#i didn't even want to talk about it because i've given up on talking about it & basically accepted that whatever closure i thought i'd get

[libraryspectre]

I wanted to talk about the Black Parade uniforms and it kind of turned into an entire essay. My ideas on the intention behind each costume and their cohesion as a group really evolved over the course of writing this, and I think it brought into focus a lot of things I knew subconsciously but hadn't articulated. I also noticed a lot of details I had never seen before. This has futher convinced me that 1) costume design and what you can say with it is really fascinating and 2) this is S-tier costume design of all time. And it's really long so I'm putting the rest under the cut.

What I would have loved is a Weezer-style picture of the five of them standing side by side, full bodies visible, but unfortunately that doesn't seem to exist. They're either covering each other up, or posed in such a way that details aren't visible or cut is hard to compare, so I'll have to provide a variety of visuals. This weirdly blurry poster is the closest thing I could find to a Weezer picture, so take them in as a group and refer back as necessary. I want to start by saying, obviously, that they look amazing both individually and as a set. "Dark marching band of death" is a really fun concept that is very well executed. But this isn't their first time doing a look as a group - think back to Revenge for a minute, when they really started to think about their costuming as a band. Gerard has talked about how then, they were kind of closing ranks against the vitriol coming their way. They needed to feel like a team, a gang, and dressed like one. I think some of this mentality has carried over into the Black Parade uniforms - they're less defensive, (there's no bulletproof vests), but in taking on new, nameless identities they have removed themselves as individuals from the equation, which is protective in its own way. What's left are stage personas, and the more you look the more you see that these were designed by someone who is very familiar with the history of the band and how each member presents themselves on stage. It's absolutely genius costume design, because when everyone is in uniform, the little differences are more noticable and tell you so much about the intention behind each variation.

Before we really start, I have to confess that I have no history in costuming or even a lot of familiarity with marching or military bands. I can only say I find costuming interesting, so I've read a little about it, and I went to high school in America and almost all my friends were in marching band. Someone who is more educated in these things could probably give more specific insights and have a better vocabulary to talk about it, but do not underestimate me. I am deeply obsessed with MCR and got A's in English, so let's find some meaning in symbolism! But please remember that with all art, there is no one interpretation. And remember going forward that these costumes were designed by Colleen Atwood, based on sketches she was given by Gerard, so there's no telling what elements were brought in by her and what elements Gerard had planned originally. If anyone has sources on that, PLEASE let me know because I'm very curious about the design process.

Also, I'll be using the uniforms as they appear in the WTTBP video as the standard, with acknowledgements toward variations seen in posters and the FLW video. It's worth noting that in many live performances they wore different, less unique jackets, and often forewent the pants for black jeans. This is almost certainly because they were easier to perform in and they didn't want to subject the originals to the sweat and rowdiness of regular shows. Ok, here we go! Here are some pics to refer back to throughout.

Starting with the band as a whole, I want to point out two things: first, marching bands evolved from military bands. The individual costumes vary in how "military" they look, but you can definitely see the influence when you look at them as a set. I imagine they leaned into that a bit because of the military elements on the record - the suggestion in Mama that the patient was a soldier, maybe even a war criminal. We also know they've done military aesthetics before, in The Ghost of You music video, and that the band was formed in response to 9/11. Suffice to say, the military is on the mind, and this is a continuation of that.

They also look a bit like skeletons. Obviously they would occasionally do the face paint, but the uniforms themselves suggest a ribcage with the horizontal silver lines, and at some angles the stripes on the pants also really contribute to the image. I know most people have already realized this, but I wanted to point it out explicitly because it took me an embarassingly long time to see it.

Alright, I'm gonna talk about them individually now, going from my personal least to most favorite. Taste aside, they're all individually really interesting.

5. Bob

(I can't find another good Bob picture, just scroll up to the blurry one)

It's not just because I don't like Bob, I genuinely like this one much less than all the others. It might be because it's less tailored - the others look much sharper, he looks almost rumpled in comparison. The lose fit might be because as a drummer, he needed better range of movement, but I'm not a drummer so I don't know. The cut of his jacket looks kind of naval to me, which is interesting. His stripes are also very minimal compared to the others. Overall, his looks the least like it's part of a set. I don't necessarily think they meant to set him apart, but maybe they did, considering he's the only non-original member (I'm counting Frank as an original member) and the only one not from New Jersey (which, I only point out because they ALWAYS point that out to people who mention they're a Jersey band. We're from Jersey, Bob is from Chicago.) Maybe it was a subconscious thing, or maybe as the drummer his costume was designed to make the most of what would be visible sitting and partially obscured by the drum kit. It does have a very dramatic collar. That's probably also part of the reason they gave him a more distinctive haircut for this - I'm not gonna talk about hair much, but it's worth mentioning. Overall, I don't have a ton to say about Bob because I don't think of him much (sorry, but not really).

4. Frank

Frank's is really interesting. His is the least traditional-looking, which is why it's here in the ranking, but I like it and I think there's a good reason for that. Those stripes on the sleeve are a really strong look, and the material of the silver has kind of a tarnished/dappled look you can see better in other photos. I've seen people say it's a subtle camo pattern, but I'm honestly not sure - I think he's supposed to look a little less new and shiny. The blockiness of it widens him and gives him a lot of presence that might be lost if he was dressed more like the others, and it compliments his performance style well. That's particularly important in the WTTBP video - on that float, he simply doesn't have room to be as wild and energetic as his standard performance was at the time, so this uniform helps him stand out and draw attention to what thrashing he is able to do. As far as bucking tradition, he also is the only one without shoulder tabs (those little loops). There's something funny about that - those tabs are meant to hold loops and eupalletes that would signify rank, placement, or achievement, which apparently you could not give to Frank if you tried. I think this lack of traditionality is reflective of Frank's more punk sensibilities, having come up in the Jersey scene. His playing style evolved over time as he and Ray influenced each other, but at the start he was very much their punk guitarist and coming up in that scene continued to influence how he conducted himself as a musician. I think this uniform marks him as a non-conformist even within the group.

He also has that patch with a red cross on the sleeve, the only bit of color on any of them. I don't know what to make of that, maybe it's just for the Catholic vibes.

Honestly, Frank's feels the most like what people would expect from an "emo" marching band uniform. Especially considering the poster, where he's found a hole to stick his thumb through. I don't think he's wearing it in the video, but in that poster he has this belt with some kind of weapon?? Maybe?? We get it, he's a dangerous little man.

3. Mikey

Mikey's uniform is by far the most military - it's not just the medal, it's also the cut of the jacket. And he's the only one with a fun little belt, which helps keep the silhouette look nice and tailored even though the jacket flares a little at the waist. We all know the medal is a reference to his death in The Ghost of You video (there's no way they didn't know we would make that connection) and it wouldn't surprise me if the rest of his uniform looks more military because it was built around that idea. But also consider Mikey's stage presence at the time - due to his discomfort on stage, he used to be really stoic, standing in the back, getting the job done with little showmanship. I think that presentation lends itself well to a classic military figure. Mikey is also pretty thin, and the long jacket and it's strong, solid construction keeps him from looking too Victorian-orphan waifish (especially with how pale they all are), and more like a dead soldier boy.

Additionally, Mikey's costume leaning so hard into the military side helps them look more military as a group. It keeps the association in your mind when you look at the others. Also, he's wearing a little necklace here, which I've never noticed before, is he wearing that in the videos?? I think it's an anchor, which is fun considering he died on a beach.

2. Gerard

Yes, Gerard's is #2 in my ranking. I'm sorry, I might have a slight bias knocking it down from #1. But maybe not, let me defend myself when I get there. Anyway, Gerard's is the most classically marching band, which makes sense considering he's the frontperson. In fact, he has one of those braided loops on his shoulder we talked about earlier, demonstrating.....something, it seems to vary a lot, but we're probably meant to think leadership. He's not wearing it the WTTBP video, but it's there in Famous Last Words. He also has that fancy little star thing on the shoulder, which definitely seems to suggest rank. Otherwise, his uniform is very basic. He's the template that the others' uniforms are variations of. And it's a great look! He's also got nice big buttons compared to the others, three whole rows of them, which is a nice touch to make it look a liiiiittle more feminine. Because, of course, the back of the jacket is corseted, in a genious stroke of gender that puts the entire outfit in a new context. I think this is a good example of how Gerard likes to play with androgony by balancing masc and femme elements. The cut of his jacket makes his shoulders look wide and his waist narrow, but not so narrow it looks terribly feminine (just a little, taken on its own). A lot of this is achieved by the piping - notice how on Bob, Mikey, and Frank, the top row of piping (I might be using that word wrong but let's go with it. I'm talking about the silver stuff across the chest) is pretty much the same length as the bottom row? On Gerard, they start out wide way up on his shoulders and get progressively narrower at the waist. It's still a mostly masculine silhouette, but then you have the counter balance of the big buttons and his little white pixie cut, both of which lean just a little further toward femme than masc. It's an androgynous look that leans toward masc as a whole, until he turns around and, boom, corseted back. Showstopping. He also had those black leather gloves that give some nice formality, and maybe a touch of impersonality. They make it so that when he's in full uniform, the only skin you can see is that of his face. They're like an edgier version of the usual plain white marching band gloves.

1. Ray

Going purely by aesthetics, Ray's is my favorite. It's the fancy one, most obviously distinct by the flourishes around the buttons on his jacket. He Mikey are the only ones with pure silver shoulder loops, and Ray has more silver piping on his jacket than the others. In some pictures he's wearing this really ornate knotted tassle thing? You can see it in one of the group pictures above. He isn't wearing it in any of the videos, which makes sense as it could be really annoying while playing. The cut of his jacket at the bottom also looks formal to me, but I'm not sure why. Overall, the ornanamentation could be a reflection of his playing style - the same caveat here applies to Frank, in that they influenced each other through their parnership as guitarists, (and Ray has a lot of influences from different genres), but at the start he was their metal guitarist, and the guitars in metal are often complicated and showy. And he's their soloist, they need to show him off a little.

Additionally, the construction here is giving him an absolutely wild silohette. Like Gerard, the piping on his jacket gets progressively narrower to suggest a smaller waist, but without the really long stripes at the top to make the shoulders look broader. Those vertical lines across the front add to the effect because they're curved inward - which is interesting, because everyone else's uniforms are composed of entirely straight lines and sharp angles. And his jacket is cut REALLY high on the side. I can't tell if Ray's pants are more high-waisted than the others, or if it just looks that way because of the cut of the jacket. You see the stripe of the pants go all the way up his hip, and since he's already tall with long legs, it really accentuates that. It's hard to tell, but I think his pants are even a little more form-fitting than the others. The other day I saw people commenting on a gif of Ray in the WTTBP video about how they never noticed how long his legs are - this is why!

We talk about how part of what makes Ray such a compelling performer is how he moves, and I think this costume was designed to compliment fluid motion. The tailoring and curves of the piping avoid making him look too rigid or blocky, as a marching band uniform could easily do, and the high cut of the jacket lets the line of his legs continue uninterrupted. Honestly, this is a favorite look for Raygirls (gender neutral) for a reason - I think they knew exactly what they were doing putting him in a pretty, well-tailored uniform that accentuates his movement. (Caveat here that I'm a Raygirl (gn) so I'm definitely biased, and they all look great in their uniforms, but I do think Ray's is.....uniquely flattering, and I don't think it was an accident).

Conclusions

So now that we've talked about all of them, I think we have some interesting contrasts to make. Gerard and Mikey both have very classic looks, but Gerard's is more marching band and Mikey's is more military. Mikey and Bob both have very military looks, but Mikey's has a much more solid construction. Gerard and Ray are both on the marching band side of the spectrum, but Gerard's is classic while Ray's is ornate. My favorite contrast is between the guitarists - Frank's is blocky and rigid and tarnished, Ray's is curved and fluid and shiny.

The interplay between similarity and contrast is what makes this so compelling as a group costume - just by looking you can tell who's the leader, who's the tragic figure, who's the outcast, who's the rebel, who's being spotlit.

In closing, thank you Colleen Atwood and Gerard Way for designing these and the rest of the band for wearing them, I will never get tired of looking at them.

[changingplumbob]

CW: Low level sim spice - Guide to content warnings

Glenn found Silver reading his books again, and had to admit the sight of him relaxing on his bed was a nice one.

Silver: Are you wanting to jog now or not yet

Glenn: In a minute. There's something I want to give you first

Silver: A kiss?

Glenn: *smiles* Not this second. Um, do you know what a phone is?

Silver: Do I know what a phone is? Of course. It's a handset thing that lets you talk to people who are far away. Of course I've never really had to talk to people not with me

Glenn: Well I'm hoping that when you leave and are far away from me you might feel like talking to me still so this is for you

Silver: You got me a gift?

Glenn: Sort of. Um, so Ophelia can see the future and asked Miranda who is like a tech spellcaster to make something

Silver: I don't know what tech means

Glenn: It means technology. You know what technology is right

Silver: Televisions are technology and they're not bad. Can I open the box now?

Glenn: Yeah of course

Silver: This is so exciting! I haven't been given a gift in over a century

Glenn: Really? Well I'm honoured to break the drought

Silver opened the box and paused. Glenn grew worried, wondering if he'd misread the situation. Maybe Silver didn't actually like him enough to want to stay in touch. Watcher was he being too clingy?

Silver: I want to say I love it but honestly... I don't know what it is

Glenn: It's a phone, a smart phone

Silver: Smart? I thought phones had wires, and the fun spinning number dial. Or payphones have like the fun giant buttons

Glenn: Damn you really have been living away from society. Well technology, remember technology, has evolved. You don't need a giant box or a spinning dial, you just need this

Silver: So this shiny skinny brick is what phones look like now? I might need a crash course in using it

Glenn: Oh I can do that! But um... I'm trying to say... I know you like to be on the move and in nature more than me which really is saying something but if you have this it means wherever you are, I'll be able to talk to you. I would like to keep in contact with you Silver. If that's something you would want...

Silver: In contact? With me? I...

Glenn felt his breath catch in his throat. Maybe he had misread things. Maybe Silver just wanted a fun flirt and nothing more. Silver sat down on the bed and looked like he was thinking. Glenn didn't want to interrupt so just stayed where he was standing, shifting his weight from one foot to the other.

Silver: Glenn, I like you. I've thought you were handsome since I saw you on the TV but... I'm not the best bet for a relationship

Glenn: What do you mean

Silver: I've been away from anything resembling a society for a long time. I don't really know how to be with people anymore. I'm not good at social cues and I just say what's on my mind without caring if others think it's wrong because I'm used to them not liking me

Glenn: Well I like you

Silver: Maybe you do now but what will you do when your grandfather thinks I'm rude? Or when the other spellcasters tell you it's wrong to have feelings for a someone who doesn't even know what a phone smart is?

Glenn: I don't really care if you know what a smart phone is so long as you pick up my calls. Stop worrying about me for a second. Do you want a relationship in your future

Silver sat and thought. He missed having a family, even if his dad was harsh being part of something was nice. He had been alone for a long time but he didn't want to be that way forever. A partner... and maybe some kids... he wanted that. So if Glenn was here and willing to make some allowances why would he push him away?

Silver: I do. I want love and birthday parties and kids and the best fish I've caught swimming in bowls

Glenn: *chuckling* That does sound good. So will you let me show you how the phone works? And let me call you?

Silver: I'd like that

Glenn smiled and began to show Silver how to turn the phone off and on. As he worked his way through the phonebook and the messaging app Silver slid closer to Glenn. He could feel Silver's arm snake behind his waist and it became harder to focus.

Glenn: That's my number in yours and then I'll put you in mine under... Beefcake!

Silver: *chuckling* Beefcake?

Glenn: You wanted a cute nickname. Beefcake makes sense because you're beef, or at least your arms are

Silver: What does that mean?

Glenn: Built. Muscular, strong. And then cake because I think you're secretly sweet and I love eating cake

Silver: Do you promise to eat me then

Glenn: *blushes* I'm going to go get dressed for a run. You can get changed in here

When Glenn came out he was quickly distracted by the fact that Silver didn't have a shirt on. He did have abs! They were impossibly well defined. And the creases of his hips-

Silver: My eyes are up here Glenn

Glenn: Right! Um, sorry if I came back in to quick

Silver: Oh I don't have a shirt on when I go running, I get too hot. It's a werewolf thing

Glenn: Yeah... Running, we were going for a run

Silver let Glenn down the stairs ahead first, enjoying the view.

Previous ... Next

[krispdreemurr]

I don't think player-centric sexuality can be criticized without criticizing male-as-default. Even ostensibly gender-neutral protagonists will be treated as male if the writer setup a scenario that can only work if the protagonist is A) male and B) alienated from women the way a straight man would be. But even still, a lot of assumptions about the audience are built in. Things like gacha or harems having a majority of female characters to collect confessions from, with the minority of male characters being aloof and professional. 1/???

In Snowgrave we force Kris & Noelle into specifically ungendered roles. Noelle is the mage, the girl, soft & malleable - she's also the offense & the stoic one in the face of calamity. Kris is the knight, the human, the commander - they're also Noelle's support & the one who calls for help throughout the route. But I don't think "Snowgrave Kriselle is heterosexual" overrides that. Like, throughout the Weird Route we pigeonhole Kris & Noelle into a pair of functional but imbalanced & codependent roles, isolated from everyone else, and naturalize it through ideas of Love, Marriage, & responsibility. Is that not related?

look, I'm going to be direct about a doylist aspect here that I haven't wanted to bring up as strongly because I didn't want to just come off as snarky: I don't think toby fox, who I suspect accidentally stumbled into writing nb characters to begin with and who has been consistently kind of bad about it, is deliberately writing anything about male as default or the horrors of misgendering. further, i don't particularly want to keep reading people finding reasons to call Kris male in terms of story roles or whatever, because it feels bad and I think people are way too quick to go to male as default.

i do think a lot of what "default RPG protagonist" entails closely overlaps with a heterosexual male view of the world (god knows I've talked w people about the quiet lesbian amusement when a game has a character creator but still has all the women fawn over you), and I do think that has bled into deltarune's critique; toby fox writes a stock RPG romance gone wrong, and that involves the bashful healer girl (who is none of those things) and the strong-willed protagonist (who is none of those things). but i just think reading Kris' role in it as "male" isn't quite how I take it, beyond the background radiation of the world where anything neutral or null will lean male.

snowgrave brings in signifiers of marriage like the rings, and then has them treated as flat objects to be given for bonus affection and better stats. there's no actual bond formed between Noelle and Kris by them giving her a ring, and in fact one ring is traded for another even worse one the second that becomes possible. the relationship is reduced down to equipment and grinding and saying the correct things in the correct order. it's a critique of the flatness of relationships in video games first and foremost, and I think the ways it feels heterosexual are mainly just background radiation

[noxlysium]

Why Jean is so important to me

Welcome to my insane ramblings, enjoy your stay (or don't). Most of this is also very self-indulgent, by the way. Warning: Mentions of abuse, alcoholism, mental illness, self-destructive thoughts I'd also like to remind you that this isn't me justifying Jean's behavior in any way, he's a fucking asshole and doesn't know how to handle Harry, or himself. They're both flawed individuals and that's okay. This is just me talking about my own experiences. Now that we got that out of the way, let's get to the actual thing.

I'm not even sure where to start. When I first found out Jean had clinical depression, I immediately felt a connection. It's relatable. Very relatable, in fact. I myself have been depressed for years. It all started at a young age, I was about 13, but due to trauma it could be very much earlier than that. I don't remember much from my childhood because most of it are bad memories. I'm 21 now and still going through a lot of shit, so it's been about 8 years. Jean strikes me as a guy who has been fucked over his entire life, no matter where he goes or what he does. It always comes back to him. After I have finished DE for the first time and looked more into the lore of Jean and Harry, I started to notice the similarities between the relationship with him and Harry, and the relationship with me and my own parents.

I know what alcohol does to people, I've seen it all. And it's not great for either parties. I'm stuck in a repetitive cycle of wanting to help someone to get better, only to realize that they don't want to get better and then I start building hope again. Rinse and repeat. I know I cannot change them. But I keep hoping for a change anyway, and get upset when it never comes. Of course it doesn't. No matter what I've tried. I have tried so many times. I'm a fucking hypocrite because I sometimes drink as well. I don't want to become like them. I drink for fun every once in a while and try to not over-do it, because every time I touch alcohol, something in the back of my mind tells me I'm becoming like my father. I thought about smoking a few times, but I don't want to destroy myself like my mother does. I'm really fucking scared of smoking and its consequences. Which is funny, because I should be as scared when it comes to alcohol, but I'm not. They both drink every day at 3 pm, after work. Every single day.

And it has been like this for years. Nothing has ever changed. A few months ago I had an actual discussion with my parents. We usually never have these sort of conversations (That's the issue, by the way. A very big lack of communication. Does that ring any bells?) and I was actually surprised when they told me they wanted to lay off the alcohol. I tried to approach the topic carefully and even offered them help (therapy etc.) but.. they also didn't want that. They straight up told me they don't need help. Which is really fucking frustrating because I want them to understand that they do, but they don't care.

I know change is really fucking hard and I've been there, but my parents had so many opportunities to change and never took them. Nothing has changed for so many years and I'm tired of it. I'm waiting for a change to happen but I know it's never coming anyway. I'm tired, mad, disappointed. That's how Jean feels about Harry, he just doesn't know how to help him and is an ass about it. And I'm just letting it happen, because there's nothing else I can do. I'm watching them destroy themselves every day and it fucking hurts. Something in me still feels a tiny flame of hope, when in reality that flame is already extinguished. I want people to understand, my father really fucking reminds me of Harry. The emotional abusive, the physical abuse, the alcoholism, the sexist remarks.. It just screams Harry. Especially given with how he had been around people Pre-Martinaise, which I have read in the game inside the damaged ledger. The fact that I love Harry to a certain degree says a lot of things.

The marriage between my parents is like if Dora never left Harry, and it's fucking awful.

-

That is mostly why I can relate to Jean so much. There's also some smaller things and I'll get to those now.

He fucking sucks at feelings. You can see it with the way he's trying to handle Harry, and it's not working.. Which, yeah. I suck at those too.

He likes to hide his sadness underneath a layer of cynicism and sarcasm as a coping method.. I do this all the fucking time.

Let's face it, this man is a fucking nervous wreck. He picks at his facial hair and displays a lot more habits like that, like him fixing his clothes (even though they look clean, according to one of the skills in the game), running his hand through his hair.. I do this without even realizing it.

He's depressed and fucking empty on the inside. He most likely hasn't felt real love from anyone or for himself in years. He needs therapy (lots of it), anti-depressants and a hug.. And I know what that feels like. I know it too well.

Lastly, he's a fucking mess. Like in every single way imaginable.. Again, very relatable.

Jean is such an amazing character for me to project on, to relate to and to find comfort in. I'm glad they made him fucked up, because that's what I love about him. He has so many flaws and I love every single one of them. He's in the game for like 15 minutes or less, but the impact he's had on me is insane. I've had a fair share of characters I would obsess over, but Jean hits different.

I'm so glad Jean-Heron Vicquemare exists, because I wouldn't know where I would be if I never met him. I want to thank my lovely friend (who is not on here, but I'm still saying it because I care about him a lot) for gifting me this amazing game.

And I want to thank you for reading this mess of a post.

If you have made it this far, I want to show you one last thing.

[frogchiro]

I've never asked a question before, but your neighbor! James idea gave me so much brain rot because it was THAT good, and I had to write something about it or else I was going to die.

I was just writing whatever came to my head here, but I hope I did your idea justice:

"He saw her, oh did he see her, the pretty little thing that moved into an apartment just a few blocks down from his house a month ago. It was a shame really, James wouldn't get to see her as often as he would like but when he did, it became nearly impossible for him to focus on anything else.

You were all smooth skin and perfection with silky hair that he wanted tug on and run his fingers through coupled with the sweet sugary smell of vanilla from the perfume you always wore, it was just the right amount as to not be too overbearing yet heavy enough for him to get absolutely high of off, but James wouldn't have it any other way. 

Although, sometimes when he finds himself alone in the confines of his bedroom late at night, he’d begin to have second thoughts about the whole thing, this “feeling” or whatever he wanted to call it was completely one-sided. It bothered him to no end but at the same time the still logical part of his brain was telling every nerve ending in his body that this was wrong, so very wrong. 

This only made him want you even more, and this terrified him.

The filthy thoughts he had of you were always constantly buzzing around in his head like TV static that he didn't know whether to turn off and ignore or entertain just to see what would happen to himself. At some point James knew that he couldn't have his feet in both worlds, a decision would have to be made. 

The only thing James could do right now was pray that he could keep this little game of his going as long as possible, no matter what it'd cost him. 

He knew he was walking a tightrope, but he wanted so much more.

Then one day it happened, on his way to work, in the early light of the morning, that he saw you right outside of his window wearing a pastel blue sweater, a pair of black sneakers and a white colored pleated mini skirt that was leaving absolutely nothing to the imagination with your hair tied up into two space buns.

James found it all incredibly adorable yet also undeniably sexy, what he wouldn’t have given in that moment to drag you into his house, take you up to his bedroom and lick every single part of you that his tongue could reach. Were you a screamer? Or were you one of those shy girls that stayed quiet? Honestly it wouldn’t matter to him in the slightest, he’d have you screaming his name until that pretty little throat of yours hurt, regardless.

The opening noise of his front door made you look up at him with a bright smile and as embarrassing as it is for him to look back on this particular interaction now, he almost groaned, just from the sight of you even back then. 

And it got even better when you opened that gorgeous mouth and James could practically feel the chemistry of his brain shift when you spoke, “Hi! I'm (Y/N), nice to finally meet you, I was just going around the neighborhood and introducing myself to everyone. I just moved in, it's James, right?”

Oh god, he thought, I’m so fucked."

Yeah, so I just wanted to share that before I exploded, thanks for coming to my Ted Talk

Ahhh thank you very much for this delicious thing dear!!

And yeah, you're honestly so right, James would be so thirsty and borderline obsessed that he'd start to be kinda creepy :(

He'd fantasize about you, your body, your scent, how you'd sound in bed if he actually took you; would you scream for him? Would you let out those sweet shy whimpers? Were you a sweet sweet virgin, just his for the taking and never letting you go?

I kind of see him as feeling guilty at times; look at him and look at you. He was a tired, washed out widower in his 30's with a boring office job. Sure it made him quite good money but what was the point of it if he didn't even know what to spend it on?

And then there was you, the sweet 20-something college girl who smelled like vanilla, was bright, smart, kind and had an amazing future in front of her, what would someone like you want to do anything with a guy like him?

His thoughts would race, his guilt rising until the moment you actually spoke to him, introducing yourself to James, your voice sweet with a tinge of shyness to it as you explained that you're just introducing yourself as the new neighbour.

Oh he was fucked.

[soldiermom1973]

So it's been a hot minute. Again. I've had some work & health issues, so playing this took a back seat. Got a bit done this time, though, so here we are.

I found the harper stash in the Grymforge. I think I missed it last time because I don't remember fighting 3 mimics. But I am old and my memory isn't always the best. Unless we're talking song lyrics from the 80s, but I digress.

I found a different way to the Forge waypoint. I honestly didn't remember much of getting there and it seemed like that part of the map took much longer to do than it did this time.

I also spent a stupid amount of time running around, trying to find the moulds. I know I didn't NEED all of them, since there's only 2 adamantine nodes, but it's the completionist in me that HAS to find them. I was giving them all to Gale (because I'm a hoarder with an almost-always maxed inventory weight and Gale never carries anything) and he only had 5. I could not, for the life of me, find the last one. I even loaded into camp, thinking I'd given it to Karlach or something. Fucking Astarion had it and he's been in my party from the beginning.

I also fought Grym; got the achievement last time for killing him without using the forge hammer (I hadn't even known that was a trick to beat him), so I took full advantage of that. I crafted a shield (for Gale - I read a tip about him using a one-handed weapon with the shield to help boost his AC & want to try it) but haven't crafted anything else. I think I made armor for Karlach last time. So other than that, I think I'm done in the Grymforge.

Made my way to Rosymorn & did some more exploring I think I missed last time - I found a distraught blue jay and agreed to kill the eagles and get its nest back. I have Lae'zel along, so this is all going to be different for me (she died in my last playthrough when Tav woke up with a blade to her throat). The egg woman is dead and I stopped my play just outside the monastery doors (after the cut scene).

So next time I get to play I'll try to get through all of that and that should be the end of Act 1. I think. I want to google a list of quests & stuff to make sure I didn't miss anything.

Charlie's Run (BG3)

Ok, so the TL/DR for this is I started another run with a character named Archie. I was not having fun. At all. I realized I was expecting too much of myself, being the completionist that i am. While grumbling my way through Faerûn, I restarted my original Tav so I could acquire cross save files for my Dear Friend @emmavakarian-theirin I was playing both characters for about a week & realized I couldn't keep that up, so I decided to give the OG tav another run, then go back & finish Archie later.

This is the same character I initially posted about several months ago. I didn't name her then, but since I'm taking this a bit more seriously (from a creative/RP point of view), she needed a name. I settled on Charlie - short for Charlemagne or something stupid like that. She hates her name & much prefers Charlie. She and Archie are sisters. In case you've forgotten what she looks like, here...

She's a half-high elf sorcerer with Draconic blood. She is Very Tall. She will be romancing Gale. I'm planning on using what I learned the first time around & with my Archie run to take care of other things (for instance, I haven't killed Lae'zel and don't really plan to. I want to give her that egg.)

So, let's see.... I'm still fairly early in the game, so I don't have Karlach yet, so Wyll is horn-free. I've talked to Auntie Ethel and am making my way toward her home as well as heading to the swamp to take care of the Shadow Druid thing. I talked to the owl-bear and left the cave with both of us intact. I've found Scratch. I am currently in the Blighted Village and am about to get Shovel/Basket. I will not be making the mistake of not doing the convo to keep them as a permanent summon.

I'll tag this stuff as Charlie BG3, so you can filter out my nonsense if you like. Otherwise, enjoy the ride. Again.

[stillfruit]

i love not knowing if i'll ever be healthy again i love all of the time i've used to move my body become nothing i love spending my adulthood wasting away year after year for various reasons baby!

[confinesofmy]

my in-some-ways-closest cousin called to check in on me because my mom's deathiversary was the other day and we talked about it abstractly a couple of times then like actually talked directly about it and i talked a little bit about how awful that whole year was because that was the year i gouged my eye and lost my cousin as well as my mom and <three other major things> and i think about everything that happened every day and about two sentences in she interrupted me to say we needed to change the subject so she wouldn't cry. okay. well we wouldn't want that i guess.

[navree]

the persian boy - mary renault.

[awkward-teabag]

I was just going through this for some tag talk but ExpressVPN's parent company is Kape Technologies plc. Kape Technologies also owns the VPNs CyberGhost, ZenMate, and Private Internet Access, so that's 3 more VPNs to avoid.

Kape Technologies also owns the VPN review sites vpnMentor and WizCase which both heavily push ExpressVPN to a gross degree (as in both give huge popups to subscribe to ExpressVPN) while claiming it's unbiased and them being owned by Kape doesn't affect their reviews at all. They also push CyberGhost and PIA, though to a lesser extent by having them in the #2 and #3 places. ZenMate isn't mentioned because it "partnered" with CyberGhost.

Everything else aside, to me it's sketchy as hell when one person buys up multiple VPNs and VPN review sites, especially when that person also owns online advertising companies, one of which effectively used a trojan, sorry, injector, to deliver personalized ads that was then used by malicious actors to inject malware and spyware onto people's computers without them noticing.

That company? It changed its name from Crossrider to Kape Technologies to "distance the company from past activities".

Boycott ExpressVPN

[tomurakii]

Winged men I would hit with my car + reverse back over to make sure the job was done if I saw them on the street

[beast-of-the-void]

.

[wordstome]

how c.ai works and why it's unethical

Okay, since the AI discourse is happening again, I want to make this very clear, because a few weeks ago I had to explain to a (well meaning) person in the community how AI works. I'm going to be addressing people who are maybe younger or aren't familiar with the latest type of "AI", not people who purposely devalue the work of creatives and/or are shills.

The name "Artificial Intelligence" is a bit misleading when it comes to things like AI chatbots. When you think of AI, you think of a robot, and you might think that by making a chatbot you're simply programming a robot to talk about something you want them to talk about, and it's similar to an rp partner. But with current technology, that's not how AI works. For a breakdown on how AI is programmed, CGP grey made a great video about this several years ago (he updated the title and thumbnail recently)

I HIGHLY HIGHLY recommend you watch this because CGP Grey is good at explaining, but the tl;dr for this post is this: bots are made with a metric shit-ton of data. In C.AI's case, the data is writing. Stolen writing, usually scraped fanfiction.

How do we know chatbots are stealing from fanfiction writers? It knows what omegaverse is [SOURCE] (it's a Wired article, put it in incognito mode if it won't let you read it), and when a Reddit user asked a chatbot to write a story about "Steve", it automatically wrote about characters named "Bucky" and "Tony" [SOURCE].

I also said this in the tags of a previous reblog, but when you're talking to C.AI bots, it's also taking your writing and using it in its algorithm: which seems fine until you realize 1. They're using your work uncredited 2. It's not staying private, they're using your work to make their service better, a service they're trying to make money off of.

"But Bucca," you might say. "Human writers work like that too. We read books and other fanfictions and that's how we come up with material for roleplay or fanfiction."

Well, what's the difference between plagiarism and original writing? The answer is that plagiarism is taking what someone else has made and simply editing it or mixing it up to look original. You didn't do any thinking yourself. C.AI doesn't "think" because it's not a brain, it takes all the fanfiction it was taught on, mixes it up with whatever topic you've given it, and generates a response like in old-timey mysteries where somebody cuts a bunch of letters out of magazines and pastes them together to write a letter.

(And might I remind you, people can't monetize their fanfiction the way C.AI is trying to monetize itself. Authors are very lax about fanfiction nowadays: we've come a long way since the Anne Rice days of terror. But this issue is cropping back up again with BookTok complaining that they can't pay someone else for bound copies of fanfiction. Don't do that either.)

Bottom line, here are the problems with using things like C.AI:

It is using material it doesn't have permission to use and doesn't credit anybody. Not only is it ethically wrong, but AI is already beginning to contend with copyright issues.

C.AI sucks at its job anyway. It's not good at basic story structure like building tension, and can't even remember things you've told it. I've also seen many instances of bots saying triggering or disgusting things that deeply upset the user. You don't get that with properly trigger tagged fanworks.

Your work and your time put into the app can be taken away from you at any moment and used to make money for someone else. I can't tell you how many times I've seen people who use AI panic about accidentally deleting a bot that they spent hours conversing with. Your time and effort is so much more stable and well-preserved if you wrote a fanfiction or roleplayed with someone and saved the chatlogs. The company that owns and runs C.AI can not only use whatever you've written as they see fit, they can take your shit away on a whim, either on purpose or by accident due to the nature of the Internet.

DON'T USE C.AI, OR AT THE VERY BARE MINIMUM DO NOT DO THE AI'S WORK FOR IT BY STEALING OTHER PEOPLES' WORK TO PUT INTO IT. Writing fanfiction is a communal labor of love. We share it with each other for free for the love of the original work and ideas we share. Not only can AI not replicate this, but it shouldn't.

(also, this goes without saying, but this entire post also applies to ai art)

[thelostconsultant]

Not a gold digger

pairing: Max Verstappen x reader

summary: Fans think you only want Max's money. But as it turns out, you were wealthy before he came into your life--you just don't make it obvious.

warnings: No smut, but there's a part that makes me say MDNI.

note: So... I'm kinda back? Idk, I'll see if I'll stick around.

The toxicity of the fandom was becoming quite entertaining, really. It was the third time since you and Max had made your relationship public half a year ago that someone started an anti gold digger campaign to protect your boyfriend. They truly believed they were doing this for a greater good, and they all begged Max for his attention.

It always began after they sniffed out he had given you something expensive as a gift or took you shopping to a luxury boutique. While there were some people who tried to protect you by pointing out that maybe he enjoyed showering you with gifts, the rest didn't care about that. 

You lived in a small apartment back home, you were driving a five years old Renault SUV, and no one knew what you did for a living. This was enough to enrage them and make them believe all you wanted was Max's money at the end of the day. Just think about the way she's looking at him, one of them wrote about two months ago, she's so clearly not in love with him. Poor Max, someone please save him. 

Ridiculous.

“Is everything okay?” he asked when he got home and kissed the top of your head. 

You were sitting in his sim rig, using the time while it was free to practice, because you wanted to play with him when you weren't here together, and he was more than happy to show you the basics. “Someone started another campaign to cancel me,” you replied casually as you got out with his help. 

Even when you were standing in front of him, he didn't let go of your hand, instead he raised it to his lips to place a soft kiss on its back. “Gold digging?” You nodded with a sad look on your face, but less than five seconds later you were both laughing. “Look, I know you're having way too much fun with this, but–”

Without waiting for him to finish, you raised your hand to make him stop. “I'm not stepping out of the shadows, Max. I've been hiding for years, even fucking Forbes doesn't know my real name or face,” you told him.

Back in the old days, when Bitcoin appeared, your geeky uncle had gotten into mining and trading it. He knew the potential, so he put most of his savings into buying them, then he held onto them, and by the time he got sick years later, he knew they were valuable and would be worth a lot more in the upcoming years. In his will, he left his savings and his wallet to you, giving you the chance to use them as you wished since you had learned everything about crypto from him.

So now you had Bitcoin as well as old fashioned investments, and you had used your money to help out an up-and-coming tech company for a forty percent share, and it was later sold to a tech giant for a lot of money. But despite your wealth, you chose to stay under the radar, because you loved your small apartment, and you weren't about to trade it for some fancy penthouse. 

You had met Max the year before in Las Vegas. F1 was a sport you watched with your uncle while he was still alive, and you were hell-bent on getting a VIP pass for the weekend. If you asked your boyfriend, he would say it was love at first sight, but in reality he was just annoyed by you. For a solid ten seconds, he would correct you every time you talked about it.

You agreed that you would hide in Max's apartment until this latest campaign died down, which gave you some time to spend together in peace. Every now and then you checked the tags to see how things were going, and after the silence of the past few days, today your name was trending again. Ready to have a good laugh, you opened the tag, but the most popular post gave you a minor stroke.

“Oh, fuck me,” you yelled as you launched your phone into the couch.

Max pulled the headset down to his neck as he looked over at you. “Is everything okay?” You raised your finger to your lips as if you wanted him to stay quiet, but luckily he got the message. “I'm muted. So?”

You grabbed your phone and went over to him. “They know. One of those idiots from the company I helped back in the day posted a tweet to protect me, saying that if it wasn't for me being an angel investor, they wouldn't be millionaires now,” you summarized as you gave him the device.

He scrolled through a series of tweets, and found a post from a journalist of Forbes in which he promised a proper investigative piece based on this info. He handed you the phone, then wrapped an arm around your waist. “It's okay, schatje. I know that's not what you wanted, but maybe they'll stop with the recurring hate campaign now,” he tried. “And if you’re worried about the article… Don’t be. There is nothing compromising about you. Yes, you inherited the money, but you have proven you know what to do with it.”

“Maybe you’re right,” you admitted with a sigh. 

“I’m usually right. C’mere,” he said as he reached out to pull you closer, but you glanced over at the camera. Rolling his eyes, he quickly turned it off, then gave you an expectant look. “Will you hug me now? And I want a kiss too.”

With a laugh, you leaned down to wrap your arms around his neck and gave him a soft kiss. But he wanted more, his hand slowly sneaked under your shorts, his fingers running over your clothed cunt before he decided to pull your panties aside and dip a finger between your folds. You moaned into the kiss, but he pulled away a second later to lick his finger clean. 

Shaking your head with a chuckle, you patted his shoulder and walked back to the couch. You could feel Max’s eyes on you the whole time, and when you looked at him again, he flashed a devilish smile at you. “I should quit the stream. Now that I had a taste, I want more,” he told you. 

“I’m not going anywhere, just try to be patient.”

He looked back at the screen, then put the headset back on his head and unmuted his mic. “Sorry, I have to go. See you next time,” he told the others, then logged out. You couldn’t remember the last time he left the sim rig this fast, and only a few seconds later he was kneeling in front of you, eagerly reaching up to pull your shorts off you.

liked by user1, user2 and 947,896 others

f1gossips: Breaking news! Turns out Max Verstappen's girlfriend isn't a gold digger after all as she has her own fortune according to the investigative article published by Forbes. Will the fans apologize?

view all comments

user2: And here I was, thinking she's just a greedy airhead...

user3: Easy to be wealthy with your uncle's money.

↳ user4: Have you read the whole thing? She invested the money and helped out several startups--that later became pretty successful--as an angel investor. Yes, maybe she inherited a lot of money, but she knows what to do with it.

↳ user5: May I remind you how many F1 drivers started their careers with their families's money?

user6: Told you she wasn't a gold digger. Suck it, haters.

liked by yourusername, landonorris and 1,577,353 others

maxverstappen1: If you don't buy your girlfriend gifts every once in a while, you're a bad boyfriend. I love to spoil her, it's not a crime. I love her, I'm proud of her, and you can send us as much hate as you want, it will only make us stronger.

tagged: yourusername

view all comments

yourusername: I'd be perfectly fine without the gifts, I already told you.

↳ maxverstappen1: I don't care.

landonorris: You're absolutely right!

↳ maxverstappen1: You're single, how would you know?

↳ landonorris: Just FYI, I've been in relationships before.

danielricciardo: You're so disgustingly smitten with her. (I love you both.)

[ambrosiagourmet]

I love Izutsumi. She's got a great design, she's a fun addition to the main party, she adds some new tension, and she's honestly one of the reasons I read dungeon meshi in the first place. I mean, "the most cat to ever girl" is an extremely appealing hook to anyone who loves cats and girls (me, I love cats and girls).

However, while I have always liked Izutsumi, I finished the story kind of feeling like I didn't really get her. I felt like I had a decent grasp on her character an character arc (she's a traumatized teen given space to feel safe and open up, and because of that she realizes that she can't grow without letting go of the coping mechanisms she once needed). But I didn't feel like I really understood her role in the story as a whole.

She follows the group of her own accord, after a coincidental meeting and a misunderstanding of what they can do for her. She's never super invested in saving Falin, at least not compared to the rest of the group. Though they do help her escape Maizuru's shackles, and are clearly good for her in general, she doesn't really have a healing Moment with the group the way that Senshi does with the hippogriff soup.

And yet, she gets an entire chapter, the third-to-last chapter, dedicated to exploring her growth and future. She's the one who frames much of the falling action, who lets us check in with everyone. She's the one who helps talk Laios into accepting his role as king. She may join the story part way through, but she is there for most of it. So Izutsumi! What's your deal!?

Well, I think I've come up with an answer, at least for myself, that I really like. Two of them, even! Though they both really work together to form the overall point - Izutsumi is the character that most helps the story face towards the future. Here's why I think that.

So the first of these "ah-ha" moments was when I realized that Izutsumi really is the best supporting evidence for Laios' point about the good things that wouldn't have happened if Falin hadn't died.

If Falin hadn't been eaten by the dragon, Izutsumi probably would still be a slave. It was because of Shuro and Laios' parties both being in the dungeon to rescue Falin, as well as Marcille's use of ancient magic in the resurrection, that she got the chance to escape. None of that would have been the case if Falin hadn't died. Shuro wouldn't have separated from the group and joined up with his retainers, Marcille wouldn't have revealed her knowledge of ancient magic, and Izutsumi never would have even met any of them. They are only part of her life because of Falin's death.

Though this isn't explicitly pointed out by Laios or Izutsumi in the scene, I do think you can very much feel the presence of it. For one, when Marcille reflects on the journey and how much it made her realize she didn't want to lose everyone, her relationship with Izutsumi is prominent:

It's the main original group at the top and center, but when you read it right to left, it’s Izutsumi and Marcille who might catch your eye first. And it's specifically Marcille and Izutsumi's relationship on display here, not just Izutsumi's presence in the group in general.

Also, after Laios' statement about how none of their adventure would have happened without Falin dying, it is Izutsumi who gets the final word:

Izutsumi is also the one here who is the most forward-facing. Chilchuck is trying to correct Laios, Senshi is focused on the immediate future, and Izutsumi is talking about her new goal.

And I want to talk about that goal in general as well, because it’s also interesting how it comes up. In that moment, everyone is trying to remind Marcille of her less destructive desires - to eat food, to share it with them, and to meet Chilchuck's family. All of which are previously established, existing desires. When prompted by Chilchuck to join in, however, Izutsumi offers something new:

That's interesting, isn't it? It's kind of funny, of course, to see her rambling on about a completely new thing, her own personal motive, in the middle of everyone working together to reach out to Marcille. Izutsumi doesn't even know who Yaad is! But at the same time, it’s kind of meaningful. Amidst the focus on desires that everyone already had, she adds a completely new one to the mix. It’s even the final bridge that lets Laios reach Marcille.

It is, in fact, even an idea that comes back later to help out another lord of the dungeon. The idea of finding new goals and feeling new desires... this is exactly how Kabru reaches out to Mithrun, after the Winged Lion is gone

So yeah, Izutsumi's presence here, both in what she's actively choosing to say as well as what she represents of the consequences of Falin's death, supports the story's ideas of moving forward. Of accepting the past, and finding new reasons to live.

Which is all really good, and that alone works pretty well as an answer to what Izutsumi's role in the story is.

But oh, oh. There's more. Something I realized after having thought of all this, because I still couldn't let go of the feeling that there was still something I was missing.

And as I reviewed the things I loved about Izutsumi - her sometimes unhealthy ways of coping with trauma, her struggles with isolation, her skill with fighting, her selfishness contrasted with the ways she grows to care for and protect the group, her perpetually guarded nature, born from the seeming impossibility of ever fitting in or finding a safe place to just be herself - I realized something.

Izutsumi...

is a foil to Falin.

Where Falin copes with isolation and trauma by being eternally caring and struggling to say no to people, Izutsumi copes by constantly saying no to everything she can. Falin is often considered selfless, but does have selfish desires that she can’t easily express until a moment of crisis. Izutsumi is delightfully selfish, but chooses to stick by her friends when they need her. They are both transformed, against their will, into partly monstrous hybrids, and they both will have to live with that - there is no undoing what has been done to them.

Falin anchors the group in the past. Izutsumi pulls them towards the future. Neither would find freedom without the other - it is Falin's death that leads to Izutsumi joining the party, and likewise, it is Izutsumi who inspires the realization of how they can save Falin.

And Falin is her future, as much as Izutsumi is Falin's. Both learn to be a little more like each other, even though they never meet. Falin gets a little more selfish. Izutsumi gets a little more willing to bend.

In this context, I feel like I have finally started to understand just how important Izutsumi is to the story. She is a proof that they cannot just go back, and she is a clawed, happy-to-scratch-anyone-who-pisses-her-off reminder, at that. In any conversation about what the group wishes would have happened with Falin, she cannot be ignored or brushed aside.

She is a reminder that, even in the midst of a tragedy so big it feels like a shadow you will never escape, you have yet to met all the people you will love. Hell, some of those people might even be catgirls. We should all be so lucky.

[queerautism]

It feels kinda wild I've seen no one mention the huge controversy NaNoWriMo was in about 7 months ago (Link to a reddit write up, there's also a this google doc on it) in this whole recent AI discourse. The main concerns people had were related to the 'young writers' forum, a moderator being an alledged predator, and general moderation practices being horrible and not taking things like potential grooming seriously.

About 5 months ago, after all of that went down, MLs or 'Municipal Liaisons', their local volunteers organisers for different regions of the world, were offered a horrible new agreement that basically tried to shut them up about the issues they'd been speaking up about. Some of these issues included racism and ableism that the organisation offered zero support with.

When there was pushback and MLs kept sharing what was going on, NaNoWriMo removed ALL OF THEM as MLs and sent in a new, even more strict agreement that they would have to sign to be allowed back in their volunteer position.

This agreement included ways of trying to restrict their speech even further, from not being able to share 'official communications' to basically not being allowed to be in discord servers to talk to other MLs in places not controlled by NaNoWriMo. You also had to give lots of personal information and submit to a criminal background check, despite still explicitly leaving their local regions without support and making it very clear everyone was attending the OFFICIAL in person events 'at their own risk'.

Many MLs refused to sign and return. Many others didn't even know this was happening, because they did not get any of the emails sent for some reason. NaNoWriMo basically ignored all their concerns and pushed forward with this.

Many local regions don't exist anymore. I don't know who they have organising the rest of them, but it's likely spineless people that just fell in line, people who just care about the power, or new people who don't understand what's going on with this organisation yet. Either way, this year is absolutely going to be a mess.

Many of the great former MLs just went on to organise their writing communities outside of the official organisation. NaNoWriMo does not own the concept of writing a novel in a month.

R/nanowrimo is an independent subreddit that has been very critical of the organisation since this all happened, and people openly recommend alternatives for word tracking, community, etc there, so I highly recommend checking it out.

I've seen Trackbear recommended a lot for an alternative to the word tracking / challenge, and will probably be using it myself this November.

Anyway, just wanted to share because a lot of people haven't heard about this, and I think it makes it extremely clear that the arguments about "classism and ableism" @nanowrimo is using right now in defense of AI are not vaguely misguided, but just clear bullshit. They've never given a single shit about any of that stuff.