#i gotta say i think i was at my best around 2013 - 2016 so those tags (and the shinee ones) are where you'll find my personal favourites 👀

[the-bejeesus]

To Those Who Say “I’m not gonna catch up on One Piece until it’s finished. Why would I watch/read 1000+ episodes/chapters when I don’t even get to know how the story ends?”

      Now for the past few years, when I came across somebody who said this, my rebute would be something like “Well the series is great already. It doesn’t really matter if I don’t know how it ends, because the journey itself is enjoyable.” or “Man if that’s your excuse, who you gonna explain why you read/watch stuff like Berserk, Hunter X Hunter, JoJo’s Bizarre Adventure, and My Hero Academia? Newsflash, they aren’t done yet.” But it came across my mind that I can now apply a completely different approach:

“If you start watching/reading at this pace right now, it will be over by the time you catch up.”

      If you’re a fan of the series, you’ll know that for awhile now Oda has been saying that he plans to end the series in just 5-4 years. Now he’s made lots of claims in the past that turned out to be ridiculous. However, many One Piece researchers have compiled his claims and found out that they only get more accurate as time goes on, with the most ridiculous claims being found to be myths. And with the most recent claims of ending the series in less than 5 years, even his editors who are usually skeptical have started to trust that he can do this. After all, he has officially set there to be only one more saga (which isn’t necessarily one arc, but it’s either going to be 1-2 major arcs or an anthology of 5-6 shorter arcs). And now that we can trust this claim, we can essentially extrapolate how many chapters/episodes are left and what pace we have to binge to catch up at just the right time.

If you plan to read the manga (black and white):

The manga in black in white is a perfectly fine way to enjoy One Piece. It’s what Oda draws, it’s how he intends it to be viewed, and best of all, it will be the first version of publication to finish.

     Out of the 1223 weeks since the first chapter published in July 19, 1997, 1000 chapters have published, meaning on average he publishes 42 chapters per year, or in other words, there are only 10 hiatuses per year (including holidays where WSJ does not publish). Now if I wanted to be more accurate, I’d only look at the chapters published this year, to exclude outliers like how he had no hiatuses for the first 200 chapters, or how he had a 4-week hiatus during the timeskip, but 2020 has been a bit crazy, so we’re not doing that for this or any of the others.

     Going off of this, the final chapter would be chapter 1212 in December 28, 2025 (yes, the 28th would be a Sunday again.) So here’s how you’d calculate the pace in which you need to read One Piece, and really this is how we’ll calculate it for every version)

     Now I know math is boring, but the reason I’m showing this to you is because the amount of weeks until One Piece ends will vary based on when you start this binge. Chances are you aren’t going to start the day you see this post, and there’s an even greater chance you won’t see this post the day it’s posted. For every example I’m going to assume you started binging on December 28, 2020. Now let’s try to use it for this example.

     And there’s your answer, just read 4-5 chapters per week. By the end, One Piece should be nearly over or have very recently ended. To put that into a different perspective, you could purchase and read just two volumes per month and you’ll be at prime pace. Or you could read one chapter every day, but only on weekdays.  If you want to, you can see this calculation in action in graph form.

     While this is a very rudimentary graph, it’s a basic visualization of what we’re calculating here. We’re calculating what speed we need to binge to catch up at exactly the right moment. I say exact, but ultimately no one can predict how many chapters there will be exactly, nor how many hiatuses Oda will go on during it. It will be important, as you’re nearing the end, to find a spoiler-free way to keep up on how close One Piece is to ending. To know whether you ought to speed up or slow down.

If you plan to watch the anime (subtitled):

For years now people have hated on the anime “terrible animation!” “terrible pacing” but at the end of the day, it’s the more popular version. Or the more viewed version I should say. And personally, I think that once you acknowledge its problems and learn how to deal with them, it’s a perfectly fine experience. There’s enough good voice acting and enough good storytelling that you’re easily able to ignore the problems. Plus, the animation has substantially improved since Wano.

      Now for this we’re going to have to change a lot of variables to get this right. We’re going to have to adjust when publication started, and recalculate when One Piece will end by looking at how slowly the anime adapts the manga, and how behind it is. The anime aired on October 20, 1999, and has aired 956 episodes since then. This means on average they air 44.9 episodes per year, meaning there is pretty much only 7 breaks the entire year. With these 956 episodes, they have adapted 955 chapters, making the pace almost exactly one chapter per episode. However this is really inaccurate, considering all the better-paced arcs earlier on in the story. Looking solely at episodes 2012 and onwards, the anime adapts at a pace of 0.65 chapters/episode.

     Knowing that there are roughly 212 chapters left, and Toei adapts at 0.65 chapters per episode, we can assume that there are going to be roughly 324 episodes left. That sounds like too many, but keep in mind that there will be several, several instances where the manga will be on hiatus whereas the anime will keep on airing. Knowing there are approximately 324 episodes left, and that the anime only takes about 7 breaks a year, we can assume that it will take 7 years, or 374.49 weeks before the anime will end. So now we have the information we need to do the math again.

x = 1280/374.49

x = 3.417 episodes/week.

     It may seem like a more relaxed binge, since you get a whole 2 extra years to binge, and you only have to do 3-4 episodes per week, compared to the 4-5 chapters. But keep in mind that these episodes are 24 minutes each. Still not at all bad, but you will be spending more time on it overall.

If you plan to watch One Pace:

One Pace is a fan project that edits the anime so that filler and padding is cut, other edits will be made to make the anime more manga-accurate, such as reorganizing scenes, or adding title cards where absent. Originally only used by a niche number of One Piece fans, One Pace has grown in popularity, and has tried to improve its quality to accommodate more fans, such as making their episodes Dual Audio (meaning you can switch between the dub and original Japanese audio tracks), and including Spanish subtitles.

      You’d think we’d have to adjust for when One Pace began, how slowly One Pace catches up, and the works, but there’s not much to calculate. Fortunately for us, no matter how far behind One Pace is on editing the current arc, they always like to wrap things up just a few weeks within when an arc ended, if not the very same week. So really all we have to calculate is how many One Pace episodes there will be by the end of all this, so that we know how many you’ll need to watch per week.

      Looking solely at what they’ve covered so far, One Pace has taken 573 episodes and condensed it down to 259 episodes. That’s a pace of 2.21 anime episodes/ paced episode. Earlier we calculated that there would be 324 episodes of the anime left, making for 1280 episodes total. This would mean that there would be around 578 One Pace episodes by the end. And One Pace would probably wrap up in, let’s say 376 weeks, because as I said, they’ll probably finish editing the final arc a week or two after the last episode airs.

x = 578/376

x = 1.53 episodes per week

      Now that’s a relaxed pace. 1-2 episodes per week? That’s so slow, I’m not even sure if I’ll remember what I watched last week next time I watch some episodes. The only problem is some of the pre-timeskip still haven’t been edited. They’ll probably be done by the time they finish the final arc, but that’s not gonna work out fast enough. You’ll hit your first roadblock about 7 weeks in when you need to watch the Baratie arc and it’s not done. And don’t even get me started on how many arcs aren’t done in dub or Spanish sub yet. Hopefully you could just switch to the anime or manga when you hit these arcs, readjusting how many episodes/chapters you need to watch/read when you do. But that’s a bit of an excessive amount of math for something that’s supposed to be fun. So yeah, if you’re still convinced you shouldn’t get into One Piece until it’s ended, maybe this is the option for you.

If you plan to read the manga (Colored):

Since 2012, Shueisha has made a colorization of One Piece. It’s not a fan coloring, it’s as official as it gets. Many consider the color schemes portrayed in this version as the most canon, as the majority are pulled straight from whatever colored illustrations of Oda’s they can find. And quite frankly it makes the manga at least 10 times more beautiful. It’s especially great if you have trouble interpreting dense, small black and white panels.

      This one is a doozy. You’d think all I gotta do is calculate how far behind the colored manga usually and just adjust from there, right? Wrong. Because how far behind the colored manga is, or how frequently they release volumes in full color, is one of the most inconsistent things I have ever seen. You wanna see what I’m talking about? This is how they’ve chosen to release each volume since 2012:

Volume 1-12: July 15, 2012

Volume 13-23: September 28, 2012

Volume 24-63: December 4, 2012

Volume 64-65: April 4, 2013

Volume 66-68: December 20, 2013

Volume 69-70: August 25, 2014

Volume 71-72: September 16, 2015

Volume 73-75: October 4, 2016

Volume 76: December 2, 2016

Volume 77: March 3, 2017

Volume 78: July 2, 2017

Volume 79: September 4, 2017

Volume 80: December 4, 2017

Volume 81-82: March 3, 2018

Volume 83: October 4, 2018

Volume 84-86: August 2, 2019

Volume 87-92: September 16, 2020

     How I am supposed to find out how long it will take for Shueisha to colorize the final volume of One Piece is beyond me. I guess the first step would be to look at how far behind the manga each release was on average, but I’m going to ignore all the ones before 2013, because those were clearly just Shueisha catching up really fast cause they just started and didn’t want to be dozens of volumes behind forever. So of the 14 publications between 2013 and now, on average the last chapter of the last volume they colored was 97.78 weeks after that chapter had published in Weekly Shonen Jump. This means that if the final chapter of One Piece is chapter 1212 on December 28, 2025, then you can expect the final colored volume to publish November 14, 2027.

x = 1212/359

x = 3.37 chapters/week

     So if you prefer the manga but don’t want to read 5 chapters every week for 5 years, this might be a better option for ya. But yea, I have no doubt my prediction is at least a little off for this one.

If you plan to watch the anime (dubbed):

Unlike the 4KidsTV and Odex dubs of One Piece, the FUNimation dub is a perfect way to enjoy One Piece. The DVDs come with enjoyable commentary and a marathon mode, great for binging.

       FUNimation’s releases of the dub are inconsistent, although not nearly as erratic as the colored manga release. However, there was recently a 2-year hiatus we only just got out of. Since Episode 1′s dub in May 27, 2008, the dub has gotten as far as Episode 614. But that’s only looking at the DVD releases. If you’re willing to stream on FUNimationnow, the dub is as far as 641, and if you’re willing to digitally purchase it from an e-shop such as the Microsoft store, it goes all the way to Episode 654. With that being said, that would mean that on average, FUNimation dubs 1.004 episodes per week. Although if we go back to before the two-year hiatus so as to exclude it from the average, it’s actually 1.10 episodes per week. Not a huge difference, actually. And then if we look solely after the two-year hiatus, it’s actually 2.25 episodes per week, which is insanely faster. It’s hard to tell what the future of the dub will be. I can’t assume they’ll go this fast forever, so I’m just going to take the average of all 3 and say it’s 1.45 episodes per week. Don’t know if that’s the best mathematical approach, but the number seems about right.

     So knowing that the dub is at Episode 654 and looking at our previous guesstimation that the anime will be 1280 episodes long, we can predict that it will take 431 weeks before the dub catches up and ends. That would be in 2029! Sounds quick at first until you notice it’s 4 years behind!

x = 1280/431

x = 2.96 episodes per week

      Looks like it’s almost exactly 3 episodes per week. Not as much less of a workload as I expected, compared to catching up to the sub. You know, I figured those 4 extra years would make you binge a lot slower.

Final Thoughts:

      There’s a lot of my math that was estimation, approximations, extrapolations. Feel free to correct me or fact check me, especially if you plan on using this. I figured this would be a fun thought excercise. There’s also a lot of smaller variables I simply didn’t want to take into account because of how long this is already. For example, reading the black and white manga. The calculation can vary slightly depending on if you read it the day it’s published (which I assume would have to be a fanscan unless you can read Japanese), reading the weekly publication legally on Viz.com, waiting for the physical volume release. The dub can also vary depending on whether you buy from Microsoft, wait for the FUNimationnow release, wait for the DVDs, or wait for the Collection sets. So feel free to take this into account.

[artificialqueens]

The Parent Trap, Chapter 9 (Biadore) - Henny

A/N: Thank you for the comments, Hennies! Y’all are making me feel like Ariel in the beginning of Little Mermaid 2 :> I missed all of you too! Sorry if there was a problem with the formatting of the previous chapter; completely my fault!

OH, and if you’re confused with the timeline, I’ll simplify it for you:

RPDR Season 6 (filming) ended around Mid-July of 2013 (assuming it takes about a year or so before it is released). January 2014; Roy and Danny started dating. 6 months after that, June 2014, a month after Bianca wins, they get married. A year later, the couple gets baby fever, so they start looking for the perfect surrogate and egg donor. This is where I deflect a bit from the prologue, it takes them until May 2016 to conceive.

TLDR; the fic takes place July 2026, and RPDR is currently airing S19 with THE AS:BoTW filming the very same year . If I had said anything contrary to those stated above, disregard it. This is the new timeline I’m going to follow going forward.

All the love, Hennies!

XOXO, Henny

<3 <3 <3 <3 <3 <3 <3

“Well, would you be interested in joining the first All-Stars: Battle of the Winners in place of Bianca?”

The way Adore gaped at her phone was almost comedic, mouth opening and closing like a fish. In some way, she’s almost flattered at the fact that Ru called personally instead of a producer. It’s almost very considerate, since the man knew what had gone between Danny and Roy.

“Well, last time I checked, you didn’t crown me, Mama…” Adore adds a teasing tone to her voice, and tries to ignore the nerves that seemed to resurface at the idea of returning back to the competition. It’s been many years since Season 6, and Adore has genuinely forgotten how it feels to be on a platform like that again. Focusing on her music as both Adore and Danny has shifted the focus of her career as a drag queen and performer; and with many seasons passed, she knew her charm has run dry with Drag Race fans.

Ru laughs, the iconic shrill making Adore spiral back into the werkroom. “I didn’t, didn’t I?” He laughs again, and Adore can only imagine him wiping a fake tear. “But, I am planning to release the footage of you and Bianca winning to prove that my decision to invite you has some bearing, at the least.”

Adore inwardly groans again, remembering the night of the finale wherein they filmed the ending of her and Bianca winning together. She feels the ghost of Bianca’s hands squeezing her own as they waved and the sparkly confetti rains and glitters of lights from cameras blinded their eyes; applause and cheers roaring in their ears.

“What will the other queens say? The winners, I mean. It’s not like they’ll consider me a winner, especially the newer queens.” Ever the anxious person that she is, she finds a brush to fiddle with to lessen her anxiety.

“My competition, my rules. Whatever I say goes, Baby. They can say whatever they want, but if they’re smart enough, they’ll pipe up. And, besides…” Ru trails off excitedly, like they were sharing a secret. “Since this is only a Netflix special, I’m only doing the first decade season winners. I’m sure they’ll be nicer to you than recent ones.“

“All of them said yes?”

“All, but one, you already know…”

“Yeah, yeah…”

“So, what do you say?”

“I- I don’t know, Ru. I’ll think about it…”

“Of course, let the producers know soon, alright? Filming starts October! Toodles!”

The call ends, and it takes everything in Adore’s willpower not to throw it to the wall. She looks at her phone’s lock screen and sees the beaming face of Portia, and she manages to calm down. She stands up, grabs a pre-rolled joint in her makeup kit, and heads out of the building after shouting to the manager to inform him about her whereabouts. She normally didn’t do this anymore; smoking, hard liquor, and even hooking up with trades that come her way. Portia had completely turned her life around, and so did Roy and Nerissa. “Fuck,” Tears fill her eyes again at the thought of her daughter who she no longer knew, she sniffles as she takes a long drag of her joint and breathing out harshly.

A tall figure looms over her, and with a tap on her shoulder, she nearly doubled over in fear. “What the fuckkk…” She groans, clutching her heart.

“Oh, sorry… Didn’t mean to scare you.” Adore looks up to meet the steel eyes of a blonde stud with a smug smile on his face.

“Shit, I know you…” Adore murmurs in thought, before she remembers “You’re Brooke, right?”

“Brooke Lynn Hytes, yeah.” He flashes her a beautiful, gorgeous smile, pearly whites and all. “…But right now, uhh,” He looks down to his jeans and plain gray shirt, “You can call me, Brock.”

<3 <3 <3 <3 <3 <3 <3

“Okay, give me another one.” Portia looks at her cards, one five of hearts and the other six of spades. It was really late and they just finished washing the dishes of the entire camp after dinner. Not tired from their post-cry-emotional nap earlier, they had decided to play a game of Blackjack. Nerissa deals her another card, and picks one for herself. Portia peaks at the new card, and sees her nine of spades. She joins the cards together, and places them down in triumph.

“20, let’s see yours, Haylock.”

Nerissa drops her cards, a jack of diamonds, two of clubs, and nine of clubs. “Blackjack, bitchh…” She taunts, laughing at Portia’s dismayed face.

“That’s not fucking fair…” Portia drawls, “That’s your 9th time winning, I think you’re cheating…”

“Oh, please. You just play your cards wrong, and sometimes, I’m just really lucky…” Nerissa beams as she watches Portia fix the cards and put it back in their case, murmuring “I don’t want to play anymore.”

“It’s getting pretty late, too. I think we should go to bed.” Nerissa yawns as she grabs her blanket and tries to settle herself in. Portia agrees before standing up to lock their door; to make sure the windows are tightly shut; and to turn off the light. The moon shines at its brightest, a cool silver light shimmers through their window.

“I know it’s late, but I’m not even remotely sleepy.” Portia comments despite the yawn the escapes her.

“Same here,” Nerissa says with droopy eyes.

“Tell me, what’s Bianca like? No… noo…What’s dad like?” Portia asks, adjusting herself so she faces her sister. The mere idea of having a sister and having Roy Haylock AKA Bianca Del Rio, THE Bianca Del Rio is possibly 50% her dad makes her more giddy than anything in the world.

“Dad is probably the most workaholic person you’ll ever meet. He’ll make time for you, yes. But, you can tell that 75% of his mind is just…” Nerissa sighs, “exhausted, if not thinking about work… He really tries though, he hasn’t missed any of my ballet recitals yet nor any PTAs. He’s as active as a busy parent can be.”

“That’s good, I guess…” A hum of agreement, another yawn.

“And not to mention, the free dresses.” She giggles, “How ‘bout our other dad?” Nerissa turns to lie on her back, thinking about her dad who she hasn’t updated in awhile, even though she promised to do so everyday. A sudden urge to hug her dad courses through her body, and subtle pout forms at her lips at the thought of Roy. She missed her dad, she’s still upset about the whole not-telling-her-she-was-a-twin-thing, but she missed him nonetheless.

“He’s pretty chill. I can do anything I want,”

“Wow.”

“Yeah, my dad’s pretty cool. We have the kind of relationship where I can tell him things and… he can tell me things. He’s my best friend, so we just have fun most of the time.” Portia says with mere awe. “But, it wasn’t always like that. There was a time though where he was pretty down in the dumps; he didn’t really have the best mental health back then and his coping mechanism–”

“Hey, this seems kinda personal. You don’t have to tell me this, okay? Only if you’re comfortable doing so.” Nerissa says, her arm crossing its way to pat Portia’s tummy to stop her thought.

“No, no… You’re my sister, and I trust you enough.”

“Okay, if you’re sure… So you were saying?

“Yeah, so, he didn’t have the best coping mechanism. Alcohol is tricky when it gets out of hand. I didn’t mind at first, because I didn’t think it was that bad. I didn’t notice the signs because I was so young. It was only one incident, really, when I understood the gravity of it all. Around June, he nearly drank himself to death. I don’t know why he drank severely that night, but I just found him passed out on his own–” Portia chokes as tears start up with the memory of seeing her dad then. “I was only four then, Riz. I didn’t know what death was, but the minute I saw him– It just rationalized so quickly in my head. I called 911 as fast as I could. I didn’t know what I was saying half the time ‘cuz I was just crying.”

Nerissa places a comforting hand on Portia’s arm as the girl tries to fight the sniffles. When Portia manages to barely win against the tears, she continues, “When we were in the hospital, I was with my Grandma and there was another man, I– I don’t know who, from what I can remember– we didn’t know if my dad was gonna make it.”

“I’m sorry to hear that, Porsche.”

“No, no… It’s fine. Just sucks to remember it. But, he managed to pull through, obviously. He hasn’t drank alcohol in years. So, I’m really proud of him, especially in his line of work, it must be so hard.”

“Yeah, as his 50%-chance daughter and for what it’s worth, I’m proud of him, too. “

<3 <3 <3 <3 <3 <3 <3

When Courtney heard the rumors going around backstage that night, she had about ten shots of tequila before coming to the conclusion that she wouldn’t tell Roy. But, funny how alcohol works out.

“Yanxxxxx” Courtney drawls out on her phone that she’s struggling to hold up to her ear. But the effort was there. She has absolutely no idea where she is as she presses her warm cheek to the cold faux leather seat of a couch.

“Bitch, did you really just– What?” Roy rolls his eyes as he looks at his phone that hosts Courtney’s current call and the said-blonde on his couch, drooling and staring off into space.

“I gotta–” hiccup “tell you a ssssecret.” Courtney angles her phone to her mouth, so she’s directly speaking to the phone’s microphone. Roy walks over to the drunk girl, grabs her phone and throws it in her purse. He ends the call on his phone before slipping to the kitchen, grabbing a towel and soaking it with cold water. He gives it a good squeeze to remove the excess water before going back to Courtney and placing the towel on her forehead.

“You’re so lucky Riz isn’t here or I would’ve left your drunk ass in the club.” He mutters in annoyance, even though everyone knew he wouldn’t really do that. He could never let anything happen to any of his loved ones, and god knows Riz has seen Courtney or Shane pissed drunk since she was a toddler.

“No,” Courtney says abruptly, hand swatting away Roy’s hand. “Nooooo…” She continues to drawl. “The secret is Ado…” She leans in close, way too close. Roy gets a harsh flashback and hastily pushes Courtney away. With the push, Courtney plops on her back and passes out entirely. Roy sighs, both in frustration and exhaustion. He wouldn’t bother removing Courtney’s makeup, but he did give her the courtesy of removing her wig and cap, as well as unlacing her corset. It all feels familiar to him, taking care of someone and helping them de-drag, except of course, back then he had to strip Bianca off himself and help Danny remove his clothes which then would lead to…

Roy shakes his mind, trying to get rid of the idea before it escalated. He leaves the guest bedroom and makes his way to the kitchen for a glass of wine. He’s just going to pretend he doesn’t know that Courtney was about to say something about Adore as he starts up a design for Rupaul on the granite kitchen counter.

<3 <3 <3 <3 <3 <3 <3

“I can’t believe Biadore was ACTUALLY a thing.”

“How can you not? The tension was so obvious, especially during that one part where Adore said she didn’t want to work with Bianca? The sexual tension was just–” Nerissa fans herself before she receives a slight smack and push on her shoulder.

“Dude, you’re so fucking weird. I don’t wanna think about my dad’s sex life OR YOURS!!”

“I’m just telling the truth! The stare was intense.” Nerissa breaks into a fit of giggles at Portia’s face of slight disgust at the idea. “And speaking of, did your dad date anyone again?” Nerissa asks.

“Never anyone serious enough to introduce to me, no. He’d go on dates, sometimes Adore would go on dates. But, yeah. He never really seemed interested in dating anymore, so he put all his attention to me or his and Adore’s music.”

“Do you call Adore “mom”?”

“No, that’s weird!” Portia snorts, “My dad is, well, my dad. He has his own quirks and personality. And, Adore, to me, is just a whole different person. I can’t explain it. Like, I know he’s Adore Delano through and through. But, my mind just sees Adore like a whole different person.” Portia rolls again to her back, so she’s facing the ceiling like her sister. “How about your dad? Did he date anyone?”

“You know what’s weird? I don’t think he ever did, not even dating or flirting with anyone else. He’s always been so closed off to anyone who showed any particular interest.” Nerissa twiddles with her thumb, before scrunching her nose in distaste. “I mean, in some way, I get it. He’s scared to love again. Uncle Shane always said so. I wish I knew why though.”

Portia hums, thoughtfully. Another pregnant pause looms over their conversation. It has gone on for so long that for a moment Nerissa thought Portia was asleep, until…

“I AM SUCH A FUCKING GENIUS!”

PREVIOUS CHAPTERS:

Prologue | Chapter One | Chapter Two | Chapter Three | Chapter Four | Chapter Five | Chapter Six | Chapter Seven | Chapter Eight |

[marikaaajoy]

my relationship with digital art and how BNHA salvaged it

I just wanted to let out my thoughts but I can only do it here :>

This might be a downer for some people but I’d like to share it with people here. BNHA means the world to me and this is why.

I first started drawing when I was 7 years old in 2006

I think it’s ugly now, but 7 year old me remembered being so proud of this because this is a drawing of my stepfather. This is the only drawing I have that was from my childhood. I think the aim here is to draw in anime style BUT I didn’t even watch anime back then. I had a classmate who loves anime and she taught me to draw in school. Drawing became a favorite hobby immediately after that.

Then it was 2013 and I was 14 years old. Drawing is still my favorite thing to do besides being on the computer. I love anime at this point too. My parents bought an iPad for the whole family, but I was almost always the one using it. I discovered an app called ArtStudio and thought “Wow, I can draw without making a mess and with only my fingers” because I was always too lazy to take out my drawing materials and clean up afterwards.

These were my first digital drawings. The pirate one was the very first. I got obsessed real fast. I can color so easily, undo any mistake, layers are a blessing too. There was just so much more freedom. I always sucked at coloring in traditional art and I didn’t like the mess (idk my hands get so messy traditionally)

The next year, it was 2014, I was 15. My birthday is in a couple of months and I knew my parents were planning to buy me something pricey (I think it was a laptop) so I approached them and asked if they could just buy the Wacom Bamboo as a present which was cheaper anyway and I even explained how it works to them and how it would allow me to draw on the computer instead of the iPad. I tried really hard to be convincing. I would have prepared a powerpoint presentation if I had to.

They did give me the wacom as a present. They even gave it to me months before my birthday so I could use it already. I thought I was the luckiest teen in the world with my parents.

These are a collection of my favorite works from 2014 to 2016. The middle one was my second drawing using wacom and Paint Tool SAI. I was a part of a lot of fandoms in those years lol

It gets downhill from there :/

April 2016, my mom and I moved to Japan, while my stepfather and siblings stay in my country. It was tough. For someone who is obsessed with anime, you’d think I’d be thrilled to live in Japan.

I was. Though only at the first few months. It’s not the same as it’s portrayed in anime (I should’ve known but I used to be blinded by anime). It was just lonely. The language barrier sucked and then lots of financial and family issues until my parents split. I got my first boyfriend too and I thought I was blessed by the nicest boy, but the relationship became extremely toxic but I didn’t have it in me to walk away.

All the shit that happened affected me mentally and emotionally. My biggest outlet which was digital drawing, was also out of the question because I did not have a computer/laptop when we moved to Japan. We left it in our home for my stepfather and siblings, even the iPad. I have my wacom with me, but no computer/laptop to use it with. I couldn’t draw.

I tried though. I used my phone to draw, but it wasn’t the same. Then the life problems got piled up, things got worse, and I just lost motivation in anything. Literally anything. From 2016 to 2019, I stopped watching anime, I dropped out of all the fandoms I’m in, I stopped watching my favorite TV series or movies, and I stopped drawing. I even got a bit disconnected with my friends who lived in my country (we talk regularly online). My family was broken so I gave all my attention to my toxic relationship as well which made everything worse too lol

I didn’t draw besides from a few scribbles and the drawings above. I did try digital art on my phone a couple of times again and even posted them on my IG, but they weren’t any good. Eventually, I got mentally and emotionally drained and dropped out of senior high school. I just stayed home for almost a year, leeching off of my mom. I felt even more worthless and my life had no direction at this point. Nothing mattered anymore.

April 2019 or so I think, my (ex)bf bought me a laptop. He says it’s a gift, but I think the real reason was to make up for something horrible that he did (which is stupid because money /gifts won’t resolve anything). I have a laptop. I can draw again, but I didn’t. I didn’t care, I wasn’t interested in drawing anymore anyway.

Welp. June 2019, I went back to my country. My (ex) bf stayed in Japan. The distance helped me end the relationship and my friends were there (they always were) to help put me back together along with two trips to therapy. I went back to finish my senior high school in my own country this time. That said, I have to stay in my country for school (but I was happy because I didn’t wanna go back to Japan yet when the breakup was still fresh and with going back to school, my life has a direction again.)

It was weird. I remember just being sorta lost and confused because I used to put my time, effort and everything into my previous toxic relationship, which was now gone. I was free and I had so much free time that I didn’t know what to do with it. I got so used to doing nothing and being nothing.

This is where BNHA enters.

Dunno when it started, but I started seeing Bakugou frequently online. It’s usually just Bakugou. I knew who he was because my friend suggested BNHA to me back in late 2018 I think but I didn’t watch it since I’ve lost interest in everything at that point in my life.

But ye I thought he hot af but I still didn’t watch BNHA.

But then for some reason he REALLY kept appearing in my social medias and it was really frequent. The last straw was when I saw a pic of him in UA’s gym uniform and thought “damn boi aight imma watch bnha for u” (y’all gotta admit he looks good in those colors with his combat boots XD )

I watched BNHA. Fell in love with Iida along the way. Then I switched to Tokoyami (but Shoji was hot too so aaaaa), but then angry emotionally-constipated sea urchin head caught my heart again. But oof. BakuDeku moments really made me feel some type of way I haven’t felt since I moved to Japan. It felt new but nostalgic. I fell hard in that ship.

I started obsessing. From memes to posts to fanfictions to buying merch to filling my room with BNHA posters. I realized I was reverting to my old self from the time I was still happy and it was thanks to BNHA (and the good people who helped me through the worst too)

Shit I wanted to draw BNHA, I thought.

I mean, I have a laptop, I still have my wacom and drawing softwares. I could totally draw digitally again if I wanted to.

But guess what

I can’t :c

My hand physically cannot draw. My drawings don’t look the way I want them too. 3 years of not drawing really destroyed any skill I had. I was back to square one.

September (yeah they’re ugly, I laughed at it). If you’re wondering why I drew on paper, it’s because, for some reason, I really CANNOT draw digitally. I mean it. I can barely sketch digitally at this point. The lines and shapes just doesn’t come to life. They’re just scribbles. But somehow, I can kinda draw on paper with a ballpoint pen. But yeah, that was the best I could do at this point in my life

After that, I still tried to draw, to regain my old art style, but it didn’t happen... It just doesn’t look or feel the same. Drawing used to be fun. But during this phase, it felt like my ugly drawings were just mocking me (probably was just too emo that time lol)

Weirdly, around a week or two I think, after my half-assed attempts at drawing, I managed to draw digitally somehow o.o

I did a Midoriya and Todoroki drawing like this too. It was my first post here on Tumblr I think. The annoying part here is that I cannot draw digitally unless I draw on paper first, take a pic, and then trace the lineart. I couldn’t draw directly on the computer. Granted, drawing on paper and drawing on digital is very different for me in the first place anyway. But it was still a pain. And it still looked like shit. I can only draw stiff poses :/ it seems like my brain decided to delete all data about anatomy and posture and backgrounds. My lineart here is even messy af. It still really not the same as my old style.

By 2020, I think I got my old art style back. On March, I made this. This took me 27 total of hrs to make.

Right now, I think it’s not bad, but back in March, I was disappointed with the result. This is when I finally broke down crying because it didn’t look good enough and I hated that it took me 27 hrs to draw “bullshit.” I was angry at myself for losing interest in drawing for 3 years when I could’ve used that time to improve. I had to start all over again and it still didn’t look good. (Current me thinks that the drawing above is alright. I was just a lot harsher to myself back then. Used to have a lot of issues but I’m doing great now)

I cried myself to sleep that night. Woke up wanting to cry again. I wallowed in sadness for a couple of days. Eventually told my friends what’s up. Got some pep talk. Even talked to my sister (she’s great, she always hypes me up with my stuff and sometimes I think she’s my biggest fan with how she appreciates my drawings and I’m really grateful for that).

My world turned a 180 and I was weirdly positive after all that crying because brain chemicals and shit. I had a revelation. If I hate how my art style looked so much, then I should have been putting effort in changing my art style, not trying to regain my old art style (that I don’t like anymore)

I researched a lot. I analyzed different art styles and anatomy again. I did everything I could think of to find a style that works for me. I might have even neglected school for a bit to focus on digital art lmao

After all that work, I posted a fanart of middle school BakuDeku in their classroom. I love that fanart so much even if I probably have better ones by now because that was the first fanart I made that I felt like I could be proud of and it was the first one I made in my new art style. It was a milestone for me.

March 2020, I moved back to Japan and without the toxic relationship, I’m a lot positive now. Happy. I’m myself again after the previous bad years. I’m still continuously learning though, trying to improve, but at least, now, I found my own art style :) I really suck at interacting with people online, but I’m always grateful for the support everyone has been giving my fanarts. I’m happy when my content makes people happy.

This is why BNHA is important to me. The series is great alone, but it’s not just that to me. BNHA is so much more. It’s what made me find the passion to create again, only this time, it’s focused on drawing (I used to write, but now I just draw, but maybe I’ll write again for BNHA).

My family is supportive with my love for BNHA, but I think they don’t know the deeper reason why I love it. Sure, I was fine living on with nothing much going on in my life. I’ll finish school, get a job, work until I die or something. It was okay. It was the way of life. But BNHA gave my life color again. I wasn’t just blindly going through life anymore. I have something to look forward to everyday now. BNHA even became a bridge to other things. Ever since then, I’m a lot more open to people, to try new things, to explore and not just live through life and waste away. I got better at leaving my comfort zone. I’ve never been happier in my life :D

Thank you for supporting my fanarts. Thank you so much for giving me a chance to express myself through BNHA. I hope to make more content in the future and improve even more :)

[tiesandtea]

Ahead of Suede’s Galway Arts Festival headliner, Brett Anderson, reflects on fatherhood, ageing, mortality, his first-ever meeting with David Bowie, and why he’ll never write his autobiography.

By Olaf Tyaransen. Published on 22 July 2016.

“The world doesn’t need another bloke from a band writing about himself taking drugs years ago,” he continues. “It’s boring. Such a cliché. I did have a bloody minded idea about writing an autobiography about my early life that ended the day we got signed. I thought that would be an interesting way to do it and leave people hanging a bit thinking, ‘Come on, we want the interesting stuff!’ But me talking about my life as a child and struggling as an adolescent… and stopping just at the part everyone wants. Maybe I’ll do that.”

“I’m terrified of absolutely everything,” declares Brett Anderson. “I can’t go out my front door without being terrified.”

How times change. Back in the early ‘90s, when Anderson was rarely off the front covers of the UK music weeklies, the porcelain-skinned, rake-thin and eminently quotable Suede singer used to be the fearless poster boy for druggy decadence and sexual daring (“I’m a bisexual who has never had a homosexual experience”).

Today, at the ripe old age of 48, the still angular frontman is clean and sober, a married father of two, and a very different sort of rock star. “I think as you become older you become less carefree about life and about your future,” he muses. “When you’re younger you don’t really entertain it as a concept because you think you’re immortal or whatever. I’m not actually sure what you think, if you even have a sense of the future. I certainly didn’t when I was in my twenties and now it’s a different thing. I’ve a family and having a family changes your perspective on things, your own mortality especially, and I think lots of it is fear of death being at the heart of it. That’s probably what a psychologist would say.”

This somewhat fearful worldview is at the black heart of Suede’s darkly poetic, thrillingly orchestral seventh studio album, Night Thoughts. Anderson’s awareness of his own mortality is also reflected on its rather bleak-looking sleeve, which depicts a scantily clad woman floating in an ink-black sea. “Yeah, the sleeve of the album was supposed to be a comment on that,” he says. “You know, the tiny figure lost in the vast indifferent sea, and that’s sometimes how I view life. You are a flicker of light against a huge, consuming, empty universe… and that’s what I wanted to reflect with the sleeve.”

For the most part, despite some exuberantly trashy musical flourishes, the songs are just as dark and gloomy. Not that Anderson is apologising for them. “Well, that’s what I’m here for!” he laughs. “I’m not interested in making jolly music or putting across jolly sentiments. I don’t care. I’ll leave that to other bands, it doesn’t interest me. For me it’s about accessing these primal things that matter, the big questions of life and death and birth and mortality, and those are the things I want to talk about in my music. I don’t feel as though I’ve always done that and there’s been moments in my career where I think I’ve been more flippant, and that’s fine because I think you need that complexity to have a real career, to have a body of work, it can’t be one dimensional, but I think now I want to get to the heart of things.”

The title, Night Thoughts, refers more to this gnawing sense of existential dread than to his preferred time to concentrate on writing song lyrics. “It doesn’t really refer to my writing process, it’s more supposed to be those moments at four o’clock in the morning when the walls seem to be caving in on your life, that primal fear of the night that you have. I don’t kind of get up in the middle of the night. Occasionally I’ll get ideas and scribble them down, but I’m not an insomniac.”

The follow-up to 2013’s excellent comeback Bloodsports (their first since 2002’s poorly received A New Morning, the album that preceded their lengthy hiatus), Suede tried a different approach when writing and recording Night Thoughts. Rather than staying put in London, Anderson and his bandmates – the current line-up comprises Richard Oakes, Neil Codling, Mat Osman and Simon Gilbert – instead decamped to Belgium with absolutely nothing prepared in advance.

“We did, yeah,” he says. “We took a bit of a leap of faith and went into a studio in Brussels and basically just recorded a whole load of music that hadn’t been turned into songs. Doing something like that is quite a risk because it means you might end up with a whole lot of things you don’t use – or can’t use because not every bit of music I’m presented with turns into a Suede song.”

”It was more important to us just to have a different mindset going into this and from very early on we wanted it to be a coherent record rather than a collection of good songs, which basically Bloodsports was,” he continues. “We wanted it to have some unity as an album and we thought that was a good way to do it, go in there and record some music, let it breathe and then I’d sort of go in and arrange the songs around the music, the music would flow. So that was basically the backbone of the album recorded like that. Once I’d written some of the things, and lots of them had worked and some of them hadn’t, we had to go and tinker with it a bit, but that was how the backbone of the record was made.”

Were they up against the clock with this? “Not really, no, I’m never against the clock. It’s always ready when it’s ready, to be honest.” Despite having an orchestra playing on most of the songs... “Oh no! We did the orchestration later,” he explains. “It was just us in the studio. But that’s an interesting idea. Doing something like that would be even more a leap of faith – to hire an orchestra and then have to work around that.

“You have to make yourself less comfortable with what you’re doing. As soon as you start repeating yourself and doing the same things over and over that’s when the music gets boring. You have to always be a little bit concerned about it. You gotta almost always feel that it might not work to keep it exciting.”

On the song ‘What I’m Trying To Tell You’, which written for his young son, Anderson admits that he doesn’t “know the price of anything.” So is he still a pampered popstar? Does he know what a pint of milk costs? “I know exactly what it costs, yeah,” he laughs, “but it depends on what you want. Organic? Semi-skimmed? Ha! No, I don’t have a pampered popstar existence. When Suede broke up, I went through a period of making solo albums and that was very interesting because instead of being in this big machine, a successful band where everything is done for you, you’re out on your own and that was a great learning curve. I did things I’d never done.”

Such as? “I learned to drive and all these sorts of things, and I felt like I was standing on my own two feet,” he explains. “It was such an essential period for me about 10 years ago when I was making solo albums. They weren’t the most successful for me financially, but they were incredibly successful for me personally and I learned a lot about my limits. The pampered popstar thing, you can’t do that when you’ve a family. Suddenly, when there’s kids around, you’re not the most important person in the room and that’s a big lesson you learn from having kids.”

When Anderson and Suede first became famous in the early ‘90s, his most obvious influence was David Bowie. So much so that the NME put them together for a memorable cover shoot modelled on one that Bowie had done with Naked Lunch author William S. Burroughs years earlier. “Well, a couple of times after that, we’d get together and hang out.” Where was he when news of Bowie’s death broke? “I was at home,” he replies. “What can I say? I don’t know if I can really add anything else to it, there’s been so much discussion of his death. It’s a terrible tragedy, it’s a terrible tragedy for music. One of the greatest artists ever. I don’t think we’ll see his type again, I really don’t. Those times have passed and when he died, a type of artist died as well, and that’s very sad. I can’t see how we’d ever find another one of him. It’s impossible.”

British photographer Roger Sargent, who’s best-known for his work with The Libertines, made a feature film to accompany Night Thoughts. When the band toured earlier this year following its launch, they performed from behind a screen on which the movie was projected during the first half of their set. “I sat down with Roger and explained the themes of the record to him – basically birth and death and decaying and ageing,” he explains. “He felt as though he could do something with that. He really wanted to do it because he had been experiencing those things. Bereavement, having a kid… so these big life and death issues were happening to him as well.

“So he thought, ‘I’ve got to do this project, I need to get some of this out of my system’. And the reason we chose him is because it seemed like it was more important to him than just a job. What I wanted to do was let him run with those things, and to express and interpret them in his own way. What I didn’t want to do was sit down over his shoulder and say, ‘No, you’ve got this wrong, this isn’t about this it’s about this or something else.’ “I wanted him to interpret them purely in his own way so sometimes the film runs in parallel to what I’m talking about and at times it drifts off. It’s the story of a man and a terrible tragedy that happens in his life and the consequences of that tragedy. It’s not a literal interpretation of the lyrics of the album but it kind of touches on some of the things.”

Surprisingly for a band with such a cinematic sound, Suede haven’t done much in the way of movie soundtracks. “Well, we did a couple of years ago,” he recalls. “We did the title song for a film called Far From China, which was a bit of a one-off. I’d love to do something like that again, but I’m not sure if we’re seen as the sort of band that do that sort of thing. I always find it confusing how people perceive us but I’d love to do that.

“Cinema was one of the big influences of the album,” he continues. “We’re all big fans of cinema, as is Ed [Buller] the producer. He’s in LA at the moment working on film scores and he’s done stuff with Hans Zimmer, so he’s sort of drifting into that field more. There’s always been that sense to Suede’s music that we wanted it to have some sort of cinematic size.” Buller produced all of Suede’s most successful albums. “He’s kind of an invisible member, in lots of ways. We’ve made our best records with Ed and hopefully we’ll carry on. He always does a really good job.”

Looking back on Suede’s career, can he identify one moment that was the biggest? “There was a really lovely moment in the Royal Albert Hall in 2010 when we reformed, and we played ‘Metal Mickey’ and there was this standing ovation. It was lovely to see all that love after all those years. It was a really wonderful way to come back. That standing ovation was a feeling that I’d be happy to take to the grave.”

When they reformed to play that Albert Hall show, there were no initial plans to carry on. “We were just gonna take it as it came, play the gig, see what happens, how we feel, but it was wonderful and I’m really glad that we did because it’s gone from a band playing all the old hits – which is easy to do, to be honest – to a band that’s been reborn creatively… which isn’t easy to do. The last two records are right up there with what we’ve done in the past, and I’m so pleased because that’s what it’s all about for me, creating new music and not playing the old songs. It’s about evolving as an artist and I think people are interested in what we’re gonna do next; I know I am. I don’t know what path we’re going to go on, or where it’s going to lead us, but I know we’ll do something interesting with the new record.”

Has he ever had a lengthy creative dry spell? “Yeah, doesn’t every writer?” he says. “I don’t really believe in ‘writer’s block’, it’s just a meaningless term. You have to shake yourself up and do something else and come back to it reinvigorated. Writer’s block sounds so permanent and it’s just a temporary state of mind but of course you go through different stages of creativity and every time I start a new record I always think, ‘I don’t know if I can do this again’. “You always have these crises of confidence but that’s almost half the process. All these bad things that you feel, you know, these weird uncertainties, sense of doubt, it’s part of it because, when you overcome it, you get this sense of achievement. It’s very much part of the process, you can’t have the good side of it without the bad side.”

Would Brett Lewis Anderson ever consider writing his autobiography? “No, I don’t think anyone needs to read about me in the ‘90s,” he sighs. “It’s kind of boring, it doesn’t really interest me. If I wrote anything like that it would be short novels or something like that. Bizarrely enough, I’m not particularly self-centred which I’m sure a whole load of people will laugh at or find hard to believe, given my public persona, but I don’t particularly want to write about myself. Maybe I’ll change my mind in 20 years but not now.

“The world doesn’t need another bloke from a band writing about himself taking drugs years ago,” he continues. “It’s boring. Such a cliché. I did have a bloody minded idea about writing an autobiography about my early life that ended the day we got signed. I thought that would be an interesting way to do it and leave people hanging a bit thinking, ‘Come on, we want the interesting stuff!’ But me talking about my life as a child and struggling as an adolescent… and stopping just at the part everyone wants. Maybe I’ll do that.”

Suede headline the Festival Big Top at the Galway Arts Festival on Saturday, July 23 with The Frank and Walters supporting.

[jflove]

Taekook/Vkook: From things I gathered so far

First of all, it’s just my thinking, I could be wrong. So if im wrong, then just think of this post as a fanfic. So, I started listening/watching BTS just this week. Yeah i know, very late for the party. but i dont usually listen to K-pop, so I came across them simply because they’re everywhere recently. 

They amazed me like most of the world right now, i started to watch their interview or v-live vids just to know them better. 

Then i saw a old news about they almost break the group in 2018, i was really shocked, so i watched the 2018 festa, heard that V talked about Suga write a long massage to him and end with I love you. then Suga said he also sent to another person. 

then Jungkook raised his hand.

i found it a bit weird why he didn’t say it earlier, wait till Suga pointed out another person? But i didn’t think into it. the news commented that Suga cared for the two youngest members, and said the almost disbanded reason was pressure from the fame.

Then i came across those Taekook vids, lots of them with detail analyse, those were too many i can’t repeat. i grow up with Japan’s boy groups, those were K-pop’s beginning, so im no new to those fan service behavior. But I really feel this wasn’t the case.

The first one really bring up suspicious, is when Jimin asked if JK was happy, then JK said yes and thank fans.

I was really shocked to see that, because Jimin actually lower his voice, it doesn’t sound like a joke. 

And also JK’s answer... i have to say hes not the best improviser on cover up. He stop for a sec then said something in a weak tone....

He didn’t ask why Jimin say that or anything, like a normal person been wrongfully accused. Just really nervous laughing.

Cute, but boi.

Then theres that famous sleeping together on a boat:

And also those v-live busted:

Jungkook wasn’t wearing clothes when V came, but they exchanged some shady text before. So theory was probably V told him hes coming but didn’t say he would bring the cam, so... poor JK.

Anyway there are lots of them, so im not gonna go threw everything. Just my theory: I would guess they probably started just good friends, they both has the same weirdness, and similar age. And JK said he think V really good looking a lot from the beginning. V would pet JK like a puppy and hug him every chance he got.

Though other’s like the little bro too, but clearly they were the closest.

And most of all, V likes(or needs) to hug something to sleep, and little JK didn’t like sleep alone. So they just naturally sleep together all the time. And other hyungs were used to it. they know each other more than any other members too.

 at first I guess they started to make out around 2017, but now i think probably 14-15. I have to keep changing the timeline earlier because more i dig, more i think it happened very early. 2013 When the group started, Jungkook looked so shy and everyone teased him. V’s teasing a bit different, more intimate or inappropriate even. Like the pic above, JK often looks shy and tries to get away. There’re also a vid (I forgot where i saw it) everyone sit down talking, V held JK under his arm and grabbing his nipple, JK looked so uncomfortable and low key tried to get away.  But that dynamic soon changed, JK suddenly more confident, can tease back, and possessive of V. i think they started to make out during that time. explain why JK used to so awkward when V teased him, because he got aroused by those joking behavior and embarrassed. But after confirmed that the feeling was mature. He’s all exciting and totally in love. But I don’t think they really consider the other one as lover till 2016, could be when V left the group for the movie shooting, the separation made them realized their own feeling. if i can be a bit pervert, i would say before that could just jerking, making out, normal stuff. but 16 or 17 are the time they really doing it and become lovers.

this vid was form 03.24.2017, i saw it from other people’s great vid. pls go watch it, so informational. In this vid you can hear some kissing sound. I used to think this time was they first build up the real sexual relationship so they couldn’t control themselves. But now i think maybe because company were(are) pressing them, so its their way to get back. So as those sneaky tease, it’s their way to express their feeling under the company rules.

Maybe at first was boys fooling around, but it turn to real general love very quick. It’s not just some dazed and confused, they supported each other in a high pressure industry full with adults. Train together, work together, live together. That would definitely create a strong bond. And I believe them made each other grow a better person. V becomes more thoughtful, discovered his ability on dancing, singing, and song writing. And the very capable JK becomes more caring, confident, and found his mental support he can always rest his head when he really tired.

The another shock for me was the behind scene of Winter Bear.

first of all, JK isn’t in the credit so why was he there lol? Second, that phone lol. JK’s symbol is rabbit. so no matter who that phone is all quite suspicious.  Although there’re some camera sound, but it doesn’t looks like another person was shooting, the sound and camera shift could edit in. or just ask the camera person leave the camera after couple shoots. Anyway, i think the camera was on the bed was the tiny movement matched their move so it could be just mattress bouncing. But the important thing i want to talk about was this:

That damn boi was freaking jerking off right?! His top all opened up, his left hand was under the cover, and there were some tiny panting and chest movement... i watched like at least 20 times, its gotta be. And there’s a cut couple sec later, changed to JK singing winter bear with a smirk face.

cus he freaking knew the song is about him.  yeah. I think V made that song cuz JK. He said before that JK really hates people waking him up. so i guess kinda like a bear?

 Then there’s the walking with JK’s dog scene. Before the behind scene came out, people argued about whether JK was involved. But now, yeah, i would say he probably the person filming since he already filming V a lot on his personal account “golden closet film“... do i even need to say anything about the name?

Back on the bear. 

V only held one bear, and the finishing had two bears.

Two bears, how could that be any more obvious?? Two bears, two boys likes to sleep together. do the math.

do you even wanna talk how close he and the person filming? don’t think a professional would film like this. and the look in V’s eyes, the tiny smile on his lips... im tired to go over this, why do i even need to point out? use your eyes.

So, conclusion, I think they were in love since 2017. And the other members all know about it. There are so many slips i wouldn’t gonna talk about it. it’s already a super long post.

Next, it’s the interfering phase. 2018. 

Anyway, Korea is not a gay-friendly country. And they have mandatory military service, which V and JK haven’t done. if you’re gay in Korea military, you could face jail time. And not to mention coming out in anywhere would be hard. The company started to separate V and JK, they won’t be in the same vid, even arrange different schedule for them. If it’s a group activity, then they couldn’t stand next to each other without others cut in-between.

I imagine its not a great job for the hyngs, probably why they talked about disband. Yeah, I went back to the first question i got and finished my quest. i think i found the real reason. and it explains why-->

See when Jin said it, V was looking at another person on his right side with that intense look, tell me that's not a look you look at someone you love but couldn’t be with.

And V all broke down, finally JK couldn’t watch it anymore.

I can’t find a close up, but i remember seeing in some other vids. JK was holding his tear and put on a calm face but you can see how hard he gritted.

it’s hard to find because they all got ban by the company. maybe my post would too... i heard there was a vid on YouTube point out the same thing and got ban by bighit. so... anyway. if you think im right, you can make a copy of my post and re-post it. don’t worry about copy my words, i don’t mind. if a lot of people did the same thing, then there would be no point to ban.

IM NOT DOWN HERE!!

That’s talk about this v live: https://www.youtube.com/watch?v=tfHecRN_dLk

if you didnt watch it, go find it on youtu. This vid are so... all over the place. I didn’t understand till some great analysis (see the link above). i couldn’t go throw all the details why how or what... if you don’t believe, why you even read till here? 

Simply says, company wanna hide that JK and V was staying in the same room, so they probably ask V to leave the room, but V came back in the middle, everyone was super awkward, so Jin and Jimin left. V looked sad and pissed. He wouldn’t leave, so company sent someone to ring the bell, and told JK to ask V to leave.

see how uncomfortable that JK had to ask V to leave. i feel so bad for them both, had to follow those company stupid rules and pretend their relationship. How would that feel when you have the love one so close to you, but you can’t touch, can’t hold each other, can’t even say how important that person meant to you.

They’re in their 20s! they should be having fun with each other, posting those sweet pics and showing off their boyfriends, having the best. Instead, they can’t even stand together in public photo shooting.

People even thought they have issue with each other, can you imagine how insult that would be? have to see your fans pairing you and your lover with other people, but couldn’t say anything.

Then, that’s talk about the new album. because i think they’re not gonna be quite for long. remember RM made a speech in UN about not just love yourself, also need to speak yourself? I think they are gonna speak, that’s why RM hinted in this interview:

yes form the same youtuber, go find the vid.  He say something big could be coming, i do think definitely could be JK and V coming out. see how serious JK’s face? this kid got frown lines in just a year! People were shock that he looks much grown up in “ON”, i just feel sorry for him. hes only 22, he shouldn’t have to grow up so much. But love would do this to you, the things you do for love age you. V seems much older too, i couldn’t imagine how much pressure hes under. 

And we have to talk about the songs.

First, Jungkook’s My time. He said the same thing about have to grow up fast. Of course industry would do that to you, but he was always quite happy till couple years ago. love do make us weak and hurt, some love just harder than the other. In his song, he said don’t know what’s his time, I think maybe he was thinking about when to come out? But eventually he definitely will, because his song was for V, the lyric mostly was easy to understand, but 

Even if it's opposite of sun One time for the present (one time) Two time for the past (two time) these three lines i think sun means V’s name? probably means even against what V wants? but the one or two im not sure, how many times he disagree with V?

And time, my time, does that mean sexuality? or just simply means he couldn’t have time with V? so many possibility...

But i really wanna talk about V’s inner child. That’s the reason why i spent 4hrs writing this long ass post with my broken english. Not even sure would any one even bother to read... Because after everything i know and believe about V and JK, when i read the lyric i see a totally different song. a heart break love song for someone he knows for so long, when they both young. (im tearing up again) OK, call me imagine things all you want, if there’s a small chance they really are lovers and this song was for JK... just pretend that and read+listen the song again.

At that time, we had it tough While looking up at those stars in the sky, too far out of reach You at that time, didn't believe in galaxies But I saw it, a silver galaxy It must have hurt, it must have been so difficult I ran towards the endless light 

The first part is the beginning of their story, they wanna be like those stars, but JK wasn’t sure about himself. V believes they can make it. so they went for it, even have to go through all those lies and suffering.

and the chorus... 

It tingles, that summer day's air The cold sounds of the grey-lit streets I draw in a breath and knock at your door We gon' change 

maybe how things happened? Not sure the summer is a  metaphor or a real time though. this change means they fell in love.

Now I wish we would smile more It will be okay, because today's me is doing fine Yesterday's you, now it's all clear I want to hug the many thorns in the budding rose The smiling kid, the child who was always laughing brightly When I see you like that, I can't help smiling

The second part is breaking my heart. I think hes telling JK not to worry about him. He doesn’t mind those thorns(all the obstacles they have to face), he want  the rose(JK or their love relationship). And the smiling kid part just makes me cry every time. The line “Yesterday’s you”, Im not sure means he can sees JK’s grown up, or... When i sense that their relationship might be the almost disband reason, i think probably one of them wanted to go against the company, open their relationship. But the other one refused. That’s why they end up still the same. I thought was V wanted to open, because he’s more don’t care about what people think kinda person.  but now i think might be JK. That’s why V was crying so hard on the stage, because hes the one hiding. He felt sorry for JK, and JK held him showed he support his decision. And if that’s true, then the whole “yesterday you” could means that V understand why JK want to go public now. Another thing why i suddenly think JK is the one wanted to come out, is the “Golden Closet Film” name. And It’s started at 2017.11.08... probably the time they talked about coming out, but decided not to, he was frustrated and felt been pressed by the company into this glamorous closet.

the chorus this time means another change, maybe they broke up, or put a hold on their relationship. but i would think... maybe when V made the song, he didn’t know what would happen. this song was what he wanted to say to JK, so he could bring this song to JK and play or sing to him. See what would he choose.

Therefore comes the next part which is dancing in my tears: 

Tonight, if I reach my hand to yours Can you hold that hand? I'll become you You just have to look at my galaxies Be showered with all those stars I'll give you my world The lights illuminating your eyes, they're the me of now You’re my boy, my boy My boy, my boy, my boy

Is V asking JK to come out with him? i couldn’t figure out every single words mean but i don’t have to, that’s something V said to JK, the meaning belongs to them, we can just shared a bit of his emotion. there are just so many love and begging, calling for the boy he deeply in love with. every single word hurt me deeply because they are so real and pure.

If someone wrote something like this song to you, you need to grab that person tight. You might never meet another person could love you more than that.

I don’t know if JK hold V’s hand, like I said in the beginning, i could be all wrong and this is just a fanfic. But it’s the ending, if you still with me. let me make a wild guess...

If they come out on one of the coming concert, that would be epic.  I worry for them of course, I wish them nothing but happiness. I truly don’t want to see this great kids suffer anymore. So maybe its a good thing if im wrong, or the storm might swallow them all. No matter what, i will keep supporting them, hope most of the army too. 

[annie-banks]

Adore You - Harry Styles (2019) // you’re wonder, under summer sky // All About That Bass – Meghan Trainor (2014) // every inch of you is perfect from the bottom to the top // Alone Again – Betty Who (2014) // when it rains it pours and you drown me out // Anything Could Happen – Ellie Goulding (2012) // letting darkness grow, as if we need it's palette and we need it's color // Bad Girls - M.I.A. (2012) // leaving boys behind ‘cause it’s illegal just to kill // Bitch Better Have My Money - Rihanna (2015) // your wife in the backseat of my brand new foreign car // Blank Space – Taylor Swift (2014) // darling I'm a nightmare dressed like a daydream // Bloodbuzz Ohio – The National (2010) // I was carried to Ohio in a swarm of bees // Bo$$ – Fifth Harmony (2014) // boss. Michelle Obama. purse so heavy gettin' Oprah dollas // Boy Problems - Carly Rae Jepsen (2015) // I think I broke up with my boyfriend today and I don't really care // Boys - Charli XCX (2017) // I wish I had a better excuse like I had to trash the hotel lobby // Butterflies - Kacey Musgraves (2018) // I was hiding in doubt till you brought me out of my chrysalis // Call Me Maybe – Carly Rae Jepsen (2011) // before you came into my life I missed you so bad // Call Your Girlfriend – Robyn (2010) // don't you tell her how I give you something that you never even knew you missed // Canyon Moon - Harry Styles (2019) // doors yellow, broken, blue // Chandelier – Sia (2014) // I'm gonna fly like a bird through the night, feel my tears as they dry // Cherry - Harry Styles (2019) // I confess I can tell that you are at your best, I'm selfish so I'm hating it // Circles - Post Malone (2019) // we couldn't turn around, 'til we were upside down // C’mon - Panic! At the Disco and Fun. (2011) // feels like I am falling down a rabbit hole, falling for forever, wonderfully wandering alone // C’Mon – Kesha (2012) // feeling like a saber-tooth tiger sipping on a warm budweiser // Cruise (Remix) - Florida Georgia Line ft. Nelly (2012) // she was sippin' on southern and singin' Marshall Tucker, we were falling in love in the sweet heart of summer // Daddy Lessons - Beyonce ft. Dixie Chicks (2017) // it’s your song // Dark Fantasy – Kanye West (2010) // too many Urkels on your team, that's why your wins low // Death of a Bachelor - Panic! At the Disco (2016) // the lace in your dress tingles my neck, how do I live? // Demons- Sleigh Bells (2012) // They're gonna stand em up six by six by six // Diane - Cam (2017) // And all those nights that he's given to me I wish that I could give them back to you // Diane Young – Vampire Weekend (2013) // you torched a Saab like a pile of leaves // Downtown - Macklemore & Ryan Lewis ft. Eric Nally, Melle Mel, Grandmaster Caz, Kool Moe Dee (2016) // neighbors yelling at me like, you need to slow down going thirty-eight, Dan, chill the fuck out, mow your damn lawn and sit the hell down // End of the Day - One Direction (2015)// I told her that I loved her, just not sure if she heard. the roof was pretty windy and she didn't say a word, party died downstairs, had nothing left to do just me, her and the moon // Fireproof – One Direction (2015) // riding on the wind and I won't give up // ***Flawless – Beyonce ft. Nicki Minaj (2013) // mayday, mayday, earth to bitches // Follow Your Arrow - Kacey Musgraves (2013) // if you save yourself for marriage, you're a bore. if you don't save yourself for marriage, you're a whore-able person // Formation - Beyonce (2016) // always stay gracious, best revenge is your paper // Forrest Gump – Frank Ocean (2012) // my fingertips and my lips, they burn from the cigarettes // Freaks and Geeks – Childish Gambino (2011) // I have worked all winter, I will not fail summer, in the back of the bush, like Gavin Rossdale's drummer // Gay Pirates - Cosmo Jarvis (2011) // and I hope they didn't tie up your hands as tight as mine. I'll see you on the bed of this blue ocean, babe, sometime // Get Lucky – Daft Punk ft. Pharrell Williams (2013) // the present has no ribbon, your gift keeps on giving // Glory - Bastille (2016) // and then you put your hand in mine and pulled me back from things divine, stop looking up for heaven, waiting to be buried // Good Grief - Bastille (2016) // caught off guard by your favourite song, I'll be dancing at a funeral, dancing at a funeral // Green Light - Lorde (2017) // I whisper things, the city sings them back to you // Grown - Little Mix (2015) // no regrets, it's a lesson learned 'cause what you think ain't my concern // Hayloft - Nickel Creek (2014) // young lovers with their legs tied up in knots // Holocene – Bon Iver (2011) // and at once I knew I was not magnificent // I Believe - Original Broadway Cast (2011) // and I believe that the Garden of Eden was in Jackson County, Missouri // I Like It - Cardi B, Bad Bunny, and J Balvin (2018) // I like those Balenciagas, the ones that look like socks // I Love It – Icona Pop ft. Charli XCX (2012) // you're from the '70s, but I'm a '90s bitch // Judas – Lady Gaga (2011) // I'm just a holy fool, oh baby he's so cruel, but I'm still in love with Judas, baby // Juice - Lizzo (2019) // I be drippin' so much sauce got a bitch lookin' like RAGÚ // Just Hold On - Steve Aoki ft. Louis Tomlinson (2016) // feels like you're standing on the edge looking at the stars and wishing you were them // Laura Palmer – Bastille (2013) // what a year and what a night, what terrifying final sights put out your beating heart // Lemonworld – The National (2010) // I gave my heart to the Army, the only sentimental thing I could think of // Love on Top – Beyonce (2011) // I can see the stars all the way from here, can't you see the glow on the window pane // Make Me Feel - Janelle Monáe (2018) // it's like I'm powerful with a little bit of tender, an emotional, sexual bender // Making the Most of the Night - Carly Rae Jepsen (2015) // baby I'm speeding and red lights, I'll run // Meet Me in the Hallway - Harry Styles (2017) // just let me know I'll be on the floor, on the floor // Menswear – The 1975 (2013) // well, who's this? going for the kiss, I'm probably gonna yosh in your mouth // Mirrors – Justin Timberlake (2013) // if you ever feel alone and the glare makes me hard to find, just know that I'm always parallel on the other side // Monster – Kanye West ft. Jay-Z, Rick Ross, Nicki Minaj, and Bon Iver (2010) // you could be the king but watch the queen conquer // The Mother We Share - Chvrches (2012) // I'm in misery but you can't see, as old as your omens // My Church - Maren Morris (2016) // I just keep the wheels rolling, radio scrolling 'til my sins wash away // N****s in Paris - Jay-Z and Kanye West (2011) // Prince William's ain't do it right if you ask me 'cause I was him, I would have married Kate and Ashley // Oh, What a World - Kacey Musgraves (2018) // did I know you once in another life? are we here just once or a billion times? // Old Town Road (Remix) - Lil Nas X ft. Billy Ray Cyrus (2019) // cowboy hat from Gucci, Wrangler on my booty // Otis – Jay-Z and Kanye West (2011) // luxury rap, the Hermes of verses, sophisticated ignorance, write my curses in cursive // Pineapple Girl - Mister Heavenly (2011) // I am besieged by the vagaries of power. I'm all alone and lonely in this tower // Primadonna – Marina and the Diamonds (2012) // I know I've got a big ego, I really don't know why it's such a big deal though // Pumped Up Kicks – Foster the People (2010) // he's got a rolled cigarette, hanging out his mouth he's a cowboy kid // Radio - Lana Del Rey (2012) // pick me up and take me like a vitamin 'cause my body's sweet like sugar venom // Raising Hell - Kesha ft. Big Freedia (2019) // hungover, heart of gold, holy mess. doin' my best, bitch, I'm blessed // Rivers and Roads - The Head and the Heart (2011) // been talking 'bout the way things change // Royals - Lorde (2013) // we don't care, we aren't caught up in your love affair // S.O.B. - Nathaniel Rateliff & The Night Sweats (2015) // I'm going to cover myself with the ashes of you and nobody's gonna give a damn // Satisfied - Original Broadway Cast (2015) // it's a dream and it's a bit of a dance, a bit of a posture, it's a bit of a stance. He's a bit of a flirt, but I'm 'a give it a chance. I asked about his fam'ly, did you see his answer? his hands started fidgeting, he looked askance? he's penniless, he's flying by the seat of his pants // Sex – The 1975 (2013) // and she said use your hands and my spare time, we've got one thing in common it's this tongue of mine // Shake It Out – Florence + the Machine (2011) // our love is pastured such a mournful sound, tonight I'm gonna bury that horse in the ground// Shut Up and Dance - Walk the Moon (2014) // my discotheque Juliet teenage dream // Silly Love Songs - Darren Criss (2011) // how can I tell you about my loved one // Some Nights - Fun. (2012) // this is not one for the folks at home, I'm sorry to leave, mom, I had to go. who the fuck wants to die alone all dried up in the desert sun? // Someone Like You – Adele (2011) // we were born and raised in a summer haze, bound by the surprise of our glory days // Sorry - Justin Bieber (2015) // *dolphin noises* // Spaceship - Kesha (2017) // I knew from the start I don't belong in these parts. there's too much hate, there's too much hurt for this heart // Stars - Fun. (2012) // some nights I rule the world with bar lights and pretty girls, but most nights I stay straight and think about my mom // Stitches - Shawn Mendes (2015) // needle and the thread gotta get you out of my head // Sunflower, Vol. 6 - Harry Styles (2019) // *gasp* your flowers just died, plant new seeds in the melody // Super Bass - Nicki Minaj (2010) // and he ill, he real, he might gotta deal. he pop bottles and he got the right kind of build. he cold, he dope, he might sell coke. he always in the air, but he never fly coach // Take Me to Church - Hozier (2013) // I'll worship like a dog at the shrine of your lies. I'll tell you my sins, and you can sharpen your knife // Thank u, Next - Ariana Grande (2018) // she taught me love, she taught me patience, how she handles pain // The Pachanelly Canon - Gentleman’s Rule (2012) // I'm getting pages out of New Jersey, from Courtney B telling me about a party up in NYC. can I make it? damn right I be on the next flight. payin cash. first class. sittin' next to Vanna White // The Wire - Haim (2013) // I just know, I know, I know, I know that you're gonna be okay anyway // Theme From “Cheers” - Titus Andronicus (2010)// I'm sick and tired of everyone in this town being so goddamn uptight, but don't you worry, I'll do all the talking when they turn on the flashing lights // Thieves – She & Him (2010) // I'm not a prophet, old love is in me. new love just seeps right in and makes me guilty // This is America - Childish Gambino (2018) // tell somebody, you go tell somebody. grandma told me, get your money, black man // Trouble - Neon Jungle (2013) // lights up let's have a toke, pour more whiskey in my coke .. Truth Hurts - Lizzo (2017) // you coulda had a bad bitch, non-committal // Uma Thurman - Fall Out Boy (2015) // and I slept in last night's clothes and tomorrow’s dreams, but they are not quite what they seem // Wetsuit – The Vaccines (2011) // with a cool, cool breeze and dirty knees, I rest on childhood memories // What a Feeling - One Direction (2015) // when the air ran out and we both started running wild, the sky fell down // Wilson - Fall Out Boy (2018) // I'll stop wearing black when they make a darker color // Wolves - One Direction (2015) // I feel the waves getting started, it's a rush inside I can't control // You Need Me, I Don’t Need You - Ed Sheeran (2011) // melody music maker, reading all the papers, they say I'm up and coming like I'm fucking in an elevator // You’re in Love With a Psycho - Kasabian (2017) // I'm like the taste of macaroni on a seafood stick

Songs that would have made the list were they on Spotify: We Can’t Stop - Bastille // I Love Clothes (Deadbeat Summer) - Childish Gambino //  G.O.O.D. Friday - Kanye West ft. Common, Pusha T, Kid Cudi, Big Sean & Charlie Wilson // Driving in Cars with Boys - Lana Del Rey // Blurred Lines - Vampire Weekend // a number of mashups (Office Musik, What Makes You Da One, Live While We Die Young, Brush Your Bittersweet Shoulders Off, We Are Complicated)

[cannonfullofcanons]

Happy New Year to you all! A lot’s gone down this past year, and frankly, I can’t say the year was kind to me until the end of the year - but that’s alright. Sometimes the past is dark, but the future’s always brighter! I didn’t make any proper New Year’s resolutions this time, but I am aspiring to be better about reaching out to people, to become less withdrawn/reclusive, & to be less negative about everything. I’ve become a bit of a cynic, and that just won’t do! This year I’m making an effort to return to my old way of thinking, with endless positivity, optimism, and hope. And with this being the dawning of a new decade, I thought it’d be nice to kick it off by giving a shout out to some folks who, over the past decade, have helped me so immensely in so many ways. Some of the greatest friends I’ve ever made!

If you don’t see yourself here, don’t take it personally! These are people I’ve talked to a lot & count among my closest & oldest friends. If you’re not here, don’t worry - we’ll get there eventually! With that said, I hope the new year and the years beyond treat you all well. Here’s to the old, and plenty of new memories to be made!~

@abundleofcanons​ / @abundleofocs​ 

Easily my oldest friend, and my best bud! I met Skittles shortly after I made my first blog, back in 2013, and we’ve been pals ever since. We’ve been talking a bunch every other day for at least the past 5 years. I gotta admit, hanging around Skits so much, it rubbed off on me a little - I’m a lot more laid back now than I was when I met him. I used to have a super short fuse, now it’s actually difficult for me to genuinely get angry. We’ve also done a lot of character development over the years! Although a lot of my OCs come from long before I joined Tumblr, a lot of them were made specifically for interactions with Skittles, and promptly took off. I’m so glad I met you & had a chance to be your friend, and I hope this year’s as awesome as you are!

@armedwithaflashlight​

Another old friend! We met around mid-2014, if memory serves? Moira’s always been one of the kindest people I’ve ever known, always supportive, and I’ll always be grateful to her for putting up with my nonsense back then. She’s the one who taught me how to make icons, as well! For those who don’t know, Moira’s currently hosting an event on Tumblr, Hell’s Island - if you like the idea of being stranded on an island with horrifying monsters, then that’s the event for you! Go check it out!

@alastorology​​

Listen. Listen. Ace is one of the most admirable people I’ve met. We met back around 2015? 2016? I was in a dark place at the time and I’m still astonished I didn’t ruin our friendship with the shenanigans I pulled back then. Ace is one of the main reasons I was able to pull myself out of that pit and focus on self-improvement, instead of just continuing to spiral into depression & despair. I’ve always really adored your writing & your portrayals, and though we don’t talk much anymore, I still light up seeing you on the dash! Despite all that you have to deal with off of Tumblr, you’re still so kind and supportive of others, and continue to put out top tier content. I hope you’re well, and sincerely, I hope this year is kind to you. Take care, Ace!

@ryusxnka​​

Sincerely, one of the most supportive people I know, and the single biggest Toshiro stan I have ever met. We’ve only met a few months ago & I already count you among my best friends, Caleb. You’ve been so welcoming & really helped me be more at ease in joining the Bleach RPC - especially with all the positive messages! You’re such a kind soul, always spreading so much love, and I’m sincerely so appreciative of that. I may or may not be hoarding those asks.

@kibokill​​

Jester, Jester, Jester. How are you so nice??? You’re one of the main reasons I was able to jump headlong into the Danganronpa community without being hit by the tidal wave of anxiety I usually get - and you’re always there for me & so many others when we really need a friend. You’re a lot of fun to talk to & though we haven’t done so much yet, I’m sure you’re a blast to write with too! Thank you for being here, you magnificent mofo.

@courtcomposer​​

We haven’t interacted much writing-wise, but you always made an effort to reach out OOC-wise and you’re such a supportive guy. I know I’ve been distant and I’m sorry for that, but I love ya man. You’re a hilarious dude & you write good ol’ Forte really, really well! Let’s finally get some interactions going in the new year! (☞ﾟヮﾟ)☞

[oscar-piastri]

from afar [ben hardy]

summary: you're in love with ben, but he’s already dating someone else {2k words}

notes: this is messy and sad, so i’m sorry about that

2013. The year you met Ben. It might sound cliché and cheesy, but as soon as you saw him, you were lovestruck. You had a mutual friend, and she introduced you to him when she dragged you to his rugby game. He came to you at the end of his game, and it was obvious that you were gonna be weak. You drowned is his beautiful green eyes when you made eye contact, and you were dying to have your hands in his soft blond hair. It got worse when you heard him talk.

You quickly became great friends after that day. You found out that you had a few things in common and it made you fall even more with him. Of course you couldn’t tell if Ben was feeling the same thing for you, and to be honest, you were scared to know. You enjoyed those moments spent with him, talking about movies or new music he just discovered and you weren’t ready to mess that up by bringing your growing feelings into that beautiful friendship.

“You okay?” Ben asked you, waving his hands in front of your eyes, trying to get you back into the real world.

“Yeah, why?” you questioned, not really understanding with he would ask you that.

“I don’t know… You’ve been staring at me for a few minutes” he replied, shrugging his shoulders.

“No.. Just lost in my thoughts. I’ve got a job interview, I’m thinking about that, that’s all” you lied, trying to cover the fact that you were thinking of him.

“Well I’m sure you’ll nail it. You’re the best! Well I’ve gotta run, can’t be late to practice” he said as he kissed your cheek. As you watched him walk away with his sport bag on his shoulder, you felt your cheeks getting red remembering his soft lips pressed against your cheeks.

2014. The year he introduced you to his girlfriend. Ben. It has been a year since you met him and of course you were still friends; even best friends. But you, you wanted more than that and the way he was acting, was making you believe that it could be mutual.

“Did you told him?” your friend asked you, before taking a sip of her warm tea.

“Told what to who?” you asked back, a little confused

“Told Ben that you have feelings for him” she said, as if it was the most obvious thing in the world.

“Not yet…. But I’m seeing him later” you confessed, feeling your cheeks burning as you thought of Ben’s smile.

Ben started to be more flirty with you, he’d often complimented you, he’d try to spend more time with you. So of course, your mind took the message that he was interested in you. But you were wrong, you were so wrong. You realised your mistake when you met him at the coffee shop, just to find him holding hands with someone else, and it felt like someone just slapped you in the hand on repeat. You couldn’t take your eyes away from their hands as you felt a strong pain in your heart.

You remembered his face, his eyes full of sparks and his pure smile when he introduced you to her, his girlfriend. He was so shiny and it made your heart melt, even though you still felt a pinch to your heart, every time he would look at her, wishing he was looking at you. The fact that she was beautiful and perfect for him, made it even more painful.

Ben wanted you to spend time with her, get to know her because he wanted “his best friend and his love to be friends”. So you agreed, you went shopping with her, you had a lot of girls talk, trying to push away your strong feelings for Ben.

But it kept on slowly destroyed you heart each time you would see her wearing his jersey, see him running to hug her after his game. And everytime, you’re reminded of the many scenarios you created where it was you instead of her.

2015. The year he decided to play matchmaker. When he exposed his idea of finding a boyfriend for you, you knew that he would never be interested by you.

But he took his mission very seriously, but sadly it didn’t work. He organized a lot of couple dates, introducing you to someone else each time. Of course, they were lovely, smart and funny guys, but they weren’t Ben. And just like every time, you never called them back and give a dumb excuse to Ben “he was not mature enough”, “way too tall!!”, “i don’t know… we didn’t have much in common”

“God you’re so complicated” he joked, and you faked a laugh. “You really deserve to find your special someone, just like I did” he said, pulling you into a hug.

“Oh Ben, I already found him” you said to yourself, as you pulled him closer in the hug, not wanting to let him go.

But after Ben introduced you to the thousand guy, you decided to give the guy a chance. Who knew? Maybe you could forget about Ben and find love with someone else. And as you got to know him better, you realised that he was a match. Ben really paid attention to your taste, to the things you like because you guy he set you up with, was matching everything.

You decided to give it a shot, and you started going on a few dates with Dylan, Ben’s friend. He was a sweet boy, a funny guy who could be perfect for you

2016. The year he moved in with his girlfriend. You were wrong to think that you could forget Ben with someone else, and that let your relationship with Dylan to come to an end, after a few months of dating. You hated yourself because you weren’t able to get over Ben, he was always on your mind, everything was reminding you of him. And even though you tried to push those feelings away, they’d come back hitting you on the face just a few minutes later.

You called Ben and ask him if he was free to eat lunch with you, because you wanted to announce that you broke up with Dylan. You were surprised when Ben told you that he had something to tell you as well. You were secretly hoping that he’d tell you that he broke up with his girlfriend as well.

“You go first” you told Ben when he joined you for lunch.

“I asked Vanessa to move in with me, and she said yes!” he told you all excited. His smile was big and his eyes were full of life, happiness could be read on his face. Your smile quickly fade away and that raised Ben’s confusion.

“What’s wrong? You’re not happy?” he asked you, a little bit disappointed. He didn’t think you’d have this reaction and it made him a little bit sad.

“Not! This is great new! I’m happy for you!!” you lied, trying your best to reassure him. “It’s just that… I broke up with Dylan yesterday.” you explained. Ben was quick to apologize for bringing his happiness in front of you while you were probably at your worst because of the break up. It was true that Dylan was the perfect guy, but he wasn’t Ben.

“Don’t worry, Ben. I’m fine. It’s life, things happen” you said, shrugging your shoulders. Of course you weren’t really sad about the breakup, because you weren’t really attached to Dylan.

“I’m sorry he wasn’t the one for you” Ben apologized, giving you a sad look.

A few days later, you got a text from Ben, more like an invite to his flat to spend some time together. You were hoping to have a cool night, just like before, pizzas, a movie or maybe playing some games. But when you got there, you found his whole decoration changed, pictures of him and his girlfriend hanging pretty much everywhere, and you felt like someone was stabbing you in the heart. There was no pizzas, no movies playing, but there was a nice table dressed with three plates, some soft music playing in the background. Great, grown up dinner.

You realised right away that now that he was sharing his flat with his girlfriend, everything would be different. You would no longer spend the night just the two of you, talking. Now, she was in the picture, changing your habits.

She politely greeted you when she saw you but she quickly went back to be by Ben’s side, kissing his cheeks every now and then, and all you could do was watch them being so in love. They were perfect for each others, and it made it so much worse

2018. The year he proposed. Over the years, you managed to stay friends with Ben and accept his relationship.

Ben asked you to join him at a specific address, and when you got here you saw that it was a jewelry store, and you understood right away.

“Shit, Ben! You’re going to propose?!” you almost yelled, when you got to him. He nodded nervously

“I need your help for the ring” he shyly explained. You stay silent for a few seconds but you eventually agreed to help him.

In the store, you looked at every ring, and each time you found yourself thinking “I wish it was me”. You got interrupted by a woman. “How sweet is that, your boyfriend is offering you a beautiful gift” she said, pointing at Ben and you blushed like crazy.

“Oh no! We’re not dating! I’m his best friend. Only here to help him choose a engagement ring” you explained right away.

“Well, she’s a lucky girl!” she said before leaving you

“That, she is” you mumbled. “She’s very lucky”

You walked around in the store for a few more minutes, not really paying attention to the rings, when Ben called you.

“I found the perfect ring. She’s gonna love it!” he exclaimed, overjoyed. You looked at the ring he was showing you and he was right: it was the perfect ring. The ring you were dying to have but that you would never, because Ben would never have romantic feelings for you. His heart was already taken, by a beautiful and awesome woman.

2019. the year he got married. You attended the ceremony, of course you did! He was so excited when he invited you, you couldn’t say no to his beautiful face. And to be honest, you wished you never came: while everyone was cheering and smiling, you were forcing yourself to put on a fake smile, closing your eyes every time there was an important moment, such as the ring exchange. Ben was looking so handsome in his tux and it made everything more painful.

As the priest said those famous words “You may kiss the bride” you saw in your head Ben and Vanessa’s first dance as a married couple, the moment they’ll announce they’ll have a baby and the flashbacks of every moments you spent with Ben. You saw yourself in the wedding dress, you dreamt of that wedding. And you couldn’t take any more of this pain.

You got up and left the ceremony when Ben kissed his now wife. Everyone was whispering things, making the couple stop and they turned to face the crowd when they heard your heels on the ground, echoing in the church as you ran to the door.

You couldn’t believe what you had just did, left and probably ruined your best friend’s wedding. But you really couldn’t handle this situation anymore. The ceremony was too hard for you and your heart couldn’t take it anymore. You were madly in love with Ben, but he was in love with someone else. And all you can do is watch from afar, as he lives the life he always wanted while you’re drowning in your feelings.

[borisbubbles]

Eurovision 2010: 35 - 31

35. KEiiNO - “Spirit in the sky” Norway 2019

During the preshow I posited that "Spearwhil”  would be the Rasmussen but as it turned out-

I HEAR YOU CALLING ME AT NIGHT

No, Tom NOT NOW!!! I’m in the middle of my sentence. 🙄 Wait your turn Anyway, it turned out that ‘the Rasmussen’ really ought to be called ‘the KEiiNO’. Observe this Michal-esque rise up the scoreboard:

OutSzpak’ing Spzak. 😍 Let’s be honest though, it was-

I HEAR YOU CALLING ME AT NI-

- COMPLETELY DESERVED TOO.  Fred was especially great, who delivered EPIC yoik solo that I am sure won KEiiNO the televote on the spot. 😍

This particularly pleases me because I was worried Tom & Alexandra (who are both very good performers) would take the spotlight away from Fred, but no did the weakest link pre-show turned not only turn out to be the strongest one, but he was arguable the single strongest performer of finale night. SO PROUD OF THEM ANGELS. 😍 Let us all sing along

*cough* I said, “let us all sing along”

... 

(k Tom, now is ur cue)

I HEAR YOU CALLING ME AT NIIIIIGHT

THE NORTHERN LIGHTS ARE DANCING

HÅ LA HEI LOI LÅ

A lot of the criticism from KEiiNO comes from your typical value-seekers who can only enjoy themselves in public if their shallow trash comes coated in a thick layer of novelty gimmicks and Deep Meaning, so they don’t have to admit to others and themselves than they tune in to have fun, like everyone else. There’s nothing wrong with novelty gimmicks & the like, but applying that standard to everything is taking it a tad too far. Sometimes, simplicity is key and that’s exactly what KEiiNO were: unpretentious, highly-addictive EDM adorned with epic yoiking. 😍 

_______________________________________________________________

34. Gianluca - “Tomorrow” Malta 2013

"Tomorrow” is, to use Gianluca’s own words, a curious delight: I always, always, always forget about it. Then I rewatch 2013 as I do at least once per year, and each time it’s like a Céline Dion song IT’S ALL COMING BACK TO ME and I’m in love again. 😍 “Tomorrow” is such a clever twist of the typical love song by telling the story from the THIRD PERSON PERSPECTIVE by an all-knowing narrator. It’s world’s merriest audiobook. 😍

Naturally, this works because Gianluca has TONS of charisma. He’s one of the most magnetic humans ever on a Eurovision Stage? 

It’s hard to believe that he ages like the rest of us, I’d assume he was birthed fully formed and clothed, at age thirteen, in whatever rests at the end of a Neverlandian rainbow. 

“Tomorrow” could’ve so easily been one of those “Annoyingly Positive songs”, but because he’s so relentlessly jolly, Gianluca injects “Tomorrow” with limitless happy energy, enough to melt the polar icecaps. I am happy that I don’t revisit Gianluca between watches, as I do with others, because each time I rediscover him it’s like finding a four-leaf-clover. 🍀

________________________________________________________________

33. Elitsa Todorova & Stoyan Yankoulov - “Samo shampioni” Bulgaria 2013

IMA LI MLADI? IMA LI LYUDI? TSYALO SELO DOIDE PEITE NE SE BOITE

Let us continue with one of the most glorious trainwrecks EVER in Eurovision. 😍 Of course, this being the GOD-tier the severity of wreckage (aka the Sennek Factor) is even higher than normal. In the case of “Samo shampioni” the messiness began DURING THE PRESELECTIONS. 😍 Okay you may not remember or know this backstory, so allow me to enlighten you:

Okay, so *initially* BNT selected Elitsa & Stoyan and for some reason decided to hold an NF: They introduced: first a terrible rapbomination, second a boring ethnoballad (think Iriao + percussion) and then pulled out an experimental fusion of ethnic bagpipes, polyphonic singing and dubstep, which Elitsa openly pointed as her favourite. 😍 Obviously, the audience had to choose for the latter? NOPE The audience chose the iriao-esque ballad 😍 and in one of the most hilariously open displays of riggage, LESS THAN A DAY AFTER THE NF (and after Elitsa allegedly threw a huge backstage temper tantrum threatening to withdraw LMFAO), BNT produced a statement that was all like “well. we can’t send “Kismet”. 🤓 You see... it has come under our attention that... the songwriter from Argentina (lmao) can’t agree to the copyright terms we demanded of him 🤓but that’s fine because it means we can send “SAMO SHAMPIONI” instead 😊‘ <3333333333333333333333456789 who the fuck is Christer Björkman, fucking NOBODY that’s who. And of course, once “Samo Shampioni” finally got to Malmö it was an utter disaster. 😍 I say "disaster” in the best meaning of the word though. I LOVE when countries showcase their musical traditions, but Elitsa and Stoyan do it so aggressively, BLASTING the unassuming viewer with loud af bagpipe noises, following it up with a menuet of polyphony, a clarion of “AAAAAAAAAAAA-YUUUU” and a finale of dubstep and mayumaniacal percussion. “Samo Sampioni” was loud, abrasive, a clamour of ethnic noise but by the same token such a catchy, infectuous, delightful fucking BOP. No surprise it got jurypwned but it was well worth the effort. 😍

________________________________________________________________

32. Nadav Guedj - “Golden boy” Israel 2015

Welcome to the Dicedrome, ladies and gentlemen: Introducing the man who put Israel back on the map after four straight NQs. But Nadav is more than just a Hebrew Tom Dice. 

For starters, “Golden boy” is also the first time we were ever subjected to Doron Medalie (and also Imri Ziv but lol Imri), who is at his BEST here (apart from that moment when he brusquely shoved Cesár out of the way as if he were Krisse Salminen lmfao 😍): “Golden boy” has everything I could want in an uptempo party song: Drama, catchy rhythm, limitless fun, chanting, dancing and an absolutely ridiculous premise: sixteen year old boy gets wasted after fruitlessly flirting with all sorts of femfolk on his first night out. Yes, THIS

is sixteen years old. 😍 But what I mostly love about “Golden boy” is the humour. Intentional humour is really hard to get right and “Golden boy” NAILS it for me. From self-deprecating one-liners, to that choreography to b-roll material like the sound effect of beer being pourn as Nadav gets further into the song, to of course the epic finale of “THREE MINUTES! BYE :selfie”. 😍

A wild ride which, as serendipity demands, is topped off by Nadav kicking off a strong Israeli streak that indeed ENDS up with Israel winning the contest (with a worse Doron composition :-/) and him showing us around in Tel Aviv. Funny how life works sometimes, huh? 

OKAY GOTTA GO  THREE PARAGRAPHS BYEBYE

_______________________________________________________________

31. Jessy Matador - “Allez ola olé” France 2010

Did you know “Matador” is Eurospeak for “SLAYER”?  😉

Speaking of EPIC party songs, I was looking “Allez Ola Olé” up for my usual ranking purposes and this song.. is one of the most successful Eurovision songs EVER? I am not surprised, because “Allez olla olé” OWNS, but at the same time random 12th placers becoming massive off-season hits <3

(yes I am aware it’s because it was the French “Waka Waka” but that’s even more hilar, actually. What on earth is it doing in Eurovision <3)

Anyway, “Allez ola olé” definitely DESERVES all praise it can get. ETERNAL THORN IN THE SIDE OF THE EUROVISION ELITISTS <3 it is of course the anti-Proud, being all rhythm and no story, literally having no purpose other than making people dance (which I LOVE doing to “Allez Ola Olé”... within the confines of my bedroom, with the curtains closed because I have the dancing skills of drunk JarJar Binks) and honestly, what a spectacle. 😍

It features, in order of ascending awesomeness, male twerking (gender equality <3)

witty references to sex (which I don’t mind here because it’s clearly consentual, and therefore, healthy, ICKOLAS)

“Je sens le truc monter/..😏 ALLEEEEZ 😱”. 

DAM BA DAM BA DAM BA DAM DAM

A fucking HAKA????? (btw, the female backing doing a salute is also lowkey great <3)

Actually, TWO HAKA’S????

This song may not have relevant meaning but my weave flew all the way to French Polynesia. “Allez, ola, olé” is nothing less than fucking AWESOME. 

In this update, we pay our final respects to Norway, Malta and France: Read more about them below:

NORWAY

I don’t feel like this chart reflects my true feelings on Norway, because I like them a LOT more than what their average implies. They’re largely just dragged down by a few bad entries in the first half of the decade. Norway in the second half of this decade has shown a lot of promise and they are on my list of countries that I expect to win in the upcoming decade. 

MALTA

Malta are a very average Eurovision country imo. As you can see, they very often select songs that are not worth giving a fuck about, but conversely the few times that they do, they’re usually excellent happy-go-lucky gems. I could see them winning if they find that rare 1-in-50 entry (by one of their jesc winners preferably), but only if they keep internally selecting their entrant because lmao MES(s)C <3

FRANCE

This is a really good chart for France and roughly what I expected. Not my favourite country but solidly upper tier. France really have reinvented themselves post 2016 and are reaping the rewards with generally higher results. I hope it gets topped off with another win soon. They deserve it. 

[ravenwolfie97]

well, here we are. it’s been a whole decade, and i gotta say, the 2010s were definitely the most formative years of my life, especially in terms of art

i’ve only drawn more and more over the years, so as time went on it was harder and harder to choose pieces i thought were best and most representative. and i’m glad to see such a remarkable change after all this time

i started to take art seriously by 2011/12, and i think that shift in focus is visible. i started to join in and contribute to online communities, making valuable artist friends and giving myself a bigger motivation to draw rather than just for myself. i couldn’t be happier with the results :D

in-depth talk about all these years under the cut

i focused primarily on what i could find on my computer because 1. it was easier than digging through my hand-drawn art and 2. it was more organized and i could search them by the date. so that’s why it’s pretty skimpy for the first few years, in addition to me not drawing nearly as much as i am now

2009: so, i’m obviously a pokemon nerd. that wigglytuff comic is the only notable piece from ‘09 on my computer. i started off drawing digitally in MS Paint, with a mouse/trackpad, and i am not one of those savants who can draw clean lines with just that. i had also been developing my own fakemon, heavily inspired by gen4 with a bunch of evolutions to previous pokemon. since i was now able to draw on the computer, i set out to make sprite art of all of my fakemon. i showed off a small selection of them, including my starter trio, a Ghost-type eeveelution, and an evolution to Heracross

2010: late in the year, when i had turned 13, i finally decided to make myself a persona, and the character on the left in my attempt at drawing it and being Cool. obviously a huge difference in design is the lack of wings - those were not an initial idea and were added later on. the other two characters were the protagonists of an old, long-dead story called the Legendary Spirits: John and Shala. i think by then i was just starting to write it and worldbuild, but only a couple years later i scrapped it completely and vaguely incorporated ideas from it in Legends: Children of the Dragons

2011: most of my art from this time was either Warrior Cats or Animal Jam-related. the pikachu was actually my first drawing done with my Wacom Bamboo tablet, and i was really proud of it until i realized the Corel Paint Studio program or whatever sucked (or i was just bad at using it), so i switched back to MS Paint the other piece of my Animal Jam character Ferret exploring Sarepia Forest was probably my first major digital art endeavor, and it’s been something i’ve been wanting to redraw for a couple years now, actually

2012: i joined deviantArt in late 2011, but didn’t really take off until 2012, so i redesigned my persona to be at least a little bit better. now i’ve added the raven wings! it was also around this time that i started getting involved with the pokemon nuzlocke community, finding the original webcomic and then diving headfirst into the fan-made adventures - i even started my own, but never posted it anywhere this is also where my “taking art more seriously” starts to come through, mostly thanks to my friend North and our constant involvement with anime and video games together. bonding over those things really drove me artistically, and it’s because of that that i suddenly had the thought to really practice art instead of basically just winging it

2013: this is when i actually joined my first community, that being the pokemon nuzlocke community in the form of the NOCT: the Nuzlocke Original Character Tournament. it was brand-new and an exciting prospect, so i took the opportunity, and i’m so glad i did. i had just started using GIMP for my Image Design class in highschool, so with only about a month of practice with it under my belt i used it for my entries in the tournament, mainly because it was just so much better than MS Paint. it had LAYERS and TRANSPARENCY, and as far as i knew MS Paint didn’t have anything like that. the picture at the bottom was part of my final round and last entry to the tournament, and just seeing my growth within the year was incredible. and then, in the summer, i stumbled upon a little webseries called TOME. and that kind of changed my life forever. i got both of my best friends hooked on it too, and we all made OCs. mine just looked like my persona, AKA boring, but they got did look a bit better than the year prior

2014: even though beyblade was a big part of my life and a huge inspiration for my art since 2012, it started to consume more of my artistic drive in 2014, with the help of my friends, of course. we wrote fanfiction and drew comics and made self-insert characters and everything. so it was during that time i tried really hard to replicate the style more, and now bits of that have been incorporated into my current art style. also, that december, i challenged myself to my first 30-day art challenge, of course starting with a pokemon challenge. later on in the challenge, with broader themes, i expanded my entries into full-fledged pieces with shading and detailed backgrounds, which i believe was a great step, since i still struggle with and avoid drawing backgrounds. even to this day, i’m very proud of my work in those last few entries

2015: the second NOCT, appropriately called the NOCT2, started this year, and after my experiences with it two years prior i was eager to join in again. however, i did not have as much time to set aside for this one, either because my ideas were too ambitious or because i was also graduating highschool and developing an animated trailer for Legends:Children of the Dragons for my senior project. it was also during this time i was developing a new original story with the help of my friend North called The Dark Side: War on Destiny, which actually came to be in late August 2014. i continued to expand on the lore and designed all of the characters, and so far those aspects have still being adhered to. the drawings of the main characters Kyle and his partner Guarudan are part of a larger 30-day art challenge i took on called OCOctober, where i drew a variety of my original characters throughout time, including my current ones. this is also the year i started my annual art summaries, which is pretty cool, and i’m glad i’ve stuck with that since

2016: not much to say about this year, honestly. i was busy working and preparing for my first year of university, and i mostly focused on TOME and OC stuff. i think this is when my involvement in the tumblr fandom started to come to a head, and once again i’m very thankful for that

2017: this was an extremely hectic year, with university struggles and social shenanigans online eating me from the inside out. however, i made an extremely valuable friend in Mana, and we continue to collaborate on her original stories to this day. featured on this year’s slide is a scene from District of the Stars also, even though i mostly frequented tumblr from 2014 on, i still contributed to pokemon collaborations on deviantArt, mostly for the Gotta Draw ‘Em All group

2018: again, not much to say other than i continued to grow. i used pretty much all of my free time during college to draw, and i strove to draw different things and focus on improving specific parts of my art, which i definitely think helped

2019: now we’re all caught up, and in retrospect i think 2019 was my most productive and proudest year for me in terms of art. even compared to the year prior, i see a lot of growth in coloring and shading, which is something i had been fiddling with for a couple of years. but this time, i’ve made all sorts of friends and colleagues, and i continued to strengthen those bonds

it’s crazy how much can happen in a few years, especially when ten years is almost half your life. my old art still definitely looks like it came from me, but my inspirations and growth definitely helped develop my style into something much greater, into something i can be proud of

okay, i think i’m done now. have a good day

[raatopaikka]

Hmmm this blog has gotten an unusual amount of attention lately so I'd just like to say hi! And welcome!

But I'd also like to inform you that I've recently been updating a lot of my older posts with new better tags, texts and links (so they're easier to navigate!) and some with better quality pics! So if you're at all interested, you can now find more links to other similar posts (or other pieces from the same year!) in the image descriptions and post tags✌

[leepace71]

The Political Avenger: Chris Evans Takes on Trump, Tom Brady, Anxiety and Those Retirement Rumors

Ahead of 'Avengers: Endgame,' the progressive Captain America actor and Twitter firebrand says he's ready to retire his Marvel hero for directing gigs, a new Apple show and the fight against the "dumb s—" president: “I’d be disappointed in myself if I didn’t speak up.”

It's a Friday afternoon in February, and the view from Chris Evans' house in the Hollywood Hills consists mostly of fog. He bought this place for $3.2 million in 2013, back when he was two hit movies into his seven-film stint as Marvel Studios' Captain America; there's a Zen-ish garden inside the front gate, and a stone Buddha sits by the door. Evans banishes his dog, Dodger, to the guest room, shuts off the TV in the family room (CNN on mute), cracks a can of Modelo, and takes a seat on the couch. His arms are insane, as thick as thighs.

Evans has a movie coming out in a few months — an intimate little passion project called Avengers: Endgame (April 26). It's the sequel to last year's Avengers: Infinity War, which raked in $2 billion worldwide and ended with Thanos (Josh Brolin) disintegrating half of Earth's population, including the still-bankable likes of Black Panther and Spider-Man. The moody trailers for Endgame are designed to reveal even less than usual, but it's safe to assume that Captain America rallies Earth's mightiest surviving heroes for a rematch with the mad god who finger-snapped their friends and loved ones into oblivion, which means this will be the first of the four Avengers movies to depict actual avenging.

Evans — who made $15 million for the past two Avengers films, up from $300,000 for his first stint as Captain America — has said he's done playing the character after this. It's been reported that he intends to retire from acting entirely. And yet the announcements of new work keep coming. He's in Rian Johnson's crowded-house murder mystery Knives Out, due in November. He's playing the father of a teenager accused of murder in Apple's forthcoming limited series Defending Jacob. He's in talks to star in Antoine Fuqua's Infinite as a presumably Chris Evans-ish guy who can recall his past lives. It's a crowded dance card for a newly retired 37-year-old actor, and when I bring this up, Evans gets as annoyed as he'll get all afternoon.

"I never said the word 'retire,'" he says. "It's a really obnoxious notion for an actor to say they're going to retire — it's not something you retire from."

All he said — back in 2014, as the end of his obligation to Marvel loomed on the horizon — was that he was hoping to get behind the camera more, and that he'd told one of his CAA agents, "We are turning a corner." Cut to 5,080,000 Google hits for "Chris Evans retiring."

So, for the record: He's not retiring. He'd love to direct more, but the way he talks about it makes it sound more like a five-year plan. He's been looking for a good script, except the problem with good scripts is that they tend to go to great directors, which is not a weight class Evans would put himself in, not yet. He's directed one film, the slight-but-not-embarrassing indie romance Before We Go, which grossed $37,151 in theaters in 2014, or roughly 0.01 percent of what Infinity War made on its opening weekend. When that project is faintly praised in his presence — he also starred in it, opposite Alice Eve — he waves this off, saying it mainly taught him how much he didn't know. "I'm OK with making mistakes," he says, "and I learned a lot from that one."

Once he's done helping Marvel hype Endgame, he's going to take advantage of the security provided by nearly 10 years of huge superhero movies by letting the next phase of his career unfold at a more leisurely pace. "Momentum is a real fallacy, in my opinion," he says. "But it has a really strong hold on a lot of actors' mentalities. You really believe that while the ball's rolling, you gotta keep it rolling. I could be wrong, but to me — I just don't believe in that. I don't think that's real."

I guess we'll find out.

Evans laughs. "My last cover interview."

Here are some things we learned about Chris Evans, from what may or may not be his last cover interview:

He uses the word "pretentious" a lot, usually because he's worried something he's just said sounds pretentious, which it rarely does.

He will talk at length and in detail about himself, and his neuroses, and the conversations he has with himself about his neuroses.

He keeps it closer to the vest about other people. He mentions in passing that Justin Timberlake lives around here — "I think" — without mentioning that Timberlake lives around here with his wife, Jessica Biel, who was once Evans' girlfriend. Nor does he mention his former girlfriend Jenny Slate by name, although he occasionally says things about what it's like to hang out with a bunch of comedians, something he clearly knows because he dated Slate, on and off, for a while. They are off again, per the gossip pages; on Valentine's Day, a few weeks after we meet, Evans will tweet a picture of himself nuzzling Dodger and wish the best to his 10.6 million followers "from this pair of dysfunctional codependents."

When asked how he functions in relationships, he says: "I'm the one who fears being enveloped. I was always a really autonomous guy my whole life. Camping by myself is one of my favorite things. I really like to be with someone who also has their own thing to do as well, you know? If I'm with someone who just kind of adopts my life, that can feel a bit suffocating."

Evans and actress-comedian Jenny Slate, in 2016. At her urging, he read a collection of feminist essays, The Mother of All Questions. "You have to understand that you don’t understand," he says.

When he's not working or camping by himself, you can find Evans camped out on Twitter. He is extremely online in a way that actors who headline ultra-mainstream movie franchises tend not to be; on any given day, you can find @ChrisEvans quoting Idiocracy to mock President Trump's McDonald's buffet for the Clemson Tigers, signal-boosting tweets about gay purges in Chechnya, or addressing Sen. Lindsey Graham as "Smithers."

He worries about doing too much of this sort of thing, about it seeming performative or becoming white noise — Chris Evans, back on his bullshit. He does not worry about saying something online that might inspire MAGA-minded fans to microwave their Captain America action figures. And for what it's worth, he says, "Marvel has never said anything. On the contrary — when I bump into Kevin Feige the first thing out of his mouth is 'Man, I love what you're doing [on Twitter].'"

"I don't see it as trash-talking," says Feige, Marvel's president. "I see it as very astute, very honorable, very noble, very Cap-like. Commentary and questioning. I've said to him, 'You're merging! You and the character are merging!'"

"I’d be disappointed in myself if I didn’t speak up. Especially for fear of some monetary repercussion or career damage — that just feels really gross to me."

Evans campaigned for Hillary Clinton in 2016; and while he has not decided on his 2020 candidate, his crusading use of his platform has made him a real-life superhero to a certain segment of the online #Resistance. Days after we talk, he pops up on Capitol Hill to do some bipartisan grip-and-grins with Senate Democrats Brian Schatz, Chris Coons and Jeff Merkley and Republican Lisa Murkowski. In March, he does the same at the House of Representatives. It turns out he's conducting interviews for A Starting Point, a politics website whose mission is "to create informed, responsible and empathetic citizens." He's a co-founder, along with the actor Mark Kassen and entrepreneur Joe Kiani; the launch date has yet to be announced.

While he's only visiting Congress for now, everyone jokes about him getting a job there someday. There's familial precedent; his uncle is former Massachusetts Representative Mike Capuano (who lost a hard-fought race to Ayanna Pressley, a progressive city councilwoman, in September). For now, Evans feels obligated to do what he can, even if it turns his social media mentions into a garbage fire.

"You don't want to alienate half your audience," says Evans. "But I'd be disappointed in myself if I didn't speak up. Especially for fear of some monetary repercussion or career damage — that just feels really gross to me."

His willingness to call bullshit on anyone abetting the disintegration of our republic extends to his home state's favorite sons. When we talk, Tom Brady is two days away from leading the New England Patriots to a sixth Super Bowl win; when I ask if the chance to play Brady in a biopic would bring him out of non-retirement retirement, he looks grim.

"I don't know," he says. "I really hope he's not a Trump supporter. I'm just hoping he's one of those guys that maybe supported him and now regrets it. Maybe he thought it was going to be different — and even that bothers me — but maybe there's a chance now he just thinks Trump's an absolute dumb shit, which he is. If he doesn't, if he's still on that Trump train, I might have to cut ties. It's really tough."

"I think maybe a couple of years ago," he continues, "I might have tried to pull some, like, mental gymnastics to compartmentalize, but I don't know if I can anymore. So I'm just hoping he's woken up."

Evans has a platform and he's using it. But like a lot of straight white men seeking to consciously and conscientiously navigate a tumultuous moment in the history of straight white male-dom, he's learned that shutting up is important, too. At Slate's urging, he read Rebecca Solnit's The Mother of All Questions, a collection of essays about the insidious side effects of patriarchy, and took away a great deal. "You have to understand that you don't understand," he says. It's not the most action-heroish way to look at things — but that may be the secret of his appeal as a movie star.

"At the root of it, he has true humility," says Robert Downey Jr., who's played Tony Stark against Evans five times. "I think it's the reason he was able to kind of come to the front and be our team leader in the Avengers. I think a lot of his theater experience helped, too. Because it was like, 'OK, I'm going to dress up, I'm going to go out, and I'm going to tell the truth.' It's very kind of old-school Spencer Tracy. Although I guarantee you Spencer Tracy never would've put on that getup."

Unsurprisingly, Evans blows off discussion of his own goodness. "The characters I play do a lot of that heavy lifting. If people knew me — I'm just an asshole."

He seems a little uncomfortable. I change the subject by asking him to tell me what happens at the end of Avengers: Endgame. Evans laughs. "Yeah," he says. "I wish I could. Uh, it's — I mean — it's a good one. It's a real good one. I saw, like, the first hour of it."

So you watched it up to the point where Cap dies?

"Right, exactly," Evans says. "After I die by Tony's hand, I just said, You know what? I can't watch this."

I should make it clear that this is a joke, even if it feels like the kind of joke that could turn out to be true. "I can't believe they even cut together a trailer," he says, "because so much of it is a visual spoiler. You'll see. A lot of the characters have"—

He stops, covering his mouth.

"Probably shouldn't have even said that," he says.

READ REST HERE...

[angelofberlin2000]

Photo: Emily Denniston/Vulture and photos courtesy of the studios 

Keanu Reeves has been a movie star for more than 30 years, but it seems like only recently that journalists and critics have come to acknowledge the significance of his onscreen achievements. He’s had hits throughout his career, ranging from teen comedies (Bill & Ted’s) to action franchises (The Matrix, John Wick), yet a large part of the press has always treated these successes as bizarre anomalies. And that’s because we as a society have never  been able to understand fully what Reeves does that makes his films so special.

In part, this disconnect is the lingering cultural memory of Reeves as Theodore Logan. No matter if he’s in Speed or Bram Stoker’s Dracula or Something’s Gotta Give, he still possesses the fresh-faced openness that was forever personified by Ted’s favorite expression: “Whoa!” That wide-eyed exclamation has been Reeves’s official trademark ever since, and its eternal adolescent naïveté has kept him from being properly judged on the merits of his work.

Some of that critical reassessment has been provided, quite eloquently, by Vulture’s own Angelica Jade Bastién, who has argued for Reeves’s greatness as an action star and his importance to The Matrix (and 21st-century blockbusters in general). Two of her observations are worth quoting in full, and they both have to do with how he has reshaped big-screen machismo. In 2017, she wrote, “What makes Reeves different from other action stars is this vulnerable, open relationship with the camera — it adds a through-line of loneliness that shapes all his greatest action-movie characters, from naïve hotshots like Johnny Utah to exuberant ‘chosen ones’ like Neo to weathered professionals like John Wick.” In the same piece, Bastién noted: “By and large, Hollywood action heroes revere a troubling brand of American masculinity that leaves no room for displays of authentic emotion. Throughout Reeves’s career, he has shied away from this. His characters are often led into new worlds by women of far greater skill and experience … There is a sincerity he brings to his characters that make them human, even when their prowess makes them seem nearly supernatural.”

In other words, the femininity of his beauty — not to mention his slightly odd cadence when delivering dialogue, as if he’s an alien still learning how Earthlings speak — has made him seem bizarre to audiences who have come to expect their leading men to act and carry themselves in a particular way. Critics have had a difficult time taking him seriously because it was never quite clear if what he was doing — or what was seemingly “missing” from his acting approach — was intentional or a failing.

This is not to say that Reeves hasn’t made mistakes. While putting together this ranking of his every film role, we noticed that there was an alarmingly copious number of duds — either because he chose bad material or the filmmakers didn’t quite know what to do with him. But as we prepare for the release of the third John Wick installment, it’s clear that his many memorable performances weren’t all just flukes. From Dangerous Liaisons to Man of Tai Chi — or River’s Edge to Knock Knock — he’s been on a journey to grow as an actor while not losing that elemental intimacy he has with the viewer. Below, we revisit those performances, from worst to best.

   45. Johnny Mnemonic (1995)

The nadir of the ’90s cyberpunk genre, and a movie so bad, with Reeves so stranded, that it’s actually a bit of a surprise the Wachowskis were able to forget about it and still cast him as Neo. Dumber than a box of rocks, it’s a movie about technology and the internet — based on a William Gibson story! — that seems to have been made by people who had never turned on a computer before. Seriously, watch this shit:

44. The Watcher (2000) This movie exists in many ways because of its stunt casting: James Spader as a dogged detective and Keanu as the serial killer obsessed with him. Wait, shouldn’t those roles be switched? Get it? There would come a time in his career when Keanu could have maybe handled this character, but here, still with his floppy Ted Logan hair, he just looks ridiculous. The hackneyed screenplay does him no favors, either. Disturbingly, Reeves claims that he was forced to do this movie because his assistant forged his signature on a contract. He received the fifth of his seven Razzie nominations for this film. (He has yet to win and hasn’t been nominated in 17 years. In fact, it’s another sign of how lame the Razzies are that he got a “Redeemer” award in 2015, as if he needed to “redeem” anything to those people.)

43. Sweet November (2001) It’s a testament to how cloying and clunky Sweet November is that its two leads (Reeves and Charlize Theron) are, today, the pinnacle of action-movie cool — thanks to the same filmmaker, Atomic Blonde and John Wick’s David Leitch — yet so inert and waxen here. This is a career low point for both actors, preying on their weak spots. Watching it now, you can see there’s an undeniable discomfort on their faces: If being a movie star means doing junk like this, what’s the point? They’d eventually figure it all out.

42. Chain Reaction (1996) As far as premises for thrillers go, this isn’t the worst idea: A team of scientists are wiped out — with their murder pinned on poor Keanu — because they’ve figured out how to transform water into fuel. (Hey, Science, it has been 23 years. Why haven’t you solved this yet?) Sadly, this turns into a by-the-numbers chase flick with Reeves as Richard Kimble, trying to prove his innocence while on the run. He hadn’t quite figured out how to give a project like this much oomph yet, so it just mostly lies around, making you wish you were watching The Fugitive instead.

41. 47 Ronin (2013) In 2013, Reeves made his directorial debut with a Hong Kong–style action film. We’ll get into that one later, because it’s a ton better than this jumbled mess, a mishmash of fantasy and swordplay that mostly just gives viewers a headache. Also: This has to be the worst wig of Keanu’s career, yes?

40. Even Cowgirls Get the Blues (1993)

Gus Van Sant’s famously terrible adaptation of Tom Robbins’s novel never gets the tone even close to right, and all sorts of amazing actors are stranded and flailing around. Reeves gets some of the worst of it: Why cast one of the most famously chill actors on the planet and have him keep hyperventilating?

39. Replicas (2019) In the wake of John Wick’s success, Keanu has had the opportunity to sleepwalk through some lesser sci-fi actioners, and this one is particularly sleepy. The idea of a neuroscientist (Reeves) who tries to clone his family after they die in an accident could have been a Pet Sematary update, but the movie insists on an Evil Corporation plot that we’ve seen a million times before. John Wick has allowed Reeves to cash more random checks than he might have ten years ago. Here’s one of them.

38. Feeling Minnesota (1996) As far as we know, the only movie taken directly from a Soundgarden lyric — unless we’re missing a superhero named “Spoonman” — is this pseudo-romantic comedy that attempts to be cut from the Tarantino cloth but ends up making you think everyone onscreen desperately needs a haircut and a shave. Reeves can tap into that slacker vibe if asked to, but he requires much better material than this.

37. Little Buddha (1994)

To state the obvious, it would not fly today for Keanu Reeves to play Prince Siddhartha, a monk who would become the Buddha. But questions of cultural appropriation aside, you can understand what drew The Last Emperor director Bernardo Bertolucci to cast this supremely placid man as an iconic noble figure. Unfortunately, Little Buddha never rises above a well-meaning, simplistic depiction of the roots of a worldwide religion, and the effects have aged even more poorly. Nonetheless, Reeves is quite accomplished at being very still.

36. Much Ado About Nothing (1993) Quick anecdote: We saw this Kenneth Branagh adaptation of the Bard during its original theatrical run, and when Reeves’s villainous Don John came onscreen and declared, “I am not of many words,” the audience clapped sarcastically. That memory stuck because it encapsulates viewers’ inability in the early ’90s to see him as anything other than a dim SoCal kid. Unfortunately, his performance in Much Ado About Nothing doesn’t do much to prove his haters wrong. As an actor, he simply didn’t have the gravitas yet to pull off this fiendish role, and so this version is more radiant and alive when he’s not onscreen. It is probably just as well his character doesn’t have many words.

35. Bram Stoker’s Dracula (1992) GIFs are a cheap way to critique a performance. After all, acting is a complicated, arduous discipline that shouldn’t be reduced to easy laughs drawn from a few seconds of film played on a loop. Then again …

This really does sum up Reeves’s unsubstantial performance as Jonathan Harker, whose new client is definitely up to no good. Bram Stoker’s Dracula is a wonder of old-school special effects and operatic passion — and it is also a movie in which Reeves seems wholly ill at ease, never quite latching onto the story’s macabre period vibe. We suspect if he could revisit this role now, he’d be far more commanding and engaged. But in 1992, he was still too much Ted and not enough anything else. And Reeves knew it: A couple years later, when asked to name his most difficult role to that point, he said, “My failure in Dracula. Totally. Completely. The accent wasn’t that bad, though.” Well …

34. The Neon Demon (2016)

One of the perks of being a superstar is that you can sometimes just phone in an amusing cameo in some bizarro art-house offering. How else to explain Reeves’s appearance in this stylish, empty, increasingly surreal psychological thriller from Drive director Nicolas Winding Refn? He plays Hank, a scumbag motel manager whose main job is to add some local color to this portrait of the cutthroat L.A. fashion scene. If you’ve been waiting to hear Keanu deliver skeezy lines like “Why, did she send you out for tampons, too?!” and “Real Lolita shit … real Lolita shit,” The Neon Demon is the film for you. He’s barely in it, and we wouldn’t blame him if he doesn’t even remember it.

33. The Lake House (2006) Reeves reunites with his Speed co-star for a movie that features a lot fewer out-of-control buses. In The Lake House, Sandra Bullock plays a doctor who owns a lake house with the strangest magical power: She can send and receive letters from the house’s owner from two years prior, a dashing architect (Reeves). This American remake of the South Korean drama Il Mare is romantic goo that’s relatively easy to resist, and its ruminations on fate, love, destiny, and luck are all pretty standard for the genre. As for those hoping to enjoy the actors’ rekindled chemistry, spoiler alert: They’re not onscreen that much together.

32. Henry’s Crime (2011) You have to be careful not to cast Reeves as too passive a character; he’s so naturally calm that if he just sits and reacts to everything, and never steps up, your movie never really gets going. That’s the case in this heist movie about an innocent man (Reeves) who goes to jail for a crime he didn’t commit and then plans a scam with an inmate he meets there (James Caan). The movie wants to be a little quirkier than it is, and Reeves never quite snaps to. The film just idles on the runway.

31. The Bad Batch (2017) Following her acclaimed A Girl Walks Home Alone at Night, filmmaker Ana Lily Amirpour plops us in the middle of a desert hellscape in which a young woman (Suki Waterhouse) must battle to stay alive. The Bad Batch is less accomplished than A Girl, in large part because style outpaces substance — it’s a movie in which clever flourishes and indulgent choices rule all. Look no further than Reeves’s performance as the Dream, a cult leader who oversees the only semblance of civilization in this post-apocalyptic world. It’s less a character than an attitude, and Reeves struggles to make the shtick fly. He’s too goofy a villain for us to really feel the full measure of his monstrousness.

30. Hardball (2001)

Reeves isn’t the first guy you’d think of to head up a Bad News Bears–style inspirational sports movie, and he doesn’t pull it off, playing a gambler who becomes the coach of an inner-city baseball team and learns to love, or something. It’s as straightforward and predictable an underdog sports movie as you’ll find, and it serves as a reminder that Reeves’s specific set of skills can’t be applied to just any old generic leading-man role. The best part about the film? A 14-year-old Michael B. Jordan.

29. Street Kings (2008) Filmmaker David Ayer has made smart, tough L.A. thrillers like Training Day (which he wrote) and End of Watch (which he wrote and directed). Unfortunately, this effort with Reeves never stops being a mélange of cop-drama clichés, casting the actor as Ludlow, an LAPD detective who’s starting to lose his moral compass. This requires Reeves to be a hard-ass, which never feels particularly convincing. Street Kings is bland, forgettable pulp — Reeves doesn’t enliven it, getting buried along with the rest of a fine ensemble that includes Forest Whitaker, Hugh Laurie, and a pre-Captain America Chris Evans.

28. Constantine (2005) In post-Matrix mode, Reeves tries to launch another franchise in a DC Comics adaptation about a man who can see spirits on Earth and is doomed to atone for a suicide attempt by straddling the divide twixt Heaven and Hell. That’s not the worst idea, and at times Constantine looks terrific, but the movie doesn’t have enough wit or charm to play with Reeves’s persona the way the Wachowskis did.

27. The Day the Earth Stood Still (2008) Reeves’s alienlike beauty and off-kilter line readings made him an obvious choice to play Klaatu, an extraterrestrial who assumes human form when he arrives on our planet. This remake of the 1950s sci-fi classic doesn’t have a particularly urgent reason to exist — its pro-environment message is timely but awkwardly fashioned atop an action-blockbuster template — and the actor alone can’t make this Day particularly memorable. Still, there are signs of the confident post-Matrix star he had become, which would be rewarded in a few years with John Wick.

26. Knock Knock (2015) Reeves flirts with Michael Douglas territory in this Eli Roth erotic thriller that’s not especially good but is interesting as an acting exercise. He plays Evan, a contented family man with the house to himself while his wife and kids are out of town. Conveniently, two beautiful young strangers (Ana de Armas, Lorenza Izzo) come by late one stormy night, inviting themselves in and quickly seducing him. Is this his wildest sexual fantasy come to life? Or something far more ominous? It’s fun to watch Reeves be a basic married suburban dude who slowly realizes that he’s entered Hell, but Knock Knock’s knowing trashiness only takes this cautionary tale so far.

25. The Devil’s Advocate (1997)

Very few people bought tickets in 1997 for The Devil’s Advocate to see Keanu Reeves: Hotshot Attorney. Obviously, this horror thriller’s chief appeal was witnessing Al Pacino go over the top as Satan himself, who just so happens to be a New York lawyer. Nonetheless, it’s Reeves’s Kevin Lomax who’s actually the film’s main character; recently moved to Manhattan with his wife (Reeves’s future Sweet November co-star, Charlize Theron), he’s the new hire at a prestigious law firm who only later learns what nefarious motives have brought him there. Reeves is forced to play the wunderkind who gets in over his head, and it’s not entirely convincing — and that goes double for his southern accent.

24. The Prince of Pennsylvania (1988) “You are like some stray dog I never should have fed.” That’s how Rupert’s older hippie pal, Carla (Amy Madigan), affectionately refers to him, and because this teen dropout is played by Keanu Reeves, you understand what she means. In this forgotten early chapter in Reeves’s career, Rupert and Carla decide to ditch their going-nowhere Rust Belt existence by taking his dad (Fred Ward) hostage and collecting a handsome ransom. The Prince of Pennsylvania is a thoroughly contrived and mediocre comedy, featuring Reeves with an incredibly unfortunate haircut. (Squint and he looks like the front man for the Red Hot Chili Peppers.) Still, you can see signs of the soulfulness and vulnerability he’d later harness in better projects. He’s very much a big puppy looking for a home.

23. The Last Time I Committed Suicide (1997) Every hip young ’90s actor had to get his Jack Kerouac on at some point, so it would seem churlish to deny Reeves his opportunity. He plays the best pal/drinking buddy of Thomas Jane’s Neal Cassady, and he looks like he’s enjoying doing the Kerouac pose. Other actors have done so more indulgently. And even though he’s heavier than he’s ever been in a movie, he looks great.

22. A Walk in the Clouds (1995) Keanu isn’t quite as bad in this as it seemed at the time. He’s miscast as a tortured war veteran who finds love by posing as the husband of a pregnant woman, but he doesn’t overdo it either: If someone’s not right for a part, you’d rather them not push it, and Keanu doesn’t. Plus, come on, this movie looks fantastic: Who doesn’t want to hang around these vineyards? Not necessarily worth a rewatch, but not the disaster many consider it.

21. The Replacements (2000) The other movie where Keanu Reeves plays a former quarterback, The Replacements is an adequate Sunday-afternoon-on-cable sports comedy. He plays Shane, the stereotypical next-big-thing whose career capsized after a disastrous bowl game — but fear not, because he’s going to get a second chance at gridiron glory once the pros go on strike and the greedy owners decide to hire scabs to replace them. Reeves has never been particularly great at playing regular guys — his talent is that he seems different, more special, than you or me — but he ably portrays a good man who’s had to live with disappointment. The Replacements pushes all the predictable buttons, but Reeves makes it a little more enjoyable than it would be otherwise.

20. Tune in Tomorrow (1990) A very minor but sporadically charming bauble about a radio soap-opera scriptwriter (Peter Falk) who begins chronicling an affair between a woman (Barbara Hershey) and her not-related-by-blood nephew on his show — and ultimately begins manipulating it. Tune in Tomorrow is light and silly and harmless, and Reeves shows up on time to set and looks extremely eager to impress. He blends into the background quietly, which is probably enough.

19. I Love You to Death (1990)

This Lawrence Kasdan comedy — the first film after an incredible four-picture run of Body Heat, The Big Chill, Silverado, and The Accidental Tourist — is mostly forgotten today, and for good reason: It’s a farce that mostly features actors screaming at each other and calling it “comedy.” But Reeves hits the right notes as a stoned hit man, and it’s amusing just to watch him share the screen with partner William Hurt. This could have been the world’s strangest comedy team!

18. Youngblood (1986)

This Rob Lowe hockey comedy is … well, a Rob Lowe hockey comedy, but we had to include it because a 21-year-old Reeves plays a dim-bulb, good-hearted hockey player with a French Canadian accent that’s so incredible that you really just have to see it. Imagine if this were the only role Keanu Reeves ever had? It’s sort of amazing. “AH-NEE-MAL!”

17. Destination Wedding (2018) An oddly curdled comedy about two wedding guests (Reeves and Winona Ryder) who have terrible attitudes about everything but end up bonding over their universal disdain for the planet and everyone on it. That sounds like a chore to watch, and at times it is, but the pairing of Reeves and Ryder has enough nostalgic Gen-X spark to it that you go along with them anyway. With almost any other actors you might run screaming away, but somehow, in spite of everything, you find them both likable.

16. Thumbsucker (2005)

The first film from 20th Century Women and Beginners’ Mike Mills, this mild but clever coming-of-age comedy adaptation of a Walter Kirn novel has Mills’s trademark good cheer and emotional honesty. Reeves plays the eponymous thumbsucker’s dentist — it’s funny to see Keanu play someone named “Dr. Perry Lyman” — who has the exact right attitude about both orthodontics and life. It’s a lived-in, funny performance, and a sign that Keanu, with the right director, could be a more than capable supporting character actor.

15. Something’s Gotta Give (2003) This Nancy Meyers romantic comedy was well timed in Reeves’s career. A month after the final Matrix film hit theaters, Something’s Gotta Give arrived, offering us a very different Keanu — not the intense, sci-fi action hero but rather a charming, low-key love interest who’s just the supporting player. He plays Julian Mercer, a doctor administering to shameless womanizer Harry Sanborn (Jack Nicholson), who’s dating a much younger woman (Amanda Peet), who just so happens to be the daughter of a celebrated playwright, Erica (Diane Keaton). We know who will eventually end up with whom in Something’s Gotta Give, but Reeves proves to be a great romantic foil, wooing Erica with a grown-up sexiness the actor didn’t possess in his younger years. We’re still not sure Meyers got the ending right: Erica should have stuck with him instead of Harry.

14. Man of Tai Chi (2013) This is the only movie that Reeves has directed, and what does it tell us about him? Well, it tells us he has watched a ton of Hong Kong action movies and always wanted to make one himself. And it’s pretty good! It’s technically proficient, it has a straightforward narrative, it has some excellent long-take action sequences (as we see in John Wick, Keanu isn’t a quick-cut guy; he likes to show his work), and it has a perfectly decent Keanu performance. We wouldn’t call him a visionary director by any stretch of the imagination. But we’d watch another one of these, definitely.

13. Dangerous Liaisons (1988)

Le Chevalier Raphael Danceny is merely a pawn in a cruel game being played by Marquise de Merteuil and Vicomte de Valmont, and so it makes some sense that the young man who played him, Keanu Reeves, is himself a little outclassed by the actors around him. This Oscar-winning drama is led by Glenn Close and John Malkovich, who have the wit and bite to give this 18th-century tale of thwarted love and bruised pride some real zest. By comparison, Danceny is practically a boy, unschooled in the art of manipulation, and Reeves provides the character with the appropriate youthful naïveté. He’s not a standout in Dangerous Liaisons, but he acquits himself well — especially near the end, when his blade fells Valmont, leaving him as one of the unlikely survivors in the film’s ruthless battle.

12. The Private Lives of Pippa Lee (2009) In this incredible showcase for Robin Wright, who plays a woman navigating a constrictive, difficult life with more grace and intelligence than anyone realizes, Reeves shows up late in a role that he’s played before: the younger guy who’s the perfect fit for an older woman figuring herself out. He hits the right notes and never overstays his welcome. As a romantic lead, less is more for Reeves.

11. Parenthood (1989) If you were an uptight suburban dad, like Steve Martin is in Ron Howard’s ensemble comedy, your nightmare would be that your beloved daughter gets involved with a doofus like Tod. Nicely played by Keanu Reeves, the character is the embodiment of every slacker screwup who’s going to just stumble through life, knocking over everything and everyone in his path. But as it turns out, he’s a lot kinder and mature than at first glance. Released six months after Bill & Ted’s Excellent Adventure, Parenthood showed mainstream audiences a more grown-up Reeves, and he’s enormously appealing — never more so than when advising a young kid that it’s okay to masturbate: “I told him that’s what little dudes do.”

10. Permanent Record (1988) A very lovely and sad movie that’s nearly forgotten today, Permanent Record, directed by novelist Marisa Silver, features Reeves as the best friend of a teenager who commits suicide and, along with the rest of their friends, has to pick up the pieces. For all of Reeves’s trademark reserve, there is very little restraint here: His character is devastated, and Reeves, impressively, hits every note of that grief convincingly. You see this guy and you understand why everyone wanted to make him a star. This is a very different Reeves from now, but it’s not necessarily a worse one.

9. Point Break (1991)

Just as Reeves’s reputation has grown over time, so too has the reputation of this loopy, philosophical crime thriller. Do people love Point Break ironically now, enjoying its over-the-top depiction of men seeking a spiritual connection with the world around them? Or do they genuinely appreciate the seriousness that director Kathryn Bigelow brought to her study of lonely souls looking for that next big rush — whether through surfing or robbing banks? The power of Reeves’s performance is that it works both ways. If you want to snicker at his melodramatic turn, fine — but if you want to marvel at the rapport his Johnny Utah forms with Patrick Swayze (Bodhi), who only feels alive when he’s living life to the extreme, then Point Break has room for you on the bandwagon.

8. Bill and Ted’s Excellent Adventure (1989) and Bill and Ted’s Bogus Journey (1991) Before there was Beavis and Butt-Head, before there was Wayne and Garth, there were these guys: two Valley bozos who loved to shred and goof off. As Theodore Logan, Keanu Reeves found the perfect vessel for his serene silliness, playing well off Alex Winter’s equally clueless Bill. But note that Bill and Ted aren’t jerks — watch Excellent Adventure now and you’ll be struck by how incredibly sunny its humor is. Later in his career, Reeves would show off a darker, more brooding side, but here in Excellent Adventure (and its less-great sequel Bogus Journey) he makes blissful stupidity endearing.

7. The Gift (2000) This Sam Raimi film, with a Billy Bob Thornton script inspired by his mother, fizzled at the box office, despite a top-shelf cast: It’s probably not even the first film called The Gift you think of when we bring it up. But, gotta say, Reeves is outstanding in it, playing an abusive husband and all-around sonuvabitch who, nevertheless, might be unfairly accused of murder, a fact only a psychic (Cate Blanchett) understands. Reeves is full-on trailer trash here, but he brings something new and unexpected to it: a sort of bewildered malevolence, as if he’s moved by forces outside of his control. More of this, please.

6. My Own Private Idaho (1991)

Gus Van Sant’s landmark drama is chiefly remembered for River Phoenix’s nakedly anguished performance as Mike, a spiritually adrift gay hustler. (Phoenix’s death two years after My Own Private Idaho’s release only makes the portrayal more heartbreaking.) But his performance doesn’t work without a doubles partner, which is where Reeves comes in. Playing Scott, a fellow hustler and Mike’s best friend, Reeves adeptly encapsulates the mind-set of a young man content to just float through life. Unlike Mike, he knows he has a fat inheritance in his future — and also unlike Mike, he’s not gay, unable to share his buddy’s romantic feelings. Phoenix deservedly earned most of the accolades, but Reeves is terrific as an unobtainable object of affection — inviting, enticing, but also unknowable.

5. Speed (1994)

Years later, we still contend that Speed is a stupid idea for a movie that, despite all logic (or maybe because of the utter insanity of its premise), ended up being a total hoot. What’s clear is that the film simply couldn’t have worked if Reeves hadn’t approached the story with straight-faced sincerity: His L.A. cop Jack Traven is a ramrod-serious lawman who is going to do whatever it takes to save those bus passengers. Part of the pleasure of Speed is how it constantly juxtaposes the life-or-death stakes with the high-concept inanity — Stay above 50 mph or the bus will explode! — and that internal tension is expressed wonderfully by Reeves, who invests so intently in the ludicrousness that the movie is equally thrilling and knowingly goofy. And it goes without saying that he has dynamite chemistry with Sandra Bullock. Strictly speaking, you probably shouldn’t flirt this much when you’re sitting on top of a bomb — but it’s awfully appealing when they get their happy ending.

4. River’s Edge (1987) This film’s casting director said she cast Reeves as one of the dead-end kids who learn about a murder and do nothing “because of the way he held his body … his shoes were untied, and what he was wearing looked like a young person growing into being a man.” This was very much who the early Reeves was, and River’s Edge might be his darkest film. His vacancy here is not Zen cool … it’s just vacant, intellectually, ethically, morally, emotionally. Only in that void could Reeves be this terrifying. This is definitely a performance, but it never feels like acting. His magnetism was almost mystical.

3. John Wick (2014), John Wick: Chapter Two (2017), and John Wick: Chapter 3 — Parabellum (2019)

If they hadn’t killed his dog, none of this would have happened. Firmly part of the “middle-aged movie stars playing mournful badasses” subgenre that’s sprung up since Taken, the John Wick saga provides Reeves with an opportunity to be stripped-down but not serene. He’s a lethal assassin who swore to his dead wife that he’d put down his arms — but, lucky for us, he reneges on that promise after he’s pushed too far. Whereas in his previous hits there was something detached about Reeves, here’s he locked in in such a way that it’s both delightful and a little unnerving. The 2014 original was gleefully over-the-top already, and the sequels have only amped up the spectacle, but his genuine fury and weariness felt new, exciting, a revelation. Turns out Keanu Reeves is frighteningly convincing as a guy who can kill many, many people.

2. A Scanner Darkly (2006)

In hindsight, it seems odd that Keanu Reeves and Richard Linklater have only worked together once — their laid-back vibes would seemingly make them well suited for one another. But it makes sense that the one film they’ve made together is this Philip K. Dick adaptation, which utilizes interpolated rotoscoping to tell the story of a drug cop (Reeves) who’s hiding his own addiction while living in a nightmarish police state. That wavy, floating style of animation nicely complements A Scanner Darkly’s sense of jittery paranoia, but it also deftly mimics Reeves’s performance, which seems to be drifting along on its own wavelength. If in the Matrix films, he manages to defeat the dark forces, in this film they’re too powerful, leading to a pretty mournful finale.

1. The Matrix (1999), The Matrix Reloaded (2003), and The Matrix Revolutions (2003)

“They had written something that I had never seen, but in a way, something that I’d always hoped for — as an actor, as a fan of science fiction.” That’s how Reeves described the sensation of reading the screenplay for The Matrix, which had been dreamed up by two up-and-coming filmmakers, Lana and Lilly Wachowski. Five years after Speed, he found his next great project, which would become the defining role of his career. Neo is the missing link between Ted’s Zen-like stillness and John Wick’s lethal efficiency, giving us a hero’s journey for the 21st century that took from Luke Skywalker and anime with equal aplomb. Never before had the actor been such a formidable onscreen presence — deadly serious but still loose and limber. Even when the sequels succumbed to philosophical ramblings and overblown CGI, Reeves commanded the frame. We always knew that he seemed like a cool, left-of-center guy. The Matrix films gave him an opportunity to flex those muscles in a true blockbuster.

[naysaltysalmon]

I’m back!

Upon my return from China, I noticed there were a lot of things weighing me down... that I can just throw the fuck out.

I could expound upon all of these in great detail, but it really would be pointless. And I wouldn’t be able to cover it all anyway. So instead I’ve decided to make a post of every icon I’ve used for my online persona over the years.

The reason for this is... at the end of the program I attended, we had an entire week of silent meditation. We weren’t allowed to talk or communicate with anyone in any way, including gestures, eye contact, or physical touch. So, during this time I had the realization that the stories I’ve been interested in have been my main source of comfort over the years. No person, place, or thing has felt more permanent to me than this.

However, permanence is an illusion, as the Buddhists say (I stayed in a Buddhist monastery in China, in case you’re wondering). My interests have changed over the years -- from the first fandoms I got obsessed with, to my interests now. I may still adore the series that I enjoyed as a child, but definitely not in the same way.

Coming home, I realized... I no longer want to attach my identity to one character or series. That’s why I’ve decided to make this post. I want to reflect on all the egos of my past, on what they have meant to me, so that I can let them go. I’ve been clinging to a folder of them for too long.

To anyone who’s been here since the very start of my blog, I thank you from the bottom of my heart. This is an acknowledgement of my transformation from then until now.

And so:

Breadward Elric. My first Internet icon, which I had for 2 and a half years from May 2011 -- 2013. My blog was originally entirely FMAB content, created in January of 2012, and while this format didn’t last the entire time that I had this icon, Breadward saw me through the majority of my early anime and video game obsessions. He jump-started my personality on the Internet as a fanfic author, a blogger, and an artist. I will never forget him... ;~;

Comrade Führer Tamama. I had this icon for 8 months in early 2013 -- early 2014. What can I say? Tamama’s passionate personality resonated with me, especially when he was finally able to be in control (in the episode this particular screenshot is from). Gotta get those cola oceans pronto!

Yokoso waga tainai e [Welcome to my Womb ( ͡° ͜ʖ ͡°)]. I had a phase during the summer of 2014, okay. But I still love this maniacal snake’s crusty ass, fite me. I admire KagePro immensely for the popularity and development it gave characters in song format. Of course, favorite of those characters was Kuroha, a snake whose only desire was to keep granting wishes so that he could survive. Add a touch of murderous intent and you have the complete package -- I won’t deny he appealed(appeals) to my wild side -- okay moving on.

KeroTama hugge 👀. I had this icon for about 4-6 months in 2014 before the Hunter x Hunter phase hit. God, I shipped them so hard *facepalms* It was funny though, it’s like KagePro hit me like a hurricane during this summer and then I went right back to being KeroTama trash. Amazing.

Softly Smiling Pika. I kept this icon for at least 9-10 months at the end of 2014 -- early 2015, until I found Owari no Seraph. Kurapika was definitely my bae at the start of my HxH phase -- and in many ways he still is. The current arc gives me this sense of nostalgia of being a 15-year-old again, deeply in love but too in denial to see it. Watching him as a young adult, I see how far I’ve come, how I could have ended up... since I believed myself to be most closely alike with Kurapika at the time. And now I know that’s not the case... I remember debating between many other Kurapika icons and finally choosing this one because I dearly wanted to believe I too could find my happiness in the friends around me, even if it seemed all was hopeless behind the scenes.

Yuu babe. I had this icon for 4 months in the middle of 2015, I remember. Yuichiro Hyakuya was an underappreciated dorky genius at the time, much like how Gon is in HxH now, except... Now in the series... *deep sighs* *clenches fist* I still love his piercing citrine eyes and the dynamism of this icon/pose though.

Cuties T^T (MikaYuu edition). Mmm I kept this icon for a while, something like most of 2016, at least 6-8 months, probably more like 9 or 10. Looking back, I still wonder how/why the author was a fucking coward and didn’t make MikaYuu happen. We coulda had it aaallllll...... Anyway, this is when I was writing Ebony & Ivory, my most popular fic to date, so I was reveling in the reputation I gained from that. This icon was me accepting that while I was no longer friends with my best friend from middle school to 11th grade, I would still pursue my own happiness in the perfect relationship that I saw in MikaYuu. *nods* It’s fitting.

Caught Child². I shared this and the next couple of icons with a friend that I met online, who used the Gon equivalent. I think we shared this one for about 3 months of 2016. This is when I became re-obsessed with Hunter x Hunter and realized how much I had changed between 2014 and 2016. It’s an obsession that’s more or less carried onto now, and redefined my adulthood, as I see my progression as I refer back to HxH for guidance to this day.

Content Chompy Boye. I love this icon. I kept this icon for a long time, something like 5-6 months in December 2016 -- mid-2017. The colors of the background contrast with Killua’s white hair, pale skin, and dark muscle shirt... I still used this icon on other websites until just a few days ago (when I most recently changed my icon) because I thought it looked the best backdropped against the format of other websites. I love this scene in the series, though; while (human) Palm is chattering on about her worry that Gon and Killua will be able to defeat Knuckle and Shoot in time, Killua continues to eat without a care in the world. It’s a mood I feel at least once a day, whether while eating or getting a back massage -- as if that ever happens -- 11/10.

Pizza Devil Brat. I like this icon a lot and kept it on a few websites for longer too, but with the way I edited it, the green background becomes a little too headache-inducing if you stare at it too long, so 8/10 -- okay no more out of 10 ratings, this isn’t that kind of post. I believe I kept this icon for about 3-4 months in 2017 and possibly early 2018 as well. From the same scene the previous Kurapika icon came from, this remains one of my favorite scenes in the entire series for its serious undertones over the light happiness that underlies Gon’s, Killua’s, and Kurapika’s (and Leorio’s -- but he’s not in this scene) interactions with each other throughout the series.

Grumpy Gem Gremlin. I was sharing the last three icons with that friend, including this one, with the Phos equivalent (more or less). I think we only kept it for about a month or month and a half in 2017 or beginning of 2018 before switching to the next one. Cinnabar’s desire for a purpose and closeness to others despite her poisonous nature... is definitely something I can understand and relate to.

Sad Gem Child. Damn, I think we’re all still waiting for the day Gormie realizes Aechmea’s a creepy sugar daddy and dropkicks his ass into the ocean where the Admirabilis can decompose his cloudy body like he doesn’t deserve. When will Land of the Lustrous return from the war? I’m still waiting, Ichikawa. Anyway I think we kept this icon for about a month or maybe two in 2018, not long at all.

Gay Childe™. Look, this is one of the gayest scenes in the entire series and it’s right after my favorite episode(s)/scene(s) in the entire series (so far) and it’s not even acknowledged by anyone. Just. Holy Fuck. Anyway I think I kept this icon for about 6-8 months to cap off 2018. And this is where the Big Breakup happened, where my friend decided to choose an icon that deviated from mine, but I kept this icon for a lot longer due to what this scene means to me, placed after/during my favorite episode. ;v;

And finally, BoMH (Blood on My Hands) Pika. I used this icon for 8 months from the start of 2019 until just a few days ago (approx. 8 months). This icon was originally the cover for a Kurapika fic that I started back in 2015 and ended up discontinuing because it was pretty slow-paced, and thus unpopular, which made it become difficult for me to write. But I got all the way up to 97k words before I quit, simply because of the freedom and joy I felt in creating all the OCs that I fit into Kurapika’s journey as he searched for the Kurta eyes after the Yorknew City Arc. Looking back, I’m proud of the planning and commitment that I succeeded in undertaking with this fic -- it was about halfway done by the time I stopped writing it -- and I feel I want to return to this concept one day. Even if the arcs were pretty formulaic at times and, well, boring, I wanted this icon at the start of 2019 to be a new person separate from my recent past matching icons; a representation of my ability to reconnect with my past, but to no longer be afraid of it; to be proud of it, but still recognizing the not-so-good parts, laying it to rest by no longer avoiding it.

My icon now, as I’m sure you can see... is nothing like those I’ve used thus far. I definitely have no intention of moving away from anime or my past. I simply wish to redefine who I am in relation to them, rather than being defined by them.

...I’ve discovered a lot about myself over the past 2 years since college started, more than I ever thought possible. I discovered a lot while in China, too. And I need my online persona to reflect that in every form, as I’ve done every time there was a change.

Thank you all for being with me on this journey: for following me, for reading my posts, for liking my art, for talking with me and blowing up my notifications on every platform...

I’ll be pursuing the next chapter(s) of Human, TIDU, and other works soon. ^.^

[momentsinsong]

Moments In Song No. 021 - Tromac Pineapple

“Moments In Song” asks people one simple question, “What are you listening to?” For every installment we ask someone to make a playlist of 10 songs they’re listening to, whether it be something new they stumbled upon, or a song they’ve always loved, and explain the story behind their choices. We aim to show that no matter where we come from, what we do, or what we look like, music has the ability to bring us together.

DMV producer/rapper/DJ Tromac Pineapple reaches every corner of Hip-Hop and brings it together in his playlist. We talk to him about digging through Bandcamp for music, what makes a good DJ, and his new project the Velour Vandal EP.

Listen to Tromac’s playlist on Apple Music and Spotify. 

Words and photos by Julian.

_________________________________________________________

Julian: First thing I wanted to ask you is what the thought process was behind making your playlist? People always say it’s hard picking 10 songs to squeeze into it. 

Tromac: Well I wanted to spread across my taste as wide as possible. I actually had a hard time once I got to like 7 songs because I was like, “Damn, I can only put in three more of those joints, but I know 5 that I could pick.” I pretty much just wanted to touch on the different types of music I like. I still didn’t even get across all of it.

I noticed that a majority of the playlist was Hip-Hop, but different types of Hip-Hop. You have some boom bap stuff with “Free (Type Shit),” Dilla, and Anderson. Then you have more turn up stuff like WiFIGawd and Ghostie. That Ghostie song caught me off guard. It has a little house feel to it that I wasn’t expecting.

Yeah see I had to add that, because Ghostie is one of the most versatile artists I know. As versatile as this playlist is, he’s six times as versatile as that. As a fellow producer in this area, I have a whole lot of respect for him. And that’s my mans, so I’ll be listening to it anyway. Shit be cranking, no matter what genre he tackles. And then I also have the “Free (Type Shit)” joint because it’s just so smooth and it hits. The beats, the boom bap. That’s one of my favorite things in Hip-Hop. It’s just so powerful. That’s also why I got the J Dilla joint on there. That’s like my favorite Dilla beat of all time. Straight slap, the drums, the snares. The whole thing. It's just hard. Classic. Undeniable.

When did you first really start listening to music and developing your own taste, instead of just listening to what was on the radio?

Pretty much when I was in 9th or 10th grade. Back then my main taste was just mixtapes and shit. The first favorite rapper I ever had was Lil Wayne, and he’s still like top 5 to me to this day. I would just listen to endless mixtapes, because before I graduated High School I just loved to listen to underground shit. I literally didn’t listen to albums and would only listen to mixtapes. I would listen to the first three Droughts, Sorry 4 the Wait. That was my favorite mixtape of all times for like 18 years (laughs).

Were you on DatPiff and all those sites?

Oh bruh, I had a DatPiff account, LiveMixtapes, Sprinrilla, all of that. 

So how did listening to mostly mixtapes branch off into listening to other types of artists and other types of music?

Well basically every now and then I would look into what was new that week…

Still on the mixtape websites, or is this on something else?

Yeah still the mixtape sites but at this point I also got into Bandcamp, and that was some real underground type shit. When I got into Bandcamp I was also making my own music at this point and was posting it on there. I would hashtag that shit and then click on them to see who else was posting music from Laurel, MD, or PG County, or just Maryland in general. That’s how I found a bunch of other local artists, like my homies Fonlon and Kente from NASA8, Tek.Lun and other guys. They had the same hashtags because we were all from Laurel. And then from there I would look at other hashtags like #HipHopBeats, and I would discover artists like Madbliss. Searching through hashtags led to me finding a bunch of random bands on Bandcamp, and I feel like that really opened the door for me to be on the lookout for other genres of music.

You said earlier this is when you started making music?

Yeah I started making music in 10th grade. 

So is that writing rhymes? Making beats? Both?

Making beats. I mean I was freestyling with my friends all the time, and writing rhymes down in my notebook, but I wasn’t rapping on beats until 11th grade, which was around 2013. I didn’t rap on my own beats until 2014 because I knew my shit wasn’t good (laughs). But it eventually got to a point where I could hit my own stuff instead of YouTube “type beats.” I knew early on “type beats” wasn’t the wave. It is the wave for some people, but it wasn’t the wave for me. And I knew that early on because you can’t really build a solid body of work just taking random beats. Even if you get a bunch of random beats from different producers, it’s more that needs to go into a project than that.

When you first started making music, who were some of your influences when it came to producing? I would assume Dilla is one, or did that not come until later?

I knew about J Dilla because I would hear my parents listen to Erykah Badu and Common, so when my Dad found out that I was making beats he would be like, “Oh so you wanna be like Dougie Fresh and J Dilla?” and I was like, “Who the hell are these people?” All I knew was like Mike WiLL Made-It because that was what I was hearing. I wasn’t too keen on producers at that level. The producers I did know were like Flying Lotus, Tek.Lun, Kaytranada, Sam Gellaitry and that was all through Soundcloud. Some of my favorite producers would be the ones I randomly found on Soundcloud.

Can you talk more about how discovering these local artists’ music on the internet led to you linking up with them, and not just working with them but them becoming your homies.

Literally just through showing love and support through the music. I started coming out here to Baltimore for events and chilling with the homies as a way to immerse myself in the scene. Of course, you met people, you tell people you do music, and eventually the link forms itself. And if you’re good the link grows with a lot of people. When you’re genuine, genuine things happen for you. I’ve never been a “clout chaser” or anything like that. It’s always been, “This dude is really dope. He’s the homie of my homie.” 

I agree with that 100%. I feel like every connection or relationship I’ve made with someone in the arts scene has been on some person to person type stuff. Not even like artist to artist, or creative to creative type stuff, but just like as a person. And I feel like you were saying it just grows from there. 

Definitely. People who are just creative in general. Photographers, painters, dancers, even like fucking bartenders. Athletes, anyone who’s mind moves faster than the normal individual. I remember when I was learning how to drive my driving instructor told me that people who are athletes and artists tend to get adapted to driving easier, because their brains work more than the average individual because they have a craft they need to constantly focus on. Whatever activity you’re involved in, your brain works harder to adapt to that.

So beats came first, and then the raps. Where does the DJing come into that?

So the DJing came in because I had probably performed 3 or 4 times rapping, but then I was really confident in my beats and I wanted to start performing my beats. By this time, 2015/2016, I would be seeing videos of dudes like eu-IV, j.robb, other producers I looked up to, random Boiler Room videos, and was thinking, “Why can’t I perform my shit?” So I started creating mixes in FL Studio, and learned to DJ through that. It was tedious as fuck, but I had time because I was kid and didn’t have shit to do (laughs). 

I feel like that shows in your sets now. The last one I saw from you, you had a transition from some house song to a Gucci Mane song that was crazy. Never would I have thought to put those two tracks together.

Literally when I DJ, I just play the music that I like. That Gucci Mane song just came back into my rotation like a week ago and I was just like, “Damn I don’t remember this shit being so hard. I gotta play this at a show!” A lot of it is on the fly. I don’t really plan too much outside of downloading the music. I always go off of the crowd and how I feel. Sometimes I’ll download 30 songs for a set and only end up playing like 13, and the rest of the set would’ve been made up of songs I’ve played at other shows.

I can’t tell you how many times I’ve had a show, and have been practicing the week before, and had a playlist ready, and you go in and the crowd is totally different, the energy changes, so you have to play off the cuff. I feel like as much emphasis you put on practicing and preparing, you also need to have the skill of being able to be on your toes and change on the drop of a dime.

I feel like if you’re a good DJ, that should already be a thing. You should know. You pick up on things like that automatically. The shows are practice. You’re not gonna get the same experience at a show, practicing at home. That’s why I feel like if you’re just starting out you should take as many opportunities as you can, and get a feel of what your lane is. I used to take any show I could. I would DJ baby showers, college pools parties, everything. You gotta find your lane, figure out what type of crowds your best in, and switch it up every now and then.

What can you tell me about the new project you got coming up? What kind of sound and themes can people expect from it? 

So the new project is called the Velour Vandal EP, and it’s basically establishing myself as a rapper in the game. I’ve had rap projects before, I’ve had beat tapes, but this is my first official EP. I want people to hear this and think, “Ok, Tromac is actually trying to make it type shit.” It’s really just a lot of crank on this joint, but it’s not like I was in this joint like, “Fuck your bitch…”

You put some thought into it.

Yeah! There’s some lyrics that you gotta ask about. I’m trying to make something that’ll hit, stick, and has good content. All the people I’m working with on it are people I know care and are passionate about music. The intro is produced by me and Koleco, I’m recording all of the songs with Martin J. Ballou, I got Vlad on a song, I got Ghostie. Pretty much have all people I know are serious about music. I want this project to be something. 

Yeah it’s like your introduction as a whole artist.

Yeah. And the whole thing behind the title is for like the last year or so, I’ve become really fond of velvet and have been buying a lot of it. People would always tell me I’m a bear, because I’m big and shit, soft and cuddly, just a cozy ass nigga. I have a thing where I give myself a bunch of alisas, and Velour Vandal just happen to be one of them, and I was like, “Hmm. I can do something with that.”

Any last words about your playlist and what you want the people to get from it?

I want people to go into it with a blank slate. Almost pretend like you’ve never heard music before, be reintroduced to all the different genres and aspects of these songs, and cultivate a new taste from that. 

Connect with Tromac Pineapple:

https://twitter.com/TromacPineapple

https://www.instagram.com/tromacpineapple/

https://soundcloud.com/tromac

Connect with Moments In Song:

https://www.instagram.com/momentsinsong/

https://twitter.com/moments_in_song

https://tinyurl.com/MISAppleMusic

https://tinyurl.com/MISSpotify

[playeroneplayertwo]

The Ten: 5.19

It seems a good icebreaker, or as good an icebreaker as any, to lay bare my top 10 of all time. Clear the air, so to speak. Get to know each other. It’s fair to say that this may be a make or break moment for us. Hopefully, I won’t lose you. Let’s see.

This is a list I imagine I’ll update periodically (which is why it’s dated), as my wife Kathleen (Player Two) and I play a lot of games, and a lot of new games. I’m a notoriously curious and searching type, and I love trying new games, sometimes to my wife’s chagrin. More often than not, my spare change goes to new games for the house. New games that make a splash tend to spike pretty high and then slowly fade. It’s not a great trait to have, especially in someone who tries to speak or write critically about quality (ie write reviews). But being that I’m aware of this, I hope that tempers it at least somewhat.

Anyway, where’s the list, you say? Here we go:

1. Brass: Birmingham (2018)

Oh boy, it’s a new one. Cult of the new? To be fair, Kathleen and I have played this game fairly regularly for the last eight months. By our third play or so, I knew it had locked itself into my top spot. I’d done a fair bit of research on the OG Brass (now Brass: Lancashire) prior to purchasing Brass: Birmingham, and by the time I eventually took the dive and purchased Birmingham, I was as excited to try it as I was unsure we’d actually enjoy it. At the time, it was the heaviest game we’d played, and it also relies heavily on route building–it’s in fact one of the most important parts of the game. I mention this because tactical spacial elements are not Kathleen’s forte. In fact, it’s one of her least favorite mechanics.

This is a good time to tell you that Kathleen and I think (and play games) very differently. Kathleen is a strategic player, relying on long term planning and execution to maximize scoring/performance. I, on the other hand, do not make long term plans. I find it not only remarkably difficult, but also unenjoyable. I’m a short term/tactical player. On my turn, I’m more likely to look over the board, get a lay of the land, and make the best, most advantageous play available to me at that moment.

Brass: Birmingham remarkably manages to cater to both of our play styles, which is one reason it ranks so high. Birmingham presents a myriad options for players to pursue. You’ve got a whole pile of different factory tiles you can build, a whole mess of locations or regions to move into, and about as many different strategies to pursue on your way to the end game. I don’t think I’ve ever played the same game of Brass: Birmingham twice, nor have I ever pursued the same options. The card play means, for me, that I will go where the cards lead, and I find using these cards as a guide to build my engine incredibly satisfying.

2. Covert (2016)

Dice placement. For some reason, this mechanic sounds incredibly unappealing to me, and I think it’s because it’s literally a portmanteau mechanic consisting of the worker placement mechanic using dice, two individual mechanisms that I seem to enjoy less and less. Dice I tend to avoid for their randomness (yes, I know that’s the point), and Worker Placement, in it’s most stereotypical application, I find frustrating. Why can’t I just put my worker wherever I want and just run my engine? Being stymied in a worker placement game just annoys the hell out of me.

So why do I love Covert?

It’s a pretty straightforward points race built around mission cards that have specific requirements. And using the dice as workers seems a fairly typical euro mechanism, but what I like about Covert is how puzzly it is. When you place your dice workers, they’ll be placed on round tracks with spaces numbered 1-6, and you won’t be able to place a die unless it’s adjacent to another die. In this case, you can do anything you want, but only if you plan correctly and work well with the other players. It becomes an order of operations puzzle, which may frustrate some, but I love it.

Also, I can’t get enough of that spy theme. And the production is fantastic.

3. Eldritch Horror (2013)

Ah, Cthulhu. For being the spawn of such a troubled person (HP Lovecraft), I find Cthulhu’s mythos and surrounding universe positively enthralling. 

But dice! Ugh yes, this is a huge, sprawling, long, and [sorta] bloated game that is built all around a very simple dice rolling resolution system. I have no way of justifying why this doesn’t bug me, but it just doesn’t.

Maybe I’m just a sap for the theme (Indiana Jones + Cthulhu = Win). Or maybe it’s nostalgia, considering this is the game on my top ten that I’ve played the most and had the longest. But, if I try to dig into the real reasoning here, it’s probably because this game manages to give you a big, rich, story-based experience that feels like an event when it’s over. Yes, it’s the biggest, longest play session on this list. But I love every minute of it. Even those maddening bad dice rolls.

4. Lord of the Rings: The Card Game (2011)

A long time ago, Kathleen and I came to this hobby via Magic: The Gathering, the deep, long standing king of the collectible card game. Magic is a great game, but it brings out the worst in me as a gamer. Playing Magic makes me both a bad winner and bad loser. Frankly, that’s a terrible combination. Why would you want to play with me at all?

This obvious problem led us to cooperative board games. If I’m gonna lose, why don’t I just lose with you. That’s a refreshing change of pace!

And speaking of losing, hey let’s talk about Lord of the Rings: The Card Game. The word used most frequently when talking about this game–by me and pretty much anybody who’s ever played it–is PUNISHING. And yes, it’s punishing. Kathleen and I have played a few punishing euros at this point (feed those people), but this is something else. Get a few bad card flips from the encounter deck and you’re suddenly up to your eyeballs in LOTR baddies. Orcs and goblins? Oh hai. But your dwarves or hobbits or whatever are never really out of it. Smart deck building (and luck) definitely has carried us out of the tall grass on more than one occasion. And there’s something to be said for a game as well balanced as Lord of the Rings. More than once, a game has concluded on a turn where we either win or lose based on that single turn’s outcome.

The theme doesn’t really do much for me, but I took the dive on this game because it looked like a well-designed and well-supported cooperative card game (of which there really aren’t too many). It’s stood tall over the years, and I hope it continues for a while. When I first played Arkham Horror: The Card Game, I figured it would knock this down a peg or two. But the designers’ ingenuity in the LOTR quests and encounter deck designs has been (for me, at least) a much more rewarding experience.

And I appreciate a cooperative game where you actually lose more often than you win. It seems a rarity in the co-ops we have.

5. Great Western Trail (2016)

I’d heard and read so much about this game prior to purchasing it that I almost didn’t even want to get it (which is exactly how I feel about Concordia and Trajan, subsequently). I dig the cowboy theme, but beyond that, I’d pretty much phased out all the actual details on this game’s gameplay.

But yeah, it really is good. Ya’ll were right. I love games that are heavy but are built around simple gameplay, and Great Western Trail epitomizes that. One your turn you move your cowboy on the (effectively) huge rondel board and then take an action on the space where you stop. That’s it. 

The beauty of the game comes from the remarkable breadth of options you can pursue. Using cowboys to buy cows, hiring engineers to move your train and build stations, hiring carpenters to build buildings and busy up the board, and completing objectives are some of the main tasks you’ll be focusing on, and what really clicks for me with Great Western Trail is that it’s a tactical player’s dream. The board is constantly changing, and as it changes, so must your plans. The objective cards steer you somewhat, but you’ve really gotta cut your own path across the wilderness here.

Oh, and I love deckbuilding as a sort of side dish mechanic. It isn’t always enough to sustain a whole game, but it’s great as a single piece of a pie.

6. Gloomhaven (2017)

All right, so this big beast has moved all over my ranking in the year+ since my first game. I won’t lie, it sat at #1 for a while. Then it slid a little, then a little more. I mean, it’s still at #6, so it’s not exactly plummeting. It’s the Board Game Geek #1 game of all time (as of this writing), and it’s hard to say if it’s deserving of this (and if not, what deserves the spot instead). Again, this is so subjective, and games like this or Scythe tend to be lightning rods for people who want to take a shot at the new hotness.

But yes, it’s good. It’s very good. I’m not as enamored by the sprawling nature of it as I was, nor the campaign, but being a person who loves variety, it’s scope is certainly a nice bonus. But after you haven’t played it in a while, it becomes a HUGE box that takes up a whole shelf and is a bear to set back up. And even though the box is 20lbs and takes up a whole shelf and the game takes 20+ minutes just to set up, the card play in Gloomhaven is just stellar. I love that this is essentially a tactical minis game with a euro engine. Tactical minis games rank incredibly low on my chart o’ interest, but this game takes that standard tactical minis expectation and smashes the shit out of it. 

Despite its niggling flaws, it’s an excellent game.

7. The Exit Series (2017-?)

This is the last co-op game on my list, and I just looked back and saw that there are four on here. I was just talking to Kathleen about how much I’d rather play competitive games instead of co-ops, and apparently I said that in a moment completely lacking self-awareness. Also, this is a cheaty kind of entry considering we’ve played at least eight Exit games.

Remember when I said that I liked Eldritch Horror because it was an event game that provided a big, rich experience? Well, the Exit games give you a meaty, brainier experience in a slightly shorter time period. There’s not much story–despite the designers really trying to cram one in there–but I’ll always love Exit because it’s become our Date Night game. Kathleen and I will get some nice booze, take out food, and sit down with a new Exit after we put our son to bed. The experience can be frustrating–remember we think very differently, but each experience has always been something to remember (except the Secret Lab; what happened in that one?). Special props to Exit: Dead Man on the Orient Express, in particular.

The puzzles are really satisfying when you crack them, especially after working on them for a while. We take longer than average to do these because we resist those hint cards as much as possible, so our games can stretch. But Exit should be an event, and when savored like one, it doesn’t let you down.

Also, if you have concerns about the value of an Exit game, if you look at it as an event (like going to the movies or *cough cough* playing T.I.M.E. Stories), it’s actually a very good value. Recycle it!

And finally, yes, Exit trumps Unlock any day of the week.

8. Glory to Rome (2005)

That Glory to Rome is out of print is a cryin’ shame. Our copy isn’t even a real copy, I printed a crappy DIY version at Staples and then cut and sleeved them with old Magic commons. Our copy looks bad, is cut unevenly, and has eery MTG watermarks shining through the thin weight paper, and I couldn’t care less. This game is awesome. It’s got about a million different combos that are all seemingly game-breaking, but the fact that everything is so powerful is really what makes this game so exciting.

Multi-use cards are one of my favorite mechanic, and this game is completely built around them. And like any well-designed game that is build all around cards, the design of this never leaves you feeling hamstrung by bad card draw. If you’re doing badly at Glory to Rome, it’s your fault. Sorry. You haven’t found the combo that will win the game for you. I can say this because I’m terrible at Glory to Rome, and I know it. That’s not saying I’ve not won before. I have, but more likely than not it was because I accidentally stumbled onto something good. 

Like Brass: Birmingham, no two games of Glory to Rome are the same. There are so many cards in the box, and the subtle sense of humor that permeates some of the cards just tickles me (please see: latrine).

It’s fast and exciting, and giving you options on other players’ turns is also one of my favorite mechanics.  I’ll happily play and lose Glory to Rome anytime.

9. Nippon (2015)

Full disclosure, this is the newest edition to this list, and Kathleen and I have only played this a few times, but there’s something about this game that really fascinates me. 

At first blush, it feels like Brass, but it’s not. Like Brass, this is an economic engine, but it doesn’t allow the multi-turn build up to The Big Turn like Brass. Then I thought it was a little like Great Western Trail, but it’s not really like that either. Great Western Trail presents a ton of options, but by the end of the game, you really need to work on all of them, at least a little bit, or else your score will suffer. Nippon, however, doesn’t make you do a little bit of everything. There are a number of elements in Nippon (like trains), that can be all but ignored except for certain circumstances. It’s a game built around area control via slow burn engine building. A number of other elements to the game are very specific tools you can use to hone that engine, but could just as easily prove useless under the wrong conditions.

This may be misdirected musings by someone who hasn’t played the game enough, but it feels right to me. The last time we played, I came to the realization that the game felt so fraught because I was trying to do too much. The game presents you with a large amount of avenues to pursue because you don’t actually have to pursue them all; you can’t, there’s not enough time in the game (or money!). You need to choose your actions and build the best engine as quickly as possible.

Nippon is a cutthroat fight that feels both wickedly fast and frustratingly slow at the same time. Special bonuses for completely subverting the worker placement mechanic with its own implementation that runs the whole game. It’s a puzzle that I have relished greatly.

10. Star Wars: The Card Game (2012)

Two Fantasy Flight LCGs on the list? Sweet Christmas!

But yes, this is a great game. I’m not sure it ever got much love, and it saddens me that it’s now dead, but it’s such an interesting design. That it does a fine job of simplifying deck construction is just a bonus.

I appreciate that Star Wars feels like a game of high stakes gambling. The first few turns are slow and quiet as you work through your deck and build your forces, but once conflict erupts, everything tends to break wide open. Each decision you make has massive repercussions, as single large mistakes will lose you the game. Add in some actual bluffing and a ticking clock, and this is the simplified and streamlined (if safer and less wild) version of Doomtown: Reloaded, another card game that I absolutely love. 

But where I think Doomtown ultimately fails, Star Wars succeeds. The game doesn’t get bogged down in complexity, and instead feels relatively streamlined considering its medium weight. Every time I play this game, I’m impressed by how smart Eric Lang’s design is. I feel like he played a ton of Magic: The Gathering, and then he removed all the things that bothered him (and bothered me, too).

I think this game is overlooked and underplayed, and dare I say forgotten, but for my money, it’s absolutely worth revisiting. And played over and over again.

Please remember, this list will change. Check back occasionally to see how. If you have any questions or opinions of your own, let me know in the comments!

Thanks for reading!

Eric (Player One)