#i guess 'addenda' is more accurate than 'errata'

[recurring-polynya]

go places addenda

Earlier this week, I finished posting go places, a 28k fanfic about Rukia and Renji getting ready to go take their Academy entrance exams. I started this story in 2019. It sat in a hot mess amongst my WIPs, and nevertheless informed a lot of flashbacks and memories that show up in various parts of my The Heart is a Muscle series. I made reference to a number of these throughout the writing, which my beautiful beta reader @diademchiofthetripod said worked fine as “textual ruins”, but I thought someone out there might be interested in actually finding the cross-references.

Additionally, this story contained a lot of world-building, just *bags* of worldbuilding, much of which started life as, or was inspired by various Tumblr posts, and I wanted to link those, too. Some of them are mine, but many came from other wonderful, thoughtful people, or came from us riffing off each other’s ideas. I am always grateful to the community on this website, and I just wanted to give credit to all the goofin’ around over here that inspires and informs my writing.

[cut for spoilers and also length]

Chapter 1

Settings are deeply important to me, and I felt like if I was going to set this entire thing in District 70, it deserved a name. Shiotsuka, 塩塚, means “salt mound,” because I wanted to invoke the imagery of barriers, like a town that sees itself as the last bastion of civilization, despite the fact that there are ten more districts to the south, including the home our protagonists have just left. In some ways, they are correct, though: Shiotsuka has the last post office on the South Road, the last shinigami recruitment station. I think all the ends-in-zero districts try to associate themselves with the ten above rather than the ten below. I realize this sort of thing is important mostly to me, but it sets the tone of the story as Rukia struggles to hold on to what she knows and who she is against the overwhelming message to focus her eyes onward and upward.

Mr. Mochida has been part of this story from the beginning. In fact, the opening scene of the original version was from his POV. I think that if I had started the story fresh in 2023, he would have been a very different character, but he was already *there*, and it didn’t feel right to replace him, which turned out to be a very good decision, actually. The actual point of this note is that I named him back before I got really into custom, bespoke character names, so it is likely that his name came from the Wikipedia list of Japanese Olympic weightlifters or something like that. I honestly don’t remember. It is a fairly common Japanese surname and, written 持田, means “hold or have” and “rice field.” An ordinary name for an ordinary sort of guy.

The bit about watered-down soy sauce came out of this post where I was wondering why they even had 55-gallon oil drums in Inuzuri and @bleachbleachbleach came up with a nicer answer than mine (which was Squad 12 toxic waste, although I am still fond of @snurtle 's idea from the tags that Rukia and Renji have glow-in-the-dark bones)

Chapter 2

The main reason there are couriers in this story is very simple: I have been re-reading Naomi Novik’s Temeraire series, and I got obsessed with the couriers and wanted some couriers. I realize that there is already the Secret Remote Squad, which is the subdivision of the Onmitsukidou that wears those rectangular hats and delivers messages around town. You know, these guys:

I wanted something tonally different though--a set of shinigami that spend most of their time outside of the Seireitei. Their job is important, but they’re more independent and a bit casual, and I liked the idea of this being one of Renji and Rukia’s first exposures to a shinigami-on-the-job (versus most of the introductions Kubo likes to do, where a character gets a Hollow dramatically slain right in front of them).

In my years of reading Bleach fanfic, I have decided that I do not care for it when people use flash step to travel long distances. This is a personal opinion, please do as you like in your own fanfics, but I just don’t think flash step should work that way. For one thing, my impression is that it basically involves doing a spatial shift from one place to another, which would seem to carry a heavy risk of running into things (or people). Also, it seems like it should take a lot of energy. Also, there are some characters (Hanataro) who can’t use it, which seems like it would cause a lot of problems. That being said, flash step is allegedly a set of techniques within hohou (we just never learn what any of the other ones are). I had some fun making up some that are practical for long-distance, which was both fun and satisfying for me. Ryuupo is written 流歩, where the first character , which means "flow", is also used in the word for jet stream, and then the second character is the same one for “step” that’s used in “flash step.” Hayaashi, 速歩, means “brisk walk” but it’s also the word used for a horse’s trotting gait. I do not actually speak Japanese. I did my best.

Relatedly, I also liked the idea of Mr. Mochida teaching Rukia and Renji a lot of practical, but not flashy stuff, and in particular, things that take lots and lots and lots of practice, but have a great deal of payoff. Unlike some people, who try to teach a kid bankai in three days, he’s more of a “strong foundations” sort of guy. I hope it’s obvious (particularly you’ve read my later stories featuring Renji in sensei-mode) that Renji is imprinting on this guy like a baby duck.

The Seireitei Bulletin makes an appearance, in part because I wanted to make a vague reference to my headcanon that Tousen personally transformed it from a propaganda rag into…um…something more closely resembling a news outlet. I also wanted to drop some hint of some big doings in the city that the reader would recognize, but would, of course, be basically meaningless to Rukia. It is actually right around the time Byakuya became captain, but that was a little too…too. However, Gin also became captain around the same time and you know I never miss an opportunity to do a shout-out to Iba’s mom.

Rukia contemplating a life in the Onmitsukidou is partially a Between Tides joke, but it’s mostly a reference to a Hisana-joins-Squad 2-and-then-adopts-Rukia-herself AU that @alopexplasma and I improv’ed our way to in the comments of section of Call Me Back When the War is Over.

Watanabe Yuuto is one of my Inuzuri irregulars; he also featured in the story Renji tells Chad about Rukia vs. the Bees, which is the next-to-last scene of Chapter 5 of See You on the Other Side.

Renji tells the story about Rukia wrestling the tanuki (or badger) to Byakuya in Chapter 11 of Call Me Back When the War is Over. It’s the second scene down and can be read independently of the rest of the story. Towards the end of the same chapter, Rukia clarifies that it was a badger (definitely not a tanuki).

Chapter 3

Rukia’s bunny print yukata makes two appearances in Call Me Back, once in Chapter 12, proving that Renji was paying attention after all, and once in Chapter 13.

Here’s a six-part video series on how to make your own waraji. I did not know that waraji were for short-term use! That was the second most interesting thing I learned writing this fanfic! The shihakushou headcanon is one I have been working on for a long time and I’m glad that I finally worked it into a fanfic. I wrote out most of my thoughts on the topic here, and here’s the senkaimon transfer protocol post that originally got me thinking about it way back when.

I did a whole post on the “Black Dog of Rondanini” kidou Rukia is trying to read. Thanks to the Bleach wiki for the kanji version of the chant, which was very helpful in writing this part.

Obligatory link to the Renji breaks his arm story.

The poem Renji is trying to write out is the Iroha, a pangram that was used as a kana ordering system prior to 1890. I felt like it was the sort of thing a boy’s mother would make him copy out to practice his writing, analogous to the old "quick brown fox".

Chapter 4

(for realsies, tho, a lot of the dream sequence references this post I made about the symbolism of Sode no Shirayuki taking the form of a yuki-onna)

Chapter 5

I was trying to come up with a list of common items that an Edo era traveler might buy/take with them on a journey when I inadvertently came across the number one most interesting thing I learned while writing this fanfic.

The incident Rukia remembers about thinking Renji didn’t like her until the day she laughed at some sick burn he made is the same incident Renji mentions in Chapter 4 of a little in love, in which he thought she didn’t like him until the day she laughed at his sick burn. What a couple of idiots.

“Rukia even worked in a shop for a bit.” If this seems familiar, it’s because it’s from my unfinished Inuzuri story I Can’t Believe I Found You in that Town and I’m sure I’ve posted excerpts from it on Tumblr. It was a pawn shop. Her job was scamming people. She was very good at it.

Re: the 1000 kan budget Mr. M gives them: For reference, per Color Bleach+, an issue of the Monthly Seireitei Bulletin costs 380 kan. A cosplay Squad 4 nurse’s outfit costs 5,980. City inflation is wild.

“I like the signs they have here,” Rukia says, pointing up at one that shows a pipe with rings of smoke coming out of it. “You can tell what the shops have without having to go in.” I went down a real rabbit hole on Edo era kanbans (and yes, that’s the etymological origin of kanban boards used in agile project management). A lot of them relied on puns, and I read in one article that high-end city shops would make their signs rely on insider knowledge so that only their more sophisticated customers would recognize them, which is the most Seireitei-ass thing I have ever heard.

“I did some arm-breaking for a crooked apothecary for a while,” Renji admits. There were some more details on this in the Renji-breaks-his-arm story, and probably also the upcoming chapter of Heart is a Muscle. If it feels like Renji mentions about six thousand different jobs he had in Inuzuri, I did that on purpose, because I wanted him to feel like a guy who was always on the grind. Most of the jobs were extremely short-lived.

Chapter 6

“I know about wheels!” Renji volunteers. “For a while, I worked at a place that took old carts and swapped their wheels around to make them look different and then sold them again.” Inuzuri is the chop shop capital of Soul Society

“We met a shinigami once, in Inuzuri. We both got real hungry, just from being around them.” I realize that everyone has not watched episode 32 of the Bleach anime 100,000 times, but this happened in episode 32 of the Bleach anime. There’s a screenshot of them in the post above.

Chapter 7 Mr. Mochida’s home district is Zanshien (残紫苑) Lingering Aster. Aster means “remembrance” in hanakotoba. Sometimes I am not subtle.

“There was a girl. That’s a complete story in itself.” Man, you know how I feel about lines like that.

Kaho, written 馨朋, means “sweet-smelling friend” because I was still on my flower bullshit.

Renji clenches one fist. “Our friendship can take this, Rukia. It’s like the book I’ve been reading on bodyweight exercises. The way you build muscle is by tearing the fibers apart, and then more muscle grows in to repair the tears, and that’s how you get stronger.” A lot of times, I have regrets about the name The Heart is a Muscle, but then I write crap like this.

The tapping also shows up in Between Tides.

“when sparrows begin building their nests” is one of Japan’s 72 poetic microseasons. The Japanese school year has begun in April since 1886, so I assume that's when the Shin'ou term starts, as well. I figured the Rukongai kids would try out shortly before then, so that they can just stay if they get in. The idea of official communications from the Seireitei being conducted in the most arcane ways possible was done with love for @bleachbleachbleach

One of the first things I did when I picked up this fanfic again earlier this year was try to calculate how long it would actually take to walk from the Inuzuri to the Seireitei. I have all kinds of notes based on the stuff Yoruichi tells the Karakura kids about how long it takes to walk around the Seireitei, the diameters of Tokyo and NYC, amounts of time I felt would be practical, etc, etc, and in the end, I just used some numbers that felt right in my heart. Time dilation in the deep Rukon is yet another headcanon I picked up from B3, but it’s also how I reconcile the various competing estimates of Rukia’s age. Do not try to follow Mr. Mochida and Hatori’s math, they’re probably using some silly “Thirty days hath September” calculation mnemonics. I think you can take my word for it that Rukia and Renji made it to their tests on time. For the record, they passed.