#i don't think it was a good choice or right and in fact *that* is one of the areas i fully go for a flawed marius in.

[rohirric-hunter]

I don't know if I agree that escalation is important. Another series that did this well is the Redwall series by Brian Jacques. The first book written in the series had a protagonist, Matthias. A later book focused on his son, Mattimeo. The stakes in Mattimeo's book are, if we're quite honest, noticeably lower than in Matthias'. There are still stakes -- one of the villains kidnaps Mattimeo and a bunch of other children and another one threatens their home while they are away from it, but neither villain is as threatening as the main villain of Matthias' story, and both of their evil plots are fairly localized. If they both got away with it then far fewer people would be negatively affected than in the first book.

In fact, both villains are villains that Matthias, as the hero of the first book, would easily have been able to deal with if he had just happened to be in the right place at the right time, but he's not. Matthias' failing as a parent isn't that he is bad at it. It's that his greatest strengths are also his greatest weaknesses. He's a very kind character, and this results in him letting Mattimeo get away with far more than he should, and one instance of him choosing to be kind rather than cautious kicks off the plot and all the ensuing conflicts. (Note that this is not presented as the wrong choice, per se, just an example of how unfortunately bad people can often use people's good qualities against them.)

Matthias then spends the entire book being restrained from being involved directly in either plot (which, again, he would have sorted in about ten minutes most likely) by time, distance, or cave-ins. Getting thrown into a bottomless pit. That sort of thing. There's almost a third plot where Matthias struggles against himself, TBH. His actions only indirectly and distantly affect the downfall of either villain. (This is thematically appropriate for the character, something something themes and motifs, but only tangentially related to this discussion.)

Some of the things that make this sequel succeed where others fail are these:

Matthias is present and active in the story. He is not put on a bus or killed early on; lesser writers use this tactic when they fear the new characters won't hold their own against the old ones. He is present and active; the story is simply not about him. He also passively influences the story through his past actions from the first book (kind of) and who he is as a person.

Matthias is a good parent, albeit not a perfect one. This works to the story's advantage, as Mattimeo ends up sharing many of his good traits that endeared readers to him in the first place by virtue of having been raised by him. Now they endear readers to the new protagonist as well.

Matthias has his own proper role in the story and a satisfying character arc. Matthias enjoyers still have something to be excited about in the story even though he is not the protagonist: here the writer neatly sidestepped the pitfall of alienating readers who are primarily reading the sequel in the hopes of new stuff about their faves.

Stakes really have little to do with it -- if anything the story is helped by the fact that the stakes are all deeply personal to the protagonists and not an Even Bigger Threat that will Destroy the World Even Harder than the first time.

In the case of Tolkien also doing this well, I think the most important takeaway is this: The parent figure must in some clear and important way influence and direct the child figure's story. You cannot write a sequel about a beloved character's kid where things just happen just because. There must be a clear line of narrative that makes sense between the parent and child's story.

But it takes a really talented writer to pull that off (especially if they weren't planning the sequel when writing the first book) and well a lot of people aren't really talented writers.

Generational spin-off media is like “okay, what would be the most in-character way for the previous show’s protagonist to comprehensively fail as a parent?”

[forwomenbiwomen]

Sometimes I decide to see what the "other side" is talking about and I lurk on anti-terf blogs and gyns I have to say. I'm continually stunned by the fact that I thought it was normal as a TRA. The rabid "everyone can do the most outrageous shit as they want forever and ever and to engage with other opinions is literally catholic nazi conservatism 🤪🤪" is so... idk how to describe it, but reading their blogs completely overstimulates me 😭

It's always go go go go don't stop to think about it go go go FUCK TERFS here's a stunning misinterpretation that we can't even absorb deeply enough to actually question that'll be passed about like candy go go go trans rights go go trans women are women and cis bitches should die!!!!!1!1! but not really because we love women but only the ones that let their natural predators in uwu let's spam their tags with furry porn guys <3333

It's a lot!! And I forget that that's the other side of the spectrum on this issue because they're so online and fringe and... cringe is dead but they're really trying!!!!! I got used to dealing with normies but these people are insane about it and I'm genuinely taken aback. On here we have our issues, sure, but we're not so fast and groupthinky. We have our arguments but that's almost comically preferable to passing around a blocklist so you can keep yourselves in your bubble.

Like I'm always open to changing my mind that is an OATH that I take really fucking seriously. I read their blogs in good faith and engage with their thought processes because I NEED to know I'm making the right choices here. I'm surrounded by it on a daily basis and I come to the same basic conclusion that women deserve female spaces and a word to describe our femaleness and our humanity together and that word is woman. No postmodernist "gender is a social construct anyway so it doesn't matter what I use it for" erases the system of oppression that gender is and the fact that women are oppressed on the basis of sex and always have been. And they hate us. They hate us for expressing this quite simple and mild feminist take.

And somehow they've got this far with it lmao. Zero respect for the radical feminist women that came before them unless they call men transwomen and GNC women transmen. They would have fought the suffragists tooth and nail and put posters up of "wanted women".

[ahamkara-apologist]

Yeah, I think that's totally fair- what grinds on my gears is more when people hate on her for things she didn't do than how she actually is, like allegedly attempting to exterminate humanity (she didn't) or killing Rasputin (that was all him baby). Claiming that she deserves to be killed for crimes she didn't do or didn't have any control over is very different from hating her because she's a mean old bitch. Because she is. You're right on the money with that one, and even someone like me- who loves grumpy old assholes- rolls my eyes at her sometimes

That being said, I think what Eramis tried to do in the fieldwork where she laid into her is something that Eido legitimately needs, even if it's harsh. Eido is brilliant, but she's also young, naiive, and only now starting to take on a full workload without her father by her side- a workload that has the lives of many other people on the line, who cannot be risked in a moment of indecision. What Eramis did when she confronted her on her hesitation was give her a step-by-step rundown on how faliure would look, how it would feel, what it would mean, and how it would be unacceptable, while also telling her that she's capable of circumventing it. It's a rough kick in the rear, but it pisses her off enough to keep going while also giving her an idea of what to expect if she fails. She's trying to make Eido less naiive by giving her realistic expectations of what she's going to face, bc this is the sort of thing that Misraaks sheltered her from in the past, and Eramis knows it

However, I don't think that just giving that dialogue alone was the right choice, because it seems like Eramis is being unnecessarily cruel all the time. If you ask me, we really need more Eido-Eramis dialogue to really drive home the fact that they actually have good relationship, because Eido keeps offhandedly mentioning about how Eramis is working over tonic recipes with her and how they're discussing things in the cells, but we're not really getting any of it. In one of the act 1 fieldworks, there is one where Eramis and Variks both reassure Eido that the apothecary would not look down on her for being young, but its not really enough. I def. think there should be more Eido-Eramis dialogue going on to bolster her redemption arc, and it's not just because their dynamic is my favorite of the season, it's also because Eramis's good side needs to be brought out as much as possible for the redemption to feel solid, and Eido is the one who can pry it out of her

Me getting ready to endure yet another wave of Eramis hate + people bitching about Bungie's narrative choices making no sense despite Eido explicitly saying why she needs her around several times to your face

[drakorn]

Rewriting Veilguard Part 1 - The World State

Disclaimer: I don't hate the game, I actually think it's quite great given the development hell Bioware went through in those 10 years. This is more of a hypothetical universe where there was less of that behind the scenes drama. Just a fun writing exercise.

Expanding Veilguard's World State Editor

Like many of us, I was disappointed with the total amount of choices carrying over from past games being only three, one of which dealt with romance, two with decisions made in the Trespasser DLC, and all of them being from Inquisition. This already set the precedent that we shouldn’t really be expecting the game to be as connected to our unique Thedas as we have come to be used to from previous titles—no more uniquely flavoured codex entries, no more small but sweet cameos here and there that make the world itself feel like a larger place that we had helped shape.

Given The Veilguard’s very troubled production history of multiple delays, staff layoffs, and all-around restarts of the entire project, it is honestly a surprise that we even got three choices, so credit where credit is due. They made with what they had. But what if The Veilguard had this vision from the start? What if there wasn’t any of this meddling? What if Bioware simply had more time and control? What if they could truly let us import the World State this game deserved?

Now, for this hypothetical rewritten playthrough, I’m going off from the fact that the Dragon Age Keep will not be used; I actually found it a neat idea to tick my three choices in the character creator, and it would have probably been better had Inquisition done something similar. Why do I think that? Because it means we are not running into any dangers of servers potentially shutting down, leaving us trapped in the canon we happened to have imported last. Converting the Keep into an offline editor was a good idea, but unfortunately not executed nearly enough as, let’s face it, we all expected. So we’re gonna have some fun for Veilguard.

Disclaimer: I’m going to refer to the game’s title as Veilguard from now on, not “the” Veilguard. I really don’t like the change of having a “the” in a series of otherwise one-word, or one-number, titles.

Of course, we have to be realistic about this. It is virtually impossible to implement every single decision from across all three games, and those that can be implanted can’t alter the main plot too much. Certainly, we like to imagine and picture things, but let’s approach this from an actually doable point of view.

Right, so imagine you just finalised your Rook, and then get a screen titled “Past Adventures”. Not just “The Inquisition”. And it would take up the entire screen instead of being shoved somewhere in the corner of the final CC page, which many people missed. I could have missed it too, had I not known beforehand that it was going to be there!

It would say something akin to “You can customise the protagonists and several events from the games Dragon Age: Origins, Dragon Age II, and Dragon Age: Inquisition. These choices will have both major and minor effects on the plot of Veilguard. If this is your first Dragon Age title, you would be advised to skip this section for now, as you may otherwise risk getting overwhelmed. A default World State has been pre-generated for the game.”

Why did I add this disclaimer? Because it would show us, right from the get-go, that we respect both new and old players. If you’re a new player, feel free to skip this part as it won’t matter to you anyway and, quite frankly, you wouldn’t want to spend an eternity in the character creator doing things you might not even be familiar with. But if you’re a returning player or someone who has read up on recaps and watched countless lore videos, come on right in, we’ve got you covered, don’t worry! We know how much time you spent meticulously crafting your World State for Inquisition, so join us and customise to your heart’s content.

If you choose to not skip ahead (honestly the only time I would click “skip” on that shit is if I was a new player), you will be presented with three tarot cards, one shows the griffon, the Grey Warden symbol, one shows Kirkwall’s heraldry, and one shows the Inquisition’s banner. Here’s your previous three games. And now we get to customise them a little. The little gremlin in me would be quite gleefully rubbing his hands at this prospect.

Past Adventures: The Blight

We open the first slide and are immediately hit with a crimson screen and an ambient reprise of several of Inon Zur’s themes from DAO. I loved this part in the game, when you click to customise your Inquisitor and are immediately hit with “Calling the Inquisition”. Really great stuff for early emotions. Now let’s actually customise things.

The Hero of Ferelden

I do not expect us to actually be able to recreate the Warden in the flesh, but I believe they should be at least brought up in conversation or mentioned in codex entries and letters. Here are the things we get to customise about them specifically:

The Hero: Here, we get to tick the race, gender, class, and background for our Warden. Again, no character creator, just fancy tarot cards. But guess what? That would already be more than enough for what we can do. At least we know the game acknowledges their continued existence.

The Warden’s fate: Did the Hero of Ferelden perform the ultimate sacrifice?

Romance: Who did your Warden romance, if at all?

The Companions

Now that our Warden is set, we jump over to DAO’s companions. Each companion has their own little mini-section. The first few questions will always be “Did you even recruit them? And if so, did they survive? If so, were you on good terms or not?” These questions, depending on the answers, will immediately lock or open the more specific ones. Which are, as follows:

Did the Warden have Morrigan perform the Dark Ritual?

What is Alistair’s ultimate fate?

Was Sten reunited with his sword?

What happened to Loghain?

What happened to Marjorlaine?

The Battle of Ostagar

What happened to the prisoner at Ostagar?

The Arl of Redcliffe

What is Connor’s fate?

Is Isolde alive?

Did you help Bevin and return his sword?

The Urn of Sacred Ashes

What happened to the Urn?

The Nature of the Beast

How was the situation between the Dalish and the werewolves resolved?

A Paragon of Her Kind

What happened to the Anvil of the Void?

Who rules Orzammar?

Did the Warden help Brother Burkel create a Chantry in Orzammar?

Did the Warden prove the Legion of the Dead was connected to a noble house?

Did Orta join the Assembly?

Warden’s Keep

What happened to Sophia and Avernus?

Denerim

Did the Warden complete Slim Couldry’s crime wave?

Who rules Ferelden?

Who killed Urthemiel?

Awakening

What happened to Nathaniel?

What happened to the Architect?

What happened to Vigil’s Keep and Amaranthine?

As you can see, I have not included all the choices, just the ones I think can be carried over in both realistic and interesting manners. Not all of them will heavily feature in the game; in fact, many of them are for flavour and codex entries only, but there is still merit in those. We know there is a whole lot of stuff happening in the South thanks to the letters the Inquisitor regales us with. So let’s put some world-state uniqueness to those letters. But in this rewrite, some of these choices will, in fact, feature in a more substantial manner.

And that’s Dragon Age: Origins done! Moving on to the next one!

Past Adventures: The Tale of the Champion

When we enter this screen, the CC assumes Kirkwall’s orangey-yellow tone and we get a reprisal of the key DA2 themes by Inon Zur, the most prominent one being, of course, Hawke’s family theme. This one is not going to be as big as DAO, but there are a few important factors nevertheless, especially concerning possible deaths and survivals.

The Champion of Kirkwall

Unlike the Hero of Ferelden, Hawke will actually be customisable in this one. Because no matter whether or not they were sent to the Fade or Weisshaupt, there is always the potential for them to still be alive. So, here are the choices regarding Hawke:

The Champion: Here you can customise Hawke’s gender, class, and personality.

Who did Hawke romance, if at all?

The Party

Pretty much every companion’s card, aside from a few, will have the questions “Did you recruit them?”, “Are they still alive?”, and “Were they friend or rival to Hawke?” at the forefront. Most of it is gonna be flavour, but it’s still my flavour, dammit!

What happened to Bethany or Carver?

What happened to Isabela and the Tome of Koslun?

What happened to Fenris and Danarius?

What happened to Merrill, her eluvian, and Clan Sabrae?

What happened to Bartrand?

What happened to Anders when the Chantry exploded?

Did Hawke approve of Ander’s actions?

Did Aveline marry Donnic?

The Tale of the Champion

Did Hawke protect the Bone Pit from all its dangers?

What happened to Feynriel?

Did Hawke let Zevran go?

Did Nathaniel survive?

Did Hawke side with the mages or the templars?

Fewer choices are carrying over here compared to DAO, but many of the events that occurred in DA2 are only relevant to Kirkwall’s immediate fate, which is already resolved by the time of DAI. Many of these will be flavour again, but some of them, I’m not going to say which, will definitely have a bigger impact.

Right, we’re done with DA2, let’s move on to the last one!

Past Adventures: The Inquisition

And here we get to the big one, the game that most directly impacts much of DAV’s story. We click on the last page and get the green shades and DAI’s ambience themes, a beautiful reprisal of Trevor Morris’ great hits. I would like to once again reiterate how emotional the CC music made me feel here when I was playing the game. Let us now customise our choices.

The Inquisitor

While the Hero of Ferelden will be a background figure in letters and codex entries, and Hawke more of a minor character with a significant role, the Inquisitor will have a much larger presence. Just how large, you’ll find out soon. But for now, let’s customise them:

The Inquisitor: Here you can customise your Inquisitor’s race, gender, class, and specialisation. Their personality as well, for while it wasn’t as apparent as with Hawke, the Inquisitor does still have a distinct range of dialogue choices. You can still be diplomatic, lighthearted, or even rough.

Who did the Inquisitor romance, if at all?

The Inner Circle

As with the other companion sections, pretty much all slides here will feature the “Did you actually recruit them?”, “Are they still around?”, and “Are you friends or not?” questions. Alongside a few specific ones that will definitely have more of an impact here.

Did Dorian resolve the issue with his father?

What happened to Blackwall?

Did the Iron Bull remain loyal to the Qun?

Did Cassandra rebuild the Seekers of Truth?

Did Cassandra discover the book of secrets and what did she do with it?

What happened to Harmond?

Which path did Cole choose?

What happened to Solas’ friend?

Did Varric track down the red lyrium source?

Did the Inquisitor give Vivienne the heart of a snow wyvern?

How was Cullen’s lyrium dilemma resolved?

How did the Inquisitor help Josephine resolve her family’s fortunes?

Was Leliana hardened or softened?

The Path of the Inquisitor

Did the Inquisitor embrace or denounce their title of Herald of Andraste?

Did the Inquisition side with the mages or the templars?

What was the general principle upon which the Inquisition was founded?

Who rules Orlais?

Who stayed behind in the Fade?

What happened to the Grey Wardens after Adamant Fortress?

What happened to Samson or Calpernia?

Who drank from the Well of Sorrows?

Did the Inquisitor respect the rituals at the Temple of Mythal?

Who became Divine Victoria?

The Inquisition’s Influence

Did the Inquisitor ally with the Hinterland cultists?

Was the rift in Crestwood closed?

Was Caer Bronach captured?

Did the Inquisitor make a deal with Imshael?

Was Suledin Keep captured?

Was Griffon Wing Keep captured?

Was Sutherland’s company formed?

What tone did the Inquisitor’s judgments take?

Jaws of Hakkon

Did the Inquisitor learn Ameridan’s fate?

Was Hakkon slain?

Did the Inquisitor share the truth about Ameridan?

The Descent

Did the Inquisitor stop the earthquakes from destroying the Deep Roads?

Trespasser

What is the ultimate fate of the Inquisition?

What is the Inquisitor’s final goal regarding Solas?

Again, this looks like a lot, and it is, but bear in mind that a lot of these will only have minor impacts on the story in the form of cameos and codex entries. However, there are several major DAI choices that will have significant impact.

For our hypothetical rewrite, I shall not list every single choice I made for my imaginary playthrough. Instead, I shall reveal them as we go along so as not to clutter the space too much. And it’s a bit more fun this way.

And that’s the World State editor finally done! I believe all of these choices are able to feature in some capacity, be it big or small. But no matter if it’s a big world-changing consequence or simple flavour texts and cameos, it will still be our Thedas, our own unique version of it that we helped shape.

Now that the past is dealt with, let’s look at the present. Next time we’ll talk about Rook, the six factions, and why a DAO-style origin story selection would have not only been beneficial but very doable.

[evanpercy]

The Couch in S8 and how it will tie to buddie canon, a 9-1-1 analysis

First of all, I'd like to say that this theory is based solely on observations made by myself and others, on camera and lighting choices which, as we all know, are always very important in a TV show. I'm NOT going to go back over the previous couch theory, 1. because I don't have the time and 2. because everything has already been said (Buck falling asleep on Eddie's couch because it's the only place he feels safe, Chris falling asleep in the same place, yada yada).

Next, this theory is going to be pretty much chronological, but I may be getting a little ahead of myself at times, sorry. In the end, you'll see, it makes sense, but I'm also going to ask you for a bit of imagination.

Let's dive into it!

Everything begins in 8x01. We get a scene between Buck, Tommy and Eddie, who are organizing a birthday party for Chris over a facecall. Eddie's couch makes its first appearance this season: Eddie sits on it to call Chris, and Buck and Tommy hide behind it.

Buck and Tommy share a moment. It's cute to see Buck so comfortable in his relationship and his attraction. Well, Tommy is awkward but, are you surprised? (no) As Eddie starts the call, Buck and Tommy jump from behind the couch and we get the first frame interesting enough for this analysis.

What can we say? Eddie is alone on the couch, Buck on his left and Tommy on his right.

(Eddie is once again between Buck and Tommy. In all their scenes together, there's always someone in between the other two. That's not the point here but I love to point it out.)

Buck isn't with Eddie, he's standing behind the couch. It's acting like a physical separation. Buck can only watch Eddie's pain from a distance as the call goes on, and he is useless. Powerless.

That will be the case throughout the early part of this season.

Buck doesn't do anything about Chris and Eddie.

Eddie doesn't talk to Buck about Chris at all. They don't share a single scene alone in the privacy of one of their homes. There's always someone with them - Tommy, the rest of the crew - or they're at the station. Eddie will talk about Chris to Hen, Bobby, the cheerleader's father, Father Brian, even Brad in 8x08. NEVER Buck.

There's also something interesting about the fact that Eddie and Buck don't really talk to each other until Tommy breaks up with Buck.

It's probably not conscious, but I really think Buck is actually distracted by Tommy. He's in this new relationship, it's good, it's cute, it's really different from what he's used to.

We'll see that this will eventually go away...

(A quick interlude: Of course this isn't the first time we've seen 3 people with the couch. It also happened with Buck, Eddie and Chris in S3 - yeah, when couch theory wasn't even a thing. They're on Buck's couch though, but I'm planting a seed in your mind, watch out...)

Next time, it's not Eddie's couch we're talking about, but Buck's. It appears in 8x05, when Buck is sitting in his armchair after returning from the hospital and Tommy is looking after him. There's a lot to say in this scene, but I'm going to focus on one or two things.

Do I even need to say it? Episode 5 was shot after episode 6. I can't stressed out how much it's hit after hit to show us that Buck and Tommy are not staying together (and indeed, Tommy breaks up in 8x06). I imagine the writers ran with the opportunity to show just how incompatible and how physically separated Buck and Tommy are, as well as drawing many parallels between Tommy and Eddie. Maybe I'll talk about that someday.

In this frame, Buck and Tommy are separated. Buck is sleeping in the armchair and Tommy on the couch. I know it's better to sleep in a sitting position when you've dislocated a shoulder, but they could have had Buck sleeping in his bed, snug in his pillows, Tommy next to him.

They didn't.

They made Tommy sleep on the couch. Buck's uncomfortable couch. The one I think he bought with Natalia (if I'm wrong, please don't hate me, season 6 is far in the back of my mind).

See, Tommy doesn't even fit properly on the couch. He's got his head on the armrest and he doesn't have a blanket that covers him completely. He doesn't fit into Buck's life, no matter how hard he tries. He's always out of place.

He chooses the couch Buck doesn't like, and he'll be the only one in this season so far to use it. Buck will never choose this couch, even if he thinks it's the right choice.

(By the way, Oliver said in an interview literally released before episode 8 that Buck's couch is uncomfortable.... Thanks for that, I know you're a couch theory truther Oliver.)

Next couch, 8x06. Eddie's Risky Business moment.

He dances in his living room and jumps on his couch twice. The first time to recreate the scene. The second time, he chooses to lie down on the couch to bask in the euphoria a little longer. Eddie has his first moment of pure joy in years, and it's on the couch that he decides to settle down and calm down. Not saying too much about it but I wanted to point it out.

Where it gets interesting, you know it, is when Buck arrives. Buck, who's just been dumped and once again chooses Eddie's house for a little comfort. He hands Eddie a beer and sits down first on the couch to drink his own.

Let's take a look at this last frame. The framing ticked me off as soon as I saw it, but I couldn't put my finger on why. Now, I know.

Eddie and Buck are sitting side by side, yes, but! If you pay close attention, you can see several things.

First, Buck appears completely in the frame, from shoulder to shoulder. He takes up most of the space, sitting upright on the couch, staring straight ahead.

On the other side, Eddie leans against the backrest, but in doing so, he moves out of frame. The arm and hand holding the beer are totally offscreen. He's looking to the side, not at Buck.

It's already a weird composition, a very pointed choice, because why aren't they both clearly visible in the frame? Why is Eddie a little off the side? This could have been filmed in a slightly less close-up shot, to show them both fully, but it's not. It's clearly a choice.

Let me direct your attention to the wall behind them. You'll see, it's interesting.

Between them, but rather on Eddie's side, what can we see? A picture. Yeah, but not a random one. You can see it more clearly on this frame of Eddie.

Yep. It's an art of Texas. Quite ugly if you ask me. (Eddie, you're clearly making some strange choices when it comes to decorating.)

I won't try to analyze this framework any further, as you've already understood what I'm getting at if you've been paying attention.

It's a foreshadowing of Eddie leaving for Texas.

So we got Eddie leaning away from Buck, a Texas pic on the wall between them, while Buck is just here, choosing Eddie's couch (and Eddie) for comfort after his breakup. It's where he feels safe. They don't need to talk, they have each other... or so he thinks. Sorry Buck.

Let's move on to 8x08. Where it all makes sense.

Very quickly: Eddie isn't making his call to Chris on the couch, but on his coffee table. First, what the hell? It's weird, unless you think he considers the couch a nice place to sit on, and that this conversation will be far from nice in his head. Indeed, he was right.

Buck shows up at Eddie's after baking way too much bread, because he almost called Tommy. By the way, the mere fact that he decided to go to Eddie's to stop himself from doing so speaks volumes, but let's not get into that.

(Look at his little basket, his bread all wrapped up. Why are you like that Buck.)

When he realizes that Eddie is seriously thinking of moving to El Paso... well, he supports him. He supports him, because that's what a best friend is supposed to do, right? He suggests to Eddie, and I quote, “we should move this party to the couch”.

By the way, this is the first time he's explicitly brought the couch to Eddie. And we know that when a character mentions something for the first time, it's to emphasize it.

It's the same with Eddie saying he's straight… or when he says “we?” after Buck's suggestion. They are in this together, and it's what Eddie realizes when Buck goes to sit on the couch... He doesn't have to do all that alone. (Take that little side analysis, my treat. I fucking love this scene, I want to dissect it.)

Buck sits on this couch he's chosen many times over the years.

It's THE couch, the one he always goes to when something is not right in his life. After he died, when he couldn't sleep at home. After his breakup.

He's the first to sit on it ... yes, just like in 8x06.

(This may seem trivial, of course, but the fact that he always chooses to go without waiting for Eddie... Imo, it screams “Buck will figure it all out first and Eddie will have to catch up with him later”. Or "Buck will be waiting for Eddie". Same with him already drinking his beer while Eddie struggles to open it. Maybe a bit far-fetched, but eh? Anyway.)

The setting of the scene is so cold, and I didn't realize it until I compared it with the other scenes on the couch. This creates quite a contrast.

(Sorry I need to talk about something. Let's open a analysis in the analysis.

Buck is dressed in blue - it's Eddie's color in the color theory - while Eddie is dressed in a brownish button down. When I first watched this scene last night, I didn't notice, but looking again… Don't these outfits remind you of anything?

Yeah. I know, they're not the same, but they're similar and it's enough for me to make the parallel. Buck was there for Eddie when Chris left, and he's now here for him when Eddie wants to move to Texas.

Something about "I love you, so I'm letting you go". I'm crying too, don't worry.)

Back to the couch.

Eddie is totally off-screen, he's gone compared to the last time we saw the couch. Buck is alone, something shifts on his face - I'm not gonna lie, it was like watching a fanfic from AO3 on my screen. I've read enough feelings realization to recognize something close. Okay, to be fair, I don't know if it's a total realization of his feelings, but it's a start... and how beautiful that it's happening on Eddie's couch.

The couch represents safety, love, family for Buck. We understood it in s6 when it was first brought up.

By sitting on it, Buck chooses this life with Eddie, in a way.

Can you see the frame with the Texas pic? It's now completely visible, in the frame. It's behind Buck, over his shoulder. Eddie's departure, and by extension Texas, will haunt Buck for a long time to come.

I have to say, this shot is incredible. The whole scene is. I want to play it again and again, I want it tattooed on my eyelids. I'm gonna think about it for 3 months.

In a few episodes, we've gone from Buck behind the couch - away from Eddie's problems, distracted by Tommy - to Buck on the couch, alone - totally there and available for Eddie, even though Eddie soon won't be.

After the breakup, Buck can finally talk to Eddie, care about him - not that he didn't before that, but he's finally free to throw himself back into his relationship with his best friend as before.

Buck has found his home, his couch, the relationship he's most comfortable in, but maybe it's only now, when Eddie's about to leave, that he realizes it.

The couch was never about Eddie - it was always about Buck and his relationship with him. So it's even more powerful to see him behind it in 8x01, on it with Eddie in 8x06 and finally all alone in 8x08.

(I didn't know Oliver confirmed the symbolism of the couch back in S6 but, once again, thank you Oliver.)

(Even if Tim Minear tries to say he doesn't know what it means... Please Tim, we know you're smarter than that).

So what can we expect from this couch for the rest of the season?

If Eddie is really leaving, which I don't believe, he might offer Buck his couch. If the couch is how Buck will realize that he has feelings for Eddie, I'm going to send a gift to everyone who's believed this theory since it first appeared. You're the real ones in this fandom.

If Eddie stays, I think we'll be getting more scenes with the couch. We could go from 3-2-1 to 1-2-3. Stay with me, and grab your imagination. We're going full in theory mode.

1 - Maybe we could have another scene, this time with Eddie alone on his couch? I could see this happening when he's packing, Buck not far away, and Eddie starts to wonder if this is really the right thing to do as his gaze lingers on Buck for a moment too long.

2 - We need two people on that couch again. I'm a big "Buddie first kiss in Eddie's kitchen" truther, but it could also happen on the couch.

Or they could have a big conversation together on it, that will eventually lead them to confess their feelings to each other later on. Maybe that's when Eddie decides to fight to get his son back, to not move in Texas? To confront his parents?

That's two scenes on the couch, two scenes where they don't really talk, even though the couch is an invitation to do so. I'd find it extremely interesting if their first real serious conversation this season took place here.

3 - Finally, we could go from Buck, Eddie and Tommy to something much better for a 3-characters scene on the couch, a configuration we've seen before: Buck, Chris and Eddie. It could even be the last scene of the season, and that wouldn't surprise me at all!

Just imagine: Buck and Eddie have confessed their feelings to each other, maybe Chris knows, maybe not. The three of them end up on this famous couch. Chris is in the middle, and Buck and Eddie look at each other over him, a smile on their lips.

Everything is fine, they've survived the end of the season disaster, Chris is back, they've finally found each other after years...

What an incredible parallel this would make with the beginning of the season! Where Buck was with Tommy, Chris away from his dad, Eddie depressed...

There, they could finally be happy on the damn couch. I have a very clear vision of this scene and I hope they make it a reality. We need our little Buckley-Diaz family together again. With buddie canon of course.

That's it, you've reached the end of this analysis-theory. I hope you enjoyed it. It took me 3 hours to write and I got lost in other theories, but hey! I had fun.

We're entering a 3-month hiatus so let's try to be kind to each other! Let's share our theories, fanarts, fanfics and edits to make this break a little more enjoyable!

If you want to give your opinion on this theory, you're free to do so here in the comments, or on twitter and bluesky (in both cases, I'm there under @/yamatomee).

Self promo mode, I write fanfics that you can find on AO3 under the username Beezethe! I have one coda about the buddie scene in 8x08, pure angst with no comfort... Feel free to give it a read!

[oblivionbladetd]

Another Video Essay of Lorch in need of debunking — “Maturity Isn’t Moral Grey”

Any thoughts on one of You-Know-Who’s worst videos?

If you want me to point to something specific that she gets wrong so you can better dissect it, please let me know.

Well, dismantling her supposed smoking gun is a good place to start. Though first a little context. Do forgive any inaccuracies, I've read up via the wiki and asked some fans, but haven't played ME.

The Krogan from Mass Effect is a reptilian race of aliens that are basically big biological tanks of a sentient species. Uplifted from the post-nuclear hellscape of their original planet to fight a race of sentient bugs known as the rachni. Put simply as long as one Ranchni queen made planetfall? Over. If you didn't intercept the queen within days of them setting up, there was nothing that could be done. They were too hardy and too numerous for anything less than scorched earth to 11. Only the sheer durability and numbers of the krogan were enough to push them back without extreme measures. One thing led to another, though, as saviors became conquerors, and the only way to fight that was the genophage. It's a shameful string of events the whole way down, but there is a distinct lack of better options.

In Mass Effect 3, Krogan are actively leveraging the reaper threat for a cure, and if you aren't picking all the right choices throughout the games, if they get the cure it's right back to certified galaxy wide threat again. There's more than enough evidence both for and against curing it. The cure is both the key to the shackles of their oppression as much as the key to galaxy wide krogan domination. For you see, a female Krogan free of the phage will be well capable of laying upwards of 1000 eggs that will hatch into rapidly maturing Krogan. Basic math, 2 krogan are fully mature adults and start mating for only one year and then stop. That's 1000 krogan. Ten years later, their kids do the same. 100000, rinse and repeat now there is a million. 30 year and 3 generations in with restrictions and the are already populating cities. Add on that they are as hard to kill as they are utterly expendable...

So you'd think Lily is all about the crying shame that the Krogan were jerked around by other, more advanced species for thousands of years as the reason that curing the krogan isn't a morally grey choice? Nope, think of the poor krogan mothers! They must be so broken up about stillbirthing so many children!

Now far be it from me to assume Lily’s knowledgeable about how evolution do, but here's a fun fact for the class. if your species makes over 1000 kids in a year, you've already written about 99.8% of them off as dead. Her smoking gun for this video is approaching a very nuanced, very broad, very non-human problem with a very human centric stillbirth is always the absolute worst thing and that alone seperates the grey into purely black and white... I don't know about that chief...

It's not the full vid, but I've just ripped the meat and potatoes off the plate and exposed it as a hunk of wood and a pile of spud scented foaming hand soap. If you want something else covered, just ask. I've got a post in the works about her fandom obsession, so look forward to that!

[libraryofbronze]

Honestly, this is the sort of thing that all of us who deal in dark kink one way or another have to deal with. I remember when I first started writing darker stuff - bondage, noncon fantasies, that sort of thing - I was genuinely haunted.

''Am I a bad person for writing this stuff? For enjoying it?''

It was made worse because I was writing what I liked. I remember trying to deal with it at first. A sheltered girl who felt the need to write hardcore stuff as a way to cope with the world while worrying that this made her a bad person. In a sense, I suppose that worry was a good thing? it made me examine myself. I introspected a lot. I actually thought out what I was doing and why I did it, and the conclusions I reached I still hold to this day.

Fantasy is fantasy. It's human nature to be attracted to the extreme, drawn to the abyss. We're like moths to a flame in a way. We know that in reality, what we dream of would be horrible. It would hurt people, it would destroy lives. But there is a part of us drawn to the *fantasy* of it. To the game of it. Just so long as we know we can put that game down at the end of the day and come back to a world where everything makes sense.

Writers like me - I don't want to speak for you here since I am sure you have your own conclusions and feelings on the matter - we create fantasies. We weave forbidden tales. We satisfy the desire for dark things in a safe way. I won't say that we don't walk a thin line. We absolutely do. People can consume what we create in an unhealthy way. We need to be aware of that. We have to hold it in our minds.

But we can also help people.

Some people - many people - deal with their traumas, their fears, their worries about the future with sex. The most basic example of that is the classic BDSM surrender thing. Where a sub just wants to surrender, to let their guard down, to *not worry* for an hour or so and relax into a world where they're taken care of and they don't have to make decisions. For them, the lack of control isn't a punishment, it's a release. And they have the right to experience this. For some of them, it's the only release they get.

But it goes further than this. Sometimes for people who face prejudice and bigotry in real life, whose lives might very well be in danger and who face suffering for who they are, fantasies like this are a safe way to engage and cope with those facts. This is true both now and in the past. During World War 2, Nazi porn was massive among people who could be targeted by the Nazis. You know why? Because if you take something scary, something terrifying, something that wants to hurt you and you make it sexy? In a sense, you're removing it's power. You're taking control. You're telling it that you won't be scared of it. You'll take it and use it as fuel.

That's also human nature, and it's something that many people - people who don't deal with it because they're lucky enough not to be threatened in that way - don't really get. They look at, for example, noncon fantasies and think it's about guys lusting after a world where they can just fuck a woman no matter if she wants it or not. There are some people like that, I won't lie. But there are also girls who use it to cope with a fear that they might one day *live* in that world. There are women who were forced into encounters like that and who use stories to contextualise their experiences and reclaim their power and control.

There are trans girls who write and get off to stories focused on transphobia and misgendering, not because they're self-hating but because those are things they deal with every day and they need a release.

And these days, as things skew more and more towards the worse in the real world, releases like this are only going to become more important.

tldr, humans when given the choice will usually choose horny over scary. A lot of people are having to make that choice right now. Dark kink like the sort of thing we produce can be a release for those who desperately need it. Also, apologies for spinning off your post into one of my own. It got me thinking and I wanted to put my work words to it.

Kink in the Hard Era

I got a message recently. It succinctly told me to end my life. Interesting how we can do that in three letters!

Normally, I ignore such missives. This time, however, I engaged. I asked why I should die.

The answer was simple: "you're a misogynist loser".

And you know what...? I get it. I do. This kink, involving power, mind control, gender roles and all that good stuff is a lot less fun when reality seems to be turning fantasies into nightmares.

I trust that everyone here knows I'm not a misogynist, right-winger, complete asshat. But if you need to step back from my content, I absolutely understand. To be honest, I'm not conflict-free in my head about it.

My hope is to provide a place for play, for fantasy; a haven where we can explore power dynamics without the inherent malignancy of hierarchy. But, as stated in my bio: this is all fantasy. Always has been.

And if you are truly a misogynist, transphobe, racist or any other flavor of pond scum making the real lives of real people harder and more dangerous: kindly fuck off.

[romanticizingmurder]

I feel post qotd reunion marius/armand have such a fun mutually requited kink longing going on like.

Armand absolutely wants to be Marius's boy-son-wife-sub again but thinks Marius doesn't want him as he is now, and Marius wants SO badly to step in as caregiver-daddy-husband-dom but feels he's already fucked up Armand enough for a lifetime and it just makes me froth at the mouth.

[musical-chick-13]

.

[farenmaddox]

I think a lot of Cas's feelings of being lost are because of how recently he kind of "gave up" on heaven and his identity as an angel who could lead the other angels back to their original purpose. Angels are supposed to protect and cherish humanity, and it was much easier in earlier seasons for him to feel righteous in his defiance because he was right that protecting people meant preventing the apocalypse and standing up to angels who disrespected humanity.

But the things that he did between seasons 6-9 in service of that goal were... not great. He always had the best of intentions, but it absolutely decimated heaven. He is directly responsible for a LOT of death. So even though he may still feel that humanity is worth protecting and even though he still adheres to that goal (and sees Dean as the primary embodiment of that), he's lost his perspective on HOW to do that and what his role in that should be. Despite how close he has become to humans and despite taking a human family, he still has a fairly cosmic concept of what protecting humanity should look like. This is what led him to being Lucifer's vessel in season 11, and I think the fact that this plan ultimately failed and that Dean was the one to save them all simply by being his beautifully human and compassionate self was really difficult for Cas to deal with.

It's extremely visible in most of season 12 that Cas is struggling to see his place in the world. He can't find/defeat Lucifer and he also can't seem to fit in with the family and be a hunter. He sees himself failing at everything he set out to do, and the fact that most of the primary antagonists in season 12 are just humans doesn't help. He loves humans, but he still doesn't really get them. He feels useless against the Men of Letters and the government and witnesses to the crimes they investigate, and it is a primary part of Cas's personality that he really needs and wants to feel useful. (Relatable!) I don't think it's a coincidence that there are multiple times in seasons 11 and 12 where someone refers to Cas as the Winchester's dog or pet (and it's also not a coincidence that Rowena's spell that nearly killed him gets called the "attack dog" spell). He's lost a lot of his sense of agency and it's being reflected in the words used to describe him (notice how he never argues when people call him this).

And then... Jack. The idea that protecting humanity means protecting this child is less complicated than the quandries he's been mired in for years now, and more uniquely suited to Cas's skill set. They have the Lily Sunder episode, where he has to question his previous stance on nephilim, not to mention it was killing a nephilim that helped Metratron pull off his spell at the end of season 8, something Cas is surely still beating himself up about, and the fact that Ishim and Metratron both lied and manipulated Castiel into it provides a really strong link between the two incidents. Protecting a nephilim instead of killing one must seem like a chance at a type of redemption. His own status as something caught between human and angel allows a certain feeling of solidarity, and of course there's the simple fact that Cas is one of the few things in the world that is both willing to do this and actually has a chance of standing up against the kind of threats the child might be facing.

There are a lot of implications at the end of the series that Jack wasn't what Cas wanted him to be, that Chuck won, that they never actually got to break out of the narrative and be free or happy. But it still matters that from Cas's perspective, this was his choice and that protecting and guiding Jack was both personally fulfilling (became a father, rediscovered "who he is") and was good for the world (because Jack is good for the world). It wasn't about "serving" Jack in the way he served heaven, because that wasn't how he saw it for himself. He was always the one who was quick to tell Jack that it was okay when the situation had changed and maybe Jack couldn't fulfill his "destiny." That he still loved him no matter what, that he was willing to protect him, even from the rest of their family. He was Jack's father, not his servant.

Cas says this, in 15x02: "Even if we didn't know that all of the challenges that we face were born of Chuck's machinations, how would we describe it all? We'd call it "life". Because that's precisely what life is. It's an obstacle course, and maybe Chuck designed the obstacles, but we ran our own race. We made our own moves. And mostly, we did well with that." Maybe that is hopeless naivete on Cas's part, but it meant he died happy and fulfilled. That's better than what Dean got!

forgive me if this doesn’t make any sense but… if the “one day” that “something changed” is supposed to be jack being born, then idk if i like the implication that, before then, cas had just always felt lost and purposeless. are we talking since he left heaven, all the way back in s4? like idk but i’d always thought it was pretty clear that even when cas is unsure and making mistakes and misguided, even when he feels lost at times, starting in s4 when he began to help dean, cas had chosen his purpose to be protecting humanity and protecting his family. and he never really stopped trying to do that, that desire never really gets lost, even if he takes a wrong turn at times ie s6. so like that quote is confusing to me cause imo cas’s vision from jack should have just reaffirmed his desire to protect humanity, but the quote implies that he had found a new feeling of purpose with jack? what purpose, if not loving and protecting humanity? which imo was always there?!?

sorry for the word jumble, but your comments on that quote, a quote i’d not really paid much attention to in the past tbh lol, got me thinking 😅

this makes complete sense!!! and you definitely got my brain wheels turning so thank you! no yeah absolutely, it's weird, and the more i think about it the weirder it gets. here is the dialogue we're referencing, btw. i'll give the benefit of the doubt here and say: there are a lot of days cas could be referring to. it could be the day of lucifer rising, for example, or the day he was resurrected from purgatory, or the day he was resurrected from the empty. it could be any number of days. i cannot conclusively state that any one day is "the day."

but here's what led me to assume it was a jack-related day: that since jack has been back, cas has been hitting the "jack's destiny" talking points hard, and that he ends the speech with "i found a family, and i became a father. and in that, i rediscovered my faith. i rediscovered who i am."

on jack's destiny: here are the examples i can find from s15, all from 15x12. there aren't any additional discussions involving cas about jack's destiny in 15x11, 15x13, or 15x14.

so this is what immediately sprang to my mind when i heard cas talk about purpose. that in season 15, at this point, cas believes his purpose is to help jack fulfill his destiny. he is connecting his worth to jack's "success" in terms of jack doing what he's "supposed" to do. he has faith in jack. he has faith jack will be good for the world. without jack he is lost.

and this actually echoes 12x19 the future. this is from the production draft shared by @spnscripthunt-inactive. notice the themes of feeling no longer lost, of having faith, of feeling "normal" "for the firt time in a long, long time." it may be worth mentioning that both 12x19 and 15x12 (where the above quotes come from) were written by meredith glynn and robert berens.

all of this together reads to me as: cas is defining himself and his own success by jack's success. and that changed on the day jack showed cas a vision of the future, a vision of "paradise" (according to cas). cas needs to believe his faith and trust in jack are correctly placed, that he is doing the right thing. he needs to believe he has a purpose, and he has decided his purpose is helping jack fulfill his (jack's) purpose.

and to thing #2 that made me believe the speech was about the day cas decided he was tied to jack: the way he closes the speech. "i found a family, and i became a father. and in that, i rediscovered my faith. i rediscovered who i am." finding a family and becoming a father are two separate things. finding a family happened much earlier. becoming a father is necessarily tied to jack (i'm not inclined to count claire here - not because she doesn't matter, but because i don't believe cas OR claire view cas as her father). and the way it reads to me is that when cas says "in that," he's talking about "in becoming a father." because it came later. i read it as "finding a family helped, but what really made me rediscover my faith and who i am was becoming a father." and that aligns pretty closely with what is said in 12x19!

so to your point (oh wow that was a long tangent, sorry). literally everything you're saying is spot-on to me. i think we can trace the roots of cas feeling lost and seeking a purpose all the way back to s4 - definitely! i think it's a huge struggle for him because he wants to have a purpose, he wants to feel like what he does matters, but it is difficult for him because he feels like he doesn't know what's right. prior to season 4 his purpose had been clearly spelled out for him (he's an angel, he does god's will). and while he no longer accepts that purpose as his own, i think he craves something as simple and straightforward as that purpose. it's really difficult for him in those s5-s12 years when he's bouncing around, trying to figure out what he should be doing! but i think you're absolutely right that the underlying theme, the underlying purpose is always protecting humanity, protecting his family. i'd add an element of "doing what's right/stopping evil" too. but yeah, cas DOES care about humanity. he DOES care about the little guy. he DOES want to prevent human suffering and misery, and to help relieve it wherever he can. it matters to me that cas cares about humanity because that's one of the things that makes him so different from the other angels. i think over time his tactics change to achieve the goal of protecting humanity, but the goal itself does not change.

so does being jack's father = protecting humanity? kind of. if we believe that jack will successfully usher in paradise, then yes, cas helping jack fulfill his destiny would make things better for humanity and arguably protect them (or reduce the amount of protection they need). but i don't think this has the same level of attention/care towards humans that cas has previously shown. it's about making sure jack succeeds so he can fix everything. it's not about making things better right now.

and this is where i get into opinion territory: i, like you, don't like the implication that cas has always felt lost and purposeless! lost, yes. unsure of his purpose, yes. but i feel like the framing here is that cas has just been aimlessly drifting about for all these years, totally incapable of finding a purpose. i do not think jack and god are the same but i don't see much of a difference between "i am an angel, i serve god's will" and "i am a father, i serve jack's will." especially because there is a chance, however slight, that jack was manipulating cas. that the vision jack showed cas was not a guarantee.

it feels to me like jack hands cas a purpose the same way god handed cas a purpose. and i thought the beauty of cas choosing free will was that he got to choose his purpose himself. this feels like it was chosen for him and he went along with it because it was easier to have a purpose selected for you by a being of unfathomable power. and i sympathize with that immensely! and i also think there was profound beauty in cas discovering his purpose on his own, even when it was a struggle.

[lord-squiggletits]

Sorry for being negative, I’m just a bit disappointed that after looking through the Earthspark Optimus tags on and off on different occasions weeks apart, it seems like the only thing the fandom has to say about ES Optimus is finger snaps and dad jokes. :/ (And also a handful of people already trying to frame him as a bad person lmao)

Watch for it, when more episodes of Earthspark come out and a conflict with GHOST inevitably arises, people are going to be raging at Optimus for being “stupid” or “self-righteous” or “blind” for working with GHOST and start calling Megatron and/or the Decepticons right about everything because they spent so long focusing on “haha funny dad Optimus” that they forgot about the other parts of Optimus’ character like... idk, not wanting to colonize planets? Not wanting to start wars with entire species that didn’t want to be involved in the war in the first place? Being willing to make compromises even at risk to himself and his own because he wants to treat everyone fairly?

Idk I guess I’m just a bit salty because it genuinely seems like all this fandom wants is “funny dad Optimus” and nothing else. Like you will give them funny dad Optimus who’s ALSO complex and morally gray but people will only ever talk about the former part. And then when Optimus inevitably makes a mistake and bad things happen, people are probably going to treat him as if he’s stupid or an asshole when he ends up not being the Perfect Unproblematic Fave that people seemingly want him to be.

[tvxcue]

society if sam had died in the panic room............................................

[here-there-were-dragons]

my mother is absolutely convinced of some nonsense conspiracy theory that (in her words) "originally humanity lived in peaceful all-woman societies of goddess worshippers who took care of eachother and lived in harmony, while males were roving loners that had no society and never cooperated. that changed when the men banded together and overthrew the peaceful woman-dominated societies, and enslaved us all." and, according to her, this is proof that a woman-dominated world would be innately more peaceful, and that men are innately violent and evil and should be either barred from holding any legal power or leadership roles or at least should be (again in her words) "gelded like bulls" to remove their testosterone before even being considered for such a thing.

she also evidently believes that the problem with all religions today is primarily that they aren't "goddess worshippers", because she seems to think goddess religions are inherently peaceful and pure too and seems to be especially obsessed with "Isis" in particular. the very very few times she's openly considered it unambiguously bad for some population or another to have been exterminated (she's got a bad case of devil's advocating genocide brain), she's gone out of her way to make up some crap about how said people were a peaceful society of goddess-worshippers, almost always of isis. delusions of isis-worship seem to be the only thing that ever causes her to consider any arab or middle-eastern culture, society, or ethnicity to be relatively uncomplicatedly undeserving of extermination, in fact, because every fucking time she doesn't immediately start devils-advocating it and making remarks about how "the rest of the world should box them in and let them blow eachother up" it's when she's whinging on about how whatever specific micro-ethnicity she's thinking about are or were traditional persecuted isis-worshippers.

the sole major exception to her weird fixation on isis worship justifying worthiness of life is the whole israel thing going on, in which she has consistently made very obvious that literally the only reason she's against the genocide of palestine is because it gives her an excuse to even more openly hate jewish people than she already did. and honestly i'm not sure even that's true because i think she's made some offhand remarks about palestinians having probably been peaceful isis worshipers before the jews infected them with christianity or something anyway.

so for the last, however fucking long it's been i've been constantly having to listen to her go off about how this behavior is in the jew's blood or whatever and that they literally invented all genocide because somehow the concept didn't exist before them and wouldn't have ever been invented by the rest of humanity without those jewish aliens dropping it in i fucking guess apparently and she furthermore goes on about how every single genocide and mass-oppression movement in history is directly inspired by them, ESPECIALLY the nazis, and THEN i have to listen to her rant about how, basically, wwii was something they entirely brought on themselves by "dominating the economy and treating everyone not them like shit" and the nazis were just "using their own tactics back at them". and then she goes on a rant about how the people the original jews exterminated back in the day (aka the first ever genocide, which they invented, because jews invented genocide and hate according to her) in the middle east region were peaceful matriarchal isis-worshipers.

and then she starts making comments about arabs being backwards and palestinians either being mysogynist muslims that should be boxed in to blow eachother up with everyone else or secret peaceful isis worshippers corrupted by men's cruel hand, sometimes in the same sentence, entirely dependent on which group she's more in the mood to hate at the time.

it's exhausting. beyond exhausting. her sole purpose in existence seems to be to have the singularly most exhausting set of politics physically possible to fit into one person.

just, sometimes i think, if there really is anything at all to the incredibly stupid and inexplicably popular idea that anyone or anything has a Purpose tm to exist for, i feel like my mother's purpose is to be walking proof to me of a Type Of Guy That Is Real, cause i sure as fuck would have trouble inventing this mess if it wasn't standing right in front of me spewing confusingly bipartisan hate. all of her thoughts and opinions are these long winding nonsense chains that feel like if that man carrying thing sketch about the friend with confusing politics was a person. on meth.

[sacha1slytherin]

I wonder if my body or my mind is going to be the end of me, it's a tie between the two, but now- now especially, I think my mind is getting more victorious. And yet, I do absolutely nothing about it, seeing as I've danced the same dance before, but maybe this time it's finally getting the best of me.

[millermenapologist]

Fandom friends, we have won the battle (although we definitely did not win the war).

Yesterday, I wrote this post about lore.fm, an AI scraping app that was being marketed as an accessibility tool. Now, the person that has been promoting this app decided, in the light of plenty of backlash, to backtrack and pull it down, as they "feel uncomfortable" with how authors reacted to it.

Of this video, it's very important to highlight a couple of things:

the video is 3 long minutes of guilt-tripping: she keeps repeating that her (and her team, whose existence wasn't disclosed until yesterday: this app was marketed as being a sole woman's pet project) wanted to do good and create an accessibility tool. This comes with the underlying layer that all the authors who rightfully decided to defend their creations are ableist and in the wrong. It's a manipulation tactic;

there is no acknowledgement of the fact that the app was created by a team that specifically works to create apps that generate AI stories;

there is no explanation as to where the money to fund this app is coming from, and we all know that, when you're not paying for the product, you are the product;

this is backtracking, not genuine conversation: since the other day, the videos promoting this app went viral on r/Ao3, and plenty of people began contacting team@lore.fm to ask for their works to not be included. Then, the news spread on Tumblr too. They originally thought they could get away with "legally" stealing as much material as possible, and had to cut the project short because authors were doing everything in their power to stop them. The decision to take the app off for "reassessment" doesn't come from the goodness of their hearts.

At this point of the conversation, I think it's clear that the entirety of the project was relying on the perceived naïveté of fanfic readers and writers, who are oftentimes seen and stereotyped as being silly teens and not adults with real jobs and real knowledge of the law. When they saw dozens, if not hundreds, of authors contacting them to ask their works to not be featured, some of them threatening legal consequences, they had no other choice but to backtrack.

For now, the issue is closed, but don't think it'll be forever. Know your rights, even if you're "just" a fic author, and defend yourself and your works too from these scummy companies that see us as nothing but machines that churn out material for them to steal and profit off of with no consequences.

[s0dium]

THAT'S A RED FLAG BABY

JJK MEN AND RED FLAGS

A/n: Yessirrrr MINORS DO NOT INTERACT

Synopsis: Jujutsu men and their red flag in a relationship or generally and how it shows through when they fuck

Characters: Gojo Satoru, Geto Suguru, Yuuta Okkatsu, Sukuna Ryomen, Choso

Warnings: Emotional abuse, narcissism, controlling behavior, dub-con, semi-public sex, spitting, fingering, rough sex, male masturbation, degrading, praise, teasing

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Gojo Satoru- Narcissist  

Since he was a kid, Gojo has been praised and called many things

The honored one, the strongest, gifted and so on

But what people don't see is behind those beautiful sapphire eyes, is a goddamn narcissist through and through

He thinks, no he knows that he is the best, best at everything

This includes what goes on in bed.

And its not only that, the white-haired fox only cares about himself too in the sheets, abusing his unnatural stamina and using you like a cock sleeve for his own taste

At least he can be nice about it sometimes

Gojo is relentless. Its almost like your his personal cock sleeve, his dick shaping your insides and abusing your cervix despite your choked sobs and whines for him to stop, to simply slow down. He holds the back of your head with his hand, allowing you to look down at the way you two are connected; how he retracts his hips until his tip barely pokes out, admiring the slick coating his shaft before slamming back into you again.

"Ahhh~ P-please Satoru please...."

Gojo rolls his eyes and scoffs. Why were the people that surrounded him always so weak? Even you. It's a good thing you feel like heaven he could almost forgive you.

Tears stream down your face. Every time the tip of his dick rams against your cervix a powerful feeling mixed with pain and pleasure that surges through your body making you tremble and shake. You're losing your mind. Everything is so good, and, God, you can't ignore how handsome Gojo looks right now. His white hair is sticking to his sweaty forehead, and the muscles of his toned abdomen are flexing and unflexing. He is gorgeous, and, boy, he knows it. Even the way your pussy squeezes and spasms around his dick sends more bolts of electric pleasure to dance through your skim.

"Shhhh, just take it 'kay? You're doing so good for me baby." Gojo coos.

Geto Suguru -Controlling

It starts off small, a comment here and there on your choice of friends, a small criticism on where you were going to spend the evening because wouldn't you have much more fun spending it with him?

Then he's starting to pick out outfits for you. Modest but pretty ones for outside but short skimpy clothes for when you're only with him. It even gets to the point where he is controlling your finances, making you only use his credit card, and its not about the money, you can use as much as you want for all he cares. It's about the control, you being helplessly reliant on him.

And Geto has such an easy time getting away with his controlling tendencies, showering you in praises and sweet nothings about how he just wants to protect you. And the way his violet eyes gleam at you, you almost always believe him.

Don't for a second think that he's insecure because it's far from it. The raven-haired man just wants to have you all to himself, he just wants to protect you from the cruel cruel world out there.

"Didn't I tell you to ask me first if you are going to wear an outfit like that?" Geto whispers in your ear but you can barely focus on his words. The curl of his fingers inside you is just too numbing; the way it hits, prods, and massages a spot deep inside your walls that you can only dream about reaching on your own. Geto's fingers are so thick too, almost filling you up as deliciously as his dick does. Almost. "Mmm- I- I, I didn't-" You gasp for air and try to bury your face into your hands. He currently has you against a wall of some bathroom stall but that fact seemed all but lost to you right now. The pleasure was building in your core and fast. Your legs were starting to shake and a numbing electric feeling had taken course throughout your body. You didn't have to open your eyes to know that Geto was smirking.

Suddenly, Goto curls his fingers in a way that deeply presses your g-spot and the dam of pleasure that had built inside you breaks. Your jaw goes slack and your whole body trembles with electricity.

"Didn't expect for you to crack so easily" he chuckles against your ear, and you collapse into his chest. Yuta Okkatsu- Too obsessed

You would think this is a good thing right? You could never love someone too much, but it was different with Yuuta

Sure you had a crush on him, sure you touched yourself to him plenty of times (which Yuuta knew of very well) so the feelings weren't all that unreciprocated

But theres a line, there's a line that Yuta always seems to cross

From taking pictures of you to texting you constantly, christ you even found your panties in his drawer, yuta love was overwhelming.

Yuuta knows that he should wake you up, but he cant bring himself too right now. You just look so beautiful, so perfect under the soft glow of the night sky. Also, he just feels so good right now, Yuuta can barely think so much as speak. "Mmmm-mmm" he whimpers against the pillow, slowly grinding his clothed erection against your bare leg. How would you react if you knew your boyfriend was humping you while you sleep? Would you push him away? No no you're too kind for that, you would probably help him, probably pet his hair and whisper sweet nothings until he finished. Yes, if he knew for a fact that you'd help him when you wake up, what's stopping you from helping you now? Careful not to wake you up, he picks up your hand. It's so small compared to his but wraps so well around his throbbing member. He glides your thumb across his red tip to collect the precum before slowly sliding your hand up and down. The pleasure is immediate. It makes him bury his face into your neck to to press sloppy, wet, hot, and bitten kisses along your skin.

Sukuna Ryomen- Sadist

Where to start with Sukuna. Sukuna is the red flag.

Actually, even that is a complete understatement. Sukuna is straight-up cruel, rather he is a sadist through and through.

Manipulation, degrading, humiliation....although he wouldn't physically abuse you, with emotional abuse he won't hesitate.

You expect compassion, sympathy, and kindness from him? Fat chance. It is hard to see Sukuna being in any relationship at all.

Sukuna certainly doesn't love you, but he sure does love the sex though

Like any good sadist, his sexual pleasure derives from your physical or emotional suffering.

"Aw look at you, fucked you dumb did I?" Sukuna chuckles. A tattooed hand snakes between to your cunt, lightly rubbing your clit before delivering a sharp slap to the nerve.

Your eyes widen and your hips instantly buck up, unintentionally sending his dick deeper into you. The position he has you in is brutal. Both of your legs are thrown over Sukuna's shoulders and pressed against your chest, effectively folding you in half. "Open ya mouth" He orders, but you are too lost in the pleasure that is blooming in your stomach, the pleasure that is making your cunt flutter and squeeze desperately around his fat cock. "I said open." Sukuna delivers a particularly harsh thrust before stilling inside you; keeping the tip of his dick smushed against your cervix. The sudden movement snaps you out of your haze and you obediently widen your mouth letting your tongue hang out. Sukuna lets a glob of spit fall from his lips onto your awaiting tongue. You don't need to be told to swallow, you do so on habit, giving him a soft smile as you do so.

"Fuck, ya so perfect, such a good girl."

Choso- Jealous 

Choso is the type of man who keeps to himself. The type of man to blend in a group or fade into the background.

But that doesn't mean he notices things. In fact, he notices things a bit too well.

Was that your coworker who touched your shoulder? You say that he is just a friend but who should a friend be able to touch you so easily?

He won't hesitate to bring up what he notices either, he says he's not accusing you of anything, that he trusts you, but he totally is.

He hates it when people get to close to his brothers so it posits that he loathes it when it comes to his lover.

How did you get here? How did an argument turn into this?

You want to scream, you want to thrash and tell Choso that he's got it all wrong, that you didn't mean to see your guy friend when you went out to have lunch. It was just a harmless bump-in that turned into a long conversation. Thats it. But the feeling of Choso's dick filling you up, his harsh thrusts and the fucking delicious friction of the drag, Jesus, it's just- it's just so good your mind that your mind is a white sheet.

You are on all fours but you don't know how much longer you can keep the position up. Not with the way he's ramming your pussy from behind.

“You are mine," he grunts out, pumping into you, the length and level of his arousal is brutal. "Mine," he swears, and he pulls you up so your back is pressed against him and you are upright. Choso doesn’t slow his movement though, giving you full, hard thrusts, your breasts bouncing up and down from the harshness of it all.

“You wanna cum? Good, cum."