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j2zara · 7 months ago

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hello janelle zukkacore j2zara, its a long time coming but i would like to be a part of clone enjoyers anonymous bc im v interested in their dynamics and i really like ur drawings of the clones :3

i am however, overwhelmed on where to start learning abt them and i was hoping u could point me to the right direction since i pretty much see u as the president of clone enjoyers thank u so much ily 💖

HI FRIEND WELCOME TO THE CLONE ENJOYERS!!!!! WE'D LOVE TO HAVE YOU! THIS WAS GETTING WIELDY SO I SPLIT IT INTO TWO PARTS

PART ONE + TWO OF CLONE LORE IS HERE

Part 1 is basics of Clone Lore. Part 2 is me shamlessly reccing my fanfic to understand the context. Tbh I'd start with part 1 first or the doc

I've also compiled Clone Lore into a Google doc: it contains all the information from the first post and this post. I might include elaborations later (i was too exhausted to get fully into LJ3. But i feel bad neglecting it).

Anyway. I'm probably gonna link Clone Primer into my pinned post so that people can come back to it.

And I wanna emphasize. I 100% get how insular this is so if you're confused please feel free to ask!!! I have no problem explaining things. I love to talk. I talk way too much. Ask anyone. b/c like. I feel bad that this is gonna look super intimidating.

SO here's the rest of Clone Primer

PART 3: CLONE PRIMER - ELABORATION ON THE BASICS + WEIRD INSULAR INFO + ME RECAPPING FIC CONCEPT STUFF

[I WOULD SKIP THESE OR COME BACK TO THEM LATER IF YOU WANNA GO INTO THE FICS UNSPOILED BUT IF THE SUMMARY IS SUPPLANTING READING THE FIC GO RIGHT AHEAD]

J2 EDITION (aka ALMOST LORE) - aka "BLUEJAY"

J2's personality originates from I'm Almost Me Again (He's Almost You), and was the first one to be developed

J2 is devoted, sweet, earnest, hard-working, anxious, desperate to prove himself. He can have a slight acidic streak (his favorite way to rebel is smashing Jace's stuff) but is very preoccupied with being useful.

He reads as slightly younger than Jace b/c he's a clone, he basically just started existing yesterday, and I jokingly refer to him as "25 year old green new hire coded jace" (and also as Born Sexy Yesterday Jace) bc rewatching Freshman Year, I was surprised by how young and inexperienced Jace sounded, and I feel like that detail about his character (that imo makes his situation very pitiable) was really lost in translation in Junior Year. Because he is young to the world and kind of naive, he is very easy to impress and exploit

However, he is still clever and good at magic. Simulacra in dnd don't regain spell slots, but J2 was the first clone to figure out that as a sorcerer, he could convert sorcery points into spell slots, extending his utility to Jace and Porter and basically sparing himself from being dispelled.

J2 is initially very anxious about his purpose / survival. As a clone, he knows he has an expiration date and is desperate to make himself invaluable. The sorcery points solution to the spell slots is part of this.

J2's innate talent is part of what caught Porter's eye. He was the first clone to meet Porter, and Porter (and to some degree, Jace too) laud him as basically like. Jace's Precious Last Gift to Porter. He's often seen as remarkable or special, but its ambiguous whether that specialness is about j2 on his own terms or if he is special as a manifestation of jace's talent.

J2 is the one who is the intermediary between Jace, Porter, and the other Clones. He takes on the most responsibility, and interacts the most with Porter. Spending a lot of time with Porter, they two of them became very close

J2 is the one who loves Porter deeply enough to be very committed to The Plan. He thinks Porter is worthy of ascension, godhood, even if it means Porter will eventually leave him.

J2 had a long, deeply committed affair w/ porter that culminated in them sleeping together and J2 taking devil's honey that kinda rewired his brain and fucked him up. J2 was very much in love with Porter until he found out that Porter killed Jace and brought him back to life, but the devils honey tricks him into forgetting that fear.

The lie he told himself on devil's honey is "I want this. I want everything. Porter deserves everything". It basically rewires his brain to convince himself that he wants whatever happens to him, whether it be good or bad. Even if Porter got back together with jace, he would want that too, because Porter deserves everything, right? Everything he wants. Me and Jace. Just jace. Even if J2 becomes a literal or emotional sacrifice for the betterment orf porter or the cause. Whatever it is, i will be happy

Right after this happens, jace calls porter and agrees to enfold back into the Plan, but is not going to get back together w/ Porter. J2's fate is ambiguous, but emotionally, Porter has pretty much cast him aside with the hope that he will get back together with Jace. Also, b/c Jace is back in the picture, his status as the Last Precious Gift from Jace is in jeopardy and he becomes about as disposable as the other clones (however, usually when we clonepost, J2 is still top of the pecking order just below Jace)

POST-ALMOST: as far as Clone Lore goes - J2 tends to live in this state where he doesn't just worship Porter, but what we call the "Starbreaker Pantheon". He reveres the jaceporter relationship b/c he finds it to be profound and meaningful even if it's not always Good. Jace also occupies a spot in his devotion as like. This figure he is deeply envious of and could never measure up to, but also as someone he knows must be worthy of respect b/c that's who Porter wants, right? He wants what Jaceporter has b/c he sees Porter's love for Jace as like, something true and intimate and something he's only ever gotten a sliver of, treated as a replacement. He wants to be Jace, but he also wants Porter to be happy, so if Porter is happy with Jace he can find a way to worship Jace, too.

I ALMOST FORGOT TO MENTION: in Almost, Porter gave J2 the nickname "Bluejay". This is b/c J2's favorite color is blue, which makes him distinct from Jace. He is a very cozy boy who loves cardigans and sweaters and blue nail polish. Yes. Blue Jay is two words. We're gonna breeze past that. J2 fell in love with his new nickname, desperate to see it as a way for Porter to finally recognize him as different from Jace. If you see the clone enjoyers refer to J2 as Bluejay, this is why.

J3 EDITION (aka some Biggest Lie Lore etc)

J2's personality was developed in Almost, and I'd say J3's personality was crystalized in Biggest Lie, but technically J3's personality started as a joke. I said offhand one time in reply to another mutual that in my head, Porter was 100% noncommittally flirting with J3 the entire time he was having this very deep and torrid love affair with J2, and J3 sort of. Became the our beloved little slut as a result of that

J3 is flirtatious, thrillseeking, playful, manipulative, charming, easily bored, fatalistic / borderline parasuicidal, and deeply alientated from his sense of personhood. J2 spent a long time wishing to be loved by Porter on his own terms, as his own person, before finally succumbing. However, J3 is happy (well, convinced himself he happy) to be treated as Jace's cypher.

J3 is often treated as the Most Disposable of the clones. J2 is the intermediary and the Precious Gift. J3 is usually left with grunt work, and anything dangerous is usually foisted upon him to spare J2. He is the one who goes with Porter to cast enlarge-reduce in the woods, and he is the one that used to be spellcaster support for Porter if they ever needed to go anywhere dangerous.

J3 being treated as disposable is why he has no sense of identity or a sense of self preservation, unlike J2. Porter never spends time outside of necessity (until they start screwing. we'll get to that), so nobody has ever really bothered to get to know J3 besides the other clones. J2 is the one that Porter treasures, so J3 views himself as the shield for j3, the disposable one, the one who is likely first to die.

Because of this, he is a thrillseeker, desperate to cram as much living into his short half-life as possible (this includes trying to fuck anyone and everyone in elmville). The experiences do not have to be positive, he wants everything as long as its exciting.

During Almost, J3 and Porter were casually flirting. J3 would die before admitting it, but spending time with Porter was his favorite part of the day. Post Almost, when Jace got folded back into the plan but was not back together with porter, that's when Porter started hooking up with J3. With J3 perfectly willing to let Porter project all his want for jace and frustration at jace onto him because hey, he's getting the porter hookup and not jace, right?

J3 always threads this tenuous line of actively seeking out experiences while also passively being the recipient of other people's fantasies. unlike J2, he embraces being a jace cypher for Porter because that's how he gets porter at his most heightened. J3 often refuses to articulate what he wants, instead letting people do whatever they want to him. He is terrified of being seen as needy, terrified of being rejected for who he is.

At his best he is charismatic and charming, but at his worst he can be dramatic, whiny, desperate for enrichment, actively manipulative and cruel. His best quality and greatest flaw that he inherited from jace and took to the extreme is that he is generous and egoless; as much as he desires to be the center of attention, as much as he can push and push, at the end of the day, he gives people exactly what they need from him at his own expense

J3 rejects the intimacy with Porter that J2 seeks out and can never really achieve because he always falls short of being Jace. J3 convinces himself that he got the best deal out of anyone b/c he doesn't have to deal with the mess of attachment and heartbreak. However, deep down he is deeply jealous of J2 and Jace.

Post-Biggest Lie: Jace and Porter get back together in IYWD, in which Porter drops the clones, including J3. However, in cloneposting, sometimes the clones still have like a weird undefined thing with Porter and Jace for the sake of us having a fun time and fucking around.

BONUS LORE: Not technically canon to Biggest Lie, but J3 is closest to J4 out of everyone in Jaceporter + the clones dynamic. Because J2 is the precious favorite, J3 n J4 developed a weird allyship because they were the matching spares. They are kinda primed to be each other's biggest supporters and biggest weaknesses tbh. J3 provides J4 a spot of actual levity and pleasure in a half-life she otherwise considers to be miserable. J4 recognizes J3's personhood, gives voice to injustices he faces, and likes him for who he is and not who he pretends to me. They are best friends. They flirt. Sometimes they're in love, but like. we'll get to that

J4 EDITION - (aka Electra / Ellie)

J4 doesn't have as much of a... hefty source for characterization. i really hesitate to call things i write a primary source b/c i don't like to claim ownership over the clones it feels weird and wrong for something that is supposed to be fun and is already fanfiction. But i will say the things i write are. Substantial sources if you want clone context bc they're hefty projects lol.

J4 does not have a Porter-centric fic. This may change in the future but, the reason for this is b/c she is the only clone that hates Porter so subjecting her to that is. A much more convoluted task. Closest thing she has is Stay / Leave which is j3/j4 which we sometimes call LJ3 (and the two fics written by iaus!!!! which are fan fucking tastic!)

J4's personality is the result of. Looking at J2 n J3 and going. Ok what is the third point in a data set. If J2 worships Porter, the antithesis is someone who hates Porter, right? (and J3 is a middle ground)

J4 is marginally more loose in her characterization, but I would say she is... Rageful, bitter, driven, rebellious, ruthless, and steadfast in her beliefs, whether they are good or bad. She feels trapped by her circumstances, unlike J2 who has learned to love his gilded cage, and J3 who has accepted his fate and is basically trying to fuck hard until he dies in an explosion. She is determined to carve out her own path and define her own personhood, what we jokingly refer to as her "escaping the narrative"

Unlike J3 who has no problem being a cypher for jace and has completely neglected his own personhood, and J2 who desperately tried to get porter to recognize him for the person he was before succumbing and submitting, willing to be whatever The Plan and Porter needed of him, occupying this weird middle ground, J4 wants nothing to do with jace. She is determined to be her own person. She is disgusted by the limitations placed on her by being "of jace"

You're probably wondering why J4 is a girl. This was a me-headcanon that became fairly mass accepted, but I have joked that J4 is the only clone to achieve transgenderism. I do use she/her pronouns predominantly for J4, but it's mainly out of habit, i also am not super precious about it, nor do i really care what anyone else does with her. I don't necessarily see being a binary trans girl as the only way to interpret her character, but J4 being a girl it is the common way she is perceived at this point this deep into clone lore. As someone who also has a lot of gender feelings, i do see the need to define oneself and create your own identity to be very transgender tho, so i do think it's fitting

More of a fandom joke thing, J4 loves knives. We love when she gets stabby. There are also a lot of jokes abt her stealing jace's credit cards, his SSN, fantasizing abt setting his house on fire

She is preoccupied with the ways in which she might be similar to Porter because she views him as the embodiment of everything she hates, but she is the clone most like him. She is afraid of her own capacity for rage, her instincts for violence, for control, to own, to take, to posses, to dominate. She wants to fight to liberate, for what's right, but she worries her fight is just to be the person holding the boot at someone's throat rather than the person under the boot.

She worries her impotence and rebellion makes her unpalatable and unlovable. Because she can't really make any meaningful change in their circumstances, wouldn't it just be easier to submit? She worries she's denying herself pleasure for nothing. Even if she doesn't have a choice, wouldn't it easier to be submit and be happy, rather than fight and be miserable?

We also joke about Bad Timeline J4, who is equally as cruel and ruthless, but is devoted to Porter. There's no real content abt her, but its just a make believe scenario where she did finally stop fighting and agree to love Porter, in which she is the one most possessive of him, determined to be his attack dog right hand.

As articulated brilliantly by bambi, Jace, j3, and j2 are pretty archetypal charisma casters in that they are charming and make themselves easy to love. J4 wields her personality like a sledgehammer, but that is charisma, too. Her presence is always felt

She was originally very prideful. Determined to be different. Determined to be the one to make it out. Her pride covers up for a deep self hatred, especially as the expiration date of the clones ticks nearer and nearer, and she views herself to be a failure.

Her only soft spots are for the other clones, but especially J3. She pities J2, essentially viewing him as brainwashed into accepting their lot on life, but because of that pity, she does harbor some kindness and tenderness for him because of that. But J3? J4 bets on losing dogs, and she loves her losing dog so much and she would never admit it, but everyone can see it. If it wasn't for him, she probably would have ditched this whole situation.

This is an Esme Special aka @neerdowellnarrator, but J4 b/c she wants to make a point about not being Jase does choose her own name. J4's chosen name is Electra b/c of the greek myth comparisons and her basically Escaping A The Cycle. She goes by "Ellie" for short. J3 sometimes calls her El / Elle. We still refer to her as J4 sometimes for clarity's sake. Whatever stage she is in when it comes to even having a name is very dependent on whoever is depicting her anyway.

PART 4: Wait, so are J3 and J4... In love?

Yeah. it's like a whole Thing. This is a pretty recent development. I'll save it for the doc. To be elaborated on soon, I promise. It's called LJ3, i have a whole tag for it if it grips you.

PART 5: ADDITIONAL SILLY CLONE ENJOYERISMS (with links)

J2Porter Vegas Wedding Roleplay Weekend: a Jess Special! Based on this post! Elaborated on here! Jess aka @hauntedwizardmoment has more thoughts here! But I have a whole tag dedicated to it. Gist is that even after Jace n Porter get back together, Porter still devotes special days to the clones to give them Porter Time, and J2's day is an entire weekend where they booked a hotel in Bastion City. And during that time, they're basically roleplaying "What if we got spontaneous hitched in vegas" where Porter books out the honeymoon sweet, and J2 wears a tacky wedding dress, and the whole weekend is just devoted to treating J2. I'm not kidding, if i think too hard abt j2porter vegas roleplay weekend, I might cry.

Jace put the Clones are in the Torment Nexus: based on a post made by Jess again. Makes me laugh my ass off. If we say the clones are never escaping the torment nexus, this is why

J2Jace Blue Lingerie Gift: Sometimes J2 deserves the niceys, so Jace gives him a treat. NSFT warning lol. The post is a Jess Special / Bambi @iaus / @innskeep Special. I drew J2 something inspired by the getup once.

J2 is goodboy modest tradcath jace / J3 is college casual hookup clubbing era jace / j4 is grunge jace: Just headcanons for the different Jace's style of dress. They're all different eras or common headcanons within the fandom b/c Jace fashions eras. J2 is a bit modest, he likes cardigans and sweaters and for things to be comfortable and oversized (but to be fair, he's not AS modest as goodboy jace. Goodboy ex tradcath jace is the jace backstory for IYWD btw. He's the child of one sol worshiping parent and one galicaean worshiping parent and he is NOT ok). J3 wears a lot of form fitting clubbing outfits and hotpants and shit, Jace's wild child era. J4 wears clothes from grunge jace era which i think is a Jess Special again? Like. Old band tees and flannels and lots of black.

J4 is constantly name dropping obscure alt bands that play tuesday night in the parking lot of the black pit and only watches experimental indie horror movies and foreign war films shot from the perspective of pigeon (said w so much love, that concept fucks)

J2 Amy Dunne / J3 Cool Girl / J4 Gone Girl Amy / Jaceprime Amazing Amy Thesis: An elaboration on Jess's Cool Girl Jace Thesis on which she wrote an awesome fic about.

The Clones are Dykes: This one is old as fuck. I made a joke ages ago abt Dyke!Jace b/c I think Dykefag!Jace / Zara is a cute ship. So if Jace is a dyke, then the clones must also be Dykes. I drew art of them once. Digging up the dyke clones posts would be a trip and they're not really indicative of their current personalities, but if you see us joking about. J2 escaping to another timeline where he is a dyke and in a committed relationship with Zara or Lucilla, that is where that comes from

"Born to Love Porter Cliffbreaker, forced to do weird menial tasks for Jaceprime": another old ass thing i said as a joke before the clones had personalities. But it does have a lot to do with j4's preoccupation w/ free will. And Jace also being remade to love porter. Life is hard when you're born to love someone and you're forced to grade papers instead! It ain't much but it's a half-life! At the same time, me positing the clones all had potential to fall in love with Porter is kinda what brought us here, so.

There's a whole host of greek myth and hadestown references we're always dragging out. Cassankarna is Persephades, Jaceporter is Orphydice. Jaceporter is Persephades, J2 is Eurydice. Jaceporter is Persephades, LJ3 is Orphydice. J2 is Iphigenia, J3 is Helen, J4 is Electra / Cassandra. J2 is also Psyche.

Putting the Clones in Game changer: A comedy au in which the Clones are improv comedians on Dropout.tv. But also it's about LJ3 being a little in love and unable to escape the narrative. Esme made Elliego n J3go which i love (aka bingo cards). Loosely based on the last time i drew Jaceporter on game changer as well

Anyway! Thank you for coming on this long winded journey of Clone Primer! If i have any other thoughts I'll add it to the doc.

#jan.ask #clone enjoyers anonymous

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thewadapan · 5 months ago

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TFNation 2024 post-mortem

So I went to the Transformers convention again! If you're following me for non-Transformers reasons, then this blog post will be worthless to you, sorry. If you didn't go the convention, it will probably be worthless to you as well. And if you did go to the convention, then it might even be worthless to you, too! I'd strongly recommend just listening to the podcast Jo and I recorded looking back on the event; it's more fun. I really only write these things as a personal record of the weekend, so it doesn't just fade into memory, because TFNation is one of the most important times of the year for me.

In previous years, I've followed the convention by making an hourlong vlog, recapping the event start-to-finish from my POV, showing off all the toys wot I got. Last year the production of that video was such an albatross that I committed to never doing that again, which turned out to be a good thing, because I don't think I could talk breezily about TFN 2024 to a camera for a couple of hours.

It's not to say that I didn't have a good time at TFN, or even a great time. But where some people seem to have found this to be the best TFN yet, I was definitely struggling a bit at some points in the weekend. In previous years, I've spoken to close friends of mine at or after the event, and they've expressed feelings of having had an off year one way or another, and I guess this year it was my turn! Partly, this blog post is going to be me working out what exactly went wrong, so next year's convention can hopefully go a little smoother for me.

The problems really started weeks before the convention. I had big plans to put together a really special zine, something that would prick people's ears up, something that I thought would genuinely leave a lasting impact. I'm being cagey about it because I hope it might still happen next year. But I couldn't source the material that I needed. Not to worry, I thought, I'd left myself more than enough time that I could brute-force the problem, create the material by myself.

And then I had an unrelated personal crisis, and suddenly it was three weeks later and I had nothing, with maybe a month to go until the convention. And I still made a go of it! But it couldn't be done. Not with what I had. Every approach I tried turned out to have hidden pitfalls and it was all turning out dogshit. I admitted defeat to my collaborators, who I'd inadvertently strung along for most of a year, which was embarrassing and frustrating.

Meanwhile, another deadline had been creeping up: the Refined Robot Co. zine, compiled by my close friend Ben, to which I contribute every year, needed to go to the printers in a few weeks and I had nothing. I'd picked a robot to write about out of a hat a few months ago, hoping that a good angle would occur to me in the intervening time, but it just didn't. I came up with an angle for Kingdom Rattrap, but immediately realised I had far more to say about that toy than could be contained within the margins of a single page.

When I saw the cover for the zine featured Missing Link Optimus Prime, who otherwise didn't have a page in the zine, I asked Ben if I could switch my page to talk about that toy instead. He agreed. However, around this time, I realised that the Transformers: Mosaic archive I've been working on for the last two years would be ending almost exactly coinciding with the convention; with the queued posts almost exhausted, I had no choice but to sit down and blitz through the remainder of the work. I gathered up all the scripts and previews I'd found, and I worked out a format for the posts. I lettered, coloured, and in a couple of cases wrote unfinished material I'd found to bring those strips to a readable state of completion, if possible. I wrote a blogpost reflecting frankly on the difficulties of the project, which would go over like a wet fart when it finally went live.

I started having problems with my eyes. They weren't hurting, not exactly, but they seemed to be producing copious amounts of sleep: viscous strings of yellow gunk accumulating not in the corner of my eye, but around the back, in the eyelashes, everywhere. I got some eye drops which didn't help. I went to the optician and she gave me some different eye drops, which did help. There wasn't any infection or anything. It was obvious what had happened: I'd been staring intently at the screen for days, drawing and redrawing the same gradients over bitcrunched artwork.

By this point—look, honestly, I'm losing track of the timeline here, in which order I did what—I really, really needed to get the RRCo review done. Feeling like I needed to make something worth the wait, I'd given some serious thought to the exact kind of writing I wanted to submit this time around. I wanted something in the vein of my intended Kingdom Rattrap review, but much tighter. An old memory surfaced and I finally had a hook; I wrote the page over the course of a few hours across a couple of days, in the electric kind of fugue state that happens when you're writing something that fucking slaps. Ben really liked it.

The problem, then, was the art: I'm not an artist. I can colour a drawing fine, but I don't even consider myself a colourist. The only way I can draw anything remotely good is through hard work: studying a reference object intently, drawing, erasing, redrawing the same line over and over again until it approximates reality. I was glad that the format of the zine encourages traditional media, because it meant I could force myself not to use the computer for a couple of days. I told Ben I hoped to have the piece ready by the end of Thursday (my day off); it was Saturday by the time I was able to sheepishly slip my rough pencils over the counter—for the robot mode, not even the truck mode! I spent Sunday inking and colouring. I spent Monday drawing the entire truck. Finally, it was done.

(If you haven't already, check out the rest of the zine here!)

There were now less than two weeks to go until the convention. Every year, I like to have something to give out, to give to people I meet as a little souvenir or whatever. It gives me an excuse to talk to people, and has been my #1 life hack for not being socially paralysed at the convention. I still had the Wheelie: Spotlights comic I'd made a year or two back, but I'd finally given up on my shitty old EPSON inkjet printer, which meant I needed to use a local print shop instead, which meant I needed to learn how to set up a PDF with bleed (on a comic that we'd drawn with zero bleed). The cheapest, quickest print shop in town is a forty minute walk away; I can make the round trip maybe twice during opening hours. Originally, I'd designed Wheelie: Spotlights to have a greyscale print on the reverse side as a costcutting measure, but the print shop told me that if I wanted one side in colour, the reverse side would have to be charged as a colour side as well. I decided to redesign the entire page in glorious full colour to take advantage of this fact. I reworked the comic itself to add bleed where necessary. I had to send through the file maybe three times before I'd finally gotten it all in the exact format they wanted.

The thing about Wheelie: Spotlights is that all of my friends already got copies at previous conventions. I wanted to make something else for them, and decided to make an A5 collection of prose and comics. I coloured an old bit of Transformers Animated concept art and designed a cover around it, made layouts for everything, typeset all the stories, wrote brief afterwords, and reeled off an introduction for the collection as a whole. I realised I probably could finish the Rattrap review in time, and did so; four people read it before the zine went to print. The vibe I got from the prereaders was that it's probably the best piece of writing I've ever released—but they're all biased. I sent through the file in the format the printers told me they wanted, only for it to turn out that they wanted it in a slightly different format, but then they managed to print it anyway as a special favour. Honestly, the print shop kind of rules. But what I'm trying to say is that the whole thing was very stressful.

On the way back from one trip to the print shop, I noticed an unread message from an IRL friend. They'd sent through a PDF several days ago. It was a photo of a handwritten letter to me, basically calling me out for being a shit friend and ghosting them for weeks during an important transitory period in their life. I replied with a rambling explanation for my behaviour, and apologised, promising to make things right in a couple of weeks.

But it did upset me! I was very angry at myself. And what made it even worse was that it happened at the peak of my fervour, when I had far too much momentum to simply stop and have it all be for naught. I was also painfully conscious that I'd been basically ignoring my girlfriend for days, in the run-up to this convention where I'd practically be going radio-silent for a long weekend. It all turned out okay, I got the zine done with a couple of days spare, everything was fine. But I had been stressed. I had been staying up late to work on my fake fandom job, and getting up early to work my real bullshit job. And my train was at 06:57 in the morning.

Honestly, that part on its own would have been fine, I wouldn't have it any other way: I usually arrive around noon on Friday, and there's plenty of people around, so it means I get as much out of the day as possible. But I was already tired, and I wound up paying the price.

Friday

I met up with Jalaguy and Daniel right away. Coming from the States, Daniel had brought us each a copy of the abortive Final Faction comic, which never came out in the UK. Meanwhile, I had an old LEGO book and a Transformers PlayStation 2 demo to give to Jalaguy; as always, we were rooming together this year, which made everything a breeze. I quickly gave out a bunch of zines to people. Ben arrived; he was staying at the Moxy, the other hotel in the NEC, and the plan was for us to store the copies of the RRCo zine in mine and Jalaguy's room so he wouldn't have to cart them all back and forth himself all weekend. For some reason I got it in my head that the Moxy is outside the NEC, like the Premier Inn and the Ibis, so I led Jala and Daniel on a wild goose chase out to the train station before finally checking my phone to work out where to go next, and realising that we'd already passed it.

The Moxy is comically different to the Hilton: decked out in plush leather, neon signage, vinyl records. When we got there, the elevator wouldn't work for us; we needed a keycard to operate it. We sat in these luxurious leather swivel chairs that span around frictionlessly. Ben took us up to his room. He was bemused because it looks like a dungeon: dark mood lighting, metal lattice on one wall, everything is strapped to everything else. We split the zines amongst ourselves and carted them over.

Jo and Rabbit rocked up; partners of 9 years, this marked the first time Rabbit has been able to come over from the States, and it was the first time they'd met in person. I think we all decided to give them some space. Nonetheless, we did a quick handoff, because I'd bought Jo's Timelines Transmutate off her. I gave her a copy of the zine, and watched with dawning horror as she flipped to the Kingdom Rattrap review, shotgunned the whole thing, then promptly got up and left without a word.

This was probably the first thing that really threw me. I'd given out maybe a third of the copies already, and was planning to give out the rest, and now I was like... is it bad? Worse—is it upsetting? As it happened, I had completely misread the situation in my sleep-deprived state. Jo hadn't even finished reading the story, she'd just needed to go to a panel! But I didn't get the chance to ask her about it until after the convention, so until then, it preyed on my mind.

While people were taking a look at Transmutate, one of the pegs ended up getting snapped, which also kind of sucked. I had anticipated it would happen, because 2010s toys are fragile, and felt like it was worth it to be able to share in the joy of that figure with other people, instead of just whisking it off to the hotel room. Thankfully it was just a tab for weapon storage, which still works, it's just a bit looser without it. But it's one of those things where you just go—agh! Another stupid little stressor for the pile.

Anyway, although I vaguely dislike Transformers: Prime in terms of the fiction, the toys are all from the period of design that I know and like best, and these particular colourways elevate them so much. Beast Wars: Uprising is amongst my favourite Transformers fiction, and these are the most iconic characters from that universe, so I'm thrilled to finally have them both. God, do I need to get a Lio Convoy now?

I think a high point on Friday was the "pen con" that took place between auto_thots and sixty_cats. I'd seen auto_thots tweeting about it, so I went over with the one pen that I'd happened to bring, a bright orange LAMY fountain pen I'd had since I was a kid. I'd recently been starting to think about changing my signature, because the one I've had all my life is illegible and ugly, and I wanted something nice and distinctive—they gave me some encouragement that I was along the right lines. I've honestly never seen such cool pens, either—sparkly inks, beautiful and functional designs. It was nice to be excited about something that wasn't Transformers.

Speaking of which, there was a lot of love for G.I. Joe this year. In particular, SameAsItEverWoz was going around showing us this one stock photo of Snake Eyes from Rise of Cobra, with his stupid fucking skintight bodysuit and luscious kissable lips sculpted into his helmet. It was kind of like the chicken game, insofar as if your objective was not to look at Snake Eyes, then you were basically fucked. Erica had a notebook with her and people started drawing their own takes on the image. I did a T-posing Snake Eyes (see my reference picture below) in fountain pen. Clearly the whole thing quickly snowballed and people began submitting some genuinely high-effort entries, so later in the weekend I went back and rendered my Snake Eyes out in Sharpie with full muscle definition, chiaroscuro. By the end of the weekend, there were entries from James Roberts, Jack Lawrence, and Nick Roche, which is fucking nuts. I desperately want this to become a real zine.

Anyway, I've gotten ahead of myself. On Friday, I had a handoff arranged with a guy on Facebook for an Armada roleplay Star Saber to give to Jo. It turned out to be far, far smaller than I had imagined it being as a kid, more like a Star Dagger to an adult, but it had a really fun mechanism.

Just like last year, I didn't have a ticket for any of the Friday panels; there was nothing to justify the cost of admission and I usually prefer to hang out anyway. In the bar, the usual big table at the back was covered in toys, all belonging to Rachel; she was having a big collection purge, and had decided that it would all be free to a good home. I was extremely tempted by a Titans Return Hot Rod to put with my various Lost Light characters, but it was missing its guns, so I hesitated, thinking I'd find a cheap complete copy in the dealer hall. I got to try a Fall of Cybertron Ultra Magnus, on which I snapped a tab (see, it's very easily done); I actually really liked the toy, but this year I was planning to cut down on the number of redecos I was picking up. Historically, a lot of my toys have been redecos, often toy-only characters, so I have kind of a weird collection—but increasingly, I find myself wanting to get molds in the colors they were originally intended to wear. That Fall of Cybertron Optimus Prime has always been an iconic design in my eyes, and after handling the mold, I resolved that I'd pick one up if I saw it (alas, I didn't). Meanwhile, Jala had been toying with the idea of starting a Star Seekers collection, after winning a Titan Class Tidal Wave at the Transformers One pre-screening they attended; one of the toys on the table was Prime Thundertron, which they quickly decided he hated, but they seemed pretty set on getting Legacy Thundertron if they could.

Around this point was probably also the most time I spent with Cone, who I know from the TFWiki Discord; it definitely feels like he's been able to come out of his shell a bit more with each convention he attends, which is really nice.

Dinner was Zizzi's, which I don't always get along with; a friend's parents back in uni would often take us there, and I found that I never liked the pizzas, which is my first instinct for Italian food. This time I had some seafood pasta which was much better. Afterwards, we kept things very lowkey; I remember playing Lexicon in the bar with Ben, Daniel, and Jala, getting very tired, and making it back to the room not long after midnight.

Saturday

I'd banked on getting over seven hours sleep that night, but for some fucking reason, the hotel decided to test their fire alarm at 6:40 AM. I was genuinely baffled by this. Hotels exist for one purpose: as a place to sleep. By momentarily blaring the siren, waking me up at such an ungodly hour, the hotel had failed at its one job. I spent the next hour trying to fall back asleep before giving up; it was time to get ready for breakfast anyway. I put on my SPREEM shirt and the matching (read: clashing) garments I brought to go with it. Last year, I had a pair of thrifted three-quarter-length hot pink cargo pants several sizes too big for me, which I held up with a belt; they were constantly falling down and showing my pants, which wasn't great. This year, I was able to get some pink shorts, which were an upgrade in that they'd stay around my waist, but a downgrade in that you'd sometimes be able to see my balls if I sat down in just the wrong position. If you saw my balls this year: I'm sorry, or, you're welcome.

My usual strategy for TFN—because food at the NEC is invariably expensive—is to really load up on the buffet breakfast, snack through the day, and grab a meal with people in the evening. I duly wolfed down an English breakfast, some yoghurt, a croissant, a waffle, and a mini muffin. Unfortunately, the opening ceremony began before I was quite finished, so I ended up cradling a little muffin as I speedwalked across the hotel to the panel room. I couldn't see any easily-accessible seats, so I opted to just stand at the back. I wound up stood right in front of a fire alarm button, with this muffin in my hands, and the audience kept needing to clap for the guests and the announcements, which I couldn't do, because I was holding this stupid fucking muffin and trying not to move a muscle because I kept imagining myself setting off the fire alarm. (At the train station the previous day, I'd accidentally hit an "intercom for assistance" button at the train station with my bag; I heard someone asking me how they could help just as the train pulled in.)

Gherkin appeared and said "Hi Wada," and I said "Hi," back. I couldn't turn to one side without, I imagined, hitting the button. I ate just the top half of the muffin and tried to clap at the appropriate moments; my arms got covered in crumbs. I later saw a message from Gherkin in the group chat: "At the opening ceremony right now waiting for wads to recognise who I am". Aaaagh!

Toy Fu had posted some pictures of their table at the start of the day, and I spotted a Thrilling 30 Swerve & Flanker, which was practically the one thing I'd told myself I'd buy instantly if I saw it this year. Even better, I could just about make out a single-digit price tag; I'd resigned myself to just sort of paying whatever at this point. I fully expected it to have vanished by the time the dealer hall opened, but after we made our way up the monstrous queue, I walked in to find it still sitting on the table unnoticed. I guess the demand for that toy really isn't what it once was! Alas, I am a slave to my memes. I also spotted a GDO Wheelie on the table for next to nothing, and was sorely tempted to buy it just for the sake of having a spare—like, I already have one!—but I resisted, and instead I asked one of the volunteers if I could leave a copy of the Wheelie comic with the toy. He was charmed by the idea; hopefully whoever picked it up enjoyed it!

After that, though, I ended up being weirdly stuck. I found an Armada Knock Out sans missile for a couple of quid, which was perfect, because mine is missing his legs (I didn't lose them, I got him like that). I found a loose hand/foot/gun for Combiner Wars Skydive or Air Raid (they're identical), which was perfect because mine had come with Firefly's hand/foot/gun for some reason. But apart from that, everything seemed too expensive. Was I really going to spend £25 on an Armada Deluxe? Not likely. Except £25 is what all Deluxes cost these days. I don't buy them at that price, but like... it's reasonable, from that perspective! Here I was, at the one time a year where it's possible to find pretty much anything, and the best I could do was pick up some piddly little bits and pieces for toys I already owned.

The longer I walked around, the more I found myself reckoning with the very thing I was trying to work through in the Kingdom Rattrap review: namely, that my relationship to Transformers and to money is completely fucked. Everything seemed more expensive than it had been in previous years, except this made perfect sense, because everything has become more expensive, the econony or whatever is in the shitter. I used to like getting cheap Scouts for a fiver; now I already own most of the Scouts and what the fuck does a fiver buy you anyway? 1.25 meal deals? I'd ask for the price of unlabelled toys, and balk at the answers: "I'll think about it, thanks!" They were usually gone by the time I got back.

Another issue was that, this year, the dealer hall was more crammed than ever. They'd completely rearranged the stalls to give more room in the aisles, which did help, but not nearly enough to cope with the horde that descended upon the place on Saturday. It was too hot, and too loud, and far, far too busy. Many of the dealers were visibly struggling to keep up. Speaking as someone who works in a shop, I shudder to think of the stock loss, the figures manhandled and broken, the accessories lost—hell, maybe even the shit stolen, there have been thieves at TFNation in the past.

I remember at one point during the weekend, at one table, there was this big tub of toys, and while taking a look I absentmindedly put a figure to one side—and someone snapped at me, something like, "Excuse me this is my table!" Turned out it was a separate stall, someone selling handmade stuff. Presumably that person spent the whole weekend doing that, getting progressively more irritated at the careless nerds more interested in toys than in crafts, constantly encroaching on the tablespace. And dealers pay for their tables—right? I totally understand why that person was miffed. But also, personally, being snapped at like that... didn't love it! Actually felt quite bad about it! I felt like the environment put me in that position. For all of Saturday, I flatly did not enjoy going around trying to root through bins. Again, see my review: I felt like a rat.

Still, I had an ace up my sleeve, one that would let me escape the sweaty press of the dealer hall altogether: another pre-arranged purchase from someone on Facebook. After a panel on vintage retailer catalogues—the only panel I attended on Saturday—we eventually found a mutually convenient moment to meet up. His name's Lee, he was a gregarious lad maybe a little older than me. I gave him a full suite of zines by way of thanks.

When showing people what I'd bought from this guy, I'd find myself always doing the same bit, because it felt like the only way to even communicate this insane pickup. I would produce this Commemorative Series Red Alert reissue from my bag, and say, "Yeah, so I got this Red Alert. He's really nice! He was £40, and normally I wouldn't spend £40 on a toy like this. But the thing is..."

And then I'd pull another toy out. "He did come with this Inferno."

And then I'd go back into the bag. "And he also came with this Skids."

"And he also came with this Prowl."

"And he also came with this Jazz."

"And he also came with this Tracks." (Tracks was still safely encased in his backing tray!)

"Oh, and he also came with this entire Menasor."

Ben, the only person I know who has a deep connection with the Commemorative Series (or similar) reissues, gave me the best reaction. "HOW? HOW?" The story goes like this—not that it's much of a story. I was about to leave the house one day. I happened to go on Facebook. There was a post in a sales group, timestamped three minutes ago. Amongst others, he had the above Autobot Cars listed: £5 each or take the lot for £25; along with the Menasor: £15, because Wildrider's arm is broken off and the combiner feet were missing. There were no photos of the Autobots. I messaged the guy to ask if Menasor was still available. He was. I asked if he had photos of the Autobots; he did, they looked fantastic. I said I'd take the lot and PayPal'd him £40.

He explained to me that he'd listed the toys as cheaply as he felt he could, because he wanted them to go to people who wanted them, rather than just the people with the most money. I felt like his logic was wrong: someone who pays a lot of money for something can be guaranteed to want it at least a certain amount. Someone who snaps up something valuable for not very much could just be a grifter. Still, I think what he meant was: he wanted the toys to go to someone who wanted them who would not otherwise be able to afford them, which is exactly who I am. G1 stuff like that has always enthralled me, and I've always kind of assumed I would just never be able to own them. Since last TFN, I've built up a nice little collection of the Retro reissues, by picking them up on deep discount, but I've always assumed the Autobot Cars would just be forever beyond my grasp. And now, thanks to Lee, I have a whole little collection of them!

(Hopefully a lot of other people were also able to benefit from his generosity. I remember he'd listed the reissue Insecticons for... maybe a tenner? Powermaster Optimus Prime and Apex Bomber for £25, a beautiful G1 Sureshot for literally a fiver, Robots in Disguise 2001 Optimus Prime for £40. Absolutely mad stuff.)

These toys went basically straight back to my room; they had too many bits to lose, and I didn't know how any of them worked. After the convention, I was able to get Menasor's feet off eBay, but it's mad to think that I paid about the same for the rest of the combiner as I did for those feet alone! They now have pride of place on my burgeoning G1 shelf.

(Oh, and as you can imagine, this stroke of insane good luck certainly hasn't helped my attitude towards Transformers and money.)

As always, Ben continues to have the best taste when it comes to toys. His sealed Beast Machines Scavenger instantly made me resolve to get a copy of that toy for myself, as I've always liked the look of it. His true star finds though were an X-Dimension Adventure Team—commemorating the opening of his very own comic shop this year—and a Stormtrooper Rage, with its perplexing water squirter and stunning colour scheme. Jalaguy got their own Adventure Team the next day; it's so nice to see people getting into Armada stuff.

The food situation ended up being a bit fucked on Saturday. Some people wanted a light lunch and a big dinner, others the reverse. We ended up doing Nandos mid-afternoon—I had a small chicken burger—and then later we got a Subway. These two small meals weren't far off the cost of a typical main meal at Resort World, so I was quite happy with that, and might suggest something similar on future Saturdays; trying to squeeze in a sit-down meal before, during, or after Club Con is often a nightmare. But I definitely think not everyone got exactly what they wanted in terms of food that day.

Rushing back from Resort World with Ben, I heard someone yell: "Nice shirt!" So I automatically replied, "Thanks!" And then they said something like, "Why does it say SPERM on it?", and I realised they weren't there for the Transformers convention, they were just a bunch of neds loitering by the lake. So I proceeded to ignore them, and they jeered at us as we walked away. I don't usually wear the SPREEM shirt in public, partly because I like it and don't want to ruin it, and partly because it really does look like it says SPERM. As we stopped by my room to pick up my Club Con wristband, I was becoming a thundercloud. Here I was at the Transformers convention, the one weekend a year where I don't have to feel too weird about my interests, and it's like I'm back in fucking high school. I wondered if maybe it's time to retire the shirt altogether. The outfit never quite works for me.

Club Con

Ah, Club Con. This was definitely the low point for me of the whole weekend, which sucks, because usually it's a highlight. I think what I should say is this: it was mostly a me problem. Things had not been going well for me up to this point. I was very, very tired.

So, the cosplay contest was spectacular, as ever. People have such wonderfully creative and well-done costumes, everyone is so buzzed about it. My favourite was definitely the Cosmos with a shiny retrofuturistic UFO-like dress, absolute conceptual slam dunk that deservedly took top prize in the "humanized" category; the cosplayer in question, Mika, turns out to also be a phenomenally talented artist. But there were a lot of really thoughtful outfits this year. I was surprised when the Rosanna/Flip Sides cosplayer (swapping faction onstage!) turned out to be none other than our Umar—though of course, who else? And Erica's sk8r grl take on Flamewar was also brilliant.

I will say, it definitely felt like the dividing line between the "mech" and "humanized" categories was a little blurred—both had the same regularly-dressed-people in helmets—and as is often the case, while the winners were all extremely worthy entrants, I did feel like some people got robbed. Well okay I'll just say it: JLaw is definitely biased towards Lost Light, he always has been, and cosplays based on his comic always do well as a result. There was a stunning—I mean really phenomenal, huge cardboard shoulder pillars visible even from my worst-seat-in-the-house behind a tall guy at the back-left—Armada Megatron cosplayer, appropriately chosen for a convention with David Kaye in attendance, who didn't even place in the top three for the mech category. Outrage!

Last year, you might recall that one cosplayer inadvertently ended up trapped improvising lipsyncing and dancing onstage for three minutes because the AV team didn't fade out the backing track. And while that was spellbinding, clearly the convention organisers have overcorrected, as it felt like the cosplayers were being ushered on and off the stage very briskly. I definitely think some of them should have been allowed to chew the scenery a little more. Particularly, I should say, considering what was to follow later in the evening.

During the changeover, we got to see a preview of the next episode of The Basics—this one featuring the Star Seekers. Honestly, it instantly pilled me on the Star Seekers. They're so fucking cool slash dumb. The Matrix Test was brilliant, as always; McFeely has a real gift for dredging up the obscure and the esoteric. This year, the TFWiki gang split into two teams, hoping to at least give everyone else a chance: I was with Jo, Rabbit, Ben, and newcomer James, carrying forward the torch of the Crack Calibre Laser-Blazer Broadswords, while Gherkin, Viv, Jala, Daniel and Cone formed Feast or Famine (named after the newly-discovered Star Seeker character from the Chinese MMO).

As usual, I mostly served as a voice to say either "yeah that's right" or "I don't know about that" as other team members answered the questions. It's really high time I learned to trust my gut, though—there were two questions, "What connects the characters Scrounge, Crankcase, SOMETHING and Devastar?" and "Is Motomix a Transformer?" where I was completely correct, but second-guessed myself. James totally surprised me by really holding his own, getting a few questions which had the rest of us stumped or uncertain. It later transpired that we had in fact won the quiz, in spite of our effort to handicap ourselves; they never officially announced this result, we had to ask McFeely, who had to ask David. Assuming this wasn't deliberate, which I would understand... kinda weird not to announce that at any point!

I guess I'll take this moment to talk a little more about James, 'cause he was one of the people I met this year and got to hang out with for more than just a single conversation. He honestly just sort of appeared from nowhere with a clear objective of "I am going to become friends with these people", which I massively respect (had he turned out to be a cunt, I would not have respected it, but he wasn't, so!). I was reminded of myself doing something similar towards the start of uni, and at my first solo TFNation not long after that. He seemed cool and was very nice to all of us. I've since chatted with him a little online; apparently the only reason he picked our group out of the crowd was the OSKO Rampage I had sitting on the table. I'd brought that figure along as a conversation starter, so looks like it did its job!

Anyway, so the evening progressed. There was the charity auction, which went crazy, but is also kind of just half an hour of clapping while people with money bid for mildly interesting items. Someone correct me if I'm wrong—that custom Action Master Billy Stripes sold for like a grand, right? I say this only because I remember when the sealed Animated Swindle remarked by the late Derrick J. Wyatt himself went for £650, I thought, wow, that is such a measly sum by comparison.

Simon Furman and Andrew Wildman went up onstage to announce their new podcast. Apparently the first episode went up over a month ago? Well, they have a Patreon, etc, you know the deal. I'm not saying that I won't listen to it, I might at some point, but definitely as an announcement to that crowd of increasingly-younger-skewing fans it went over like a wet fart. I presumed this was the "Like a surprise? Close your eyes..." teaser on the schedule, because podcasts are something you listen to, meaning you can close your eyes. As it turned out, I was very mistaken.

Next up, there was the script reading. As with last year, it wasn't written by, well, a writer, so it kind of sucked, to put it nicely. I guess without mercilessly dissecting the thing for every single joke that fell flat, I'll try and explain what a convention script reading should be like, as someone who's seen a ton of them. You have a handful of huge voice actors with iconic roles in the room. Your story, whatever it is, is nothing more than a means to have them play off each other, cover their full dramatic range, and say as many catchphrases as you can in as short a space of time as possible. You want to avoid in-jokes which the actors themselves—who typically aren't as deep in the sauce as you—are unlikely to get. You want to minimise the role of the narrator or other side-characters. You want to avoid splitting the cast in-story, to allow all the characters to play off one another, while still contriving to avoid having a voice actor swap between multiple characters in the same scene. You want the actors to play the specific versions of characters they actually played, not different versions from other timelines or whatever. You want to give fuckin' David Kaye some actually good material to work with—more Beast Wars, less Armada, dig? You want to pace the jokes so they lead to direct punchlines, so the audience as a whole can laugh and clap before the story progresses, rather than burying punchlines in the middle of individual line-reads or back-and-forths. I'm not a comic writer, but as an audience member I can definitely tell when things aren't working, and I truly wonder why on Earth at a convention with people like Jim Sorenson, James Roberts and Simon Furman in attendance, you wouldn't allocate some portion of your budget to commissioning a good script. As it was—as some of my friends also put it—the moment the narrator said "End of Act 1!", my heart just sank: so is this two acts? Three? Reader, it was three, and none of them were any good.

Honestly, the big thing that had me baffled was that the entire script reading was predicated on the fact that Gregg Berger has, in the past, voiced Eeyore from Winnie the Pooh. But the thing is, I always thought it was Peter Cullen who voiced Eeyore! I'd coincidentally had a conversation about that very fact with Daniel earlier in the weekend! Gherkin googled it as the script reading dragged on. Sure enough, it seems that Gregg Berger only filled in the role for a few video games and ancillary media, beginning in 1997. He does a wonderful Eeyore voice, don't get me wrong, but I don't get the impression it's his role, and to place such a focus on "Eeyore from Kingdom Hearts II" for a Transformers convention felt like a misguided choice to me.

At the end of the script reading, there was immediately another bonus round of charity auction, where they flogged a signed copy of the script and an inflatable rubber ducky from Amazon. Up and up the price crept, in increments of £10 at a time. At £280, for some reason I'll never know, David asked us all to clap, as if this was in any way an auspicious figure. We duly obliged. The final bid ended up being for something like £450, or 2/3rds of a sealed Animated Swindle remarked by the late Derrick J. Wyatt.

Overrunning by this point, I thought: this is it, the headline event is starting soon, I'll be able to chill out for an hour watching the old cartoon, and then I can go back to the bar and hang out, hopefully feeling a little rested. But then it was the actual surprise! The Mapes brothers had found a never-before-seen recording from the '80s. What was it? It was the audition tapes for Wheelie. Because I'm still in theory the custodian of Wheelie's TFWiki page, I dutifully got out my phone to record. The performances were demented, delivering nonsensical rhymes in a nonspecifically exotic accent. After each, David would go, "Do you want to hear another?" And the audience yelled back, "Yes..." And I sat there, listening to these unfamiliar voice actors cackling and giggling, thinking how it's been years—literally years—since I started trying to fix Wheelie's wiki page. I haven't touched it in months. And I wondered, will I ever be free of you? Will my work ever be done? As I write this I have been home for less than 24 hours, and somebody has already added a note to the page. It rhymes badly. It's not cited. I'll need to fix it, I guess.

And then, Gregg Berger got up onstage, to read us an extract from his work-in-progress memoir. He told us, it's fine, feel free to leave, none of you are expected to stay, this isn't that kind of thing. But the thing is, I had no idea how long this segment was going to go on for (20 minutes, per the schedule? Everything had overrun!), and I wanted to watch the cartoon, you know, the headline event of the evening, the thing I'd been told was the big thing to be excited about, which most of my friends were staying here for anyway. I snapped. I couldn't take it any more. I got my phone out and started posting in the group chat.

I could not tell you a single thing Berger talked about in the extract from his memoir. I was simply too tired. It described a world utterly alien to mine. A third of the words he was saying seemed to be quotes from other people. And the thing was, the thing that really got to me, aside from all the self-hatred over feeling like a hater, was that I'd brought with me a zine containing some lengthy personal episodes from my real life, and all I could think was: does this sound like that reads? Will my friends read it, and slump in their chairs, and loll their heads, persisting only out of a sense of obligation?

I knew it was over because suddenly people started clapping. By then, it was already too late. I watched the first part of "More than Meets the Eye", a boring cartoon I'd watched mere months prior in the cinemas (and enjoyed, somehow), and it was only when I realised we'd moved into the second part without me even noticing that I decided I was simply too tired to stay any longer, and finally made the wise choice to return to the bar.

Usually, Club Con has been fun and exciting, and I think the problem TFNation is increasingly having with it is that they feel like every year they need to debut something which has never been seen before, something important, over something which sparks joy. Last year was great: Jayhan rocked. This year did not rock. It just rolled on, and on, and on...

And I hate to be a hater about it. The auction raised £6400 for charity, of course that's fucking brilliant. The script reading made me chuckle a couple of times. The Wheelie auditions genuinely shed some light on a character/performance which has always been controversial. Gregg seems to have touched the hearts of a lot of people with his reading. These things were all perfectly fine taken on their own. And of course a huge part of my problem was just the physical reality of it, my own tiredness, the caught-up-in-my-own-head of it all. It was a me problem. But also, also, could they not have saved Gregg 'til last, as they have done with people like Garry Chalk in the past?

Look, something was just cursed this year. Viv got trapped in one of the elevators for ten minutes; another of the elevators was permanently cordoned off with hazard tape. That Saturday night, there were reports of Jim Sorenson being pursued through the corridors by someone from the salsa convention. The salsa convention! In years past, this charming trademark of TFNation, these bizarrely coincident events, background set-dressing, now elevated to plot-relevance, twisted into something adversarial. We heard that one of our volunteers had got in a fight with one of theirs. What the FUCK was going on, that night? There was a new water cooler positioned by the entrance to the dealer hall. Could there have been something in there, turning our vision red, driving us to madness?

I don't really remember what happened after I left the panel room. I hung out in the bar for a bit, and began to enjoy myself again—but I don't think I stayed up much later.

Sunday

That night, I was finally able to get some rest: I wasn't awoken by a stupid fucking fire alarm, or even a deliberately-set phone alarm, but rather by my own body deciding "hey, that's it, you've had enough". I felt good. I decided that Sunday would be a reset for me. I shaved, as I'd planned to, because my beard has developed a sizable bald spot, creeping up my neck onto the right side of my face. It used to be quite small, hidden away under my jawline—but roughly coinciding with that aforementioned personal crisis, more of the hair seems to have disappeared, an ice cap melting. At work, strangers come up to me and whisper the word "alopecia", as though whispering it makes this in any way a remotely polite thing to say to someone.

I'm not really attached to my facial hair—or rather, I guess, it's not really attached to me—but the half-on, half-off look is just kind of stupid. It's distracting. My eyes are up here! So at the moment, I'm having to shave more regularly. Maybe it'll grow back, or maybe it'll all fall off, and I'll probably be fine either way. So on Sunday morning, I took it as an excuse to perform the ritual. Cleave it away! All that shit in my skull, pushing its way out—begone! I gave myself horrendous razor burn; my blade was too blunt. In the evening, returning to my room, I saw there was still a spot of dried blood on the centre of my chin. It had been there all day. Whoops. But in the meantime, it fuckin' worked and all. I felt great. I looked cute, in my Hatsune Miku t-shirt and pink shorts.

On the way down from our room, I was able to prove to Jalaguy just how dogshit my phone camera is. I've had the thing for maybe six years at this point; it was actually my first decent-spec smartphone, but the camera is a dreadful thing that smears out every shape into a blurry haze regardless of the lighting conditions. Apparently it's "AI-enhanced", which to my knowledge just means you have an option to crank up the saturation sometimes; presumably, this software was a vain attempt to cover for the camera modules being cheap pieces of shit even at the time. Still, I was able to get maybe my favourite photo of the weekend.

Sunday was so, so much quieter. There is a kind lie at TFNation that Sunday's dealer hall is just as good, that places like Toy Fu purposefully hold back some stock for the second day, that the big stalls like ID Toys won't run out. It's not fucking true. The Blokees blokes had sold out. The bins were all half-full, the dregs of Revenge of the Fallen Sideswipe redecos, Armada Side Swipe redecos, Siege Sideswipe redecos, accumulated like silt in the wake of the gold rush.

But as a true gamer, I thrive on Sunday. I will find the things that no-one else wanted. I made off like a bandit. At Toy Fu, I found a Generations Junkheap going for a song; nobody gives a fuck about the Reveal the Shield Junkion mold these days, it's hot garbage, Studio Series is where it's at, but I'm still a Classics collector and I think that toy looks sick. I got my Wreck-Gar from Umar a couple of conventions ago, and now he's got a bike to ride on. Or maybe Junkheap is a Star Seeker! The world is his oyster. I also picked up a Combiner Wars Firefly—with his correct hand/foot/gun this time around—to complete my Superion, except the rest of the Aerialbots are in storage back at my parents' house so this is mostly academic.

I finally got a chance to properly look at the stall of my favourite traders, Blue Beetle. I've historically spent tons of money on frankly absurd quantities of cheap shit toys from their stall; this year, it was slimmer pickings for me, their huge bucket of slop by that point consisted mostly of BotBots. As usual, there was also an assortment of Transformers- and Marvel-inspired 3D-printed paraphernalia, custom-designed by one of the pair. The coolest item he had this year was a working clock in the shape of Cybertron; the second hand is the Ark, orbiting around. I don't really have room for that kind of thing in my life, but I was able to admire it from a distance.

Yesterday, I'd been tempted by an incomplete Robots in Disguise Movor and Rollbar to complement my childhood Ro-Tor and Armorhide, but they'd sold by the time I returned. Still, I was able to pick up a cheap Wildrider with dog-eared stickers; I plan to rip out his arm and use it to repair the other one I got. Last year, they also had an absolutely ruined Tentakil in their big bin, so sun-bleached as to be practically a redeco, with painfully stiff joins I dared not to try; I had actually resolved ahead of time that if it was still there this year, I'd pick it up, to go with my knackered Snap Trap. Well, lo and behold, there it was, dredged up from the BotBot pick-and-mix! I picked it up, and the main guy at the stall (I really need to get his name one of these years) waxed poetic about it, in mock outrage. "All weekend, I've seen people pick that little guy up, and I'm just like—come ON, he's £2!!! Yeah, he's a little sunburned, but where are you going to get a G1 guy for £2?" Of course he was absolutely right. As I said to him, it was less a question of whether I wanted to spend £2 on a Tentakil, and more a question of whether I dared to dip into the world of peroxide or whatever. But hey, if there was ever a toy to test the waters with...!

My dream of a Robots in Disguise Ruination wasn't quite dead, however—another stall actually had another Rollbar, this one complete with instructions, for a similar price to the one I'd seen at Blue Beetle. I also grabbed a Classics Megatron (about time!) from the same seller, and he threw in a Universe Ravage for free (my secondhand Hound came without one when I got it, many years ago now, so it was perfect!).

I hesitated for far longer than I should've over a complete Armada Demolishor for literally a tenner at another store. The thing is that I already have a Demolishor, with Blackout, just missing his missiles. But finding the missiles on their own has proven to be far trickier than I'd ever imagined! So really, I'd just be admitting defeat by buying a complete copy and flogging my incomplete one to recoup the cost (I could probably sell the Mini-Con alone for a tenner, if I was patient enough). "Are you having a laugh?" said Ben, when I agonised to him over it, which immediately snapped me out of my indecision. Honestly, it's really funny how much on the same wavelength we can be in that room. At one point I saw a Transmetal Optimus Primal at the Toy Fu table, and was about to buy it on the spot, when Ben pointed out, "It's missing one of its kneecaps. There was another one here earlier which was complete—but I bought it." Unbelievable!

I helped Daniel find a Beast Machines Rattrap I'd spotted earlier in the day, which he in turn only wanted to give to Jo—and I think she in turn planned to give it to Rabbit? This reminded me that I wanted to go home with some Beast Machines stuff myself. There was a Strika and a Tank Drone, which were at the top of my list to go with the dark horse favourite of my haul last year, the Motorcycle Drone. Unfortunately, they were a bit too expensive for me to buy on sight, and they were gone by the time I circled around. I'd also set my sights on some of the other Basic Vehicons, but was torn between the original colorways and the Robots in Disguise redecos, which had starred in a comic strip of mine. In the end, I decided to favour the original Beast Machines versions; partly because as I say, I'm swearing off redecos, and partly because I didn't want to start a whole new collection of "guys who appeared in that one comic wot I did". These worked out to be about a tenner cheaper than the sets of the redecos I'd otherwise seen, so that was nice, especially because at first I was disappointed to discover that I didn't really like them: Scavenger was great, but Mirage and Nightcruz really refused to cooperate while transforming. I was later able to work them out, in the comfort of my own home, and now I like them all, thankfully.

My last purchase was really exciting for me. One stall which was new for this year was Junk Shop U.S.A., being run by a couple of gentlemen who'd apparently come all the way over from Japan, bringing with them a bunch of uncommon and niche exclusives! It's quite typical for me to spot something on Saturday which is in some way special, but not in very high demand, going for more than I could usually justify for a toy of that size—in this case, it was United Rumble and Frenzy, paired up for £40. That's just too much to pay for two Scout Class figures, in my head, but I resolved that if nobody else had bitten by the end of the weekend, I'd make them an offer. Sure enough, they didn't seem to have received much interest, so my waiting paid off. They also seemed to like my fancomic (I'd been giving copies to most of the dealers), so that was really nice. While at the convention, I often like to gather up weird little micro-collections, and I found that this year Rumble and Frenzy paired really well with the Universe Ravage and Classics Megatron. It's all vibes, innit?

Unfortunately, due to my fixation on making the most of my remaining time in the dealer hall, I made the usual mistake of neglecting to visit any of the guests until it was already basically too late. David Kaye had vanished, with only the deserted amusement-park-esque queue barrier snaking towards his table to indicate that he was ever there. Again, I should've just sucked it up and waited for half an hour earlier in the day, but ironically the reason I hadn't was a complication with the thing I'd planned to get him to sign: an Armada Megatron jigsaw puzzle Jo bought for me last year. It wasn't until lunchtime that day that I was able to enlist Ben and Jo to put the damned thing together. And let me tell you, we smashed that children's jigsaw puzzle. I was hoping to mention to Kaye how his performance in Armada was one of the main things I enjoyed about the show, back when we were watching it for Our Worlds are in Danger—but then I had to go and let myself be distracted by toys, and miss my one shot! Argh!

Nick Roche was also permanently swamped. One of the volunteers shook his head at us, saying that Roche was heading off on his lunch; Jo made a valiant effort by saying "We're close personal friends!" (are we? I'm not!). The volunteer just shrugged and said, "man's gotta feed sometime", which I thought was really funny. I managed to briefly accost Roche in the bar later and shove a zine into his hands while he was presumably on the way back to his room, so that was something at least. God knows what he thought of it, assuming he's even read it. Dude was also massively behind on commissions, and ended up staying up late in his room finishing a couple of pieces for Jo—not that you'd know it, they turned out amazing.

I was however able to catch James Roberts at his table. For the last few conventions I've been putting off buying the notebooks, but this time my number was up: I got the set. In exchange (well, apart from money) I also gave him a zine, because I figured if any of the guests would be into my pretentious-ass prose, it'd be him.

Jo and I also briefly spoke to Simon Furman, mostly to let him know that certain parts of his Armada run were the best things he'd written in the early 2000s. He did actually light up at the reminder, and bemoaned the cancellation of Energon/Cybertron, as he always has done. Plus we managed to not completely embarrass ourselves, so I'm calling this one another win.

We finally got the full story from Jim as to what the fuck happened last night. It's really a tale for the ages, and I won't do it justice here, but I'm sure the legend will only grow over the course of conventions to come. Basically, it was like this: somehow, the salsa dancers had arranged things with the hotel to cordon off one of the two corridors leading through the building. This was another reason why the convention felt so unbearably busy. The signs were carefully worded: "to avoid congestion", TFNation attendees were directed to the other corridor.

Now, to hear Jim tell it, he was rushing to the panel room, and at that point, the corridor wasn't cordoned off, or he didn't see the sign, or something. Or maybe he did see the sign—I'm sure he'll never tell. Regardless, he was three-quarters of the way up the corridor when he saw the barrier at the other end. Still, it would have been asinine for him to turn around and go back, so he ploughed ahead.

But then someone called after him! And so he glanced over his shoulder, and offered a "sorry!" in deference. Then suddenly, this person came up alongside him, tried to step in front of him. Jim sort of just carried on going, but no sooner had he passed the man, he felt hands on his shoulders! The dude had physically grabbed him, yoink!

Like a cartoon character, Jim's legs were in motion but going nowhere, and the salsa guy's supervisor or someone was saying "Let him go! Let! Him! Go!" Until finally, the guy let Jim go, and he scurried off to the panel room.

Now, I'm told that around this point, Jo and Rabbit happened to be outside the panel room. So these salsa dancers came up to them and asked, like, "Who is running your convention? The behaviour of your guests is completely unacceptable!" They dutifully pointed into the room, up on stage, where David was busy MCing.

Eventually, the salsa people ended up crossing paths with some of the volunteers. Jim likes to imagine that they made a demand along the lines of, "PRODUCE THE COWBOY!" One thing led to another, and apparently one of the salsa folk—presumably, the same blockhead who'd grabbed Jim—slapped one of the TFNation volunteers on the arm. Not a proper blow or anything, but like—what the fuck!

So finally hotel security stepped in, Jim got called out. The salsa guy began this litany of complaints: according to him, Jim bodychecked him in the corridor! He demanded that the security team check the CCTV tapes. "Yes, PLEASE check the tapes!" Jim agreed, because he knew for a fact that they would show their guy laying hands on him. And of course, he had no intention of pressing charges, but- Of course, that turns the tables. By that point, the other salsa guy was apparently at his wit's end trying to talk down his idiot pal, and finally the guy listened. And that's more or less the end of it, but apparently, hotel security later conferred with TFNation staff to say they had reviewed the tapes, and "Your guy did nothing wrong." Not only that, it turned out that Jim had been chased down the corridor not just by that one guy, but by four salsa dancers! Absolute scenes.

So yeah, that's the story of how Jim became the mortal enemy of salsa dancers. On Saturday night, I'd found the signs of this going on in the background to be kind of alarming, but in the light of day, it was impossible to see the situation as anything other than extremely fucking funny.

We had intended to stop by the "Construct-A-Con" panel, but by the time we arrived, David Kaye was up on stage doing an audience Q&A. It's crazy how much Kaye gives off the impression of being one-of-us, a bona fide fan of the franchise (or at least the parts he's been involved with!). We presume that the convention-organising roundtable had been swapped with Kaye's panel for some reason or another.

Back in the bar, the number of toys floating around had reached a critical mass. I think it was SameAsItEverWoz who had acquired a full set of Kabaya toys for Kenzan, Jinbu, and Ganoh. These came complete with ten-year-old Japanese chewing gum, so Erica, Sixty_Cats and myself all got to try some! I don't know why I'm phrasing that like this was a good thing. The gum was very bad, but we've since updated the TFWiki pages for Kenzan and Jinbu to properly document how it tasted. Ganoh's page has yet to be updated; poke Erica to get on it!

Daniel picked up a Collaborative H.I.S.S. Megatron (the toy I'd originally planned to cover for the RRCo zine)—mostly just for the sake of buying something! It was right before the dealer room was closing, so he got a good price, but a few days later his airline lost his damn luggage (he's since got it back, minus an expensive bottle of whiskey that apparently got stolen by airport staff). Still, we managed to eke what fun we could out of the thing; I was thrilled to find that Rumble and Frenzy could sit in his gun turret. Meanwhile, it turned out Umar had got a Classics Optimus Prime, which immediately made me keen to get my own copy out of storage; it's crazy how good a pair he makes with Megatron.

I'll level with you—at this stage in my journaling, it's been a full week since I arrived at the con, so my memory is hazy. These fragmentary scenes are all that remain aside from vibes. But I got to talk to a bunch of people that night. I had a good bitch sesh with Chris McFeely and PaperPlane off the YouTubes, as we chatted about wronguns in the community and the possibility of a YouTube panel at TFNation in the future (David was not keen). I got to shoot the shit about comics and stuff with Cradok from the TFWiki Discord, who I only ever really get the chance to chat with at TFN, but who's always a pleasure to speak to—he knows so much about so much.

There were a few people who left as Sunday was wrapping up, which always takes me by surprise, even though it shouldn't. Coordinating across the hotel proved to be difficult for me as I kept getting booted off the guest WiFi for some fucking reason, so I'd just randomly stop getting notifications. At one point I checked the group chat and realised that Viv had ollied outie maybe an hour ago—and it was like, welp, I'm probably not gonna see her again until next year!

That's the aspect of the convention which I find is really brutal: I like panels, and I like talking to guests, and I like getting toys, but most of all, I like talking to my pals. And unfortunately, for most of the weekend, all of these activities are in direct competition. There are physically not enough hours in the day. Most of these people, I could happily spend a whole day with them, and it'd pass in the blink of an eye. I'm not talking about the whole crowd—I'm talking about individual people. Even if I was never to step foot outside the bar the entire weekend, I'd still find myself wishing I'd got the chance to talk to all these people just a little longer. But it's only by the existence of this event that we're able to meet. For so much of the year, everyone is so far away.

I'm sick of all the typing. I just want to hang out.

I think it was Sunday night when I briefly lost my phone. My pink shorts were really throwing me off, so I didn't have my usual feeling of whether or not my phone was or wasn't in my pocket. At one point we went off to get tea, and we'd just left the hotel when I realised—shit! I'd left it in the bar. So we rushed back, but at that point it was already gone, handed in to the hotel staff by one of our pals. But the thing was, the hotel staff didn't seem to have a fucking clue about it!

I asked at the bar. They knew nothing about it and told me to check with reception. I asked at reception. The lady there asked me what my phone looked like. Oh dear, I thought. It's a generic off-brand phone. It's black. It's in a very badly yellowed clear case, I guess? "Yellow phone", echoed the receptionist. I shook my head. "No, no, it's a- nevermind. It's just a black phone." It was a moot point because she knew nothing about it. She went over to the concierge desk and tried to call housekeeping. Housekeeping knew nothing about it. She shrugged and told me to check with the bar again. Internally I was like, one of your staff has my phone! Are you not going to try and get the bottom of it? So I went back to the bar and asked one the wait staff. She passed me over to her supervisor. The supervisor went back over to the concierge desk, and finally returned with my phone, which had apparently been there the whole time. What a palaver! Daniel and Jalaguy looked after me during this whole little snafu, which was really great. We had a nice dinner and stayed up 'til late.

Monday

This was easily my best Monday at TFNation yet. I wouldn't dream of leaving on Sunday, but I usually find that the only cheap trains on Monday are late in the afternoon, by which point most people have usually fucked off already. Not so this year! I wasn't the last one standing! I was hanging out with people right up until the end! Ha!

I managed to find the last few people I'd wanted to give zines to, and shoved copies into their hands during the goodbyes. I walked a couple of people up to the train station, as is tradition.

Rachel's stuff from Friday was all out on the tables again; Prime Thundertron and Titans Return Hot Rod still hadn't found a new home, which I was thrilled by, because I hadn't found a complete Hot Rod and I'd really come around on the idea of Thundertron. I had a go of transforming him myself, and immediately decided that Jala was just wrong, it rules. There was also a Netflix Kingdom Rattrap, which I decided I'd like. My Kingdom Rattrap is the retail deco, and he's missing his rifle; this one was complete, and technically different, and it felt fitting considering all the thought I'd been giving to my stupid Rattrap collection. But then I saw Daniel playing with the toy, and I was like... actually, he should have it. I didn't need it, he'd get more out of it! It was really nice to see someone discovering that figure for the first time, a toy that means so much to me. I spent the entire train ride home just flipping Thundertron from one mode to another. Few toys exude such life and personality. Like I say, I'm normally the #1 Prime hater, so it's not a figure I ever would've thought to pick up—if not for Rachel's generosity. So I want to give her a huge thank-you, I'm sure a lot of us ended up leaving the convention with something like that which really excited us, thanks to her.

Also on the table was the original fucking pencil art for Jack Lawrence's cover to Lost Light #10, which auto_thots had bought. Unfortunately, it hadn't brought along anything to transport something like that with, so the damn thing was just out there on the table next to everyone's coffees. After a near-miss, I was like, hold the fuck on, we've got to get this thing off the table. Thankfully, Daniel had mistakenly ended up with a spare copy of issue #184 of the Marvel UK comic, which had a plastic sleeve of about the right size; in went the art, while Ella adopted the comic (we got to hang out a little bit more this year, which was nice!).

Jo, Rabbit and I are all Magic: The Gathering players, and the previous night, Rabbit had revealed that they'd brought along a bunch of Bloomburrow packs, so that we could do our own little tournament. This really thrilled me, because my coworker who I usually go to MTG events with had BETRAYED me for Bloomburrow by going away on prerelease weekend to play in another city, so I'd pretty much resigned myself to never playing the expansion, despite it being the most appealing set in ages. Thanks to Rabbit, I got to actually try some of the cards! On Sunday night, I made a WBR lifedrain deck with a bat/lizard typal theme, and we got the chance to play in the bar on Monday. My deck actually played really well! I won some, I lost some, but most importantly I had fun, and Rabbit was very patient with the fact that I was constantly getting up to say goodbye to people. I felt like I hadn't got to spend much time with either of them over the weekend up to that point, so it was really nice to actually sit down together and do something like that, right up until the time came for me to go and get my train.

Next time

So at TFNation 2025, here are some things which I hope will make me enjoy myself better:

I probably won't be contributing a review for the Refined Robot Co. zine again, assuming Ben decides to extend the trilogy into a quadrilogy. I love doing it, but drawing just takes me too long, and it's just not the same without drawing. Also, look, this isn't me blowing my own horn, but I think it'd be difficult for me to top this year's piece of writing—there were a perfect storm of factors which made this one work, and I simply can't think of a reason I'd ever be able to write a better piece in that specific format.

I have plans already for next year's zine, and if all goes according to plan, I will have the whole thing finished by the end of this year. Which should mean I will have the damn thing printed months in advance. Look, we all know how these things go, but that's my plan.

I might try to collaborate with someone who has a table to give away (sell?) some printed goods. I felt like this year was so busy that I actually struggled to give away nearly as many copies of the Wheelie comic as I'd hoped, for instance, and Ben definitely found the same with the RRCo zine. I'm sure there's lots of people who'd like my stuff if they knew it existed.

I will get lots of sleep before going to the convention. No, really.

If circumstances outside my control conspire such that I do not get enough sleep, I will allow myself to resort to the 500ml cans of Monster which the Hilton was selling for £2 each at breakfast for some unfathomable reason. Honestly, I can see why they weren't included in the all-you-can-eat breakfast buffet; if they were, we probably would've seen a few heart attacks.

I will probably voice some of my criticisms of this year's Club Con in the annual feedback survey they do, in the hopes that they will take more of a back-to-basics approach. I'll also try to notice if I am not having fun, and try doing something else.

I will try to wear shorts with bigger pockets. (Sorry, Jo, I will not be able to participate in the cosplay show, though I will of course continue to rep the merch.)

I will stop taking items of breakfast food "for the road".

I will suck it up and queue to see guests towards the start of the day.

I will try and change my financial situation to have a stream of income outside of my job—whether by making significant sales from my existing collections, or by having a Patreon for some meaningful creative endeavour—which I will use to properly budget for things like TFNation. I need to allow myself to spend more on specific things that I want, and waste less time scrubbing around Facebook, eBay, and charity shops for random bargains (this year was a fluke). My attitude towards money has always been fucked and it's time to work on that.

In case it's not obvious, though, I did overall really enjoy myself this year, and that was entirely down to my friends, old and new, for being such wonderful people to be around. Even in my most sleep-deprived and highly-strung state, you all made me feel content, comfortable, and included in our little community. I was constantly being surprised by your antics. I hope to see all of you again next year, and I hope that I will see some of you before then!

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