#i don't need to provide examples you all know exactly what i mean
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boltlightning · 5 months ago
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teaboot · 2 months ago
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I've never had a cat before and I'm hoping to get one soon. Do you have any advice?
Treat a new cat as you would a new roommate. Give them space and time to settle, establish a pattern and a rhythm, and in time they may choose to become friends and spend time with you. Dont force a friendship.
Use simple words and repetition to establish communication. Words like breakfast, treat, snack, lunch, supper, dinner, food, and eat all basically mean, "I am feeding you; expect to be fed", but it's a lot for a little guy to remember. I just say "Dinner" when I mean "cat food is coming", and so my boy knows exactly what I mean when I say it. As a plus, using only one word for snack time means he has no idea what the other words mean, so I can talk about food in front of him without ruling him up.
Pay attention to body language. Cats all have different personalities, and you'll learn their likes, dislikes, and messages over time this way. Son boy here loves anything with plumbing but dislikes getting wet- his favourite blanket to chew and snuggle goes on his favourite chair, and he gives me a specific gesture when he wants me to kneel down so he can jump onto my shoulder.
Read into problematic behaviour. Cats pee in weird places when they're hurting, in distress, or have insufficient of unclean litter box space. Biting, attacking feet , and knocking things off tables often means they're understimulated and need you to play with them, or at least need some kind of enrichment or puzzle to tackle. Tail flicking can be frustration or irritation. Purring is usually good, but may also be self-soothing behaviour to alleviate pain, encourage healing, and relieve anxiety, like over-grooming.
Like children, "bad" behaviour isn't malicious- it usually means there's something you aren't seeing.
Learn how your cat expresses love. Loads of people think cats are uncaring, cruel, and indifferent, but the truth is, they're just not dogs. Spending time near you, showing an interest in tools you're using or projects you're working on, sitting the way you sit, laying on their back, rubbing on your legs, wiping their face on your shoes when you get home- these are signs that your cat is enamored with you. You're their family, they feel safe and protected around you, they're curious about things you enjoy and want everyone to know you're family.
Set reasonable expectations. Again, cats are not dogs.We bred dogs to desire our approval- cats walked into our lives themselves. They have no human-programmed need to fulfill a duty or perform a task to your standards.
Training cats to do tricks isn't as hard as people say, but the willingness or interest in doing the trick is more heavily reliant on personality and mood. Some cats will refuse all but the most basic requests- I'm lucky in that Ollie understands and is willing to do several, provided I don't abuse his trust and he's not crowded or overwhelmed or just bored of doing it over and over in a short period.
Ollie, for example, knows Up to stand on his back legs and hold my hand, Down to get to a surface I indicate, Out to emerge from a closed space, Come to find me where I am, Help? when I'm offering to let him use me as an elevator, Dinner when I understand he's hungry and am getting food, and when I put on his collar he knows to climb into his carrier 'cause we're going somewhere. And he'll do any of these about 90% of the time, either ignoring me or phoning it in when there's something interesting somewhere else, or if he's feeling anxious.
Lead by example. If you dread taking them to the vet, they'll see the anxiety in your body language and behaviour and likely learn to hate it, too. Again using my guy an example, I starred taking him on walks long before his first vet appointment, just to get used to his carrier and leash. Then his first checkup was relaxed and informal, with plenty of treats, and I let him explore the examination room with permission from the tech. Now he loves going, so I'm not stressed about taking him, so I don't stress him out in turn, and the vest doesn't have to deal with a stressed out cat slowing things down and fighting with them.
Make sure your sources are good ones, and also good ones for you. I will recommend Jackson Galaxy's YouTube channel for cat advice because a lot of what he does matches up with what I've learned and know to be true. I don't personally recommend Ceasar Milan because I personally find his methods distressing to recreate regardless of efficacy, so even if that advice was useful, *I'd* be miserable, and it'd just be trading one issue for another.
Have a person who can help. You never know when you might end up out of town overnight unexpectedly, or when your place may need serviced or fumigated, or if you may be called out of town. Before getting a cat, research reliable pet sitters, house sitters, pet daycares, whatever, just in case.
Consider pet insurance. No long spiel here, just think about it. Especially if you don't know your cats ancestry or potenyial health risks. An on top of that, fucking vaccinate them.
Dont let them free roam. At all.
I grew up on a farm with free-roaming barn cats. Do you know how many times child-me cried over having to bury them? Illness, disease, pregnancy, vehicles, other territorial cats, ticks, fleas, litter, poisoned prey, malicious humans, local wildlife, predatory birds, scrap metal, extreme heat, freezing temperatures, tainted water sources, poisonous or venomous critters, getting stuck in small or high places, tapeworms, loose nails, old equipment, falling branches...
I've seen some truly body-horror slasher-movie shit- just truly nauseating visual fuckery- and I'm telling you not to let your cat free-roam.
Leash training isn't hard. Supervised walks aren't hard. Even keeping your cat physically fit and entertained indoors isn't an impossible feat. Don't let your fucking cat fucking free-roam. Fuck
Also read up on foods and plants cats can't do, like every houseplant in existence is toxic it's insane
Anyhow yeah that's like. A couple things I guess
Here, have an Ollie Pic
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pugzman3 · 8 months ago
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Man.........it's almost like....a Supreme Being.....with ultimate knowledge, superior designing capabilities, who could see the end from the beginning, and has total capability to not only, CREATE such a masterpiece of ecological functions, but can also regulate it in order to keep it functioning, to provide what he said he would provide, a habitation for this whole other engineering marvel that he created. Thank you LORD. And this video is just a single example among a multitude of examples.
Look, get mad about all the climate change lies if you want. Get mad at the regulations that are being forced on us in sight of the blatant hypocrisy by those pushing it on us. If that's where you want to plant your flag, have fun.
But some of yall are going to see the bigger picture. This environment worship, mother earth goddess nonsense, the idea that we are "one with nature" and we have to sacrifice everything to save it, this is Pantheism. It is not new by any means, look it up. And to the elites, it isn't about saving the earth, it is about worshipping gods, and not GOD. They are leading the population to THEIR gods, and not Jesus Christ, who by all things were created.
We don't know exactly how they are going to do it, but that isn't what is important. What is important is that you understand they are trying to hide the truth of Jesus Christ to you. That is where you need to get to first. Realize he is the truth and let him in, and you are going to start seeing so much of the deceptions. And it won't matter what they do, or how they do it, because you will be saved and under the blood of Christ.
Have I told you lately that every conspiracy theory goes back to God vs the devil? Because it does.
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dovesndecay · 6 months ago
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It's June! It's Pride! It's (my) Birthday!
The Introduction Spiel:
Hi, I'm Reyah! (any pronouns! no really, go for it!) On June 21st, I'm turning 32, an exciting and mysterious age to be!! (So I've heard)
Warning: This is a post asking for financial help, and if there's one thing I would ask is that if you read the whole thing: please reblog.
I'm a multiply-disabled queer person of color, a writer, artist, and photographer. I live with three of my best-good-pal-friends, (@renthony, @kryptidkhaos, and @natalieironside) and our collective army of pets.
We all know it's damned hard to be all these things at the same time under the capitalistic hellscape we're living under, and we/I am always in need of a lot of help with the existing.
I ended the month of May with some smaller bills left still to pay, but am thankful to say that June already had fewer bills than usual due, and the amount I need to start the summer off right is actually less than I was afraid it would be! Woohoo!
What I Make
I mentioned my artistic endeavors, let me show you them!!
Writing
I write less often than I'd like, but I share poetry and shorts, when I have them, on my Patreon!
You must be over 18 to pledge, as I have, can, and will again share Adult Content occasionally. Patrons pledging at least $1/month get access to all content. But most posts becomes free to access eventually. :)
When I do longer form content, I primarily write fantasy with a focus on queer brown characters with disabilities, mental illnesses, and disordered attachments. Because therapy is expensive, and writing is free.
Photography
I do wildlife and landscape photography, primarily, but you can also check out my portrait and event work on my website! You can purchase PRINTS HERE.
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And because it's my birthday, I'm offering a 32% discount code for all my prints! The code is good from June 1st to July 1st!
A Note, if you purchase a print: first off: thank you. (please feel free to send a photo of wherever you display it!!!) secondly: this will not go towards the received totals on my financial need because Pixels doesn't pay out until nearly 2 months after the purchase. Funds made from sales will go towards future needs.
CODE: PDHHTR
Artwork
I've been exploring art, both analog and digital, a lot more lately, and have shared both process photos and final drafts on Patreon! Here are just a few examples:
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I admittedly don't post on patreon as much as I wish I had the energy to, but I try to make at least one thing a month, provided I have the spoons and time.
Creativity is, like, a level 5 spell slot when you're disabled and impoverished, and I appear to have exactly One (1) of those available at any given time.
The Needs:
The Bills: $1,100
Yeah, we had to get here eventually. Since this post is already pretty long, I'm putting the rest under a cut.
More than half of this, as always, is just for the car payment and insurance that keeps the regular day-job-haver getting to said job, and all our medical appointments, errands, etc.
I still owe around $13,000 total on Johnny Car, but I think we all know that's just not a real number.
The rest of the funds would go toward paying the small subscriptions, for my various medications, and the regular attempts to whittle away slowly at the $4,300 worth of other debt.
($2,200 of back taxes, and $2,100 of credit card debt, and gods, do I mean slowly. Interest piles up so much faster than I can seem to whittle.)
If you're able and willing to help with paying the bills, direct donations can be made here:
PayPal | (link)
Venmo | (dovesndecay)
Cashapp | ($dovesndecay)
If you can, and only if you can.
The It Would Be Cools:
Since every dime that comes in goes primarily towards food and bills, there's little left afterward to be put towards other life necessities like clothes, toiletries, let alone things I just think would be nice/neat/nifty to have.
I have a High Priority wishlist. It's mostly art supplies, bulk toiletries, etc.
I'm woefully low on clothes, being short, fat, and trans, so very little of what I own actually feels good to wear so much as it simply covers my body. I have a wishlist of clothes that would be nice to have.
For everything that firmly lands under the "I just want it" category, I have an Enrichment list. It's mostly stuffies, but also games, room decor, hobby supplies, books, and stim toys.
Our household keeps a big wishlist for things we need, want, groceries, accessibility products, and everything in-between.
Okay, now what?
Well, now, I'm gonna ask that if you got to this point, and if you can't/don't want to do any of the things listed above, then please reblog this post.
The more people that reblog it, the more likely I'm able to pay my bills for one more month this year.
But if you don't, it's not like anyone's gonna know. I'm not omniscient, I swear.
Anyway, I don't expect anyone to do anything if you can't or even if you just don't wanna, but if you can and you're willing to, it means the world.
I didn't think this is where I'd be at 32. But I never really expected to get here at all in the end, and it's a lot nicer than I thought it would be. Mostly because I am surrounded by amazing people who have the capacity to be so much kinder than I will ever have the words to describe.
Thank you, and to all, a happy pride!
🧡💛💚💙💜🤎🖤
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mooestriovermind · 4 months ago
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Hypnosis - Everything can work
It's the combination of the desire to be hypnotized and the understanding that you can be hypnotized that combines together to make someone susceptible to trance. If you know how easy it is to go under, but you don't want to, you won't. Vice versa, if you want really bad to drop, but feel that it's impossible to do so, you won't fall.
Some people are in the second boat- quite a few, actually. If you want to be hypnotized, but think that your mentality or a certain mental illness prevents you from being hypnotized, you misunderstand. Everyone can experience trance. Many frequently have and didn't attribute the state they were in as hypnosis. It doesn't even require the ability to picture something in your head, or the ability to focus. Hypnosis can be brief, it can be long, but it is accessible by everyone. You need only notice that you're being hypnotized, and recognize that it can happen, in order for it to happen.
Take for example, right now. You've been reading down this informative post, your curiosity piqued by the knowledge I have to offer. And thusly, you have locked your attention on my words, here. Eager to learn, happy to recognize the hypnotic nature of a good monologue. Even if you don't picture a comfortable place like your back porch on a cool day or a beanbag when it's raining outside, you can still find it possible to recognize how my words affect you.
Even if they affect you minimally, it's possible that you still notice something as small as a change in your breathing. You see, small changes, however noticeable, tend to occur when you take note of the fact that someone is trying to hypnotize you. You can find it easy or difficult to follow what I'm saying, but ultimately you will be able to recognize that I am indeed trying to hypnotize you in this moment.
For some, the mere mention that someone may be actively hypnotizing them could lead to the familiar fuzzy feelings of trance to overtake them. Maybe you can already feel the sensations you recognize as trance. Maybe you don't know what hypnosis feels like! Maybe you've never been hypnotized (or you feel like you haven't) and you're just curious enough to keep reading. Either way, you are reading, and I am hypnotizing you, which means you are feeling at least somewhat different.
Considering that many experience trance in different ways from others, it's not entirely possible to say exactly how my words are making you feel. It could be any number of sensations or ideas. As long as you're capable of receiving sensory input or holding onto imaginative thoughts in some capacity, you are likely feeling open or even following along so closely that the world around you is no longer important.
Because you've read this far, I can imagine that I've successfully managed to at least entertain you. If you're feeling hypnotized, that's great! Keep feeling those sensations and keep allowing your behavior to adjust according to my words. If not, that's fine too! I've entertained you enough to provide you with some useful information that may assist you in any number of hypnotic endeavors.
Of course, all trances must end, and so must every Tumblr post. Finite and measurable, this little script and informative text must now draw to a close. You'll be able to awaken from any trance you may be in- as everyone is fully in control of their own hypnosis experience. Don't let anyone trick you into thinking that you can't resist, or that you absolutely must stay entranced. This is a sign that you're either doing a discussed CNC scene, which is fine, or you're being approached by an abusive dominant, which is less fine. (Very important distinction!)
Either way, thank you for reading my post! I hope it provided at least a modicum of entertainment.
Farewell, and don't forget to stay hydrated!
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vidavalor · 10 months ago
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Canapes. A Good Omens Sex Meta Thing.
A little short burst of meta about wordplay, shelter, smooches and tiny dinners.
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This is inspired by @noneorother, who correctly pointed out that I should have included in the (Non-Frozen) Peas meta more about the rest of the wordplay happening in Aziraphale's line of French to Crowley. So, let's talk about that other French word that is hidden in in plain sight (well, sound) in Aziraphale's sentence and how it's a bit, well... vavoom-y.
In this meta, we're mainly going to look a little bit at their love of messing about with homophones. For those who haven't been in a language class in a minute or for whom languages are not your thing--don't worry, I have you covered. :) Homophones are two (or, occasionally, more) words that sound exactly the same when you pronounce them but which have different spellings and different meanings. An Ineffable Husbands-y example in English would be "pair" and "pear." One word means two people or objects grouped together and the other refers to a kind of fruit but when you speak, the words sound identical.
When you are reading, you can easily tell which word is meant by how it is spelled but if you are just listening to a person speaking, you would need to rely on the context clues provided by the other words in the person's sentence to figure out which version of "pair"/"pear" the person was using. The context becomes key to understanding the meaning-- which we also know of to be true in general with Ineffable Husbands Speak, right?
The last word in Aziraphale's sentence in French to Crowley in S2 is a homophone in French, which is absolutely the point of what Aziraphale was going for, in that it's a way to say both words at once.
Because of Crowley translating the French back to Aziraphale with the whole "you don't have an aunt, she doesn't have a gardener, and he doesn't have a... pen", we assume that what Aziraphale said was this: "Oui est la plume de la jardiniere de ma tante?", which we would then translate on one level as meaning "where is the pen of my aunt's gardener?" As we looked at in the first meta I wrote about this line, while this is one way to translate this sentence, Aziraphale built the sentence as a riff on "la plume de ma tante", a French phrase that is used to describe sentences taught while learning a new language that you would never actually say in real life-- which is the context that Crowley used in translating it back, even if as he heard the innuendo, as he knows of the cliche and also no one is ever going to ask where the pen of their aunt's gardener is. Ever lol. We talked in that other meta about how the sentence can also translate where "plume", which means feather in one of its meanings in French, and "jardiniere", which was appropriated to English from French to mean a garden box/flower box, can both be sexually euphemistic-- especially as "la jardiniere" also has meaning with regards to French cooking and food. The key bit to this meta here, though, and to the homophones is the last part of the sentence-- "ma tante"-- and what else it sounds like in French.
We talked about how "la tante" can mean aunt, as Crowley replied, but that it can also mean "queen" and, when taken with the other words in the sentence being euphemistic in a feminine way, the sentence as a whole can be taken as Aziraphale requesting some overdue quality time with Lady Crowley, whom he referred to as "my queen" in French. All of this still holds but what will add to it is that a homophone for "la tante"/"ma tante" in French is "la tente"/"ma tente". Even though these two words are spelled differently, they are pronounced exactly the same way... but "la tente" does not mean "aunt" or "queen"... it means "tent."
So, there's a homophone in French that Aziraphale uses when speaking with Crowley in S2 that translates his word as both "my queen" and "my tent" at the same time because the words are pronounced the same way. This, in true Ineffable Husbands form, manages to be both pretty amusingly dirty and pretty romantic at once. This homophone is very, very clever on Aziraphale's part because while the sentence is referring to Crowley in a feminine way and is Aziraphale expressing that it's been too long since he had himself some red velvet, the homophony causes the other word in play at the same time as "queen" to be "tent", which also euphemistic for an erection. So we have two different words that look almost alike and sound exactly the same when spoken and Aziraphale said one word-- made one sound-- and it represented two words at once, at the same time; one that corresponded to a more feminine-leaning concept of gender (and is also just a French word for queer) and the other that corresponded to a more masculine-leaning concept. But they sound the same and it's all one sound and you can't really tell the difference between the words. How perfectly Crowley. :)
But, as you all know, a tent also is...
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...a kind of canopy.
The French word for "canopy", if you're referring to a covering of land, like a tree canopy, is "canopee" and Aziraphale actually speaks French well and would know that but it wouldn't fit the sentence full of innuendo he was building. The sentence builds to the homophone.
As a result, even though Crowley translated what Aziraphale said as "ma tante"-- which isn't incorrect-- and he pretended it meant "my aunt" when he knew it meant "my queen", he also heard the homophone in there that brought forth in the hidden word in the sentence-- "ma tente"-- so he also heard "my tent"/"my shelter" in there and because Crowley plays with homophones and similar word-related things (paronyms, etc.) in Ineffable Husbands Speak just as much as Aziraphale does, he heard what Aziraphale was doing and so really made the jump then hearing Aziraphale use homophones and so mean both two different words that sound alike and say both "my queen" and "my tent" at the same time.
So, they're burying canopies all over the place in S2. Crowley's canopy dialogue in pub scene is him recounting his and Aziraphale's first kiss and Aziraphale flirtily references it back to him in French later on. We aren't quite done yet, though. Recall that I said above that the French word for "canopy" is "canopee." It's pronounced "kan-oh-PAY" and, just like with "la tante"/"la tente", it has a word that is awfully close to it in French and that would be one we also use in English-- "canape."
Canapes are appetizers or, as Gabriel charmingly called them, "tiny dinners." They can be satisfying all on their own or as a starter before a main course. A vol-au-vent is a type of canape. While no one uses the word "canape" during The Meeting Ball, that is what they are all eating. It's there implicit in the words that are actually being said, like how "ma tente" might translate literally as "my tent" but has the context of "canopy" to Crowley and Aziraphale. Crowley's word for what was covering them when they took shelter from the rain and first kissed is a "canopy" and it likely was a literal one, in the sense that it was probably a covering of trees and the word for "canopy" in French sounds just like a kind of food.
So, a "canopy" in French is a "canopee", pronounced virtually identically to "canape", which is an appetizer of a small bite of sometimes-toasted bread or a cracker topped with with any number of creative food options to make a delicious, tiny, delightful dinner in its own right or a preview of the food to come.
A canape (in Ineffable Husbands Speak). A kiss.
"Have a canape, my canopy" is basically what this amounts to:
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We are going to leave it here and not at Crowley tossing the tray and going for the door and how that foreshadowed the ending of S2 here lol. Well, actually, here... to end on a happy note...
...just that shot of Aziraphale holding a tray of food kisses while looking at Crowley's lips, nothing to see here, no possible vavoom flashback in sight for S3 at all... :)
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miraculousares · 5 months ago
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Okay so I have some thoughts about the end of full moon and more specifically on Blitzø's rant at the end. I already posted a little analysis about how he only knows how to communicate through raw emotion, and I think that his venting is such a clear example of that. I feel like this is the most honest Blitzø has been at least in the last 15 years if not ever, and I can't stop thinking about how hard he's trying to talk openly with Stolas. So spoilers for Full Moon obviously.
*deep breath*
"What? Fuck you, Stolas! You spring this feelings bullshit on me, are you fucking kidding?!"
As we well know, Blitzø has never felt worthy of love. He's always blown up every relationship (sorry for the pun) he's ever been in. Be it romantic, platonic, familial, even in the workplace he struggles. So the few occasions when Stolas has thrown out hints that he might love Blitzø for more than the sex, he's never been able to even process it. Stolas has never given him a clear indication that he feels anything more than horny for him and without any warning he's suddenly confessing his love in the middle of what Blitzø thought was just yet another transactional bang sesh.
"Can I get a fucking minute to think?"
Sure, Blitzø got the chance to have a genuine, in the moment conversation with Fizz, but that was nothing compared to this. He'd had 15 years to process his feelings of regret and he was someone he'd been vulnerable with before, albeit a long time ago. Here, trapped in a huge silent room with Stolas and all of his half-processed feelings that are tangled around so many other problems, Blitzø has no tools for this type of situation.
"After everything you put me through you pompous, rich asshole!"
While it hurts to say, Stolas really has put Blitzø through a lot. Aside from everything I'm gonna mention with the next line, he's hurt Blitzø time and time again. Be it covering his face at Ozzie's, humiliating him on stage at the Harvest Moon Festival, constantly degrading him and reminding him of his 'impish' lower status. It's obvious to the viewer that Stolas does care so deeply for Blitzø and that he's trying to change and atone for all of that, to Blitzø all he's done is give him space for a few months and then suddenly confess his feelings out of nowhere.
"Treat me like one of your little butler imps, you can't just dismiss me like that. I mean you royal fucks think you can do this every time. Like you can just play with our feelings because we're smaller and not as important!"
Okay here we go, diving into probably the biggest problem they have to tackle before they can truly accept love from one another: the class difference. Stolas' palace is crawling with imp servants who are treated as objects by the whole family and Blitzø has seen that. And then there's Blitzø, who is being treated with the respect of a living, breathing, independent-thinking demon but that's about it. He still talks down to him and goes so far as calling him his plaything on several occasions. I don't know exactly how the horns work/feel for imps, but I imagine Blitzø having a cigarette put out on his probably felt degrading at best. To Blitzø, he's providing a service for Stolas in exchange for reward, just like the rest of his servants. They both clearly know how wrong that is, but that dynamic needs to be seriously broken down from both ends before anything could possibly work between them. Blitzø is trying to do that with this line, he's trying so hard to tell Stolas how it made him feel because it hurt him but he wants to fix things.
"Well I'm not letting you, bitch! Let's go!"
Fuuuuuuuck this line hit me so hard. This whole time, he's been venting and yelling and in doing that he's sorting through how he feels. He's being confronted with something so far out of his comfort zone but instead of trying to run or hide like he usually would, he's trying to figure things out because no matter how afraid he is he clearly wants to have this conversation. He's trying to open it up to Stolas after airing out everything he was able to sort through, he's telling him that he wants to have this conversation.
"Stolas wait, I'm s-"
God this is so heartbreaking and I know a lot of people are pissed off about how Full Moon ended, I honestly think that this was perfect writing for each of these characters. Stolas has only ever been talked to in fanciful language, subtle comments, and straight abusive yelling, he doesn't know how to hear anything Blitzø is saying and instead only hears his tone and his harsh words. But Blitzø doesn't know how to communicate any other way and gah this argument/confession/breakup was exactly what they needed to push them forward to actually facing the problems between them rather than tiptoing around them
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thedrunkenreadersreviews · 10 months ago
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Regarding Alastor's Hallway Scene in Episode 5 of "Hazbin Hotel"
Good day, folks! As sweet Mimzy said, "...pour a few fingers of rye and he turns into a kitten" so let's do that. Let me set up my Redemption, and let's get into this.
*Sip, sip*
Now, this is quite an interesting thing; the phenomenon of the reactions I have been seeing particularly regarding Alastor in episode 5 of Hazbin Hotel has been ... curiouser and curiouser.
*Sip, sip*
The big question that I think we should be asking after this episode is who Alastor is leashed to---but there seems to be something else on people's minds and that is the interaction Alastor had with Husk in the hallway of the hotel. I mean, every great character needs an epic hallway scene. For Star Wars it was Vader and Luke. For Hazbin, it is Alastor. Let's explore this.
*Sip, sip*
As a society, feasting on entertainment, whether it be through books or films or a series, fans often say that they enjoy the "villain" or "morally grey" character as opposed to those who are set on their compass of goodness. I find this to be a lie that we often tell ourselves and believe completely.
Sure, we find them more entertaining and thus we favor them, but then we try to find excuses for their behavior, make it a despicable act that is done for righteous reasons. Or because we desire to see someone who is tremendously struggling or has a rather horrid reputation overcome this and prove to be a fantastic character underneath all the layers of darkness. We don't like them because they are bad. We may pity them for they often have the most tragic backstories, or we see the potential of their goodness. But we like them because we believe that everyone in their universe has the wrong perspective of their wickedness while we, outsiders looking in, see the potential of their heroics. What they can do despite everything.
That is not liking a character because they are the villain. That is liking a character because of why they are the villain and how they can overcome it.
A few examples:
Rhysand dressing Feyre up like a whore and tattooing her without her consent: well, he was doing that to protect her and help her.
Darth Vader: Mass murderer and second in command of an empire built on absolute control; but he fulfilled the prophecy of the Chosen One and had originally fallen because he wanted to save the love of his life and his unborn children.
Loki: Yeah, he slaughtered 80 people in 2 days, attacked NYC with an alien army killing hundreds if not thousands in the process, and committed genocide prior to that, BUT that's because he was severely broken and now he sits all alone at the end of time, saving an infinite amount of people.
Granted, I love 2/3 of those characters because of the reasons provided. But also because in their prime they were WICKED!
*Sip, sip*
Now let's look at Alastor.
Alastor, the Radio Demon, and one of the most feared overlords of Hell ... threatened one of the souls he owns. And now, I see people comparing him to Val or saying they hated him at that moment or now have a poor taste for him in their mouths. But ... this is exactly what you asked for from him.
*Sip, sip*
Val, who ACTIVELY tortures Angel Dust, is being used as the comparison for Alastor because he THREATENED and scared Husk after Husk stepped over the line.
*Sip, sip*
Alastor, when alive, was a serial killer. Alastor in Hell captured overlords, tortured them, broadcasted the torture throughout Hell, and became one of the most feared overlords.
He didn't do that by being "nice" or "charming." He did that by being vile and not for a greater good. He did it because, as far as we know, he wanted power. And, damn, he got it.
Demons KNOW to be afraid of Alastor. Granted, his reputation may have faltered because he has been away for 7 years but before his departure and even upon his return, for the most part, demons avoid Alastor as though he were death incarnate.
*Sip, sip*
Now, let's examine him in episode 5. Only the scene that is getting the most traction; I'll talk about Alastor and Lucifer in another post. But let's look at this scene:
Alastor and Husk in the hallway.
*Sip, sip*
Let me put some quotes here real quick:
From the Pilot:
Husk to Alastor: "Don't you [Alastor, the owner of my soul] 'Husker' me, you son of a bitch!"
Husk to Alastor: "Are you [Alastor, the owner of my soul] shitting me?"
Husk to Alastor: "You [Alastor, owner of my soul whom I have just shoved off of me] think it must be some big fucking riot just to pull me out of nowhere? You think I'm some kind of fucking clown? [even though I am contractually obligated to obey your summons]"
Husk to Alastor: "I [the one contracted to serve you and obey your commands] ain't doing no fucking charity job [even though you told me by your order that I have to]."
Alastor to Husk: "Don't worry my friend [you, who sold your soul to me so that you could keep your power because you almost gambled it all away], I can make this more welcoming [providing you with something that you enjoy even though you are contractually obligated to obey my commands without payment/reward], if you wish."
From episode 5:
Alastor to Husk: "It's nothing I can't handle, don't worry, Husker. [Proceeds to walk away, leaving the conversation] Who in their right mind would cross me? [Continues to walk away, posing the question as rhetorical and not requiring an answer]."
Husk to Alastor: "... You've been gone a while. And it's not like anybody knows why---"
Alastor to Husk: "They don't need to know. [And it does not need to be discussed further, so leave it alone.] And don't you worry your fuzzy head about it. [Drop it. Drop it now. Don't pick it up]"
Husk to Alastor: "You may own my soul, but I ain't your fucking pet!"
[Personally, I think Val would have instantly backhanded AD for that alone.]
Alastor to Husk: "Hmhm. But you are [So stop talking, just let it go, I'm letting a lot slide here]."
Husk to Alastor [the owner of his soul, who has slaughtered overlords of Hell]: "Big talk for someone who is also on a leash."
Alastor to Husk: "Aha. What did you say? [Now you have tested my patience too much!]"
*Sip, sip*
In the pilot, Husk openly and without fear insults and cusses at Alastor. And what does Alastor, the owner of his soul, do? He lets it slide.
In the one scene between them in the hallway, Alastor essentially still does nothing even though it is evident that Husk struck a nerve. At least twice over in this scene alone, Alastor gives subtle hints to Husk that it is best he just stops. And it is not like he even dismisses Husk's worries about Mimzy or even his absence. It's more along the lines of, "Oh, I know she is in trouble and came here for me to clean up her mess, but I am a bit occupied at the moment dealing with the actual King of Hell, so I'll get to it when I get to it. Just keep her busy for now." And in regards to his absence, he makes it abundantly clear that Husk is better off just not mentioning anything about it. He cuts Husk off, and essentially says, "Look, just keep quiet about it. It's no one's business but mine and I'm fine, I can handle it, so let's just leave it alone."
All the talk people say of Alastor having a big ego, oh undoubtedly, but it makes sense why Husk is in pride in this one scene alone. Alastor tells him "let it go," and moves to walk away from the conversation.
But Husk pushes. And pushes. And on that final shove, I think Husk even knows before Alastor got mad that he went TOO far.
*Sip, sip*
And Alastor still, for the most part, does nothing.
He reminds Husker that he owns his soul, pulls on the chain just to knock Husker off-kilter, and then, rather demonically, tells Husk to not EVER mention the fact that he is leashed again. Honestly, with what Alastor COULD do to Husk ... that was letting him off SUPER easy. Like, Husk should be kissing his feet that that threat was the only punishment he received for that comment.
Val? Forget it. AD would probably be filming for 3 days straight. Alastor doesn't even touch Husk.
This move is also a sense of security for Alastor, I think. Husk probably thought this was just another comment that would result in Alastor just ignoring it. But it takes Alastor by surprise and destroys his comfort. He loses himself in a fit of fury and pulls on Husk's leash to remind both Husk and himself, "Yeah, I might be leashed but I still own YOUR soul, Husk! So do not test me!"
*sip, sip*
So, yeah, Husk gets scared, as he should. Alastor is terrifying.
Should this lessen our opinion of Alastor as it seems to have done with so many fans?
No. Absolutely not. If anything, this scene provides balance to that paradox I supplied earlier; how we like the evil characters because of the good they could do but we should also like them because they are evil and should be expected to do evil things.
Alastor IS evil. He owns Husk's soul.
And yet, this evil overlord allows Husk to get away with soooo much. And when Husk oversteps, as he absolutely did, to not even be smacked by Alastor speaks volumes of Alastor's opinion of Husk.
*Sip, sip*
Here is my speculation:
Husk obviously knows more about Alastor than most. But Alastor owns hundreds if not thousands of souls. Husk is someone he calls on often, obviously. Husk knows Alastor is leashed. Faustisse, a former employee of Spindle Horse, and one of the original teammates beside Viv for the Hazbin project said that Alastor regards Husk as one of his closest friends. Perhaps not friend, but maybe one of his closest confidants. Why else would Husk know that Alastor is leashed? Granted, we cannot tell from the dialogue if Husk knows where Alastor was for 7 years or even if he knows who Alastor is leashed to. To some extent, though, Alastor must trust Husk.
In this scene, Husk violates that trust. He deserved to be threatened, reminded, and terrified. I adore Husk. He is one of my favorite characters and when I saw the hallway scene, I thought Husk deserved way worse than what he got.
And Alastor still takes what Husk had to say about Mimzy into consideration. He still tells Mimzy, a friend he has had since he was alive, that she needs to leave.
*sip, sip*
Yes, Alastor is evil. And it is soooooo good to see him BE evil. And not for a good cause but just because someone got under his skin. He owns Husk and he lets Husk off very easy. So to see him lose his temper and not even physically hurt Husk allows the nugget of possible, minuscule glimmer of somewhat kindness to linger.
I loved the hallway scene. It did a fantastic job of showing us what Alastor COULD be if he really wanted to, why you shouldn't mess with him, and how he elicits fear.
Val lords over his souls through physical abuse. Alastor does it mentally when called for. They are two totally different overlords with really no comparison to be made between them save for this: they are both evil.
*Sip, sip*
Alastor ate in episode 5 and left no crumbs. He remains, quite possibly, the most interesting character in the show. I cannot wait to discover more of him and watch him be absolutely wicked towards others.
Cheers to you, Radio Demon. If I were in Hell and had to be leashed to anyone, I would want to be leashed to you.
*Sip, sip*
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torialefay · 7 months ago
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hi your astrology post on chan are absolutely amazing, what do you think he will be like when jealous. I mean we all get jealous when it comes to some people but given how possessive chan is it can be bit overwhelmingly intense emotion for him and it can lead to steamy situation. So can you write a little about what he would be like when jealous in regards to astrology, please.
Thank you💕
of course, anon! i actually have v strong (and maybe not so popular idk) opinions on this.
yes yes yes! you are 100% right that channie can get super jealous & possessive. but the thing is, he is VERY good at hiding it. and let me tell you why:
• his venus in scorpio: this one is the most obvious and why i think a lot of people suspect his jealous/possessive tendencies. and duh, we know venus rules love & beauty, scorpio rules deep emotions, passions & desires, etc etc. BUT, scorpio also has also always been associated with manipulation. i feel like this is 100% the case with chan. he may not outright say that he feels jealous over something that you did, but he will twist things so that you end up feeling guilty and don't do it again (but that wasn't his intentions of course, you came to that conclusion on your own 😉🤭 sarcasm if you can't tell). he may even have this obsessive/possessive quality to the point that he subtly manipulates you into ONLY caring about him really. for you to put him before anyone else and make you feel like he's the only person in the world that can truly take care of & provide for you. very veryyyyyy subtly of course. but he may plant those seeds. why? because it makes you fall in love with him more & become just as obsessed with him as he is with you.... of course you're gonna know he has this side of him, but you don't know just how deep it goes
• his gemini rising & sagittarius mars: these signs are more about freedom & friendliness. making a wide array of friends & coming off as a "people person." very open-minded as well. these definitely aren't the first signs that come to mind when you think "possessive and jealous." but here's the thing, neither of these planets are necessarily WHO you are. they are more so who you come across as. who you present yourself to be. so channie's gonna come across as light-hearted and a super trusting boyfriend. he knows that & that's what he wants. he wants to be seen as someone who trusts you & lets you do what you'd like without making a big deal about it (after all, he's our sweet little channie and he would never try to control us like that! 🫠🤥).
• i also wanna mention his libra sun and moon. obvi we know that libra is all about balance & is definitely the type to run away from conflict. SO, if there's something chan doesn't like, he's probably not gonna outright talk about it. libras are also the "people pleasers" of the world and are greatttt at conversation, so more than likely, he's gonna tell you exactly what you want to hear. he's gonna struggle a lot bc at his very core (his moon), he really just wants to be loved and accepted. but he may feel like, in love (venussss), the only way he can do that is through manipulating you into seeing him as the only person in the world for you. libras love that shit too. feeling validated? feeling needed? they can be prone to manipulating the situation a little bit too. so yes, channie is gonna really have a tough time with it.
how i see this playing out:
• he will plant little seeds in your head. for example, he may say something like "i love you so much more than anything else" simply for the fact that he wants you to say it back. he wants to hear you say that he matters more to you than anyone or anything else in the world. he wants to be the only thing on your mind, but he'd never admit it.
• he wouldn't outright say anything if he saw you with one of his friends/another idol and got jealous... he doesn't want that confrontation. instead, he'll make snide remarks about them (again, tiny little pettttty things) to deter you from thinking ab them. like "oh you were talking to mingi at the party tonight? i heard he was pretty bad off tonight, got into some shit with one of his members" etc etc. just any petty thing he can think to bring up that isn't exactly putting that person down.
• let's say for example that you go out for the night & go clubbing and chan doesn't like it bc he wanted to stay in with you (but of course he's never gonna tell you what to do, right?). he MAY (depending on the day) do something that he knew you wanted to do without you. you wanted to watch that new movie on netflix? he totally forgot and he already watched it. "you would have loved it," he'd say. or maybe he'd hit up the cool new restaurant that you'd been dying to go to, and when he tells you, he'd brag about how cool it was & what a great time he had. basically, he'd make you feel like you were missing out by not being with him.
that's all i'll say for jealous & possessive channie, but i do want to end by saying that he doesn't have these tendencies ALL the time. and tbh, he's probably very unaware just how toxic he's being. he may even have conflicting feelings about it bc he DOES KNOW that you need your freedoms, and probably does TRY to gove you that. but sometimes, he just can't help himself. when he's in love, he wants you to himself & he wants to protect you.
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jo-gakky · 20 days ago
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Can you express how much you love Nezha? I’d love to read about your rambles ❤️
WAAAAAAAAA this is such a flattering ask to get! 
I'm really bad at expressing myself when it comes to things I love, but I LOVE talking about and pointing out the little details about my favorite little guys!!
(also a quick note! I tend to describe things using examples/scenarios. If it gets a bit confusing, please don't be afraid to ask me about anything <3)
Nezha, specifically the LMK version of him, brings me a kind of stability and comfort that no other character really does/ever has. The comfort derives from sort of a combination between his general presence/movement, ideals and actions.
Have you guys ever met someone who just OOZES stability? They're dependent, and manage situations with grace, even despite their own troubles?
That's the kind of guy I read Nezha as! He's a noble guy with a stable moral compass, and he's self-assured in his actions and his righteousness, however, he's not afraid to admit his own wrongs when they pop up. He's stubborn, sure, but not to a fault. Despite knowing of Wukongs reckless behavior, he entrusts the responsibility and himself to Wukong’s plan(s). And to be honest, what deity in this show is NOT a bit stubborn?
Nezha is everything I'm not, and I ADMIRE that so much. There is something comforting in watching him whenever he comes on screen, because he is what every other deity pretends to be. He is just an honest guy, and honestly what's better than that? 
He's just the type of guy you could trust wholeheartedly!
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Again, I could be reading his character wrong. Rewatching LMK always makes me notice new things about characters that provide a new context to them, and Nezha is no different. 
But that's absolutely okay with me, because that means I get to re-explore all these characters over again!
But for my current impression of Nezha, I read him as a stern guy with a heart of gold!
I could imagine, even if he was on duty, he'd be the type to help out if someone asked him for a hand. He'd probably hesitate, but only because leaving his post probably feels like sacrilege to him, but in the end he can't neglect a person in need of a hand. He's a generally kind, nice and reliable guy, but betraying that trust would make him incredibly doubtful of whoever slighted that trust, for a long while. His trust is preserved for those who deserve it. He seems to be a good judge of character, and wont give his full trust to those who are suspicious.
I also just feel like he's the stern type, that actually hides a side that's more cheeky, but in fear of becoming a joke or looked down upon, he represses that side of him.
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I don't know how to really express exactly what I mean with all of this, but I generally just love him so much for being such a stable, kind, responsible and grounded character!
Something about him screams safety, and I'm genuinely so sad that I didn't pay him much mind on my first watch.
Aside from his general character, his design also just SCREAMS comfort and happiness to me!
The Pretty pinks and teal speaks to his calmness and general kindness and goodness, while the bright reds give a hint of his ferocious battle skills and power. And perhaps his temper, but I don't really think he has much of a temper. He gets a bit annoyed, but if i'm being honest, i would get a bit irked too if someone who could help wasn't taking something, possibly dangerous, seriously.
Beside his pleasing color scheme, his general shape-language is GORGEOUS and i love it so much! His hairstyle specifically makes me so happy! It's so beautiful!
He's also just generally really fun to draw, which adds a lot when it comes to a character's appeal for me.
This is just a minor detail, but I thought I'd add it anyway : His english voice BRINGS ME SUCH JOY! His voice is such a perfect fit for the kind of person he is! (tbh all the english voices are perfect, but specifically Nezha's voice strikes a chord with me.)
Um
yeah
That's just the basics!
TL;DR : I really like Nezha bc he's very cool and nice and awesome and responsible! <3 He makes me happy :)
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heliianth · 5 days ago
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when you say that nanika is a reflection of killua’s “worst traits”, what do you mean by that exactly? :O
genuinely asking bc i’m super interested and curious !!
ok so.... while trying my hardest not to be reductive, Killua and Nanika occupy very similar social spaces. But before we can get there, I kind of want to lay down the groundwork first.
Here's Illumi (un)helpfully expositing Killua's self-image—the one he spends his entire arc desperately running away from—for us:
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Killua's narrative has a lot to do with dehumanization and questions about nature—whether somebody can choose who they are or whether their circumstances decide for them, what makes a human being, all that juicy stuff. He's almost a soft launch for what the series forces us to consider later in the CAA, which is so rife with questions about instinct, nature, humanity, and evolution that trying to navigate its character web without running into a Killua foil is like trying to walk in the rain without getting wet.
Nanika is, like the ultimate escalation of this same thing—when it comes to Killua and questions of nature, she's the final boss. Nanika (or, our initial impression of her, what we are invited via framing to think first) is almost a manifestation—a literalization—of what Killua is scared of being.
I say that because, like... what is Nanika? What do other characters see her as?
Nonhuman
Extremely dangerous by nature
Valuable due to the services she can provide
Ostracized by both the Zoldyck family (Killua is singled out as the golden child) and the outside world—meaning, not entirely belonging to any defined social group, and unable to fully fit in
A dark counterpart to a comparatively sweet, bright, and innocent personality (Alluka)
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All 5 of these points hit very literally onto sore points of Killua's psyche. At least subconsciously, in some way, these are all things Killua thinks about himself; he recognizes them in Nanika because the way his family reacts to her is the way "outsiders" react to him. And he ends up dehumanizing her the exact way he dehumanizes himself—we know because he ends up unintentionally using Silva's words of being his son (positing Killua as an extension of himself, indicating similar mindsets) as an appeal during negotiations:
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(Some English translations don't even use Nanika because it literally means "something")
That's what I mean when I say they occupy similar social spaces, or are part of the same social group. And Killua treats her accordingly—as in, he projects:
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(elaboration on that last example here)*
Killua even ends up projecting traits onto Nanika he isn’t self-aware enough to realize he has.
For example, Killua thinks of love as a very lopsided and conditional transaction in which, due to his negative social identity group, he needs to perform something adequately in order to earn. And he assumes Nanika thinks the same way:
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This aspect of the way Killua treats his sisters is consistently tricky for me to articulate because Killua doesn't end up treating her meanly or even think of Nanika poorly because of these projections—a lot of this is subconscious, Killua doesn't even realize he's doing it at first—which is what you might expect from someone who recognizes reasons for self-hatred in someone else.
I think this is simply because, at the end of the day, all of these negative assessments are still about himself—only about only his own emotions, his own internalized judgement. It’s not at all about Nanika. She's still a separate entity, someone in need of Killua's protection, so Killua can't hate her like he hates himself.
*In fact, Killua wants the best for her, wants people to love her as a part of Alluka which can be good, like he sees his own ugly traits. He even refuses to take advantage of her dangerous abilities, like he doesn’t want his own to be taken advantage of. Its projection of what he wants for himself onto Nanika—acceptance and love even if she is some Inhuman Dangerous Thing.
I can sort of infer this because Killua becomes confrontational with Illumi specifically when it comes to denying Nanika/Alluka personhood in a way he only does when Illumi is denying Killua personhood, which implies to me that Illumi doing it to Nanika/Alluka vicariously feels like another personal attack (which he can actually retaliate against now without that fuckass needle in his brain).
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And just in case you weren't convinced, we do know this is projection because Killua kind of just admits it (lol):
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I want to yap a little more about this but I'll put it under a readmore because it's kind of off topic. So if you just wanted answers for why I think Nanika is such a strong parallel to Killua, then you already have them lol
This scene (the one pictured above the readmore) sometimes cracks me up because of Killua’s reaction—the way he immediately slaps his cheeks and blames everything on Illumi. It’s a sort of comedic reaction to such a heartfelt (and extremely brave) ultimatum on Alluka’s end. I’ve seen some people think it’s just Killua wanting to defuse the argument, to get Alluka to listen to him so he can start to apologize correctly. But I don’t think that’s true, I think this reaction and the way he immediately brings up Illumi is a genuine realization on his end—after all, Illumi's name or presence is kind of a visual, verbal, and narrative shorthand for Killua's insecurities and the self-image he's clawing himself away from.
Up until now, Killua's never really thought about Alluka and Nanika as their own people, whether that be them separately or even just Alluka by herself. He never gave them real agency; not because he’s physically carrying them and not because he's not asking what they want, but because he’s just projecting that hard. Alluka is also tangled up in his feelings about his childhood (and Gon, as another facet of his projecting and also just as a consequence of the reason why he's rescuing them in the first place), and Nanika seemed to give her so much trouble—in the same way Killua’s own undesirable traits give him trouble—that I don’t think it literally ever occurred to him that Alluka could have a different opinion than he does.
I think Killua assumed Alluka would react to the news of Nanika needing to go away the same way he reacted to the news of him needing to leave Gon—with pained acceptance. That situation is a direct parallel to the dilemma of putting Nanika to sleep. But instead Alluka YELLS at him, and it forces him into realizing that his idea of his sister(s) was wrong. They aren’t the same person as him, his projection was unfounded, and he hurt them because of it.
Which is why he only realizes that his fear of Illumi was influencing the way he was acting then, because now he can actually look at them and see anything but his own reflection.
These pieces of dialogue: “I've been afraid of Illumi for so long... I got scared... and said some horrible things to you,” really do kind of say everything don’t they? He saw Nanika just like he sees himself, he wanted for her and thought about her this way for everything: both the good (wanting her to belong somewhere, to be safe) and the bad (the dehumanization, the deprioritization).
Killua can recognize that now, and apologize for doing that to her. For being a bad big brother.
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And not only does doing this help him actually empathize with Nanika and Alluka as people whose experiences are unique from his, but Alluka’s reaction also demonstrates to Killua a self-love that isn’t reliant on the outlier model established in the Hunter Exam by Illumi and reinforced by Killua throughout the CAA (particularly echoed in the "You are light" scene, in which he directly steals 眩しすぎて out of Illumi's mouth).
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As a side note, these two chapters are named Light and Darkness and Light and Shadow respectively—Gon being "light" (the novelty, the outlier) both times.
Alluka loves Nanika—her “darkness”—enough to cut off the outlier (Killua) if he doesn’t love her the same. Seeing someone he puts in the exact same ingroup as him so shamelessly love Nanika, in whom Killua recognizes things he hates about himself, actually gets through to him (whereas Gon’s previous affections couldn’t because he saw Gon as so fundamentally different).
It’s extremely important that Killua asks for this forgiveness. In the hospital, when he was talking to Gon through the window, we can see Killua knows the importance of apologies. He failed Gon, so saving him would be Killua’s apology. And Gon failed Killua too, so saying “sorry” would be his apology for that. It’s less about roles now, not about values or groups—less about Killua being useful and Gon being light—it’s more about actions.
For Alluka and Nanika, “big brother” was the role he felt guilty for not fulfilling—a catalyst for his projections onto them. Now he’s confronted with real proof of this failure and he doesn’t end up breaking over it like he might've before. Instead he apologizes because, due to Nanika, he knows Alluka loves unconditionally. And he trusts her, trusts her judgement of him, and trusts that he’s lovable enough to be accepted by her despite his failure.
Overall, I think it's really important that Nanika is introduced to the audience as a scary unknown, and that our first impression is slowly dissolved over time. It's a pervasive pattern in all the characters meant to ask questions of nature—Killua himself, the Chimera Ants, Palm, even the Phantom Troupe. Togashi is, like, deeply concerned with humanization and I think it's awesome because you get these narrative threads like the one with Nanika and Killua, where his doubts about himself and his own ability to love or be loved are narratively answered via giving or receiving compassion for/from someone else. In this way Hunter x Hunter tells us that proof of humanity is the capacity for connection. And isn't that something to think about?
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redheadspark · 6 months ago
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May Prompt Sessions (CLOSED)
Hello, my Lovelies!
Can you believe we are already in May?! Where has this year gone?! I don't know about you, but I am lowkey not ready for summer to be here soon, but that's okay!
I'm ready for another prompt session for you guys! I have nothing but love for all of you for sending in requests and reading my work these past years, it means the world to me!
This Prompt Session theme is:
Show Dont Tell
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Here are my rules:
1.) You may choose ONE character from my list Here. It’ll have the list of characters that I write for or have written for in the past.
*(If you have a character not listed that you wish for me to write, PLEASE MESSAGE ME AND CLEAR IT WITH ME FIRST TO SEE IF I CAN OR WILL DO IT!)*
2.) There is only One Prompt list for this session, you can request the number you wish for me to write. Please provide BOTH the numbers you would like AND the character to pair it with.
Example: May I have Aziel from ACOTAR with #5?
*I write out the requests as a first come first serve. I will try my best to fulfill every request that comes my way, but please bear in mind I work full-time as a teacher. Because of that, I’ll be busy most of the day so please be patient and I’ll write in my spare time as much as I can :) *
3.) If I get two requests that are exactly the same, (same character and same number) I will only write it once! Please don't be afraid to ask if someone has already requested the character and number, I don't mind answering that for you :)
4.) You can request in my ASK box neither as yourself or anonymously. Although I would LOVE to give you a shout if you request as yourself, anon is perfectly fine!
5.) I will stop taking requests for this prompt session on Sunday, May 12th, at 3:00 PST
6) Have fun and enjoy :)
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Prompt List created by @writing-promptsss
making them meals/snacks
sneaking cute notes in their lunchbox/backpack/bags/bedroom/food cabinets/closet
remembering the important dates
remembering the little details about them
preparing a washbowl with warm water or a bath with warm water after they come home from a hard and cold day
preparing a special date night on the weekends
taking them out shopping and paying for the things they want
thinking of their s/o's needs before their own
preparing them cool beverages when they come home after a hot day
doing the dishes/chores when their s/o is tired
taking them out on a picnic
kissing them randomly
endless hugs and cuddles
giving them flowers
cheek/temple kisses in public
hugging them in public/holding hands in public
actively listening to what they're saying
not interrupting them when they are talking/doing something
asking them how they're doing/how their day was
sending cute texts
being their biggest fan
breakfast in bed
being their steady rock when they're having a tough time
letting go of arguments
doing anything to make their s/o laugh/smile (even if it means making a fool of themselves)
asking about their opinion
sharing everything with them
bringing them an umbrella to work/school if it's raining or driving them home if they have a car
driving their s/o home after work/school whenever they have the time (if they have a car)
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Once again, I will no longer take requests on Sunday, May 12th, at 3:00 PST. Thanks and happy requesting!
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Tagging -@a-lumos-in-the-nox @botanicalbarnes @heliosphere8 @virtueassassin @ethereal-athalia @heartofwritiing @valeridarkness @pemberlyy @saradika @basicrese
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thewertsearch · 1 year ago
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GG: you said you are asking me permission first and i appreciate that GG: but if you are asking im afraid my answer is no! AT: oKAY, i RESPECT THAT, AT: bUT, i WONDER, GG: what? AT: i WONDER IF A TRULY SELF CONFIDENT GUY, wITH THE BEST SELF ESTEEM THERE IS, wOULD EVEN NEED TO ASK, AT: mAYBE THE BEST GUY WOULD JUST KNOW HE WOULD BE SUCCESSFUL, aND WOULD DO IT ANYWAY BECAUSE IT IS FOR YOUR OWN GOOD, aND EVERYONE ELSE'S,
I don't think Tavros is just emulating Vriska here. This is a very Alternian mindset, and it's one we've seen before.
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Alternia is, after all, an empire. It's a society whose idea of success is inexorably tied to violence and domination - so if you're trying to be a better troll, you'll probably gravitate to both, even if you don't realize it.
It's not really about your personality, either. Karkat is, by all accounts, one of the more moral trolls in the party - but as we've seen above, even he's got those imperial instincts. This sort of thing is insidious, and once it worms its way into your brain, it can be hard to shake.
Tavros is a very straightforward example. He's finally gained some 'confidence' - and what's his first impulse?
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To seize a useful resource from an alien, and use it against her will.
GG: that would be smug and arrogant and would make you a bully!!! [...] AT: yOU'RE RIGHT ABOUT ALL THAT, i'LL RESPECT YOUR WISHES, AT: oR, AT: wILL i? };) GG: nooooooooo dont dont dont dont dont GG: im serious GG: uuuuggghh i think my headache is coming back AT: i WAS jUST, AT: mAKING A JOKE, AT: sORRY, }:(
This dude cannot read a room. Truly, the anti-Terezi.
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Oh, leave off.
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AG: Next time you decide to open your heart to an alien girl…….. AG: Make sure her chat client isn't 8eing holographically projected for all to see, ok?
This exploit should apply to chat clients of any size, provided the screen is visible. Maybe John's Pesterchum Glasses were a better investment than I thought.
AG: Jade let you down too easy. She's too nice! Someone's got to tear into you for that appalling display, and once again, guess who's shoulders that falls on? AG: That's right. Vriska's, as usual.
Tavros probably does need someone to explain what he did wrong, but it should be anyone but Vriska. This is obviously just going to be more bullying, and no actual advice.
AT: i THINK SHE HAS THE RIGHT AMOUNT OF NICENESS, pERSONALLY, AT: aN AMOUNT THAT IS SOME, iNSTEAD OF, AT: nONE,
Showing backbone against Vriska, eh? Finally, a constructive use for all that confidence.
Progress is progress, even when it's just a minor clapback.
AG: Hey, I'm nice when it matters, [...]
Nope, I'm calling Vriska's bluff. What nice things has she done so far, exactly?
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Sure, she made Tavros the rocket chair, but only after mercilessly tormenting him for his physical condition, which she caused.
Plus, this wasn't even a real apology gift. She kept bullying him after that, and is literally doing so as we speak.
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I guess she also made Aradia's soulbot, as an 'apology' for murdering her with her own boyfriend. To be precise, she had Equius make it, with horrific results that she should probably have seen coming.
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She also thought that it would be 'nice' to tell Terezi that her blindness 'wasn't that bad'. This conversation was kind of complicated, though, and I'm not sure what her actual intention was.
Anyway, it's pretty clear that Vriska doesn't really grok what 'nice' means. She gives Tavros a rocket chair, continues to torment him, and doesn't understand the contradiction, because she doesn't think his feelings actually matter.
[...] and where it doesn't strangul8te the critical development of people I give a shit a8out, ok?
"After all, no one was ever nice to ME, and look how gr8 I turned out! When you think about it, it's actually a GOOD thing that no one ever showed me kindness! It made me strong! Don't you want to 8e stroooooooong, Pupa? ::::D"
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I'm reminded of this exchange from Hivebent. Kanaya recommends that Vriska practice some basic self-care, and Vriska completely flies off the handle, furious at the mere suggestion that she should be kind to herself.
Vriska thinks kindness will harm her. She refuses to accept it, and avoids showing it to anyone, which makes her remarkably consistent in her cruelty. I'm willing to bet that there's nothing she's said to Tavros that she hasn't already said to herself.
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scoobydoodean · 1 year ago
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losing my entire marbles at deancrits saying he's abusive bc he was parentified like????? a) do you know what parentification IS and b) tell me you dont have real problems without telling me
anw heres a pretty pic of dean w glasses that im obsessed with to help cope w all the anons
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DEAN IN GLASSES!!!!
Someone just put it very very plainly in Courtney's inbox, but we all knew Dean's parentification was the force underlying the take that Dean has power over Sam... didn't we? ...I mean. I guess I can't speak for anyone else exactly, but I've written about how Dean's parentification is the driving force behind the narrative that Dean is abusive several times this year alone. In fact, before that anon clarified their meaning, I'd already done it for them.
Hardcore samgirls and others with this take on Dean seem to think Deangirls just "don't understand" the "power imbalance" in play. They think we've just never thought about their perspective, but... they actually just don't understand ours? They don't understand that what is absolutely vile and repulsive about their view is that it begins and ends with the perpetuation of Dean's childhood abuse.
One of the greatest horrors of parentification as a form of abuse is that it involves the illusion of power. It ascribes "power" to a child that that child does not actually have, and then judges that child for mishandling that "power".
"Something Wicked" is a great example of this. John blames Dean for Sam getting hurt, based on a lie that Dean had the power to stop the shtriga. In reality, Dean couldn't have done anything even if he'd been there, because the idea that he had power was nothing more than an illusion. He was far too young and inexperienced to be expected to carry through with a seasoned soldier's battle temperament when faced with a terrifying monster, but that isn't even the most direct expression of the illusion of Dean's power. His shotgun is. To harm a shtriga, you have to have iron-consecrated bullets. Dean did not have a weapon that could have harmed the shtriga. The gun only provides an illusion of power. When John blamed him, and Dean blamed himself—both did so because of a lie that Dean had power in a situation where Dean had absolutely none.
John blames Dean because he doesn't want to take responsibility for his own power and authority. He doesn't want to live with the fact that he had the knowledge, temperament, experience, role of protector, and consecrated bullets... but just wasn't there when Sam and Dean needed him. So he assigns all of the power and authority to Dean. Dean had the power. Dean made the wrong choices. Dean got Sam hurt. It wasn't John's choices or John's absence that nearly got Sam killed. John was helpless.
Every single time that samgirls claim Dean holds power over Sam through parentification, they refer to an illusion used to scapegoat a child for the actions of another. They assign Dean "power" over Sam that Dean does not actually have and then judge him for mishandling that "power".
The idea that Dean has authority over Sam through his childhood parentification is a lie. It is an illusion born from abuse. And when Sam occasionally decides he is unhappy with the outcome of the choices he made and doesn't want to face his own culpability, he does exactly what John did to Dean, because the poison drips down. Sam watched John treat Dean as if he possessed authority and power Dean didn't have for 18 years and some change. He learned how to assign Dean the same false authority and power and he learned Dean would absorb it, and now Samgirls want Dean to "curb that shit", while Sam blames Dean for his own choices in episodes like 1.10, 1.22, 5.04. In reality, there is no power imbalance.
Even if we want to argue that the false perception of Dean's power created the potential for an extremely toxic relationship regardless of whether the power is real or not, Dean would hardly be guaranteed the handle side of the knife. Sam has more than proven he can put that blade to Dean's throat.
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steppingonyourshadow · 3 months ago
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Complete Q&A from Elle September 2024
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Elle: When you're on a break do you think about things that happened on set?
XZ: Of course. I remember dreaming about it a few days after we had wrapped, that we were still shooting and I was there talking to the director about how we'd say those words, how we were going to deal with that scene.
Elle: Do you miss the atmosphere on set?
XZ: I really like it, I like the feeling of everyone creating something together, all pulling together to do the same thing really well.
Elle: When you first became an actor and during the time when your popularity grew really fast, you said it felt a bit unreal, magical. But now you seem pretty relaxed. How did this change come about?
XZ: Rather than it being unreal, magical, after all these years I think back then I hadn't gotten used to such a fast pace, and when I woke up each day, I'd barely know where I was and what I was doing. I think it's a process, like how everyone's so excited when they first enter employment, "I'm here, please take good care of me", "this young master is coming through, out of my way", "I can do it, I am good". [laughs] But after you've experienced a lot, you'll realise that everything needs long-term planning.
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Elle: In several interviews you mentioned that you like to play characters that "can transmit energy". Why is that?
XZ: Because I think that's the life of a character. When I say "transmit energy", I don't mean just the usual, basic sense of positive energy. What I mean is being able to provide nourishment in a subtle way - like spring rains sinking silently into the dirt. I believe that every character has at heart a complete storyline, this is something I really like. If you dig deep, they can all move people. I don't like to label antagonists as "bad guys", as if you've already decided from the start that they're not good. But that's not right - he might have his own difficulties.
Elle: It sounds like "transmitting energy" is only an umbrella term, actually it's understanding different types of people through performance.
Xiao Zhan: That's right. If we break it down to each character, they all transmit different things. But if we make them into "good guys", "bad guys", I think that makes it less interesting.
Elle: So do you consider performance a method of communication?
Xiao Zhan: Yes, you could say that, I like that. Performance is a bridge connecting the actor and the audience. Like how when my shows are on, I'll read a bit of audience commentary and analysis and feel that their reactions to the work are really complex. When I see comments that coincide exactly with my thoughts when we shot it, I find that really magical, like we really connected along this bridge. In life we might not know each other, we've never spoken, but all of a sudden because they got what I was thinking at the time, it makes me feel that performance is a really wonderful, magical thing.
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Elle: Do you watch or read science fiction?
XZ: I do, I liked Three Body. Recently I've actually been watching some sci-fi, like the American drama Constellation, and also Dark Matter, they're both multiverse, alternative universe shows. Because I think maybe there really are parallel universes. Each of your choices creates a new splinter alternative universe.
Elle: Do you think about the Xiao Zhan of those alternative universes?
XZ:  I really do. For example, is he still an actor? Maybe he is, then is he shooting right now? Is he still singing? Or is he still a designer? Is he still an employee or has he become the boss? [laughs] Really, I do think about it.
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Elle: What about the future, what do you think it'll be like?
XZ: Woah, I actually think at that point the world might revert to its origins, maybe it will be more wonderful, with interpersonal communication returning to a more natural form.
Elle: That's really interesting. Why do you think that?
XZ:  Actually, at least at the moment I'm a bit sick of the internet being ever-present. When we were kids and we didn't have cellphones, we'd chat during meals, all the kids would be called downstairs from their apartment blocks to play together, doing hide and seek and other games. Those times were really precious.
Elle: Will actors still exist in that future?
XZ: I think so. I believe that so long as life continues, theater will exist. Because we need a form of expression, to experience empathy, and to have emotional sustenance, whether it's in images or sounds. So I think even if the world was destroyed, so long as people still exist, theater will surely still exist.
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lu-sn · 1 year ago
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if you're still taking prompts, I'd love to hear you talk about Macau seeing through Pete at times when no one else does
PETE AND MACAU MY BELOVEDS!!!
the nice thing about macau is that he's in the mafia and related to vegas and therefore very accustomed to weird mafia shenanigans -- but he's also, like, normal. (relatively speaking.) so he sees pete get up to just-deranged-mafia!things and none of it even registers, but that also means he can cut through all of that mess to pick up on some of the more, ah, normal problems that pete has.
(vegas is not nearly as good at this as macau, because vegas is not normal in the slightest.)
for example. pete doesn't... make choices? he does when he really needs to (e.g. when the alternative is literally killing himself) but he's generally content to be handed things instead of choosing them. for instance, i don't think we ever saw him choose an item of food to eat in canon.
vegas knows this and has probably decided it will be his life mission to deduce exactly what food pete wants at every moment in pete's day without so much as a peep from pete. he will make pete taste-test everything under the sun and will analyze the most minute of pete's microexpressions to death, and then he'll add a pinch of lemongrass and try again. it's a point of pride for him to guess what pete wants correctly and then provide it.
macau, on the other hand, listens to pete go "we can go eat wherever you want, macau," and "i'm happy with whatever you order" for the fifteenth time and goes "dude. you're allowed to say you want something, you know."
(pete immediately bluescreens.)
macau examines him for a bit and then goes, much slower this time, "you're allowed to want things. it's, like, healthy, bro."
idk! i just have the feeling that macau has an uncanny ability to point at a particularly funky peteism and go "phi why are you like this. you really don't gotta be like this." and pete has Never Considered These Things Before, Ever.
macau is going to catch pete deflecting and retort with a "we're talking about you right now, not me." and he's going to watch pete bow and fake-smile at a bitchy authority figure and say "you can just tell him to fuck off, you know. you don't have to put up with that shit."
other people see pete doing these things and it doesn't even process for them as something odd. vegas knows it's odd, and sometimes can't figure out exactly why, and will definitely waffle about getting pete to talk about it. but macau is going to spotlight pete's issues with no remorse. he's gonna look pete in the eye like the blunt teenager he is and say, do you know you're human, too?
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