#i don't even think i have to explain that one

[hrrtshape]

✶ THINGS TO REMEMBER WHEN YOU’RE DOUBTING SHIFTING.

𖥻  SPACE. just.. HELLO ?? we are literally a speck of dust in a ginormous cosmic playground that we can’t even fully explore because we’re too busy figuring out if cats can vibe to beethoven or if that godforsaken dress is white or blue. you think THIS is the only reality? somewhere out there, there’s a planet where the sky is pink, dogs talk, and you’re riding unicorns. shifting is NOT a crazy concept.

𖥻 DINOSAURS. THEY. WERE. REAL. like actual dragons without wings, stomping around, acting like they owned the place. if THAT can exist, why not shifting ? you think the universe peaked at “giant chickens with teeth”? no way. reality is way too wild for limits.

𖥻 DÉJÀ VU. EXPLAIN IT WITHOUT THE MULTIVERSE. I DARE YOU. why do we randomly feel like we’ve been here before, done this before, or even said this before? because we HAVE. somewhere, somewhen, sometime. you’re already living proof of infinite realities brushing shoulders.

𖥻 QUANTUM PHYSICS (4 da nerdies). scientists out here with their schrödinger’s cats and double-slit experiments proving that reality isn’t fixed. it’s ALL probabilities until you observe it.

𖥻 YOU'RE HUMAN. our brains are INSANE. dreams? lucid dreams? daydreaming? thinking of a time and feeling like you just tasted it? if your brain can already do ALL THAT, shifting is just another level. literally just....closing your eyes and opening them in another place.

𖥻 YOU'RE ALREADY DOING IT. every time you daydream or even think “what if,” you’re stepping closer to a version of yourself in another reality. you're peeking through the multiverse’s window. shifting is just diving in instead of peeking.

𖥻 YOUR DESIRES EXIST. if you can imagine it, it exists somewhere. that’s not wishful thinking; that’s logic. where do ideas come from if not from infinite possibilities? you’re not just dreaming—you’re remembering. nothing goes by you without a purpose. if it found you, it was supposed to !!!!!!!

𖥻 THE MANDELA EFFECT. remember when pikachu definitely had a black tail tip, or when the berenstain bears were called the berenSTEIN bears? reality’s already glitchy as fuck. shifting? just another glitch—but YOU’RE IN CONTROL.

𖥻 FAIRYTALES HAD TO COME FROM SOMEWHERE. you think someone just WOKE UP and said, “dragons, magic castles, enchanted forests!” no. no. no. those stories? they’re just whispers from realities where that’s NORMAL. you’re not making it up—you’re tuning in. experiencing it. liviiiiiiiing it.

𖥻 TIME IS FAKE. i said it. not to get too conspiratorial on my tumblr blog, but what even IS time? a straight line? a wibbly-wobbly thingy? we made clocks, but the universe? the universe is, like, “what is a ‘tuesday’?” shifting doesn’t care about time; it’s above all that silly nonsense. and so are you.

𖥻 PARALLEL UNIVERSE ARE A THING ('n' SCIENCE effing SAID SO). quantum mechanics already told us there’s an infinite number of realities where every possibility plays out. in one of them, you’re already living your best life. shifting is just YOU popping in to say hi to THAT version of you.

𖥻 REALITY IS (lowkey) BORING WITHOUT BELIEF. why settle for “this is it. this is my life. a 9-5 job. a life which i barely live out” when the multiverse is basically screaming, “come explore!!” ? you’re a creator. you’re a wanderer.

𖥻 "I FEEL IT" IS ENOUGH. don’t let anyone tell you otherwise. if you can close your eyes and feel that DR, the love, the magic, the LIFE—you’re already there. the multiverse doesn’t need proof; it needs belief. so don't let idiots with half a brain on tik tok tell you that you're wrong, when you're so, so, so, so, SOOOO close to BEING THERE and living your best life.

𖥻 finally, LITERALLY, WHY NOT ?  life’s already bananas. people thought flying was impossible, and now we’re out here booking ryanair flights to halfway across the world. people said sex with robots isn't true, and kim k is already siting on a robot's lap. people said the government cannot be stupid, and elon musk is already part of it. shifting is just the next “impossible” (and not to be cheeky...but the word literally has 'i'm possible' in it) thing that YOU are proving possible.

so. girl. dude. diva. bro. go shift.

[sassypotatoe1]

Oh by the way I once attended a writing seminar in early high school and the journalist/author presenting it insisted that you have to keep a notebook on you at all times and write down EVERYTHING that even remotely grabs your interest. Like yeah you'll end up with a notebook full of "this guy at the coffee shop tried to carry 4 drinks without a cup holder and absolutely ate shit and then asked for a mop so sadly you could almost physically see the rain cloud above his head" but you also now have a great way to describe a similar scene in your book.

My postgrad writing class had a vignette assignment, and the task was to make the most boring setting sound as interesting as possible in 300 words. I won, because I wrote about the security guard at the cafeteria checking till slips and how tired everyone looked because it was exam season, like much better than that though, and people were actually shocked silent for a good 3 minutes after I read mine aloud.

Anything can be a good idea, it just depends on the value you attach to it and the effort you're willing to put into it. I made a vignette about a security guard checking receipts sound like Shakespeare (in the words of one of my classmates) because I didn't say "the security guard diligently checks every receipt as students leave to continue exam prep" I got his name and said "as tired as the students are of repetition and reviewing this time of the semester, they don't hold a candle to Steve, who faces the repetitive reviewing of students' receipts every day for the whole year and never fails" and like, is it my best work? Nah I was exhausted and it was exam season, but I managed to use the humanity of the experience to give life to my writing. I wanted to do Steve justice, so I gave him life in my writing.

Any silly little idea you've ever had has value, it all just comes down to whether or not you choose to pursue it. I like older fiction writing because a huge chunk of it is exposition, and it's floral, and I know that's not everyone's thing but I absolutely love reading about Elvira's drive up to her cousin Jeffrey in her old blue Ford fiesta, with her mongrel coward dog in the back seat.

A lot of modern writing forgoes exposition because the current trendy assumption is that people don't want to be explained at when they read fiction, and that people's attention spans are too short for exploring the mechanics of a world and they just want to get to the plot, but I think there's value in talking about the guy eating shit with four drinks in hand and asking for a mop, even if it has no bearing on the plot. It gives your story life, and it does the people you base it on justice.

The Shape of Ideas

[v6quewrlds]

❝ all yours, j. burrow. ❞  ‎ ‎ ┉  

‎ ‎ ⁎⠀┉⠀summary: nyla's latest single is making waves. the audience has questions for her elusive boyfriend, joe burrow.

‎ ‎ ⁎⠀┉⠀author's note: requested by an anon! i felt bad about not being able to finish the joe/tee fic, so i made this. wanted to try something different so i went the smau route, hope you like it <3 this is somewhere between y/n & oc, think of nyla as a stage name i guess lmao

‎ ‎ ⁎⠀┉⠀pairing: joe burrow x r&b singer!oc [fc: lori harvey].

nylaupdates just posted .ᐟ

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nylaupdates: "all yours", the first single from nyla's third upcoming studio album releases at 12am eastern time tonight.

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user1 REAL vocalists are back!! 🤭

user2 this cover??????

user3 oh skin is tea! -> user4 i see that la roche posay check hit 🙂‍↕️

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nyla added a photo to her story .ᐟ

[caption: "all yours" is now all yours 🤎]

view story replies.

joeyb_9: lyrics 💯🤎 -> nyla: do we have a fav line?

joeyb_9: this kitty got that midas touch... sounds familiar -> nyla: inspired by a little something you might have said once or twice

joeyb_9: i cannot be held responsible for what i say under your influence -> nyla: whatever u say joey 🤎

lahjay10_: mm ah mm ah 😁 -> nyla: mm ah mm ah 😁

jjettas2: i have a question. ✋🏾 -> nyla: no 🤎

jjettas2: could you please explain what i did to deserve such an explicit description of one of my best friend's sexual abilities?

jjettas2: love the song btw 🤟🏾

jjettas2: been bumpin it since this morning ngl

jjettas2: broooooo i just seen you add another post to your story 😑

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nyla just posted .ᐟ

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nyla: familiar.

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user11 maam we have to discuss those lyrics -> user12 clock it! cus "make it icin'"??? MAKE WHAT?!

ryandestiny stunna -> nyla 💎💎

jjettas2 album when -> jjettas2 miss big time can't respond huh -> user13 my goat is in his bsf gf's comments begging for a response 😒 -> nyla smh 😮‍💨 they don't make 'em like they used to... -> jjettas2 😐

joeyb_9 very familiar -> nyla gang -> user14 this man ain't even like the pic but somehow... here he is... 2 mins after she posted... -> user15 LMAO down horrendous -> user16 this is romance. -> user14 idk what's worse: the fact that he was here immediately, or the fact that it took him 2 mins to come up with "very familiar" -> user16 def the second one 😭

teehiggins album when 🫢 -> nyla soon soon soon -> jjettas2 man fuck yall

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joeyb_9 just posted .ᐟ

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joeyb_9: offseason in paris

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user17 just fell to my knees in the walmart parking lot

user18 😍😍😍

user19 what a handsome young man ☺️

nyla "serving offseason realness" -> joeyb_9 ? -> user20 LMAOOOO

user21 nyla i understand i really really do -> user22 she may tell you a joke... -> user23 but NEVER A LIE!!

user24 goo goo ga ga -> nyla girl-

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nyla just posted .ᐟ

liked by joeyb_9, gigihadid, and 1,297,581 others

nyla: familiar, july 17th.

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user25 did she just? -> user26 name her album after that fuckass thread? yes. -> user27 cryingggggg

jjettas2 i've been waiting for times like this 🤌🏾 -> user28 she's not gonna respond bro -> user29 he's just tryna get noticed 😔 -> nyla 🤷🏾‍♀️ -> jjettas2 you know what...

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joeyb_9 just posted .ᐟ

liked by bengals, nyla, and 726,048 others

joeyb_9: icing on the cake 🍒

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user36 what did he sayyyyy?

user37 i have no one to talk about this with

user38 jump fuckin' scare -> user39 he's so unserious

user40 just casually dropping that cute ass pic... okay then 👍 -> user41 asf

nyla my man? my man. my man! -> jjettas2 7 stages of grief ass comment -> nyla ykw buy your own tickets to the tour -> user42 TOUR???? -> nyla international ✈️✈️✈️ -> jjettas2 fuck the tour, you choose to respond now? cool smd -> joeyb_9 🥴 -> nyla 🫶🏾

[mlyscha]

↳ DO YOU FEEL... BONITA? ⭑

𝓼ynopsis. in which you replace their chap-stick for a red lipstick. the question is: do they feel bonita? 𝓹airing. enha!member x female!reader. 𝓰enre. fluff, crack, kind of suggestive at jay's part, trendy. 𝔀arnings. curse words, mention of having a period, mentions of food, riki's kind of mean? , not proofread, english is not my 1st language. 𝔀𝓬. 2k+ 𝓶asterlist.

♡ 𝓪melie's 𝓷ote: this scenario ended up being super basic, i feel bad for you guys (๑-﹏-๑) i haven't been really active, so i wanted to post something decent, but... i don't know, you guys tell me if this one wasn't the greatest lol also, i wanted to share a new word i learned a few days ago: therefore! now you might even see this word being casually used on my writings ><

― 𝓱eeseung: suspects... a lot.

"babe, are you leaving already?" you pouted, watching him picking up his wallet and checking his phone; expecting a text from enha's group-chat. "yeah, i'm actually running late," he chuckled. "they arrived?! 'kay, a kiss for you miss, before i'm gone." he kisses your lips and heeseung notices your nose scrunched. "what?" seeing him frown, you decide it was the perfect chance for you to hand him your special chap-stick. "your lips are kind of crusty, here," you notice an even more confused face expression coming from him. "what do you mean... crusty?" "just apply it! it'll surely make it better!" you explain, making him sigh and finally apply the red lipstick all over his lips - making him look like a clown. "okay, can i go now, princess?" you nod and he smiles, giving you a small peck before finally leaving.

an hour later you heard the door being snapped open, and that's when you knew: heeseung learned about the lipstick. "y/n! why would you do this?!" a sudden shout echoed through the walls of your shared home. "heeseung? baby?" you appeared, coming out of the kitchen with a mischievous grin. "what happened?" you asked, holding a innocent voice. "what have you done to my lips, y/n?!" his face expression was a mix of embarrassment and worry. "what do you mean? you look-" you let out a stifled laugh. "fine! you look fine!" "baby, no way this" he points to his red stained lips. "looks fine! the boys started to laugh at me and i didn't know why! even riki made fun of me!" your boyfriend whined with embarrassment. "now i know why the waiter started to look at me with a funny face..." "i still think you look handsome with your red lips." "IT'S RED LIPSTICK?!"

long story short: heeseung couldn't trust when you gave him a chap-stick EVER. he always makes sure to check the colour of it and even learned a trick to double check it: by pulling you for a kiss. and what can i say... you may have been caught a few many times.

― 𝓳ongseong: couldn't care less.

you were brave enough to make your boyfriend apply chap-stick while going out on a date night with him. in the car you told him his lips were looking kind of dry, and knowing where and how this night could turn out, he immediately took the chap-stick you handed him, applying all over his lips ― with abundance, highlighting even more the red lipstick you purposely replaced. arriving at the front, jongseong handed the valet parking his car keys, entering the restaurant with you. when both of you walked into the place, the waitress who works at the front door couldn't stop staring at your boyfriend; and you swear that if he wasn't wearing such an scandalous colour of lipstick you would assume she was flirting with jongseong.

anyway, after some good wine and a delicious meal course, you were sat beside jongseong, half of your back was falling to his side ― close to his chest. meanwhile, his arm was hugging your shoulder while holding your right hand, a romantic and intimate position to stay. your boyfriend would place kisses onto your forehead. during this whole intimate moment, you decided to make him apply more lipstick since it was fading. however, after a few minutes, you realised he won't notice it, so you took matters to your own hands, pulling your phone from your purse and asking for a picture. agreeing, you opened the camera app, revealing his subtle red lips.

"what is this on my lips?" he gently touched his lips. "what do you mean?" you turned your head to look at him, pretending to be curious. "sweetheart, what have you done?" jongseong asks you with a small grin, dropping his head to the side, shooting you heart eyes. you chuckle, amused. "i didn't do anything," you shrug. "you may have kissed the waitress, she is wearing red lipstick." he laughs out loud, leading to a few confused sights laying on both of you. "this red lipstick might stain your lips soon..." he whispers against your lips. "i can't take you seriously right now!" you giggle and he smirks, amused.

― 𝓳aeyun: "your daddy feels bonita, layla"

jaeyun enjoys going out for a walk with his daughter: layla. and usually, both of you go out together, and this time couldn't be different. however, the only difference this time was your boyfriend's red stained lips. you told him, while walking, that you've been using this new chap-stick and commenting on how much your lips have looked and felt more hydrated ― even jaeyun agreed. therefore, you pulled the famous chap-stick out of your jean's pocket and handed him, making him a bit startle from the way you casually pulled it out of your pocket right after finishing talking about it. you noticed he pondered a bit before applying it all over his lips. you smiled while he was doing so, finding this situation amusingly cute. he smacked his lips together, commenting after a surprised hum: "it's actually good, i can already feel my lips hydrated!"

layla began to feel tired, so did you and jaeyun, so, spotting a bench nearby, you sat beside your boyfriend while layla sat on the floor. and if this couldn't get better, your little family stopped at a crowded park, so as people passed by, jaeyun couldn't be ignored. "babe, why's there so many people staring at me? even girls! don't they see i am taken?!" he complained while pouting, hugging your arm. "right baby?- why are you laughing?" he frowned, even more confused when he saw you taking a sneaky picture of him. suddenly, a kid shouts: "look, mum! a clown!" the mum stares at you, at your daughter and then at your boyfriend, and she were clearly holding herself and not burst out of laughter. layla begins to woof at the kid, and you say: "calm down, baby, your daddy feels bonita, layla." "what does this even means-"

minutes later he discovered what that meant. ദ്ദി(˵ •̀ ᴗ - ˵ )

― 𝓼unghoon: he has a convenience store phobia now.

you were craving something sweet in the middle of the night since your period has started, so you asked you gently asked your boyfriend to go to the convenience store for you and buy you a sweet treat. sunghoon, feeling a bit upset, agreed, since he felt afraid you wouldn't be able to feel better soon. with that, he covered himself with warm coats as you told him so. however, before he left you told your boyfriend to apply some chap-stick ― telling him the cold weather could break his lips. he simply nodded, asking you to apply it for him and you did it perfectly ― since he were sweet for going to the convenience store for you under the cold weather and at night. you stole a kiss from him before he was gone, trying your best to quickly turn your face away from him because your lips might have been stained by the colour of his.

"i am never coming back to that convenience store ever again." "oh, hey, baby," "y/n, why does my lips look red?!" sunghoon questioned with terror. "what do you mean?" you dropped your head to the side, faking a confused feeling. "y/n, the cashier was looking at me funny and even an old lady was staring at me like i was crazy!" your boyfriend explained, holding two plastic bags full of your sweet treats. "and then, i could not notice them staring at me, so the moment i stepped out of that place i pulled my phone and checked myself and i saw this... i mean, there were many reasons why they could be staring at me, and usually is because i am handsome, not this!" he points to his face entirely. you giggled as you felt his desperation. "you are so cute, i love you, even with your red lipstick." you kiss him on the cheek. "i am killing myself." he says with the most serious face ever, plopping on the sofa. "well... more chocolates for me." you shrug.

― 𝓼unoo: silly lovers hehe.

you watched this trend of replacing chap-stick for lipstick go viral everywhere, so you decided to try it out with your boyfriend. so, when both of you were sat on the sofa, you asked him for a kiss, and when he gave you one, you scrunched your nose and commented: "your lips are dry, let me get you a chap-stick!" he frowned, knowing that his lip care routine is amazing. but anyway, he couldn't reply it to you since you were already gone picking up that chap-stick. you came back holding it in your hand and sitting back on the sofa. "okay, mind if i apply it?" you asked him that because the lipstick's stick is bright red and it was way too obvious. also! you knew about sunoo's lip care routine and knew he was already suspecting something. "okay, go ahead..."

after you applied it, you quickly closed the chap-stick's cap, however, sunoo saw the bright red colour peaking out for a few seconds, frowning before bursting out of laughter. "what was that?!" he asked between cute giggles and a big cheeky grin. "what?" you tried to hold a smile from spreading across your face, but a small giggle came out of you. "why was the chap-stick red?" "i-it's because it is cherry flavoured, dummy!" you explained, but sunoo side eyed you, not believing in it. therefore, he rubs his index finger over his bottom lip and confirms: it was indeed red lipstick. "y/n!" he amusingly screams your name, making you run across the whole living room, before he caught you and forces you to apply it too. sunoo might even take a picture of both of you just sharing his funny moment >_<.

― 𝓳ungwon: finds out alone because his qi is 200+

it was saturday and usually, when jungwon has some free time, he enjoys going out with you and spoil you ― since he could spend time with you, gifting you things and making you happy. however, you wanted to play with your boyfriend before leaving, so, you handed him your special chap-stick and told him that it was a brand you really liked ― and he made sure to note that. jungwon applied it innocently, not waiting for anything special. smacking his lips together, he held your hand and took his car keys, driving you to the mall. entering the air-conditioned surroundings, you told your boyfriend you wanted to go get some ice cream before visiting the stores ― just to see how the cashier would react; and their reaction couldn't be more accurate: discreet giggles and a smirk were noticeable.

"babe, why was that guy laughing at us? do i have something on my face?" poor baby, you wanted to tell him YES! straight ahead, but you knew this was way too good to give up. so you just shook your head, leaving the kitten with a question mark sat on his head. while walking past the mall stores, you remembered you were running out of skin care products. therefore, you went to sephora to buy them. but, during your search, jungwon was looking around the store when he came across an isle with lipsticks displayed. he frowned when the same chap-stick packaging he saw earlier was saying it was a red lipstick. suddenly, he felt someone nudging him, so he turned to see he was it. "looking at our red lipstick collections?" a lady who looked like she worked there asked, and jungwon's frown just deepened. "um... red?" "yes! looks like you are wearing it on your lips at the moment, isn't it great?"

"babe, do you think i should get this vanilla one or this- ... oh, you found out... heh..." "y/n!"

― 𝓻iki: when they go low, i go lower.

since riki was messing up with you regularly, you decided to have your sweet revenge by making him wear a beautiful red lipstick! so you replaced the chap-stick for a lipstick and before he went to practice, you told him it was cold outside and his lips might dry a little bit faster. even though you were the one applying it, riki was insisting it was fine before giving in and letting you do whatever. you made sure to make it pretty much uneven and smudged to mess up with him even more. you gave his cheek a little kiss before waving him goodbye. the last thing you know was that your boyfriend arrived home pissed off, saying that the boys were making fun of him during practice. and you might wonder: how he didn't notice since a practice room has a literal mirror wall?! because, you know how much riki likes his hoodies? so, his hoodie's hood was covering his face almost completely! however, he noticed a few minutes into practice after one of the members point out and he finally realises.

after that day, riki's mind have been trying to come out with a worse prank for weeks. he knew that you were going to hang out with your friends the next day, so he decided to, after you were fast asleep, he would sneakily draw and write ridiculous things on your face and somehow try to convince you that he could do your make-up. surprisingly, you woke up the next day in a good mood and already forgetting about that prank you did with your boyfriend, you accepted it ― and of course he pretended to do it. when you left to hang out with your friends, not even five minutes passed by and you were already texting riki, saying that you were going to kill him ― and even sending a picture of your face, texting a hundred question marks.

riki were only forgiven because he got your favourite food that day, otherwise... ( ͡° ͜ʖ ͡°)

© 𝓪𝐦𝐞𝐥𝐢𝓮, 𝗺𝗹𝘆𝘀𝗰𝗵𝗮 𝗌𝓽𝓾𝖽𝗂𝗈𝓼. ⋆

[felassan]

David Gaider on Flemeth, under a cut for length:

"I have a type. I admit it. There are certain wells I can return to repeatedly and always find something new to explore. One of them is older female characters. Mike used to rib me about it. Consider Wynne. Meredith. Genevieve. And, of course, the biggie: Flemeth. Why are they a type? I... don't know, honestly. I guess I have a feeling that older men fade, they strive to regain their youth or establish a legacy and we've seen that story a thousand times, but older women? They become free to become something new. I guess I see so many possibilities in that. I had a conception of who Flemeth was, and why, right from the very start. Her creation went hand in hand with Morrigan, as a being whose thirst for retribution hundreds of years ago attracted an entity (slight confession: I didn't know Mythal specifically, at the time, "an elven god" was enough). I also knew where Morrigan was right and very wrong about her. Misconceptions of the truth are built into DA's foundation, and they were fundamental to this mother-daughter relationship I was building. Like many seeds I'd put in the world, however, I had no idea whether I'd ever get to explore it. Knowing that she was a character of possible future importance, if not a major player in DAO, I wasn't much surprised when she was one of the first cuts the art team made in terms of getting a unique appearance. Thus the "batty old woman" players met in DAO. Not as hard a cut as the Qunari, though."

"Going into DA2, I wanted both Morrigan and Flemeth, but we could only have one. So I picked Flemeth. This was the game where she really got to come into her own. I remember the art team coming and asking if it was OK if she got a new model, as it'd be a retcon of sorts. I didn't care. I wanted it. I honestly don't remember whether Kate Mulgrew was cast before or after Claudia. After, I think? All I recall is that Cab came into my office one day and asked if Kate might be a good fit. Asked me, the dyed-in-the-wool Trekkie who had stuck with Voyager even through the admittedly lean years? The squeal I made was un-manly. Cab took that as a "yes". 😅 I didn't get to talk to Kate until DA2, however. Schedules being what they were, we had a tight window to record Flemeth... so I had to write all her scenes before almost anything else in DA2 was written, before I even had a team! Ack! It was OK, though, for the most part. I knew where I wanted to take her, and a big part of it was going to explain her transition - to set her up for the future. So I whipped up a script in, like, two days and off we went. Kate was a marvel in the booth. She adored Flemeth and you could really tell. I didn't get to meet Kate in person, however, until DAI. This came pretty late in its development, compared to when we recorded her for DA2, and we flew down to Virginia (to accommodate her schedule - she was writing her memoir at the time, I think) for a single session. It was going to be *tight*."

"I was a mess. I was finally going to meet Captain Janeway... and yes yes, I know she's also more than that. But come ON. When we sat down, I figured I'd have to talk her through the character all over again. It'd been years since that one session at the start of DA2, right? And even more since DAO. But, no. Kate remembered Flemeth perfectly. I remember sitting there as she told me how much she loved the character, how rare it was to get one with so much texture and possibility. She called out my writing - my writing! - and waxed poetic about how she viewed Flemeth's arc. I... I was floored. 🫠 Then we began recording. One issue that quickly reared its head was how Caroline had to speed through the lines if we hoped to finish. Kate was a trooper, and most takes she'd get it in one (which is rare), but I was alarmed because we weren't giving Kate time to read the VO comments on each line. I brought it up, as there were some lines (so much sarcasm) that required nuance - Kate was getting them, oddly, but I was worried. "Oh, it's fine," Kate said. "I read the comments as we go." "How could you? We're going so fast!" "I'm a speed reader." Oh. OK, then. That certainly explained it. 😁 We got to the confrontation scene with Morrigan and she nailed it. Over and over. More than once, Caroline would make a call and, before I could even interject and say "no, Kate had it right, actually" Kate would explain exactly why she did it that way and why it worked for Flemeth. I was in love. She did the "I will see her avenged!" section all in one go. I got chills. Then we got to the final scene. You know the one. With Solas. It was this beautiful moment. She took it somewhere quiet and sad... and when she got to that last line, we all felt it: Flemeth was dead. Everyone was in tears. I suppose I could talk more about the process. How she started off aligned with Morrigan's original Delirium inspiration, but I didn't pull back her loopy way of talking as much (bet you wondered). I still don't know why it was so easy to slip into her voice, but I'm grateful I got the chance. ❤️"

[source thread]

[redshiftsinger]

This is one of the reasons I like the idea of shifting to talking about kyriarchy instead of patriarchy. Patriarchy has been a useful word, but it's started to facilitate misconceptions that are doing more harm than the good it's continuing to facilitate.

Men aren't responsible, as a whole group, for the problems of oppression within society. There are many more interacting axes of oppression, and men aren't even responsible either collectively or exclusively for problems, specifically, of misogyny. There are women who perpetuate misogyny, and there are men who actively reject misogyny.

Ironically, sometimes the women who perpetuate misogyny are the ones yelling the loudest that "the patriarchy" is to blame for all your problems, white cishet women of the world! Radfems will tell you that you need protection because you could never be as physically strong as a man. Radfems will tell you that you need special chess leagues, because you could never be as smart as a man. Radfems will tell you to embrace your "womanly intuition", because you could never be as rational as a man. They'll tell you that you don't need to think about checking yourself for inclinations to abusive behavior, because only men have the agency to be abusers. Maybe not in so many words, but if you read between the lines a little, the misogyny is plain to see.

And of course, yes, misogyny is a real problem in the world, and a lot of it is perpetuated by powerful men, who do it on purpose to maintain their power. But it's not the only oppression those powerful men wield, and it's not only wielded by men, nor do only men wield any other oppression.

All oppressions are interlinked and enabling any one of them degrades protections against all the rest. Misogyny ties into ableist ideas of superiority being based on strength, intelligence, etc. and then paints women as weak and foolish to associate women with inferiority. You can't unpick that thread from the fabric of the world without also unpicking the thread of ableism. Misogyny ties into bioessentialist ideas of biology defining who you are and limiting what you can become -- ideas that are also baked into both racism and transphobia, and which cannot be unpicked without also unpicking those additional threads, and the other ones they connect to as well. Homophobia also ties into bioessentialist ideas and misogynistic ones -- painting gay men as "feminine" to stigmatize them, etc.

To explain every interconnection of the oppression web of kyriarchy is beyond the scope of this post, but that's enough for an illustrative sample. Focusing only on dismantling patriarchy leaves too many other threads in place, and as long as they're in place, patriarchy will always manage to rebuild itself. The whole web has to be dismantled before the work can be considered "done".

garden variety conservative transphobia is going to get worse but radical feminism is also going to get worse. if youre a cis women terfs are going to try to recruit you and make you believe that the reason your rights are at stake is because of trans people. they're going to tell you that all men are your violent oppressors and they're going to include trans women in that category. they're gonna tell you about women who are gender traitors and joined the enemy and they're going to point to trans men. don't believe them. trans people are not your enemy, we have no power over you, and we desperately need your support and your solidarity.

be aware of radfem pipelines and dog whistles too. be skeptical of anyone that talks about the divine feminine or correlates birthing, menstruating, or female reproductive organs with womanhood. be especially skeptical of people who use those biological things as reasons to why women are more spiritual, or more in tune with nature, or just that they're better than men (read: anyone they decide is a man)

radical feminism is an expected reactionary outcome from cis women who are being oppressed by conservatives, especially when all they practice is ciscentric, liberal, white feminism. they feel the need to be radicalized but don't have the experience and information to pinpoint the true source of their suffering. trans people are not your enemy, AMAB people are not your enemy, anyone who identifies as a man is not your enemy. we're all being crushed under the same stone

[catherinnn]

Snowed In

a fluffy Christmas friends to lovers fic between eddie x fem!reader

words: 2.3k

divider by @strangergraphics ♡

The group was going away for the holidays. Steve's family has a cabin in the mountains and it was completely free this year.

So Steve, Nancy, Jonathan, Robin, Eddie and you decided to have your own holidays.

The cabin was... well, it was huge. It had three separate bedrooms, the distribution was: Nancy and Jonathan in one, Eddie and Steve in the other, and Robin and you in the last one.

The cabin was in the middle of the woods as well, so you had to go groceries shopping on the first day and make sure you're not missing anything. And as you and Nancy were in charge of the shopping, you also got some Christmas decorations for the house. It wouldn't feel festive if there weren't.

Problems started when one morning Steve woke everyone up feeling nervous and frustrated. We had gotten snowed in.

We couldn't open any of the doors and some of the windows. And to top it all, it was even colder inside here than before.

So your plans of going on a walk or hiking together were out the window.

"We have some movies here, I can see if there's anything kinda good" Steve offered.

"We can also bake some cookies!" Robin says—she was secretly thrilled of not being able to go hiking as she had absolutely hated that idea in the first place.

"Or... you know, we can start decorating and make this place look more festive" Nancy proposes.

"Oh yes! We bought the cutest things at the store" You say excited, getting the box with the ornaments.

"Alright, we can decorate, bake cookies, and once we're done, we'll see the movie" Jonathan plans and everybody seems to agree.

"Fuck, I think I left my cassettes in the car" Eddie realizes when he looked for them to play something while we decorated. Steve and you secretly high-five at that, being sick and tired of Eddie's music already.

"Oh well, they weren’t very Christmassy either way" you fake sympathy for him.

"Just turn on the radio, maybe they'll play some holiday songs" Steve says.

And just like that, the afternoon goes by.

Eddie and you are in charge of the living room decorations while Robin and Steve start baking.

"This is the tree?" Eddie asks me disappointed. It was a small tree that could fit perfectly on top of a table.

"Well, we couldn't get the big one! It was too expensive! Plus, what would we do  with it when we leave?" you explain.

"This is just sad" Eddie keeps analyzing it.

"Shut up! Don't say that to the tree," you shove him playfully. "Just help me decorate it!"

"Fine, let's choose the five ornaments we can put on it!" Eddie jokes.

"Look at this one" you pout taking a big sparkly red ball.

"It's bigger than the tree, sweetheart" Eddie laughs.

"You're not being festive, Munson!"

"Sorry, my apologies"

You start hanging the things on the tree until it looks colorful and sparkly enough.

"This is the star we got" you take it out of the box to show it to Eddie.

"It's actually very pretty" he admits.

"I know, right?" you say, very happy with it.

"Here, let's make it feel Christmassy enough" Eddie gets up and grabs the tree, lifting it high up in the air.

"What are you doing? Be careful!" you say.

"You have to stand on your tippies to put the star on the top, just like on a proper tree" he keeps making fun of your tree but that’s actually cute. So you stand up with the star on your hand and stretch as high as you can to reach the top.

Eddie laughs since you still can't reach.

"You're too tall! Lower it a bit!" you demand but he refuses.

"It's like on an actual tree, you'll have to keep trying" he grins.

"Alright, fine" you say and go to stand on the couch so you can reach it.

"Oh, come on!" Eddie rolls his eyes and moves away from the couch.

"No, that's cheating! The tree can't move on its own!" you complain. You grab Eddie by his arm and pull him closer again, finally placing the star at the top. "Aww, it looks beautiful"

"Decent enough," Eddie jokes and places the tiny tree next to the TV. "Is that it here? What else do we have?"

"We have a few more decorations yet. What are the rest doing?" you ask.

"Robin and Steve are in charge of the cookies, Nancy and Jonathan said they had a surprise, I'm not quite sure what it is" he says.

After you finish with the few other decorations, Robin and Steve come out of the kitchen with flour all over their faces and hair. As if they had a food fight (which was probably what happened.)

"Cookies are done!" Robin announces and Steve starts choosing the movie.

Nancy and Jonathan get back too after a few minutes.

"What were you two doing?" you ask but they just shrug and act mysterious.

"Alright, we only have The Goonies and Halloween" Steve announces our options.

"Oh Halloween, please!" Eddie calls.

"No, we're not in the horror mood anymore, I vote Goonies" you say. The girls agree with you and Steve ends up voting for Goonies as well. Eddie thinks it's just because he's too chicken with horror movies.

You take the big couch, sitting next to Eddie and share a big blanket because it's still really cold in here.

The morning of the 25th finally comes around. Robin and you wake up excitedly and run to wake the rest up as well.

You enjoy the comfort of the movie and the freshly baked cookies. And at one point, you end up too cuddled up with Eddie under the blanket, claiming it was only because you two were still cold. But it's really because his hugs have always been the best ones. It's like you two fit like puzzle pieces, perfectly together. And to be honest, it was supposed to be a comfort night, with a comfort movie, comfort food, it was only logical to cuddle with him to get the ultimate comfort experience.

The idea for this year was Secret Santa, since you were already spending on this holiday trip, and to be fair, it adds excitement to guess who it was.

You got Nancy, for whom you bought a new journal with a lot of cool and handy features, and a necklace with her initials.

The idea was that the gifts should have a special meaning between the two of you so it would be easier to guess. The journal was because she had told you she was in need of a new one already and she wanted one of these. Similarly with the necklace, one time when you two were out shopping, she was looking for a new necklace but couldn't find anything that really convinced her.

As she opens up the presents, she gasps when she notices what they were, a big smile forming on her face after.

You're very bad at this game since you're already grinning and swallowing your giggles of excitement.

She takes a few seconds, considering. Then, her eyes land on you, as if she was checking on your reaction to confirm her theory. That is what gives it away.

"It's you!" she says content. You let your laughter free, the last confirmation Nancy needed. "I love this! How did you even remember this?"

She gets up and hugs you. "Thank you, I love it!" she repeats.

The round of gift opening continues, Steve realizes Robin was his Secret Santa. And Eddie follows, realizing Nancy was his, from the brand new leather jacket she got him since she always tells him the one he currently has is looking worn out and the zipper doesn't even work.

You go to open yours next. With the excitement of a little kid.

The first thing you see is a mixtape, named 'Our Songs.’ It would be a more helpful clue if you could see what songs it had on it.

The next thing you grab is a big mug, like the ones you love. It's a white mug with drawings of little flowers all around it. Very delicate and simple, but it's exactly your style.

The last item is in a little box. Opening it, you find two rings, two matching rings. They are designed to fit together perfectly.

The smaller ring is simple, with a finer band and a small bat raised on its surface.

The larger ring is bold and bigger, with the same bat design cut out from the band, leaving an open space. The small ring can fit inside the large one, with the bat designs aligning perfectly.

Your jaw is on the floor, this left you speechless.

Recombining the clues is pretty obvious who your secret santa is. Eddie makes mixtapes for everyone and every occasion. You were still curious to see what songs it had on. The mug could be since you always use a different one from Wayne's collection every time you're at Eddie's, saying you want to have a cool collection like that too sometime. And the rings are the most obvious ones, Eddie loves bats and you had told him that his tattoo of them was your favorite one of his. Plus, he's the king of chunky rings.

You look up at him immediately, he's looking at you with a small smile, he's a better actor than you.

"It's you, isn't it?" you ask almost with a hopeful tone. He grins and nods.

You jump to hug him. Squeezing tight. "These are the most beautiful gifts I've ever gotten!" you exclame.

Eddie laughs, holding you back. "They're pretty normal gifts" he says.

"No, they mean so much more!" you quickly tell him. "Eddie, I love these rings!"

"Yeah? They're my favorite too" he smiles.

You take them out of their box and give him the big one, as you put the smaller one on. He takes one of his old rings out and replaces it.

"I love them!" you exclame again, very pleased and excited. You hug him tightly again.

"I'm glad, princess" he laughs.

The weird sensation you feel in your tummy as you see the rings on each finger, and the representation of them completing each other, does not go unnoticed by you. It's like your stomach jumped from happiness too.

After everyone guesses their secret santa and everyone is happy with their new gifts, you go back to your routine in the cabin.

You already loved his hands, and he just added the perfect detail with that ring that matches with the one on your finger. As if it brings you even closer, a confirmation of how much you care for each other.

Eddie and you offer to set the table for lunch.

"Where were the dishes again?" Eddie asks confused from the kitchen.

"On the top shelf!" You indicate from the dining room, setting the gasses on the table.

"Which one? I don't see them" Eddie says.

"The middle one" You say.

"Can't you just come show me which one?" Eddie opens the door from the kitchen, asking you.

You walk over to him, and as you are standing next to him, you signal which door has the dishes.

"Wait! Eddie, don't move!" Nancy says hurriedly.

"What? Why?" he asks, confused.

"Look over your heads" Jonathan smirks.

As you focus your view to the ceiling, you see a mistletoe hanging on the doorframe you are standing under.

"When did you put this here?" You ask them.

"It's the magic of Christmas!" Jonathan teases.

"Must have been one of the elfs" Nancy chimes in.

"Alright, funny" Eddie rolls his eyes, ready to ignore all of this.

"You can't move!" Jonathan stops him. "It's bad luck!"

"They used to believe you would never get married if you didn't kiss" Nancy tells us.

"You're kidding?" you chuckle.

"Nope, those are the rules" Jonathan insists.

Eddie rolls his eyes again, and laughs. He turns his gaze to me. "Do you really want to get married sometime?" he asks me with a smirk.

"Of course! If I don't end up getting married I'll hate you forever, Munson" you threaten.

"If you don't find another husband, I'll marry you" he jokes.

"That's not the proposal I want" you huff.

"Alright, fine, but I better be your man of honor in your wedding," he jokes. "Come here" he smirks, hiding his nerves as he grabs your face softly.

"Fine" you say, ignoring the way your heart is jumping as you close your eyes.

You feel his nose touch yours for a second, giving you time to regret this if you needed to. Then, he locks his lips on yours in a sweet kiss. You have to fight back the smile that wants to form on your face. And you kiss him back, hands on his chest.

Seconds after, you think he'd break apart, but he keeps moving his lips slowly against yours. You don't stop either.

Jonathan and Nancy walk away quietly with surprised and yet pleased faces on, to give you privacy.

Eddie's hands move to your waist as the kiss becomes more than just a peck, tongues meeting softly now. Your hands fly up to his hair, bringing him slightly closer. He brings you closer too as he wraps his arms around your waist.

The kiss is no longer shy. Both getting lost on each other, you make the best of the situation. Letting out some secret feelings into the kiss.

You break out for air finally. Not moving more than necessary. His hands still on your waist and yours still tangled in his curls. Faces still millimeters apart.

"U- um" you let out.

"Yeah" Eddie says uncomfortably as he makes more space between you too, losing the embrace.

"Dishes" you remember.

a/n: these are the rings:

"Yeah, right" he shakes his head out of the trance.

[reignpage]

Lil angst idea ........ how do you think jjk men would react if reader defected?? (If possible could we get both pre and post defection suguru 👉👈)

Gojo:

DEVASTATED words cannot even explain the crash out this man would experience (I have a fic on this actually, still writing it tho) I think he'd go off the rails Starts hollow purpling everything That isn't a joke btw, like that's how I see it play out He'd lose hope and faith

Pre-Geto:

He'd go catatonic for a while Thinking about what went wrong and trying to figure out where he stands But he'd end up joining reader

Post-Geto:

Happy Feels reassured about his masterplan Because he definitely had moments where he doubted himself

Choso:

Confused Would try to reach out to understand Would be very conflicted about where he stands It'll drive him wild trying to choose between reader or his brother Very similar crash out like when he realised Yuji was his brother after attacking him

Toji:

I don't think he'd care He's really the type to just go with the flow Always been apolitical and just focused on himself so he'll go wherever you go Won't really take an active part in your plans but if you asked him to do something e.g. kill someone, he'd do it

Nanami:

Woah You know in a zombie apocalypse, where the crazy weirdo has a tied up zombie of their loved one that they talk to and think is genuinely okay, like living in fantasy land That would be Nanami He'd be sent to kill you, but would capture and hold you captive instead Comes in multiple times a day to clean and feed you Talks to you about his day like nothing's wrong In hopes you'll return to him

Sukuna:

He'll pat himself on the back lol You know that scene in Barbie when Ken says SUBLIME Yeah that's our man

Yuji:

Poor boy wouldn't understand He'll be traumatised Forever changed Just like Gojo was It'll force him to reaffirm his belief and faith in jujutsu society but there'll be a darkness that follows him everywhere

Megumi:

Mad at you So so so mad Mad at himself too Feels a strong sense of responsibility and blame Thinks you're stupid and you were manipulated or something But doesn't try to seek you out He's too cowardly

Inumaki:

Suffer in silence Would stop speaking all together Might start chasing you down though Thinks he can use his technique to bring you back Spiritually demolished if he tries and fails

[icarusredwings]

Do you guys ever think about dementia Charles seeing Pietro and getting sad or becoming really happy because his poor mind connects the dots that he's Erik? It dosn't compute that this wouldn't be Erik because hes too young to be Erik rather assuming that he is young Erik and not exactly having the logic to understand that they are so differently aged.

"Oh! My old friend, you've gotten a haircut. Quite bold of you. It makes you look much younger."

".. yeah, yeah, old man.." he mutters, trying to avoid him best he can, but sometimes, when the others are busy, he can't stand to leave him alone. Coming to sit with him just to litsen to him gab about random nonsense, talking so fondly about his X-men and memories dear to him.

"Do you remember?"

"Do I remember what?"

"When Jean got her first bad grade and she cried to you about how cruel I was to her." He chuckles softly. "And all she got was a B-"

Pietro stares at him like he's crazy. Jean cried to his father? But why? He had his own children to take care of. So why would he treat her like that? It makes him a bit angry. "No.. I don't. What else?"

"Hm?"

"What else happened? With jean and my da- erm. Me."

"I believe it's Jean and I." He corrects his grammer, making the younger man roll his eyes in annoyance. Once a professor always a professor I guess.

"Sure. Jean and I.."

"You acussed me of being too hard on her, but when I explained it, you laughed... I haven't seen you laugh like that in so long.." It's sort of now that Charles remembers what's going on. Who he's talking to.

"..Im sorry. Who are you again?"

"Well you like to call me speedster."

"Pft. No I do not. Mr. Maximoff.. you've grown so big since the last time ive seen you."

'You just saw me yesterday' he thinks but makes that awkward smile and nods. "Yup.."

"Youll have to forgive me. Im not always.... here."

"I know.. are you alright?"

He shrugs in his chair. "About as alright as anyone could be in my situation." Ah yes. The paralyzed old bald man who was losing his mind still had jokes. Funny. But sad. He remembered him being so similar and yet.. so different.

It's not long before Jean comes to give him his medicine again, convincing him that it was for the kid's saftey. "You don't want to hurt them. Do you, Charles?"

"No... but I'm not that gone yet. I can decide when it's best to take my medication."

She smiles so sweetly at him. "Professor, you made this time schedule yourself. Im just doing what you told me. You always knew best for us."

"Oh.. well, alright then."

Before Jean can walk away, He stares at her.

"....Why did my father like you?"

"Excuse me?"

"Charles... he said.." He trails off, not sure how to say it without talking too quickly.

"He said you cried to my father. And.. he defended you."

Jean tilts her head. "I wouldn't say defended. I was just a child having a fit." She admits then shifts, looking at the walls as if remembering.

".. He was here a lot.. and then he just.. stopped coming. Im sorry. I don't know why. Like I said I was just-"

"Didyoureadhismind?"

"Uhm.. just a couple times."

"Jean used to con you into getting her ice cream." Charles smiles, closing his eyes, reminiscing.

"He.. got you ice cream?"

Jean's not dumb. She understands his frustrations, glancing at the old man and then to Pietro again. "Like I said.. I was just a kid.. I was just excited to be able to use my powers. I didn't mean anything by it. I didn't even know he had other children."

"...He never got us ice cream.. he didn't even bother sign my birth certificate.."

"Im sorry, Peter... Professor? Tonights dinner is potatoes gravy turkey with apple sauce. Remys making it so it might be a little spicy."

"Oh, that's alright. He means well. Erm.. thats the blue one right?"

Jean snorts. "No Professor. He's the card one."

"Oooh yes. Reeemmyy... right." He says his name slowly as if trying to connect 'the card one' to 'Remy' in his brain.

"...Bye Peter." She says, now awkwardly leaving.

"Remys that rat from the cooking movie" Pietro whispers and Charles' eyebrows raise. "Ahhh! Remy! That's right."

He might be an x-men. But he could still pull a little evil here and there.

[hvbris]

𝐓𝐇𝐄𝐎 & 𝐕𝐈𝐎𝐋𝐄𝐓 @multipleoccupancy

"Official?" she repeated with an amused chuckle, "a sort of certificate of coolness? I'll take it!" If she could have, she would have made him Darlne's godfather. But she couldn't. "But you say it, Killian. You say it more than anyone else in the Program." In other circumstances, she would have nudged him playfully. But she knew that right now, it would only make him flinch. So she just offered him a warm smile instead. "Thank you."

Her smile vanished when he admitted that he felt guilty. She wasn't surprised, of course. He was protective of other agents (the good ones), felt responsible for them. "Don't," she retorted firmly, "how many times did you have to step in to help a struggling agent? I'll tell you. Too many times. But today, you're struggling. It's their responsibility to step in and take over."

"For now, he has no reason to see her," she reminded him, her voice softening, "and if Violet ever gets recruited, we can make sure they never cross paths." They couldn't sit here and pretend that she wasn't going to be recruited. The letter she had received was proof that the Program was interested. And while Violet could refuse, Samantha had a feeling she wasn't going to.

"We'll find her things to do, and she can work on her inventions. Besides, I think she's gonna be happy to be home with you." And, right on cue, they heard a little knock on the door. Violet was standing timidly in the doorway, holding two bowls of soup.

"I made some lunch," she explained, "I thought... well, you haven't eaten all day." Violet had made soup because it was warm and comforting, and since her dad had drank water so far, it seemed like a safe bet. And while she wasn't as good a cook as Andrea -or Sunny, the soup still smelled rather good. Violet had also made soup because she knew she couldn't lie in bed and do nothing all day. So, she had cleaned her mattress, prepared Samantha's sofa bed, and even cleaned the living room before cooking lunch.

Violet learning her limits is partly what troubled him, he had horrible scars from his own limits and he had known them at the time. She was also sporting horrible scars from her misadventures with monsters. He leg, back, arm and psychologically the toll they would take on her in years to come he understood all too well. He said nothing more of her limits though, dreading the day when she would find out just what they were, he hoped he would be there to protect her but with her travels, he could never tell.

"I'll write it for you," he suggested and tucked his legs up against his chest as he kept his eyes on that orchid, he might have burned holes in it if he could. "Make it very official." Samantha deserved it, she worked so hard and had made such a difference in The Program. When was the last time she was reminded of that? "You do a really important job and I don't say enough how grateful I am that you do it."

Theo still felt guilty for having to pull in other agents on his behalf to go after a Fate no less. He thought about trying to get up there and pulling on his coat and hat to try and get after them to help but even as the thought sat in his mind he found himself frozen and his limbs heavy again. He wasn't going anywhere. "I feel guilty," he told her honestly, hating that he was sending others in to do the hard work.

Yes Violet was out of the ward now, thank whatever was listening to his prayers. "You don't think he will come after her? She looks exactly the same as when he would have last seen her." He looked off towards the door, his worry for Violet greater than his dreaded fear of the ward and it's haunting memories. "I can't let her out until her bruises are faded. She'll go stir crazy."

[unknown-cold]

In this interview Amanda said something that caught my attention. Do you think that in ep 8 Caitlyn will talk about what Jinx did to her when she kidnapped her? Bc Amanda said that in ep8 there's a Caitlyn line that will make us say "Oh so that's why"

Amanda means this line that Cait is going to say will let us know why she was so mad at Jinx in ep 3 and how Caitlyn went completely blind when she saw Jinx in her target and bc of her anger and also her fear and terror of Jinx, Cait has completely lost control of herself in this moment. (there is someone who made a post on this topic @loycos and talked about what happened to Cait in ep3 and how Cait didn't see Vi or Isha in front of her bc of her anger and her deeply terrified of Jinx) I mean look at her eyes and the expression on her face, yes she looks angry but she is also terrified.

This is a natural reaction. I mean for example, imagine that you see something that scares you so much. There are two reactions, either flight or fight, and these reactions always come without a person thinking. At this moment the person is only thinking about getting rid of the thing that scares him, and he does not focus on what is around him bc these strong feelings control him.

Anyway, what makes me sure that this scene might happen in ep 8 (Caitlyn talking about what happened to her when Jinx kidnapped her) is Reed Shannon (Ekko VA) comment when he saw the drawing and said "I thought this was a leak" Reed might be joking as usually, but why this particular drawing and why he chose this word "leak".

But honestly if this scene actually happened and we knew what happened to Caitlyn, it would make us understand more why she was so angry and scared of Jinx when she saw her in front of her and it would also explain why she literally went blind and didn't see anything around her at that moment, neither the child nor Vi, all Cait saw was Jinx, she just wants to bring down Jinx. I mean look at these pictures she is so terrified of her

Again Caitlyn's insistence on killing Jinx in the scene in ep 3 was not only motivated by revenge on Jinx, but also out of fear and terror of her.

And not like those idiots who say that Caitlyn wanted to kill the child on purpose to get to Jinx or even say that she wanted to kill Vi too, or bc she's a cop and the cops kill children and blah blah... That's really ridiculous and annoying!! Bc if we focus a little bit on the period that Caitlyn went through we will see that Cait didn't have time to process all these things that happened to her, from the torture that happened to her when Jinx kidnapped her, then the killing of her mother, then the attack on the memorial ceremony. (I know that Jinx is not the reason, but from Caitlyn's perspective she thinks that Jinx and the Silco followers are the reason)

And in the end I hope that no one comes who doesn't like the post bc I am defending Caitlyn's character. If you don't like this character I don't care, there is no need for you to write a stupid comments. Please don't tire your little fingers if you don't like my post block me this is better for you and me. I will not waste my time responding to you, I will delete your comment and block you immediately.

I am a student at the Faculty of Psychology, and when I talk about trauma and the interpretation of human behavior and reactions, I know well what I am talking about. Bc most of the characters' reactions in this show are very realistic and need to explanation, writers do not want to explain everything in the show, they want viewers to occupy their mind and explain the events themselves (And I still repeat the point that the show focuses on the development and complexity of the characters more than anything else, and does not focus on solving political issues, the show is not about politics, okay)

And btw some people ask me about my opinion of Jinx's character, I have no problem with her character at all, I like her and I understand her condition, when I criticize her actions, it doesn't mean I hate her.

One day I may do a post about her character development and her condition, but I see that there are many posts about her and her actions, and I feel like I won't say anything new about her. Unlike the rest of the characters like Vi and Caitlyn, there are not many people talking about them. And maybe I will make a Viktor post bc I really like the development of his character. When the show ends, maybe I will.

[hexlenx]

LIE DETECTOR — aaron taylor-johnson

In which both you and your husband were invited to do a lie detector test in the vanity fair channel.

note: I only own the story not the channel and our daddy Aaron. This was also inspired by Ariana Grande and Cynthia's lie detector episode so some of the questions in this story might be the same as the episode. I honestly don't like Sam Tayler that much because of her marrying a male so much younger than her but I can't lie that she's a decently good person, she matched Aaron's freak but a bit too much—

warnings!: none really.

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"Hello I am Mr. Johnson, married to this lovely amazing woman here." Aaron Johnson greeted towards the large camera in front of him and his wife, who was beside him blushing as well as smiling widely at what he said, before moving his gaze towards you. Everyone in the room as well as the viewers could see the love in his eyes with the way he looks at you.

"And I am [ Your Name ] Johnson, the wife of this very handsome and devilishly charming bloke beside me." You grinned at the camera while moving your hand towards your husband's hand before holding on to it. This lead to Aaron subconsciously intertwining both of your hands before mindlessly holding it up for him to kiss your joined hands.

It was an adorable sight for everyone watching as they could feel the pure love coming from them.

"Mr. and Mrs. Johnson, you are here to take a lie detector test. One will be attached to a machine for the test to work and the other will be sitting in the chair in front of you to ask you some questions. So who will be ready to take the hot seat?" The woman behind the camera said to the couple. After hearing this, you raised your free hand taking you and your husband by surprise.

"I think I can go first." You said while you looked at your husband, seeing if he agrees.

"You sure? I can go first for you." Aaron proposed but you shook your head and said you were okay to go first.

Now seated in your places, the woman, Stephanie, who was a lie detector professional put a black strap around your chest as well as a smaller one around your index finger.

"You alright, love?" Aaron asked his lover while smiling slightly when he saw you closing your eyes when the straps were put on you. He could tell you were about to enjoy this test and he could tell he would as well.

"Yes! Does this detect my anxiety as well?" You asked towards Stephanie who paused for a while.

"Yes, it can."

"Oh fuck me." You cursed making your husband laugh at your misery.

"Oh yea, laugh at my misery, why don't you?" This made Aaron laugh even harder before composing himself.

"Right. So before we start with the serious question, I need you to answer some simple questions to calibrate the machine. You okay with that, love?" Aaron inquired.

"Oh, Absolutely." You agreed. Aaron nodded and cleared his throat before asking you the questions.

"Alright, are you [ Your Name ] [Last Name ] Johnson?"

"Yes."

Stephanie nodded.

"Were you born in [ Birthday ]?"

"Yes."

Another nod from Stephanie.

"Are you nervous?"

"Yes but at the same time I feel really excited."

Another nod.

"Were you and Mr.Johnson married in [ date ] and at [ time ]?"

"That's oddly very specific but yes." Aaron chuckled at this because he agrees.

"The machine has been calibrated." Stephanie informed the couple to which they nodded. You adjusted in your seat before breathing out to ready yourself for the real questions.

"You ready, hon?" Aaron looked at his wife who nodded with a small 'yep'.

"Love, you've won two oscars and was awarded of the best young actress award in 2013. Would you say that you have the best work ethic?" This made you think a bit because you definitely don't have the best one right now but it was alright and you were comfortable.

"I wouldn't say I have the best, I mean there are some times where it's the worst and there are also times where it worked in the most conventional way. I would just say I'm a workaholic." You explained it as best as you could making Stephanie nod a yes from behind the lie detector. This caused you to beam in excitement, you knew to yourself that you weren't lying and seeing that it was confirmed made you excited.

Seeing you excited made Aaron smile at you fondly. He always loved seeing you light up, it's one of the things that made his days brighter even on his worst days. He guesses that this lie detector test would help both of you gain more trust in each other in some way.

"Oh you are definitely a workaholic. Speaking of, the next question is are you a workaholic?" Aaron chuckled out when he saw you sarcastically roll your eyes.

"Duh? I just did a few moments ago."

"Truthful." Stephanie said making you smile at her.

"Next is, would you work with this person?" Aaron slid a photo of Ben Barnes to which you chuckled.

"Oh my god, not Benjamin!" You dramatically exclaimed as you saw the photo of your long time friend, to which everyone chuckled in amusement. "We've worked together multiple times, secretly. Though Aaron knows this because he's 'his brother from another mother' if you get what that reference means." You winked at the camera.

"Hey! We're supposed to keep Padfoot a secret, what would his banshee of a mother think of now?" Aaron playfully reprimanded you to which you laughed because you understood his joke quite well.

"James, you practically announced that he was living with you since we were teens." You deadpanned continuing the joke as your husband playfully glared at you.

"Everything she said is the truth." Stephanie said, making everyone watching gape as you both basically revealed the Sirius Black and James Potter fancasts are best friends to the point of barging in each other's homes like the Harry Potter characters.

Both you and your husband exchanged amused glances before continuing on with the questions.

"What do you think of this photo?" Aaron slid another photo of you and Sam Taylor smiling at the camera on the way to the Tony Awards.

"Aw, it's Sammy! This was probably one of my favorite photos because if it weren't for Sam, me and Aaron wouldn't be together to this day. Because fun fact, Sam was the one who kept trying to put us together whenever she could when we met each other in the film Kick-Ass. It also just happened that I was the love interest of Dave Lizewski so it kind of made her set on her 'matchmaking' as she calls it. She's like a mother to me, truly." You explained in fondness, it was true. The woman was not that very liked due to her marrying a way more younger man than her but behind all that, she was truly only a woman who loved to love. Her movies directed by her showed that.

Sam saw what you and Aaron had and wanted you to be able to experience the type of love she couldn't have when she was younger. A love that was shared with a pair at the same age or close to their age. Sam loved her husband who was 34 now but even she knew that it wouldn't last, she was 57 for god's sake. She knew she would end up divorced sooner or later and she wanted to see you end up with someone you love and is the same age, she didn't want you to end up like her. Because she truly thought of you as her daughter as well.

Aaron stared at you with the warmest and loving eyes you could ever see in a person. He was deeply in love with you and the viewers can see it, feel it. He knew that you loved talking about Sam, she became like a mother figure to him too. She was the one who he confided to whenever he was worried about making the wrong move towards you and he never once regretted asking her for help because he wouldn't be married to you if he did.

"Alright, love. Next question is—" Aaron scoffed off a laugh threatening to burst out of his mouth when he read the question.

"What? What is it?" You asked worriedly to your husband who shook his head no before stuttering out the question.

"Do you believe the moon landing was fake?"

"What the fuck? What kind of question is that? No!" You voiced out in confusion. Of course you knew it was real! Right?

"Inconclusive." Stephanie hid a smile as she said this, the machine was indeed saying it was inconclusive.

Aaron bursted out of laughing as soon as he heard that.

"You think it was fake?" Your husband laughed out while smacking his thigh from amusement.

"No! I didn't until Stephanie put that in me!" You exclaimed as you looked absolutely repulsed and confused. Maybe this is rigged.

"Oh god, that is hilarious! I am never letting this go down, love." Aaron breathed out as he tried to compose himself. You on the other hand, covered your face with your hands in disbelief.

"Do you believe the earth is flat?"

"No!"

"Deceptive."

Another burst of laughter as well as a gasp of disbelief.

"You think the Earth's flat now?" Aaron was almost crying because of how entertaining this was. This was the best day of his life, one of them at least. "Let's try again, Do you think the Earth is flat?"

"No, the earth is round." You said, now much more calmer than before. This made Stephanie nod in confirmation that you were indeed telling the truth.

"I think you were still stuck with the moon landing, love."

"I was definitely still stuck there."

"Alright there is one more question before we switch." Aaron announced after a series of questions went by. You nodded and slightly adjusted in your seat.

"Do you love me?"

"Of course, I do, very much." You answered instantly and with a single nod from Stephanie, Aaron smiled softly at you to which you did the same.

"Why?" Aaron added making you pretend to think, which made him chuckle a bit.

"The right question for that is 'cuz, why not?" You said with a smile as your husband only raised a brow signalling you to elaborate.

"What's there not to love about you or yourself in general?" You said softly as you looked into his eyes with that same look that he has on his. Both of you stared at each other in silence. God, He thinks he just fell in love with you again. He thought as he took in your whole being in front of him.

"I don't know—a lot, I guess?" He shrugged seemingly nonchalant but you knew better.

"Well I love them and love all of you." You said short and honestly. To which Stephanie nodded once again to confirm that what you said was true. The Lie detector professional knew she doesn't need to speak to confirm this so she settled with a simple nod like from before because she did not want to ruin this cute moment the soulmates were having. Yes, she thinks both of you are soulmates. Not everyone would look at their spouse like that even after getting married or spending time with each other.

"God fuckin' damn it, I think I just fell in love with you over and over again."

[iwasntstable]

n.s. | is it true?

🗀 C:/PROJECTS/MYWORK/ONESHOT/ISITTRUE [projects] ﹂ [my-work] | in-progress | favourites 　﹂ all | series | [one-shot] | blurb | head-cannons | ask 　　﹂ … | if-im-there | happy-birthday | [is-it-true]

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summary: Always stubborn, Noah refuses to take a break when he's sick, but everyone's convinced you can persuade him.

content tags: fluff, like a smidge of angst, slight miscommunication.

word count: 3.1k.

note: I started this in September and have been thinking about it ever since so it was about time I finished it 🖤

All the text from Jolly said was, “Hey, can you come down to the studio?” And the first thing you hear as you approach the door is raised voices. 

“You tell him!”

“Tell who what?” You ask, entering into the chaos as the hum of noise is reduced to silence and every face in the room turns to look at you.

“Tell Noah he needs to stop pushing himself and go home and rest in bed,” Matt is the first to speak up.

"I don't need to fucking rest," Noah sighs, rubbing his brow.

"And why do I need to tell him that?" You ask.

"She doesn't need to tell me anything!"

"Noah, you're going to make things worse,” Jolly stands with his arms folded like an impatient father.

“Make what worse? What’s going on?” You look between the men in the room, searching each of their faces for answers.

“He’s sick, but he keeps pushing himself even though he can’t sing properly right now. He needs to go get some fucking rest at home or he’ll fuck up his voice!” Jolly explains.

“It’s fine!” Noah protests from his desk chair. Though he was only half facing you, you could see the dark circles under his eyes and the greyish pallor to his skin. “If I need to re-record it, I will, but it’s fine right now,” he continues, and you can hear the hoarseness in his voice. Matt pulls off his hat and runs his hand through his hair in frustration, then replaces the hat back on his head with a sigh.

“Noah, you’re not going to be able to re-record anything if you lose your fucking voice,” Jolly turns to you and states your name firmly. “Tell him.”

“Again, why do I need to tell him? Why would he listen to me if he’s not listening to you?" You know they’re right, but he’s stubborn; you don’t understand what would make your instructions different.

“He'll listen to you because he's fucking in love with you!" Matt shouts.

It was like the air suddenly became thick, and nobody says a word more as your eyes widen and flick straight to Matt. Then to Noah, where he sits wearing what you guess is the exact same expression as yours. Your eyes lock, and you can feel the panic radiating from him. Just as you’re about to speak, the question on the tip of your tongue goes left unsaid as Noah abruptly stands and shoulders his way past the other men. “Noah,” you try, but he’s steadfast in his pace; his shoulder brushes yours as he passes, and not once does he look back.

You watch as his silhouette grows smaller through the window in the door, watching even as he disappears around the corner and out of view. You only turn when Matt calls your name quietly.

"What the fuck was that about?" you all but shout. The men shuffle awkwardly on their feet and struggle to meet your eyes.

"He's sick and losing his voice, but he keeps pushing anyway. We kept telling him to go back home and rest, but he wouldn't listen." Jolly tries to avoid the question.

"Yeah, I get that,” you cast a glance at him. “What did you mean?" You ask Matt directly.

"What?" He responds like a deer caught in headlights.

"What did you mean when you said he'd listen to me because..." You couldn't say it; just the thought had your face growing hot.

"Look, Dierkes, you go. We're gonna go talk," Jolly nods at his friend and spins around the desk chair Noah was sitting in, taking the seat for himself at the computer.

Matt enthusiastically makes his exit. Gathering his bags, he all but runs out of the studio, out from under the weight of your gaze. When the door closes behind him, you sit in the chair next to Jolly, and he turns his own chair to face you.

"He's crazy about you," he starts without hesitation. You pick at the leather of the armrest as your heart begins to race. "He talks about you all the time. Honestly, I don't know how you haven't noticed. He's liked you for months."

"You're serious?" You ask, meeting his eyes, which hold nothing but sincerity.

"You can't say you haven't seen it even a little!” He tilts his head and leans back against the chair. “The way he looks at you, he drops everything for you. Always coming to your side whenever some weird guy flirts with you. He hasn't gone on a date in ages because he's waiting for you!" You bite your lip, unwilling to believe what you're hearing, until Jolly says quietly, "I know you feel the same too."

"What?!" you raise your voice automatically, wishing immediately that you didn't when you see him smiling knowingly at you.

"I see the way you look at him too, when he's not looking. You go bright red when he teases you. Just like you are now. You know I see everything.” You press your hands to your cheeks, and they feel like ice compared to the heat from your face. "You should go talk to him. At least convince him to take a fucking week off," he spins around in his chair, waving his hand and going back to the piece he was working on before all this.

You sit frozen to the spot for a moment trying to process what he'd just said. Noah likes you. He likes you back.

Jolly's voice rings in your head as you stand. "He's liked you for months." You head for the door, out of the building, and into your car on autopilot. Taking a deep breath before turning the key in the ignition and pulling out onto the road in the direction of Noah’s house.

The whole way your mind is racing. "He's crazy about you." You had no idea what you were going to say when you got there. "He talks about you all the time... the way he looks at you." You were telling yourself it wasn't true; it couldn't be. The man you've admired and apparently not-so-secretly adored all this time felt the same way? It was crazy. It couldn’t be true. And yet the concept still makes your heart race, and that treacherous heat makes your skin flush.

You find yourself parked outside his house, your car neatly on the drive right next to his. For several minutes, you go back and forth on whether to go in or just leave. The idea of really confronting him about this situation brings you nothing but anxiety, but the fact that he’s unwell and pushing himself so hard, the need to check on him and at least make sure he’s okay, brings you to his front door.

When you knock, there’s no answer. You wonder if he's watching you from the doorbell camera and choosing to ignore you. After knocking again, you decide to just use your key instead, hoping he won’t be too mad.

Inside, you find no signs of life. All the lights downstairs are off, and the house is statically silent as though it were totally empty. You’d think it were empty if not for Noah’s car parked outside.

You finally figure out where he is when you head upstairs and see the glow of purple LEDs leak from underneath his bedroom door. Your hand hesitates in a fist before you pluck up the courage to knock. No response. You knock a little louder, but still, no response.

Pushing the slightly ajar door open, you peek into his room, finding him lying in bed. Curled up under a blanket, fast asleep. You can’t help but smile at the peaceful sight. He must’ve been exhausted to fall asleep so quickly and deeply. You back out of his room and close the door softly, treading lightly as you go back down the stairs to the kitchen. 

You jump up to sit on the counter and rest your head back against the upper cabinets, closing your eyes. How could you be in this situation? You were content to never tell Noah about your feelings for him, and never ever did you expect your feelings to be reciprocated. You’re still convinced this is all some joke or a misunderstanding. He ran from that studio because he was humiliated by the thought of liking you. There’s no way Noah could want you the way you want him. But after what Matt and Jolly said, you’ll never be content until you know the truth. Even if he denies it, you still have the chance to salvage this friendship that’s so dear to you. He doesn’t know how you feel. It’s not too late to save this, and if he confesses... Shaking your head, you can’t even entertain that thought.

To distract yourself from the feeling of impending doom and to make yourself useful, you decide to cook. Pulling your phone from your pocket, a quick Google search suggests chicken noodle soup as a good option for someone who’s unwell. Warm, high in protein, easy to digest. You slide from the counter to rummage through the kitchen, mentally thanking whoever went grocery shopping recently for having everything you need for the simple recipe.

Following the instructions on your phone, you work quickly, having the food prepared in just over thirty minutes. After preparing a serving in a bowl and buttering some bread too, you balance both on a plate, almost forgetting the spoon before you go carefully back up the stairs.

You weren’t expecting him to be awake yet, but when you knock, he answers.

"Yeah?" His voice is hoarse and quiet even through the door.

"It's me," you say.

There's a brief moment of silence that has anxiety clawing at your throat before he replies, "Go away."

"Noah, please. I just-"

"Just go away," he rasped louder. "I don't wanna talk."

You sigh, feeling the urge to run, but you suppress it. "But I made you soup," you try, but he says nothing. "Can I at least come in and leave this for you?" Again, no response. You can’t help but sigh quietly. He can be stubborn as a bull at times. "I'm coming in. You better be decent," you try to joke. Once more, no response.

You toe the door open gently, stepping into the dim room to find Noah now rolled over in bed, his back to you, still cocooned in the blanket. Moving over some of the items on his desk—a coaster, a book with a dollar bill sticking out as a bookmark, a half-empty bottle of water, the TV remote—you set the food down. Seeing his phone next to him on the mattress, you take it and check the charge, 12%, and a text from Matt that read, “I’m sorry man.” You crouch down by the bed and put it on to charge, then replace it next to him on the mattress.

You stay there for a moment. Internally warring with yourself on whether you were really about to broach this topic. Ultimately, you decide you just have to know the truth.

"Noah, I know you don't wanna talk, but-"

"Good. Go then," his coarse words sting. True or not, sick or not, he had no right to snap like that. 

"Stop being so fucking harsh with me. I didn't have to come here for you, I didn't have to spend time in your kitchen making food for you, but I did. The least you could do is say thank you.” You wait for him to respond, waiting for an apology, but he says nothing.

The urge to run like Matt ran from the studio was strong; your legs flex under you, and you almost stand, but you don’t want to give him the satisfaction. More so, you don’t want to leave him when he's unwell.

"What they said back there," biting the bullet, your voice is quieter now. "Is it true?"

You didn't expect him to answer, what with his commitment to silence. So when that silence stretched on, you resigned yourself to his will. Standing and heading for the door, hand on the handle, you're stopped by his voice, "That's not how I wanted you to find out."

You pause, waiting to see if he'd continue, but he goes quiet again. "So, it is true?" But he returns to his silence. You go back over to his bed, crouching down again. "Will you talk to me? Please."

Noah doesn’t yield.

"I'm not mad or upset. I just want-" You cut yourself off, struggling to say the words out loud. "Jolly told me he sees the way you look at me, how you go out of your way to do things for me and talk about me all the time," he curls in on himself a little tighter under the blanket, hiding from your words. "He also said... how he sees the way I look at you when you're not looking... and how flustered I get when you tease me..." you trail off. Feeling your heart hammering so hard inside your chest that you can hear it in your ears. You honestly can't believe you just said that out loud.

Noah shifts under the blanket, straightening his legs and rolling onto his back, arm over his face, obscuring his eyes. "You're just saying that," he mumbles.

"Noah, I'm here in your room with homemade chicken noodle soup, even after you told me a million times to leave. Who else would I do that for?"

"You'd do it for Nicholas."

"I would not let Nicholas talk to me like that and walk away unscathed."

He laughs, rubs his eyes, and moves his arm, finally looking at you. He has a despondent expression on his face, but somewhere underneath is a slight smile. You smile softly, happy to finally see his face.

"I'm sorry," he tries, but you shake your head.

"Don't be,” you say, taking a deep breath. “I'd probably freak out too if you found out I love you like that."

"You- What?" He sits up a little straighter.

"Don't make me say it again," you groan and rest your forehead on the mattress.

Feeling the bed move, you look up to see him sitting upright and staring down at you. You move too to sit on the end of his bed. Silence once again fills the room, neither one of you knowing exactly what to say next.

Noah closes his eyes and runs a hand through his already messy hair. "Jolly told me so many times to just tell you, but I convinced myself there's no way you felt the same," he confessed.

You almost felt sick from the adrenaline racing through your veins. Looking down at your lap and playing with the sleeves of your hoodie. "Well, I do. He said the same to me too," you let out a bitter laugh. "Seems as though Joakim has been playing cupid." When you look back up, he still seems tense. "Noah, I'm not lying," you hold out your hand to him, which he takes and laces your fingers together. "I was never going to tell you because..." you hesitate again, but it’s too late to turn back now. "I never thought you'd like me back. I thought you'd laugh in my face. I don't deserve you."

"Don't say that. It's me who doesn’t deserve you. You're always so kind and generous,” he glances at the bowl of soup. “Even when I really don't deserve it."

"You do deserve it. You deserve kindness because you give so much kindness. Jolly was right, you do so much for me even when you don't need to. You drove me everywhere before I got my car, even when you were busy. Which I felt so fucking guilty for because I knew you had enough on your plate as it was."

"You know, I hated when you got that car," he smiled shyly. Your eyebrows furrowed in confusion. "I wanted to drive you everywhere, all the time. Whenever you needed. I loved those times when we could just... be alone together," he sighed, not in sadness but in relief. A small smile on his lips.

You don’t think you could handle your heart racing any faster than it already was and decide to change the topic slightly. "How are you feeling, anyway?"

"Terrible, honestly. My throat is fucked. I don't know how I'm gonna finish recording."

"Yeah, you're not," you state. "You're gonna eat the delicious soup I made you, and you're gonna rest. No recording vocals until you're better. I’d say no producing until you’re better, but I think we’d have to detain you. Lock you in the bathroom or something,” you sadly break your hand apart from his and reach for the food on the side table as he chuckles under his breath. "What's so funny?" You ask.

Shaking his head, he says, "nothing. Just, they really were right, I do listen to you.”

Handing him the bowl, you smile teasingly at him, "because you love me."

"Yeah, I do," he smiles genuinely, caressing your hands briefly as he takes it from you to set it on his lap. "Can you stay?” he asks quietly. “I don't want you to go away. Will you sit with me?"

Your heart warms at his sincerity. “Of course I will.” You climb onto his bed and rest back against the headboard next to him in the space he made. A comfortable, familiar setting you’d both been in numerous times before. He leans over to the side table and tosses the TV remote onto your lap.

“Find something for us,” he says. You press the power button and load up Netflix to scroll through the categories as he eats. “Mm,” he hums with a mouthful of food. “This is so good, I should get sick more often. I didn’t know you could cook like this.”

“Yeah, don’t you dare,” you smile as you continue to scroll. The options turn into blurs as they pass by on the screen. Your mind was well and truly wandering at the thought of what was going to come next for you and Noah. Were you dating now? Did he even want that right now, or would it take time? These were all questions that would have to be asked and answered tomorrow. For now, you settled with the contentment that your current relationship wasn’t completely ruined and felt thrilled at the prospect of it becoming something more. 

“Oh!” Noah’s exclamation breaks your train of thought. “Remind me to beat the shit out of Matt the next time I see him.”

You break out in a laugh and lean in closer to his side. “Not if I get my hands on him first.”

This fic was inspired by the following randomly generated prompts, from this post!

꒰ 2 ꒱ “what they said back there. Is it true?” ꒰ L ꒱ relief ꒰ 𓅫 ꒱ the bedside of someone who doesn’t want you there

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ᯤ 𝗨𝗦𝗘𝗥𝗦 (28) :　 ⌞⬤ 10 𝗈𝗇𝗅𝗂𝗇𝖾⌝ @iloveyoutodeathbutimdrowning | @english-fucker @collisionofyourkissmakesitsohard | @seven-glass-kids @runadaggerthroughmychest

@lma1986 | @shayzillaaaa | @madamaaubergine @thewrstinme | @amourtoken

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⌞⦵ 5 𝖽𝗈 𝗇𝗈𝗍 𝖽𝗂𝗌𝗍𝗎𝗋𝖻⌝ @ferduttini | @fadingintothegrey | @lovesick-evangelist @missduffsblog | @anything-more-than-human

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[keferon]

Eh okay so. My brain is absolutely cooked so you will probably just have to ignore the linguistic fuckups

Jazz and Prowl learning to communicate because language barrier is a thing >:D

Previous part

Jazz sometimes thinks that somewhere along his career path he lost the bar separating normal from...well...everything else.

After all he's seen, heard about, and done, he's not sure exactly how to measure what's weird and what's normal. He has..the general idea.

His own. And it's so convoluted and fucked up that he'd rather jump into a volcano than try to explain it to anyone else. Jazz thinks the little colorful aliens around him are weird as hell. He thinks they sound weird, he thinks they look weird, and he thinks he must be going crazy.

And then this big black and white robot catches his eye and Jazz's first thought is not "what the fuck??"

His first thought is

"Thank God! Someone's normal!"

Whoever this guy is, he sounds like he knows what he's doing. And most importantly, he looks just like Jazz. Well, not exactly. But close enough. After all, Jazz knows that his organization wasn't the only mech maker on the entire planet. Other countries were making Mechs too, and Jazz hadn't seen even half of them.

But he can recognize a giant robot when he sees one, okay?

The thought that another mech could be an alien doesn't even enter his mind.

So used to the constant presence of huge piloted robots around him, he looks at this one and clings to its appearance as something familiar and easily explainable. His brain says, we know how this works. There's a robot and inside the robot there's another person. It's the way it's always been. The sky is blue, the grass is green and the robots are human-piloted. It's that simple.

The guy takes him to the far corner of the room and says something. Jazz…doesn't understand..

The mech's face contorts in a surprisingly believable display of concentration. How...who built this robot? How could they make it frown?

He hears something else being said to him but again can't understand a word. Why won't this pilot get out of the mech to talk to him? Jazz doesn't have his communication frequency but surely they could at least shake hands. There must be some reason. Maybe something wrong with the air? Is it dangerous to be outside? This guy should know better, he's been here longer than Jazz, it seems.

(Damn it, whose idea was it to make a mech with a face, it's so distracting)

He rushes to activate the external speakers, because he and this guy obviously speak different languages, but it never hurts to try, right?

"So uh, I don't think you can understand English?"

Mech frowns again, trying to pick up on something familiar in a language that's apparently new to him. But finds nothing. Jazz lowers his horns sadly.

Oh well. Fuck. As if being stuck in an unknown place with unknown creatures wasn't enough, he can't even talk to anyone! How is he supposed to get out of here? Which way should he even go?

The mech waves his hand to get his attention and then pulls out a tablet and a stylus from..where ?

Jazz somehow manages to overlook the fact that the tablet is made to fit the mech's size. His head is still feels a bit…off..after that portal thingie.

"Charades it is then."

____________________

An hour and a half later, Jazz finds himself staring intensely at the screen in front of him with a surprisingly neatly drawn chart on it.

"So uh. Motion."

The other guy nods and starts drawing a walking mech. Then something that looks like a very unusual car. Then a submarine. Jazz gets a little lost looking at how skillful he is with the stylus.

Honestly, he's a good artist!

The guy points to the sketch of a walking mech and says

" Motion."

Then points to the drawing of a car driving and the columns of the chart.

"Motion-rotation" he points to the car again.

That must mean "driving" huh? Jazz nods understandingly.

Mech moves his finger to the submarine.

"Motion-Water."

Ah, it must mean swimming. Jazz nods once more, feeling like a wind-up dummy repeating the same motion a dozen times.

The mech makes a quiet humming noise and then points to the chart

"Motion. Sky."

And then gives Jazz the stylus?

Uh, what is he... Oh, he wants Jazz to figure out what it means.

"Motion" and "sky," right?

Jazz takes the stylus? Pencil? Thingie.. and very carefully draws out a crooked scribble of something only remotely resembling an airplane. The mech arches an eyebrow and looks like he wants to laugh.

Jazz shrugs awkwardly and tries to add windows to the airplane, but ends up making it look more like a severely fucked up caterpillar.

Mech snorts.

Jazz kicks him in the leg.

The airplane begs for a merciful death.

Jazz didn't really expect to get into a language class but he has to admit that whatever language he's learning now is a surprisingly easy one. It only took the other dude half an hour to show him the basic concept and from there it became a game of associations.

There were simple definitions. Like size, quantity, speed, emotion and so on.

There were signs that automatically turned the whole sentence into a question or a statement.

There were modifiers that Jazz defined in his head as positive and negative.

Positive speed - fast.

Positive size - large.

Positive direction - forward.

Positive time - future.

There were also basic words for senses, emotions and whatnot, also with modifiers.

Mouth-positive - to speak

Brain-positive - to think, but negative-brain-do-positive - to learn.

Huh.

And it's so neatly organized that Jazz wondered if this language was designed specifically to be easy to learn.

Let's see....

Mouth - positive, effort - negative.

"Easy to speak."

The guy nods contentedly and starts talking back, while pointing to the appropriate columns of the chart to make it easier for Jazz to understand.

"Creation-positive. Purpose. Person-negative-knowledge. memory-positive-effort-negative."

Jazz frowns, concentrating on his finger.

Oh. Created. For those who don't know it. Easy to learn.

He was right. The whole thing is waaaay too awkward to write poetry but learning it is a delight.

Jazz leans over the chart.

All right, well, let's see.

“Name. You. Question?”

The other guy smiles and pokes at the chart

"Me.Motion-sound-negative.Negative-eyes-positive-someone."

Walk quietly. searching?… Sneaking?

Oh, it's not "to sneak" it's "to prowl"

"Prowl" nods affirmatively. Jazz smiles at him and looks at the chart again. Okay. How to say “music”?..

“word-knowledge-negative.”

He stops to make a gesture with his hands, as if playing an invisible piano while humming a tune.

Prowl nods

“Sound-positive-positive-hearing.”

Jazz chuckles

“A whole two positives eh? Okay then. Uh. You don't look like you listen to jazz....so..”

“Me. Name. Sound-positive-positive-listening.”

Prowl raises his eyebrows. (Jazz is jealous, he wishes he had eyebrows too.)

“You're a musician?"

Jazz quickly shakes his head while simultaneously muting the outside speakers to a barely audible level and turning on one of the songs on his playlist.

Prowl twitches in surprise when he hears the melody.

Jazz waits for the intro to finish playing and then points to himself

“Creation-negative..uh..Sound-positive-positive-hearing. Jazz. This...”

He pats himself lightly on the chest.

"..is me. Jazz."

Prowl straightens up slightly

“Oh, you're not a musician, you're the music.”

Jazz nods cheerfully

“Yes yes!”

“Jaaz?”

“No no. Jazz.”

“Ah. Jazz?”

“That's right.”

Prowl draws a portal on the screen.

“You teleported here. What happened?”

Jazz hangs back, trying to construct an answer in his head. Good thing Prowl seems to have infinite patience

“So, I uh. What was 'fight'? Movement-pain-positive? I fought these things...”

He takes the tablet from Prowl and draws a crooked blot with a bunch of tentacles on it. Then thinks for a bit and adds big teeth and a lot of eyes. He's not really sure how to draw those eyes properly, so he just scatters them randomly around the monster area.

Prowl doesn't seem to be that amused by Jazz's drawings anymore, in fact, he suddenly becomes very somber.

“Quintessons.”

He pokes at the monster

“Name-Quintessons. Number-question.”

How many?

Jazz scratches the back of his head

“So uh...a lot?....number-positive-positive-positive-positive-positi...you get the idea.”

To be convincing, he dramatically spreads his arms out to the sides depicting something very large.

Prowl looks alarmed.

And unconvinced.

“How did you survive?”

Jazz laughs pretentiously

“Ask them how they survived.”

Prowl makes the “you can't be serious” face. Jazz isn't quite sure what exactly is confusing him. Mechs are designed to kill Quintessons, aren't they? Judging by his movements, this pilot must be damn good at controlling his mech, and that kind of guys usually fight on the front lines.

He decides to put that thought aside for later. There are more important things right now, like...oh shit, where is he even going??

Jazz leans over the chart again

“Uh. Right. Question-we-move-up-place” Man, how to specify... “Knowledge-negative?”

Prowl, linguistic gods bless him, understands him and starts gesturing over the chart in response

Okay. Ah. I-move-up. Planet-creation-positive.

'I'm heading home' or 'my home planet'.”

Jazz instantly perks up.

“Oh that's great, I'm pretty sure I'm supposed to go there too.”

Prowl is speaking in a language he's unfamiliar with, so he's definitely from another country, but hey, who cares as long as it's on Earth, right? He just needs to get there and he'll find his own way from there.

He watches the space debris flicker by outside the window. Even the stars are unfamiliar, Jazz can't find any constellations he knows.

One of the little purple creatures says something and Prowl steps aside to chat with them. Jazz leans back and settles into a more or less stable position. Then does the same thing, but with his real, human body. Hell, his head still feels really fucking weird after that teleportation.

He opens the comm channel and just listens to the static for a couple minutes in the faint hope that the engineering department will find a way to contact him.

Nothing.

He sighs.

“1061 on the com. In case there's any way you can hear me...ah shit. You guys won't believe what happened...”

[maxwell-grant]

I think it’s interesting, considering how most live-action superhero adaptations kill off the villains after their debut, that both The Batman and The Penguin end with the villains not just living, but set up to return and somehow cause Even Bigger Problems down the line. Is this just because it’s the first Batman film adaptation that’s a capital-F Franchise, so the writers need the villains to stick around long-term, or is something else going on?

Almost entirely comes down to the fact that The Batman was not meant to be Batman's origin story - by Reeves' own admission, it was the origin story of the Rogues Gallery. They got the Cloverfield and Dawn of the Planet of the Apes guy and he did a story about the boots-on-the-ground gritty perspective on larger-than-life terrors emerging from the ruins and failings of human civilization, taking the struggles and wars and laborious processes that others shy away from and putting them front in center. It's just this time, instead of kaijus and parasites attacking and destroying the city, instead of apes emerging as the Mad Max warlords rising from the ashes to fight over the world, we have Batman villains in that role instead.

To me, that was actually the conception - if we weren't going to do a Batman origin story, but we were going to do it in the early years, I thought well, in the comics, the rogues gallery characters often are creating their alter egos in response to the fact that a masked vigilante shows up in Gotham called the Batman.

And so I thought, oh well, what we could do is see all of the rogue's gallery characters in their origins, like Selina Kyle before she's Catwoman, and that we could go into, as we're looking for a suspect, we could go to a nightclub, a nightclub could be the Iceberg Lounge and we could see a pre-kingpin Oz, and we could see, you know, a Riddler who is declaring himself the Riddler sort of because there's a Batman. And so all of that was sort of built into the conception. - Matt Reeves

It's far from the first Batman film adaptation to be a capital-F Franchise, even if that aspect was there - Reeves initially pitched the movie as an HBO series, and throughout production pitched additional show ideas such as an Arkham show or a Gotham PD show, The Penguin being the only one that survived as far as we know. This pulls off an origin from the Rogues Gallery better than every other Batman media ever made, and there's a couple of reasons why it does so and why the villains get to take center stage here:

Part of the difference between the way Nolan tackled realistic Batman, and the way Reeves tackles realistic Batman, is that Nolan needs realism to explain Batman, and Reeves needs realism entirely in the service of making Batman weirder. Pattison Batman is the weirdest Bruce ever put on film almost entirely because he lives in our world while still being Batman in every way that counts - Keaton Bats slept upside down in a cave, but he lived in a Tim Burton world. Adam West Bats is weird, but everybody is like that or even weirder than he is, he is the comedic straightman to everyone else. And where as Nolan needs Batman to be the thing that makes sense, Reeves needs Batman to be the thing that doesn’t make sense.

Nolan wanted weird difficult irreducible villains opposite a logical pragmatically sensible Batman, and Reeves wants exactly the opposite. For Nolan, even besides the Joker who was defined entirely around the lack of a real explanation for him, you have his take on Two-Face, Bane, the Al Ghuls, characters that don't demand that much reasoning or explanation because they can act and exist in ways that defy logic, while Batman's the guy who has to hold the center of logic and reason. Where as here, Pattison Batman is the most interesting and complicated and larger-than-life figure this world is dealing with in much the same way that Ledger Joker was for his movie, and everyone else is in the position of starting out and having to deal with Batman and the paradigm shift he brings - nobody else in the movie is quite the character they were supposed to be, that's something they're all growing into in response to their nightmare city and what this titanic freak in armor represents to them.

Even The Riddler is ultimately explainable, human, reducible to his tantrums and vulnerabilities, even without you knowing in-depth his character and backstory that would be elaborated for Dano's Year One. Even The Penguin - he may be larger-than-life, he may be unexplainable on some level, but we know all too well all of his failings and feelings and life story and all the cracks in his persona that he killed Victor to try and bury. But Batman? Next to everyone else, he is still an anomaly, he is just Like That, even to his own detriment and that of the city, and he learns that he must apply being Like That to something better.

Reeves is not interested in doing "Batman vs [X]" movies, the movies are going to be focused on Batman's arc first and foremost, which means the villains will never really take them over the way they've usually done - this is a world where it's the villains who react to Batman, not the other way around. This frees them from the burden of having to exist in direct relation to how much they can directly menace Batman, and it makes it so that these are characters that can carry their own spin-offs, which is probably a lot easier for WB to work with because these are spin-offs that they don't really have to get Pattison to show up for, but they can construct in ways that don't even need Batman to be physically there. Even after The Penguin, they might not have to do that Smallville/Gotham song-and-dance of teasing a main character who'll never get to be here, there are a lot of other things happening in Reeves' Gotham besides the existence of Batman, even if the existence of Batman has changed all of them. So structurally speaking this series has a ton of room for reocurring villains, and building it has been one of their top priorities. In fact, this ONLY gets to do so because the movie already laid out the entire groundwork for them and how it all ties together.

See, the way Batman stories do the rise of a Rogues Gallery and how it affects the city and therefore Batman always follows a sort of a 7-step program:

Gotham City is ruled by crime, crime that takes away the Waynes (Falcone / Carl Grissom (89) / Falcone backed by the League (Nolan) / the Falcone-Hill-Wayne triumvirate (Telltale) / Gotham S1 and first-half of S2)

Crime begats Batman, who beats Crime

Crime + Batman = Weird Crime (Jack Napier becomes Joker after an encounter with Batman (89) / "we still haven't picked up Crane and those other Arkham inmates btw check out this weird card" (Nolan) / Black Mask and the international assassins + Joker's rise (Arkham) / Children of Arkham (Telltale) / the Indian Hill experiments and patients (Gotham)

Weird Crime Replaces Crime (The Long Halloween / Joker takes over the mob (89) / the mob is so impressed by the pencil trick they give Joker all the money (Nolan) / Joker literally replaces Black Mask in the process of becoming Batman's main enemy (Arkham) / Penguin assassinates Mayor Hill and the Children enter a war with Mayor Dent (Telltale) / Indian Hill breakout and Maniax cult and etc (Gotham)

Weird Crime is a Rogues Gallery now (Penguin and Catwoman and Max Shreck in the sequel (Burton) / Joker and Two-Face become separate problems, Bane + Talia + Crane + Catwoman in the sequel (Nolan) / after Origins a whole asylum full of them (Arkham) / Riddler + The Pact and John becoming Joker proper (Telltale) / Gotham S3 with Tetch and Riddler and the Legion of Horribles

The city is changed by the new paradigm

Batman responds / expands or retracts in response to this change

(4 and 5 don't necessarily always happen one before the other, mind you, frequently you do have a Weird Crime Rogues Gallery before Weird Crime replaces Crime at the head of the table)

And you can apply this to most other Batman stories that don't automatically start and stay at level 5. But where as all of these have to stretch the process across sequels and continuations, The Batman is the first Batman work that gets to do all 7 of them in one row. It gets 1 and 2 done offscreen before the opening act and shown to us how they happened throughout the movie's reveals, 3-4-5-6 comprise the Riddler's plot + the other United Underworld members roped into it, and it ends with 7. Even the Batmanless spin-offs follow the process: The Riddler: Year One covers Eddie's perspective on 1-2 as he enters stage 3 and prepares it for the movie, and The Penguin covers 4-5-6, leaving us waiting for Bruce's response back to stage 7 where The Batman ended.

And up until The Batman, the process behind the creation of a Rogues Gallery had never really been much of a process - comics that go into the transition like Long Halloween/Dark Victory just show the fall of Carmine Falcone -> the freaks waiting in the wings causing it or happening immediately after. Gotham tries to work that escalation gradually and it starts relatively "normal", but it's always dancing around the premise and the central black hole and the building blocks don't have anything to do with each other - the gang wars and Penguin have nothing to do with Bruce investigating a conspiracy, which has little to do with Gordon and Bullock investigating weird serial killers who keep escalating, and then eventually we get that Hugo Strange was building freaks in his basement at the orders of the Court/Ra's the whole time until they all just escape. You can piece together how Batman works that aren't about this transition ultimately touch on most of those 7 stages and have their own version of it as soon as they introduce Gotham City in a pre-Batman/pre-villain state, but the connections are always rather tenuous and not necessarily connected to each other (and it's fine, y'know, not everything in a story always has to come from the same source).

But everything in The Batman follows a long chain of dominos that had to happen for this system to become the way it needs to be for Batman villains to emerge. Everything started in that one night Thomas Waynes saved Carmine Falcone, everything started from that ensuing connection and Thomas' failures leading to a city ruled by mobsters for 20 years and the sheer level of rot and corruption and human misery that creates and justifies the existence of Batman, and thus The Riddler in his example. Everything we get in The Penguin is the result of this paradigm shift and total civic collapse, showing the destruction of Carmine's empire as well as his legacies torched and mutated by Sofia and Oz respectively. Everything is still connected. The United Underworld guys featured in the movie live and dwell in entirely separate spaces and represent entirely different things, and they're still all connected in the same chain of dominoes, which allows them to expand and cover entirely separate narrative real estate while still giving it all cohesion.

The movie never has to specifically establish a system full of supervillains or made for them, it has to establish a system so utterly fucked and dominated by Falcone, so utterly failed by every institution and body of government and system imaginable, that it creates Batman, and the minute Batman arrives and survives long enough to be a third power / a fifth state, people in his wake trying to respond to him or do the same things he does, as a response to the same afflictions he faced and to his example or influence, are the only logical thing. Without needing to literally show the other rogues waiting in the wings, The Batman established an entire world of possibility just by very smartly using the 4 big ones + Carmine and showing why and how this regular American city becomes a place where supervillains bombing city blocks and running for political office can become a facet of daily life. Joker, Penguin, Catwoman and Riddler - positioned as separate from each other as possible to show the ways in which this is, and maybe always has been, spreading fast out of Batman's control.

And now with The Penguin, reinforcing the chokehold of crime in the city in it's old ways as well as the corrupt mutated new ones brought on by our boy, as well as a new Batman Villain (possibly two, if Eve Karlo ever gets her hands on suspicious make-up) arriving from Penguin's side of things so that it's not just Batman who has a Rogues Gallery to deal with, not just Batman who has terrific enemies waiting in the wings for a chance to enact their own forms of justice and revenge, no, that's just what life is like in Gotham now, forever.

[tehkusogaki]

I'm seeing a lot of people in the comments disparaging this remake, but I do want to go into a few reasons why it doesn't look as strong as the original.

Now of course no one is immune to nostalgia goggles and it's very easy to have that "they changed it, now it sucks!" instinctive reaction, so I am going to try to critique specific things and go into why I think they don't work as well.

First, I want to point out the composition of these two shots and specifically where the focus is.

In our original Hiccup and Toothless literally meet in the middle. With both Toothless and Hiccup pushed off the edge of the screen.

In this version they kept Hiccup fully in scene, but look how the focus of the action is now off to the side. We aren't focusing on either character-- they're both still pushed off to the edges of the screen-- but it's no longer both of them coming together in the middle, but rather Hiccup taking up the scene with Toothless starting to invade it.

Now this bit may be a little nit-picky, but look how perfectly the curve of Hiccup's hand matches Toothless's snout in the original in a way they don't in second image. They are so close, running parallel to each other. That's a very powerful image, and the remake doesn't quite match it.

I see a lot of people in the notes saying the lighting sucks, but no one explaining why. Looking at the bottom pic, you can see it actually has a greater value scale. There are a lot more midtones. Why is this bad? Because the action disappears into the background.

In the first pic there is a clear line of action going from Hiccup's arm to Toothless. By having these the lightest areas in the shot your eye is drawn to them. Then the darkest parts are Toothless's body and Hiccup's vest and hair which make them pop from the background. The most visible part of Toothless is his eye. There's a little bit of highlight on his scales and there's lighter midtones around his body to help clarify his silhouette, but we are drawn to his eye because of the light on dark contrast.

In the lower pic there is some highlight on toothless's scales (look at all that Texture! Wowee! We sure can put our computers to good use adding in details), but why is that the part on Toothless that stands out? Why is that important? Hiccup's arm kind of disappears into the background, and I can see more detail in the background than in our main character. The light sandy beach wants to draw my eye down, but there's nothing important there.

Now I put these in black and white to better see the contrast, but back to the color version, the background is mostly cool tones with warm light settling on our characters: another way in which the first one makes the characters stand out.

The only thing really catching my eye in the second one is that the greens are maybe too green? I'm not getting the same delineation of foreground and background.

There are a few other things to be picky about.

Like Hiccup's costume. Now I don't know enough about costumes to confidently pick it apart detail by detail (and honestly can't make out enough details to do so anyway) but what is one of Hiccup's defining traits? His scrawniness, right?

Look at that skinny little arm reaching out for that dragon. Look how that thin strip of lighter colored fabric visible from under his vest accentuates how slender his trunk is. Look how clearly you can see how he leans away from Toothless even as he reaches out for him. You can see the hesitation in his arm through his slightly bent elbow.

I feel like the bulky, loose costume on the actor makes him look bigger than he should and obscures body language.

Now here's the part where I want to remind y'all that art is subjective. These are some of my thoughts on this, but are by no means the only way view this. Also, please be nice to this kid. He got a chance to play a favorite childhood character. I'm sure he thought it was pretty cool to be given the opportunity and is trying really hard to live up to the role. None of the things I've pointed out here are his fault. Don't be a dick! Actors are people too.

I don't like that this is a thing. But I'm sure many people really tried to put in their best effort into this. Don't let your ire with Universal/DreamWorks for making a cash grab of your childhood nostalgia turn into harassment of artists and actors. I've seen that happen too frequently.

And remember: animation isn't an inferior art form, sometimes it really is the best medium to tell a story in.

httyd got live actioned. trailer just dropped and its uh. hm

idk what i was expecting but what looks like a shot-for-shot remake except with ugly ass high definition cgi that detracts from rather than enhances the cinematography really is. well it's a choice.