He was sitting atop the picnic table, arms behind him trying to look as unaffected by Steve's presence as he can, but he's been thrown for a loop ever since Steve emerged from the woods instead of Robin Buckley, like he was expecting.

"Of course, I remember. I- I've never forgotten," Steve whispers, head down and fists clenched at his sides. He looks more like a child being wrongfully scolded than a man defending himself.

The words pull a scoff from Eddie, though. Never forgotten? What the fuck ever. "Right. Something to hold over me, then, if I'd stepped too far out of line? Mutually assured destruction?"

Steve's head snaps up and he looks horrified, which Eddie will admit to almost believing. Steve doesn't seem like the type to join the drama club but his acting's pretty fucking good. "What? No! I would have never- I would never have said anything about us to anyone."

"Right. Sure. Of course. Your own reputation to think about there."

Something like hurt flashes across Steve's face before it frosts over. This is the face he's used to see on Steve. Cold and distant. "I- whatever, man. I don't even know why I thought..." but Steve doesn't finish his sentence. He just shakes his head and turns his back on Eddie, heading back the way he came.

He doesn't know why that sparks a rage from deep within him. "Yeah, that's right. Tuck tail and runaway again!"

"I ran away?" Steve shouts back, turning sharply on his heel to glare at Eddie. "You think that I ran away?"

Eddie just spreads his hands to the empty clearing as if to say 'look at all this room around me you've never occupied'. "You weren't here, were you?"

"Because you told me to not be!" Steve stomps back to Eddie but stops a couple yards away.

"Like fuck I did," Eddie argues back, because he didn't tell Steve to go away. He'd told him-

"'If this isn't good enough for you, there's the fucking door.' That's what you told me," Steve quotes, "I thought it was pretty fucking clear what you wanted."

"Yeah, I fucking thought it was clear what I wanted," Eddie snarls, lunging from the picnic table, closing those last few feet to get into Steve's face. "Yet here we are!"

"Don't act like this is my fucking fault. Like you weren't the one who forced it to be my fault. My decision-"

"Yeah, it had to be your damn decision! You were dragging it out-"

"-because you were too much of a coward to do it your-fucking-self-"

"-acting like you were. Acting too good to actually slum it with the trailer trash-"

"-so of course I made the choice that was best for me. Because I deserved more-"

"-like what I had to offer you would never be good enough for the goddman King-"

"-than just being your hookup when I wanted to be-"

"-like I wasn't good enough to be your friend, much less-"

"-your fucking boyfriend!"

The contrast of this sudden silence that falls following their screaming match that ends with identical sentiments is jarring. Eddie feels wrong-footed and lost. Confusion and hurt mixing in him that he can see reflected on Steve's face.

"What?" Steve is the first to break the silence, drawing into himself. Arms crossing to hold himself at the elbows as he takes several steps back, as if to be able to see all of Eddie will clear the confusion he's feeling.

Eddie just stares back, slack jawed for a moment. That's. What. No, wait. Really, what? "What what?"

"You- you said 'if this isn't good enough for you, there's the fucking door'. How was I- I thought you- you were breaking up with me!" Steve cries, "you. You said that to make me pick, because you knew I wanted more and you didn't. That's- you were breaking up with me!"

Eddie's in just as much disbelief. "No, you broke up with me! I said if this isn't good enough but, like, I meant if I wasn't good enough. And you left! You walked out because I wasn't good enough to be with you!"

Steve looks stricken and he claws harder at himself, sort of folds into himself like he's going to be sick. "No. No no no, that's- then that means I- it's all been my fault. No no no no."

Eddie stares wide-eyed and frozen as Steve talks to himself. Eddie kind of feels nauseous. There's no way that this is possible. That these last two and a half years of heartbreak have been because of miscommunication. That they both thought the other was breaking up with them and neither actually wanted to.

"Why didn't you- Why didn't you say something?" Eddie asks.

Steve laughs at that, sounding a bit hysteric. "Me!? Why didn't you! I wasn't- I wasn't going to beg you to love me like I had with my parents. You were the one who told me I shouldn't have to do that!"

Yeah. He had. When Steve had broken down and cried on his bed, in his arms, wondering what it was he had done to lose his parents' love. Eddie told him it wasn't his fault, never would be, and that he would never need to beg for love from someone who does love him. It was the same advice Wayne had given him when he'd taken Eddie in.

"I already thought you were wanting to break up. You were being so distant, I thought..."

Steve sucks in a deep breath and nods, "Yeah. Yeah I was. I was scared of scaring you away. Of being too much. Because I- what I felt for you was a lot. I was afraid I'd chase you away if I continued to be so clingy. I pulled back, to reign it in but. Fuck. Fuck!"

Eddie drops to a squat. His legs feel like jelly and he can't keep standing. He squats and looks down so his hair becomes a curtain separating him from the reality of the situation, if only for a moment. Fuck is right.

He's spent his junior and first senior year being pissed at Steve. Hurt by him and what he thought happened. And it's- if Steve's being honest, it's all been for nothing. If they both wanted a deeper relationship, they could have had it. They might still be boyfriends if Eddie hadn't been so wrapped up in his Munson Doctrine. He'd been convincing himself Steve was embarrassed of him, and was working on breaking off their- whatever they were. But he hadn't been.

He's thought such terrible things about Steve over the years. God, what has Steve thought of him over the years? No. He doesn't want to know, actually. That's not what he cares about right now.

He lifts his head to see that Steve's plopped himself onto the ground, sitting cross legged, elbows on his knees and head in his hands.

"Steve. Steve!" He calls Steve's name out until he looks up, looks at him, "why'd you come out here?"

He laughs again, slightly less hysterically, and he's shaking his head like he can't believe what he's about to say. "I. Fuck, I was coming out here to beg you to love me."

"No you fucking weren't!" his tone is filled with disbelief.

"I was," Steve repeats, sounding amused and heartbroken at the same time. "I really, really was. Graduation's coming and I know you want to get out of Hawkins the second that happens and I'm. I was running out of time trying to get you to notice me again, so I was going to beg."

Notice him again? As if Steve doesn't haunt his every waking thought. As if he doesn't dream of Steve every night while his eyes seek him across the halls and in their few shared classes like he's the goddamn night sky and Eddie is a sailor lost at sea needing the north star to guide him home. Eddie's never not noticed him, and he thinks he has to come out here and beg? "When someone loves you, you don't have to beg."

"Yeah, I know," Steve sighs, defeated, which lets Eddie know that Steve does not, in fact, know. He looks away from Eddie, down to his lap.

Fuck, it's like every fantasy Eddie's had of them making up and then making out has been handed to him on a silver platter and he's blowing it. His words are too vague, too easily misinterpreted. Again. He falls forward on to his knees, hands catching him so he's on all fours like an animal. "Steve. I mean it. You don't have to beg."

"I get it, Eddie," Steve huffs, not looking at him. Not actually understanding.

Eddie starts to crawl the distance between them. Steve looks up then, probably to see what the fuck Eddie was doing with the shuffling sounds and the chain on his belt clacking. Eddie watches Steve's eyes go wide, mouth dropping open to a small 'o'. "See, the thing is, Steve," Eddie says, pulling himself up to be just on his knees to shuffle the last few inches closer. Steve leans back to keep his eyes on Eddie's face, which opens his lap up. "You said you know, but I don't think you do." Eddie brings his hands to rest on Steve's shoulders and Steve lets him. "You don't have to beg." He uses his hold on Steve's shoulders to balance himself as he swings a leg wide, to straddle Steve, then shifts his weight to repeat the process with his other leg before settling himself into Steve's lap. Steve's hands land on his hips and Eddie isn't sure if it's intentional or a reaction to Eddie plopping himself in his laps but he's going to believe it's the first one. "You've never had to beg with me."

Steve sucks in a sharp breath and then he collapses into Eddie. Steve's hands on his hips slide up and pull him into a hug, as close to Steve's body as he can get, while Steve shoves his head under Eddie's chin, into the junction of his neck and shoulder and breaths him in like it's the last breath Steve will ever take. "We're so stupid."

"Yeah," Eddie agrees, as he lifts one hand to hold the back of Steve's head while the other drops to rub soothingly at his back. "Yeah, we are."

They sit in the dirt, the closest they've been since that summer between '81 and '82. They should probably talk about. They're going to have to, if they want this to work. Full sentences with no hidden meanings, even though the thought of that kind of vulnerability makes Eddie skittish. It's going to be difficult, but it'll be worth it. Steve has always been worth it.

Eddie wants to say 'I love you', just to get it out, in the open, and not just implied, but there's a different first step to take. One that's actually a little easier. "I'm sorry. I'm so sorry."

"Me too," Steve whispers, "I'm sorry. I should have-"

"Shut up," Eddie cuts him off, voice quiet and soft as he can be. "This is, and I cannot stress it enough, a we situation."

The huff of laughter on his skin from Steve feels like the start of something. A new beginning, a start over. A re-do.

A goddamn miracle.

Later, they'll drag themselves apart and up. Make it to the back of Eddie's van in the school parking lot to talk. Going to either's house feel too much, too soon. Their big fight happened at Eddie's home, and Steve's house isn't warm enough for the kind of comfort they want to share.

They'll have a talk. Filled with long pauses, stumbling over words and fears and insecurities because this is the hard part of a relationship. Getting it all out in the open so they can learn if they'll even work. The fear that they aren't going to be compatible anymore looms but doesn't deter. They both want a second chance, to give it a real shot, by the end of that first talk. But taking it slow.

They'll discuss what went wrong the first time (diving in without talking about anything certainly played a big part) and how to avoid that.

But that's later. Right now, Eddie just holds Steve, and Steve holds him back, and it certainly feels like the beginning of something good.

@i-less-than-three-you @nburkhardt @afewproblems

#steddie #my fic #this is just Miscommunication The Fic #hurt/comfort #steve harrington #eddie munson #robin buckleys the mvp for setting up the meeting by lying to eddie #shes going to demand a thank you gift for giving them the time to talk #and eddie WILL send her a whole fruit basket

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