#i hate u never

[hinamie]

I don't want to regret the way I lived

[clumxy]

kill me

[inkskinned]

this is just my opinion but i think any good media needs obsession behind it. it needs passion, the kind of passion that's no longer "gentle scented candle" and is now "oh shit the house caught on fire". it needs a creator that's biting the floorboards and gnawing the story off their skin. creators are supposed to be wild animals. they are supposed to want to tell a story with the ferocity of eating a good stone fruit while standing over the sink. the same protective, strange instinct as being 7 and making mud potions in pink teacups: you gotta get weird with it.

good media needs unhinged, googling-at-midnight kind of energy. it needs "what kind of seams are invented on this planet" energy and "im just gonna trust the audience to roll with me about this" energy. it needs one person (at least) screaming into the void with so much drive and energy that it forces the story to be real.

sometimes people are baffled when fanfic has some stunning jaw-dropping tattoo-it-on-you lines. and i'm like - well, i don't go here, but that makes sense to me. of fucking course people who have this amount of passion are going to create something good. they moved from a place of genuine love and enjoyment.

so yeah, duh! saturday cartoons have banger lines. random street art is sometimes the most precious heart-wrenching shit you've ever seen. someone singing on tiktok ends up creating your next favorite song. youtubers are giving us 5 hours of carefully researched content. all of this is the impossible equation to latestage capitalism. like, you can't force something to be good. AI cannot make it good. no amount of focus-group testing or market research. what makes a story worth listening to is that someone cares so much about telling it - through dance, art, music, whatever it takes - that they are just a little unhinged about it.

one time my friend told me he stayed up all night researching how many ways there are to peel an orange. he wrote me a poem that made me cry on public transportation. the love came through it like pith, you know? the words all came apart in my hands. it tasted like breakfast.

[kimeoshi]

Corrupted Ratio for Twitter! Reached 2k followers and he won in a prompt game

Timelapse:

[padmestrilogy]

has it ever been more over

[shripscapi]

The queen wore a high-collared black silk gown, with a hundred dark red rubies sewn into her bodice, covering her from neck to bosom. They were cut in the shape of teardrops, as if the queen were weeping blood.

[bioethicists]

i genuinely have no animosity towards ppl who get upset abt not being able to read academic texts + i do think we need to expand the pathways/methods of being exposed to critical concepts so that "sit + read for 2 hours" is not the only option.

however, as someone dx with adhd + incapable of sitting still for even a minute (actually right at this moment i am writing this instead of reading the book sitting open in front of me), i do feel like a lot of ppl do not realize that not all readings are designed to be read like a novel.

as in, it's ok + normal + good to need to reread a paragraph several times, to only read part of a book, to have to research or reference words or concepts in order to grasp the reading, to skip over large chunks of text which are not relevant to your expertise, to continue reading despite not understanding a concept. this is something 'neurotypical' academics do frequently + many of these texts, especially contemporary ones, were designed with this in mind.

there are many ppl with accessibility needs that are not being met by academic texts at this time! many texts (in my humble opinion) are unnecessarily complex in order to show off or hide the fact that they have no idea what they're talking about.

i still feel like many of the kneejerk reactions on this site are based on the assumption that their experience reading academic texts should be similar to their experiences reading a nyt bestseller, rather than a process of thinking, analyzing, researching, processing, returning. some of u are telling yourself that any challenges u face while reading are a result of some internal fault u have + not an expected + precious part of the experience.

[ferigrievance]

doing manga panel redraws to battle art block 😓

[lucabyte]

sometimes everything just sucks real real real bad

[atehisheart]

My sweet, kind man..

[chlorophyll-tints]

this is basically the whole game. i just saved you 50 dollars you’re welcome 🫶

[mayaskribbles]

lets make some new memories together

[chrliekclly]

——————

it’s been 6 years exactly nd i apologize for everything about this

[tw: implied csa]

[nostalgicish]

yapper x listener superiority

[lochlot]

i haven’t finished the show yet but they totally are gay and run away together and live happily ever after right? guys ? right? guys?

[yuwuta]

WHEREVER YOU WANNA GO, THAT’S FINE WITH ME — MEGUMI FUSHIGURO 

cw mentioned/talks about death but not like… in a serious way 😭 this whole thing is very unserious and stupid it’s just a thought i couldn’t get out of my head, megumi being… megumi, f2l but what’s new, also inspired by some clip from a tv show i’ve seen on tt but idk the name of it, if you do pls let me know

you ask megumi you make one of those marriage pacts with you—that if neither of you are married by thirty-five, you two will get married to each other—and he just hums for a moment before asking, “do you think i’ll be better suited for marriage at thirty-five?”

“what? n—i don’t know? maybe? it just seems like an appropriate age to get married if you’re not already, that’s all,” you explain.

more humming. he blinks, “i don’t think i’ll be all that different at thirty-five.”

“well, that’s concerning,” you joke, “you’re supposed to change—grow a little bit as a person and all that, megumi. even you are capable of it.”

“i won’t want anything different out of a marriage at thirty-five than i would right now,” he corrects you, then turns to you, and with all seriousness demands, “so, state your stipulations. what do you want from me, let’s figure out of this is gonna work now.” 

you scoff, and cross your arms. “what do i want from you? that’s not how a marriage works.” 

“that’s how this friendship already works.” 

you say, megumi does; he pushes it than he should have, you say to stop, and eventually he does, and the cycle continues. he’s always stubborn, and sacrificing himself beyond necessity, and you’re always pulling his ear for it. 

“okay. fine,” you settle, straightening your posture, “i want a house. three bedrooms, so nobara and yuuji don’t have to bicker about sharing when they stay over.” 

megumi considers it, then counters with, “four. gojo needs a bedroom, too. one floor, i don’t like stairs.” 

“where the fuck are we going to find a one-level four-bedroom house? i don’t want to live in the middle of butt-fuck nowhere.” 

“we’ll find one,” he shrugs, doesn’t flinch when he promises: “or i’ll have one made for us. next: vacations.” 

“twice per year. somewhere tropical, and somewhere metropolitan.” 

“i don’t like the beach.” 

“then you don’t have to go on the beach.” 

“you’re responsible for me if i burn.” 

“i’m responsible for you either way, i’m your wife,” you taunt, “pets, next. i want dogs. two. maybe three. and a bunny.” 

“no bunnies, they’re too much work.”

“but i want a bunny, megumi.” 

“you won’t have time for a bunny,” he rolls his eyes, “and you’re gonna get pissed when it chews up the expensive couch you’re gonna make me buy, and takes a shit in the expensive fruit bowl you’re gonna con gojo out of. no bunnies.” 

you pout and frown, but megumi doesn’t budge: “no bunnies.” 

you sigh, “no bunnies, but i want the dogs.” 

“i didn’t say no to the dogs. unless you want a golden, then i’m not raising that.” 

“why not? we already have yuuji.” 

“exactly, we already have yuuji.” 

“fine. i want a king sized bed. the really big, oversized ones you get in america.” 

“done. children?” 

“you want children?”

megumi shrugs, but you swear there’s a dust of pink on his cheeks, “maybe. maybe not. if i did, no more than two.” 

and suddenly you can’t help but feel heat in your own face, hot with the image of two tiny megumis running around. 

“that’s fine with me. maybe kids, but no more than two,” you cough, “i want one of those heated driveways for the house.”

“i’ll have it built. i’ll clean and do laundry and take out the trash if you cook.”

“what about days i don’t cook?”

“then i’ll do that, too,” megumi nods, “anything else?”

“yes. if i die first, you can remarry, but you visit my grave at least twice a year, and bring peonies. and that picture of me from prom where i look really good.” 

“no.” 

you stop. you blink. “what do you mean ‘no?’ you wouldn’t visit my grave?—kinda cruel considering i birthed your up-to-two future children and raised your dogs.” 

“i won’t remarry. and i don’t want you to if i die first,” he corrects you, again, “and there’s no dying first and leaving me behind, i’m going with you.”

he doesn’t leave room for debate in his declarations: won’t, don’t; not wouldn’t, shouldn’t, couldn’t—you have to pinch yourself to stop chasing the rabbit of temptation running through your mind. 

“i don’t… think you get to decide that,” you chuckle. 

“of course i do,” megumi grins, uncrosses his legs and leans over. he reaches a hand to the back of your head and pushes it forward until your foreheads meet gently; and as if the affection wasn’t shocking enough, he continues, “where you go, i go. that’s marriage, right?” 

he widens his smile a bit, before letting you go, leaning back into his seat again with crossed arms like nothing happened, and you’re left staring, blinking, breathing shallowly like prey that narrowly escaped being caught.

you don’t speak, so megumi does, “i have one more thing.” 

and slowly, you unthaw enough to let out a questioning hum. megumi tilts his head before telling you, “i want your last name.” 

“what? you—you would change your name?” you stutter, “but fushiguro is so pretty! and it’s your mom’s name, so few people get their mother’s names.” 

“yeah. this way, our up-to-two children get their mother’s names, too.” 

“i—okay… yeah, i guess they do,” you gape, then pout, “wait, what if i wanted to be mrs. fushiguro?” 

“tough luck,” he grins, “you get everything else.” 

you get me, instead, is what’s left unsaid. 

“okay, fine. sounds like a deal to me.” 

“great. we can’t have a spring wedding because gojo and toji will sneeze obnoxiously loudly, and we can’t have a summer wedding because the anniversary will conflict with our tropical vacation, and nobara will kill us if it’s too close to her birthday,” he says, standing up from the couch to head to the kitchen, “so i’ll see you at the courthouse in september.” 

you nod reflexively, sinking back into the couch with a satisfied smile. it’s a while before your brain processes his words, and when it finally does, you spring up in a fluster, “september? megumi, i said when when we’re thirty-five and if neither of us are already married! megumi? megumi fushiguro, come back here!”