#i have more opinions that my brain can't formulate at 4am
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reggie-gremlin · 1 year ago
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i've been trying to cut the movie some slack because i know it was supposed to be much longer and it also came out during the strike but it's becoming harder and harder.
not only is everything op said absolutely correct, but they also erased so many characters (including alex and henry themselves) in favour of the love story, and so many of these characters were women. sure, we have ellen and zahra, but what about june, nora and bea? what about henry's mum?
(and don't come saying that nora and bea were in the movie, because they might as well not have been. any role nora plays is completely in service to the love story, and bea might as well not exist).
and in removing so much of the book in favour of the love story, even that has lost its meaning, because alex and henry (very majorly alex) are no longer alex and henry. alex is no longer a little brother. alex is no longer a child of divorce. let me repeat that, alex is no longer a child of divorce.
not only is that critical to his character, but also to his mother's. she says it herself in the book that many are always going to look at her badly for being not only a powerful woman who isn't married but a powerful woman who is divorced.
I’ve seen someone else mention this, but I also wanted to talk about this
The erasure of queerness in the movie is something I definitely did not expect.
Sure, it’s a love story between two men, but grab Alex and Henry and make them a man and a woman, the movie doesn’t change much. Maybe monarchy instead of being homophobic and racist now it’s only racist, and they hate Alex not because he’s a man but because he’s brown. They kept it a secret because of monarchy’s racism, but love triumphs at the end. That’s why the movie didn’t hit as hard as the book. The movie is just some forbidden love movie, rwrb is a book where the main characters are in a forbidden relationship, but it’s not the whole point of the book.
Alex discovering his sexuality, Nora being bisexual, whatever Pez had going on, whatever June and Nora had going on, Alex learning about queer history, the historical lgbt love letters at the ends of their e-mails, all the references to queer history and literature, THE SHELTERS, monarchy’s homophobia (yes, it appears on the movie but it’s really glossed over. It doesn’t show just how homophobic they actually are in the book), Alex stating how he knows more about himself the more intimate (both in the sexual and non sexual sense) he is with Henry, Luna being gay and unapologetic about it and being exactly Alex’s queer role model, even before Alex knew he was queer himself, THE FUCKING SHELTERS
I’m so so mad about the shelters being missing.
Henry and Pez made shelters for lgbt youth, so they can never feel as alone as Henry once felt, so they can always have a safe space so they know there’s nothing wrong with them no matter what the adults in their life might say, no matter what the preacher or their classmates or the right wing politicians in their tv might say, where they can find hope, and friends, and a home if they never had one before, or at least, one where they could truly be themselves. The shelters are, I would say, crucial to Henry’s character development. He went from hiding, believing being gay was “the most unforgivable part of him”, not even trying to come out because he just succumbed to live an unhappy life in the closet, to someone who’s out, living with his boyfriend and running lgbt shelters with his best friend so young queer people can move past all the things he felt and believed time ago, so they know they are perfectly normal and loved and safe in there, as long as Henry and Pez are there they’re safe, they don’t have to hide anymore.
Henry became the queer elder he needed in his life when he was younger. The lgbt adult who could tell him than it would get better, no matter how bad it was at the moment, no matter if he couldn’t see the light at the end of the tunnel, because it was there, he just had to hold on a bit more. Than there was absolutely nothing wrong with him.
Another thing than I seen changed than a normal person might not notice, but I did, because im obsessed, is the karaoke scene.
In the book, it takes place in something resembling a gay bar (maybe not exactly, but it’s full of queer people), and look at this
Three rounds of shots appear —one from a drunk bachelorette party, one from a herd of surly butch chicks at the bar, and one from a table of drag queens. They raise a toast, and Alex feels more welcomed than he ever has before, even at his family’s victory rallies.
Look again
and Alex feels more welcomed than he ever has before, even at his family’s victory rallies.
This book is about about finding community, finding yourself, finding love and letting yourself accept that love.
Do you think Alex in the movie has felt “more welcomed than he ever has before, even at his family’s victory rallies” at any point? Has he been with another queer person in the whole movie, except Henry, at all?? Because Nora’ sexuality was not mentioned at all no references nothing and with the whole Pez thing everyone could see Nora as just straight
Henry and Alex in the movie are kind of without community, alienated from it, they are, in my personal opinion, the king of gay people republicans would consider “good gay people” who “don’t shove it on everyone’s faces and just wanna be left alone” (in the rwrb universe where they exist and are real not actual republican people watching the movie). They don’t really take a role on the community, in the book, Alex and Henry being queer is an important part of themselves, again, Alex feeling like he knows himself better, Henry whole internalized homophobia, their shared interest for lgbt history and literature, Henry and Pez making the shelters, etc etc meanwhile in the movie Alex and Henry just happen to be gay and bisexual, but it’s no deeper than that.
And don’t get me start on creating Miguel, a queer character, and making him the one to leak the e-mails or smth instead of a republican candidate
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