#i don't know if any of this will be interesting to anyone

[stars-inthe-sky]

#never thought i'd die fighting side by side with jimmy kimmel (via @village-skeptic)

Let’s be honest, it was a terrible night last night. It was a terrible night for women, for children, for the hundreds of thousands of hardworking immigrants who make this country go. For healthcare, for our climate, for science, for journalism, for justice, for free speech. It was a terrible night for poor people, for the middle class, for seniors who rely on social security, for our allies in Ukraine, for NATO, for the truth and democracy and decency, and it was a terrible night for everyone who voted against him – and guess what? It was a bad night for everyone who voted for him, too; you just don’t realize it yet.

-Jimmy Kimmel, 11/6/24 [x]

[missadangel]

The Heart of Rome (Marcus Acacius x Ofc!Princess Reader)

All Chapters List

XV. The Plan (+18, Smut, MDNI)

“Parcere proditori, proditio est innocenti.”

To spare the traitor is to betray the innocent.

Marcus, after leaving you in the poorhouse, made his way to Palatine Hill. He had a bad feeling about it and it was getting worse. It was tough for him to leave you each time. However, today's council was of greater importance than any that had preceded it. It might be the case that this could alter the course of Rome and his own fate.

He got the latest update from his soldiers before heading into the Domus Severiana. He had trust in the Praetorian guards at the gate and those in the courtyard, but with Geta's safety at stake, he couldn't be sure. Octavius met him in the courtyard and followed him into the armoury to help him put on his armour. The next step was to get Geta to the Curia Julia safely. He must do this on his own, with his most trusted soldiers. As a Roman general, Marcus was an expert in a variety of military strategies and tactics, with a particular focus on offensive operations. It was for this reason that he maintained a considerable military presence on the Field of Mars, prepared for any eventuality. They were ready to act on his orders. He had invested a great deal of time and effort in training them, with the aim of making them all well-raised soldiers and ensuring they were prepared to take action should the need arise. He was certain that he would eventually have to deal with the Praetorian Guard. However, since you came into his life, his priorities have shifted somewhat. He was no longer seeking to overthrow the Emperor, but rather to assist him in becoming a capable leader for Rome. Perhaps he was reluctant to witness further unrest and conflict in the city. He was willing to do whatever he could to ensure a brighter future for his own and for all Roman children.

Marcus put on his armour and armed himself with his sword before heading to the courtyard with Octavius. Geta and his mother, Julia, were there, too, with a few guards awaiting him. As soon as Geta saw them, he walked toward them.

"Acacius, where's my sister? Why didn't you bring her with you?" he asked, a little louder than necessary.

"She's somewhere safe, so there's no need to worry."

"That's nonsense! You should have brought her here with you. I don't think it's a good idea for her to stay outside the palace right now."

Marcus gave him a stern look. "So you're the one who ordered the guards to look for her everywhere?"

"Yes, I wasn't sure how Macrinus would take the council's urgent decision, so I thought maybe I could bring her here this way."

Marcus strode over to him, looking angry, which made Geta tense up.

"You knew she was with me."

"But I didn't know where you were, so I had to get them to look for you both. Roughly half of the guards were still on his side. I just wanted to make sure that my guard could find you before anyone else did."

Marcus tried to calm down, taking a deep breath. "This shows that the palace isn't a safe place either. Fortunately, she's safe now, my men are protecting her," he said then. “May I ask how the Council decided to meet today?” His eyes shifted to Julia, but she averted her gaze.

"It is difficult to convey the extent of my mother's efforts, but we have now gained the upper hand in the council," he said, winking at her. “It was unanimously agreed that an urgent meeting should be convened, today.”

Marcus was not interested in the specifics of her success. “I see.” He murmured.

“So let's proceed with the next steps and conclude this, shall we?”

Marcus nodded. "Indeed."

By noon, Geta and Julia's carriage had arrived at the Roman Forum. As they made their way through the streets, they were accompanied by other soldiers and guards who appeared to be loyal to Geta for the time being. The members of the Senate were already assembled in the Curia Julia. While Geta and Julia proceeded up the stairs, Marcus followed at a distance, taking care to observe his surroundings. However, the issue was not external, but rather within the Council chamber itself. Some of the Council members were absent, and it was not difficult to discern which ones. The other members expressed their concerns about their absence, and Geta was insistent on commencing the session. However, this was contrary to the law. Therefore, they decided to wait, but this was about to exacerbate the situation further. Marcus was concerned that this endless waiting time might be a sign of something bad.

‘What is this place? Where are you taking me?’ you asked Macrinus. You followed him through narrow streets and then through a tunneled passage into a large building.

"You will see it soon enough, my lady." He replied confidently.

You didn't want to come to this strange place with that bastard, but you had no choice. He had his plans for today, no doubt about it. You soon passed through the stone walls that resembled those under the Colosseum and observed a group of men. They were all members of the Senate, and you knew them at once by their white togas.

"What's the meaning of this?" Your voice was loud.

Macrinus ignored you, and the members of the Senate looked at you with a hint of hesitation.

"You really brought her," said one of them.

"I always get what I want, consul. You should have known this by now." Macrinus grinned then clasped his hands. "Now that we have the princess, we shall move on to the next stage."

"Consul Macrinus, I'm not entirely convinced if that's the best course of action. I think it is unwise to abduct General Acasius' wife, the princess, and force them to cooperate." One of them said.

"Council must have met by now. Geta's guards will be looking for us."

"And do not forget the Acacius's soldiers!"

"Cease the complaining!" Macrinus yelled at them. "Why can't you see the opportunity that I see? They can't start the session without us, yet they can't make a decision either. And as for Geta, he is not like Caracalla." He turned towards you. "He values his sister more than you realise.” Then looked at them once again. "So, Acacius will bring us Geta with his own hands and hand him over, and I will kill him. This will make my path to the throne. Then we'll all win. See? It's straightforward. There's no need to complain like old ladies, is there?”

"You'll all be punished for this!" You shouted. “You'll lose your statues, your title, everything you have! Release me at once, I'm warning you!"

The consuls exchanged glances, and Macrinus became visibly upset and approached and grabbed your arm.

"I see you've been very talkative since I last saw you, Aurelia. However, you're wasting your breath. I'll take your brother's life eventually and become an emperor.”

"It will never happen!" You barked. He touched your hair, and you turned your head to the other side in disgust. "You will witness it. I will make sure of that." He looked at the guards. "Take the princess away and lock her up."

"Let go of me!" You resisted, struggling. But the guards ignored you.

It didn't seem like an easy situation to get out of this time. Your chest tightened as you considered the possibility that he might win. If that were to happen, it would undoubtedly mean losing everything. It would be disastrous.

You descended the stone stairs and were taken aback by what you saw. There were cells with iron bars, like a dungeon. You stopped and looked at the guards.

“Please keep walking, my lady.” His tone was stern.

When you refused, the guards looked at each other and one of them grabbed your arm.

"'Let go of my arm!" You yelled, trying to fight back but to no avail. The other one opened the door to one of the cells and they forced you inside.

"I am your princess! You can't do this! Can't you hear me?"

They kept ignoring you, and locked the cell. You gripped the bars.

"Please, don't do this, let me out! Please!" Your voice was pleading this time, but it seemed to have no effect on them. One of them stood by the bars and the other near the stairs. You gave up begging, turned your back on them, and looked into the cell. It was almost the filthiest place you had ever been. The stone walls looked like weathered rock. The floor was dirty, dusty and filthy. You were so tired, that your feet were about to betray you, but you had no intention of sitting down or leaning against the wall, so you decided to cross your arms and just wait. You had never felt so helpless, not even when you were running away from Flavius in the woods. There was nothing more horrible than having your freedom taken away, the feeling of being trapped made your chest ache.

Before long, you heard footsteps echoing through the hall. You looked in that direction and saw the guards nodding to Macrinus. He had his usual self-assured look on his face, bowing respectfully to you as if he had done nothing wrong.

You went over to the iron bars. “Get me out of here at once!’

He gave a little smirk. “I'm really sorry about the poor facilities, my lady, but I am a little unsure that you'd behave yourself. After all, you have a very stubborn and determined temperament.”

You pursed your lips. “What's this place anyway? What gives you the right to lock me in here?”

Macrinus put his hands on the iron bars and observed as if he were seeing them for the first time. “This is where the gladiators stay. They get their first training at this school before heading to the Colosseum."

"Do I look like a gladiator to you?"

Macrinus laughed. "Of course not, my lady. Let's just say I'm playing it safe."

"Locking me up won't convince me of anything."

"Is that so? Hmm, maybe not you, but I think I could easily persuade your brother or your husband. They both care a lot about you after all."

You took a step towards him. "What exactly are you planning? As soon as you ascend to the throne, you will exile my husband, declare our marriage null and void, and force me to marry you?”

“More or less, yes.”

"That's not going to happen! I'm never going to marry you, not in this life, or the next!" Your voice bounced off the cold stone walls with a ringing sound.

Macrinus seemed serious this time. "Then you'll be stuck under home detention for the rest of your life. There won't be a general husband coming to your rescue, nor a foolish brother in hopeless in love with you either."

"Shut your damn mouth!" Your body was shaking with anger.

"I'm giving you one last chance, Aurelia. Think carefully. Once Geta's gone, I'll be the new emperor. And then you'll do what I want." Macrinus put his hands on the bars just above yours. "'I thought it would be better to exile Acacius for his heroism, so that would not provoke a public outrage, but if you try my patience and resist, I will make you watch him die in the Colosseum. I swear I will."

You swallowed, even the thought was enough to make your heart ache. "I am carrying his child, how can you be so heartless, so damned?”

"A child?” He laughed. “As a medicus I'm sure you can find ways to get rid of that.”

"Damn you!" You reached through the bars to hit him in the face, but he grabbed your hand. He made you put your hand on his collar. There was a marking on his chest.

"Take a look at this! Do you know what this is? It's your father's mark!"

You observed the mark. "Were you a slave?"

Macrinus released your hand and you pulled it back.

"I was, during your father's time, but I managed to get into the senate. He was a strong and powerful man, your father. A soldier, a dictator, and a tough opponent. I learned a lot from him, Aurelia. But I still couldn't gain his trust, no matter how hard I tried. Fortunately, his sons weren't like him."  He pointed his finger at you. "You're more like your father than they are. I realised the first time I saw you in Egypt. Look, no matter how much you refuse, you can't escape what's coming. I will get what I deserve."

"No, that will never happen. You will lose. No one will remember you."

This time he sounded angry. "I made you a princess! You got your title back thanks to me! How about a little gratitude?”

"I was planning to come here anyway. Vicius and I had been planning to travel to Rome together to find my true family. If circumstances had been different the rebellion hadn't broken out, and the Roman soldiers hadn't come to put it down. That night..." You took a moment to collect your thoughts. Despite the pain that these memories still evoke, you have learned to embrace them because they have led you to meet Marcus. "He had already told me everything, except who my father was. We were going to open the letter together as soon as we arrived in Rome. You only hastened the process.”

"Vicius," he said, sounding annoyed. He then took a deep breath. "I've had some success in this process, but also had a few failures, and that man is one of them. If he'd handed you over to me then, before Geta and Caracalla ascended the throne, things might be different now."

His disrespect for Vicius was unacceptable and made you even angrier.

"What about Gaius? Isn't he also a great failure of yours?"

"Well, not entirely. If he hadn't taken your father's letter to him as an offer to marry you, who knows, he might still be alive now. He was the one who caused his own death. It's in my interest for him to die if there's any chance of him ascending to the throne." He smiled, but then his face turned angry again. "But he's not the biggest failure or obstacle." He said as he approached the bars, his face was close enough to touch the surface of the iron bars. "Acacius. He's the biggest obstacle that needs to be removed from my path, and I'm going to make sure that I do."

You brought your face closer to his. "My husband, Acacius, will be the end of you. You can be sure of that.”

He put a hand to his chin as if he was thinking. "I am doubt about that Aurelia. Because you see, soon, he will be preoccupied with bringing Geta to me. And once he does, I will take your brother's life and that will be the end of your husband as well." He grinned. "My plan is working perfectly and I will get what I want."

"He is not stupid. He will not fall into your trap.”

“He has no choice. He'll do anything to get you back, I know that."

You knew he was right and you hated it.

"Enough talk. Time to take action." He turned towards the guard. "If there's any trouble, kill her."

You swallowed, trying to stay calm. He then bowed his head to you and headed towards the stairs.

As time passed, the atmosphere in the Curia Julia became increasingly tense. Marcus was at breaking point, and Geta was no different. As Octavius rushed into the hall, almost tripping on the stairs, everyone looked at him with curiosity.

"Sir, you need to come outside," he said to Marcus, keeping his voice low.

"Is something wrong?"

Geta stood up and walked towards them.

"What's going on?"

Octavius’ face was grave as he was about to give them bad news. He looked at the councilors and then at his general. "Sir, Macrinus sent a guard to speak with you..." Octavius looked down in distress.

Marcus frowned, wondering if he was about to hear what he feared most.

"What does he want? Speak at once!" Geta shouted.

Julia tried to calm the council members.

"Princess Aurelia..." Octavius exhaled a deep breath. "Macrinus has abducted her-"

Without even thinking, Marcus stormed to the entrance to leave the hall. Geta followed him, but his mother grabbed his arm.

"Your Majesty! You must stay here-"

"You do that!" he said, roughly pulling his arm away from her.

Marcus rushed down the stairs and, noticing the guard Octavius had pointed at, grabbed his sword and held it to the man's throat. The guard let out a little gasp. "Tell me where she is now!' He roared.

All the soldiers and guards tensed and gripped the hilt of their swords.

"General Acacius, Sir Macrinus is waiting for you at his villa." He said, out of breath, struggling to get the words out. "He also said that he wants you to bring Emperor Geta with you."

“How dare he summon me like this?” Geta shouted. "Acacius, round up your men, and let's move to take him out now, shall we?"

The soldiers looked at their general. Seizing the opportunity of Marcus' thoughtful demeanor, Macrinus' guard took a step back.

"Sir Macrinus only wants the general and Emperor Geta." He stated arrogantly. "If you care about the Princess, you'd better do as-”

Suddenly a schwing sound was heard and Octavius's sword severed his jugular, and he collapsed, tumbling down the stairs and staining the marble steps with his blood. They all watched him die with a deadpan expression.

"Why wait? We must leave now Acacius," Geta touched his shoulder.

Marcus shook his head. “No, he'll kill you the moment I take you there, I can't let it.”

"I'm flattered, general, but this is your wife we're talking about, my sister."

Marcus sheathed his sword. "I am aware, but we must act wisely. If we fall into his trap, it will be the end of us all, which is exactly what he wants us to do."

"So we'll just leave Aurelia in his filthy hands?"

Marcus gave him a deadly look. "Don't you dare speak like you care more about my wife than I do!"

"Then act like you do!" Geta barked.

“General Acacius! Emperor Geta!”

They both turned to face the man calling to them. A man in a black cloak, familiar to Marcus, came up the stairs and approached them. The soldiers tensed, but Marcus gestured to them that it was all right.

"Who the hell are you?" Geta asked, squinting at the man.

"I am Lextus, Your Majesty," the man said, bowing. He looked at Marcus and then back at Geta. "I have something very important to tell you, both of you."

"Man of yours?" Geta asked Marcus.

"No, he is a relative of yours, from Leptis Magna, didn't your mother tell you?"

Geta gave him a dirty look.

"Speak up, what's so important?" Marcus asked.

"We've been tracking Macrinus for a while and we know where he is."

"If that's what you wanted to say, you've come in vain," Geta said, pointing to the guard's lifeless body lying at the bottom of the stairs.. "That cunt Macrinus is already waiting for us to go to him."

"It's a trap, he's luring you into it, Your Majesty. The Lady Aurelia is not with him, she is elsewhere," he said, and as soon as he mentioned your name, Marcus and Geta's eyes locked on him. "We know where he's keeping her, that's what I came here to tell you."

Marcus grabbed him by the collar of his cloak. "How do you know? When did you see her? Speak at once!"

"The General asked you a question!" Geta demanded.

Lexus hadn't expected either of them to react this way, he had to take a breath to speak. "Praetorians with Macrinus' lead intercepted Lady Aurelia's carriage in the alleyway. We followed the carriage, which took us straight to Ludus Magnus. We saw Lady Aurelia enter with the guards, and I have men stationed there to keep an eye on things. We are unsure why, but we know some consuls are there."

Geta looked at Marcus. "Why would he take her to the damn gladiator training school? What is he trying to do?"

"Tell me, is Macrinus still there or in his villa?" Marcus demanded.

"He left a few hours ago, we believe he went to there."

"We need to get to Aurelia now!" Geta said.

"The guards will be watching us. If we head there now, they'll inform him. Or even worse, they might hurt her before we get there." Marcus said through clenched teeth.

"What are we going to do then?"

Marcus thought for a moment. He had to think fast and come up with a plan, but he wasn't sure what to do.

It was time to think strategically and take action. As a soldier and general, he was an expert in this. "We need to make some time," he muttered.

"So let's not waste, standing here," Geta whined, adjusting his crown.

Watching him, a plan came to Marcus' mind. "Your Majesty, we must take you to Palatine Hill immediately."

"Are you mad? Macrinus's men are all over the place. Didn't you just say so yourself?”

Marcus exhaled. “That's why we have to leave now. I'm asking you to trust me.”

Geta narrowed his eyes. "In the past, I wouldn't have trusted you, but now I think I do."

"You don't have much choice, after all," Marcus teased as they hurried down the stairs together.

Once Geta was in the carriage, Marcus called Aris over. "Head to the Field of Mars right away and let them know I've ordered the troops to assemble around Macrinus' villa. Try to be as stealthy as you can."

"Yes, sir." He said and quickly walked in the opposite direction.

"The rest of you, come with me," Marcus said. They all nodded and got on their horses.

Geta called out to him as the carriage was moving.  "Acacius, I hope you know what you're doing!"

He still didn't fully trust the other guards accompanying Geta, so he didn't want to tell him his plan yet.

"I need both your patience and your trust, Your Majesty."

"You've got both as long as you save my sister.”

Marcus felt his heart beating faster with worry. He really wanted to come and get you out of there as soon as possible. But he had to think carefully. He knew that if he acted without thinking things through, he might lose you. Besides, he had to be absolutely sure that he got Macrinus this time too.

The guards at Palatine Hill were surprised to see the carriage coming earlier than expected. Geta stepped into the courtyard with Marcus. He tried to take Geta away from the guards, however, two of them came over to them.

"General, we want to help you. We are loyal to the emperor Geta, you can trust us."

Marcus seemed unsure.

"They are in a dilemma because their commander has not yet been chosen, Acacius. Macrinus' side and mine." Geta explained.

"Yes, there are others outside who are on Macrinus' side, sir. But I'm not, and my team here are all loyal to you, highness.”

"You were always so keen to be a Praetorian," Marcus said, looking at the guard. He realised that he was his childhood friend.

"Do you remember me? I thought you might have forgotten." He gave a little smile.

"Yes, you weren't eager to join the army, so I didn't hassle you about it too much."

"I wanted to serve the emperor, General Acacius."

"I see," said Marcus, smiling back.

"I was really proud when I saw you become a general of Rome, you know."

Marcus nodded his thanks.

"That's very touching gentleman, but can you tell us what to do now, our glorious general?" Geta said impatiently.

"Cato!" Marcus called him to his side.

He came running at once. "Sir!"

Marcus put his hand on his shoulder. "We need your help."

Geta frowned. "Isn't that your squire? How can he help us?"

Marcus smiled confidently. "He has the same hair colour and the same size as you, your majesty."

"Excuse me?”

"We're going to confuse them. Could you take off your clothes and give them to Cato?"

Geta opened his eyes wide in surprise. "What did you just say? Tell me you are joking!"

Geta wasn't the only one taken aback. Cato and Octavius exchanged glances, clearly surprised.

Marcus let out a sigh. "He'll take your place, so we won't put you in danger."

"So this is your master plan, Acacius? You seem to have forgotten how clever that cunt is. Sooner or later, he'll figure out that your squire doesn't look handsome as I do." He said smugly. 

"It's not really a concern," Marcus said, grasping Cato's arm. "This buys us some time, at least. Until I get the Aurelia out of there."

They walked together to Geta's chamber. Geta grumbled the whole way but seemed to be convinced at last. Cato looked a bit out of place in the emperor's clothes. He glanced at them hesitantly. Marcus couldn't help but grin when he saw him in Geta's attire. Geta sized him up.

"Ugh, you look like another evil twin of mine! That is all I need!”

"Forgive me, Your Majesty." Cato said, bowing his head.

Marcus held out his hand to Geta. "Your Majesty, can you give me your crown too?"

"Gods above! This is disrespectful and unacceptable, Acacius!"

Marcus rolled his eyes. "It's just a symbol, an item. It has no significance. You don't need the crown to prove that you are an emperor, do you?"

“Huh, you just enjoy lecturing me, don't you?" Geta pursed his lips.

"We're running out of time here."

"Fine!" He gave his crown to him. Cato held his breath as Marcus placed the crown on his head.

"Hmph, if this won't work, I swear on Vesta's fire that I will punish you Acacius."

Marcus smirked in response.

Geta tugged fabric of his gown which made him look like a commoner. '"Whatever, let's get this done as soon as possible and then I shall drink wine until I get drunk so I can forget all about it." He refused to look at their faces as he left his chamber.

As they descended the stairs, Marcus touched Cato on the shoulder. "Keep your face hidden at all costs. Even if they can't see it from a distance, there's still a risk."

"I'll do my best, general."

Marcus tapped his back. "May the Gods be on our side."

And as they approached the entrance to the great courtyard, they put their plan into action.

"Your Majesty, please," Marcus gestured to Geta.

Geta pursed his lips and involuntarily pulled the deep black cloak further up over his head. The gate opened and Marcus approached the carriage with Cato who was in the Emperor's toga, covering his face as naturally as possible. Cato struggled and pretended to resist him. The guards waiting outside, watching them, did not seem to suspect anything. Marcus swiftly pushed Cato into the carriage and told the coachman to start the horses. He then turned to the guards.

"Lead the way!" He said to them. They kicked their horses toward in front of the carriage. Marcus and the others got on their own horses, following the carriage from behind.

The other guards, those who had stayed behind in the palace to protect the real emperor Geta, put on their cloaks over their armour. They were going to take him back to Curia Julia in secret. It was already pretty quiet, as everyone else had left to accompany the false emperor. As per the plan, Marcus must turn his horse around halfway down the road and head for the Domus Vectiliana (Ludus Magnus).

After all, they were acting as if they didn't know where you were, and leading Geta straight into Macrinus' hands which it was not. So the plan was working perfectly. A little later, Marcus glanced at Octavius, and turned his horse round, making the guards surprised. The carriage kept going forward. They looked at each other, unsure of what to do. Their leader cursed and called out to some of them.

"Go after the general! The others stay with me!”

Marcus looked back over his shoulder at the guards who were chasing him as he rode his horse at a gallop. There were five of them. He needed to get rid of them without attracting attention.

"Come on!" He challenged them, drew his sword and turned his horse. He had one of them in his sights. He aimed at his leg and lunged before he could draw his sword, and the man let out a groan and fell off his horse. They were getting closer to the streets.The others yelled and drew their swords, rushing to attack Marcus but he was quick to dodge the attacks of two of them and managed to knock them off their horses. He rode his horse into the alleys to get rid of the rest. People screamed and ran to get out of the way to avoid being crushed by the horses.

"Where the hell is he heading to?" One of them asked the other.

"I think he found out where the princess is! Go there and warn the others before he gets there!”

As soon as they said that, they were both struck down by arrows from nowhere and fell to the ground. Marcus turned and saw Lexus and his men. He stopped his horse and nodded his thanks. Then, without wasting any time, he ordered the curious people out of the way and kicked his horse forward again. Since there was no obstacle in his way, he should be heading to get to you now.

The minutes and hours passed by, and the pain in your legs became increasingly difficult to bear. And you gave up. As you sat on the floor in the cold, smelly, dirty cell, you played with the wedding ring on your finger. Your mind was racing with questions. Why wasn't anyone coming? Or is it too late for everything now? Marcus, Geta... Your heart ached. It was torture, waiting there helplessly, hoping for rescue desperately, unable to do anything. You suddenly felt a pressure under your belly, right where your womb was. You put your hands right on it.

"Ssshh, calm down, my little one. I know you've been through a lot, but hang in there a little longer, please. Your father will come to save us, I promise you. Take his strength, take his courage and hold on. Our little miracle. We will always love you and protect you. So please try to hang in there.”

All of a sudden, a few shouts and the sound of swords clashing came from upstairs. The guards immediately tensed up and gripped the hilts of their swords. You jumped to your feet, unlike them, you felt excitement. Your heart was filled with hope. The sound of the iron gate opening loudly reverberated off the stone walls, and a moment later you saw a guard rolling down the stairs with the deafening sound of his iron armour ringing in your ears. The guards immediately drew their swords at someone on the stairs. First, you heard his angry roar and then Marcus himself rushed down the stairs, kicked one of the guards, and pushed him against the wall. The other swung his sword at him, Marcus crouched and lunged and cut his leg.

"Marcus!" You called out to him cheerfully.

He looked at you and smiled, but the other guard lunged at him, waving his sword.

"Marcus look out!" You pointed at him.

He managed to avoid the lunge at the last moment and hit his opponent in the back with the handle of his sword, causing him to stumble. As he lunged at him again, Marcus drew his pugio and knocked his sword out of his hand with both sword and pugio. And with a really neat move, he cut his neck. The stone walls were covered in a red, rusty-smelling liquid. You ran over to the iron bars and grabbed them. Marcus wiped the blood from his face with the back of his hand and looked at you. He looked at you with an intense gaze, his brown eyes sparkling.

"My lady." He said in a soft, velvety voice. "Forgive me for being late." He reached his hand through the bars to touch your face. "How could he imprison you in such a vile place? Did he hurt you?"

You grasped his hand with both of yours and kissed it. "No, I'm alright, don't worry." You forced a smile.

"How can I not, my love? My beloved. My soul. My breath." He then let out a sigh of relief, stroking your chin with his thumb. "Thank the Gods I found you safe and sound." He then gripped the iron bars and jerked them angrily, cursing.

"That man has the key," you said, pointing to one of the guards lying on the floor. Marcus went to him, bent down, and turned his lifeless body to check.

"Geta? Is he okay?”

"He is for now. We don't have much time, though. We need to get out of here now." He took the keys from the man and approached you. He unlocked the cell, setting you free. You took a step towards him and reached out to hug him.

"My lady, there is some blood on me-" You wrapped your arms around him, resting your head on his chest. "...and I'm not very clean." He finished his sentence with a murmur.

"I don't care." You said, closing your eyes and hugging him tighter. You ignored the blood smearing your cheek from his armour and the smell of it.

He lifted his hand to touch your hair, but his hand was covered in blood. He clenched his hand into a fist and wrapped his arm around you, inhaling your scent without touching you. He then pulled back.

"Aurelia, we have to leave, now." His voice was firm.

You nodded and walked towards the stairs while avoiding stepping in the puddle of blood on the ground. Marcus noticed your nervousness and wrapped his arms around you, lifting you into his lap. You looked at his face as he walked up the stairs with you in his arms. He looked very serious and stern, and you could guess what he was feeling, and what he was thinking. It must have been hard for him to find you in a situation where he almost lost you somehow, and to fight to make sure that didn't happen. To kill someone every time, to have blood on his hands. But for Marcus, finding you safe and sound was enough, he didn't care about the rest. He walked through the countless guards lying lifeless on the ground and carried you out in his arms. You were angry that he had to kill them because of Macrinus. It was all his fault, so many people had died because of him so far. Marcus lowered you to the ground beside his horse.

"It may be a bit of a rough ride, but try to hold on, will you?"

You nodded. "I can manage.”

He smiled and moved the saddle back a little so you could sit on it. He then settled in front of you. You put your arms around his waist. Marcus took hold of your arms around him. "Hold on tighter, princess."

Even though you couldn't see his face, you knew he was smiling. He grabbed the horse's reins and kicked his horse forward. You wrapped your arms around him as tightly as you could. With each jolt, your cheek bumped against his back.

"Where are we heading now?" You asked.

As you passed the Colosseum, you noticed the sun was setting over the hills ahead.

"First, I'll take you to the Curia Julia."

You tilted your head to get a better look at his face. "I'm not coming with you?"

He raised an eyebrow and looked at you out of the corner of his eye. "No, Aurelia, I've got a few platoons of my soldiers heading to the area around Macrinus' villa. We need to get ready for the upcoming skirmish."

"You're going to fight the Praetorian Guards?"

He sighed, “I hope not. But if it's necessary to finish off Macrinus, yes.”

You swallowed, nothing was over yet. "Why Curia Julia?"

"Geta is there with the other consuls. The rest of the guards will be guarding them. It's the safest place for you right now.”

Marcus pulled up his horse near the stairs of the Curia Julia. He dismounted and then led you down. A few of the guards came over and nodded at you.

"If there's any trouble, make sure you keep Princess Aurelia and Emperor Geta safe." He spoke to one of them in a firm tone.

"We shall protect them with our lives, general! You just finish him off!" The man put his hand on his chest. "Vae victis.”

Marcus replied. "Vae victis." Then he mounted his horse quickly and looked at you.

"Come back safely!" You said, looking at him.

He nodded and turned his horse around, kicking it forward. You watched him leave until he was out of sight.

"This way, my lady," the guard said.

You felt abandoned as you climbed the stairs with him. Soon you heard a familiar voice.

"Sister!" You looked towards Geta's voice and your eyes widened in surprise. He was wearing a black cloak over regular attire. And what's more, he was in an official building like the Curia Julia with it.

He hugged you and pulled back to look at you. "I was so worried about you, are you alright?"

You nodded your head, it was a little strange to see him like this. "What happened to your fancy toga and crown?"

"Your husband's ingenious plan." He said, rolling his eyes. "Come, rest inside. Your face is as white as marble." He put his arm around you and pulled you inside.

As dusk fell, Marcus was urging his horse to a rapid pace, hastening towards Macrinus' villa. What he saw coming down the hill wasn't quite what he'd expected. His troops had already arrived and it was clear that a battle had taken place and probably been won, but Macrinus was nowhere to be seen.

"General!" One of the soldiers recognised him.

Marcus looked around and noticed Cato in the distance, who was wounded near the carriage ahead. Felix and Aris came over to him. "What the hell happened?" He asked them.

"Sir, the plan worked, but Macrinus wounded Cato and then they attacked us. We managed to kill them all, but unfortunately, he escaped and we couldn't stop him."

"How do you mean he escaped?" Marcus’ voice was like a roar.

"Octavius and a few soldiers went after him, sir."

"Which way did they go?"

"That way," Aris said, pointing down the hill.

"I'll go after them. All of you gather around at once. Take the wounded ones to the Field of Mars."

"Sir, what about them?"

Marcus looked in the direction he was pointing and saw the members of the senate who were loyal to Macrinus. They were looking at him with a look of concern on their faces.

"The rest of you, take them to the Roman Forum and wait there for my arrival." He said, looking at them from a distance. "Can you confirm that the other troops are still controlling the entrances and exits to the city?"

"Yes, sir. The city is currently sealed off."

"Good." He said, pulling on the reins of his horse, which reared up with a loud neigh. "Make them assemble at once and get moving!" He commanded.

As he rode, perhaps faster than he had ever ridden before, determined to catch Macrinus at any cost, he realised that he missed his horse, Dromos. He promised himself that when all this was over, he would return home and see his old friend again. And then he could go out riding with you again. However, at the moment, he just had to focus on finding and getting rid of the source of all his recent problems. Before long, he heard the sound of swords clashing, so he rode towards it. He saw his soldiers and the guards were fighting, but they seemed to be getting along.

"Octavius is following him, sir!" a soldier pointed ahead. Then he killed the guard he was fighting, and he jumped on his horse to follow his general. The other one did the same too.

Marcus was soon excited to realise that Octavius was running after Macrinus on foot. He was very close. Marcus called out to the soldiers behind him.

"Block his way!”

They did as he said and rode their horses around either side of Macrinus, to block him from going any further. He realised this and started running backwards. Marcus seized the chance and leaped off his horse to capture him. They ended up rolling on the ground together. Macrinus tried to fight back, but he was so tired that he gave up and collapsed, taking a few punches to the face from Marcus in the process.

The others walked towards their General. All of them stared down at the panting, treacherous, sixty-year-old dark-skinned man. Marcus drew his sword, Macrinus cursed, crawled back. But Marcus did something that even surprised himself. He thrust his sword into the ground right next to Macrinus.

Octavius touched his shoulder, "Sir." There were a lot of questions in his tone.

‘We're heading to the Roman Forum. Bring him along."

The soldiers looked at each other, confused.

"But sir..." Octavius protested.

"This cunt must be punished by the emperor Geta himself."

Macrinus gave a hysterical laugh, but it was clear he was upset with that decision.

"You don't deserve a painless death," he said, looking at him. "I'm sure the emperor has far more creative ideas for you."

The atmosphere in the Curia Julia was palpably tense, with everyone visibly anxious and on the brink of exhaustion. The noise was unbearable and it was giving you a headache. But Geta was determined. He had no intention of sending anyone home yet. This will be solved today, he said. He made you sit in the imperial seat that belonged to Caracalla, since you were exhausted, you didn't object, despite Julia's glare. Furthermore, it was clear that the Consuls had other matters to discuss, and did not care the fact that you were sitting there. Fortunately the murmuring of the crowd was soon heard outside, and everyone turned their heads in the direction of the footsteps approaching the hall.

Your heart pounded with both excitement and nervousness. You felt immense relief when you saw Marcus a short while later. Geta leapt to his feet and looked at him, his eyes wide open. Since you focused on Marcus' face and only later realised who he had brought to the middle of the great hall. When Macrinus fell to his knees on the floor, the consuls first looked at him in astonishment and then started shouting.

"Traitor!"

"He should be beheaded!"

"Throw him from Tarpeian Rock!"

Geta raised his hand and they all fell silent. You and Marcus looked at each other from a distance, wondering why he hadn't killed him. However, he was in a good mood and you were grateful to finally see his sincere smile.

"General Acacius." Geta called him. "On behalf of the Roman people, I am grateful to you for capturing this traitor and bringing him before me, before the Council. He will be judged here, before Roman law, and his final sentence will be given. The council is now in session."

"Your Majesty," someone stated. "I am afraid a council session is not yet feasible in these circumstances. Since your crown is absent and the attire you are wearing is not fit for this occasion. Furthermore, I must point out that it is inappropriate for two women to be present at this time. I demand that the necessary conditions be imposed."

And they all murmured, some agreeing and some objecting.

"Denied!" Geta said firmly. The man frowned and sat down. "Even without my crown, my true identity remains unchanged. Also, the women you are referring to are my mother, your empress, and my sister, your Princess, Aurelia."

Marcus looked at him with a confident half-smile. You could see the pride in his look.

Geta continued. "If there are no other ridiculous objections I will continue. You have all been waiting here all morning, so I will formalise things for the sake of Rome before I tire you out any further."

He silenced the murmurs and continued. His speech took everyone by surprise, including you. At the end of the session, the verdict was reached: Caracalla was declared a tyrant, and all his decrees, orders, wills, and other belongings were declared null and void. Macrinus tried to object several times, but no one dared to stand up for him or support him. Now it was his turn to be punished.

"He was really into training these gladiators and investing in them. Then I'd like to give him a fitting punishment." Geta said with a grin. Then he turned to him. "You will be thrown into the Colosseum, along with the rest of your followers. Your fate will be decided by the gods and the people of Rome." He looked at the guards. "Now get him out of my sight, I don't want to see his ugly face anymore."

Ignoring the pleas of the councilors who had helped Macrinus, Geta closed the session and everyone began to murmur once more. He came over to you, a big grin on his face.

"I can't wait to see that wretched Macrinus in the Colosseum tomorrow!"

You smiled in response. "You did well, brother."

He smiled widely. Marcus approached you both. Geta looked at him.

"Acacius, I'm surprised you didn't kill him, but I'd be lying if I said I wasn't glad. It'll be fun tomorrow!" He said, clapping his hands. He winked at you and then went over to his mother.

You looked at Marcus. "I think it's finally over now. We can rest easy, can't we?"

"Yes, my lady," he said, holding your hand. "It's over now.”

You just stared at each other for a while, speaking through your eyes. The councilors left the hall, murmuring, while Geta and his mother had a brief argument. All of this faded into the background for you.

"Looks like we'll be spending another night on Palatine Hill."

Marcus smirked. "One last night. Then tomorrow we'll be heading back to the villa, our home."

You smiled. "Thank the Gods. I miss our home so much."

"I know, me too. Shall we leave now? I need a good bath, and as my wife, you can help me, can't you?" He smirked.

You lifted your head to whisper in his ear. "Anything you wish, my love.”

You arrived at Domus Severiana in the late afternoon. As soon as you stepped into the courtyard, you ordered the slaves to prepare the balneum for you two.

The stone walls of the balneum were softly caressed by the soothing steam of the hot water, while a variety of flowers floated on the surface, their sweet scent creating a tranquil atmosphere in this spacious bath house.  Marcus was in the water, his head thrown back and his eyes closed. You were right behind him, running your slender fingers over his flesh, rubbing his arms and shoulders, helping him to recover from the fatigue of the day.

"Your healing touch has refreshed my body and soul," he murmured. Then he took your hand and brought it to his lips, his collarbone, his chest, running it all over his body. Then he turned towards you, his movement causing some of the water to spill over. You swallowed as his eyes traveled over your naked body, your heart racing with excitement. He reached out for you, grabbed you around the waist, and pulled you into the water. "Now it's my turn to touch you.”

This time the water overflowed, and a lot of the flowers on the surface ended up floating away.

You giggled as Marcus ran his lips along your neck to your collarbone. "You meant to touch me with your lips? But I am in the water, so how are you going to touch the rest of my body I wonder?" You asked playfully.

"I sense a challenge." He murmured, his warm breath brushing against your collarbone. "I shall accept." He then grabbed your hips and lifted you, placing you on his shoulders. His head was between your thighs, your heels touched his back. You moaned with pleasure and laughed as his lips touched your folds. Your back arched instinctively as you felt his tongue in your most sensitive spot. You gripped his grey hair tightly with your fingers.

"Marcus! I am going to- ow!"

"Isn't it too soon, my love?"

You looked down at his face and saw that he was grinning.

"No, I meant to say that I'm going to fall, not come.”

He pulled his head back, supported your back with one hand and lowered you down onto the edge of the tub. "I've been a bit busy, I must have misheard." He grinned again. Without getting out of the water, he pulled you closer and continued where he left off. He stuck his marvellous tongue out and licked your most sensitive spot. You gasped and hitched your legs around his head, drawing him closer. He rolled his tongue up and down as he used his hand to probe at your lower lips. His beard tickled you as your breathing quickened. Adrenaline flooded your body as your pulled on his hair, bringing him closer, as he sucked and consumed you mercilessly. You bucked into him and he responded in turn with a little nip. You threw your head back as you gasped once more, feeling like you were losing your mind. Shaking, sweating, your entire body pulsed with pleasure as you clamped your legs around him.

You moaned loudly. "I am definitely coming this time!"

"Come for me, my love. Let me taste you.”

And immediately after his command, you came with a loud moan. Marcus kissed your belly and grabbed you by the hips, pulling you into the water. He kissed you on the lips with great passion, you wrapped your arms around him. The water made everything a little slippery, but Marcus was determined to grip your hips roughly, puling you closer. You wrapped your legs firmly against his waist, feeling his need press against you in the most delicious way. You couldn't stop your moans with each and every thrust and neither could he, and you began to feel him deeply inside you, he thrust deeper and deeper, pushing you both closer and closer to the edge. He grabbed your hair, gathering behind the nape of your neck and pulling your face closer, claiming your mouth with his teeth and imploring tongue. And you came for him once more, moaning into his mouth. He then reached his climax right after with a groan.

Breathing heavily, you slumped in the tub, he was holding you close, kissing your chin then beneath your ear. You listened to the peaceful sound of water echoing off the damp walls until your breathing calmed. Without pulling out, he wrapped his arms around you and you rested your head on his shoulder. Once your both breathing and racing hearts had calmed, he stood up and led you out of the tub too.

On the following day, the capital of Rome was on the brink of witnessing one of the most momentous days in its history. The Council's decision, Geta's proclaiming absolute emperorship to the entire populace, was followed by the announcement of the execution of the traitor Macrinus and his supporters in the Colosseum.  As the sun reached its zenith, people were making their way towards the colossal structure, engaged in quiet conversation.

The emperor's carriage soon arrived near the Colosseum, where the people greeted Geta with great enthusiasm. You and Marcus were in the other carriage, which you got out of together and waved to the people who were cheering your name. The trumpets were blown, and as you walked towards the Imperial tribune, the announcer called out Geta's name. Everyone stood up and cheered him enthusiastically.

“Caesar! Caesar! Caesar! Caesar!”

Geta raised his hands and gave them the salute, then turned to you and held out his hand. And then they announced your name. You took Geta's hand and stood next to him.

"Princess Aurelia!"

The crowd clapped and cheered even more enthusiastically. You placed your right hand on your chest and saluted the crowd. It was then time for Marcus's name to be announced.

“General Marcus Justus Acacius!”

The crowd roared his name over and over.

“Acacius! Acacius! Acacius! Acacius!”

Marcus gave them a smile and a salute in return. Caracalla's seat has been removed and two seats have been added on either side of the emperor, as per his orders. At Geta's gesture, you took the seat next to him, and Marcus sat next to you.

And the trumpets sounded again. The announcer cut them off and carried on:

"For his treachery against the life of the Emperor and the Roman Empire, Marcus Opellius Macrinus is declared an enemy of the people. He has been stripped of his membership of the Senate and all those who aided and abetted him will bring to the arena in chains today, to face judgement, your judgement, people of Rome!"

When the iron gate sprung open, Macrinus and his supporters were brought into the middle of the arena in chains. The crowd booed them.

"Traitor! Traitor! Traitor! Traitor!"

The Announcer called the crowd to silence, listed his crimes one by one, which Macrinus replied with a smug smile.

Crowded roared. “Kill! Kill! Kill! Kill!”

Geta stood up and went over to the balustrade. But then he glanced back at you and beckoned you over. You looked at Marcus and stood up, grabbing his hand and pulling him along with you. He didn’t resist and followed you.

"What do you think, sister? Mercy?"

All three of you were looking at Macrinus. Julia, who was watching you from behind, seemed angry with Geta for not calling her mother to his side. She crossed her arms and made a face.

Looking at Macrinus from a distance, you shook your head. "No mercy." You said firmly.

Geta smiled and looked at Marcus. "Acacius?"

"Having mercy on the traitor is a betrayal to the innocent!" Said Marcus without taking his eyes off Macrinus. You smiled and held his hand, he was so right.

Geta put his arms up. "The gods have spoken!" And then he lowered both hands down. The executioner nodded and separated Macrinus's head from his body in a single stroke.

The crowd cheered. It was the first time you'd ever felt so relieved that a man was dead. Marcus let out a deep sigh, feeling the same way. When it was the turn of the other traitors, they shared Macrinus' fate too. Marcus leaned towards Geta. "Speak to your people, Your Majesty, show that you are a true emperor. They need it."

Geta looked at him, then nodded. He took a deep breath.

"The people of Rome! I promise you that from now on I will restore Rome to its rightful glory! During my reign, there will no longer be any Romans who are hungry or poor. I pledge that no Roman rights will be infringed upon, and that all will enjoy equal conditions. I promise you, as your emperor, that I will strive to make Rome the greatest empire in the world!"

You and Marcus looked at each other as the crowd continued to cheer and applaud, their enthusiasm growing. This was precisely what you had hoped to hear. It seemed that the people were also pleased. You admired Geta's personal development and believed with all your heart that he would do what he promised.

Now it was time. It was time for you and your husband to return to your home in peace.

did you like my new style of fiction i mean with pictures? comment, if you did thank you, your reblogs, comments, likes are soo important to me so please if you enjoyed, support me thank you..

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[tea-tuesday]

this is the first time using a hobonichi weeks and i'm really enjoying it!! many a thoughts below......

i bought my 2025 hobonichi weeks planner a few weeks before it started so i decided to experiment with layouts and styles in the back for the last few weeks of 2024. you can really see the evolution from the week of Oct 28 to the week of Nov 18, e.g., how i went from one highlighter color (purple) to a whole system that i'll be carrying into 2025 :))) the colors i chose for the week of Nov 11 were so ugly that no one will be seeing that lolol. one issue is that i still don't know what to do with the empty page on the right side. i did a reflection on nyc one week but i'm not always in a reflective mode (i also do reflections on my life in my vent journal). i tried the alastair method but it usually takes me multiple weeks to complete a task. it was still helpful to see what i eventually need to do so i think the right side will be a very fluid system that changes based on my needs week-to-week. for now, i've been keeping an ongoing "interest log" and writing down quotes and poems that speak to me that week. i might implement a mini habit tracker too since i'm not great at maintaining my daily habits

my "aesthetic" goal for 2025 is for my planner to look as used and loved as possible! i'm not much of an artist nor a memory keeper (i have my 5-year planner for memory keeping) and i don't like keeping receipts but i made a better effort at preserving cute stickers and things from cafés and bookstores and other places (but only if i think they look good hahah). i also want my stickers and washi tape to look cohesive but it's a little hard for me because i operate on vibes (both artistically and generally) and never took any art classes or anything so idk if anything will look as "aesthetically pleasing" as i want it to. the only thing that saves me is my neat handwriting. but! my ultimate goal is to not be so hard on myself about how my planner looks since it's meant to be a functional tool. i do think i'm doing a good job on keeping it true to myself and my life 😎

anyway that was my ted talk and thank you if you made it this far!! qs for anyone who wants to answer: what is your 2025 lineup? are there any things you're bringing into 2025? what's your planner philosophy? i'd love to know !

[livingsurreal]

More thoughts and theories about our favorite Necromancer

My darlings, I have too many thoughts and my obsession is running wild. (How I missed you, hyperfocus). If you have read my last meta post about our Emmrich, here it is: First Meta Post

That is not a required read however. I am still wondering why anyone is reading my word vomit U_U

Anyway, I love reading other peoples theories, so please, send me yours. <3 And a lot of thanks and love for all you darlings who make this fandom such a beautiful and nice place. Especially to @jaal-ama-daravv - who makes the most beautiful videos, and writes such wonderful character studies.

Warning, from here on there will be spoilers as well as mentions of sex. If you don't want to read about any of that, do not read the rest.

Also pictures and way too many words. This is a ten page word document, save yourself while you can. I tend to go off on a tangent once I start writing. I am also well aware that not everyone will agree. This is just my personal read on Emmrich.

Now, after my first essay I have some more thoughts on Emmrich and Rook and specifically their intimate relationship.

Emmrich is such an interesting and baffling contradiction. On the one hand he is confident, self-assured, all manners and poise. He is smart, and he knows it. He has special gifts, and he knows it.  He is confident without being proud. He likes to teach others without being arrogant. He still likes to learn about new things and is, as far as I’ve seen, never judgmental about different beliefs and ways of life. (Unless someone treats him with disdain or bully him)

He is a man who is confident speaking of his thoughts and feelings and fears. How he just casually drops his thanatophobia is just astonishing. He is honest and open-minded in the best ways.

And then there is the other side of him. The wet kitten side of him. As open and honest as he is about his emotions, when we get to the meat of it, to the scary bit, the real feely bit, he locks up completely. As long as it is surface level (or he can pretend its surface level), everything is up for discussion. But once we reach deeper and touch *love* he gets so scared and refuses to admit and commit to his feelings. And as much *death* scares him, love scares him more.

So how does that influence his intimate relationship with Rook?

According to the banter with Lace “everyone knows about it”. He was rather surprised by that.

That tells us two things:

They were trying to be sneaky or at least keep their private business private.

They failed, massively.

Add to that Laces comment about them moving rather fast (when, where? I would have loved to have seen that. Comments like that just give me the feeling that we should have had some more cutscenes after the dinner date, to show us those two besotted fools).

But back to them moving rather fast. I would guess that they both did a lot of gazing lovingly at each other, blushing, spacing out while watching their darling, stollen kisses in the hallway when they thought no one was watching, stuff like that. Just being to besotted fools.

But moving fast usually includes sex. Lots of needy, sweaty sex. The inability to keep their hands of each other.

That moves us to the question of the day – did they have sex before their coffin time?

Let’s look at what we know about Emmrich. Emmrich is no virgin. That man has experience. He had past lovers. But what he tells us at that sweet diner date – “nothing serious for years.” We know not much else besides his crush on a boy in his youth and his fling with the Orlesian Art Lady. He is not someone to kiss and tell and that is appreciated. That man has class, and we love him for it.

So - nothing SERIOUS for years. If he hadn’t had ANY relationships in the past years, he would have said so. But what he says is that he did, in fact, have UNSERIOUS relationships in the last few years.

I would read that to be somewhere along the “fwb, lovers, affairs, paramours, companions, a fling, a little romance” line. Something not purely, but mainly physically driven. Someone you like and respect, you can go out and have a good time with, have lots of amazing sex with (b/c he is a living being and has his needs). Spending time with people he liked, was sexually attracted too, but nothing as serious as love. A physical relationship. A little thrill, some fluttering, but never that deep.

Not to say that those situationships would not have been romantic. He is (buried under all that resignation) a deeply romantic man. I am pretty sure he went on nice romantic dates with his previous paramours too. That this is something he just enjoys too much. Treating a companion with some quality time, not just in, but also out of the bedroom.

But after he’d given up on his dreams, he did not have any notion of those flings being more than a “enjoy the moment”. There was never the expectation of deeper feelings, beyond friendship, attraction and/or respect. All those romantic gestures were nothing more than a little bit of “play pretend”. To give himself the illusion of true romance, just for a little time.

Take the fact that you can go a “everything you do is creepy but I still flirt with you and I want you to throw me over that tombstone” and his comment on “the attraction of the forbidden”? This is not a relationship born of mutual respect and deeper feelings but out of purely physical attraction. And he is OK with that.

I want to repeat – Emmrich is very much okay with a casual, sexual affair. He does not require love to have a relationship with someone.

And then think about that Johanna calls Rook specifically his “paramour”. Which is a lover, especially an illicit one. This word was very specifically chosen by Johanna. For various reasons, I would think.

For one, I do believe that it is a dig at his dreams of the eternal flame. It’s a dig at him, that Rook is not his love, but his paramour. A lover for a time. To be parted from soon enough. B/c that silly dream of his, as if it ever would become reality.

Second, I think it is a comment on the way his relationships often went, especially in the past years. Those unserious flings of his. Never to amount to anything substantial.

Did he try to have something serious in the past? Oh yes, for sure. But it never worked out. Then he gave up his dream and just let himself have a good time with people he found to be nice and attractive.

To pick up my point of self-sabotage from my last meta post – I’ve come to a point where I believe Emmrich is a kind of chaser. I know someone like that and it’s so fucking tragic.

Emmrich feels deeply and strongly. When he falls in love with someone it’s a lot of emotion. But at that point it’s all dream, want, wish. As soon as someone returns these feelings - those dreams, wants and wishes become reality. And reality is scary. In this wishful dream about the eternal flame, there is no fear. No fights. No loss. But that is not reality. As soon as it becomes reality, he gets scared. Before, his feelings were no threat, because you can’t lose what you don’t have. Once those feelings are returned, there is a clear possibility of losing, of being lost, of being left behind.

Emmrich is not a chaser because he enjoys the hunt. He is a chaser because being loved by someone is scary. So damn scary. So, he starts to pick fights and is looking for excuses. From being the chaser, he becomes the chased. He is hunted by his fears, and his fight or flight instincts go all flight.

After years of this cycle he gives up. Resigns himself to flings and little romances without even thinking of more. Or so he thinks. Dreams like that don’t die, they just get buried.

And I’d think that there was not many, even of those short term flings, lately. His life revolves around work and Manfred.

Now remember he comments on Rook “showing unexpected interest in a new companion”.

First of all – unexpected.

They are a daring adventurer. He thinks of himself clearly as the more boring one, compared to Rook. He never expected any of those flirts. But he is clearly flattered.

Second – companion.

That was such a weird way of saying “hey do you like me?”. This whole “companion” thing does not scream “I have FEELZ for you/you have FEELZ for me” but rather, “I think you might want to spend some quality time with me”.

The possible answers - dashing good looks, kindness, his way of words.

He feels he is fortunate if Rook thinks him good looking. Hallo, Mr. Professor, sir… Have you looked in the mirror lately? Consider that he is meticulously grooming himself, takes his exercises daily in the morning. That man does not like himself aging. I think it is a reminder of how his pending death is a step closer every day. But it shows, to him, that his efforts of taking care of himself are not in vain. Or maybe it shows him that his age does not matter. Rook finds him attractive despite (or because) of his physical age.

Rooks comment on his very charming way of putting things makes him hope his years behind the lectern have proved useful. Hey *years* behind the lectern. Again, this is a way of saying his age is NOT a problem but a benefit.

If Rook remarks his kindness, he answers “you humble me”. It’s the one answer that does not touch his age/experience/looks. It’s a remark on an innate character trait he possesses. Kindness. His whole demeanor in this option shows he is actually touched. And maybe a bit baffled. He did not expect this, at all. Its like he sees his kindness not as an attractive trait. Which he should. He is nice without TM and its sexy as hell.

The next part is his statement “If your attentions go beyond charming flattery… that would interest me, indeed”. This reads to me not necessarily as “do you have feelings for me” but as “do you just enjoy the flirting, or do you want to do more than flirting?”

And oh boy, does he want to do more than flirting. I want to repeat my earlier statement – this man has given up on love. But some little fling with an exiting young adventure who was constantly, awkwardly flirting with him? Hell, yeah.

(I want to remind you that we were able to have mutually enjoyed flirts with Dorian as fem!Inky. You can flirt with someone and still never want to fuck them. And you are also perfectly able to want more than flirting without having deeper feelings. Like sweet, dump Shepaloo said it so eloquently “Lets bang, okay?”)

Again, I want to pick up a point of my last post, that this is all surface level thoughts. I do believe that their emotional attraction and depth of feelings go deeper, from the start. But how often does it take quite a bit of time to realize one’s own feelings. Especially this wonderful, silly man whose modus operandi is running away.

Now, an interested Rook can answer in an open “lets see where this goes” way. Mirroring his rather open idea of a little romance, a fling, some quality time. Something that does not have to end in an eternal flame, but a simple enjoyment and exploration of the moment.

Rook can also reply with a “I think they do.” – What Rook actually says is “I think they already…”

And conveniently Rooks answer here is cut short by our sweet boy Manfred. They get cut short, no matter what answer you choose, but in this specific case, I am convinced this was very much on purpose. What would the whole sentence have been?

“I think they already go way beyond flattery.” (?!?) Something along those lines. But that goes into danger zone. WAY into danger zone.

If Rook had finished that sentence, at that point in their budding romance? It would have been over before is all started. Too much, too soon. Too much for him, period.

Now we have the hard lock – their sweet romantic moment in the Memorial Gardens. And he is smitten. He fell hook, line, and sinker for his own play pretend. Just a little romance, but that man is falling, fast. (Not that he would admit that to himself).

A beautiful date, all arranged by Emmrich, to spend time with Rook. Because a couple should have a quite moment to get to know each other. I mean there were menu cards with gilded edges, ffs. And, oh yes, they were “lets dig into the feelings”, he said couple. He is falling, falling, falling fast. But it still hasn’t hit him, how deep he has fallen for his darling Rook. Poor Emmrich.

Then a fight, where we really see the wet kitten side of him for the first time. A little wet, feral kitten, hissing at the hand that’s trying to feed it.

Emmrich is lashing out for no good reason (or no good reason for anyone but himself). There is no real confidence there but a desperate act of pretending. An iron (slipping) grip, trying to control himself and the narrative. Shoulders squared, back straight, an arrogant stance, raised chin, turned half-away from Rook, and a condescending way of talking to Rook.

Like I said in my last post – he is working his way up to breaking up with them. And he tells himself it’s like ripping off a bandaid. Be strong and confident and say what you have to say, and they will see the wisdom of that.

It’s only that, they don’t. Because there IS NO wisdom in what he is doing right now. They don’t take his bullshit but throw it back at him. They don’t accept his mock excuses.

Look at him here, how he looks down ON them. I can’t recall any other time he looks down on Rook, despite him being a tall king.

Especially the route where Rook throws it in his face that he DOES in fact love them. Speak what he can’t even think.

“I can’t… At my…”

“I can’t love you. At my age…” Why not? Does he not deserve love, just because he is a bit older? It’s just heartbreaking how he views himself.

And again, he lashes out.

“I am perfectly serious.” So is Rook.

“One of us has to pay attention to these things.” As if Rook is not paying attention. They got to the meat and bones of his problem in just a few seconds.

No matter what route you go here, the gist is the same. He is scared shitless, treats Rook like a child, and goes on how the is the only one thinking the important thoughts.

When Rook in reality way ahead of him. They thought about it and came to the conclusion that being with Emmrich is a really good idea.

Rook knew they were falling for someone older than them. (Even if that age difference is just a decade, with a mid-40s Rook.) They knew it, and still went with it. They are not a child who is too inexperienced and stupid to make decisions about their (love) life.

But now, here, at this moment? Emmrich treats them with disdain. Like a silly little person, who does not think things through. He holds himself above them. Physically and mentally. They are too young, he knows better.

And not once has he done that before. He always treated them as an equal. He follows them into the most dangerous situations ffs. He trusts them with his life in a fight against would-be gods.

All that fear and anger at himself that reaches a new high get redirected at Rook.

The next day they are off to Tearstone Island. That night must have been hell. For both of them. But its going to get much much worse.

In any case, Emmrich seems to have come to some conclusion or realization, because on that island? He apologizes.

They both did react very emotionally, but he came at Rook with superiority and, to a certain degree, dishonesty. All fueled by his fear. So that he is the one to take the first step and apologize to Rook instead of doubling down? An important step. As I said in my last post – he NEEDED to be called out. A sweet and nice counterargument would not have had the impact Rooks raw an honest emotion hat on him.

Emmrich “Rook? Darling? I wanted to say-“

Rook “Yeah, about that argument…”

Emmrich “(Sighs) It’s no time to apologize, is it?”

And here we have the most heartbreaking line, in hindsight. “We’ll talk back home, Emmrich. I promise.”

(Narrator: but they would, in fact, not talk about it back home. Because someone would not go home.)

One fight and weeks of horror later, they find themselves in a private crypt and finally they do more than share a kiss.

Now - to the point I originally wanted to explore with this post – is this in fact their first time? (I am sorry, but my brain is a circle and nothing makes sense)

Let’s look at what evidence we have from the cut-scene.

Rook did not know he is an early riser.

That leaves two possibilities:

They never had sex up until that point.

They did have sex, but never spent the night together.

Now what does that mean?

This depends a lot on your personal Rook and how they feel about sex in general. If Rook wants to wait, or is not ready, he will absolutely accept and respect that.

But for the sake of this analysis lets go with the idea that Rook is not opposed to sex at an earlier date.

They never slept with each other

Why? He clearly was not opposed to casual relationships in the past. What would hold him back now? Especially if you recall Laces comment about them moving fast. Why not jump into the bedroom?

Now my first crack theory is that they get interrupted, like every time. (Rook interrupted The Dread Wolf, and now he cursed them to always be interrupted when they want to have some private time)

But now, in all seriousness, maybe it’s just that part of him DOES realize that this goes beyond a very unserious relationship. That they both have deeper feelings, that spark of something greater, something beautiful.

So, he holds back. He does not give his all. He is charming, he is flirty, he takes Rook on dates. But it’s all very technical. Very performative. Yes, he is a very romantic man, yes he enjoys those moments. But there is always a feeling of control.

Those moments when you see him let go a bit (that kiss beneath the eternal lovers, “I think, sometimes you indulge me”), are so beautiful and you glimpse a bit of the man behind those walls.

He has a tell, you see. (I am telling you about it further down)

But generally, he feels very much in control of himself. And to lie with Rook? To go all the way? Too dangerous. Who knows what happens in that sweet moment after la petit mort? What secrets would his lips spill?

2. They slept together, but did not spent the night together.

They do have sex, but sleep alone in their own beds. Casual sex is fine, but to fall asleep in each other’s arms? Too much. Too real. Sex okay, but sleepy post coitus cuddly? Woah, slow down your horses.

So, they have sex, preferably in Rooks bed. First, does he even have a bed? Second, it’s way easier to leave Rooks bed after the act, than throwing them out afterwards.

Oh, and how many reasons he has. Rook needs their uninterrupted sleep; they are stressed and must have proper rest. He wants to get some reading done before he retires. He needs to look after Manfred.

Oh, he is a bad liar, for sure. He is lying more to himself than to Rook. I would think that (if this is the build up to their fight) Rook realizes that he is giving poor excuses.

And the sex itself? A technical 10/10. He knows his anatomy, after all. But his heart is not really in it. He can’t allow himself to. He holds back, keeps a tight lid on his emotions. They both are well spent afterwards, but like so much else, it’s performative. Technically very well executed, but rarely do you see HIM, the real him, behind all that performance. Whenever something slips through, he reels back and closes up.

And then we are in that crypt. Rook was gone for weeks. The last thing they said that night before were words of anger. Rook called him out on his feelings and from that point on there was no possible way of lying to himself anymore. Those feelings were there. They were real. Rooks feelings were real. And those weeks spent in desperation, trying to  get them back? Those walls came crashing down.

His true face, when all the walls are gone? You see that face when Rook leads him to the coffin. There is no pretense anymore. No performance. Just him, and all his love for Rook. The amount of emotion the animation team packed into those short moments in the cutscene? Mindblowing. Who ever crafted that expression on his face? They are the GOAT. I watch this part of that scene on repeat, and it never gets old.

So, I told you about how he has a tell, yes? Okay, two actually, but we all know surprised pikachu Emmrich. In that last scene it is resolved in the most beautiful way.

He looks down, when something touches him deeply, when he goes into his feels.

A few (way to many) examples:

And the worst wet kitten look? After the fight, when Rook leaves.

Its a look of shame. Of hurt. This man is hurting so badly.

Now here at the end we have that moment when Rook leads him to the coffin. His face turns down, like before. But here he looks up at Rook. He does not turn his eyes away but looks directly at them. Ahhh my heart.

Now, think about the fact that ROOK is leading in that moment?

In those moments where Rook leads or startles him (or is simply annoying enough so that the truth slips out), you see the most emotion from him.

Rooks flirting startles him, and he has a pikachu face reaction every time.

Their first kiss? Rook leans against the monument, and leans up, telling him without words that NOW is the time for a kiss. How can he not go for a second kiss?

That moment when Rook calls Manfred “our son”? He very conveniently ignores the word “OUR” and goes in defense mode over the word “son”. But called out on his feelings for Manfred? How can he deny them? He has tears in his voice when he says how he would not exchange this moment for anything? A real, deep emotion.

In their fight Emmrich is again all technical, all performance, so logical (or what he sells himself as logic). But Rook wrestles that moment from him and takes lead, calls him out on his bullshit.

In the crypt Rook pulls him up into a kiss and then leads him to the coffin, guiding him, taking him with them.

Most of the other times he takes the lead, very much in control. But the most emotions you get from him, are those times Rooks leads, when he lets go of this tight control over himself, or he is startled in to a reaction. For all the age difference that is played up in their relationship, in the important moments Rook is the one who guides. And he follows where they lead.

Those little moans he makes? If they did have sex before, I bet he did not make those sounds then. Where they did have some incredible sex, now they are making love. Open, vulnerable. He gives in.

And then they fall asleep together. Skin to skin, arms and legs intertwined. Their hands caressing, no sound but that of their heartbeats and soft breaths. Pure and utter contentment. In that moment nothing exists but them. Can you imagine that moment he woke up? The amount of emotions he must have felt then? This need to speak those little words? Those huge little words. He does not say them, not yet. But he is almost ready.  

Finally, they stand there, on the battlefield of Elgar’nans madness. And he tells Rook. The last wall falls. Gives the most precious thing he can give to anyone.

“I love you.”

[elfieafterdark]

I have a little teeny tiny cheeky theory about this moment. So if you'll indulge me, I shall share it.

I think John Gaius, in this moment, is lying to Harrow.

Let's think about this from a factual standpoint. John is the most powerful necromancer in the entire fucking universe, by a country damn mile.

He is powered by at least 5 billion souls.

You can blow him up into a fine mist and he will reassemble.

He fears not death nor Resurrection Beast. He remotely killed everyone, and resurrected everything and everyone afterward.

And far more compelling than any one thing I could tell you about John, is the fact that despite him saying this at the end of GTN, by the end of HTN, Harrow has proven him wrong.

He tells her it's impossible to remove Gideon. It is not. It is categorically, empirically not. Because they are separated. Gideon is in one body and Harrow is in another. You could argue semantics over how much of those souls are the originals and whether anyone has lost a piece of themselves sure.

Simple fact remains, Gideon and Harrow are separated. He lied to Harrow here. And that's not even the most interesting or sinister part of this interaction I think.

I think it's far more horrifying to examine why John Gaius lied to this heartbroken 17-year-old girl who was begging him, the man she views as God, to bring back the one good thing in her life.

The entire point of the Canaan House Incident was to create new lyctors. Because John's been losing them at an alarming rate. For being nearly invincible super powerful, infinitely energetic necromancers, the lyctors sure have a habit of dying a lot.

He needs new ones. I'm sure he was hoping to get eight new ones in the best circumstance. Instead he finds that he is down one, and only two of the adepts managed to succeed.

The rest of the house nobility were murdered by his own.

Ladies and gentlemen, he lied to Harrow because he needed Harrow. He could very well have separated Gideon, of that I have no doubt. I doubt many things about John Gaius, but I do not doubt his ability to separate souls. Maybe he's telling the truth? I don't think so.

He's lying to manipulate her. To fit his selfish ends, cuz I don't think anyone will deny that John Gaius is extremely selfish.

We know he lied to all of his bestest resurrected friends, solely because he didn't want them being like him? It's actually not clear why. But if he was willing to lie to his friends, then why not some random scrawny girl he's never seen before?

Just some random ramblings.

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[directdogman]

I’ve noticed that you’ve been talking about DSaF a bit again, and something I’ve always been super curious about is Dave’s relationship with Henry kinda outside of all the experimentation and the joy of creation. It’s something I don’t see discussed a lot outside of Henrys very blatant abuse. Was Henry actually very kind and empathetic towards Dave towards the beginning? Or was he always cold and distant, and Dave just didn’t know what actual care looked like? Did Dave ever have a very parasocial relationship with Henry before the circus shut down. I know this is a bit of a strange and specific ask, but I just find their dynamic really interesting. It’s something I want to explore in my au, and it’s just a very interesting part of DSaF that I don’t think is talked about enough.

Yes, it started as a parasocial relationship. Dave, as you might recall, started out by following Henry's circus around. Given he'd lived on the streets for his whole life and was used to being cold, lonely, Henry's circus was like nothing he'd seen before that point. Is it really any wonder that his end-game with the player is always going to a city of lights, bright colours + dopamine rushes? He basically followed the circus around from town to town for years, scavenging food from trash bins and getting gradually closer and closer to the main circus tent each time, and by the time he saw what was inside, he was hooked.

Henry's circus had a lot in common with Barnum's and given the 'freak show' element, I'd imagine Dave felt less alone, even though nothing Henry used was nearly as surreal as Dave himself.

Eventually Henry noticed him and he was assigned jobs like shoveling Tiger shit, usually away from guests. Henry definitely wasn't kind to Dave (they barely spoke at this point) but it outlines the second part of Dave's attachment, the feeling of being a part of something greater, being included.

Henry noted Dave's loyalty + defense of his character. I recall Dave mentions that Henry wound up being investigated for a string of murders and wound up framing the Tiger keeper at the circus, something Dave corroborated, believing the word of his distant (but providing) father figure over the guy who rushed him to finish shoveling animal shit.

By the time the investigation ended, Henry's circus had taken a bad hit, but ofc, Henry had enough money saved to go into something new and realized that Dave was trusting/devoted enough to be useful to him. Dave had some money saved up at this point and would eagerly work for free, so it was really a no-brainer on Henry's part. It's anyone's guess how long he intended to keep Dave around before using him as a patsy of some kind. It was incredibly lucky that a nightguard happened to die at their diner shortly after their first string of murders and that Henry managed to fudge the employment records to tie him to the previous 2 murders that'd happened just before this.

I don't doubt that there were occasionally 'nice' moments between the two, but I'd imagine they mostly amounted to Henry occasionally showing his business partner basic courtesy and Dave latching onto it. That and the two speaking about their pasts to some degree, which Dave likely took as the two being inseparably bonded since he wasn't used to really knowing people.

Most of Dave's perception of Henry came from his own inner loneliness, wanting to believe that someone valuable could see genuine good in him. It wasn't really backed up by anything logical, but hey. People see what they wanna see, I guess.

[shantechni]

Natsume's Fear of Thunder

I'm gonna be honest, this can hardly be considered an analysis. It's more of a "sporadic and unnecessarily deep observation" of how Natsume's astraphobia has been presented in the series over the years, both in the anime and in the manga. So, please for the love of God take all of this with a grain of salt.

Yes, I'm using the term "phobia" very loosely, but I'm not about to get into that rn. Natsume has an irrational fear and strong dislike of thunder, that's an undeniable truth.

Before I dive in, I'd like to briefly explain why, of all the little bits of information Midorikawa has given us about Natsume, this one is the one to ceaselessly bump around in my brain like a DVD logo. This series is not in the horror genre (it's serialized in LaLa DX after all), but it does get suspenseful, and pretty disturbing depending on whatever topic it touches or the types of situations the characters may find themselves in. I don't fault anyone, particularly Natsume, for growing up with valid fears and preconceived misconceptions about most youkai; they can sound scary, they can look scary, and they can do some scary stuff if they really feel up to it.

That's why I'm so fascinated to see Natsume develop and still harbor an irrational fear for something like the everyday phenomena of storms. He's landed himself in all sorts of trouble and has come face to face with many beings, both natural and supernatural, who didn't have his best interests in mind, and yet the clap of thunder somehow keeps its spot on the list of things that has him scared stiff.

Aight, spoilers for both the anime and the manga beyond here, you've been warned👏🏽

Our first introduction to Natsume's fear is near the beginning of chapter 42, when he and Tanuma accidentally stumble across Taki's home while seeking shelter from a sudden shower. He questions how Nyanko-sensei ended up at her home as well and the youkai, much to Natsume's visible dismay, cheekily explains:

That doesn't end up happening since the rain remained light until its swift end, and the mention of Natsume's fear is glossed over rather quickly to save him the embarrassment, but it's an interesting mention made by Midorikawa nonetheless since it adds another layer to whatever image the audience has of Natsume and the series itself. Nyanko-sensei, having been around this kid long enough to know a lot of his vulnerabilities and insecurities (even the ones his dreams unwittingly reveal to the youkai), has seen and grown accustomed to a side of him that the audience had yet to be formally introduced to for once.

Right about now, you may be wondering how the anime adapted this scene. It didn't💀.

While the start of the episode (S3 EP5) is a one-to-one recreation of the chapter with virtually the same dialogue and scenery, any mention of Nyanko-sensei following Natsume to pick on him when it thunders is nonexistent and entirely skipped over so the gang can go straight to cleaning out the storeroom.

Most fans who have read the manga will tell you how notorious the anime is for excluding some of the characters' lines or scenes that take place in the manga, or just straight up rearranging or changing up those same factors. Sometimes those alterations work wonders, and other times they leave more to be desired, mainly if you know what happened in the manga counterpart of the episode. This such example is one of the times that'll leave people scratching their heads and wondering what warranted getting rid of a scene so insignificant that it'd have no effect on the plot of the episode whether or not it stayed. The only answer I can think of for that is the directors likely wanting a smoother progression of events to make for a viewing experience better tailored for an anime episode rather than a manga chapter.

Or, they genuinely didn't have enough space in the episode to squeeze in that little bit, which I highly doubt, but what would I know, I don't work for them. At the end of the day, we didn't get to see that scene in the episode.

After some more anime switcheroo shenanigans go on behind the scenes, along with an original episode pulling a retcon during a lightning storm, we receive our next moment in a surprising scene from the anime team in S3 EP10 (adaptation of chapter 28). Though the scene itself is short and not exactly an example of Natsume's astraphobia, I feel it should still be included because of its relation.

The chapter originally starts with Natsume and Nyanko-sensei searching for a tree that was struck by lightning during a storm the night before. However, the anime makes an addition of their own by rewinding time to that very night and showing Nyanko-sensei excitedly watching the storm take place while Natsume is tied up with his homework.

Nyanko-sensei goes on to tease him by suggesting that he doesn't want to watch the storm because he's scared, but Natsume dodges the youkai's mocking and begins to tell him to close the curtain before a crack of lightning cuts him off and illuminates his room.

Not only does Natsume not simply deny Nyanko-sensei's claim of him being scared, but his reaction to the thunder is seemingly more sudden than Nyanko-sensei's. Both of these points could subsequently lead the audience to interpret this entire sequence as the anime's first acknowledgement of his phobia, and it'd make for a very intriguing choice on the anime team's behalf after taking their ommitance of the previous scene into consideration. It could be a stretch though ngl, I tend to stretch like crazy, it makes sense to close a curtain when a pet is being noisy—

Finally moving on from S3, we eventually reach the most overt instance of Natsume's astraphobia, and potential origin or exacerbation of it, in the S4 finale (adaptation of chapter 46). This three episode arc is a largely intimate and heart wrenching one as it focuses on Natsume's journey to revisit his childhood home before it gets renovated by its new owners, a task he initially denied himself the permission of doing before realizing Touko and Shigeru would never deny him something so personal. Of course, he wouldn't be Natsume if he didn't attract a youkai along the way, and he's being pursued by one that seeks to feed on the tragic memories he formed while staying with the Aoi family, who was strongly implied to be the first family (if not, one of the first families) he was taken in by after his father's passing.

One of those memories shown to the audience is a younger Natsume relaxing in a shrine while memorizing where his childhood home is located, all in the hopes of gaining more discernible memories of his father and no longer being a burden to Miyoko and her parents.

Unfortunately, he falls asleep at the shrine and consequently loses track of time before having his slumber disturbed by a violent boom of thunder. He's so frightened by the ordeal that he can't even bring himself to rush back to the Aoi family's place, and his exhaustion puts him back to sleep until he's eventually found by some of the neighbors who went out searching for him.

The anime, with the natural strengths it has over the manga, goes the extra mile by not only keeping this portion relatively untouched, but further setting up the scenery and depicting just how rapidly the area goes from peaceful to turbulent. The character animation and voice acting make for a splendid combination and do a wonderful job of capturing this image of a helpless childhood version of Natsume.

What comes soon after this scene is a depressing sequence of events on its own, even more so when we can see he's still reeling from the storm and believing he caused the Aois to get into trouble by not getting back before dark. The adults obviously don't fault Natsume for getting stuck in the storm, but he doesn't see it that way in his shocked state.

The way Miyoko reacts by throwing her frustrations onto him doesn't help either.

And so, after aimlessly running off in his last unsuccessful attempt to find his childhood home, the memory fades away with a somber note as his present self recalls the moment he finally stopped calling for his long gone father.

Now, one could argue that Natsume had his fear of thunder prior to his time with the Aois since we don't have much reference material to work with when concerning his short period of time with his father, and they could be right for all I know. It's common for children to be startled by loud noises and bright flashes since they just aren't quite accustomed to those loud noises and bright flashes being customary for weather disturbances. Natsume, who we know grew up to be pretty sensitive to the things that go on around him, may have been one of those children who felt apprehension anytime a bad storm rolled in, and his father may have been the one to quell his fears back then. So, if we go with the conclusion that his fear didn't originate here, then this scene likely could've aggravated it. But I'm personally leaning a bit more towards the concept of this being the cause of it (partly due to how appealing that conclusion is to the obsessive part of my brain).

His initial reaction to the thunder is seemingly one of surprise rather than fear, and his behavior suggests that he's more concerned with making it back down the mountain before the thunder halts his progress. Although he's seen trying to talk himself down and fails to do so with how relentless the thunderstorm is proving to be, he doesn't need to have preexisting fears or anxieties over thunder to resort to calming himself down.

The dialogue differences strike me as something to consider too, but they're likely irrelevant.

Setting aside everything I just ranted about in the above paragraph, I should specify that I'm not simply pointing to the storm scene as the singular root cause for his future woes. Many psychological problems often aren't so black and white that someone can definitively point to one person or thing as the sole reason for the existence of their psychological problems. And phobias obviously don't always develop as a result of going through or observing a traumatic event; people can grow to fear or strongly dislike something merely by its association with an unpleasant memory or stressful situation. I know I'm starting to stretch hard rn, and this part of the post is getting awfully wordy, just hear me out—

Going back to that aforementioned short period of time with his dad, it's plain to see just how innocent of a time that was for Natsume. He was playful and affectionate with his dad like many children growing up in a healthy environment would be at that age. He doesn't even appear to have an awareness of youkai (if so, only slight enough for it to not become a problem for him just yet). We're shown later on that he would commonly draw around the house too, as evidenced by the nearly two decade old pieces of artwork his father never removed from the kitchen area and closet.

Natsume even proceeds to make a comment about this childhood version of himself likely being the mischievous type for him to run around drawing on surfaces without a care in the world.

He undeniably had his own troubles at that stage of his life though, with one of those troubles being his mom and the empty spot left behind by her passing away. Apart from his heartwarming portrait of a family with both parents, he's also shown lamenting to Miyoko after the death of his dad about not being able to remember his mom. We've seen with those two examples that her absence indeed left an impact on him early on in his life, but he doesn't stay too broken up over her considering how little he got to bond with her, and he doesn't openly despair about the loss of his dad until his growing sense of loneliness and longing becomes too much for him to smooth over.

The point I'm trying (and admittedly struggling) to make here is that after moving in with Miyoko and her parents, the worries on Natsume's plate increased tenfold and weighed him down far more than he was willing to accept at first. Suddenly, this kid had little to smile about in life, taking a glance at his only picture of his parents causes grief and envy to flare up in his chest, he's afraid of being a burden to those who took him under his wing, he's eating less than Miyoko because he's concerned with coming off as too greedy, he feels responsible for Miyoko getting picked on because of his relation to her, he's still learning the way back to the Aoi family's home, and now he's surrounded by all of these weird creatures that apparently no one else can see.

Suddenly, he's no longer that carefree toddler we saw sitting on his dad's lap as the two of them watched over his late mom's garden.

I feel moderately certain about Natsume's experience with the storm, coupled with this pivotal and devastating shift in his life, being the plausible cause for him developing his irrational fear of thunder as a child.

After this arc, we aren't greeted with another scene featuring or centered on his astraphobia until chapter 85 (which doesn't appear to be adapted in S7 judging from the PV😭), and it focuses on Natsume, Tanuma and Taki viewing a limited exhibition at an old inn that has a deep history with youkai. Not too long after the owner engages in conversation with Taki, Natsume and Tanuma briefly comment on how peaceful the inn is making the both of them feel, and a sudden lightning strike cuts through the tranquility of the inn.

It catches everyone off guard and, unsurprisingly, has Natsume frozen in place as Tanuma asks him and Taki if they're alright.

Much like Nyanko-sensei's first time mentioning Natsume's fear, the moment doesn't last long as the gang soon realizes they'll have to spend the night at the inn while they wait for the sudden storm to pass.

By this point in the manga though, Midorikawa has evidently decided to make Natsume's astraphobia a recurring element of the sorts. She could've easily left his astraphobia as another facet of his that we get to see once or twice and never again since it's not serviceable to the story as a whole, but she's started using his phobia as an additional means of displaying his discomfort in any given situation. Having a thunderstorm suddenly appear during a moment of serenity, immediately after Natsume tells Tanuma the place is making him feel strangely good, was a brilliant move of jarring him. And it works especially well here as a sign of the looming threat that'll find its way into the inn over night and slowly creep upon the group the longer they remain there.

Midorikawa pulls this same stunt again to slightly greater effect in chapter 117, where Natsume, Tanuma and Nyanko-sensei happen upon the Kisaragi Manor and find themselves taking part in a ritual for summoning youkai.

It starts with the trio meeting up in the evening to view the bamboo lanterns, but a woman claiming to be in search of a mansion requests their help to find it before it gets too dark, as well as to avoid getting caught in a downpour should the drizzle grow heavier. While Tanuma shows interest in the ritual, and the people they meet are treating them somewhat cordially, Natsume is disconcerted by the arrangement they've found themselves in. He's surrounded by five women he's never met in his life, is once again in an unfamiliar place that feels weird in Nyanko-sensei's own words, and is thrown for a loop by everyone's enthusiasm with the idea of meeting youkai rather than being put off by them.

The group isn't even a minute into their summoning ritual when a huge boom of thunder shakes the room and causes a power outage, sending them into a brief stint of darkness until Hitomi relights the candle.

While waiting for the candle though, Natsume answers Tanuma's question by for once admitting that he's bothered by thunder, leading to Nyanko-sensei characteristically picking on his phobia by calling him a chicken.

Again, the moment is subtle and restricted to one corner of the page, but it sticks the landing. Instead of using the lightning or thunder as a sign of things to come as she's done before, Midorikawa uses them here as an integrant of an already somewhat concerning scene slowly veering towards being disturbing. In addition to selling just how uncomfortable of a situation this is for Natsume, it also depicts how far along he is in his friendship with Tanuma to be honest about an irrational fear we know he'd rather not speak of.

Alas, chapter 117 was our last time seeing thunder scare Natsume, at least until the next time Midorikawa chooses to use his fear to her advantage, unless the anime miraculously surprises us with its own original take as we've seen it isn't afraid to do. What we've been given so far though is plentiful in comparison to many other plot points or quirks that get reused or called back to far less than this one. I won't throw a tantrum if his never gets referenced to or utilized again (which I doubt will happen knowing Midorikawa's writing), but I eagerly anticipate seeing it again should it reappear.

It's captivating to watch this minor detail frequently make it's way back into the story somehow, to the point that it eventually cemented itself as a miniscule yet effective way of shedding different shades of light on the many complexities of Natsume.

[tricksters-captain]

Declan O'Hara imagine - I'm not doing this.

A/N: I thought about this one shot weeks ago... finally writing it. Probably been done already by someone else but who isn't obsessed with rivals atm. I also haven't written in years.

Summary: Declan is fighting against himself and everything he believes in when you come into the picture.

Warnings: Age Gap, fem!reader, NSFW content 18+, strong language, bit of a slow burn.

"Taggie, honestly, I don't know why you'd ever willingly add Brussel sprouts to anything." You chuckled as you both crept through the door to the kitchen.

"They're good for you!" Taggie tried to defend her culinary choices for her Sunday lunch.

"If they're good for you then I always want to be bad."

"Who's being bad?" A thick Irish accent filled the room as Taggie's dad sauntered in, a mug of coffee in one hand with his other burrowed deeply into his trouser pocket.

"Dad, this is (Y/N). (Y/N) was just objecting to my sprouts."

"Oh yeah, I agree, terrible things. Even the dog won't eat 'em" Declan brought his mug to his lips, smirking through the thick moustache that hid his upper lip.

You felt your insides alight at his dark, playful expression as he teased Taggie.

That was the first time you knew you were a bad friend. A bad friend who wanted your new friend's father to lift you onto the kitchen table and bury his head between your thighs.

The thought made your cheeks burn red as you laughed at Declan's remark and Taggie's complaints against him.

The man left the kitchen when his eyes flitted back to you, sending you a nod and a 'lovely to meet you, (Y/N). '

You couldn't help but replay the way he said your name in your head over and over and over again until you were desperate for his voice to sing it again.

The next time you saw Declan O'Hara was at the O'Hara New Years Eve party.

"You better not spend the whole time in here. I'd actually like you to put a dress on and come out to dance at some point tonight." You pleaded with Taggie as she clasped your necklace for you.

"I'll try but I can't make any promises. Anyway, you're out there to be my eyes and ears. You need to tell me if anyone complains about the food, okay?"

"Yes, Taggie. But no one will because you are amazing and your food is amazing and you are so right for not letting me help you cook or serve after I burnt the soup last time." You faced her as she continued to prep the ingredients she would need for the feast she had planned.

"You are a great friend but you are a terrible cook." Taggie agreed. You felt a lump in your throat at the words. Were you a great friend for literally fantasising over her father after almost every time you had an interaction with him? "Now please go next door and make sure that all the tables have the right cutlery for me?"

"Anything for you, Agatha!" You headed to do as you were told. Looking down to smooth out your dress when you felt yourself collide with something solid.

"I'm so sorry!" You looked up to see Declan turning, laughing softly at your clumsiness.

"It's okay, love." Declan's own eyes fell down your body, his lips parting slightly as he took in the sight of you all dressed up. He knew you were an attractive girl but you were Taggie's age and one of her only friends in the surrounding neighbours beside Lizzie. "You look beautiful."

The sincerity in his voice caused a chill to roll up your spine.

"Thanks. You look very handsome too, Mr. O'Hara." You didn't know why you felt so shy around him. You were so used to owning your space and holding your confidence when you fancied someone.

"That's very kind, (Y/N). And it's Declan. I don't want to tell you again." Declan send you a wink as he started to pass you. "Hey, and no snogging my son at midnight. You're way too good for him."

Your heart squeezed at the taunt. Patrick was a gorgeous boy and he had tried to flirt with you when he met you but you were far too interested in Declan for Patrick to make any dent in your crush.

"He's not my type anyway." You managed to find your tongue to quip back an answer.

"Good girl."

Good Girl.

You had to bite the inside of your cheek to stop yourself replying something entirely inappropriate in response.

As the night went on, you felt your heart drop more and more. Declan was obsessed with his wife. His wife was obsessed with anyone else.

You were desperate to try and make more conversation with the man but almost everyone was grabbing his attention to discuss some work matter or other.

As the countdown began, you gut wrenchingly watched as Maud and Declan kiss. You put on a smile and exchanged celebrations with those around you. Giving Lizzie a kiss on the cheek as her husband blanked her as he usually did.

"Happy New Year, chicken." Lizzie pressed on a faux smile as you did.

"Happy New Year, Lizzie."

"A little advice for your new years resolution if I may?" Lizzie whispered as she drew you closer.

"You may want to get better at hiding your admiration for Taggie's father. I know nothing hurts more than something you can't have." Lizzie's words took you back, you felt your cheeks burning red and your smile drop.

"Oh, Lizzie, I'm mortified! Please don't tell Taggie." You begged.

"Not a peep." Lizzie motioned locking her lips with a key before grabbing your hands to singing sway along with the room.

The night went on and Lizzie tried to encourage you to join in festivities. You drank more and more, being forced away whenever you tried to help Taggie wash up, and you soon found yourself needing some quiet time.

You let yourself into Declan's office, leaning against the desk, fingers gripping the underside to give you some stability when the room started to ever so slightly spin.

You closed your eyes. Inhaling a shaky breath when you heard the door creek open.

"I thought someone unwanted had decided to sneak through my things." Declan's melodic accent forced your eyes open.

"I'm wanted, am I?" You smirked slightly, through the sickness as your eyelids closed again.

Declan didn't respond. Instead he just studied you from across the room. His hands in his pockets, his stance leaning back just ever so slightly.

"You struggling there?" Declan was amused at your state.

You tried to push yourself off the desk but instead felt yourself stumble forward.

Declan's amusement quickly turned into concern as he stepped forward to catch you.

"Steady on." Declan had managed to stop you from hitting the floor, your face pressed against his chest, his strong arms engulfing you as he pulled you up towards him.

"I'm so sorry..." You mumbled as you leant away to look up at him.

His features were so strong up close. You could smell the whisky on his breath as your eyes lingered on his lips.

"Maybe we should get you some water and put you to bed."

Declan's words drew your eyes to his own. His chest seemed to go tight as he starred down into your glassy (Y/E/C) eyes.

"You can take me to bed any time you want, Mr O'Hara." Your words slurred together with your weak attempt of drunkenly flirting.

"It's Declan."

"Okay, Declan..."

That was the first time Declan had heard you say his name. Something inside him knew he wanted to hear you say it again but he fought against the thought, pulling away from you as you gained your stance.

"Let's hope you don't remember this in the morning, ay?" Declan tried to make light, convincing himself the electric feeling he had was nothing.

"Why? I finally got my chance in your arms. My dream come true."

"Yeah, you really won't want to remember this in the morning. Come on..." Declan opened the door, waiting for you to follow suite. The noise of the party echoed around you; you had almost forgot it was still going on outside.

"Have you ever thought about me?" You had no idea where this liquid confidence had stirred from.

There was a pause before he answered.

"No." He was lying. He knew he was lying. He watched the disappoint subtly encase your eyes as you pursed your lips into a thin smile.

"If I was dreaming, you would've said yes. Goodnight, Mr O'Hara."

"Goodnight, (Y/n)."

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As the weeks went on, rivals became friends. Friends became rivals. You grew closer to the O'Hara family and the moment from NYE had simply been forgotten. Or so you thought...

The dread that had filled your gut that New Years Day after you remembered the incident brewed inside of you for weeks. You had successfully avoided Declan, only seeing him in group scenarios and meetings for Venturer.

"(Y/N), I left some of my flyers on the table in the living room if you want to use them." Taggie climbed into her car, shouting over at you as she rushed off. You both had been going door to door for Venturer in different areas to cover more ground but you had run out of flyers to hand out.

"Thanks, Tag!" You rushed inside, running through the house that still held a cool air inside despite the early summer warmth outside.

"Careful!" You heard a voice proclaim as your bodies hit.

Within the blink of an eye, you had hit the floor with a body on top of you.

"Are you alright?" Declan groaned as you winced underneath his weight. The hard floor sent a wave of pain through your back but you had managed to not hit your head.

"Ow." You grumbled, squeezing your eyes shut.

"Did you hit your head?" Declan propped himself up on his arms, examining your face with a furrowed brow of worry.

"No." Was all you managed to say.

"I thought we had left bumping into each other for last year." Declan recalled on when you knocked into him last New Years Eve before the party had started.

"Clearly I'm not very good at keeping to New Year's resolutions."

Declan chuckled, pushing himself up before offering his hand.

You felt the warmth of his body leave you and the coldness of the floor pierce your bones.

You took his hand; hauling yourself to your feet.

"You sure you're okay?" Declan insisted. His hand reached out to take grip of your waist, his thumb and finger burning against your skin that had been revealed by the edge of your venturer top riding up. His other finger waved past your eyes, checking for concussion.

"I'm fine. No more running in the house with blind corners." You took a step back from the man, straightening your shirt to try and control the lingering feeling of the mans hand on you.

"Now... are we okay?" Declan rephrased,

"What do you mean?"

"(Y/N), don't play stupid. You've avoided me for almost half a year now. You won't even walk around the house without Caitlin or Taggie next to you."

You didn't think that Declan would've noticed with how busy he was with work and his life. Why would he have cared where you were or what you were doing in the house?

"I'm still living down my behaviour at New Years." You reluctantly admitted.

"What, that? Everyone says stuff they shouldn't when they've had a few too many. Doesn't mean you have to never look me in the eye again."

"What I said was completely inappropriate."

"Yes, it was. You're the same age as my daughter and I'm a married man but I'll have to admit I'm a little flattered." Declan tried his best to ease your anxiety. "I don't exactly see myself a teenage heart throb."

"I'm not a teenager." You bit back, the harshness your voice surprising you both.

"There's not much difference. You're practically a child and should be going for someone your own age." Declan quit the joking tone he had been using, taken back by your defence.

"Don't call me a child. I'm not the same age as Caitlin. I am older than Taggie and I've been with men before so I'm not playing silly little girl games over here. This isn't some school girl crush on a handsome teacher. You're right my feelings for you are inappropriate because you're a married man and I'm friends with your daughter but not because of my age. I know who I am and what I feel." A fire lit up your chest as you finally had broken out of the timidness you hated.

"You have no idea what you're talking about." Declan took a step closer to you, his stare burning into you as he lowered his voice.

"You're the one who reads people. Tell me what you see in me." You matched him, standing so close to him you could feel his breath on your face as you gritted your teeth.

The air was thick. The silence of the house engulfing you both, your breath audible and quick. You thought you could almost hear your heart thudding against your chest.

Declan was the one to break away. Storming to his office with a hard slam of the door.

How did your conversation turn so heated?

That night Declan tossed and turned, his head filled with moments of you. He rolled over and gently woke up his wife with soft strokes on her shoulder blades.

"What?" Maud hummed, rolling her head over her shoulder to Declan.

"I'm awake." Declan pressed himself against his wife.

"I can feel that." Maud looked at him through a sleepy gaze.

"Let me touch you." His fingers glided over her skin until he reached the space between her legs. Maud moaned quietly as Declan began to part her folds with his finger.

"Declan..." Maud sighed as she pressed her backside into him, feeling his member hard against her.

Declan wasted no time in entering her. He closed his eyes as his dick pressed inside his wife. And all he could see through the darkness was your eyes looking up at his. The first time he had seen you in the kitchen. The bump in the hall, the incident in his study, every time he had caught you intensely listening to one of his speeches to the group, the crash against the floor. You underneath him. The tiny bit of skin his hand had managed to caress from the bottom of your shirt.

He had never thought of you before. Not with Maud, not with his own hand and imagination and he couldn't make sense of why that night he finished almost as fast as his inexperienced teenage self had once before.

-----------------------------------------------------------

It had been Declan's turn to avoid you from that day. He couldn't be too close to you without feeling his throat go dry, a sickening guilt and twisting conflict rising with it.

It was the evening you'd find out whether Venturer was a real contender against Corrinium.

The O'Hara house was filled with people eagerly waiting except one who had decided to leave the house for good.

The house erupted in cheers and celebrations as the phone call confirmed it for you all.

You watched through the window as Maud drove off, leaving Declan and Taggie behind.

"We did it!" Taggie squeezed you tightly before embracing her father and to your surprise, Declan had also pulled you into a tight hug. You had hoped no one picked up on the slight awkwardness that left the embrace when Declan moved onto join the others. You couldn't help but feel it.

The party went on and you tried to keep an eye on Declan without making it too obvious (like Rupert and Taggie had failed to).

When Rupert left Declan's side for another whiskey, (Taggie swiftly disappearing just after), Declan slipped away to his study. You followed.

"I'm sorry about Maud." You made your presence known as you watched him place his glass down on the desk, his back to you when he replied.

"Don't."

"Fine." You clenched your jaw, unsure of what to say next at the warning in his tone.

"What do you want from me?" Declan's voice had a hint of desperation. He turned to face you. You had seen this look before.

"I don't––"

"––No 'cause you followed me in here. You are everywhere I look. I can't even get a wink of sleep most nights without dreaming of two things. You or beating Tony fucking Baddingham. And I can't think of you because you're young enough to be my daughter and I'm a fucking hypocrite for telling Rupert to stay away from Taggie when I look at you in that dress and wonder what you would look like with it on this floor right now. I'm not doing it. I can't do this."

Declan's outburst kept your feet frozen in place. Had he really just admitted to wanting you as badly as you wanted him.

You felt your hand roll the zipper of your dress down your side, your body moved without force as you slipped the straps over your shoulders and let it fall to the floor.

"Fuck..." Declan barely breathed out the word. His stare devouring every inch of your skin.

"I'm not doing this." Declan uttered again barely even audible as if only to himself before striding towards you. His fingers found your hips as he thrust you against the door.

His lips were on yours before your back found the solid wood behind you.

You reached up and wrapped your arms around his neck, pulling yourself up towards him, trying to bring your body as close to his own as possible. You needed every gap between you gone. You wanted to feel the heat of him even on this sticky summer evening.

"What am I doing?" Declan broke away and dropped to his knees, placing a firm hand on the middle of your stomach to hold you flush against the door.

There was a deep hunger in his eyes as he lifted one of your thighs up onto his shoulder, never breaking his gaze from your face to almost check if what he was doing was allowed.

You threw your head up, trying to find the air he had stolen from you, one hand finding a grip within his dark curls as your welcome reply.

"Please." You whispered.

Declan moved your panties to the side, a finger running over your folds, sending fire against your skin before he closed his mouth around you.

You let your eyes roll back as his tongue darted across your clit. Electricity filled your body with every moment of contact.

You felt his fingers circle lightly around your entrance. Your hand jumped from his thick curls to tightly grip the back of his own that pushed against your stomach. His grip on you felt as if it were all that was holding you up.

"You want me this badly?" Declan asked with a mixture of teasing and shock. The wetness of your heat coated the tip of his fingers and glistened on the dark hairs of his moustache.

"I've imagined this so many times." You admit honestly.

"I best live up to your expectations then." Declan inserted a finger inside of you, causing a sharp gasp to escape your lips, which made Declan's cock twitch inside his boxer shorts. "Shhhh"

You placed your free hand over your mouth to which Declan smiled a toothy grin at you.

"Good girl" he purred.

Declan rose to his feet as he placed another finger inside of you, thrusting them in and out of you in a painfully slow motion that only made you ache for more.

Declan turned the lock on his door with his other hand before pulling himself away from you completely.

You pouted at the lack of contact to which he tutted.

"So impatient." He uttered as he undid his belt, pulling it from its loops and then kicking his trousers down.

Your eyes fell on the large member pressed against his underwear. The tip seeping precum through the material in a dark stain.

"Go to my desk." Declan ordered.

You almost ran over, Declan caught you by the waist and lifted you up onto it. Spreading your legs with his knee.

"Are you sure you want this?" Declan stripped himself of his shirt, revealing his chest covered with dark thick hair that you reached out to touch. This didn't feel real.

"More than anything." The words were so quiet but Declan seemed to hear them as he freed himself from his underwear.

You reached behind and unclasped your bra.

"Jesus..." He took a handful of your breast, squeezing you firmly as he stroked his member.

"Declan, please." You couldn't wait any longer. The ache pained you.

Declan didn't need to be told twice.

He tore your underwear down your legs and pressed his tip slowly into you.

You bit down on your lip hard to stop yourself from making any noise.

"Holy fuck..." Declan failed at being quiet. You were so tight against him he felt he could've finished inside of you within minutes.

You reached forward and hooked a grip behind his neck, encouraging him deeper inside of you.

"Fuck me please." you pleaded, trying to move your own hips to create some friction.

Declan took the hint and began thrusting into you quickly. His fingers almost bruising your skin as he held you steady on the desk.

The rattle of the belongings on the desk seemed to echo around the room alongside the slapping of skin.

Declan lifted you up, still inside of you and gently placed you down on the floor.

He hovered above you, just like he had once before, watching your face twist in pleasure as he fucked you.

You squeezed his shoulders, your nails leaving an impression whilst he brought you closer to your climax. You pressed your hips up into his creating hot friction against your clitoris, making you throb inside.

"Declan..." You tried to let him know; still trying to whisper to stay quiet.

"Cum for me, princess." Declan smirked, his stare never faltering as he rode you through to your end. He could feel you tighten around him only encouraging him to fuck you harder and deeper.

You bit down on your hand as your climax convulsed through you. Your body shaking in between Declan and the floor.

Declan moved you both effortlessly, lying on his back with you sat on top of him.

You leant ever so slightly forward, steadying yourself with your hand stretched out against his chest.

You smiled wickedly at him as you rolled your hips.

You felt exhausted by your own finish but knew you wanted to see the older man in the same state.

"That's a good girl." Declan held onto your hips, helping you pick up your pace.

His lips parted as he watched you ride him, sweat dripping down your skin mixing with his own as his dick twitched inside of you.

"Fuck (Y/n)." Declan cursed.

You shifted your hand to his neck, Declan almost laughed, flipping you again so that he was behind you. Both of you on your knees as he held you against his chest, his hand wrapped firmly around your neck with his opposite arm securely around your middle.

The sensation was almost unbearable as his thick member pumped in and out of you at such speed.

"You think you want to be a bad girl?" Declan hissed in your ear.

You could only shake your head.

"Bad girls get punished." Declan bit hard down on your shoulder and you fought to not cry out in a mixture of pleasure and pain.

"You're mine now." Declan's own proclamation brought himself to his own climax. He pulled out, spilling his seed over his own thighs to avoid finishing inside of you much to your own disappointment.

"I know you wanted that inside of you like the dirty girl you are." Declan teased you as he gave your throat one final soft squeeze.

You fell against him, both trying to catch your breath.

"Declan?" A voice and a knock came at the door.

"Shit..." The realisation of what had just happened and where it just happened hit Declan like a cricket bat to the face.

"I'll be out in a mo." Declan scrambled for his underwear and you did the same.

"Hurry up! I know that's where you're hiding the good stuff!" Bas' voice was more evident now and whilst he was definitely talking about the whiskey. The both of you couldn't help but laugh.

[tinyfantasminha]

I don't want to keep clogging my blog with vent posts but uh... I guess this is a more general concern/observation

But it's getting real hard to stay motivated in fandom spaces when there's little compensation, and annoying occurrences are more frequent than good ones.

Mainly there's been less engagement/people showing interest in creators and their art (such as sending asks, making comments and reblogging with tags) and MORE parasocial interactions. This goes for both artists and writers.

Over this year I've noticed a vast disinterest within my public in general. Asks about ocs, my art, or just nice simple comments of ''I love your art'' has been getting more and more scarce. My follower number is bigger than 2-3 years ago sure and I get more likes on my posts but they are feeling more like just numbers and statistics than actual people who supposedly like my stuff.

And while people being parasocial with creators has always been a thing, I feel like it's gotten way worse... in general? People sending personal pictures out of the blue in hopes of being validated, unwanted psychological advice or assumptions about the creator without any established connection first ( <- these happened to me in the same week.) ventdump, just insensitive/lacking of common sense comments in general, unreasonable demands (mostly with writers)... I wondered at first if it was just me, but a handful of mutuals/acquaintances who are artists and writers seems to be going through it as well.

It's annoying. It's tough. It's getting exhausting. Creators pour so much of themselves into their work—countless hours, effort, and passion, all to share something meaningful or entertaining with others (and for FREE) The LEAST anyone can do is show respect, even if opinions differ. When a writer posts a fanfic, don't just say ''omg post next chapter!'', when an artist posts a drawing of their favorite character, don't just say ''omg draw (character) next!'' as if they're faceless content machines that are expected to churn out more '''content''' for you without acknowledgment, encouragement, or appreciation.

''I want to support creators but I don't know what to say and I feel intimidated by their talent so I just lurk silently :((('' I swear to you, no creator (at least not the majority) is making up an intimidating persona to discourage you from interacting with them. They WANT your comments. A single ''I love your art/writing/videos'' or even something as silly as ''I want to eat your art'' is enough to keep a creator sighing dreamily for WEEKS. It doesn't have to be deep! It's heartfelt and that's what it matters!! (Just remember to keep it relevant and thoughtful... It takes just a bit of common sense NOT to comment things like ''this looks like (another character)'' or ''this but with (another unrelated ship/character/show)''. No one wants to hear comparisons or unrelated ideas when they’ve poured their soul into something.)

In fact, the ''I like your art but I think you're intimidating'' feels more hurtful than flattering. It makes me feel like I'm doing something wrong, acting wrong. 💀

If you love that fanfic that changed your brain psyche forever and want to gush about it, go tell the writer. If you loved so much a piece of art that you saved it a million times in your phone and can't stop thinking about it, go tell the artist. Push away the ''they probably won't care about my comment/it won't make a difference'' thoughts. DO IT NOW. You won't know when they might go inactive forever or deactivate. You can't know if that is the last piece they will ever post. Make sure you show appreciation to creators NOW, while they are still here. While they're still not being replaced by AI.

[lucidbee]

Love Is A Science | Percy Jackson x Reader

Summary: You and Percy have always been best friends you just needed a little push for you to become more.

Word Count: 1.1k

Author Note: Did I write this in the car to eat dry turkey and complain to my family about what tariffs mean, yes. Did I get car sick from writing this also, yes. Not proofread. Happy Thanksgiving, everyone! Feel free to leave any requests. 

—---—---—‐--—---—---—---—---—---

You and Percy had been friends ever since he came to Camp Half-Blood. You both were always next to each other; if you weren’t, you were talking about them somehow. Every camper could see that both of you were meant to be together. The teasing and questioning were endless. The Aphrodite cabin had a blast creating different scenarios and challenging each other on who could get you two together first. For years the both of you had been denying any claims that you were anything more than friends. Both of you believing that you were just really good friends, companions in battle. 

But after the battle in Manhattan, things started to change, both of you becoming more aware of each other's presence, not wanting to be more than an arm's reach away from each other at all times. Something deeper had started to grow after all these years, something unspoken.

That's where you find yourself, both silently staring into the fire crackling on the beach. You’re wrapped in Percy’s arms, your back pressed against his chest. Before the battle, if anyone had asked, it would have been simply cuddling nothing more, than just a way for two friends to stay warm. However, now if you were asked the same question, you weren’t sure what you would say. It was different now, you didn’t just want to be around Percy anymore, you needed to be around him. You needed to know that he was safe, that you weren’t going to lose him. The possibility of losing Percy opened up feelings you had no idea you had for the son of Posideon. 

You wanted to kiss him, to be held by him, for him to fight every battle with coming home to you as his only goal. You were hopelessly and undoubtedly in love with Percy Jackson. The only trouble was that you had no idea how to bring the topic up to him. You had spent years denying the claims that you were lovers, was it possible for him to have the same change of heart as you? 

The fire crackled loudly filling any awkward silence. You knew you only had so much time to confess your feelings before curfew, if you didn’t do it today you knew you would talk yourself out of it every day to come. 

“Percy?” You call out not taking your eyes off of the flames.

Percy, who is usually quick with his words, had been unusually quiet this whole time. Usually, he would be humming a song, or bouncing his knee to create any sort of noise. Today he looked completely lost in his thoughts. 

“Percy?”

“A daughter of Aphrodite asked me out today,” Percy said looking down to look at you.

Shocked was the only way you could describe what you felt right now. Your heart started to race and your head started to spin, were you too late?

“W-what did you say?” 

Percy sighed before saying “I told her I would think about it.”

More dread filled your body. “Do you like her?”

“Well no, but there is no harm in just one date right?”

Your head was still spinning but your heartbeat started to slow back down, you still had time. 

“Do you like anyone?” You asked.

“There is this one girl, but I don't think she is interested.”

Your heart broke at that moment, you had waited too long. You could have had him years ago but now that you are about to lose him you have never wanted him more. Pain fills your body, and you find it more difficult to breathe. 

“She would be dumb not to be interested in you, Percy.” You say tears filling your eyes.

“Y/n are you okay, did I do something?”

“No, it's what I did,” You say tears strolling down your face.

“What did you do?”

“I didn’t tell you how much I love you and now it’s too late.” 

You stand up wiping your tears, needing to separate yourself from Percy. Percy soon follows but keeps his distance.

“Y/n?”

“I should have told you so much sooner, but we both needed time to heal after the battle and I was worried you wouldn’t feel the same way,” You ramble off walking back and forth.

“Y/N,” Percy yells.

Your head swings to look at him, tears still streaming down your face. Percy steps closer taking your hands in his. Both of you keep eye contact the whole time as he allows you time to calm down.

“I love you too”

“You what?”

“The girl I was talking about was you, I love you.” 

“This isn’t funny seafoam, you can’t joke about this, I’m barely holding myself together right now.”

“I’m not joking, in Manhattan, all I could keep thinking about was that I was terrified I was going to die before being able to kiss you.”

For what felt like an eternity you were finally able to breathe. The pain washed away into a feeling of overwhelming joy.

“Kiss me,” You say.

“What?”

“Kiss me, do you not want to anymore?”

“NO,” Percy yells.

Percy quickly takes you into his arms and presses his lips against yours. Your eyes quickly shut, wrapping your arms around Percy’s neck. It was everything you imagined and more, you could have stayed in the position for hours. That was until the sound of a horn being blown in the distance alerting you both that curfew was in a few minutes. 

“I don’t want to let you go,” Percy said nuzzling himself into your neck.

“Then don’t.

Percy looks at you in a confused way, when you finally explain it to him. 

“You’re all alone in your cabin, sneak me in.”

“You are brilliant,” Percy says giving you a light peck.

Percy quickly put out the fire that was still burning beside you, before taking your hand and rushing off of the beach and into cabin number three. You both leave grinning and completely absorbed in each other. Completely not noticing the daughter of Aphrodite and Athena hiding behind the bushes.

“Told you all they needed was a little push to figure out what they were missing out on,” Annabeth said.

“You are a genius and about to be the richest person in camp, we’ve been betting on them for the last four years,” Drew says walking back towards the Aphrodite cabin.

“What can I say love is a science, after all, let me know if you need any lessons.”

“Don’t push it, brainiac.”

[alikuarso]

To answer your question about Fresh: Fresh is actually a parasite! He dresses in his 90's-themed clothes and speaks in a silly way so that others underestimate him. His main and utmost goal is to Survive, and the way he does that is by infecting other people with his parasites and draining the life from their souls. Being seen as harmless lets him get closer to them and gives him easier access for possession. He hopes to eventually take over the multiverse, spreading his parasites in every corner of it and having absolute control.

He also has no emotions. He is capable of them, but for whatever reason he is unable to feel much, besides the rare instance of anger. He does frequently feel fear, though.

He is a bit sadistic, and he likes seeing others suffer. This is because when he takes over someone he drains their soul of life, which causes them pain. And to him, taking someone's body means safety, it means he can survive a bit longer as long as he's snatched their body. So he's come to associate the pain of others as something good.

And he's also aware of the creators/viewers, thanks to an event called the Loveball, which is canon to his character.

Going to copy and paste my own words for this [I was talking to a friend about Loveball]:

"So, like seven years ago there was a fandom-wide event called the Loveball, where people gathered their OCs and had them all attend an UTMV dancing ball. Fresh went, of course. There, he met a Frisk called Pacifrisk. Even knowing who he really was [90's parasite], they still believed he could be good. Before this, he hadn't ever really felt a connection to anyone, or even positive emotions in general. But Pacifrisk's faith in him made him feel positively towards them. This freaked him out. [No Fr@ns though, don't worry. That wasn't the intention for this plot.]

As a result, not only did he try to kill them, but he also went through with his plans: the Fresh Takeover [I forget what it's actually called]. His true reason for attending the ball. OCs were either possessed by the parasites or tried to fight against them. Apparently, some people used alcohol to ward the virus off, as Fresh hates substances such as that.

Fresh wanted to take over the multiverse, with this Loveball being the first step for his total domination.

But then right in the middle of things, a Sans AU [which I totally forget the name of X,D] grabbed Fresh and basically yeeted him into an alternate state of being. One where he could see the creators, all staring at him. An audience.

The Sans revealed the nature of Fresh's existence: That he was simply a character in a story. And if the creators got bored of him, he could easily be written aside and forgotten. Erased. His conquest didn't matter, in the end.

Predictably, this gave him an existential crisis. I'm not sure what happened after, but he stopped invading and went somewhere to contemplate his existence in a depressed state.

Afterwards, he had a new goal: To entertain. To convince the creators that he was worth keeping around. Similar to his previous goal of survival, but now with more dire stakes."

His creator @loverofpiggies has some posts about the Loveball, tagged under either the 'fresh sans' tag or the 'loveball' tag, which I recommend you check out! ^^

But yeah, to answer your question: The reason Fresh fought Ink was probably 1: because he saw it as a good way to keep himself alive and 2: So that he could be relevant and interesting to the viewers.

Hope this answered any questions you might have about him! ^w^

THANK YOU BECAUSE THERE'S NO WAY I WOULD HAVE FOUND ABOUT ANY OF THIS OTHERWISE😭😭😭 THAT'S A LOT

Now I want to draw fresh existential crisis mood, That's something I never would have imagined existed

Im still a bit confused about fresh not having emotions¿ but I think I got the idea, but still, why does he feel fear?

I think fresh is becoming my favorite now, help, error do something

(Thank you again for your time✨️)

[undergrounddweller89]

I want to read a story where D-16 starts getting jealous because Orion is talking a lot to Bee, or being as love language like with Bee as he is with him, you know like how Orion has to touch everyone , cause he likes physical contact

(omg you fucks don't you even think about taking that in the wrong context I swear to fucking god)

The man is texture affectionate, hand on the shoulder, in personal space kinda person , the mech would probably be thee most affectionate kisses you're forehead at any chance hand holding, cuddle you kind of lover I swear to god, and then he'd just straight up get so blushy if someone did that to him.

Ahem anyway as I was saying, I want to read a story where D is jealous because they've never said they were in a relationship but he's afraid that Orion is finding interest else where and isn't it obvious that he likes him???? It is right? Oh god what if Orion doesn't realise, what if Orion doesn't like him like that....so I guess yeah I also want idiots in love to.

😭💖

If anyone knows a story even similar to this....please lemme read.

[fairystarstorm]

Thinking about what's going wrong with Arcane s2

I have not finished s2 yet (still need to finish act 3 but basically got all the major spoilers). I feel like a big problem with this season and why the Z vs P conflict fizzled out is that so many characters are simply not in the that narrative anymore. Especially since they all had interesting stories to explore in regards to it. And if they are apart of the plot line, the things that would make things more interesting are simply ignored.

Taken from the narrative

Heimdinger: the founder of the city realising that the society he built ain't shit and that he failed Zaun by not helping to uplift and protect them (instead of just picking out a pupil from Zaun and calling it a day). All that Talk about how destructive magic could be in the wrong hands while realising he build a society filled with those exact wrong hands because of his inaction. Him actually putting in the work to change and dismantle those structures and belief systems that he allowed to grow in the first place

Jace: He goes against his own morals once again to build weapons for Caitlyn and her team. But we get none of the introspection or the regret that should have gone with it. Why because he is off in an alternative reality fighting for his life. He finds out that Hextech is poisoning Ekko's tree and there's nothing more to that conversation?? If something had gone wrong with the core it could have destroyed Zaun? Something could have happened that could have disabled or killed many others like it did with Viktor. But let's gloss over it. Him reconciling with his actions as a councilor??? That kid really was just a blip in his life i guess.

Viktor: a big problem I feel with Viktor's character is that he can feel very removed from Zaun at times. Like we never got to see his horror about Hextech being used against his people. We never got to know about any family or how he actually felt about being resurrected. What his plan was for Zaun beyond making a little commune. A huge part of that is also because they barely let this man have meaningful interactions with anyone in s2 besides ghost Sky and Jace. Vi, Jinx, Vander and Isha going to his commune could have been a possibility for that. Because even though I do believe that Vander and him did not know each other personally, I don't think he would not have known of him. Also we barely hear him talk meaningfully about his identity as a Zaunite in Piltover

Ekko (and the firelights in general): In my opinion the biggest snub. The others character arcs were mostly about other things in s1 (piltover politics, hextech etc.) but Ekko's whole motivation was to protect his ppl from both the enforcers and Silco. However we didn't get to see him deal with the rise of enforcers in the undercity or Sevika being the one to try and unite Zaun. We didn't get to see him grapple with the fact that Vi became an enforcer or that he was wrong to place his trust in Caitlyn. And even though I love how ep7 is highlighting his good qualities I wish they were explored in his timeline. Him being there would have also allowed for more spotlights for the firelights and Zaunites in general. None of the other people in the cast (Except for Vander) are as involved with regular people in Zaun then he was. It makes Zaun feel less complex and lived in beyond the visuals.

Mel: Considering that they are setting up her mother as the true big bad (which flattened the Z vs P conflict + general bad writing surrounding ambessa which i won't discuss now), it would have been nice to have her be able to react. Like in the beginning of the season we get it a little bit with Mel using spies to figure out her mother's plans. We could have had her realise that Piltover is not fundamentally different from Noxus because of how easy it was for her mother to take over. Only that the violence they dish out is different between the 2 cities. We could have had her sit that in both cases she is part of the oppressive class and that she was only acting out of self interest rather than actually caring about these issues. Instead of her being Kidnapped to get powers, let her finish the story arch that had been set up for her in s1.

Underexplored

Sevika (And Jinx): her involvement with Silco and how that is seen by Zaunites that are not chembarons. Ppl being unwilling to trust or listen to Sevika pleading for united Zaun when she was apart of Silco's operations make sense. Silco brought shimmer into Zaun. Ekko says that a lot of the firelights joined because of how it ruined their lives. Sevika having to struggle with her role in it and how it ultimately makes it harder for the to reach her goal would have been satisfying! Also her showing up after episode 4 would have been nice in general. Also same with ekko, she was the only one who was reaching out and communicating with different groups of Zaun. She and Ekko were windows into Zaun society that they just kept closed for some reason.

Vi: Just everything man.... her trauma, her choosing to be an enforcer, her alcoholism... her relationship with Jinx/powder, her guilt, her role as protector who seems to be failing no matter what she does. All kinda of flushed through the drains for caitvi to be able to exist (yes i dislike caitvi, no i also don''t really care for jayvik or timebomb and i am also a lesbian).

Jinx: I thinks she has been done quite well so far but I have heard for how her arch ends and it is just bad..... also wished they explored Isha more and what Vander coming back would mean for Jinx

Caitlyn: wish they would actually put the responsibility of her actions onto her instead of Ambessa/Jinx killing her mom. Also the fact it was never addressed that even in s1 she was microagressive as fuck towards Zaunites. Yes she eventually saw the need for independence (after talking to Ekko mind you) but does that mean anything if when she was in power due was actively making things worse for Zaun. She could have started working kn redeeming herself but the fact that the narrative/the writers don't want to put the full blame on her just makes that idea seem laughable

Tbh a lot of it has to do with the fact that the writers didn't let characters interact with each other for long periods of time or deal with the consequences of their actions but hey at least the coplesbians fucked and the scientists had their madoka magica moment

[vro0m]

Okay I'm just gonna say one last thing about this and then be done with it. Some people are unhappy with things I have posted here. I have read what they have to say.

That said : I am not responsible for other people's opinions, thoughts, and actions, only my own. If you agree with me or not, if you're capable or not of making your own mind about things, including about the opinions I post on my blog, is none of my business.

I am not a teacher. I am not a pundit. I am not a journalist. I have no authority. I also have no duty to any of you. I don't even owe you an answer yet here I am.

All of you have and are entitled to your opinion of me and that too is none of my business. I'm not trying to convince you of anything when it comes to me. I am not interested because we don't know each other. If you think I'm wrong, then I'm wrong. If you disagree, then you disagree. If you think what I post makes me a bad person, then I am. That is your opinion and it is fine by me.

And if you think I somehow have influence, it is because you gave it to me. I did not ask for it. You can take it away if you want, that's up to you. As far as I'm concerned this is just a place to set down my thoughts about F1. Whether you interact with my blog is your choice. Whether you give me reach by reblogging is your choice. I'm not forcing you to read what I post. There are options to never have to perceive me again and to forget that I exist. You can unfollow and block me. If you dislike what I post, if you find that I cross a line or am offensive, it is for you to do what you need to do to not see it anymore.

I will not pander to anyone but myself because this is my space. As such, I will keep doing whatever I want on my own blog, including choosing what I want to engage with or not, and what I want to say or not. Everyone of you make your own choice about whether or not you want to keep seeing what I post. I will take responsibility for myself, you can take responsibility for yourself.

That is the last I will say on this.

[atlasrayz]

Ok hi time to rant abt hazbin/helluva because i will forever be upset about the outcome of those shows.

Indie animation has been on a rise lately, with so many different amazing shows being available on youtube.

I watched the hazbin hotel pilot around the time it came out, and it really interested me. The characters seemed interesting and the premise wasnt really something you see often. I was excited.

I kept up with Viv's work and got into helluva boss. I thought it had some good jokes and the bits of lore we got made me want to keep watching. However, the premise of literally every episode is the same. A bad ex or a bad dad. Its a formula, and it shows up in Hazbin too.

Viv has some obsession with daddy issues, and problems with characterising her women characters. Charlie is the *main character* of Hazbin Hotel, but she has literally no growth or development. Millie also falls victim to this.

The one episode where she actually gets some attention feels... wrong? It felt like they were mischaracterising Moxxie so that they can fabricate conflict between Moxxie and Millie. Moxxie loves his wife, and he has literally never once been shown or implied that he would try to upstage her. Yeah, he's definitely got some inferiority going on, hes constantly being belittled by Blitz. Hes the show's punching bag, but i feel like it had never been implied that he hated himself more than he loved his wife. I hate that episode with a burning passion because how tf are you going to mischaracterise your own fucking characters.

I hate the way they did Lucifer. He should NOT have been some wacky, silly guy who just doesnt know how to reach out to his daughter. He's not bad! He's just anxious UwU. His entire character is irritating. Having a wacky fun character is fine, i love characters like that, but Lucifer shouldn't have been that character.

In the pilot, it was implied that Lucifer hangs over Charlie and his influence puts a lot of pressure on her, but then we meet him and hes just. A guy. Who doesnt talk to his daughter a lot. Which makes absolutely no sense. You could argue that they retconned a lot from the pilot, which, yeah, its all new voice actors so, sure. But then, why wouldnt they remake it in some way, in any way?

Not to mention that all the characters feel flat. Even in Helluva. In Helluva we get filler and backstory, but even then the characters dont change or grow. Quite literally the only good thing out of Helluva is Fizz. His arc and story is the only one that actually breaks from the formula of bad ex bad dad and his character actually changes from the lessons in the episode. I love Fizz for pretty much that reason alone.

Moxxie and Biltz have an episode where they promise to be nicer to eachother *and then they fucking don't?* They stay the *exact same* towards each other. If you're going to do that, then don't make a story based show. Make one of those slice of life, 10 minute episodes combined into one 20 minute episode that shows no growth, and is just there to be fun. Those shows arent bad, they just have a different purpose.

I've been so upset with the results of Hazbin Hotel. The pacing is awful, the characters have no time to change or grow, and their dynamics just arent interesting. It sucks because I saw a world where this indie show got on amazon prime (!!) And was amazing and did amazing things and set the stage for other indie shows to finally get big and then all we got was poorly written, rushed slop that feels like a huge kick in the teeth to anyone who cared about the show. Or, at least, it did to me.