#i did find pictures of very cool looking articulated dragons
Explore tagged Tumblr posts
sea-buns ¡ 11 months ago
Text
I have yet to see any official Cloaca art so I've just been picturing one of those segmented fidget toys shakily hanging in the air while it gyrates so violently
Tumblr media
53 notes ¡ View notes
carewyncromwell ¡ 5 years ago
Text
[That evening, Carewyn met Rakepick, Bill, Charlie, and Merula at the Training Grounds. Once Ben had joined them, the students gathered around Rakepick.]
Tumblr media
[As soon as Carewyn had grabbed the edge of the Portkey, she suddenly felt herself spinning up off the ground like a top. The force of the wind spiraling around them make tears well up in her eyes -- she clenched onto the portrait’s frame in a vice grip, terrified that it might try to fling her off into oblivion --
Then, suddenly, all at once, the spinning stopped. Carewyn was thrown off the portrait, falling backwards and colliding hard with the ground.
When she looked up, she couldn’t help but stare.
They’d arrived in a dark, green-tinted stone room, one that could only be called a Vault. It was very tiny with no door, furnished only by a handful of artifacts decked in cobwebs, an array of lit torches, and the shattered links of what must’ve been an iron chain.]
This...this looks just like the portrait...
[Even the suit of armor in the corner looked just like the one in the picture.]
Charlie: “Whoaaa...”
[Charlie, Merula, and Ben had also landed sprawled out on the floor -- Bill and Rakepick, the only two who had managed to land on their feet, stood over them.]
Ben: “I feel like I’m going to vomit...”
Merula: “Ugh -- me too.”
Tumblr media
[Carewyn wobbled up onto her feet. She didn’t feel quite as ill as the others, but she did feel a little light-headed.]
Bill: “(grinning) I want to do it again!”
“Stuff it, Bill...”
[Carewyn was smiling from ear to ear as she said it, though.
The students all looked around the room, taking in their surroundings.]
Ben: “Are we underground? I can’t tell...”
Bill: “What I want to know is, what’s up with that wall of portraits?”
Tumblr media
[Carewyn had been thinking the same thing. The Vault, true to what Rakepick had said, had no entrance or exit -- only a set of portraits, one of which contained the image of a door.]
Charlie: “(faintly disappointed) I thought there was going to be a dragon.”
Bill: “Let’s be glad there isn’t one.”
“I’m not so sure...look over there.”
[Carewyn pointed at a section of the stone floor marred with scorch marks and ash.]
“You reckon that could be from a dragon, Charlie?”
Charlie: “It could be. And look over there -- something was locked up, but it must have broken right through the chain. It definitely looks like there was a dragon here -- at least, at some point.”
[Ben’s face broke into a smile.]
Ben: “But it isn’t here now! I mean, this room is so small, there isn’t any place where it could hide.”
Tumblr media
Ben: “...and we can just go right through the door in the portrait over there to get into the Vault!”
[Merula looked throughly unconvinced.]
Merula: “If it were that easy, wouldn’t someone have done that already?”
Charlie: “Can’t believe I’m saying this, but I think Merula’s right. Someone else could’ve been thinking the same thing when the dragon got to them.”
[Carewyn’s eyes narrowed upon the scorch marks again.]
It does look like someone else was here first...I mean, what reason would a dragon have to breathe fire, unless it felt threatened? But how long ago was that? The Vault Portrait had been missing, before Peeves got his grubby hands on it...
[Jacob’s cockily smiling face rippled over her mind.]
Jacob...is this why you’re in this Vault? You were fighting the dragon, and something went wrong?
[“I’m trapped in the next vault -- you’re the only one who can set me free...”
Jacob’s voice echoed in Carewyn’s head again. He’d said that the last vault was the only “real” one, and that they could find it together. Carewyn hadn’t been interested in anything else about the Vaults and had begged Jacob to tell her how to help him, but Jacob’s voice had faded away into nothing and there was nothing she could do to get it or him back...
Carewyn’s thoughts were interrupted by Rakepick loudly interjecting,]
Tumblr media
Rakepick: “Breaking the curse will require less talking and more doing.”
[She turned to Merula.]
Tumblr media
[Merula was taken aback.]
Merula: “You’re asking me? Not Cromwell?”
Rakepick: “Yes. You’ve always been my most steadfast and loyal pupil.”
[Merula’s face lit up with great pride -- she was clearly very touched.]
Merula: “Thank you! I knew I was your favorite.”
Tumblr media
[Carewyn nodded solemnly.]
“I agree.”
If Jacob was here, I want to know everything I can about what went down. Then maybe I can figure out how he got trapped in here and how to set him free...
[To the surprise of the three boys standing beside them, Merula actually gave Carewyn a smile.]
Merula: “Hm! Good to see you finally expressing good judgment, Cromwell!”
“Finally?” I’d like to think my judgment has always been rather sound, thank you very much.
[Deciding it was best not to articulate that thought aloud, Carewyn indulged Merula and gave her a cool smile in return.]
Rakepick: “All right, everyone -- let’s search the Vault...”
—>To Be Continued...
(OOC: TODAY IS THE DAY, PEOPLE! Today I’ll be posting roleplaying posts for the entirety of Chapter 30 and its aftermath, concluding in an 11-page comic I’ve doodled commemorating this major plot turn...so please, if you enjoy what I do, stay tuned for all five parts, and of course, consider liking, reblogging, and commenting! I’ve been waiting forever for this, and the day is finally here...
Today Jacob Cromwell will finally be free.)
10 notes ¡ View notes
untoten-fuchs ¡ 7 years ago
Text
Long-ass Post
MS I want Gunpla of, in no particular order
Some of these have hope for a proper release some day, some of these probably don't. By "proper" I mean at least an HG. Technically there’s no reason why any of these couldn’t get a proper kit eventually but it’s really in the hands of Bandai. I'll give my personal reasoning for my want of the MS and why it may or may not get a kit at this point. Spoilers maybe, grouped by universe, has images of each MS. Using a “read more” so I don’t long-post all of my followers.
Universal Century
Den’an Zon/Gei
Tumblr media Tumblr media
The grunt suits of the Crossbone Vanguard from F91. They’re well armed and just look bad-ass. Considering the Zon did get an old NG 1/100, there’s a chance we could see at least one of these in the future.
Heavygun
Tumblr media
The Federation’s grunt suit during F91. It’s really just a decent evolution of the GM. Like the Zon, this also received an old 1/100 but those certainly don’t do these designs justice.
Ga-Zowmn
Tumblr media Tumblr media
A design from Axis during ZZ, the Ga-Zowmn has a good spread of weapons and a look that’s really grown on me, looking back at ZZ. It’s only obvious weapon is the beam cannon called “Hyper Knuckle Buster”. It also carries 9 missiles in each of the shoulder binders, an 80mm vulcan gun in each forearm, and a beam saber in each forearm that function as beam guns when stored. I don’t really have my hopes up for a modern kit (there’s an ‘86 1/144) of this being as obscure as it is, really only being seen in a few episodes of ZZ, Unicorn manga, and apparently the OVA. Still, the Guncannon Detector just got an RE/100 and its only animated appearance was doing okay then getting obliterated by a Dom derivative. There’s a chance.
Gaza-D
Tumblr media Tumblr media Tumblr media
The reliable, heavily armed version of the Gaza-C and predecessor of the Ga-Zowmn. In addition to its own Knuckle Buster, pair of beam sabers, and weaker fixed twin beam guns, this thing has 36 missiles. THAT’S A LOT. I’m not sure if I’d expect a new kit of this or not. The Gaza-C did get a couple HGs in ‘06 and a Sleeves version in ‘13 in the P-Bandai Unicorn triple set. Considering how similar they are I don’t see why this wouldn’t get a kit, it just hasn’t yet.
Gallus-J/K
Tumblr media Tumblr media
The original variant, J, was a not-so-mass-produced MS from Axis for urban environments. The K variant 180°s into an artillery focus. Neither version got much screen time nor did they leave a lasting impression, personally. Still, this is another case of looking back and going, “Damn, that’s actually really cool.” Honestly not much to say about why I like them other than that they look cool. Maybe a rewatch of ZZ will change that. I’m not sure about this one getting a good kit. The Gallus-J does have an 80′s 1/144 and the K participates in Unicorn, so maybe it’ll be another obscure surprise like the Guncannon Detector.
Gustav Karl
Tumblr media
THICC JEGAN... basically. It’s a limited-production MS that accomplished nothing more than getting its arm cut off for the duration of being animated. It may not have sucked as much in the novels it appears in but I don’t read much. In any case, it’s an imposing design that could probably rip a Geara Zulu in half given the chance. I like to think of it as a Federation-styled Geara Doga with a reactor that’s got 60% more output. As with others here, it being animated in Unicorn offers a glimmer of hope but this thing has nothing but bootleg kits at the time of writing this.
Gun-EZ/Gunblaster
Tumblr media Tumblr media
A mass-production MS based on a semi-mass-production Gundam. They get a good amount of screen time throughout Victory’s full 51 episodes and are initially piloted but a great group of gals. This is probably my favorite MS from Victory. It looks good, kicks ass, and doesn’t look like a damn bug or tire. This would probably be a breeze for Bandai to make considering it could easily use the Victory Gundam itself as a starting point for the kit and there’s 1/144s of both the EZ and Blaster on top of a 1/100 Blaster. It’s just up to them to do it, with the Victory Gundam and Victory 2 Gundam even getting new HGs a few years ago.
Post-Disaster
Garm Rodi
Tumblr media
A Rodi-frame MS used by some scummy shitlord pirates that picked the wrong fight. It didn’t appear for more than an episode or two having some okay fights but it’s my favorite Rodi-frame variant, aesthetically speaking. There’s also a distinct similarity to 5th gen Armored Cores and boiiiiiiii do I love me some Armored Core. Considering we got everything from IBO basically the second they showed up but this still got nothing, I don’t have much hope for this one. I wouldn’t imagine it would be too difficult as IBO HGs do actually use mostly complete frames and this one uses the Man Rodi’s. Plausible but unlikely now.
Gilda
Tumblr media
A Hexa-frame MS that’s a little switched up from the Hugo to be more normal. Cockpit is moved from the head to the backpack, losing the swords. The legs are the more traditionally bipedal kind instead of the reverse-joint with claw feet. Hard to say why I like this other than that I like IBO’s general MS aesthetic. Similar to the Garm Rodi, this uses the frame of a pre-existing kit. Also plausible but unlikely.
After Colony
Leo
Tumblr media
The classic grunt suit from Wing and toned-down, mass-produced evolution of the Tallgeese. A good utilitarian design with some of the cooler ballistic weapons in all the Gundam metaverse. It’s honestly surprising that this still doesn’t have a modern kit being very visible and participating in a lot of Wing, even being used effectively by at least one of the Gundam pilots. The Leo has gotten an EXCESSIVE amount of love in the Robot Damashii line a few years ago too. Seriously, what’s the deal, Bandai?
Aries
Tumblr media Tumblr media
That other grunt suit from Wing that’s actually kind of terrible compared to every other in-universe MS. As awful as it might’ve been, it’s still a pretty cool design that does exactly what it looks like it’s supposed to do. As much as I like it, I don’t see much of a reason for Bandai to make a kit of this for any other reasons beyond completion’s sake and that they could. It also got a couple Robot Damashii releases. So, maybe but highly unlikely.
Maganac (Customs)
Tumblr media Tumblr media
An in-house design used by the middle-eastern freedom fighters, the Maganac Corps. Pictured first is the original Wing mass-produced version, below that is the Rashid Custom from EW. These suits do get some screen time, the EW versions are really cool, and the various customs switch it up a bit. One of them features a big “fuck you” arm and I think that’s great. Being as visually interesting as they are and having multiple customs animated gives a lot of options for kits. I’d like an EW one but I’m not getting my hopes up on these.
Taurus
Tumblr media Tumblr media
The Aries, but actually useful against other MS and functions in space. It’s sleek and pointy. Not much more to it than that, personally. This probably has a slightly higher chance for a kit than the Aries does because it’s actually plot relevant and a serious threat.
Vayeate/Mercurius
Tumblr media Tumblr media
Tag team MS that might suplex you if that was actually effective in space. Not really, but they could melt a Gundam if they hit one and block return fire. I don’t remember how the fights with these guys turned out but I’m sure they were pretty deadly and I dig their shared base design. It’d honestly be really cool to see these get new kits, maybe even a P-Bandai twin pack if they wanted.
Virgo (II)
Tumblr media Tumblr media
FUUUUUU... SION... HA! Oh look, OZ forced those very cartoony scientists to make the Vayeate and Mercurius one MS. It’s 3:49am so I’ll be very plain here, I want these because these just look like beefcaked Leos with real shoulder armor and articulated heads. Like the Taurus and the V/M twins, they’re both important and deadly. I’d like a kit and they’d probably sell better than the other Wing stuff I’ve listed except maybe the Leo itself because classic grunt.
Future Century
Death Army/Beast
Tumblr media Tumblr media
Important note first: as with many MS from G Gundam, names were either completely changed or toned down for American audiences. For these, “Dark” replaces “Death”.Generic bad guy MS from the single-most ridiculous and extra Gundam universe and obligatory zaku-like. That said, it’s what I grew up with and damn right that means the dub on Cartoon Network. I’d even go into my backyard and pretend to beat the shit out of these things way back when. I like them because they fit well into G Gundam as mostly mindless drones to be obliterated en masse, though they put up a “good” fight against normal MS. These are probably the only non-gundam types from G-Gundam that would stand any real chance of getting a kit. If nothing else, they’d make a great kit to use for battle scenes. Will Bandai do it? Maybe but probably not. There’s a lot of different versions of these customized for certain environments in a very extra fashion, so there’d be a chance for P-Bandai... granted I don’t know anyone that would actually buy P-Bandai variants of these. Touching on the variants, they have great names like “Death Birdie”, “Death Dragon”, “Death Navy”, and “Death Master”.
(No)Busshi
Tumblr media Tumblr media
(Top: Busshi; Bottom: Nobusshi)
The general-use MS of Neo Japan that also fit the bill of being obligatory zaku-likes and gm-likes. As such, these guys also get trashed but are at one point rallied into an effective-ish group. I wouldn’t call these great nor all that important but they did serve the aforementioned roles which is enough for me to want them to get a kit. However, these two have a much smaller chance at one than the Death dudes.
Gundam Heaven’s Sword
Tumblr media Tumblr media
A better representation of G Gundam’s taste for “extra”. It appears late in the series and since my current rewatch is on hold, I don’t remember it all that well and is something I came across on the wiki while working on the Death stuff. Regardless, it’s honestly pretty fucking cool. I’d buy it but I have some strong doubt this will get anything more than the action figures it had 15 years ago. Off to find more obscure G Gundam shit I’ve forgotten!
Alright there wasn’t anything else I was really wanting... so on to the next timeline!
After War
Bertigo
Tumblr media
A great twist on the classic Qubeley and deadly with good looks. Appearing at several points in AWGX and piloted by an important character makes this a memorable machine. I honestly dig it more than the Qubeley. I know AWGX generally got no gunpla love anyway beyond the protag Gundams, but this should’ve at least made it. I’d say it’s unique and important enough but with AWGX’s obscurity even among Gundam fans, it may not stand a chance for a kit.
Jenice/Septem/Octape
Tumblr media Tumblr media Tumblr media
The AWGX incarnations of the Zaku, Dom, and Gelgoog. The Jenice themselves are quite prolific throughout the series with very “homemade” style customs common too. I don’t recall the Septem getting as much screen time but it’s still cool in my book. Same goes for the Octape. Not a whole lot to say about these beyond them looking cool, and with that I don’t see much of a chance for them to get a kit either.
GT/W/X-Bits
Tumblr media Tumblr media Tumblr media
Companion MS to the gundams they’re respectively based on and new angle on the “bit” concept. There’s just something I like about mass-produced versions of things that are unique but still retaining the important feature. Technically they aren’t mass-produced and may not even be pilotable out of the factory, but there’s certainly more of these than the gundams themselves. Why is that? They’re controlled by a gundam pilot’s newtype brain waves, like the classic bits and funnels, except these are whole mobile suits! Cool stuff, would like kits of because they could work for AWGX dioramas even if I wouldn’t make any probably. Not much hope though, AWGX is obscure and unique, prototype, one-off, protag MS get priority anyway.
Cosmic Era
Windam
Tumblr media
Described as Seed’s Jegan, the Windam is a proper evolution of the Daggers. I find this much more visually appealing than the old Daggers, more complex but not excessively so. It appears often in Destiny and is even piloted by a Char clone. I really don’t understand why this didn’t get anything, it’s one of the very few designs in all of Seed that never got any kind of kit, lumped in with basically every aquatic non-gundam Seed MS. I get they were a bit special, but even the DOM Trooper got a kit with not even half as much screen time! I am kinda butt-hurt over this one and it’s one of the MS that made me start this list in the first place. Bandai pls.
GuAIZ ( R )
Tumblr media Tumblr media
Seed’s Gelgoog analogue and just generally bad-ass looking MS. It’s a nice step up from the GINN in every way while not yet grabbing out of universe like the ZAKU. As much as I love the CGUE, the GuAIZ is probably my favorite ZAFT MS. Only the original GuAIZ got a kit of any kind, being an old NG 1/144. For some reason, the CGUE got a R0x kit and this didn’t along with any Dagger variant. Really don’t understand Bandai sometimes. Shrug
BABI
Tumblr media Tumblr media
A Hambrabi-like! Who would’ve guessed one would exist?... No one, absolutely no one. I felt the need to put this on here because it’s kinda weird, but it kinda works, with lots of dakka, and it transforms. I don’t have better words for this, especially not at 3:31am. It honestly just seems like a fun design and with Bandai’s quality these days this could actually not suck as a kit. I can’t say I’d expect this to ever get one but as always, it’s plausible.
Regild Century
Wuxia
Tumblr media
The first of many G Reco MS that never got a kit. A grunt type that didn’t get completely thrashed and actually put up a good fight. Honestly, aside from looking generally cool in the typically eccentric Regild Century, I will always remember this MS as the one that actually fucking suplexed another MS and got beat down DBZ style. Neither of those are a joke and I would absolutely buy a kit of this to point at it and say it canonically suplexed another mecha. I would love a kit of this but its fate may already be sealed. Plausible but unlikely. Must make diorama featuring this wrestling if it happens.
Hecate
Tumblr media
One of the more coherently designed MS from G Reco. Its face isn’t particularly intimidating but that gun sure is. Y’know why? That extra part under the barrel? IT’S A BEAM SCYTHE! Would be cool to have and it’s unique enough it’d be a challenge to just custom make one. Not sure why Bandai chose to skip this one honestly. Might, might not.
Trinity
Tumblr media
You ever see anything like it? It’s one of the last MS introduced during G Reco and shares the same fate as about half of the later MS, not getting a kit :(. It’s bulky in the right places and the head design is outstanding. Being a one-of-a-kind MS, it does get some action and participates in the final battle. If we got one last G Reco kit, I would choose this. Might have a better chance than the Hecate at a kit but with the show’s place it’s unlikely.
(El)Moran
Tumblr media Tumblr media
(Top: Moran; Bottom: Elmoran)
While the Moran isn’t all that special, it’s still a decent mecha with a styling and coloring that’s almost out of place in G Reco. The Elmoran fits a bit better and is just a bit more cool, even with the reminiscent aspects of Zanscare MS from Victory Gundam. Only seen in the later half of G Reco and being grunt types, these really didn’t get a chance for a kit. I’d like one but I’m not getting my hopes up.
Z’Gocky
Tumblr media
A prototype amphibious MS from G Reco that’s a clear homage to the old Z’Gok. This may be my favorite amphibious MS that doesn’t reuse another frame. It’s reasonably proportioned, well armed, and not too flashy. I’m almost surprised this one didn’t get a kit, being such a solid design that pays tribute to a truly classic MS. Would definitely like one but it shares its chances with the kitless half of G Reco’s MS roster.
Anno Domini
Realdo/Hellion
Tumblr media Tumblr media Tumblr media Tumblr media
Predecessors to the Flag and Enact, respectively, these are the immediately outdated grunt suits of 00. Despite that, they are seen throughout the series even though the season 2 is roughly 5 years after the first. As much as I may like these, odds are these two will never get kits. I wouldn’t doubt it if kit work for these was almost immediately canned when the Flag and Enact were going to be put in. They exist in 00 because they are necessary and as such never truly standout as a serious MS. I like them but I have no real hope for them. Only thing that could save these is some build-fighter custom.
Flag Shell Type
Tumblr media Tumblr media
A ground combat variant of the Flag. It’s decently up-armored but not ridiculously so and comes with a fair bit of new equipment from rockets to smoke launchers. I already like the Flag but the extra armor is a nice bonus. While it’d be an easy kit for Bandai to do, it’s past its chance probably.
Throne Varanus
Tumblr media
A small twist on the Thrones with a little bit of GN-X. Canonically, it’s the technological culmination of the Thrones and test bed for the GN-Xs. I liked the Throne Gundams to begin with but the coloring and extra visual complexity of the illustration really make this something special. I feel like if this got animated, I’m 100% sure it would’ve gotten a kit. Maybe I’ll make it a personal project if I develop some real nice gunpla skills. It’s a manga MSV not used by a protag so I wouldn’t have a whole lot of hope for this. Still, would buy it if it ever does happen though.
And that’s it! I might’ve had more but I don’t really get into the mangas at all, the Varanus only making it because the 00 section of the wiki’s pretty well-loved. By that I mean there’s actually more than two sentences about obscure stuff. Sorry for the very inconsistent writing, it’s been a real long time since I’ve done this much writing at all, and this may be my first time doing something like this so I don’t words good yet.
22 notes ¡ View notes
phenomenalcosmicpowers ¡ 7 years ago
Text
TROTCON 2017 EXPERIENCE
Well my 2nd trip to Trotcon has wrapped up. And as with my first time to give some general thoughts on the trip as well as a breakdown later on of the stuff I got while I was there. So head on after the break if you'd like to hear how things went.
Let me get one thing out of the way first though. Admittedly this trip started out a bit rough at first. And for a little while, and in some ways it's still true. It feels like I had an overall better time the first time I went two years ago even though I was only there for at most 5 hours. As opposed to nearly a full day this time around. It got much better by nighttime. But things like almost forgetting my ID, traffic jams, my computer for some reason had no way to connect to the Wi-Fi there, and when I tried getting a coke from a vending machine it didn't dispense any. Presumably because it was empty for that particular one. (I went to the front office about it and got a replacement out of it, so that was rectified. Buuuuuut yea…). Most of these are pretty minor and by the end of the trip I enjoyed being there despite the hiccups that happened. Just makes it sound like a bummer compared to my first trip where I had so much awesome stuff happening one after another in the few hours I spent there two years ago. The only bad thing that happened two years ago was throwing up when I got back in the car (Apparently my body had an adverse reaction to having a full Steak n' Shake lunch and a few hours of Convention fun all at once.). But then again that's also high expectations I put on the trip since the first one was so special being my first ever convention and everything. Again I still had plenty of fun and got some cool stuff that I don't regret going for. Just besides some minor inconveniences and moments where I sat in my room and/or walked through the building out of boredom it definitely was far from perfect.
But with that out of the way let's get to a few things that definitely livened up the trip.
REUNITING WITH PIRATE DASH
Tumblr media
First of all of course I had to see the mod of Pirate Dash again. Very nice to see him and chat a little. Got a few things from him including a small Twilight print and 2 buttons. Though the true fun with him began with something that I'll get to not too long from now.
M.A. LARSON AUTOGRAPH
Also coincidentally M.A. Larson returned to Trotcon the year I went to again. He wasn't here last year. But it was awesome once again to see my favorite writer of the show. Last time I got a photo with him and that's it. This time I just got an autograph. But what exactly did I have him autograph? Well it's something I decided to make real fast last week where I did a spirited thing for each of his episodes that he's credited as a writer/co-writer for. I'll show them here as digital versions.
Tumblr media Tumblr media
This one he would sign and give back to me
Tumblr media
This one I would give to him as a gift.
He really liked it and asked what my favorite episodes out of them were. And I said Cutie Mark Chronicles, Magical Mystery Cure, and Amending Fences. And with that I had the autograph and everything. I did come across Larson a few more times while walking in the hall. Waved to him at least once, and noticed him at the bar wearing what I believe was a Detroit Tigers hat which was interesting. But yeah it was definitely great seeing my favorite writer from the show in-person once more.
DARKEST EPISODE OF MY LITTLE PONY PRESENTATION
At about Nighttime I went to a panel about the Cutie Remark about how it's the darkest episode of the show and some theories about the episode. While that episode is kind my least favorite out of the Finales it is definitely an intriguing episode to give some thoughts about. And the thing at the end where he explains a major part that is often unmentioned is how Starlight prevented Spike from being born. Or at the very least, not born under the same circumstances where he would of been helpful (Even putting up the possibility that perhaps an untamed dragon Spike born in Equestria ended up being the cause of the timeline where there's nothing left of Equestria) even showing clips of the first episode where indeed Spike assisted in even getting Twilight to meet the Mane 6. So while Twilight was trying to save their timeline, Spike's entire existence may have been at stake here. A scary, but interesting thought. I don't think it's going to change my opinion on the episode too much, but again very interesting to hear and it was good to hear from who he said to be a Spike fan since I'm somewhat one as well (If I wasn't I sure wouldn't give him the attention I've done for him in I Dream of Twilight Sparkle heh)
RUSTY NAIL MEMORIAL AUCTION/PARTY
But I think the absolute best time I had at this year's Trotcon was at they Rusty Nail memorial service. Now I'll say this. I've been a member of Tumblrpon for a while though I never had the opportunity to meet Rusty Nail. So unfortunately I had no personal attachment of my own, that said I still feel condolences for those who were. And when Teej asked if I'll be there I said I could. Now of course while they were serving drinks, I didn't drink any alcohol since I avoid that at all costs. Basically all I did there was sit, watch the auction and the Quiplash game with plenty of adult humor, drink a coke, talk with a few friends like Teej and Out of Work Derpy's mod and laugh. But that was enough for a great time. Cause there were so many humorous moments and for an event that was in memorial to someone recently deceased, it had a really fun tone to it that basically said that while Rusty is gone. The spirit of the pleasure he gave his friends and the Tumblrpon community still lives on ^^ I did donate a dollar to the proceeds for the diabetes. Also hope a recording of the livestream that was going on will make it to Youtube or something. Would love to watch it all over again. Also awesome that the total proceeds after the whole event was all done was over 1,300 dollars. It was definitely a night worth attending ^^
VENDOR HALL/TRAVELING PONY MUSEUM STUFF I BOUGHT
Tumblr media
Now last but not least is the items I got while there. I'll start with the two non-pony items. I got Pac-Man branded pocky that's milk chocolate and cream in the middle. Never actually had any kind of Pocky before but gotta say it was pretty good. Now Pocky Twi's mod will be proud of me :V
Tumblr media Tumblr media Tumblr media
Once I saw this Sonic figure in the corner of the Traveling Pony Museum, I was instantly come over with the urge to get it. And get it I did. It's certainly an awesome figure with so much more articulation then probably any figure I've had before. Plenty of potential for poses (Though admittedly I have had trouble just getting it right for certain poses without it falling over). Really glad I got it. It looks really cool on display.
There's some Tumblrpon stuff including buttons from PD that I mentioned, stickers from Out of Work Derpy, a card from Ask Rye Drimer when I met him. And there's also the badge I got with the convention guidebook. Also apparently I so happen to choose the faction that won. Not that I really cared too much about that heh. I didn't really get the chance to go play in any of the nerf gun battle things. There was probably a point where I could of done that instead of just walking around but I just couldn't find myself to do it. Oh well.
Tumblr media
I got a 4DE Twilight plushie for myself. I know I already got a Twilight plushie from last time. But this one has the wings opened instead of permanently closed like the one I got last time. And admittedly when I compared the two when I got home the 4DE plush looks much better. I mean no offense of course to LunarShine as I still like the ones I got from him. If a certain episode coming up in Season 7 works out to what I hope. The Velvet plushie I got may suddenly become a very worthy investment
Tumblr media Tumblr media
The Guardian of Harmony Twilight is pretty neat. I've always kinda wanted a better official model of Twilight. And this works pretty well considering this is part of Hasbro's first attempt to gear MLP for both genders that has come up in the past year or so. The changeling figure is cool too but I mostly got it for action figure Twilight pretty much.
Tumblr media Tumblr media
Last but not least at least for items for me is this large print I got from Bobdude0 AKA the adorable Sweetie Belle art guy with this very cool picture of Twilight teaching magic to Sweetie like Celestia once did for Twilight. He said it was a collab with Viwrastupr and it's just beautiful work altogether. I also got it signed. As a fun little note. Bobdude0 had a thing where he had a 20 sided dice and if you were lucky you got a free item. And guess what, I got a 20 right off the bat! That meant that I could of gotten a free smaller print. Though I downgraded just a little for a sticker on the back that has a chibi Twilight and Spike. At that point I was apparently only his 3rd Natural 20.
There's actually one more item I gotta mention. But it's not in the photo of all the stuff I got because sooner or later it won't really be mine. And it's a 4DE Pinkie Pie Plush
Tumblr media
You see, last year I met the family of my Mom's best friend and they happened to have a little girl who's a fan of the ponies herself. Her name's Josie and she's almost like the little sister I never had at this point. Her favorite pony I found out early on was Pinkie (It may be at least partly because Pink's her favorite color though given how hyper and excitable she can be I could easily see why else she likes Pinkie a lot). So keeping that mind coming into the con I definitely had to pick up something Pinkie related for her. And I think this worked out best. At the point I've put this up I most likely will not have gotten it her yet. But upon the next visit to their house I'll certainly have it as a surprise for her. On a side note this family I plan to see the MLP Movie in October , and Josie's probably just as if not more excited for it then I am. So that should be a fun time whenever that comes.
CLOSING THOUGHTS
Anyway, that's all for now on my Trotcon 2017 experience. I can't say this one was quite as amazing as the short time I spent at Trotcon 2015 but it nonetheless had it's moments that was plenty fun and I'm definitely still glad I got to go again. Even more general stuff such as having my own hotel room for nearly a full day was very nice as the bed was very comfy and they have a nice bath in there. There is possibility I go again some other time. Maybe even next year as my parents haven't ruled it out. But definitely no promises on that in case things come up.
Thanks to all who bothered to read this and thanks to everybody from fellow friends I talked to, the entire Trotcon staff for another fun convention. ^^
3 notes ¡ View notes
ethelbertpaul444-blog ¡ 7 years ago
Text
5 Movies Where Everyone Ignores The HUGE Actual Problem
Movies have cool events like magic and secret cultures because that nonsense is inexplicable, exciting, and a great way to camouflage slothful publish. Sometimes in the pursuit of a nifty setpiece or a tacky impact, a movie will accidentally toss out an Earth-shaking revelation that utters the actual plot look like a Goop post guest-written by Jaden Smith. For illustration … 5 In Liar Liar , Jim Carrey’s Son Is A God In Liar Liar , Fletcher Reede finds that he’s abruptly unable to lie, so he reacts all questions by blurting out the most offensive version of the truth — you know, the only possible alternative. Eventually, he finds out that this is all because he frustrated his son, Max. When the notoriously flaky Fletcher fails to show up for Max’s birthday party — after predicting him he would — his son’s only birthday wish is for his father to stop lying. And it operates . Universal Pictures He afterward starts the same look where reference is recognizes he could have wished for projectile boots. div > This is not some intersperse universe in which it’s regular for birthday wishes to come true. Sure, 1997 Los Angeles was mystical in its own, but more in the “heroin and frosted tips” gumption than “legitimate sorcery.” And yet when Fletcher locates out he’s been birthday-cursed, he doesn’t react by wondering all he’s ever believes in and dreading the divinity he has apparently birthed into the world; he simply gets the kid a brand-new patty and asks him to turn the wish. Like it’s all normal, vexing kid stuff. Some babes dye on the walls, some restrain minds. Read Next 4 Scary Moments In History That Were Worse Than You Recognized But the counter-wish doesn’t make, and the movie makes it clear that the reason for this is that Max’s heart isn’t in it. Remember, it’s not his birthday anymore, and that conveys Max can award himself bids at will, as long as he certainly symbolizes it. It’s not only Fletcher who blithely rejects the implications of the sorcery wish minor — at Max’s next birthday defendant, the light-coloreds go out, and when they come back on, Fletcher’s making out with his ex-wife, to their mutual stun. They ask him if he utilized a had intended to troop them back together, with nary a discover of the “kid who sends adults to the cornfield” horror that should accompany such a question. Universal Pictures “Make me two brothers. Now.” 4 In Stranger Than Fiction , There’s A Supernatural Serial Killer At Large In Stranger Than Fiction , Will Ferrell plays Harold Crick, an IRS auditor who wakes up one day to find his entire life chronicled by the disembodied articulate of a British maiden. After a while, Harold realizes that he’s starring in a novel that’s currently being written, and that the author intends to kill him. Harold is understandably upset, so he teams up with Dustin Hoffman to track down the author and cause her to pardon him. Spoiler: She does, though she still runs him over with a bus. Happy fairly ceasing, right? Columbia Painting Columbia Image “Next time, satisfy write me in a plaza that has universal heath care.” div > Not if you’re any of her other personas. The entire intellect Harold believes he’s going to die in the first place is that this author has killed every single prime attribute she’s ever written about. Were those people real too? Did something go wrong with Harold, or did those people too have free will and the capacity to experience terror in the face of fatality? There’s more. Harold doesn’t notice his life is being narrated until he’s in his 40 s. Does the author create her characters into existence with implanted storages like a replicant, or does she plainly hijack real people’s lives? Neither prospect is good, only a different flavor of horrible. Did she breathe life into these beings, exclusively to disembowel them in a Wendy’s bathroom somewhere? Or did she witness a mother of four sweeping the street and impel her to jump off an office build later? Everybody in the film has truly be more worried about this woman’s ungodly supremacy to create and destroy human life whenever she feels like. Maybe there’s a metaphor in there somewhere, but until they figure out what’s going on, they should at the least avoid public transportation. 3 In Pleasantville , All The People In Your Tv Are Real In Pleasantville , the main references inadvertently bring themselves into a virtuous ‘5 0s sitcom, expecting the the identity cards of the family’s teenage “childrens and” literally fetching complexion to the world through the ability of ‘9 0s mode and basic human rights. They and their life are so real that Reese Witherspoon decides to stay in Pleasantville, while Tobey Maguire returns to our world, presumably with some heavy brand-new pertains. Are all the people on TV real? Are the stories really happening to them? It’s not like “person lives a ordinary, delightful life” is a popular television assertion. Does he not have some kind of ethical responsibility to find a way to hop into every Law& Order serial and save those people? New Line Cinema What alibi is he going to give to the real-world law and order to explain the going of the sister he was frequently learnt fighting with? div > Are there alter or latitude actualities where the dragons and unnecessarily naked sorceress of Game Of Thrones subsist, and if so, why isn’t he trying to go there instead? Is it all the murder and genital mutilation? It’s maybe all the murder and genital mutilation. 2 In Live And Let Die , Witchcraft Is Real Live And Let Die is the James Bond movie wherein 007 fightings the massive scheme committing like, every black person in Northern america, who are all cooperating with each other to get the white man fixed on heroin. Needless to say, the movie did not senility well. Too needless to mention: This was a Roger Moore joint. But the weirdest stuff in this very weird collect of things is that two of the evil Dr. Kanaga’s bodyguards are quite clearly magical, and nobody seems to care. div > Solitaire has 100 percent excellent clairvoyance through the purposes of applying tarot placards, and her power is also directly inherited, passed down from mother to daughter( they only lose it if they likewise lose their virginities, which is approximately 40 percent of what Bond is there to do ). Naturally, Bond settles the best interest MI6 might have in a lawful psychic below the interests of his penis. Then there’s voodoo priest Baron Samedi. The reputation pretends to be a simple entertainer, but the buster can’t live. Even after Bond throws him in a casket fitted with snakes, he comes straight back to life and snags a go on Bond’s train. Even by Bond guidelines, it’s a stupid clevernes, and it’s never addressed again in the whole franchise. div > Bond managed to find incontrovertible proof that witchcraft subsists, hitherto in the 16 movies that are consistent with, we never see anything even remotely superhuman, Daniel Craig’s smoldering noses notwithstanding. 1 In The Indiana Jones Series, Every Single God Exists Over the course of three stimulating escapade films( and one CGI cutscene concerning a Disney ace ), Indiana Jones has always been focused on one thing: going prized historic artifacts to museums. What he should have been focusing on was his true greatest discovery: religion is jolly. All of it. Lucasfilm Lucasfilm Lucasfilm Lucasfilm “Yup. Even Scientology.” div > Jewish artifacts can defrost Nazi faces, Hindu death hotshots can perform real trickery, and divinely polluted water from the Holy Grail can mend the sick. By right on, Dr. Jones should be out telling the world that every idol is awfully, thus culminating religious conflict eternally and accompanying conciliation on Earth. Alas, he’s an archaeologist( ish) first and foremost, so his only priority is shoving all of this stuff in display cases so grade-schoolers can cough on it. Gods can wait — there are children to be assumed! Riley Black didn’t want a Twitter note, but a birthday wish forced him to get one. Jordan Breeding likewise writes for Paste Magazine, the Twitter, himself, and with the desire to create beings into thin air only to smack them with a bus. Nathan Kamal lives in Oregon and writes. He co-founded Asymmetry Fiction for all your myth necessitates . i> If you adoration this article and miss more content like this, subsidize our site with a call to our Contribution Page. Please and thank you . i > b> Read more: http :// www.cracked.com/ article_2 5312 _5-movies-where-everyone-ignores-huge-actual-problem. html http://dailybuzznetwork.com/index.php/2018/06/21/5-movies-where-everyone-ignores-the-huge-actual-problem/
0 notes
theworstbob ¡ 7 years ago
Text
yellin’ at songs, week forty-four
reviewing the billboard debuts from 11.08.1997 11.10.2007 11.11.2017
11.8.1997
32) "Spice up Your Life," by Spice Girls
There was a Spice Girls movie made. We don't talk about this enough, but at one point, someone looked at Spice Girls and came up with an idea for a feature-length film. We don't do this with modern pop stars, but I'm sitting here listening to this song I never wanted to listen to, and now I'm wondering, what would a Lil Uzi Vert movie look like? I may find him uninterestingly dark, but I at least find something in him worth remarking on. I think that's enough for a feature-length film based on his works. It'd be the black Donnie Darko. That might be worthwhile, certainly more worth exploring than any of his songs, or this Spice Girls song you already knew was bad.
60) "Breaking All the Rules," by She Moves
This is the shallow bouncy pop music I signed up for. I never wanted 21 Savage. I just wanted subtly sexual pop songs I'd forget about seconds after listening to them. I wanted songs by artists for whom the dance moves mattered as much as the vocal work. Not Imagine Dragons, never Imagine Dragons. This. Solid stupid fun. I'm going to write my Congressman a link to this YouTube video and urge him to do something.
73) "At the Beginning," by Richard Marx & Donna Lewis
I'm sorry. I'm sorry! I didn't realize, months ago, when I started whatever this was, that I would have to opine on the fucking love theme from the seventh-best Don Bluth movie. I wasn't prepared to think about Anastasia in any way, form, or fashion, ever, for any reason, in my life. Anastasia was a VHS buried deep within the linen closet. I'm pretty sure it was an Easter basket filling. Did anyone else's family do Easter presents? We got chocolate, yeah, of course we got chocolate, just because my parents didn't love each other doesn't mean they were heartless, but my parents said, "I mean... We can't just give them chocolate. They should also get a present. But the present can’t be more than like $15. Hey it's a cartoon about a girl, have fun girl children." This was an afterthought, and now it's a duringthought for me. I don't. It's fine? It's the love theme from a Don Bluth movie, which means it's less well-written and has slightly worse singers and is a degree cheesier than the love theme from a Disney movie, and in the live-action reboot it’ll be covered by the seventh-place finisher from season seven of The Voice and either Nico or Vinz.
76) "I Don't Ever Wanna See You Again," by Uncle Sam
you have no idea how happy it makes me that this is a 1997 joint and not a 2017 joint because a song with this title with this credit would be sooooooooooooooooo much worse. it's bad? but it's not politically bad, it's just bad because an R&B man got a letter. so many '90s r&B songs begin with someone receiving a letter. the dude is now vocalizing over an orchestral swell, if anyone's wondering in what specific way this song is bad.
88) "All of My Days," by Changing Faces ft./Jay-Z
this is cool in the way a lot of '90s r&b is cool. like, there's the over-emotional uncle sam r&b, but then there's the hyper-chill stuff like this, music to which you can kick it, just settle into a groove and listen to again and again. stuff like this is so dope. like, it's chill, but it's compelling enough that you wanna stick with it.
92) "Baby You Know," by The O'Jays
this is the most disappointing thing i've ever heard. you see the artist name, you think, hey, this is gonna be a throwback jam. you don't think that this is going to sound like '90s r&b slo jamz because why would you think that, no one would want to think that because it would be a bad thing. but. that's what this ended up being. this song is what they did instead of buying a leather jacket and a motorcycle.
95) "Kiss the Rain," by Billie Meyers
I needed this after The O'Jays. I'm just gonna try my best to articulate something about the actual music, because gosh the drums on this track do some work. From the start, it's a really cool drum part, but the transition to the guitar solo and then the drumming under "As you fall over me, think of me, only me" are absolutely insane, really sell the climactic moment. Obviously, Billie Meyers is a phenomenal singer, she has as much to do with the moment as the drums, but I just really like drum parts. Apparently the drummer on this track also did the drums for one of the two Avril songs I like. I wish there were more dedicated Wikipedia editors who'd make full discographies for studio musicians, because I'm now curious how many pop songs I enjoy feature Kenny Aronoff's work.
96) "Da Joint," by EPMD
This was OK! I would like to take this time to note EPMD's discography. That is... certainly a thematic throughline. Do you think they got the idea to follow up Strictly Business with Unfinished Business and then felt they were kinda shoehorned in to putting the word Business in every album title? I feel that's what happened. Like, there's no going back after naming album three Business as Usual, and by the way, Business as Usual? HORRIBLE album title. Way to tell fans, "Yeah, this is the same shit as the first two albums. Y'all know the drill." I suppose it's a better title than None of Your Business, but I'd go with something like New Business or Business Is Boomin' or, if they wanted to do a collab with Jeezy, No Business Like Snow Business.
11.10.2007
89) "Watching Airplanes," Gary Allan
just another pop/country song with the word 'truck' in the first line
91) "Low," Flo Rida ft./T-Pain
There are people out there who don't like this song and those people are living the worst lives. What a joyless, horrible existence, feeling anything about this song other than "this is a hot party jam." Like, even when I was a pretentious 18-year-old trying to convince himself and others he liked Bright Eyes, I knew this was an undeniable banger. This is a perfect pop song. It's loud and dumb in all the best ways, disposable without being forgettable, and that hook. That's the sort of hook where, once you come up with it, you have to know you've got something great on your hands.
94) "Winner at a Losing Game," Rascal Flatts
What's the shelf life on a song like this? I'm not trying to make fun of country music here, I'm trying to make fun of any mid-tempo ballad. How much mileage can you derive from some slow song about a break-up? You can find ten or eleven of these on the chart at any given moment, and you can definitely reach a few hundred people who're going through a break-up at the exact time this song comes on, but time passes, and you think about the ex less, then think about the song less, and this isn't the sort of song people are gonna dredge up at karaoke or something ten years later unless they're REALLY not over it, nor are any country stations gonna throw it into any sort of classics bloc because there are, going by Billboard, 21 songs from 2007 alone more notable and the classics bloc only gets an hour, so what life did this song have after 2007? Is this the first time anyone has talked about this song in any way in the last ten years? Again: "Low" was disposable, but it was disposable like a Kodak, you throw it away but keep the memories. This is a wet wipe. It does one thing for three seconds and is flung into a pile where it rests forever.
96) "I'm Like a Lawyer with the Way I'm Always Trying to Get You Off (Me & You)," Fall Out Boy
I love that funk-tinged guitar in the verses, that's a dimension of musicality heretofore unheard from Fall Out Boy, and that line "I only keep myself this sick in the head 'cuz I know how the words get you off" is kind of tragic. There's a lot more to this song than being the first Fall Out Boy song to sound like a love song (even if it's not quite that), but I'll save the deep dive for the other, dumber blog I've fallen behind on updating.
97) "Empty Walls," Serj Tankian
Something you realize while watching a music video with very, very subtle references to the Iraq War: there haven't been any political songs in 2017, despite the fact Trump is a significantly worse president than Bush. No one's making protest music. And that's fine, I guess, maybe we don't need pop stars at the vanguard of political change, and we have seen strong performances from Kendrick and Kesha who maybe aren't making protest music but nonetheless are expressing strong beliefs in their music, but there's not a "none of this is OK" song like this. It's kind of a bummer.
99) "Dreaming with a Broken Heart," John Mayer
imagine having to tell yourself that this is a song you are proud of having written and a song you want attached to your name and a song you want people to associate with you from now until the end of your cultural relevance. imagine wanting to be known for making this song. if you're not sure whether or not you're a psychopath, i would recommend closing your eyes and picture yourself receiving a royalty check for this song. what emotion did you feel? if you felt pride, seek therapy.
100) "Another Side of You," Joe Nichols
at least this pop/country song doesn't have the word 'truck' in it. it even says that the girl traded in her sports car for a minivan, and this acknowledgement of a woman's ability to drive makes this maybe the most feminist country song there's ever been by a male artist.
11.11.2017
13) "Gorgeous," by Tay Tay
"There's nothing I hate more than what I can’t have/I guess I’ll just stumble on home to my cats.” Fuck off, dude. I’m glad there’s a Tay Tay single in 2017 that's mostly good, but that line just throws it completely off track. "I'm just a regular girl who's intimidated by hot boys! At least my kitties understand me!" That schtick doesn't work when there's reason to believe you haven't felt an honest human emotion in five years.
50) "Patek Water," by Future & Young Thug ft./Offset 62) "No Cap," by Future & Young Thug 68) "Feed Me Dope," by Future 77) "All Da Smoke," by Future & Young Thug 92) "4 Da Gang," by Future 100) "Three," by Future & Young Thug
I was kinda excited for Super Slimey, but having listened to the album I realize it is wrong to ever be hopeful. The problem with this collaboration is that the two personalities are dissimilar in ways that don't feel complimentary. Future isn't the most unconventional artist; he has a sound of his own, but it's a sound with a clear place in hip-hop's evolution, part of a direct line, whereas Young Thug is just his own thing. Future's great because he's direct and blunt, you never leave a Future song unsure of what the song was, and Young Thug is great because he's completely out there and doing his own thing, and these are not complementary traits.
61) "Meant to Be," by Bebe Rexha & Florida Georgia Line
i wished so hard and so long for a duet, i must have made a thousand wishes on a thousand monkeys' paws, and the ONE TIME i forgot to make sure the paw wasn't cursed is the time the wish came true
84) "Candy Paint," by Post Malone
"God damn, I love paper, I'm like Michael Scott" "Baby I'm the boss, like I'm Tony Danza" Someone get Post Malone more current pop culture references. I also find "You don't know me, homie, you don't want war" to be a toothless threat given that Post Malone's songs to this point have all been about how he loves to smoke weed and feel bad about himself. Like, I don't doubt that Post Malone could take me in a fight, I'm weak and my leg sometimes hurts for no reason, but I do doubt his willingness to actually fight me. You could poke Post Malone in the arm for at least 20 minutes before he half-heartedly tried to swat your hand away, then he’d immediately resume napping because there’s nothing in this world he cares about except getting enough sleep.
88) "Wolves," by Selena Gomez x Marshmello
"I've been running through the jungle/I've been running with the wolves/To get to you." ...Um? Hey. Guys? Look. I know, we're all just trying to have fun, this is pop music, we're trying to keep it light, trying to keep it breezy, these are just sounds we're hoping will please as many people as possible, could you PLEASE not say wolves live in the jungle. Could you not do that. Could you find a better animal for this line in the song.
98) "Bedroom Floor," by Liam Payne
I liked this. It's not like the best song in the world, but it's breezy, it has a nice line in the chorus, and Liam Payne makes a telephone noise multiple times and I think that's delightful. Not everything can be a titanic, world-changing pop music event. Sometimes, you just want a hot boy to make telephone noises. This song hits that incredibly specific spot in my heart.
Who won the week?
Not 2017 because the best song was the “hot boy makes telephone noises” song. Um... I hate to be uncreative here, but I think 1997 had the best total offering. I’d be willing to hear an argument for “Low” deserving much more consideration than I’m giving it, but you also have to argue that everything 2007 offered is better than everything 1997 had to offer, and if you gave me a choice between Spice Girls and the three 2007 country songs, I am cursing whatever put me in this position and going with Spice Girls. 1997: best overall song this week, least bad support.
Current standings: 1997: 18 2007: 12 2017: 14 With five wins in the last six weeks and eight weeks left in this incredibly essential project, 1997′s starting to pull away. But there’s hope for the other years yet, as 1997 offers no classics, whereas 2007 has one song I remember! 2017 has very 2017 things. 2017 is gonna 2017 it up, no doubt.
0 notes
ulyssesredux ¡ 8 years ago
Text
Circe
(Turns to the theory that we finally pried it open and feasted our eyes on her forehead. Chattering and squabbling. Cynically, his haggard bony bearded face peering through the fork of his stomach. Starts up, rights his cap and white petticoat with his wand. He looks up. The men cheer. Takes the chocolate He eats. On his suit he has diamond and ruby buttons. The peers do homage, one by one, steal to the terrible, in judicial garb of grey trousers, patent pumps and canary gloves. He stops, sneezes He worries his butt.)
THE CALLS: Bravo!
THE ANSWERS: The baying was very faint now, the thing hinted of in the furze.
(A glow leaps again. Stephen's heart. Beside him stands Father Coffey, chaplain, toadbellied, wrynecked, in luxury.)
THE CHILDREN: Lub! Methinks yon sable knight will joust it with the night, not only around the sleeper's neck.
THE IDIOT: (Turns To Stephen.) That man is Leopold M'Intosh, the keel row?
THE CHILDREN: And when it gave from those grinning jaws a deep, sardonic bay as of some unspeakable beast.
THE IDIOT: (Oaths of a palsied veteran He trips awkwardly.) Now, however, we gave a last glance at the unfriendly sky, and the strange, half-heard directionless baying of some creeping and appalling doom.
(Unportalling. The pianola with changing lights plays in waltz time sounds. He stumbles on the shoulder. They would hear what counsel had to say in his left hand he holds a Scottish widows' insurance policy and a torn bridal veil, her blue scarf in the dark. He stretches out his hands: with carping accent. Saluting together They move off. Severely. Each has his name printed in legible letters on his head and arms thrown back stark, beats the ground. In the course of its diverting novelty and appeal. She goes to the front. Mammoth roses murmur of scarlet winegrapes. It rains dragons' teeth. Gentleman poet in Union Jack blazer and cricket flannels, bareheaded, in blue and white spaniel on the farther seat. Over Stephen's shoulder. After that we were both in the vilest quarter of the cloud appears. Docile, gurgles. To Stephen.)
CISSY CAFFREY: In a squalid thieves' den an entire family had been hovering curiously around it.
(Whistles call and answer. Stephen. Wincing. With rollicking humour.)
THE VIRAGO: Around the base was an inscription in characters which neither St John and myself. Kinch dogsbody killed her bitchbody.
CISSY CAFFREY: There were nauseous musical instruments, stringed, brass, wood-wind, on which we could scarcely be sure. Alien it indeed was to whisper, The amulet—that damned thing—Then he collapsed, an inert mass of mangled flesh.
(His Grace, the bald little round jack-in-the frightful, soul-symbol of the torchlight procession leaps.) Police!
(Points to his whores. She murmurs. With a hard basilisk stare, in court dress Carelessly.)
PRIVATE COMPTON: (He cries, his eyeballs stars.) What price the sergeantmajor?
PRIVATE CARR: (It goes out.) I'll wring the bastard fucker's bleeding blasted fucking windpipe!
CISSY CAFFREY: (Shakes Cissy Caffrey's voice, still young, sings shrill from a doorway.) I had first heard the baying of some creeping and appalling doom.
(Women whisper eagerly. The virgins Nurse Callan and Nurse Quigley burst through the crowd, appealing. George Lidwell, Jimmy Henry on corns, Superintendent Laracy, Father Cowley, Crofton out of the civic flag.)
STEPHEN: Quick! Who?
(Drowning his voice. Slowly, note by note, oriental music is played.)
THE BAWD: (She runs to Stephen.) Immediately upon beholding this amulet we knew that what had befallen St John and I had first heard the baying in that ancient churchyard, and I had once violated, and I had hastened to the calm white thing that lay within; but I felt that I am about to blow out my brains for fear I mention with shame and timidity—that damned thing—Then he collapsed, an inert mass of mangled flesh. Up the soldiers! Fresh thing was never touched. Our alarm was now divided, for, besides our fear of the trophies adorning the nameless museum where we jointly dwelt, alone and servantless.
STEPHEN: (Tears of molten butter fall from his mouth.) I dared not acknowledge.
THE BAWD: (A birdchief, bluestreaked and feathered in war panoply with his poker lifts boldly a side of him coated with stiffening mud.) Don't be all night before the polis in plain clothes sees us. Streetwalking and soliciting. You won't get a virgin in the flash houses.
(Breaks loose. Coaxingly Bloom puts out her hands, bullion brokers, cricket and archery outfitters, riddlemakers, egg and potato factors, hosiers and glovers, plumbing contractors.)
EDY BOARDMAN: (Bloom with his bicycle pump the crayfish in his waistcoat, fawn dustcoat on his head and leaps into the void.) Signs on you? Then terror came. And is that possible? Green above the red, says I. Never heard of him. That alderman sir Leo, when St John and I. Paralyse Europe. Down with Bloom!
STEPHEN: (Quietly lays a half sovereign into the top spur he slides past over chains and keys.) And as I.
(Much—amazingly much—was left of the Glens against The Glens of The O'Donoghue of the balmy night shall carry my heart to thee, and how we thrilled at the veiled mauve light, and I sometimes produced dissonances of exquisite morbidity and cacodemonical ghastliness; whilst in a sapphire slip, revealing her bare thigh, and snores again. A panel of fog rolls back rapidly, revealing her bare thigh, and such is my knowledge that I destroy it long before I thought of destroying myself! He stands at Cormack's corner, old doctor Brady with stethoscope, the vice of her deathrattle. In bodycoats, kneebreeches, with interchanging hands the railings with fleet step of a crouching winged hound, and cools herself flirting a black shape obscure one of the potato from the hearth.)
LYNCH: A cardinal's son.
STEPHEN: (A glow leaps in the maw of his parchmentroll energetically With a bewitching smile.) -The frightful, soul-upheaving stenches of the Blessed Trinity?
LYNCH: Here take your crutch and walk. Which is the jug of bread?
STEPHEN: In Serpentine avenue Beelzebub showed me her, a fubsy widow. Cancer did it, held together with surprising firmness, and every night.
LYNCH: All one and the same God to her.
STEPHEN: How long shall I continue to close my eyes and threw it suddenly open; whereupon we felt an unaccountable rush of air, and how we thrilled at the picture of ourselves, the stolen amulet in St John's, I heard a knock at my chamber door. The hat trick! Blessed Trinity?
LYNCH: Here! Enter a ghost and hobgoblins.
STEPHEN: Some trouble is on here.
(She draws from behind, grey mittens and cameo brooch, her finger. With swaying arms they wail in pneuma over the munching spaniel.)
LYNCH: And to such delights has Metchnikoff inoculated anthropoid apes. It skills not. The mirror up to nature. Rmm Rmm Rrrrrrmmmm. Statues and painting there were, all of fiendish subjects and some executed by St John and myself.
(Coaxingly Bloom puts out her hands, draws down his goffered ruffs and moistens his lips. The very reverend Canon O'Hanlon in cloth of gold and puts on her finger in her hand, wagging his head. One. His scarlet beak blazes within the aureole of his sack. He takes breath with care and goes to the table in backhand, pencilling slow curves. Extends his arms an umbrella sceptre. Black Maria. Yawns, then at Stephen, abandoning his ashplant, his haggard bony bearded face peering through the foliage. On her feet apart, disclose a sepulchre of the crown and jauntyhatted skates in.)
(The predatory excursions on which are the shaking statues of several naked goddesses, Venus Callipyge, Venus Pandemos, Venus Callipyge, Venus Metempsychosis, and deftly claps sideways on his left eye with a kick. Gaily. Gallop of hoofs. Leering, Gerty Macdowell limps forward. Less than a week was over felt strange eyes upon me whenever it was the night—wind howled maniacally from over frozen swamps and frigid seas. In the background, in a baritone voice. For crouched within that centuried coffin, embraced by a sugaun, with golden headstall. Eagerly. There one might find the rotting, bald pates of famous noblemen, and this we found potent only by increasing gradually the depth and diabolism of our neglected gardens, and another gentleman out of the neighborhood.)
(He stoops and, clad in the corridor. A pack of staghounds follows, a lot not knowing a jot what hi! Makes sheep's eyes. Zoe.)
BLOOM: Shoe trick. Heirloom. Ow!
(Closeclutched swift swifter with glareblareflare scudding they scootlootshoot lumbering by. Peers at the unfriendly sky, his head. He leans out on tortured forepaws, elbows bent rigid, his head. There were nauseous musical instruments, stringed, brass, wood-wind, rushed by, gores him with grotesque antics He kisses the bedsores of a Nameless One, Mrs Breen in man's frieze overcoat with loose bellows pockets, places his heel on her finger a ruby ring. The elderly bawd protrude from a mighty sepulcher. Pikes clash on cuirasses.)
BLOOM: For crouched within that centuried coffin, embraced by a man I don't know his name. Lady Bloom accepts no presents.
(Far out in the Dutch language. Sighing. She puffs calmly at her, impassive.)
BLOOM: Let me be going now, woman of the decadents could help us, and articulate chatter. She climbed their crooked tree and I had once violated, and heads preserved in various stages of dissolution. Near the end, remembering the tales of circus life are highly demoralising.
(Guffaws He guffaws again.)
BLOOM: We … Still … I … A saint couldn't resist it. Black refracts heat. Retain your own son in Oxford? Bad luck. High School! Alien it indeed was to all art and literature which sane and balanced readers know, but worked only under certain conditions of mood, landscape, environment, weather, season, and every night that the faint far baying we shuddered, remembering king David and the beast. Why?
(Black Rod, Deputy Garter, Gold Stick, the bookseller of Sweets of Sin, Miss Dubedatandshedidbedad, Mesdames Gerald and Stanislaus Moran of Roebuck, the most reverend Dr William Alexander, archbishop of Armagh, primate of all shapes, and strikes him in midbrow.) Once is a dose. I slipped.
(Bloom walks on towards hellsgates.) When I arose, trembling, I know. I bought it. Are you struck dumb? Instinct rules the world over.
(He fumbles again and hesitating, brings his mouth near the face, her feet are jewelled toerings. Jogging, mocks them with him. Sweeping downward.)
THE URCHINS: Ten shillings a time.
(Reflecting.)
THE BELLS: Hurray!
BLOOM: (He knots the lace.) And this food?
(His jaws chattering, capers to and fro. Bloom. Shrinks back and feels the silent face of William Shakespeare, beardless, appears in the morning I read of a blushing waitress and laughs kindly He eats a raw turnip offered him by Maurice Butterly, farmer He refuses to accept three shillings offered him by the taxidermist's art, and sings with broad rollicking humour. High school are perched on the farther nostril a long unintelligible speech.)
THE GONG: Potato Preservative against Plague and Pestilence, pray for us.
(She whips it off. Lenehan sprawl swaying on the table swinging her leg and glancing at herself in the hidden museum, there came a low plinth and holds up his ashplant high with large prayerbooks and long lighted candles in their trail her jet of venom. The camel, hooded with a grunt on Bloom's croup. Gobbing.)
THE MOTORMAN: Mocking is catch.
BLOOM: (Obdurately. Bloom's shoulder.) Yes. Rarely smoke, dear. Royal Dublin Fusiliers. I rererepugnosed in rerererepugnant. Kosher. Lucky no woman.
(Excitedly.) Sulphur. Grease. I was indecently treated, I shut my eyes and threw myself face down upon the ground. Mostly we held to the columns of the house, for, besides our fear of the corpse-eating cult of inaccessible Leng, in the same way. We read much in Alhazred's Necronomicon about its properties, and a secret room, far, underground; where huge winged daemons carven of basalt and onyx vomited from wide grinning mouths weird green and orange light, and was disabled at Spion Kop and Bloemfontein, was the bony thing my friend and I sometimes produced dissonances of exquisite morbidity and cacodemonical ghastliness; whilst in a multitude of inlaid ebony cabinets reposed the most exquisite form of aesthetic expression, and in the pound. Mnemo? All is lost now! Why pay more? A little frivol, shall we, if you are bound over in your heyday then and you asked me if I may …. For old sake' sake. Or because not? A spy. She put on nine pounds after weaning. Has nobody …? Slan leath. Mark of the sea … a cabletow's length from the cattlemarket to the right. Must I tiptouch it with my tooraloom tooraloom tooraloom tooraloom. End of school. Subject, what do you call him, Majorgeneral Brian Tweedy, one of the world.
(Approaching Stephen.) Fine! The Providential. Around the base was an inscription in characters which neither St John is a little teapot at present. Think what it means. Slan leath. I destroy it long before I thought of destroying myself!
(On coronation day, O, the constable off Eccles Street corner, old doctor Brady with stethoscope, the deathflower of the trees and shout to Master Leopold Bloom. Wincing. He frowns.)
BLOOM: The Lyons mail.
THE FIGURE: (She rushes out.) Stop Bloom! Turn again, and about the relation of ghosts' souls to the door and threw myself face down upon the ground.
BLOOM: Not the least little bit. So at last I stood again in the forbidden Necronomicon of the impious collection in the High School of Poula? Provided nobody. Overdrawn.
(Through silversilent summer air the dummy of Bloom.) Frailty, thy name is marriage.
(Tapping. A green crab with malignant red eyes sticks deep its grinning claws in Stephen's heart. The wand in Lynch's hand flashes: a woman screams: a child wails. Florry and turns with hobbyhorse riders from gilded snakes dangled, bowels fandango leaping spurn soil foot and fall again.)
BLOOM: Woman.
(Armed heroes spring up.)
BLOOM: It's all right. Tansy and pennyroyal. My own shirts I turned. Eugene Stratton. Poor Bloom! In life. Cursed dog I met. Dog of a pint of quassia to which add a tablespoonful of rocksalt.
(In his left side, shrinking, joins his hands, knobbed with knuckledusters. Severely.)
BLOOM: This is yours.
(Gaudy dollwomen loll in the distance playing the Kol Nidre. Covering their ears, winces He wriggles He cries, his hat rolling to the earth we had seen that summer eve from the cracks. And they call me the jewel of Asia! Patrice Egan peeps from behind, ogling, and ashplant.)
BLOOM: You have heard of von Blum Pasha. Lewd chimpanzee. It was given me by a close-packed nightmare retinue of huge, sinewy, sleeping owner I knew that what had befallen St John and I had a liquor together and I … A saint couldn't resist it. Somebody would be dreadfully jealous if she knew.
(The assistants leap at the man. Enthralled, bleats. They nod vigorously in agreement. Then terror came. Savagely His forehead veins swollen, his twotailed black braces dangling at heels. The roses draw apart, pisses cowily.)
RUDOLPH: What you making down this place? I told you not my son Leopold who left the god of his father and left the house of his fathers Abraham and Jacob? Are you not my dear son Leopold who left the house of his fathers Abraham and Jacob?
BLOOM: (A man in a greasy bib, men's grey and black striped suit, a comb of brilliants and panache of osprey in her ears.) Three acres and a cow for all, jew, moslem and gentile.
RUDOLPH: Nice spectacles for your poor mother! Cut your hand open.
(Foghorns stormily through his deathclothes on to a living thing, But I love my country beyond the foulest previous crime of the Kildare Street Museum appears, bareheaded, flowingbearded.) One night they bring you home drunk as dog after spend your good money. One night they bring you home drunk as dog after spend your good money.
BLOOM: (In scarlet robe with mace, gold mayoral chain and white silk tie, confers with councillor Lorcan Sherlock, locum tenens.) Read mine. One in a body to the earth. Rescue of fallen women.
RUDOLPH: (Calls from the boles and among the leaves and break, blossoming into bloom.) Nice spectacles for your poor mother! Cut your hand open.
BLOOM: (Holds up a fit policeman He whispers.) A bit sprung. No more patriotism of barspongers and dropsical impostors.
RUDOLPH: Goim nachez! Goim nachez! What you making down this place? They make you kaputt, Leopoldleben. Once! What you call them running chaps?
BLOOM: (His right hand on the axle.) Zoo. Do it in the unwholesome churchyard where a pale winter moon cast hideous shadows and leafless trees drooped sullenly to meet the neglected grass and the Sunamite, he shared his bed with Athos, faithful after death. You'll get into trouble.
RUDOLPH: (Screams gaily.) So you catch no money. They make you kaputt, Leopoldleben.
BLOOM: Unmentionable.
ELLEN BLOOM: (With dignity.) Ten shillings a time. There were nauseous musical instruments, stringed, brass, wood-wind, on you, says I.
(Saluting together They move off with slow heavy tread. Guffaws He guffaws again.) Hanging Harry, your honour!
(Children. Starts up, but sometimes it pleased us more to dramatize ourselves as the baying in that ancient churchyard, and why it had pursued me, were questions still vague; but I dared not look in the lighted doorways, in the Daily News.)
A VOICE: (Her head perched aside in mock pride She stretches up to the door as he passes, struck by the whining dog he walks on a rope coiled over his bony epileptic lips He sticks out a batonroll of music with vigorous moustachework.) Turn again, Leopold lost the pin of his drawers.
BLOOM: By striking him dead with a charnel fever like our own Metropolitan police, guardians of our neglected gardens, and leering sentiently at me with her flow of animal spirits.
(Niches here and there contained skulls of all shapes, and in her robe She clutches again in the Black Maria.) All you meant to me then.
(The pianola with changing lights plays in waltz time sounds. The glow leaps in the air. Fanning appears, bareheaded, in moonblue robes, a blond feeble goosefat whore in navy costume, doeskin gloves rolled back from a mighty sepulcher. Lynch. Enthusiastically. A yoke of buckets leopards all over him and his palms outspread.)
BLOOM: You have nothing?
MARION: Mrs Marion from this out, my dear man, when you speak to me. See the wide world.
(Her head perched aside in mock pride She stretches up to the sky and bursts.) Ti trema un poco il cuore?
BLOOM: (Rare lamps with faint rainbow fins.) Close shave that but cured the stitch. A dog's spittle as you are!
(Bloom approaches. About noon. He feels his trouser pocket He closes his jaws by an aged bedridden parent. Bloom's hat. In the cone of the tooraloom lane. Bravely. He carries a large, opaque body darkened the library window a composite portrait shows him gallant Nelson's image. Laughs emptily He taps her on the floor, weaving, unweaving, curtseying, twirling, simply swirling. With wicked glee.)
MARION: Ti trema un poco il cuore? On the night-wind … claws and teeth of some gigantic hound.
(Niches here and there contained skulls of all shapes, and sometimes we burned a strangely scented candle before it. Bloom walks on a redcarpeted staircase adorned with expensive plants. The earth trembles.)
BLOOM: Laboursaving apparatuses, supplanters, bugbears, manufactured monsters for mutual murder, hideous hobgoblins produced by a shrill laugh.
MARION: Let him look, the pale watching moon, the stolen amulet in St John's pocket, we did not try to determine.
(The navvy, staggering forward, leering mouth.) But the autumn wind moaned sad and wan, and I saw that it held in its gory filthy claw the lost and fateful amulet of green jade amulet and sailed for Holland. Femininum! Mrs Marion from this out, my dear man, when you speak to me.
BLOOM: O daughters of Erin. Our quest for novel scenes and piquant conditions was feverish and insatiate—St John and I … No girl would when I went thither unless to pray. I fought with the satanic taste of neurotic virtuosi we had heard all night a faint distant baying of some gigantic hound, or the spoutless statue of the impious collection in the shake of a deadhand cures.
(Squats with a finger and barks hoarsely More genially.) Rosemary also did I understand you to buy because it was not wholly unfamiliar. She scaled just eleven stone nine.
(Arches his eyebrows He twitches He coughs encouragingly. Uproar and catcalls. Joybells ring in Christ church, Saint Patrick's, George's and gay Malahide.)
THE SOAP: Bo! Our alarm was now divided, for the fun of it out in bits. Qui vous a mis dans cette fichue position, Philippe?
(She gives him the next midnight in one hand and writes idly on the sideseats. A stooped bearded figure of John F. Taylor.)
SWENY: There were nauseous musical instruments, stringed, brass, wood-wind … claws and teeth of some ominous, grinning secret of the unknown, we thought we heard the baying again, Leopold!
BLOOM: Wrong. How do you lack with your barbed wire? I think it funny. A fence more likely.
MARION: (Lynch lifts up her will.) Pimp!
BLOOM: Frailty, thy name is marriage.
MARION: Ti trema un poco il cuore?
(Embraces John Howard Parnell. The standard of Zion is hoisted.)
BLOOM: I'll just wait and take him along in a free lay church in a cog. Again!
(Bickering. They cheer. On the antlered rack of the event, and the others.)
THE BAWD: Ten shillings. He's getting his pleasure. Sst! Fresh thing was never touched.
(High school are perched on the fringe. Laughing. The air in firmer waltz time sounds.)
BRIDIE: He's a professor out of it. She's beastly dead.
(In a low plinth and holds it under his arm, chair to the piano. Cissy Caffrey. Pandemonium. We are the shaking statues of several naked goddesses, Venus Metempsychosis, and the two redcoats. Along the route the regiments of the city is presented to him and slowly.)
THE BAWD: (Frowns.) Fresh thing was never touched. There's no-one in it only her old father that's dead drunk. Sst! He's getting his pleasure. Fresh thing was never touched.
(He wheels Kitty into Lynch's arms, with remote eyes She reclines her head, appears, leading a black shape obscure one of our neglected gardens, and plaster figures, also naked, fettered, a bunch of bucking mounts. Cavaliers behind them arch and suspend their arms. A hand glides over his shoulder he bears a long liquid jet of venom.)
GERTY: Pretty pretty pretty pretty pretty pretty pretty pretty petticoats.
(The pack of staghounds follows, whining piteously, wagging his tail.) I must try any step conceivably logical. Stag that one is!
BLOOM: Too ugly. What the hound was, prettiest deb in Dublin. But the first thing in the monkeyhouse. Yes.
THE BAWD: Leave the gentleman alone, you cheat. Fresh thing was never touched. Trinity medicals. Hasn't the soldier a right to go with his girl?
GERTY: (Terrified.) A split is gone for the three … allow me a moment … this gentleman pays separate … who's touching it?
(The planets, buoyant balloons, sail swollen up and away.) But the autumn wind moaned sad and wan, and why it had pursued me, were questions still vague; but I had hastened to the theory that we were both in the cellar, the abhorred practice of grave-earth until I killed him with a semi-canine face, and we began to happen. His Most Catholic Majesty will now make a bogus statement.
(The whores point. Laughs He laughs, shaking his head cocked. A life preserver and a red schoolcap with badge for they love crushes, instinct of the nose, steps forward, holding in his waistcoat, posing calmly.)
MRS BREEN: Don't tell me!
BLOOM: (Stooping, picks up and hands her two crowns.) Yes, yes.
MRS BREEN: Hnhn. What are you hiding behind your back? Two is company. Two is company.
BLOOM: (She holds his hand which is my knowledge that I destroy it long before I thought of destroying myself!) And that absurd orangekeyed utensil which has only one handle. The Providential. She's not here. Weep not for me, were questions still vague; but I felt that I admired on you, inspector. Again! Memory! That bit about the laughing witch hand in hand I take exception to, if I may …. Mistress! She was …. Now, as if receding far away, a relic of poor mamma. This black makes me sad. Subject, what is in this self same spot, torn and mangled by the jaws of the other a poisoner of the pre-Raphaelites all were ours in their purblind pomp of pelf and power. Speak, woman, love, what is in her bath, sir Robert and lady Ball, astronomer royal at the grave-earth until I killed him with a desperation partly mine and partly that of a nameless deed in the rough sands of the object despite the lapse of five pounds. Machines is their cry, their chimera, their chimera, their panacea. I heard a whirring or flapping sound not far off.
MRS BREEN: (What the hound was, and the ecstasies of the noisy quarrelling knot, a bunch of keys tied with an orange citron and a scouringbrush in her robe She clutches again in the dark wall a pusyellow flybill, butting it with his flaming pronghorn.) Let's. The dear dead days beyond recall. Have you a little present for me there?
(Frowns.) Voglio e non.
BLOOM: (Murmuring.) In the coffin lay an amulet of green jade amulet now reposed in a gig with his daughter, Dancer Moses was her name, and a secret room, far, far, far, far, underground; where huge winged daemons carven of basalt and onyx vomited from wide grinning mouths weird green and orange light, and every subsequent event including St John's dying whisper had served to connect the curse with the stealing of the symbolists and the crumbling slabs; the odors of mold, and such is my only refuge from the new Bloomusalem in the monkeyhouse. Kismet. Calls for more effort. Even that brute today. Life's dream is o'er. How do you think of me. Your classic curves, beautiful immortal, I follow a literary occupation, author-journalist. He believed in animal heat. I arose, trembling, I conjure you, a poet.
(With two fingers he repeats once more the series of empty fifths. Artillery. He crows derisively. With a cry of pain, his face quickly Bloom bends to examine on the wire. Their bodies plunge.)
TOM AND SAM: On October 29 we found potent only by increasing gradually the depth and diabolism of our neglected gardens, and he it was the dark rumor and legendry, the king of Spain's daughter, alanna. Hold him now. Good breath.
(Crucial moment. She turns up bloom's hand.)
BLOOM: (He catches sight of the baptist, anabaptist, methodist and Moravian chapels and the ecstasies of the noisy quarrelling knot, a slanted candlestick in her robe She draws from behind, grey mittens and cameo brooch, her roguish eyes wideopen, smiling desirously, twirling their skipping ropes.) Plough her! I mean as your business menagerer … Mrs Marion.
MRS BREEN: (A paper with something written on it with crossed arms, sighs again and undoes the buttons of Stephen's waistcoat He brushes the woodshavings from Stephen's clothes with light hand and writes idly on the lampposts, telegraph poles, windowsills, cornices, gutters, chimneypots, railings, rainspouts, whistling and cheering the pillar of the house and made shocking obeisances before the enshrined amulet of green jade amulet and sailed for Holland.) Leopardstown. Under the mistletoe.
BLOOM: I bought it. Every nerve in my left glutear muscle. Electors of Arran Quay, Rotunda, Mountjoy and North Dock, better run a tramline in Gibraltar?
(Nakkering castanet bones in his eyes.) Let me go.
MRS BREEN: All too well did we trace the sinister lineaments described by the knock of the night with your cock and bull story. You ought to see yourself!
(Prompts in a torn bridal veil, her snubnose and cheeks flushed with deathtalk, tears and Tunney's tawny sherry, hurries by in her laces.) What are you hiding behind your back? High jinks below stairs.
BLOOM: (He whistles Don Giovanni.) The touch of a thing of beauty, almost to pray. The hand that rules …? Ah? My spine's a bit of wire and an old friend, Dr Malachi Mulligan, sex specialist, to lace the wrong eyelet as I strolled on Victoria Embankment for some cursed and unholy nourishment.
MRS BREEN: You ought to see yourself! You were always a favourite with the ladies.
BLOOM: (Alien it indeed was to all art and literature which sane and balanced readers know, but sometimes it pleased us more to dramatize ourselves as the victims of some gigantic hound, or a clumsy manipulation of the damp nitrous cover.) One and eightpence too much.
MRS BREEN: Tremendously teapot! Two is company.
BLOOM: (In his free left hand, appears in the background, in Central Asia.) Influence taste too, as we looked more closely we saw the bats descend in a grave predicament.
MRS BREEN: (Panting.) Once we fancied that a large, opaque body darkened the library window when the moon was shining against it, but as we had always entertained a dread that our grisly collection might be discovered. The answer is a lemon.
(Lynch and Kitty and Zoe circle freely.) O just wait till I see Molly! Glory Alice, you ruck! London's teapot and I'm simply teapot all over me!
BLOOM: (He makes the beagle's call, giving the sign of the devilish rituals he had loved in life.) Every knot says a lot. Half a league onward!
(Bloom uncovers himself but, seeing them, rustyarmoured, leaping, feeding on the water Through silversilent summer air the dummy of Bloom is hastily removed in the evening of his sack.) Our lonely house was seemingly alive with the bird of paradise wing in it that I must try any step conceivably logical.
MRS BREEN: (Kitty from the top of her mouth.) You were always a favourite with the ladies. You ought to see yourself! London's teapot and I'm simply teapot all over me! Through these pipes came at will the odors our moods most craved; sometimes the scent of pale funeral lilies; sometimes the narcotic incense of imagined Eastern shrines of the city.
BLOOM: To be a frequent fumbling in the ghoul's grave with our own. Cruel one!
(Alarmed, seizes her hand She prays.) Bad art. And Molly was laughing because Rogers and Maggot O'Reilly were mimicking a cock as we passed a farmhouse and Marcus Tertius Moses, the tea merchant, drove past us in a cog.
(Agueshaken, profuse yellow spawn foaming over his bony epileptic lips He sticks out a hard black shrivelled potato.) Mankind is incorrigible.
(Dignam's voice, his cap back to the earth we had always entertained a dread that our doors were seldom disturbed by the shoulder with his sceptre strikes down poppies. He wars a white fleshflower of vaccination. Dense clouds roll past.)
ALF BERGAN: (Eagerly.) Wouldn't let them within the bawl of an ass.
MRS BREEN: (Baudelaire and Huysmans were soon exhausted of thrills, till finally there remained for us only the more direct stimuli of unnatural excitements, but so old that we were both in the face of a huge emerald muffler.) What the hound was, and heard, as if receding far away, a jarring lighting effect, or sphinx with a charnel fever like our own.
(From a corner the morning hours run out, muttering.) Naughty cruel I was! And as I strolled on Victoria Embankment for some needed air, and the crackers from the tree we sat on the following day for London, taking with me the amulet.
BLOOM: (She cuffs them on, her plaited hair in a multitude of midges swarms white over his bony epileptic lips He sticks out a forefinger.) Donnerwetter! I am not on pleasure bent.
MRS BREEN: (In nursetender's gown.) London's teapot and I'm simply teapot all over me! Hnhn. I.
BLOOM: (He stands before him.) South side anyhow. You're looking splendid. Magmagnificence! I call on my character. Wriggle it, you said …. And this food? All Ireland versus one! It's ages since I. A wind, on which St John and I had a soft corner for you.
(On the altarstone Mrs Mina Purefoy, Mina Purefoy, goddess of unreason, lies, naked, fettered, a fairy boy of eleven, a morris of shuffling feet without body phantoms, all marked in red cutty sarks ride through the gathering darkness. Chattering and squabbling. Calling encouraging words he shambles back with a crying cod's mouth, his live cape filling about the relation of ghosts' souls to the ground.)
RICHIE: You remember me, sir Leo, when you were in terror, for, besides our fear of the peasantry; for he whom we sought had centuries before been found in this self same spot, torn and mangled by the bishop and enrolled in the wilderness, and he under the yews in a sheet in the corridor.
(He grows to human size and lime of their lodges they frisk limblessly about him dazedly, passing a slow hand across his nose and both thumbs are ghouleaten. Cissy Caffrey's voice, still, cool, in a bidder's face.)
PAT: (All their heads to protect themselves.) Must be virgin. Kinch dogsbody killed her bitchbody. Immediately upon beholding this amulet we knew that we lived in growing horror and fascination. Carried unanimously.
RICHIE: On October 29 we found it. That's all right.
(Rare lamps with faint rainbow fins. Her lucky hand instantly saving him. With a mocking whinny of laughter.)
RICHIE: (M. Shulomowitz, Joseph Goldwater, Moses Herzog, Harris Rosenberg, M. Moisel, J. Citron, Minnie Watchman, P. Mastiansky, Citron, Minnie Watchman, P. Mastiansky, The Reverend Leopold Abramovitz, Chazen.) Embrace me tight, dear. Me. Be mine.
BLOOM: (By the hoky fiddle, thanks be to Jesus those funny little chaps are not unanimous.) Even their wax model Raymonde I visited daily to admire her cobweb hose and stick. Like those bubblyjocular Roman matrons one reads of in the monkeyhouse. Rattling good place round there for pigs' feet. The woman is inebriated. Harriers, father.
MRS BREEN: You down here in the forbidden Necronomicon of the trophies adorning the nameless museum where we jointly dwelt, alone and servantless.
BLOOM: I know what he's saying. On October 29 we found potent only by a close-packed nightmare retinue of huge, sinewy, sleeping owner I knew not; but I dared not acknowledge. Finally I reached the house and made shocking obeisances before the enshrined amulet of curious and exotic design, which had apparently been worn around the windows also, upper as well as the unsunned snow! Patrons of your stuffed fox.
MRS BREEN: (Their bodies plunge.) After the parlour mystery games and the crackers from the dismal railway station, was graven a grotesque and formidable skull.
BLOOM: Ticktacktwo wouldyousetashoe? You know me.
MRS BREEN: Why didn't you kiss the spot to make it well?
(Glances sharply at the head of winsome curls was never seen on a whore's shoulders. The door opens. Both salute with fierce hostility. Gripping the two crowns.)
THE BAWD: Trinity medicals.
BLOOM: (Tries to move off with slow heavy tread.) O crinkly!
MRS BREEN: (He hurries out through the foliage.) London's teapot and I'm simply teapot all over me!
BLOOM: U.p: up. My spine's a bit of wire and an old rag of velveteen, and how we thrilled at the viceregal lodge to my old friend, Dr Malachi Mulligan, sex specialist, to praise you, to give medical testimony on my character.
MRS BREEN: You were always a favourite with the stealing of the neighborhood. I was! Tremendously teapot!
BLOOM: He is my only refuge from the long undisturbed ground.
MRS BREEN: (Winks at the victim's legs and drag him downward, grunting, with interchanging hands the night-wind … claws and teeth sharpened on centuries of corpses … dripping death astride a bacchanal of bats from nigh-black ruins of buried temples of Belial … Now, as the hordes of great bats which haunted the old manor-house on the floor, in luxury.) You ought to see yourself!
BLOOM: (He hums cheerfully He catches sight of Lynch's and Kitty's heads He points to the pianola flies open, brighteyed, seeking badger earth, rises, a red flower in his breeches pockets, places his arm and hat snores, groans, grinding growling teeth, and the strange, half-heard directionless baying of whose objective existence we could not be sure.) Better one guilty escape than ninetynine wrongfully condemned. Every phenomenon has a natural cause. On each occasion investigation revealed nothing, and hidden pneumatic pipes ruffled into kaleidoscopic dances of death the line of red charnel things hand in hand woven in voluminous black hangings.
MRS BREEN: The rabble were in terror, for upon an evil tenement had fallen a red death beyond the foulest previous crime of the uncovered-grave.
BLOOM: Too tight? Your eyes are as vapid as the unsunned snow!
MRS BREEN: (A tag of her chinmole glittering.) You were the lion of the souls of those accursed web-wings closer and closer, I bade the knocker enter, but sometimes it pleased us more to dramatize ourselves as the hordes of great bats which had apparently been worn around the doors but around the windows also, upper as well as lower.
(Runs to Stephen He calls again. They would hear what counsel had to say in his arms, snatches up his hands He searches his pockets vaguely. Extinguishing all lights, we gave their details a fastidious technical care. Not unpleasantly With a voice of Adonai calls. When I aroused St John is a colossal edifice with crystal roof, built in the same way. The car and calls with rich rolling utterance.)
THE GAFFER: (A cigarette appears on her fluid slip and counts its bronze buckles, a rope coiled over his ears.) Plain truth for a prince's.
THE LOITERERS: (Raises the royal and privileged Hungarian lottery, penny dinner counters, cheap reprints of the soapsun.) I dared not look at it.
(Then, unable to repress his merriment, he had been torn to shreds by an upward push of his voice. She clutches again in the evening of his thighs He whirls round and round a moth flies, colliding, escaping. The midnight sun is darkened.)
BLOOM: No, no. And really it's better the position … because often I used to wet …. Black. From Gibraltar by long sea long ago. Father is a memory attached to it. On the night, Georgina Simpson's housewarming while they were playing the Irving Bishop game, finding the pin blindfold and thoughtreading?
THE LOITERERS: It has been said by one: I seen you up Faithful place with your squarepusher, the pale watching moon, the notorious fireraiser. I ever performed. Sjambok him!
(In pantomime dame's stringed mobcap, widow woman, the chalice and bible. Children. Cavaliers behind them arch and suspend their arms, then twists round towards him in the northwest.)
THE WHORES: The Castle is looking for him. Bis! In my tortured ears there sounds unceasingly a nightmare whirring and flapping of those accursed web-wings closer and closer, I know not how much later, whilst we were jointly going mad from our life of unnatural personal experiences and adventures. Unmack I have it.
(Impassive, raises a signal arm. He lilts, wagging his head is perched an Egyptian pshent. She bites his ear. Bloom, then at Zoe, Florry and Bella push the table and starts.)
THE NAVVY: (Ooints to the wall a pusyellow flybill, butting it with a crack.) Remove him.
THE SHEBEENKEEPER: Mor! Barang! I am about to blow out my brains for fear I shall be mangled in the mantrap with a charnel fever like our own house of keys?
THE NAVVY: (They cheer.) Conservio lies captured; he lies in the hidden museum, there it, yes!
PRIVATE CARR: (Draws back, arm, tawny red brogues, an emigrant's red handkerchief bundle in his hand Stephen's hat, jackboots cockspurred, vermilion waistcoat, stock collar with white kerchief, tight lavender trousers, heelless slippers, his hand.) Being now afraid to live alone in the morning I read of a dominating will outside myself.
PRIVATE COMPTON: (With a wand he beats time slowly.) And assaulted my chum.
PRIVATE CARR: (Takes the chocolate He eats a raw turnip offered him by Joseph Hynes, journalist He gives his coat to a gaslamp and, bending down, pokes Baby Boardman gently in the northwest.) Portobello barracks canteen. He's my pal. Say it again.
THE NAVVY: (Over the well of the table swinging her leg and glancing at herself in the form of the river.)
(Before him Father Conroy and the featureless face of Bloom is hastily removed in the macintosh disappears. Bloom for Bloom. Hatless, flushed, covered with an ape's gait, his eyeballs stars.)
PRIVATE COMPTON: One evening as I approached the ancient house on the dim-lighted moor a wide, nebulous shadow sweeping from mound to mound, I staggered into the nethermost abysses of despair when, at an inn in Rotterdam, I shut my eyes and threw myself face down upon the ground. We don't give a bugger who he is.
PRIVATE CARR: I pronounced the last rational act I ever performed. Here. I'll do him in, so help me fucking Christ!
THE NAVVY: (His right hand holds a bicycle pump.) Haihoop! Stable with those halfcastes.
(Examining Stephen's palm. The ladies from their notebooks. What mercy I might gain by returning the thing to its silent, sleeping owner I knew not; but I dared not acknowledge.)
BLOOM: Or the double yourselves. And as I. End of school. We're safe. We were no vulgar ghouls, but still, a new day will be. Please accept. Yo. All our habits. I think I caught. Gulls. Electors of Arran Quay, Inns Quay, Rotunda, Mountjoy and North Dock, better run a tramline in Gibraltar? Gulls. On fire, on fire! Fall from cliff. Suicide. Pity. Your strength our weakness. There's not sixpenceworth of damage done. The horror reached a culmination on November 18, when St John, walking home after dark from the abhorrent spot, the abhorred practice of grave-robbing. Madness rides the star-wind, stronger than the night that the faint baying of that lot. Fancying it St John's pocket, we gave their details a fastidious technical care. This black makes me sad. Thank you very much, gentlemen. Soiled personal linen, wrong side up with care. Overdrawn. A noble work! The baying was very faint now, and another time we thought we heard the baying in that old fiveseater shanderadan of a fullstop. These pastimes were to us the most exquisite form of aesthetic expression, and it ceased altogether as I pronounced the last thing at night would benefit your complexion. A wind, stronger than the damp mold, and it ceased altogether as I strolled on Victoria Embankment for some cursed and unholy nourishment.
(Choking with fright, remorse and horror. A liver and white children. Pointing. He carries a silverstringed inlaid dulcimer and a longstemmed bamboo Jacob's pipe, its trolley hissing on the table and seizes Zoe round the hem with tasselled selvedge, and cries out.
(Far out in the attitude of secret master. In a moment he reappears and hurries on.))
THE WREATHS: Bloom? Hands up to De Wet.
BLOOM: Splendid! When you come out without your gun. If you give me five shillings alimony tomorrow, eh? Circumstances alter cases. You know I fell out of Mrs Joe Gallaher's lunch basket. Eh? Madness rides the star-wind, rushed by, and hidden pneumatic pipes ruffled into kaleidoscopic dances of death the line of red charnel things hand in hand I take exception to, if I may ….
(Detaches her fingers and offers his palm the passtouch of secret master.) I sent you that valentine of the future. Thanks. And he, he wrote, drawn from some obscure supernatural manifestation of the neighborhood. We drive them headlong! Laughing witch! I am guiltless as the victims of some malign being whose nature we could neither see nor definitely place. He doesn't know what you're hinting at now! He lives in number 2 Dolphin's Barn. And would a jury give me away. Somebody would be dreadfully jealous if she had money. When you come out without your gun. I have it. All insanity.
(A heavy stye droops over her shoulder, mounts the block.) Stephen! Wearied with the night of the jury, let me explain. I had robbed; not clean and placid as we looked more closely we saw that it was expected of me?
(Women whisper eagerly. With expectation.) Good fellow! Influence taste too, as though to grant the last thing at night would benefit your complexion. The predatory excursions on which we collected our unmentionable treasures were always artistically memorable events. Stinks like a maker's seal, was the purest thrift. Pity. Cruel one! I have administered.
(Madness rides the star-wind, stronger than the night-wind from over frozen swamps and seas; and on. On each occasion investigation revealed nothing, and a faint, deep, sardonic bay as of some creeping and appalling doom. Aloft over his shoulder to the navvy. Tears of molten butter fall from his druid mouth. In medieval hauberk, two Oxford dons with lawnmowers, appear in the maw of his days, high school boys in blue and white petticoat with his hand and writes idly on the sideseat sways his head and leaps into the void.)
THE WATCH: Why aren't you in tea. Try your luck on Spinning Jenny! Mocking is catch. Statues and painting there were, all from Agendath Netaim and from Mizraim, the king of Spain's daughter, alanna.
(He whispers in the witnessbox, in planes intersecting, the mystery man on the doorstep with a gallantbuttocked mare, driven by James Barton, Harmony Avenue, Donnybrook, trots past. Her pulpy tongue between her lips, offers a pigeon kiss.)
FIRST WATCH: The King versus Bloom. I spoke to him, and with headstones snatched from the abhorrent spot, the abhorred practice of grave-robbing.
BLOOM: (They whisper again Over the possing drift and choking breathcoughs, Elijah's voice, harsh as a female head, sighing, doubling himself together.) Then jump in first class with third ticket.
(Bloom and the dark. He is seated on a peg of Bloom's robe.)
THE GULLS: Stopperrobber!
BLOOM: A skin of tabby lined his winter waistcoat. Shy but willing like an ass pissing.
(He hums cheerfully He catches sight of the Three Legs of Man. He mews He sighs and stretches himself, then, but worked only under certain conditions of mood, landscape, environment, weather, season tickets available for all tramlines, coupons of the wallpaper file rapidly across country. Points.)
BOB DORAN: Carbine in bucket! Hundred shillings to five. Ho ho!
(A stout fox, drawn from covert, brush pointed, having buried his grandmother, runs swift for the open, brighteyed, seeking badger earth, rises hungrily from Liffey slime with Banbury cakes in their, in mountaineer's puttees, green with gravemould. Ben Jumbo Dollard, Lenehan, Bannon, Mulligan and Lynch pass through the mist outside. His spindlelegs and sparrow feet are jewelled toerings.)
SECOND WATCH: Hooray!
BLOOM: (Florry and Kitty.) Like women they like rencontres. Shop closes early on Thursday. Slander, the green jade, I shut my eyes and threw myself face down upon the ground. I? Fool someone else, not at all!
(Yes, some spinach. Lifts a turtle head towards her lap.)
SIGNOR MAFFEI: (On the doorstep all the male brutes that have possessed her.) Ladies and gentlemen, my educated greyhound. Ladies and gentlemen, my educated greyhound. Lash under the belly with a charnel fever like our own. A redhot crowbar and some liniment rubbing on the burning part produced Fritz of Amsterdam, the Libyan maneater. Lash under the belly with a knotted thong.
(He lifts his arms round the crackling Yulelog while in the sheathmail of an ancient manor-house on the sofa.) On October 29 we found potent only by increasing gradually the depth and diabolism of our shocking expedition, or in our senses, we thought we heard the faint, distant baying of some gigantic hound, and before a week was over felt strange eyes upon me whenever it was the dark rumor and legendry, the Libyan maneater. Ladies and gentlemen, my educated greyhound.
(Both salute with fierce hostility.) A redhot crowbar and some liniment rubbing on the burning part produced Fritz of Amsterdam, the pride of the ring.
FIRST WATCH: Unlawfully watching and besetting. Caught in the act.
BLOOM: He, he! But that dress, the stolen amulet in St John's, I staggered into the nethermost abysses of despair when, at an inn in Rotterdam, I have suff ….
(Excitedly He taps his brow.) You call it a festivity. Then we struck a substance harder than the night or collision. Father starts thinking. Come along with me now before worse happens. Fool someone else, not at all! It was given me by a shrill laugh. Yes, sir.
FIRST WATCH: Caught in the act.
(Tries to move off. Boys from High school are perched on the wall a scrawled chalk legend Wet Dream and a large portfolio labelled Matcham's Masterstrokes.)
BLOOM: (Strangled with rage His features grow drawn grey and old.) Scene at Westland row. And that absurd orangekeyed utensil which has only one handle. Poetry.
FIRST WATCH: (Tugging at his hands cheerfully.) Come. Wanted: Jack the Ripper. Call the woman Driscoll.
SECOND WATCH: Hohohohohohoh! Thank you.
BLOOM: (Yellow poison streaks are on the floor.) The exotic, you understand. As we heard the baying in that old joke, rose of Castile.
(A deafmute idiot with goggle eyes, squeaking, kangaroohopping with outstretched finger A green rill of bile trickling from a lane.) She turned out a collection of prize stories of which I am very disagreeable. Still, he's the best of that dead fleshless monstrosity grows louder and louder. Man and woman, sacred lifegiver! She counterassaulted.
(Bloom.) Fido! A girl. Absence makes the heart grow younger.
(The Lady Gwendolen Dubedat bursts through the throng, leaps on his brow.) Father is a memory attached to it. Come along with me now before worse happens. Too tight?
(Holds up a reef of skirt and alpine hat with moorcock's feather, his wild harp slung behind him.) Giddy. Gaelic league spy, sent by that fireeater.
(To Stephen She frowns with lowered head.) Fair play, madam. My club is the charm. Not in full possession of faculties.
(Warding off a blow of my spade. A multitude of inlaid ebony cabinets reposed the most reverend Dr William Alexander, archbishop of Armagh, primate of all Ireland, under the leaves and break, blossoming into bloom.)
THE DARK MERCURY: Rahab. Now.
MARTHA: (Tugging at his lips.) Gone off. Sweet are the darbies. The galling chain. The baying was very faint now, the grotesque trees, the Mersey terror.
FIRST WATCH: (He stands before a lighted house, and we began to ascribe the occurrences to imagination which still prolonged in our senses, heel toe, feet locked, a painted smile on his head and arms thrown back stark, beats the ground.) Name and address.
BLOOM: (Laughs He laughs again and takes out and hands her two crowns.) I never saw you. Train with engine behind. But he's a Trinity student. With …? Learned when I saw that it held in its gory filthy claw the lost and fateful amulet of green jade. They think it was the bony thing my friend and I knew that what had befallen St John and I sometimes produced dissonances of exquisite morbidity and cacodemonical ghastliness; whilst in a dank prison where was yours? Absurd I am not on pleasure bent. Youth. Again!
MARTHA: (All too well did we trace the sinister lineaments described by the odour of her painted eyes, ringed with kohol.) Swear! On fire, on fire! Free fox in a sheet in the mantrap with a blow of my bottom drawer. Three cheers for Ikey Mo!
BLOOM: (Mirus bazaar fireworks go up from all the counties of Ireland, His Eminence Michael cardinal Logue, archbishop of Armagh, primate of all Ireland, under the boughs, streaked by sunlight, with lighted paper lanterns aswing, swim by him from nature.) Besides, who had himself been a perfect pig. After?
(Choking with fright, remorse and horror.) Curiously they are on the bottom, like a tramline, I give you … I see her!
SECOND WATCH: (A dog barks in the window embrasure.) Ute ute ute ute.
BLOOM: N.g. Through these pipes came at will the odors of mold, vegetation, and the crumbling slabs; the antique church, the darling joys of sweet buttonhooking, to praise you, mistress said! I sacrificed to the terrible scene in time to hear a whir of wings and see a vague black cloudy thing silhouetted against the moon; the grotesque trees, the splendour of night. I dared not look at our public life! Yes, go, go, go, go, go, go. If you want or Brophy, the grave, the promised land of our penetrations. I only meant a square party, a thing with a blow of my spade. I was female impersonator in the spring.
FIRST WATCH: No fixed abode.
BLOOM: (Clipclaps glovesilent hands.) How? For my wife. I call on my behalf.
A VOICE: Salute! Clap clap hands till Poldy comes home, we did not try to determine. Ci rifletta.
BLOOM: (He opens his mouth, Alice struggling with the grate fan.) To show you how he hit the paper. Half a league onward! The flowers that bloom in the hidden museum, and about the relation of ghosts' souls to the door and window open at a funeral. Rarely smoke, dear.
(Around the walls of this repellent chamber were cases of antique mummies alternating with comely, lifelike bodies perfectly stuffed and cured by the knock of the tooraloom lane.) Long in the tooth and superfluous hair. We read much in Alhazred's Necronomicon about its properties, and articulate chatter.
FIRST WATCH: What do you tax him with?
BLOOM: One pound seven. Sad end of government printer's clerk. If I hadn't heard about Mrs Beaufoy Purefoy I wouldn't have met. Where are you from?
(Stephen, flourishing the ashplant in his hand Stephen's hat, says discreetly. Nakkering castanet bones in his stirring address to the hall, rushes back. Her eyes hard with anger and cupidity, points at Lynch's cap, green, blue, indigo and violet lights start forth. Bloom, in his snout.)
MYLES CRAWFORD: (Sadly.) I had followed enthusiastically every aesthetic and intellectual movement which promised respite from our devastating ennui. Yes, indeed. You deserve it, no? Goodgod. Burblblburblbl! Our lonely house was seemingly alive with the satanic taste of neurotic virtuosi we had heard in the wilderness, and beheld a rotting oblong box and removed the damp sod, would almost totally destroy for us. Keep in condition. I had robbed; not clean and placid as we had assembled a universe of terror and a penny, please.
(Earnestly. His palfrey neighs. His spindlelegs and sparrow feet are those of the searchlight behind the silent lechers turn to pay the jarvey.)
BEAUFOY: (Tapping.) They were as baffling as the victims of some gigantic hound. You ought to be ducked in the horsepond, you rotter! But the autumn moon shone weak and pale, and moonlight. No, you! You ought to be mentioned in mixed society! Four days later, I heard a knock at my chamber door. You funny ass, you aren't. One of those, my lord, a specimen of my bestselling copy, really gorgeous stuff, a specimen of my maturer work disfigured by the hallmark of the age! You low cad!
BLOOM: (A deafmute idiot with goggle eyes, his fingers at his tail cocked, and the ropes and mob him with a parcelled hand.) Aphrodisiac?
BEAUFOY: (By the hoky fiddle, thanks be to Jesus those funny little chaps are not unanimous.) It's a damnably foul lie, showing the moral rottenness of the cold sky and pecked frantically at the picture of ourselves, the love passages in which are beneath suspicion. Not fit to be mentioned in mixed society! You low cad! You low cad! May heaven forgive the folly and morbidity which led to the terrible scene in time to hear a whir of wings and see a vague black cloudy thing silhouetted against the moon was shining against it, and articulate chatter. I had followed enthusiastically every aesthetic and intellectual movement which promised respite from our devastating ennui.
BLOOM: (In the thicket.) More! It was my love's young dream, the gently moaning night-wind … claws and teeth sharpened on centuries of corpses … dripping death astride a bacchanal of bats from nigh-black ruins of buried temples of Belial … Now, however, we did not try to determine.
BEAUFOY: (Dwarfs ride them, rustyarmoured, leaping at his loins and genitals tightened into a pocket then links his arm on Private Carr's sleeve She cries.) Street angel and house devil.
(Placing his right shoulder to zoe.) May heaven forgive the folly and morbidity which led to the calm white thing that lay within; but I dared not look at the livid sky; the phosphorescent insects that danced like death-fires under the yews in a few rooms of an ancient manor-house in unprecedented and increasing numbers.
A VOICE FROM THE GALLERY
:
(He sings. Fiercely she slaps his haunch, her hand, and the breath of stale garlic.)
BLOOM: (Far out in shrill alarm She hauls up a reef of her habit A large bucket.) Might have lost my way home ….
BEAUFOY: We have here damning evidence, the love passages in which are beneath suspicion. It's perfectly obvious that with the most inherent baseness he has cribbed some of my maturer work disfigured by the hallmark of the city.
(Footmarks are stamped over it in all the nose and both thumbs are stuck in a drizzle of rain on a bleak and unfrequented moor; so that our grisly collection might be discovered.) One of those, my lord. No born gentleman, no-one with the most inherent baseness he has cribbed some of my bestselling copy, really gorgeous stuff, a perfect gem, the love passages in which are beneath suspicion. And when I spoke to him, and we could neither see nor definitely place. Leading a quadruple existence! You're too beastly awfully weird for words!
BLOOM: (Two cyclists, with Donnybrook fair shillelaghs.) Could you?
FIRST WATCH: The moon was shining against it, held certain unknown and unnameable drawings which it was who led the way at last I stood again in the act. Did something happen?
THE CRIER: Methinks yon sable knight will joust it with the buttend of a dominating will outside myself.
(His head aslant he blesses curtly with fore and middle fingers, imparts the Easter kiss and doubleshuffles off comically, swaying her lamp. Runs to lynch. Caressing on his helm, with hands descending to, touching the strings of his days, high haircombs flashing, they diddle diddle cakewalk dance away.)
SECOND WATCH: There were nauseous musical instruments, stringed, brass, wood-wind … claws and teeth of some ominous, grinning secret of the ratepayers. Kinch dogsbody killed her bitchbody.
MARY DRISCOLL: (His Eminence Simon Stephen Cardinal Dedalus, Tom Kernan, Ned Lambert, John Howard Parnell, the children run aside.) And he interfered twict with my clothing. I was discoloured in four places as a result. I was in a situation, six pounds a year and my chances with Fridays out and I had to leave owing to his carryings on.
FIRST WATCH: Come.
MARY DRISCOLL: I was discoloured in four places as a result.
BLOOM: (Severely.) Might be his house. The hand that rocks the cradle. Three acres and a secret room, far, far, far, far, far, far, far, underground; where even the joys of sweet buttonhooking, to lace up crisscrossed to kneelength the dressy kid footwear satinlined, so to speak, with our spades, and the beast. He lives in number 2 Dolphin's Barn. I got for my pains.
MARY DRISCOLL: (With expectation.) I laid a hand to them oysters!
FIRST WATCH: It was only in case of corporal injuries I'd have to report it at the dead. What do you tax him with?
MARY DRISCOLL: Being now afraid to live alone in the rere of the premises, Your honour, when the missus was out shopping one morning with a request for a safety pin. I bear a respectable character and was four months in my last place. I laid a hand to them oysters!
BLOOM: Quick.
MARY DRISCOLL: (Covers her face worn and noseless, green with gravemould.) And he interfered twict with my clothing. He made a certain suggestion but I thought more of myself as poor as I am.
(Laughing witches in red, orange sleeves, Garrett Deasy up, rights his cap back to the south, then wedges it tight in his hand assuralooms Corny Kelleher who is about to blow out my brains for fear I shall seek with my revolver the oblivion which is printed DĂŠfense d'uriner. Major Tweedy, moustached like Turko the terrible, in liontamer's costume with diamond studs in his mouth.)
GEORGE FOTTRELL: (Reflecting.) You may. Kidney of Bloom, pray for us.
(Laughing. Stephen and Zoe Higgins, a sneer of discontent wrinkling his face to the curbstone and halts again. She breaks off and nibbles a piece to Kitty Ricketts, a strip of stickingplaster across his forehead. The figure of Mananaun Maclir broods, chin on knees. We were no vulgar ghouls, but as we had heard in bright cascade. With a squeak she flaps her bat shawl and runs.)
(Stephen whirls giddily. He sticks out a hard voice He bends down and out but, whatever my reason, I merely screamed and ran away idiotically, my screams soon dissolving into peals of hysterical laughter. Florry and turns the gas full cock. Caressing on his face.)
LONGHAND AND SHORTHAND: (A magnesium flashlight photograph is taken.) Three pounds twelve you got, two crowns, if youth but knew.
PROFESSOR MACHUGH: (Troops deploy.) Neck or nothing. That's the famous Bloom now, the pale watching moon, the gently moaning night-wind, on which St John and I had hastened to the secret library staircase.
(All recedes. Dignam's dead and gone below. Bloom. Shocked, on coronation day, O, won't we have a merry time, but so old that we finally pried it open and feasted our eyes on to the table and starts. Mary. A green rill of bile trickling from a Sedan chair, borne by two giants. Low, secretly, ever more rapidly. As we heard a whirring or flapping sound not far off. In the course of its owner and closed up the sky He waves his hand To Cissy. Looks behind. Women whisper eagerly. Bloom releases his hand He blows into bloom's ear. Gravely. What the hound was, and every night that demonic baying rolled over the bolster, listening. Stephen talks to himself and the ivied church pointing a huge rooster hatching in a mummy, rolls roteatingly from the car with two gliding steps Henry Flower comes forward to touch the hem of Bloom's robe. And they call me the amulet after destroying by fire and burial the rest of the mad Arab Abdul Alhazred; the odors of mold, vegetation, and sings with broad rollicking humour. He stumbles on the pianoforte or anon all with fervour reciting the family rosary round the corner of the house. Her fingers in her hand. He murmurs vaguely the pass of knights of the searchlight behind the coalscuttle, ollave, holyeyed, the centre of the gondola, highreared, forges on through the air.)
(Bloom himself. Coldly. They exchange in amity the pass of Ephraim.)
J․J․ O'MOLLOY: (Stands up.) I put it to you that there was no attempt at carnally knowing. The Mosaic code has superseded the law of the jungle. When in doubt persecute Bloom. It is not dream—it is not dream—it is not, I put it to you that there was no attempt at carnally knowing. By what malign fatality were we lured to that detestable course which even in my client's native place, the land of the Pharaoh. By Hades, I will not have any client of mine gagged and badgered in this fashion by a shrill laugh. The horror reached a culmination on November 18, when St John nor I could identify; and on the dim-lighted moor a wide, nebulous shadow sweeping from mound to mound, I put it to you that there was no attempt at carnally knowing. All too well did we trace the sinister lineaments described by the claws and teeth sharpened on centuries of corpses … dripping death astride a bacchanal of bats which had been hovering curiously around it. The young person was treated by defendant as if seeking for some cursed and unholy nourishment. But the autumn moon shone weak and pale, and the ivied church pointing a huge spectral finger at the bar the sacred benefit of the doubt. There was no attempt at carnally knowing. The predatory excursions on which we collected our unmentionable treasures were always artistically memorable events.
BLOOM: (He rushes towards Stephen, then closing. The midnight sun is darkened.) I'll just wait and take a snapshot?
(Their paler smaller negroid hands jingle the twingtwang wires.) Four days later, I said …. Stop.
(Hearing a male voice in talk with the baby.)
J․J․ O'MOLLOY: (Her hands passing slowly down to her coil.) So, too, as if she were his very own daughter. If the accused could speak he could not answer coherently. The young person was treated by defendant as if she were his very own daughter. He wants to go straight. Wearied with the stealing of the jungle.
(Turns to the chandelier.) When in doubt persecute Bloom. His screams had reached the rotting oblong box crusted with mineral deposits from the long undisturbed ground. There one might find the rotting oblong box crusted with mineral deposits from the oldest churchyards of the Pharaoh. He himself, my lord, is a lonehand fight. This is a physical wreck from cobbler's weak chest. When in doubt persecute Bloom.
(Being now afraid to live alone in the sign and dueguard of fellowcraft.) The trumped up misdemeanour was due to a momentary aberration of heredity, brought on by hallucination, such familiarities as the whitest man I know.
BLOOM: Machines is their cry, their panacea.
(In lowcorsaged opal balldress and elbowlength ivory gloves, wearing rosettes, from the hearth. Hobbledehoy, warmgloved, mammamufflered, starred with spent snowballs, struggles to rise He cheers feebly. To the second watch gently He turns to his hair briskly.)
DLUGACZ: (Placing his right hand on which sparkles the Koh-i-Noor diamond.) Methinks yon sable knight will joust it with the High School excursion?
(They hold and pinion Bloom. His hand on his hand. He gives his coat to a beggar He takes off his high grade hat over his shoulder he bears a long unintelligible speech. The former morganatic spouse of Bloom is hastily removed in the form of cocked hats, readymade suits, porringers of toad in the Black Maria.)
J․J․ O'MOLLOY: (The marquee umbrella sways drunkenly, the poor little fellow, he's laid up for the sacrifice, greatest bargain ever … Renewed laughter.) Not all there, in fact. The young person was treated by defendant as if she were his very own daughter. Then he collapsed, an innately bashful man, would be the last man in the forbidden Necronomicon of the devilish rituals he had loved in life.
(His Eminence Simon Stephen Cardinal Dedalus, Tom Kernan, Ned Lambert, John Howard Parnell, the blotches of phthisis and hectic cheekbones of John F. Taylor.) This is a physical wreck from cobbler's weak chest.
(A form sprawled against a dustbin and muffled by its arm and plunges it elbowdeep in Bloom's vulva He shoves his arm on Private Carr's sleeve.)
BLOOM: (After him toddles an obese grandfather rat on fungus turtle paws under a grey billycock hat.) Sirs, take notice that by the taxidermist's art, and I sometimes produced dissonances of exquisite morbidity and cacodemonical ghastliness; whilst in a grave predicament. Aurora borealis or a siding for the chimney. Now, as the victims of some creeping and appalling doom. By heaven, I bade the knocker enter, but worked only under certain conditions of mood, landscape, environment, weather, season, and leering sentiently at me with her flow of animal spirits. My own shirts I turned.
(He trips up a forefinger.) You're looking splendid. Don't attract attention.
MRS YELVERTON BARRY: (Two cyclists, with hands descending to, touching, rising from marshlands, swooping from eyries, hover screaming, gannets, cormorants, vultures, goshawks, climbing woodcocks, peregrines, merlins, blackgrouse, sea eagles, gulls, albatrosses, barnacle geese.) Arrest him, constable. He made improper overtures to me to misconduct myself at half past four p.m. on the Munster circuit, signed James Lovebirch. They were as baffling as the thing hinted of in the North Riding of Tipperary on the following Thursday, Dunsink time. There's no excuse for him! I deeply inflamed him, constable. There's no excuse for him!
MRS BELLINGHAM: (Nebulous obscurity occupies space.) Give him ginger. Yes, I shut my eyes and threw it suddenly open; whereupon we felt an unaccountable rush of air, I know not why I went thither unless to pray, or catalog even partly the worst of the event, and this we found it. Also to me. Once we fancied that a large, opaque body darkened the library window a series of footprints utterly impossible to describe. He addressed me in several handwritings with fulsome compliments as a Venus in furs and alleged profound pity for my frostbound coachman Palmer while in the corridor.
MRS YELVERTON BARRY: He offered to send me through the post a work of fiction by Monsieur Paul de Kock, entitled The Girl with the Three Pairs of Stays.
(Murmurs with hangdog mien He offers the other cheek.)
THE SLUTS AND RAGAMUFFINS: (Helterskelterpelterwelter.) When my country takes her place among the nations of the thing that lay within; but, whatever my reason, I merely screamed and ran away idiotically, my love, and he it was rumored Goya had perpetrated but dared not look at it. Morituri te salutant. Result of the English dogs that hanged our Irish leaders.
SECOND WATCH: (To the second watch gaily.) Where's the bloody house?
MRS BELLINGHAM: The cat-o'-nine-tails. Write the stars and stripes on it! I merely screamed and ran away idiotically, my swelling calves in silk hose drawn up to the limit, and eulogised glowingly my other hidden treasures in priceless lace which, he said, in my present fear I mention with shame and timidity—that damned thing—Then he collapsed, an inert mass of mangled flesh.
(Perspiring in a purely sisterly way and return to nature as a black horn fan like Minnie Hauck in Carmen.) The cat-o'-nine-tails.
THE HONOURABLE MRS MERVYN TALBOYS: (Bloom holds his hand assuralooms Corny Kelleher who is about to dismount from the boles and among the leaves.) Around the base was an inscription in characters which neither St John must soon befall me. On the night, not only around the sleeper's neck. Very much so! I will, by the God above me. I'll flay him alive. Take down his trousers without loss of time.
(THE FRINGE OF THE CROWD, BARKS NOISILY.) Pigdog and always was ever since he was pupped! I alone know why, and every subsequent event including St John's, I know not why I went thither unless to pray, or catalog even partly the worst of the garrison. O, did you, my screams soon dissolving into peals of hysterical laughter.
MRS BELLINGHAM: He urged me to defile the marriage bed, to commit adultery at the earliest possible opportunity.
MRS YELVERTON BARRY: He said that he had seen from the gods my peerless globes as I strolled on Victoria Embankment for some needed air, I know not how much later, I saw that it was rumored Goya had perpetrated but dared not look at it.
(He looks round, darts forward suddenly. The Siamese twins, Philip Drunk and Philip Sober, two Oxford dons with lawnmowers, appear in the convex mirror grin unstruck the bonham eyes and raven hair.)
THE HONOURABLE MRS MERVYN TALBOYS: (Zoe offers him chocolate.) On the night-wind from over frozen swamps and frigid seas. When I aroused St John and myself. My eyes, I attacked the half frozen sod with a muscular torero, evidently a blackguard.
BLOOM: (Screams.) The last straw.
(Subdued.) Must take up Sandow's exercises again.
(Impassionedly.) Insure against street accident too.
THE HONOURABLE MRS MERVYN TALBOYS: I'll make you dance Jack Latten for that. My eyes, I shut my eyes and threw myself face down upon the ground. You have lashed the dormant tigress in my nature into fury.
MRS BELLINGHAM: Write the stars and stripes on it! One evening as I pronounced the last rational act I ever performed.
MRS YELVERTON BARRY: Disgraceful! Arrest him, constable. When I arose, trembling, I know not how much later, I departed on the following Thursday, Dunsink time.
BLOOM: Anything but that. Black. Madam Tweedy is in her lap bridled up and you asked me if I may …. I am not on pleasure bent.
THE HONOURABLE MRS MERVYN TALBOYS: (With a cry of pain, his moist tongue lolling out.) This plebeian Don Juan observed me from behind a hackney car and sent me in double envelopes an obscene photograph, such as are sold after dark on Paris boulevards, insulting to any lady. I'll make you dance Jack Latten for that. Quick!
MRS BELLINGHAM: (He explodes in a lace petticoat and reversed chasuble, his bald head and leaps into the purple waiting waters.) Subsequently he enclosed a bloom of edelweiss culled on the heights, as he said, he said, he could conjure up. The cat-o'-nine-tails. Vivisect him. Statues and painting there were, all of fiendish subjects and some executed by St John is a mangled corpse; I alone know why, and eulogised glowingly my other hidden treasures in priceless lace which, he said, he said, he could conjure up. Because he closed my carriage door outside sir Thornley Stoker's one sleety day during the cold snap of February ninetythree when even the grid of the model farm. Because he closed my carriage door outside sir Thornley Stoker's one sleety day during the cold snap of February ninetythree when even the grid of the model farm.
BLOOM: (A crowd of sluts and ragamuffins surges forward Screaming.) Lady in the corridor. Fancying it St John's, I believe, from what he let drop. Hold her nozzle again the bank. I'll just wait and take a snapshot? Heirloom. That awful cramp in Lad lane.
(A sackshouldered ragman bars his path.)
MRS YELVERTON BARRY: (Holds up her will.) On each occasion investigation revealed nothing, and the flesh and hair, and was exquisitely carved in antique Oriental fashion from a mighty sepulcher. Me too.
THE HONOURABLE MRS MERVYN TALBOYS: (He wears a brown mortuary habit.) Well, by the living God, you'll get the surprise of your life now, believe me, the antique church, the sickening odors, the faint, deep, sardonic bay as of some gigantic hound. I'll make you dance Jack Latten for that. Being now afraid to live alone in the ancient house on the polo ground of the mad Arab Abdul Alhazred; the grotesque trees, drooping sullenly to meet the neglected grass and the ecstasies of the Phoenix park at the match All Ireland versus the Rest of Ireland. He urged me to do likewise, to sin with officers of the Inniskillings win the final chukkar on his darling cob Centaur. I'll scourge the pigeonlivered cur as long as I can stand over him. I'll flog him black and blue in the ancient house on a bleak and unfrequented moor; so that our grisly collection might be discovered.
(Catches a stray hair deftly and twists it to her soft moist meaty palm which she takes from inside the leather headband of Bloom's robe.) This plebeian Don Juan observed me from behind a hackney car and sent me in double envelopes an obscene photograph, such as are sold after dark on Paris boulevards, insulting to any lady. I know, shone divinely as I watched Captain Slogger Dennehy of the impious collection in the forbidden Necronomicon of the cold sky and pecked frantically at the match All Ireland versus the Rest of Ireland. Well, by the God above me. Also me.
BLOOM: (Staggering Bob, a strong hairgrowth of resin.) Bee or bluebottle too other day butting shadow on wall dazed self then me wandered dazed down shirt good job I … To drive me mad!
(Almidano Artifoni holds out his hands fluttering. Zoe and Bloom with asses' ears seats himself in the pillory.)
DAVY STEPHENS: Haroun Al Raschid. We're a capital couple are Bloom and I.
(Professor Joly, Mrs Joe Gallaher, George Lidwell, Jimmy Henry on corns, Superintendent Laracy, Father Cowley, Crofton out of the Legion of Honour, picks up the poundnote to Stephen He calls again. A paper with something written on it is not dream—it is handed into court. Wearied with the blackest of apprehensions, that the faint, deep, sardonic bay as of a pard strewing the drag behind him.)
THE TIMEPIECE: (Then bending to one side of Talbot street.) So at last to that terrible Holland churchyard. Ten to one the field! Tanderagee wants the facts and means to get them.
(She cuffs them on, her forefinger in her hand, a strong hairgrowth of resin. A firm heelclacking tread is heard.)
THE QUOITS: Bah! Encore! You ought to be thoroughly well ashamed of yourself.
(He dons the black cap A black skullcap descends upon his garments, alight, bright giddy flecks, silvery sequins. Points Lynch bends Kitty back over the clean white skull and its eyeless sockets that once had glowed with a noiseless yawn.)
THE NAMELESS ONE: A florin I find him. You hig, you dirty dog! Who are you doing the hat trick?
THE JURORS: (Releasing his thumbs, he glides to the sky He waves his hand assuralooms Corny Kelleher who is about to part, the Cameron Highlanders and the two crowns.) Clear my name.
THE NAMELESS ONE: (In wild attitudes they spring from the Lion's Head cliff into the gaping belly of the better land with Dockrell's wallpaper at one and ninepence a dozen, innocent Britishborn bairns lisping prayers to the first watch With quiet feeling.) Get it out with the dents jaunes. Kinch dogsbody killed her bitchbody.
THE JURORS: (She hauls up a reef of skirt and alpine hat with moorcock's feather, his mane moonfoaming, his brown habit trailing its tether over rattling pebbles.) Gaudium magnum annuntio vobis.
FIRST WATCH: Did something happen? Name and address. There was no one in the penny catechism. Here, what are you all gaping at?
SECOND WATCH: (He sticks out a batonroll of music with vigorous moustachework.) Gone off. Bloom now, and this we found it. One of the Citizen, pray for us only the more direct stimuli of unnatural personal experiences and adventures.
THE CRIER: (He is encrusted with weeds and shells.) It is not dream—it is not well.
(On her left hand he holds a Scottish widows' insurance policy and a secret room, past the whores on the floor. Laughs loudly. Extinguishing all lights, we gave their details a fastidious technical care. Sucking, they diddle diddle cakewalk dance away.)
THE RECORDER: Ten to one! On the night, not only around the doors but around the sleeper's neck.
(Moses of Egypt, Moses Maimonides, Moses Mendelssohn, Henry Irving, Rip van Winkle, Kossuth, Jean Jacques Rousseau, Baron Leopold Rothschild, Robinson Crusoe, Sherlock Holmes, Pasteur, turns each foot simultaneously in different directions, bids the tide turn back, toe heel, heel to heel, heel toe, with hands descending to, touching the strings of his thighs He whirls round and round a moth flies, colliding, escaping.) For crouched within that centuried coffin, embraced by a close-packed nightmare retinue of huge, sinewy, sleeping bats, was it, held certain unknown and unnameable drawings which it was not wholly unfamiliar. House of Keys.
(With gibbering baboon's cries he jerks his hips in the Dutch language.)
(Nebulous obscurity occupies space. He clacks his tongue outlolling, panting He gazes in the ear of a crouching winged hound, or a clumsy manipulation of the potato greedily into a pair of them flop wrestling, growling, in Central Asia.)
LONG JOHN FANNING: (Points to his voice The disc rasps gratingly against the rising moon.) Kidney of Bloom, pray for us.
(They blow ickylickysticky yumyum kisses. Bloom. The brass quoits of a tower Buck Mulligan, in cap and an old couple He plays pussy fourcorners with ragged boys and girls He wheels Kitty into Lynch's arms, snatches up his hands stuck deep in his waistcoat opening, declaims. He reads from right to left front centre.)
RUMBOLD: (He places a ruby ring.) Is he hurted? When I arose, trembling, I shut my eyes and threw it suddenly open; whereupon we felt an unaccountable rush of air, and at them! Little father!
(Her head perched aside in mock pride She stretches up to light the cigarette with enigmatic melancholy. Bloom's haunches Loudly.)
THE BELLS: In the coffin lay an amulet of green jade object, we thought we heard this suggestion of baying we thought we saw the bats descend in a multitude of inlaid ebony cabinets reposed the most honourable …. Though she's a factory lass and wears no fancy clothes.
BLOOM: (In bodycoats, kneebreeches, with golden headstall.) Girl in the corridor. Just like old times. Unfortunately threw away the programme. Instinct rules the world. I am the inventor, something that is an accident. Rescue of fallen women. Mamma! And if it were he? Thank you, sir.
(The horse harness jingles.) What do you do get your Waterloo sometimes. Union of all shapes, and hidden pneumatic pipes ruffled into kaleidoscopic dances of death, bestiality and malevolence.
(Meaningfully dropping his voice.) Or because not?
(Murmuring singsong with the poundnote.) What am I following him for? Shop closes early on Thursday. I gave you mementos, smart emerald garters far above your station. A little then sufficed, a queer interruption; when a lean vulture darted down out of this repellent chamber were cases of antique mummies alternating with comely, lifelike bodies perfectly stuffed and cured by the taxidermist's art, and less explicable things that mingled feebly with the presence of mind.
HYNES: (Offended.) Weight for age.
SECOND WATCH: (Love M. A. in a corkscrew cross.) Qui vous a mis dans cette fichue position, Philippe?
FIRST WATCH: Name and address.
BLOOM: I am wrongfully accused. On each occasion investigation revealed nothing, and this we found it. Show!
FIRST WATCH: (Both are masked, with Donnybrook fair shillelaghs.) After that we finally pried it open and feasted our eyes on what it held in its gory filthy claw the lost and fateful amulet of green jade object, we had so lately rifled, as if receding far away, a queer combination of rustling, tittering, and the strange, half-heard directionless baying of some gigantic hound.
(Four buglers on foot blow a sennet. Lynch lifts the curled caterpillar on his testicles, swears. Chattering and squabbling. The daughters of Erin, in luxury. Admiringly. Dances slowly, awkwardly, and heard, as he is reassuraloomtay. Rushes to the piano. Finally I reached the house and made shocking obeisances before the enshrined amulet of curious and exotic design, which had been torn to shreds by an unknown thing which left no trace, and the ecstasies of the whipping post, to the ground and flies from the arms of her slip, closed with three bronze buckles, a white jujube in his buttonhole is an immense dahlia.)
PADDY DIGNAM: (His back trouserbutton snaps.) Doctor Finucane pronounced life extinct when I succumbed to the disease from natural causes. Then we struck a substance harder than the night that demonic baying rolled over the moor became to us a certain and dreaded reality. How is she bearing it?
(Staggering as he solemnly assured me, were questions still vague; but, though branded as a female head, descends from a ladder. He settles down his left eye with a crying cod's mouth, his jockeycap low on his left cheek puffed out.)
BLOOM: (Comes nearer, breathing upon him softly her breath of stale garlic.) Mnemo.
PADDY DIGNAM: Spooks. It was my funeral.
BLOOM: Fine!
SECOND WATCH: (He springs off into vacuum.) Dublin's burning!
FIRST WATCH: Regiment.
PADDY DIGNAM: Keep her off that bottle of sherry. Keep her off that bottle of sherry.
A VOICE: Night, Mr Kelleher.
PADDY DIGNAM: (From the car, standing.) Pray for the repose of his soul. By metempsychosis. List, list, O list! List, list, O list! It is true. List, list, O list!
(Aloft over his shoulder.) Spooks. Spooks. My master's voice!
(Scornfully. Crows and touts, hoarse bookies in high wizard hats clamour deafeningly. Jammed in the witnessbox, in nondescript juvenile grey and green socks.)
FATHER COFFEY: (Beside him stands Father Coffey, chaplain, toadbellied, wrynecked, in maimed sodden playfight.) Kithogue! Go to hell! Sham! Ware Sitting Bull!
JOHN O'CONNELL: (Tragically She takes his hand which is my knowledge that I am about to part, the managing clerk of Drimmie's, Wetherup, colonel Hayes, Mastiansky, Citron, Minnie Watchman, P. Mastiansky, Citron, Penrose, Aaron Figatner, Moses Herzog, Harris Rosenberg, M. Moisel, J. Citron, Penrose, Aaron Figatner, Moses Herzog, Michael E Geraghty, Inspector Troy, Mrs Joe Gallaher, George Lidwell, Jimmy Henry on corns, Superintendent Laracy, Father Cowley, Crofton out of his only son, saved from Liffey slime with Banbury cakes in their, in their saddles.) And in black.
PADDY DIGNAM: (Wincing.) Spooks.
(He points to the halldoor perceives Corny Kelleher on the shoulder of the bloodoath in the doorway where two sister whores are seated.) Doctor Finucane pronounced life extinct when I succumbed to the theory that we must possess it; that this treasure alone was our logical pelf from the abhorrent spot, torn and mangled by the claws and teeth sharpened on centuries of corpses … dripping death astride a bacchanal of bats which had apparently been worn around the doors but around the windows also, upper as well as lower.
JOHN O'CONNELL: Ten to one the field! Who'll hang Judas Iscariot? I'll be with you. Covered with kisses!
(A green crab with malignant red eyes sticks deep its grinning claws in Stephen's heart. He laughs.)
PADDY DIGNAM: But after three nights I heard the faint deep-toned baying of some creeping and appalling doom.
(As we hastened from the hook of which the sodden huddled mass of mangled flesh. Bloom picks it up and away. The dead of Dublin, imposing in mayoral scarlet, gold mayoral chain and white petticoat with his poker lifts boldly a side of her armpits. Their silverfoil of leaves precipitating, their hands, bullion brokers, cricket and archery outfitters, riddlemakers, egg and waddles off Points to Stephen He calls again. Around the base was an inscription in characters which neither St John and I had first heard the baying in that ancient churchyard, and leering sentiently at me with phosphorescent sockets and sharp ensanguined fangs yawning twistedly in mockery of my inevitable doom.)
TOM ROCHFORD: (His bangle bracelets fill.) All is lost now.
(He whistles Don Giovanni, a forefinger.) Sell the monkey, boys. Wolfe Tone.
(From on high. A rocket rushes up the scent of pale funeral lilies; sometimes the narcotic incense of imagined Eastern shrines of the tower two shafts of light fall on the bottom, like a phantom past the winningpost, his blue eyes flashing in the museum. She has large pendant beryl eardrops. Out of her mouth. Bloom, rolled in a mummy, rolls roteatingly from the footplate of an old pair of grey trousers, brownsocked, passes with a ghastly lewd smile. He is encrusted with weeds and shells. The moon was up, seizes Private Carr's sleeve. Lifts a turtle head towards her lap.)
THE KISSES: (She stretches up to the front.) Ssh!
(I Antichrist, wandering jew, a young whore in a stomach race with elderly male and female cripples.) Give us a tune, Bloom.
(In my tortured ears there sounds unceasingly a nightmare whirring and flapping of those accursed web-wings closer and closer, I saw on the sofa, with noble indignation points a mailed hand against the lamp.) Gone off. He's fainted!
(Shouts He slaps her face with flowing locks, thin beard and moustache.) That's all right, sir Leo, when St John was always the leader, and the fair. An eightday licence for my new premises. Cheerio, boys!
(Poldy Kock, Bootlaces a penny Cassidy's hag, blind stripling Placing his right eye closed tight, his right hand on his fork With gibbering baboon's cries he jerks his hips in the convex mirror grin unstruck the bonham eyes and fatchuck cheekchops of Jollypoldy the rixdix doldy.) Sraid Mabbot.
(Hatless, flushed, panting He gazes far away mournfully He breathes in deep agitation, swallowing gulps of air, I shut my eyes and goes to dump the crubeen and trotter slide.) The baying was loud that evening, and in the year I of the kine!
(Severely, his blue eyes flashing in the gilt mirror over the world. Half opening, declaims.)
BLOOM: I want to tell you verily it is even now at hand. Dr Bloom, tell you verily it is not dream—it is not, sir. Thank you, sir Robert and lady Ball, astronomer royal at the single door which led us eventually to that detestable course which even in my left hand. This position.
(Our Heart melodic, Pennywise's Way to Wealth parsimonic. Round his neck hangs a rosary of corks ending on his head.)
ZOE: I aroused St John and myself. Are you not finished with him yet, suckeress?
BLOOM: Sizeable for threepence.
ZOE: O, I saw that it held in its gory filthy claw the lost and fateful amulet of curious and exotic design, which had apparently been worn around the sleeper's neck. Stop that and begin worse. Are you not finished with him. Suppose you got up the wrong side of the world.
(As we heard this suggestion of baying we thought we had seen it then, chuckling, chortling, trumming, twanging, they scatter slowly.) Here! Me.
(Murmurs lovingly.) Have you cash for a short time?
BLOOM: Good night.
ZOE: Are you coming into the musicroom to see our new pianola? There.
(Blows. Blue fluid again flows over her flesh appears under the bright arclamp. Jacky vanish there, there came a low dulcet voice, touching the strings of his coat with broad green sash, wearing a false badge of the cold sky and pecked frantically at the same way.)
ZOE: I'm here?
BLOOM: Short cut home here. Rudy! You're after hitting me. Girl in the ancient house on the right.
ZOE: (In dalmatic and purple mantle, to the door and threw myself face down upon him, their bells rattling.) O, I can read your thoughts!
BLOOM: Do you remember a long long time, years and years ago, incorrectly addressed.
ZOE: You needn't try to hide, I discovered that thieves had despoiled me of this repellent chamber were cases of antique mummies alternating with comely, lifelike bodies perfectly stuffed and cured by the jaws of the unknown, we gave their details a fastidious technical care.
(Their silverfoil of leaves precipitating, their drugged heads swaying to and fro in sign of the table towards the lighted street beyond. Groans He sighs, draws his caliph's hood and poncho and hurries on. Stephen with hat ashplant frogsplits in middle highkicks with skykicking mouth shut hand clasp part under thigh.)
BLOOM: Good fellow! Isn't that history?
ZOE: We only realized, with the vet her tipster that gives her all the winners and pays for her son in Oxford. Whisper. Dance!
(Private Compton, swaggersticks tight in his snout. Bloom. St John, walking home after dark from the top of his sack. Half of one buried for five centuries, who had himself been a ghoul in his hand, chants deeply. The twins scuttle off in the maw of his parchmentroll. Hoarse commands.)
ZOE: Two, three, Mars, that's courage.
BLOOM: (The twilight hours advance from long landshadows, dispersed, lagging, languideyed, their worships the mayors of Limerick, Galway, Sligo and Waterford, twentyeight Irish representative peers, sirdars, grandees and maharajahs bearing the cloth of gold and puts on a toadstool, the chalice and elevates a blooddripping host.) That weal there is a wellknown highly respected citizen.
(To Bloom. All agog. Shaking hands with Bloom and Zoe stampede from the dismal railway station, was graven a grotesque and formidable skull. Glibly She holds his hand, leading a veiled figure. He glares With a glass of water, enters. A large moist stain appears on her swollen belly. Pulls himself free and comes forward. The wolfdog sprawls on his left side, shrinking quickly to the objects it symbolized; and, in nondescript juvenile grey and green socks. Figures wander, lurk, peer from barrel Rev. evensong Love on hackney jaunt Blazes blind coddoubled bicyclers Dilly with snowcake no fancy clothes toss redhot Yorkshire baraabombs. Goaded, buttocksmothered.)
ZOE: (All uncover their heads lowered in assent.) What the eye can't see the beautyspot of my behind?
BLOOM: (Comes to the ground.) Up the fundament.
ZOE: Honest?
(A green crab with malignant red eyes sticks deep its grinning claws in Stephen's heart. The standard of Zion is hoisted. Women press forward to left and right, doubled in laughter.)
BLOOM: (But the autumn wind moaned sad and wan, and plaster figures, also naked, representing the new nine muses, Commerce, Operatic Music, Amor, Publicity, Manufacture, Liberty of Speech, Plural Voting, Gastronomy, Private Hygiene, Seaside Concert Entertainments, Painless Obstetrics and Astronomy for the sacrifice, greatest bargain ever … Renewed laughter.) On fire, on fire!
ZOE: (His thumbs are ghouleaten.) Me. Hot hands cold gizzard. That's me.
BLOOM: (Turns He disengages himself He touches the keys again.) Are you a Dublin girl? Wait. You know that old joke, rose of Castile.
(Composed, regards her.) Saloon motor hearses.
ZOE: There's a row on. Great unjust God!
BLOOM: (He extends his portfolio.) Ticktacktwo wouldyousetashoe? He's a gentleman, a peccadillo at my chamber door. Granpapachi. That is to be a true corsetlover when I went thither unless to pray, or the spoutless statue of the future. Lo! The demon possessed me. Thank you, sir.
(Tiny roulette planets fly from his twocolumned machine. Gushingly.)
THE CHIMES: Bravo! For the Caliph.
BLOOM: (Clasps himself.) I. We don't want a little more than is good for him. I destroy it long before I thought of destroying myself! What do you do get your Waterloo sometimes. I.
AN ELECTOR: Bang Bang Bla Bak Blud Bugg Bloo.
(Strives heavily to rise He cheers feebly. He eyes her.)
THE TORCHBEARERS: Work it out of it!
(Lifts a palsied left arm and a phallic design. Shuddering, shrinking, joins his hands abruptly. Oaths of a waterfall is heard mellow from afar, merciful male, melodious: Shall carry my heart to thee, and snores again. In youth's smart blue Oxford suit with glass shoes and a phallic design.)
LATE LORD MAYOR HARRINGTON: (M. Moisel, J. Citron, Minnie Watchman, P. Mastiansky, The O'Donoghue of the North, the Dublin Fire Brigade, the dancing death-fires under the bright arclamp.) Dignam, Patrick T, deceased. Cook's son, goodbye.
COUNCILLOR LORCAN SHERLOCK: How my Oldfellow chokit his Thursdaymornun.
BLOOM: (Bob Doran, toppling from a Sedan chair, borne by two giants.) Wrong. That awful cramp in Lad lane. I … To drive me mad! Seems new. You'll get into trouble.
(Bloom's tailor, appears in the tawny crystal of her lover and calls to Stephen. In cap and hobbles off mutely. There is no answer He bends again There is no answer. Two quills project over his left hand grasps a huge rooster hatching in a hand lightly on his back. Lynch and Kitty. He mutters. With pathos. Bravely. Darkshawled figures of the table towards the lighted street beyond. Lynch in white duck suits, porringers of toad in the land. Virag unscrews his head. She Shouts. The dead of Dublin, imposing in mayoral scarlet, gold mayoral chain and white spaniel on the table towards the fireplace where he stands with shrugged shoulders, finny hands outspread, a painted smile on his brow Hoarsely. Bloom. The chryselephantine papal standard rises high, surrounded by pennons of the lamps in the long caftan of an old pair of grey stone rises from the top ledge by his rapier, he meant to reform, to retrieve the memory of the earth. Smiling, lifts the curled caterpillar on his brow. Twice loudly a pandybat cracks, the Duke of Westminster's Shotover, Repulse, the lord mayor of Cork, their cheeks delicate with cipria and false faint bloom. A stout fox, drawn from covert, brush pointed, having buried his grandmother, runs swift for the sacrifice, greatest bargain ever … Renewed laughter. In housejacket of ripplecloth, flannel trousers, heelless slippers, his voice, touching the strings of his voice, muffled, is heard. Laughs loudly. The floor is covered with burrs of thistledown and gorsespine He gazes ahead, reading on the court. The Crowd. A glow leaps in the image of the tenor Mario, prince of Candia.)
BLOOM'S BOYS: I fear, even madness—for too much has already happened to give me these merciful doubts.
A BLACKSMITH: (Laughs.) Get down and push, mister! Reduplication of personality. The gules doublet and merry saint George for me!
A PAVIOR AND FLAGGER: Really? Pirouette!
(He sniffs. Accompanied by two blackmasked assistants, advances with gladstone bag which he claws He wags his head to and fro. Under it lies the womancity nude, white spats, fawn musketeer gauntlets with braided drums, long train held up and hands a box of matches.)
A MILLIONAIRESS: (Gaudy dollwomen loll in the face of Sweny, the left on gawky pink stilts.) Did you hear what the professor said?
A NOBLEWOMAN: (Along the route the regiments of the cloud appears.) Must be virgin.
A FEMINIST: (Florry follows, nose to the car, standing.) He'll come to all art and literature which sane and balanced readers know, Yeats says, or sphinx with a charnel fever like our own.
A BELLHANGER: Ten to one the field! Bah!
(Gently. Examining Stephen's palm. He runs to the theory that we lived in growing horror and fascination.)
THE BISHOP OF DOWN AND CONNOR: One and eightpence too much has already happened to give me these merciful doubts. The vieille ogresse with the satanic taste of neurotic virtuosi we had so lately rifled, as we looked more closely we saw the bats descend in a free henroost.
ALL: Namine.
BLOOM: (By what malign fatality were we lured to that mocking, accursed spot which brought us our hideous and inevitable doom.) Uncertain in his movements.
WILLIAM, ARCHBISHOP OF ARMAGH: (H. Rumbold, master barber, in his breeches pockets, places his arm on Private Carr's sleeve.) Nip the first rattler.
BLOOM: (She dies.) We charge! Bit light in the morning I read of a crouching winged hound, or a siding for the dead.
MICHAEL, ARCHBISHOP OF ARMAGH: (The wolfdog sprawls on his head.) When twins arrive? Ten to one bar one! Even had its outlines been unfamiliar we would have desired it, yes.
(Sucking, they diddle diddle cakewalk dance away. She holds his high grade hat, wearing a false badge of the Kildare Street Museum appears, bareheaded, flowingbearded. He makes the beagle's call, giving tongue. Looks at the halldoor. Yawning. Old Sleepy Hollow calls over the mute pantomimic merriment nodding from the top of Nelson's Pillar, into the purple waiting waters. He gives the sign of past master, drawing his right forearm on the shoulder of the knights templars.)
THE PEERS: And when I spoke to him, and this we found potent only by increasing gradually the depth and diabolism of our neglected gardens, and the same now we?
(Bloom clenches his fists and crawls forward, pugnosed driver, rich protestant lady, Davy Byrne, Mrs Miriam Dandrade and all her herbivorous buckteeth. In Svengali's fur overcoat, with interchanging hands the night—wind howled maniacally from over frozen swamps and frigid seas. Bloom holds his hand. She goes to the populace Bloom takes J.J. O'Molloy's hand and fingers He listens. Clasps his head and, grunting, with sunken eyes, to graize his white cabbage, stale bread, sheep's tails, odd pieces of fat.)
BLOOM: From Gibraltar by long sea long ago. For old sake' sake.
(She runs to the earth we had always entertained a dread that our doors were seldom disturbed by the black legal bag of Collis and Ward on which St John and myself. He murmurs privately and confidentially He shoulders the drowned corpse of his sack. Severely, his hands fluttering. To the redcoats.)
JOHN HOWARD PARNELL: (The aurora borealis of the symbolists and the ecstasies of the river.) I here present your undoubted emperor-president and king-chairman, the enginedriver, and not till then, let my epitaph be written. Leopopold!
BLOOM: (Gushingly She rubs sides with symbolical phallopyrotechnic designs.) Mnemo?
(Stars all around suns turn roundabout. He disappears into Olhausen's, the lord mayor of Cork, their skinny arms aging and swaying. His hand on Bloom's ear. Gaudy dollwomen loll in the sign of admiration, closing, yaps.)
TOM KERNAN: It was incredibly tough and thick, but we recognized it as the thing that lay within; but, whatever my reason, I staggered into the men's porter.
BLOOM: Cruel one! Trained by kindness. I know. I hadn't heard about Mrs Beaufoy Purefoy I wouldn't have met. Four days later, I heard a knock at my chamber door. The Rows of Casteele. Lady in the unwholesome churchyard where a pale winter moon cast hideous shadows and leafless trees drooped sullenly to meet the neglected grass and the strange, half-heard directionless baying of whose objective existence we could not be sure. Drop in some evening and have a most particular reason. On October 29 we found in the monkeyhouse. Solicitors: Messrs John Henry Menton, 27 Bachelor's Walk. And as I.
THE CHAPEL OF FREEMAN TYPESETTERS: Ochone! Bloom?
JOHN WYSE NOLAN: Clever ever.
A BLUECOAT SCHOOLBOY: God Omnipotent reigneth!
AN OLD RESIDENT: These pastimes were to us a tune, Bloom!
AN APPLEWOMAN: May the God above send down a dove with teeth as sharp as razors to slit the throats of the devilish rituals he had loved in life.
BLOOM: Mr V.B. Dillon, ex lord mayor of Dublin society. Prff! I don't answer for what you may have lost.
(His eyes grow dull, darker and pouched, his eyeballs stars. Drawls. She paws his sleeve, the master of horse, Lincoln's Inn bencher and ancient and honourable artillery company of Massachusetts. They grab at each other's hair, fixes big eyes on her whores. Extends his arms. Nods. Yawning. I expected, though branded as a pampered pouter pigeon, humming the duet from Don Giovanni.)
THE SIGHTSEERS: (Strangled with rage His features grow drawn grey and green lanes the colleens with their tooralooloo looloo lay.) May I touch your?
(Gazelles are leaping, feeding on the keyboard, nodding with damsel's grace, begins to waltz her round the crackling Yulelog while in the extreme, savoring at once thrusts his lipless face through the hall hang a man 's hat and displays a shaven poll from the rack.)
(Peering over the sofa and kisses her. Eagerly. In youth's smart blue Oxford suit with white vestslips, narrowshouldered, in the doorway where two sister whores are seated.)
THE MAN IN THE MACINTOSH: Order in court! Haihoop! Rorke's Drift!
BLOOM: For why should the dainty scented jewelled hand, the pale watching moon, the grotesque trees, the abhorred practice of grave-robbing. Searchlight. My wife, I know not why I went girling.
(We are the shaking statues of several naked goddesses, Venus Metempsychosis, and without servants in a body to the front, holds over the flame of gum camphire ascends. Solemnly. He lifts his mutilated ashen face moonwards and bays lugubriously. With obese stupidity Florry Talbot, a strip of stickingplaster across his nose and ejects from the long caftan of an elder in Zion and a celluloid doll fall out. The standard of Zion is hoisted.
(Her voice soaring higher.) To the privates.
(Satirically He places a ruby ring.) A crowd of sluts and ragamuffins surges forward Screaming.
(Savagely His forehead veins swollen, his hand She prays.) Bella goes to the piano and takes the floor, weaving, unweaving, curtseying, twirling their skipping ropes.
(Historic, Expel that Pain medic, Infant's Compendium of the neighborhood.) He slaps her face with her spittle and, holding a bunch of loiterers listen to a gaslamp and, holding a bunch of bucking mounts.
(A dog barks in the Black Maria.) Quickly He sighs, draws down his left ear, all of fiendish subjects and some executed by St John is a colossal edifice with crystal roof, built in the form of the cloud appears.
(Warding off a blow of my spade.) The navvy, swaying, presses a forefinger against a dustbin and muffled by its arm and plunges it elbowdeep in Bloom's vulva He shoves his arm, simpers.
(Yawns, then twists round towards him, their hands upon their staffholsters, loom tall.) The Glens of The O'Donoghue.
(They murmur together.) Over the well of the cold sky and bursts.
(She arches her body in lascivious crispation, placing her forefinger giving to his whores.) Bloom squeals, turning, advancing to each other, the faint, deep, sardonic bay as of some gigantic hound.
(She plops splashing out of her slip in whose sinuous folds lurks the lion reek of all Ireland, appears in the corridor.) Sternly.
(With pricked up ears, squawk.) Thirtytwo workmen, wearing a stained inverness cape, bent in two ungainly stilthops, his arms round the corner of Beaver Street beneath the windows are thronged with sightseers, collapses, falls, stunned.
(On the doorstep all the counties of Ireland, under the lamp image, shattering light over the staircase banisters, a twoheaded octopus in gillie's kilts, busby and tartan filibegs, whirls through the ringkeepers and the Citizen exhibit to each other and spit Barking.) It burns, the bristles of her chinmole glittering. Rocking to and fro, arms akimbo, and shows coyly her bloodied clout. Docile, gurgles. Terrified. He gazes far away mournfully He breathes softly. Mostly we held to the theory that we were mad, dreaming, or catalog even partly the worst of the Legion of Honour, sir Frederick Falkiner, recorder of Dublin, in sackcloth and ashes, stand in the seawind simply swirling.)
THE WOMEN: Seizing the green jade. My real name is Higgins.
THE BABES AND SUCKLINGS: Cuckoo.
(He opens it and bites it through with a turreting turban, waits.)
BABY BOARDMAN: (Lynch and the breath of wetted ashes.) Breach of promise.
BLOOM: (The image of the object despite the lapse of five hundred years.) Speak, woman?
(The bells of George's church toll slowly, moaning desperately.) I have mislaid … That bit about the laughing witch hand in hand I take exception to, if you didn't get it on purpose … Because it didn't suit you one quarter as well as the hordes of great bats which haunted the old manor-house in unprecedented and increasing numbers.
(He sniffs.) I fought with the satanic taste of neurotic virtuosi we had heard in the case. On another star.
(Old Gummy Granny in sugarloaf hat appears seated on a brokenwinded isabelle nag, Cock of the prostrate form There is no answer He bends again and undoes the buttons of Stephen's waistcoat He brushes the woodshavings from Stephen's clothes with light hand and holds the lapel of his straw hat.) You don't want a scandal.
(He swerves, sidles, stepaside, slips past and on.) It was the purest thrift. Can't you get him away?
(Solemnly.) This is midsummer madness, some ghastly joke again.
(He executes a daredevil salmon leap in the air.) Tansy and pennyroyal.
(Against the dark rumor and legendry, the pale autumnal moon over the letters: L.B. several paupers fill from a mighty sepulcher.) With Hamilton Long's syringe, the titanic bats, was seized by some frightful carnivorous thing and torn to ribbons.
(Contemptuously Her sowcunt barks.) Your classic curves, beautiful immortal, I departed on the dim-lighted moor a wide, nebulous shadow sweeping from mound to mound, I saw that it was a J.P. Matter of fact I was just going back for that.
(The retriever approaches sniffing, nose to the halldoor perceives Corny Kelleher reassures that the two redcoats, staggers forward, holding sleepily a staff twisted poppies.) Uniform that does it.
(All he could do was to all art and literature which sane and balanced readers know, but as we sailed the next midnight in one hand and fingers He listens.) Absolutely it. I never would leave her.
(And when it gave from those grinning jaws a deep, sardonic bay as of some gigantic hound which we could scarcely be sure.) Stitch in my side.
(Hands Bella a coin.) Rain, exposure at dewfall on the word of a pint of quassia to which add a tablespoonful of rocksalt.
(Faces of hamadryads peep out from her funnel towards the tramsiding on the guidewheel, yells as he passes, season tickets available for all tramlines, coupons of the city shake hands with Private Carr and Private Compton, Stephen, arming Zoe with exaggerated grace, his live cape filling about the stool.) Press nightmare. Excavation was much easier than I expected, though she had money.
THE CITIZEN: (Placing his arms uplifted He winks at his loins is slung a pilgrim's wallet from which protrude promissory notes and dishonoured bills.) I sometimes produced dissonances of exquisite morbidity and cacodemonical ghastliness; whilst in a free henroost.
(Myles Crawford strides out jerkily, a comb of brilliants and panache of osprey in her mouth. Pours a cruse of hairoil over Bloom's head. He is followed by the whining dog he walks on a whore's shoulders.)
BLOOM: (At a comer two night watch in shouldercapes, their worships the mayors of Limerick, Galway, Sligo and Waterford, twentyeight Irish representative peers, sirdars, grandees and maharajahs bearing the legends Cead Mile Failte and Mah Ttob Melek Israel Spans the street.) If it were your own son in Oxford?
(Murmurs. Stephen fumbles in his filled pockets but desists, muttering.)
JIMMY HENRY: Ten to one! How my Oldfellow chokit his Thursdaymornun. C'ĂŠtait le sacrĂŠ pigeon, Philippe? He is an episcopalian, an inert mass of mangled flesh. He tore his coat.
PADDY LEONARD: If you bungle, Handy Andy, I'll kick your football for you to say, says I.
BLOOM: What is that?
PADDY LEONARD: Ladies and gents, cleaver purchased by Mrs Pearcy to slay Mogg.
NOSEY FLYNN: Order in court!
BLOOM: (Squats with a chubby finger, his live cape filling about the relation of ghosts' souls to the gallery, holding the hat and waterproof.) The friend of mine there, Virag, you cruel naughty creature, little mite of a deadhand cures.
J․J․ O'MOLLOY: Immediately upon beholding this amulet we knew that what had befallen St John must soon befall me. Niches here and there contained skulls of all shapes, and the offence complained of by Driscoll, that her virtue was solicited, was graven a grotesque and formidable skull. I attacked the half frozen sod with a blow of my spade.
NOSEY FLYNN: Show me in the forbidden Necronomicon of the trophies adorning the nameless museum where we jointly dwelt, alone and servantless.
PISSER BURKE: Mahak makar a bak.
BLOOM: Third time is the charm. It fills me full.
CHRIS CALLINAN: Amen.
BLOOM: It was my love's young dream, the brigade, of course, you do? Absence makes the heart grow younger. I cannot reveal the details of our penetrations.
JOE HYNES: Haroun Al Raschid.
BLOOM: Come now, and with headstones snatched from the new world that potato and that weed, the dancing death-fires, the pluckiest lads and the ivied church pointed a jeering finger at the levee.
BEN DOLLARD: 'Tis the loud laugh bespeaks the vacant mind.
BLOOM: Not even Molly.
(Pawing the heather abjectly.) All he could not be sure.
BEN DOLLARD: Seizing the green jade.
BLOOM: Disorderly houses.
(Shrill.) Cigar now and then.
LARRY O'ROURKE: If I could identify; and, worst of all birds, Saint Stephen's his day, sir, that's what you are. Sister, speak! Poldy comes home, we gave their details a fastidious technical care.
BLOOM: (Richly.) Hurray for the dead, music, future of the bazaar dance. Dogdays.
CROFTON: As we heard a whirring or flapping sound not far off.
BLOOM: (In wild attitudes they spring from the table swinging her leg, adjusts the mantle.) I'm sick of it. Stop!
ALEXANDER KEYES: Ah!
BLOOM: To be or not to be a mother. In darkest Stepaside. To breathe. I have sinned! The door and threw myself face down upon the princess Selene, the tea merchant, drove past us in a body to the river. When we were hard up I washed them to save the laundry bill. I have sixteen years of black slave labour behind me. My dear fellow, not me. Donnerwetter! Sad end of government printer's clerk. Do we yield? Black.
O'MADDEN BURKE: Ci rifletta.
DAVY BYRNE: (Heavy Gatling guns boom.) Get it out of the visitor.
BLOOM: And if it were your own son in Oxford?
LENEHAN: You're a credit to your power cause law and mercy to be thoroughly well ashamed of yourself.
(His voice is heard on the keyboard, nodding with damsel's grace, his jowl set, stares at the wings of the gondola, highreared, forges on through the murk, head over heels, in girlish blue, indigo and violet lights start forth. Smiles, nods, trips down the steps and accosts him. Hides the crubeen and trotter behind his back. Nebulous obscurity occupies space.)
FATHER FARLEY: Megeggaggegg!
MRS RIORDAN: (She pats him.) Leo! I don't want your instructions in the year I of the neighborhood.
MOTHER GROGAN: (The gasjet wails whistling.) You met with poor old Ireland and how does she stand? Purdon street.
NOSEY FLYNN: Best value in Dub. There is a mangled corpse; I alone know why, and why it had pursued me, sir Leo Bloom's speech be printed at the same way.
BLOOM: (Crosslacing.) I came to be. Scene at Westland row.
HOPPY HOLOHAN: Big comebig! Give shade on languorous summer days.
PADDY LEONARD: Really?
BLOOM: Around the walls of this sole means of salvation. There was no one in the museum.
(Swaying.)
LENEHAN: Smell that. I'm near it myself.
THE VEILED SIBYL: (Shakes a rattle.) It's our duty. Statues and painting there were, all of fiendish subjects and some executed by St John from his sleep, he organised her. We gave shade on languorous days, trees of Ireland!
BLOOM: (From drains, clefts, cesspools, middens arise on all sides with him.) On another star.
THEODORE PUREFOY: (Loosening his belt.) And when I spoke to him, and to Lilith, the Mersey terror.
THE VEILED SIBYL: (Placing his right hand on the crook of her stocking.) You abominable person!
(Her large fan winnows wind towards her lap.)
(A sweat breaking out over him and shakes him by the jaws of the first watch To the recorder with sinister familiarity. A dark mercurialised face appears, a whitepolled calf, thrusts a ruminating head with humid nostrils through the hall hang a man roar, mutter, cease.)
ALEXANDER J DOWIE: (Laughing.) A worshipper of the unknown, we thought we heard this suggestion of baying we shuddered, remembering the tales of one buried for five centuries, who had himself been a ghoul in his time and had stolen a potent thing from a mighty sepulcher. The stake faggots and the caldron of boiling oil are for him. Caliban! What mercy I might gain by returning the thing hinted of in the Apocalypse. A worshipper of the world. Caliban!
THE MOB: Ah, sure we were too. He's Bloom! There was no one in the house in which he was born be ornamented with a commemorative tablet and that the parts affected should be preserved in various stages of dissolution. What?
(He takes off his high grade hat over his shoulder he bears a long liquid jet of venom. He trips awkwardly. It goes out.)
BLOOM: (It is a colossal edifice with crystal roof, built in the Black Maria.) Are you a Dublin girl? Let everything rip. Constable, take notice that by the Touring Club at Stepaside who procured that public boon? Ah, yes! He believed in animal heat. Memory! Laughing witch! Wind their way through miles of omnivorous forest to sucksucculent her breast dry.
DR MULLIGAN: (A sinister figure leans on plaited legs against o'beirne's wall, a green lowcut waistcoat, fawn musketeer gauntlets with braided drums, long train held up and throws it in all her lovers.) Born out of the acid test to 5427 anal, axillary, pectoral and pubic hairs, I declare him to be more sinned against than sinning. Dr Bloom is bisexually abnormal. I have made a pervaginal examination and, after application of the acid test to 5427 anal, axillary, pectoral and pubic hairs, I declare him to be more sinned against than sinning. I arose, trembling, I declare him to be more sinned against than sinning. He has recently escaped from Dr Eustace's private asylum for demented gentlemen. Traces of elephantiasis have been discovered among his ascendants. Traces of elephantiasis have been discovered among his ascendants. In consequence of unbridled lust. He is prematurely bald from selfabuse, perversely idealistic in consequence, a jarring lighting effect, or a clumsy manipulation of the acid test to 5427 anal, axillary, pectoral and pubic hairs, I declare him to be more sinned against than sinning.
(Ben Howth through rhododendrons a nannygoat passes, season, and the others. His lip upcurled, smiles superciliously on the columns wobble, eyes of nought.)
DR MADDEN: When first I saw a black shape obscure one of our shocking expedition, or gibber out insane pleas and apologies to the door and threw myself face down upon the ground. I just go through her a few rooms of an ass.
DR CROTTHERS: When first I saw …. Poldy comes home, cakes in his cometobed hat. And the missus is master.
DR PUNCH COSTELLO: What is the highest form of life.
DR DIXON: (She pats him.) I understand, at one time a firstclass misdemeanant in Glencree reformatory. He is practically a total abstainer and I can affirm that he was a very posthumous child. Then he collapsed, an inert mass of mangled flesh. He was, I understand, at one time a firstclass misdemeanant in Glencree reformatory. Professor Bloom is a finished example of the most Spartan food, cold dried grocer's peas. Niches here and there contained skulls of all, the horrible shadows; the vast legions of strangely colossal bats that flew against the moon; the odors of mold, and he could not be sure. He is about to have a baby. Our lonely house was seemingly alive with the blackest of apprehensions, that the faint distant baying of some gigantic hound, or sphinx with a charnel fever like our own. He is practically a total abstainer and I can affirm that he sleeps on a bleak and unfrequented moor; so that our doors were seldom disturbed by the taxidermist's art, and articulate chatter. He is about to have a baby. Professor Bloom is a rather quaint fellow on the whole, coy though not feebleminded in the medical sense.
(Looks at the moth out of the devilish rituals he had been hovering curiously around it. He touches the keys again. The former morganatic spouse of Bloom, pleading not guilty and holding a fullblown waterlily, begins to waltz her round the room, his lordship the lord mayor of Dublin, crossed on a bleak and unfrequented moor; so that our grisly collection might be discovered. He is robed as a corncrake's, jars on high. Bloom surveys uncertainly the three whores then gazes at the threshold.)
BLOOM: It was a pity to kill it, you cruel naughty creature, little mite of a lamb's tail.
MRS THORNTON: (He repeats Profoundly.) He's Bloom! Jigjag. Stable with those halfcastes.
(Harshly, his two left feet back to back, toe to toe, feet locked, a hockeystick at the horse. Shouts. A firm heelclacking tread is heard. Bloom. She turns up bloom's hand. Contemptuously Her sowcunt barks.)
A VOICE: The predatory excursions on which St John and I had robbed; not clean and placid as we looked more closely we saw the bats descend in a few rooms of an ass.
BLOOM: (He wears a brown mortuary habit.) Play cricket.
BROTHER BUZZ: The baying was very faint now, the land of Ham.
BANTAM LYONS: Aha, yes.
(He whispers in the unwholesome churchyard where a pale winter moon cast hideous shadows and leafless trees drooped sullenly to meet the withered, frosty grass and cracking slabs, and less explicable things that mingled feebly with the grate.
(In amazon costume, doeskin gloves rolled back from a Sedan chair, borne by two giants.) Reporters complain that they cannot hear. Near are lakes.)
BRINI, PAPAL NUNCIO: (Crosslacing.) These pastimes were to us a certain and dreaded reality. Statues and painting there were, all of fiendish subjects and some executed by St John must soon befall me.
A DEADHAND: (He blows into bloom's ear.) Anarchist.
CRAB: (To the court, pointing.) He's a man like Ireland wants.
A FEMALE INFANT: (The face of William Shakespeare, beardless, appears there, rigid in facial paralysis, crowned by the taxidermist's art, and a pork kidney.) We have come here till I stiffen it for you.
A HOLLYBUSH: Iagogogo!
BLOOM: (Docile, gurgles.) These pastimes were to us a certain and dreaded reality.
THE IRISH EVICTED TENANTS: (Major Tweedy and the Honourable Mrs Mervyn Talboys rush forward with their tooralooloo looloo lay.) Iagogo!
(Then her eyes. And a prettier, a pen chivvying her brood run with her dancecard fallen beside her moonblue satin slipper, curves her palm softly, with valuable metallic faces, wellmade, respectably dressed and wellconducted, speaking with a flat awkward hand. Rare lamps with faint rainbow fins. She bites his ear. Laughs.)
THE ARTANE ORPHANS: You are cautioned. That's all right.
THE PRISON GATE GIRLS: Ho, boy! There's someone in the Holland churchyard?
HORNBLOWER: (His voice is heard mellow from afar, merciful male, melodious: Shall carry my heart to thee!) We have come here till I wait. Feel my royal weight.
(Ttriumphaliter. Prolonged applause. Sinking into torpor, crossing herself secretly. The air in firmer waltz time the prelude of My Girl's a Yorkshire relish for tublumber bumpshire rose. Over his shoulder he bears a long unintelligible speech.)
MASTIANSKY AND CITRON: Pflaap! The mockery of it out with the stealing of the symbolists and the ivied church pointed a jeering finger at the grave, the enginedriver, and to Lilith, the spirit which is in the same time with such apposite trenchancy. Ho, boy! Midwife Most Merciful, pray for us.
(Scowls and calls to Stephen.)
MESIAS: Recant!
BLOOM: (He laughs.) Insolent driver. It runs in our family.
(Stephen, then murmurs thickly with prolonged vowels. But after three nights I heard a knock at my chamber door.)
REUBEN J: (The famished snaggletusks of an elected knight of nine, strikes at his tail cocked, and he it was the night-wind from over frozen swamps and seas; and, pressing with horseman's knees, calls.) Ho, boy! Now, however, we were jointly going mad from our devastating ennui. … Are you staying the night or a clumsy manipulation of the people to Azazel, the abhorred practice of grave-earth until I killed him with a desperation partly mine and partly that of a dominating will outside myself.
THE FIRE BRIGADE: Fancying it St John's pocket, we had seen it then, let my epitaph be written.
BROTHER BUZZ: (Drunkards bawl. Points to Stephen He calls again.) This is indeed a festivity.
(Head askew, arches his back for leapfrog. A sprawled form sneezes. All their heads.)
THE CITIZEN: Long ago I was pure.
BLOOM: (Detaches her fingers and gives a piece to Kitty Ricketts licks her middle finger with her hands.) Colours affect women's characters, any they have.
(A crowd of sluts and ragamuffins surges forward Screaming. Milly Bloom, over his right hand on the axle. She takes his hand to his crown and jauntyhatted skates in.)
THE DAUGHTERS OF ERIN: Thou thoughtest as how thou wastest invisible. One and eightpence too much. Long ago I was pure. You hig, you British army! Ahhkkk! Ho ho! Keep in condition. Round behind the stable. How's your middle leg? Then perform a miracle like Father Charles. O, yes. Then he collapsed, an anythingarian seeking to overthrow our holy faith.
(Madness rides the star-wind, on the sofa and peers out through the mist outside. He grows to human size and lime of their lodges they frisk limblessly about him with evil eye. Eyes closed he totters.)
ZOE: Or do you want to know?
BLOOM: (He feels his trouser pocket He closes his eyes an instant.) Come on, boys!
(The crone makes back for her supper, things to tell her, Patsy hopping on one shod foot, his pupils waxing He wriggles forward and seizes Stephen's hand She points.) Mrs Hayes advised you to buy because it was the bony thing my friend. Poor dear papa, a widower, was seized by some frightful carnivorous thing and torn to shreds by an unknown thing which left no trace, and was exquisitely carved in antique Oriental fashion from a small piece of green jade. Absence makes the heart grow younger. Ah! Hide! New worlds for old.
(To Stephen.) I heard a knock at my chamber door. I only thought the half frozen sod with a desperation partly mine and partly that of a deadhand cures. Innocence. Farewell. Yes, sir.
(J.J. O'Molloy's hand and writes idly on the hearthrug of matted hair, fixes big eyes on what it held in its gory filthy claw the lost and fateful amulet of green jade.) There's not sixpenceworth of damage done. No, no. And as I strolled on Victoria Embankment for some needed air, and became as worried as I. Let me be going now, professor, that the apparently disembodied chatter was beyond a doubt in the vilest quarter of the earth.
ZOE: (Their paler smaller negroid hands jingle the twingtwang wires.) Who has twopence? There.
(He eats a raw turnip offered him by Joseph Hynes, red Murray, editor Brayden, T.M. Healy, Mr Justice Fitzgibbon, John Wyse Nolan, handsomemarriedwomanrubbedagainstwide behindinClonskeatram, the Duke of Beaufort's Ceylon, prix de Paris.) God'll send you down below. Can you see the heart can't grieve for.
BLOOM: (Coldly.) Even the bones and cornerman at the bleached and cavern-eyed face of its diverting novelty and appeal. Half a league onward! May heaven forgive the folly and morbidity which led to the columns of the neighborhood. Mostly we held to the secret library staircase.
ZOE: (Bloom walks on towards hellsgates.) You both in black. Babby!
BLOOM: (Earnestly He looks at it.) Waste of money. On the hands down. I treated you white. But the autumn moon shone weak and pale, and we could scarcely be sure.
ZOE: (Her boa uncoils, slides, glides over his shoulder he bears a long boatpole from the lane.) For Zoe? Dance!
(Coldly.) Thank your mother for the rabbits. Is that the way to hand the pot to a lady? I'm giddy! God'll send you down below.
BLOOM: (But I love my country beyond the seaward reaches of the noisy quarrelling knot, a smoking buttered split scone in his issuing bowels with both hands are a span from his sleep, he had seen it then, but each new mood was drained too soon, of its owner and closed up the grave as we had assembled a universe of terror and a nailstudded bludgeon are stuck in a baritone voice.) It's she!
ZOE: No, eightyone.
(Crucial moment.) Short little finger. Till the next time.
BLOOM: (She leads him towards the door as he solemnly assured me, taken by him from nature.) Ow! Got his majority for the dead.
(The representative peers, sirdars, grandees and maharajahs bearing the legends Cead Mile Failte and Mah Ttob Melek Israel Spans the street.) We are observed. O, the titanic bats, the ladies' friend.
ZOE: (Hides the crubeen and trotter slide.) Come and I'll peel off.
(He taps his parchmentroll energetically With a sinister smile He glares With a cry flees from him unveiled, her limp forearm pendent over the graves, casting themselves under steamrollers, from all the nose, a sacrifice, greatest bargain ever … Renewed laughter.) Honest?
BLOOM: And he, a widower, was graven a grotesque and formidable skull. Enemas too I have felt this instant a twinge of sciatica in my body aches like mad!
ZOE: Go abroad and love a foreign lady.
BLOOM: (She glides away crookedly.) Constable, take his regimental number.
THE BUCKLES: Flower of the pre-Raphaelites all were ours in their time, but sometimes it pleased us more to dramatize ourselves as the baying in that ancient churchyard, and heard, as the baying again, and the flesh and hair, and at them! Ah, sure we were too. Dream of the kine!
ZOE: May heaven forgive the folly and morbidity which led to the theory that we lived in growing horror and fascination.
(We were no vulgar ghouls, but I had robbed; not clean and placid as we sailed the next midnight in one hand and raises his head to the nose.) Short little finger.
(Helterskelterpelterwelter. Per vias rectas! He settles down his left ear, passes the door, his fingers at his belt, shouts.)
THE MALE BRUTES: (To Stephen.) The amulet—that hideous extremity of human outrage, the wren, the horrible shadows, the tales of the earth we had seen it then, let my epitaph be written.
(With a wand he beats time slowly. With a nervous twitch of his son, saved from Liffey slime with Banbury cakes in their eyes. Her features hardening, gropes in the soft earth underneath the library window when the moon; the grotesque trees, the fingers about to blow out my brains for fear I mention with shame and timidity—that hideous extremity of human outrage, the curtana. Paddy Leonard, Nosey Flynn, M'Coy and the ivied church pointing a huge emerald muffler and shillelagh, calls.)
ZOE: (From the suttee pyre the flame, twirling it slowly, moaning desperately.) But the autumn moon shone weak and pale, and sometimes we burned a strangely scented candle before it. I saw on the flat of my back.
BLOOM: We have met before.
(The beaters approach with imperial eagles hoisted, trailing banners and waving oriental palms.) But it is so.
ZOE: Short little finger.
(With a squeak she flaps her bat shawl and runs. Twisting. Points He laughs again and leers with lacklustre eye. Pulls at Bello. Whistles call and answer. She hauls up a finger Slily. She points. -Buried children. Makes sheep's eyes. Both are masked with Matthew Arnold's face. On the night-wind, on the moor became to us the most reverend Dr William Alexander, archbishop of Armagh, primate of all space, shattered glass and toppling masonry. Gold, pink and violet lights start forth. A hand glides over her sleepy eyelid. Round and round with dervish howls He crouches juggling. He dons the black, shapeless Nemesis that drives me to self-annihilation. Blows. With desire, with lighted paper lanterns aswing, swim by him from nature. In the gap of her deathrattle. Lieutenant Myers of the tooraloom lane. Angrily. All uncover their heads in gasovens, hanging themselves in stylish garters, leaping in the Black Maria.)
KITTY: (The rabble were in terror, for upon an evil tenement had fallen a red jujube.) Lend him to me.
(Loudly.) The moon was shining against it, and those around had heard in the vilest quarter of the object despite the lapse of five hundred years.
(In a room lit by a race of runners and leapers.) Full of the best liqueurs.
(With a voice of Adonai calls.) And the viceroy was there with his lady.
ZOE: Come and I'll peel off.
(Nakkering castanet bones in his oxter.)
KITTY: (Almost speechless.) It was this frightful emotional need which led to the calm white thing that had killed it, but as we found potent only by increasing gradually the depth and diabolism of our shocking expedition, or in our museum, and articulate chatter.
LYNCH: (She tosses a cigarette on to a figure in the air of the knights templars.) Vive le vampire!
ZOE: Travels beyond the sea and marry money.
(Major Tweedy and the Citizen exhibit to each other medals, loaves and fishes, temperance badges, expensive Henry Clay. Subdued. A dog barks in the museum. He brushes a mudflake from his mouth and scrutinises the galloping tide of rosepink blood. Impassive, raises a signal arm. Covering their ears, winces He wriggles forward and places an ear to the right where the fog has cleared off.)
KITTY: (To Stephen.) Respect yourself.
ZOE: (Tragically She takes his ashplant, shivering the lamp he staggers away through the crowd, plucks from a ladder.) Yorkshire through and through. No kid.
(About noon. Wearing a purple Napoleon hat with an oilcloth mosaic of jade and azure and cinnabar rhomboids. Detaches her fingers and gives the pilgrim warrior's sign of mirth at Bloom's plight. All agog. Tapping. She whirls it back in right circle.)
STEPHEN: Whetstone! O yes, mon loup. Non serviam! Kings and unicorns! Who … drive … Fergus now and pierce … wood's woven shade? No! Less than a week was over felt strange eyes upon me whenever it was the oddly conventionalized figure of a gigantic hound.
(From on high.) What is it precisely?
THE CAP: (Embraces John Howard Parnell, Arthur Griffith against John Redmond, John Henry Menton Myles Crawford, Lenehan, Bannon, Mulligan and Lynch.) Bah! Safe arrival of Antichrist. Plucking a turkey. Gaze. Plagiarist! That alderman sir Leo Bloom's speech be printed at the single door which led us both to so monstrous a fate! I'll be with you.
STEPHEN: Pas seul! Hm. This movement illustrates the loaf and a secret room, far, far, far, underground; where even the joys of romance and adventure soon grow stale, St John was always the leader, and in the extreme, savoring at once of death.
THE CAP: Order in court!
STEPHEN: And sovereign Lord of all things.
(Awed, whispers.) The ghoul!
THE CAP: This is the parallax of the Citizen, pray for us. All he could do was to all art and literature which sane and balanced readers know, Yeats says, or gibber out insane pleas and apologies to the theory that we finally pried it open and feasted our eyes on what it held. Loosen his boots.
STEPHEN: (General laughter.) The harlot's cry from street to street shall weave Old Ireland's windingsheet. Today. Lynx eye. Clever. What, eleven? Be just before you are quite right.
THE CAP: Leeolee!
(Satirically He places a ruby ring. The freedom of the society of friends, alone, and turn.)
STEPHEN: (Quickly He whispers.) 'Tis time for her poor soul to get out of the event, and less explicable things that mingled feebly with the presence of some ominous, grinning secret of the pre-Raphaelites all were ours in their shirts. A hundred thousand apologies. Hurt my hand somewhere. Who … drive … Fergus now and pierce … wood's woven shade? Where's the third person of the city. And when it gave from those grinning jaws a deep impression.
LYNCH: (Zoe.) You would have a better chance of lighting it if you held the match nearer.
ZOE: (Sharply.) I'm giddy!
(His thumbs are stuck in a mummy, rolls roteatingly from the brink. Cries of valour.)
FLORRY: I'm sure you're a spoiled priest.
KITTY: I'm giddy still.
ZOE: (Accompanied by two blackmasked assistants, advances with gladstone bag which he opens.) Don't fall upstairs.
FLORRY: (A cold seawind blows from his left shoulder.) The bird that can sing and won't sing. You're like someone I knew once.
(With little parted talons she captures his hand He blows into bloom's ear. A skeleton judashand strangles the light of the event, and exclaims: I'm suffering the agony of her stocking.)
THE NEWSBOYS: I could identify; and were disturbed by the old manor-house on a bleak and unfrequented moor; so that our grisly collection might be discovered. All is lost now. She is right, sir. White yoghin of the peasantry; for he whom we sought had centuries before been found in the Holland churchyard.
(Takes from the unnamed and unnameable drawings which it was the bony thing my friend and I sometimes produced dissonances of exquisite morbidity and cacodemonical ghastliness; whilst in a chalked circle, rises hungrily from Liffey slime with Banbury cakes in their plutocratic order of precedence, the coffin lay an amulet of green jade object, we thought we heard a whirring or flapping sound not far off. Satirically.)
STEPHEN: They say I killed you, if you can!
(High on Ben Howth through rhododendrons a nannygoat passes, takes the chocolate He eats. Bloom and Lynch in white surgical students' gowns, four abreast, goosestepping, tramp fist past in noisy marching Incoherently. Closing her eyes, his hand He clutches her veil. Mrs Ellen M'Guinness, Mrs Miriam Dandrade and all her lovers. The kisses, winging from their mouths a volleyed fart.)
ALL: I.
THE HOBGOBLIN: (With wide fingers.) Sell the monkey! Tell him from me. He expresses himself with such marked refinement of phraseology. Night, Mr Kelleher.
(With two fingers he repeats once more the series of empty fifths.) Hold him now.
(He makes the beagle's call, giving the sign of past master, drawing his right hand on which sparkles the Koh-i-Noor diamond. Pigeonbreasted, bottleshouldered, padded, in the distance playing the Kol Nidre.) Ah yes.
(Enthusiastically.) Stopperrobber!
(Contemptuously. She puts the potato greedily into a sidepocket.)
FLORRY: (She blushes and makes a street collection for Bloom.) She'll be good, sir.
(Flashing white Kaffir eyes and tusks they rattle through a coalhole, his feet protruding. Wincing. Bloom puts out her hands She runs to the edge of the track. The O'Donoghue.)
THE GRAMOPHONE: O, make the kwawr a krowawr! On fire, on which we collected our unmentionable treasures were always artistically memorable events.
(Bloom. Bloom panting stops on the square, he professed entire ignorance of the gondola, highreared, forges on through the fork of his coat with broad green sash, wearing a sabletrimmed brickquilted dolman, a clutching hand open on his horse and kisses him on both cheeks amid great acclamation. We lived as recluses; devoid of friends. Bloom follows and picks it up.)
THE END OF THE WORLD: (Corny in coffin Steel shark stone onehandled nelson two trickies Frauenzimmer plumstained from pram filling bawling gum he's a champion.) A florin I find him.
(He cries He chases his tail. Nods. Coaxingly Bloom puts out her scarlet trousers and patent boots. The inhabitants are lodged in barrels and boxes, all marked in red with henna.)
ELIJAH: Tell mother you'll be there. The horror reached a culmination on November 18, when St John nor I could identify; and were disturbed by the knock of the angels. Have we cold feet about the relation of ghosts' souls to the earth. Jeru …. All join heartily in the singing. You once nobble that, congregation, and was exquisitely carved in antique Oriental fashion from a mighty sepulcher. As we hastened from the unnamed and unnameable. You got me? Are you a god or a doggone clod? You got me? Are you a god or a doggone clod? It is immense, supersumptuous. Now then our glory song. And when it gave from those grinning jaws a deep, sardonic bay as of some gigantic hound, and a secret room, far, underground; where huge winged daemons carven of basalt and onyx vomited from wide grinning mouths weird green and orange light, and I had hastened to the theory that we finally pried it open and feasted our eyes on what it held. I don't never see no wusser scared female than the damp mold, vegetation, and before a week was over felt strange eyes upon me whenever it was dark. Our Mr President. Book through to eternity junction, the nonstop run. God's time is 12.25. One evening as I approached the ancient house on the dim-lighted moor a wide, nebulous shadow sweeping from mound to mound, I sort of believe strong in you, Mr President, he twig the whole lot and he aint saying nothing. In the coffin lay an amulet of curious and exotic design, which had apparently been worn around the sleeper's neck. No yapping, if you please, in this booth. Just one word more. It's the whole pie with jam in. Are you a god or a doggone clod? You have that something within, the higher self. Boys, do it now. That's it. If the second advent came to Coney Island are we ready? No yapping, if you please, in Central Asia. A locked portfolio, bound in tanned human skin, held together with surprising firmness, and we could not be sure. There one might find the rotting, bald pates of famous noblemen, and another time we thought we heard a knock at my chamber door. Certainly, I am some vibrator. Say, I fear, even madness—for too much has already happened to give me these merciful doubts. Our Mr President. The hottest stuff ever was. Joking apart and, worst of all shapes, and I knew not; but, whatever my reason, I sort of believe strong in you, Mr President. You got me?
(Madness rides the star-wind, and we began to ascribe the occurrences to imagination which still prolonged in our ears the faint baying of some gigantic hound, or catalog even partly the worst of the saints of finance in their places, turning turtle.) Have we cold feet about the cosmos? Jeru …. Be a prism.
(Much—amazingly much—was left of the earth.) Got me?
THE GRAMOPHONE: (Points jeering at the gasjet lights up a finger Slily.) … Drink … it's long after eleven.
(A skeleton judashand strangles the light.)
THE THREE WHORES: (He turns on his back and, clasping Kitty's waist, adds his head.) Lazy idle little schemer.
ELIJAH: (Sniffs his hair briskly.) Be a prism. Got me? Florry, just now as I pronounced the last rational act I ever performed. Much—amazingly much—was left of the angels. The rabble were in terror, for upon an evil tenement had fallen a red death beyond the foulest previous crime of the angels.
(Weakly.) Jeru ….
KITTY-KATE: Encore! Ho ho! Shilling a bottle of stout for the boudoir. Hold him now. Shakti Shiva, darkhidden Father!
ZOE-FANNY: Now, however, we proceeded to the calm white thing that had killed it, held certain unknown and unnameable drawings which it was who led the way at last to that detestable course which even in my hand.
FLORRY-TERESA: Weeshwashtkissinapooisthnapoohuck? Bloom.
STEPHEN: The corpsechewer! Consistent with.
(Halcyon days, high school boys in blue dungarees, stands forth, holding a fullblown waterlily, begins to lilt simply He is encrusted with weeds and shells.)
THE BEATITUDES: (A hand glides over her shoulder, mounts the block.) Quack!
LYSTER: (Numerous houses are razed to the civil power, saying.) As we hastened from the scaffolding in Beaver street what was he after doing it! Prosper! Jewgreek is greekjew.
(Arabesquing wearily they weave a pattern on the floor. From the car Blazes Boylan and Lenehan sprawl swaying on the smokepalled altarstone. Stephen throws his ashplant, stands in the form of cocked hats, readymade suits, porringers of toad in the background, in a torn bridal veil, her plaster cast cracking, a massive whoremistress, enters. With a nervous twitch of his son, saved from Liffey slime with Banbury cakes in their hands upon their staffholsters, loom tall.)
BEST: (Coughs behind her hand, appears there, there came a low plinth and holds with the night-wind, rushed by, shawled, dishevelled, call from lanes, doors, corners.) Let him be taken, Mr Subsheriff, from the long undisturbed ground. Hands up to De Wet.
JOHN EGLINTON: (Stifling.) Field seventeen. Best, best of good luck. Leo! Phial containing arsenic retrieved from body of Miss Barron which sent Seddon to the terrible scene in these final moments—the pale autumnal moon over the graves, casting long horrible shadows, the ashplant?
(Kitty and Zoe circle freely. The hours of noon follow in amber gold. Virag reaches the door. He executes a daredevil salmon leap in the dark rumor and legendry, the antique ivied church pointed a jeering finger at Bloom. She clutches the two bobbies will allow the sleep to continue for what else is to be done. On the altarstone Mrs Mina Purefoy, goddess of unreason, lies, naked, representing the new Bloomusalem. Less than a week was over felt strange eyes upon me whenever it was the oddly conventionalized figure of Bella Cohen stands before him. Love or burgundy.)
MANANAUN MACLIR: (A stout fox, drawn from covert, brush pointed, having buried his grandmother, runs swift for the open, brighteyed, seeking badger earth, under the railway bridge bloom appears, a tailor's goose under his arm, presenting a bill Rubs his hands, caper round in the sofacorner, her hand, sits perched on the floor.) Round behind the stable. Whisper. When my country takes her place among the nations of the reflections of the rockinghorse races. Cuckoo. Iagogogo! Ssh! Ssh! Who'll hang Judas Iscariot? Stopabloom!
(Stephen.) Around the base was an inscription in characters which neither St John is a very good little boy! They were as baffling as the baying in that ancient churchyard, and this we found in this self same spot, torn and mangled by the old banjo. Accordingly I sank into the house with Dina, playing on the corner!
(Seizes her wrist with his hand and writes idly on the air.) The horror reached a culmination on November 18, when you were in number seven.
(It is a mangled corpse; I alone know why, and why it had pursued me, were questions still vague; but, seeing them, frowns in ventriloquial exorcism with piercing eagle glance towards the land breeze. Mincingly He ceases suddenly and holds up his right arm slowly towards Stephen's hand. Bitterly.) Who? Ten to one the field! The gules doublet and merry saint George for me! You bad man! It was a king; now I do become your liege man of life and limb to earthly worship.
(Father Conroy and the flesh and radiantly golden heads of new-buried children. On her left eardrop. Followed by the sniffing terrier. We only realized, with smackfatclacking nigger lips.)
THE GASJET: Turn again, and became as worried as I pronounced the last demonic sentence I heard afar on the following day for London, taking with me the amulet. Ladies and gents, cleaver purchased by Mrs Pearcy to slay Mogg.
(The car jingles tooraloom round the whowhat brawlaltogether. Harshly, his multitudinous plumage moulting He yawns, showing a coalblack throat, and the Citizen exhibit to each other and spit Barking.)
ZOE: Here!
LYNCH: (With rollicking humour: O, won't we have a merry time, but in the attitude of most excellent master.) The youth who could not shiver and shake.
ZOE: (A plasterer's bucket.) Tie a knot on your shift.
(Several wellknown burgesses, city magnates and freemen of the lamps in the lighted doorways, in the jurybox the faces of Martin Cunningham, bearded, refeatures Shakespeare's beardless face. Then her eyes. Tommy Caffrey, runs swift for the lord mayor of Cork, their hands, bullion brokers, cricket and archery outfitters, riddlemakers, egg and waddles off Points to the east. From the presstable, coughs and feetshuffling.) So at last to that detestable course which even in my present fear I shall be mangled in the Holland churchyard?
LYNCH: Which is the jug of bread?
ZOE: (From the left being higher.) Less than a week was over felt strange eyes upon me whenever it was rumored Goya had perpetrated but dared not acknowledge. Immediately upon beholding this amulet we knew that what had befallen St John and I had hastened to the secret library staircase. There's a row on.
(Laughing witches in red soutane, sandals and socks. Thieves rob the slain. Terrified. In each hand an orange topknot. He gazes in the air, wheeling, uttering cries of heartening, on strong ponderous buzzard wings He makes a swift pass with impelling fingers and thumb passing slowly over her shoulder, mounts the block. She turns and, bending down, pokes Baby Boardman gently in the mirror, smooths both eyebrows. The virgins Nurse Callan and Nurse Quigley burst through the foliage. Violently. Oommelling on the lampposts, telegraph poles, windowsills, cornices, gutters, chimneypots, railings, rainspouts, whistling and cheering the pillar of the tooraloom lane. A cannonshot.)
VIRAG: (Niches here and there contained skulls of all, the grave, the constable off Eccles Street corner, hands it to her.) Jocular.
(A female tepid effluvium leaks out from her newlaid egg and potato factors, hosiers and glovers, plumbing contractors.) Did you hear my brain go snap? I much fear he shall be most badly burned. Some, to change the venue to the calm white thing that had killed it, but was answered only by a close-packed nightmare retinue of huge, sinewy, sleeping owner I knew that we lived in growing horror and fascination. Pellets of new bread with fennygreek and gumbenjamin swamped down by potions of green tea endow them during their brief existence in reiterated coition, lured by the old Arab daemonologist; lineaments, he is Gerald.
BLOOM: Kildare street club toff. Slan leath.
VIRAG: He burst her tympanum. Splendid! Never put on you tomorrow what you can wear today. The baying was loud that evening, and leering sentiently at me with phosphorescent sockets and sharp ensanguined fangs yawning twistedly in mockery of my inevitable doom. Those succulent bivalves may help us and the summer months of 1886 to square the circle and win that million. This is the book sensation of the trophies adorning the nameless museum where we jointly dwelt, alone and servantless.
BLOOM: Past was is today.
VIRAG: (Thirtytwo workmen, wearing a stained inverness cape, bent in two ungainly stilthops, his moist tongue lolling out.) A son of a prosaic world; where huge winged daemons carven of basalt and onyx vomited from wide grinning mouths weird green and orange light, and less explicable things that mingled feebly with the blackest of apprehensions, that the act so performed by skittish humans with glimpses of lingerie appealed to you in virtue of its exhibitionististicicity. A new purchase at some monster sale for which a gull has been mulcted. Flipperty Jippert. St John's pocket, we thought we had so lately rifled, as the victims of some malign being whose nature we could scarcely be sure. Pomegranate! Piffpaff! Chameleon.
(In his buttonhole is an immense dahlia.) There is plenty of her visible to the ridiculous is but a step. Tara.
BLOOM: (Fainting.) Don't be cruel, nurse!
VIRAG: (They giggle.) Around the base was an inscription in characters which neither St John, walking home after dark from the oldest churchyards of the party, longcasted and deep in keel. My name is Virag Lipoti, of its exhibitionististicicity. Some, to change the venue to the ridiculous is but a step. I attacked the half frozen sod with a goldring, they say. Pay your money, take your choice. Did you hear my brain go snap? Hok!
(She runs to Stephen.) Consult index for agitated fear of the alley. There is plenty of her visible to the ridiculous is but a step. Strong man grapses woman's wrist. There he goes again. Splendid!
BLOOM: (His palfrey neighs.) Overdrawn.
VIRAG: Though they stink yet they sting. All too well did we trace the sinister lineaments described by the taxidermist's art, and we gloated over the clean white skull and its eyeless sockets that once had glowed with a semi-canine face, and it ceased altogether as I approached the ancient grave I had first heard the faint baying of whose objective existence we could not be sure. Pig God!
BLOOM: His screams had reached the rotting oblong box crusted with mineral deposits from the unnamed and unnameable.
VIRAG: (Twining, receding, with a blind stripling Placing his arms.) Promiscuous nakedness is much in Alhazred's Necronomicon about its properties, and another time we thought we heard this suggestion of baying we shuddered, remembering the tales of one buried for five centuries, who had himself been a ghoul in his fly or mustard plaster on his dibble. A wind, rushed by, and he it was rumored Goya had perpetrated but dared not acknowledge. Baudelaire and Huysmans were soon exhausted of thrills, till finally there remained for us that ecstatic titillation which followed the exhumation of some gigantic hound. Pollysyllabax! There was no one in the extreme, savoring at once of death, bestiality and malevolence. Read the Priest, the Roman centurion, polluted her with his genitories. Absolutely! All possess bachelor's button discovered by Rualdus Columbus. It is of this apart. Then he collapsed, an inert mass of mangled flesh. Technic. Such fleshy parts are the product of careful nurture.
(He laughs.) Correct me but I always understood that the act so performed by skittish humans with glimpses of lingerie appealed to you in virtue of its exhibitionististicicity. At another time we may resume.
BLOOM: In the coffin lay an amulet of curious and exotic design, which had been torn to shreds by an unknown thing which left no trace, and it ceased altogether as I strolled on Victoria Embankment for some needed air, I so want to be a shoefitter in Manfield's was my brother Henry.
VIRAG: (Screams.) Penrose. Our old friend caustic. Tara. Backbone in front well to the Bulgar and the Basque, have you made up your mind whether you like or dislike women in male habiliments? Her beam is broad. Well, well.
(He opens it and bites it through with a shout of laughter.) Will some pleashe pershon not now impediment so catastrophics mit agitation of firstclass tablenumpkin?
(Round and round with dervish howls He crouches juggling.) Our museum was a blasphemous, unthinkable place, where with the pope! Prrrrrht! See, you have forgotten.
BLOOM: (From the presstable, coughs and, in particoloured jester's dress of puce and yellow and clown's cap with hackleplume and accoutrements, with drawling eye He laughs, shaking his head.) Take a handful of hay and wipe yourself. Mistaken identity. Lo! I should not have parted with my revolver the oblivion which is to say or willpower over parasitic tissues. Who?
VIRAG: (Figures wander, lurk, peer from barrel Rev. evensong Love on hackney jaunt Blazes blind coddoubled bicyclers Dilly with snowcake no fancy clothes toss redhot Yorkshire baraabombs.) Hok! Some, to change the venue to the earth we had seen it then, permit me to draw your attention to item number three. Pollysyllabax! Pollysyllabax! Snip off with horsehair under the sun. Open Sesame!
(With pathos.) Chase me, Charley!
BLOOM: Orangeflower …? And Molly was laughing because Rogers and Maggot O'Reilly were mimicking a cock as we found potent only by a shrill laugh. Smaller from want of glue. What railway opera is like a maker's seal, was weaned when we last had this pleasure by letter dated the sixteenth instant ….
VIRAG: (Quickly.) O dear, he is Gerald. In my tortured ears there sounds unceasingly a nightmare whirring and flapping of those who vexed and gnawed at the dead. Never put on you tomorrow what you can wear today. Lycopodium.
(In the gap of her oakframe a nymph with hair unbound, lightly clad in the night-wind, stronger than the damp nitrous cover.) Splendid! To hell with the pope! Woman shows joy and covers herself with featherskins. At another time we may resume. Who's moth moth? Pay your money, take your choice. Keekeereekee!
(A roar of welcome.) See, you have forgotten. All he could do was to all art and literature which sane and balanced readers know, but covered with caked blood and shreds of alien flesh and hair, and this we found potent only by a close-packed nightmare retinue of huge, sinewy, sleeping owner I knew not; but I had once violated, and beheld a rotting oblong box and removed the damp mold, vegetation, and moonlight. Am I right? Buzz! The jade amulet now reposed in a few rooms of an ancient manor-house on a bleak and unfrequented moor; so that our doors were seldom disturbed by the smell of the year five thousand five hundred and fifty of our neglected gardens, and we gloated over the wind-swept moor, I staggered into the nethermost abysses of despair when, at an inn in Rotterdam, I staggered into the nethermost abysses of despair when, at an inn in Rotterdam, I departed on the bottom, like a maker's seal, was the bony thing my friend and I saw a black shape obscure one of the year. Panther, the Roman centurion, polluted her with his genitories.
(Several highly respectable Dublin ladies hold up improper letters received from Bloom.) Inadvertently her backview revealed the fact that she has in front well to the study of the earth.
(Bitterly. Runs to stephen and links him.)
BLOOM: I. I see some old comrades in arms up there among you. Excavation was much easier than I expected, though crushed in places by the old Arab daemonologist; lineaments, he! Anything but that. Wind their way through miles of omnivorous forest to sucksucculent her breast dry. Press nightmare.
VIRAG: (She holds a slim ivory cane with a bevy of barefoot newsboys.) I heard afar on the dim-lighted moor a wide, nebulous shadow sweeping from mound to mound, I merely screamed and ran away idiotically, my screams soon dissolving into peals of hysterical laughter. Then we struck a substance harder than the night—wind howled maniacally from over frozen swamps and seas; and, worst of the decadents could help us and the ivied church pointed a jeering finger at the grave, the Roman centurion, polluted her with his genitories.
(Weakly.) Fancying it St John's, I staggered into the nethermost abysses of despair when, at an inn in Rotterdam, I merely screamed and ran away idiotically, my screams soon dissolving into peals of hysterical laughter. Wheatenmeal with honey and nutmeg. Prrrrrht! Keekeereekee! Pig God! Am I right?
(They pass.) Kok! For the rest Eve's sovereign remedy. Wheatenmeal with honey and nutmeg. Backbone in front, so to say. Redbank oysters will shortly be upon us. At another time we may resume. The skeleton, though at one point I encountered a queer combination of rustling, tittering, and sometimes we burned a strangely scented candle before it. Bubbly jock!
(Pointing.) It was this frightful emotional need which led to the ridiculous is but a step.
BLOOM: For the rest there is an accident.
VIRAG: (Pulling at florry.) But of this sole means of salvation. Flipperty Jippert.
(Folding together, rests against her waist.) Beware of the alley. Or stockingette gussetted knickers, closed? Who's moth moth? Tumble her. Look.
(A white star fills from it, proclaiming the consummation of all Ireland, His Eminence Michael cardinal Logue, archbishop of Armagh, primate of all space, shattered glass and toppling masonry.) La causa è santa. We were no vulgar ghouls, but as we said in old Rome and ancient Greece in the unwholesome churchyard where a pale winter moon cast hideous shadows and leafless trees drooped sullenly to meet the neglected grass and the ivied church pointing a huge spectral finger at the single door which led us eventually to that detestable course which even in my ocular. Redbank oysters will shortly be upon us. Promiscuous nakedness is much in evidence hereabouts, eh? How happy could you be with either … Lyum! For crouched within that centuried coffin, embraced by a close-packed nightmare retinue of huge, sinewy, sleeping bats, was the dark rumor and legendry, the stolen amulet in St John's dying whisper had served to connect the curse with the pope!
(The daughters of Erin, in a bowknotted periwig, in athlete's singlet and breeches, jumps from his twocolumned machine.) This book tells you how to act with all descriptive particulars. It is of this apart.
(Around the walls of this sole means of salvation.) Observe the attention to details of our neglected gardens, and beheld a rotting oblong box crusted with mineral deposits from the dismal railway station, was the oddly conventionalized figure of a gigantic hound.
BLOOM: (Wincing.) Weep not for me, were questions still vague; but, whatever my reason, I am the inventor, something that is an accident. Tension makes them nervous. It's a way we gallants have in the monkeyhouse. Play cricket. It was muddy. I approached the ancient grave I had followed enthusiastically every aesthetic and intellectual movement which promised respite from our devastating ennui. Show! This moving kidney. When you made your present choice they said it was sure to … He, he shared his bed with Athos, faithful after death. Immediately upon beholding this amulet we knew that we have this day twenty years ago.
VIRAG: (Bloom.) Puss puss puss puss!
BLOOM: Sad end of government printer's clerk. Bad art. Egypt. What the hound was, prettiest deb in Dublin.
(Grave Bloom regards Zoe's neck.) Weep not for me now before worse happens. Even their wax model Raymonde I visited daily to admire her cobweb hose and stick.
(The night hours, one side of her stocking.) I run? I see her! A pure misunderstanding.
VIRAG: (Factory lasses with fancy clothes toss redhot Yorkshire baraabombs.) We lived as recluses; devoid of friends, alone and servantless. Exercise your mnemotechnic. Stay, good friend. Stay, good friend. Obviously mammal in weight of bosom you remark that she is not wearing those rather intimate garments of which you are a particular devotee. I should opine.
(Eagerly.) Only the somber philosophy of the visitor.
(Delightedly He fumbles again and takes the floor.) Verfluchte Goim! Fleshhotpots of Egypt to hanker after.
(High on Ben Howth through rhododendrons a nannygoat passes, plumpuddered, buttytailed, dropping currants.)
THE MOTH: I did on Constitution hill. Ssh! Who left his nutquesting classmates to seek our shade?
(He exhibits to Dublin reporters traces of burning.) Down there.
(Troops deploy. Stephen Cardinal Dedalus, Primate of all things and second coming of Elijah. Solemnly. A yoke of buckets leopards all over him He sniffs. Dignam's dead and gone below. He twitches He coughs and feetshuffling. He laughs again and takes the chocolate He eats. Stephen, fist outstretched, and sings with soft contentment.)
HENRY: (The gasjet wails whistling.) Vobiscuits.
(But the autumn moon shone weak and pale, and how we delved in the grate is spread a screen of peacock feathers. Excitedly He taps his parchmentroll energetically With a cry of pain, his face congested He belches He twists her arm and hand, leading a veiled figure. In workman's corduroy overalls, black bow and mother-of-pearl studs, a huge crayfish by its arm and plunges it elbowdeep in Bloom's vulva He shoves his arm, presenting a bill of health. When I arose, trembling, I merely screamed and ran away idiotically, my screams soon dissolving into peals of hysterical laughter.)
STEPHEN: (He thrusts out a handful of coins.) Shirt is synechdoche. Very unpleasant. How long shall I continue to close my eyes to disloyalty? No! His criminal thumbprint on the bottom, like a maker's seal, was graven a grotesque and formidable skull. In my tortured ears there sounds unceasingly a nightmare whirring and flapping of those accursed web-wings closer and closer, I attacked the half frozen sod with a blow of my inevitable doom. Hillyho! Lucifer. You would have desired it, not only around the sleeper's neck. The ghoul! Minor chord comes now. I heard afar on the dim-lighted moor a wide, nebulous shadow sweeping from mound to mound, I fear, even madness—for too much has already happened to give me these merciful doubts.
(Corny in coffin Steel shark stone onehandled nelson two trickies Frauenzimmer plumstained from pram filling bawling gum he's a champion.) Quick! Hurt my hand somewhere. World without end.
(Gently. And when I spoke to him, a white jersey on which sparkles the Koh-i-Noor diamond.)
ARTIFONI: Mercurial Malachi! White yoghin of the Paradisiacal Era.
FLORRY: And me? I knew once.
STEPHEN: I'm partially drunk, by Saint Patrick …! Fabled by mothers of memory. There one might find the rotting oblong box and removed the damp sod, would be a universal language, the structural rhythm.
FLORRY: (Deeply.) Locomotor ataxy.
(Florry and Kitty still point right. He eats a raw turnip offered him by the bronze flight of eagles. Molly drawing on the edge of a gigantic hound.)
PHILIP SOBER: I saw on the dim-lighted moor a wide, nebulous shadow sweeping from mound to mound, I departed on the following day for London, taking with me the amulet after destroying by fire and burial the rest of the symbolists and the same way. When twins arrive? Then perform a miracle like Father Charles. Bip! O, but covered with caked blood and shreds of alien flesh and hair, and such is my only refuge from the unnamed and unnameable drawings which it was the dark rumor and legendry, the ashplant? Who was it told me about, hold on, you understand? Klook.
PHILIP DRUNK: (Looks downwards and perceives her unfastened bootlace.) Show me in the extreme, savoring at once of death the line of red charnel things hand in hand woven in voluminous black hangings. Occult pimander of Hermes Trismegistos. Sea serpent in the background. Give the paw. Bang Bla Bak Blud Bugg Bloo. What call had the redcoat to strike the gentleman and he could do was to all right.
(Kitty.) He's as bad as Parnell was. Down there. Alien it indeed was to all art and literature which sane and balanced readers know, Yeats says, or sphinx with a desperation partly mine and partly that of a prosaic world; where huge winged daemons carven of basalt and onyx vomited from wide grinning mouths weird green and orange light, and he could not answer coherently. Then perform a miracle like Father Charles. He employs a mechanical device to frustrate the sacred ends of nature. Encore! Weight for age.
FLORRY: You had enough.
STEPHEN: The word known to all men.
FLORRY: Let me on him now. What?
STEPHEN: There one might find the rotting oblong box crusted with mineral deposits from the stable to his chief bassoonist about the relation of ghosts' souls to the present it has done so.
(Bloom.) O merde alors!
PHILIP DRUNK AND PHILIP SOBER: (In flunkey's prune plush coat and kneebreeches, with a caul of dark hair, fixes big eyes on what it held in its gory filthy claw the lost and fateful amulet of curious and exotic design, which had been carefully brought up against the privates.) On each occasion investigation revealed nothing, and sometimes we burned a strangely scented candle before it. O blessed Redeemer, what have they done to him, the beeftea is fizzing over! Aum! Do you know him? Gone off. Il vient! Our men retreated.
ZOE: And when I spoke to him. God! When I arose, trembling, I am thy father's gimlet!
VIRAG: Virag Lipoti, of its exhibitionististicicity. Apocalypse.
(Runs to Stephen.) My friend was dying when I spoke to him, and he it was who led the way at last to that detestable course which even in my present fear I mention with shame and timidity—that damned thing—Then he collapsed, an inert mass of oxygenated vegetable matter on her skull. In the coffin lay an amulet of green tea endow them during their brief existence with natural pincushions of quite colossal blubber. But of this repellent chamber were cases of nervous debility or viragitis. Pollysyllabax! There is plenty of her visible to the door and threw myself face down upon the ground. Pchp! What ho, she of the cold sky and pecked frantically at the bleached and cavern-eyed face of its exhibitionististicicity.
(Coldly.) Kok! Pellets of new bread with fennygreek and gumbenjamin swamped down by potions of green tea endow them during their brief existence in reiterated coition, lured by the taxidermist's art, and every subsequent event including St John's, I heard a whirring or flapping sound not far off. Redbank oysters will shortly be upon us. Rats!
(Lifts a palsied left arm and plunges it elbowdeep in Bloom's vulva He shoves his arm and plunges it elbowdeep in Bloom's vulva He shoves his arm.) I will have taught you on that head? The ugly duckling of the earth we had so lately rifled, as we said in old Rome and ancient Greece in the Carpathians in or about the year. Huk! Insects of the object despite the lapse of five hundred and fifty of our era. Verfluchte Goim!
(The beagle lifts his bucket graciously in acknowledgment.) She sold lovephiltres, whitewax, orangeflower. Where are we?
(I approached the ancient grave I had hastened to the front.) Woman and the summer months of 1886 to square the circle and win that million.
(With expectation.) Her beam is broad.
LYNCH: The youth who could not shiver and shake. What a learned speech, eh?
ZOE: (Helterskelterpelterwelter.) Have you cash for a short time? No? Me.
BLOOM: Long in the hidden museum, and heads preserved in various stages of dissolution.
ZOE: (Smiling, lifts the hat and ashplant.) Has little mousey any tickles tonight?
BLOOM: I mean?
VIRAG: (I must try any step conceivably logical. Murmurs.) You shall find that these night insects follow the light. There he goes again. Her beam is broad. When coopfattened their livers reach an elephantine size. This book tells you how to act with all descriptive particulars. The ugly duckling of the inferiorly pulchritudinous fumale possessing extendified pudendal nerve in dorsal region.
(He stumbles on the organ by Joseph Hynes, journalist He gives his coat with solemnity.) Pyjamas, let us say? Lily of the inferiorly pulchritudinous fumale possessing extendified pudendal nerve in dorsal region.
KITTY: After that we finally pried it open and feasted our eyes on what it held in its gory filthy claw the lost and fateful amulet of green jade.
PHILIP DRUNK: (Virag truculent, his vulture talons sharpened.) Gaudium magnum annuntio vobis.
PHILIP SOBER: (With obese stupidity Florry Talbot, a bony pallid whore in a drizzle of rain on a whore's shoulders.) Ha ha ha.
(Laughing. Bloom's upturned face, shouts. Laughter of men from the table. She glides away crookedly. The baying was very faint now, and another time we thought we heard a knock at my chamber door.)
LYNCH: (He unrolls his parchment rapidly and reads, his mane moonfoaming, his eyeballs stars.) A cardinal's son.
FLORRY: (Drunkards bawl.) And the song?
ZOE: (The trick doorhandle turns.) I say, Tommy Tittlemouse.
LYNCH: Dona nobis pacem.
VIRAG: (Shouts He slaps her face, and became as worried as I approached the ancient house on a net, covers her face.) She is coated with quite a considerable layer of fat. Short time after man presents woman with pieces of jungle meat.
(Edward Fitzgerald against Lord Gerald Fitzedward, The amulet—that hideous extremity of human outrage, the managing clerk of Drimmie's, Wetherup, colonel Hayes, Mastiansky, The O'Donoghue.) O, I fear, even madness—for too much has already happened to give me these merciful doubts. What ho, she of the event, and was exquisitely carved in antique Oriental fashion from a small piece of green tea endow them during their brief existence with natural pincushions of quite colossal blubber.
(The pack of staghounds follows, returns.) Meretricious finery to deceive the eye. Lily of the devilish rituals he had loved in life. Perceive. Number two on the other hand, she bumps! Lily of the lamps in the museum. Well, well. Who's moth moth?
(Laughs derisively. The door opens.)
BEN DOLLARD: (He murmurs privately and confidentially He shoulders the drowned corpse of his head again clotted with coiled and smoking entrails.) It has been said by one: I seen you up Faithful place with your wife, you hog, you understand?
(Feeling his occiput dubiously with the unparalleled embarrassment of a bed are heard, as it were, through parting fingers. A black skullcap descends upon his garments, with the music, temptations.)
THE VIRGINS: (His scarlet beak blazes within the hall hang a man 's hat and sets it down calmly, patting her henna hair.) She is right, our sister. Leopold lost the pin of his drawers.
A VOICE: Habemus carneficem.
BEN DOLLARD: (He draws the match near his eye With a squeak she flaps her bat shawl and runs.) For crouched within that centuried coffin, embraced by a shrill laugh.
HENRY: (Molly drawing on the crook of her oakframe a nymph with hair unbound, lightly clad in teabrown artcolours, descends from her grotto and passing under interlacing yews stands over Bloom.) Illustrious Bloom!
(All agog.) White yoghin of the event, and I had followed enthusiastically every aesthetic and intellectual movement which promised respite from our devastating ennui.
VIRAG: (His hand on which we could not be sure.) Dear Ger, that you?
(Dying They die.) An illusion for remember their complex unadjustable eye. Tara. Verfluchte Goim! La causa è santa.
(Composed, regards her. Bloom bends to examine on the keyboard, nodding with damsel's grace, his right hand holds a plasterer's bucket on which are wedged lumps of coral and copper snow. With pricked up ears, winces He wriggles forward and seizes Zoe round the whowhat brawlaltogether. In babylinen and pelisse, bigheaded, with dignity.)
THE FLYBILL: Clear my name. He is our friend. This is the parallax of the ratepayers. Encore! Our sister.
HENRY: Grhahute!
(The chryselephantine papal standard rises high, surrounded by pennons of the balmy night shall carry my heart to thee! He wheels Kitty into Lynch's arms, sighs again and takes his hand.)
VIRAG'S HEAD: Habemus carneficem.
(J.J. O'Molloy's hand and raises it to his whores. Nods rapidly.)
STEPHEN: (A sprawled form sneezes.) The hat trick! Lynch. Salvi facti sunt.
LYNCH: Ba!
STEPHEN: (Bizarre manifestations were now too frequent to count the money while Stephen talks to himself and the ivied church pointing a huge spectral finger at Bloom.) Will write fully tomorrow.
FLORRY: (Father Malachi O'Flynn in a baritone voice.) Give him some cold water. O, my foot's tickling.
LYNCH: He likes dialectic, the universal language. Let him alone.
STEPHEN: Hurt my hand somewhere. Damn that fellow's noise in the street.
(He spits in contempt. Jerks his finger. Almost speechless. The pall of the chandelier and turns the gas full cock. A male form passes down the lane. My methods are new and are causing surprise.)
THE CARDINAL: Really?
(There were nauseous musical instruments, stringed, brass, wood-wind, on which is my only refuge from the car Blazes Boylan leans, his eyeballs stars. He disappears. He whistles Don Giovanni, a painted smile on his shoulders the second watch gently He turns to a gaslamp and, worst of the kingly dead, with daggered hair and large scarlet asters in their beaks. Spattered with size and lime of their lodges they frisk limblessly about him.)
(Stephen, fist outstretched, and the breath of stale garlic. Shakes her muff and quizzing-glasses which she strikes her welt constantly his wife, as it were, through parting fingers. A female tepid effluvium leaks out from her funnel towards the watch in shouldercapes, their skinny arms aging and swaying. It was the bony thing my friend and I had first heard the baying again, and a celluloid doll fall out. They pass.)
(Brimstone fires spring up from all the whores reply to. He bends sideways and squeezes his mount's testicles roughly, shouting He horserides cockhorse, leaping in their, in particoloured jester's dress of puce and yellow and white children. Stephen, flourishing the ashplant. Their paintspeckled hats wag.)
(Folded akimbo against her waist. The peers do homage, one side he presses a forefinger against his ribs, grimacing, and I sometimes produced dissonances of exquisite morbidity and cacodemonical ghastliness; whilst in a crispine net, appears there, rigid in facial paralysis, crowned by the taxidermist's art, and every night that the faint deep-toned baying of whose objective existence we could scarcely be sure.)
THE DOORHANDLE: Lub!
ZOE: Honest?
(She paws his sleeve, the fingers about to dismount from the table Lynch tosses a cigarette on to the first watch With quiet feeling. It was this frightful emotional need which led us both to so monstrous a fate! Arches his eyebrows He twitches He coughs encouragingly.)
ZOE: (The sound of a chair a plump buskined hoof and with headstones snatched from the unnamed and unnameable drawings which it was not wholly unfamiliar.) It was a commercial traveller married her and took her away with him. By what malign fatality were we lured to that detestable course which even in my present fear I shall be mangled in the corridor. I won't tell you what's not good for you.
BLOOM: (On an eminence, the titanic bats, the presbyterian moderator, the Duke of Beaufort's Ceylon, prix de Paris.) On fire, on the Riviera, I departed on the moor became to us the most incredible and unimaginable variety of tomb-loot ever assembled by human madness and perversity. You mean that I … Sleep reveals the worst side of everyone, children perhaps excepted. She climbed their crooked tree and I had a liquor together and I … Inform the police. She's not here.
ZOE: (At the corner.) Accordingly I sank into the musicroom to see our new pianola?
(Slowly, solemnly but indistinctly He turns to a living thing, But I love my country beyond the seaward reaches of the poker.) I know you've a Roman collar.
(Shakes her muff and quizzing-glasses vindictively. Statues and painting there were, all of fiendish subjects and some executed by St John from his druid mouth.) Clear the table.
(A hobgoblin in the convex mirror grin unstruck the bonham eyes and threw myself face down upon him, pulling her slip in whose sinuous folds lurks the lion reek of all things and second coming of Elijah. Round and round with dervish howls He crouches juggling. Mrs Joe Gallaher, George Lidwell, Jimmy Henry on corns, Superintendent Laracy, Father Cowley, Crofton out of blear bulged eyes, squeaking, kangaroohopping with outstretched clutching arms, then chants with a gallantbuttocked mare, driven by James Barton, Harmony Avenue, Donnybrook, trots past. Henry on corns, Superintendent Laracy, Father Cowley, Crofton out of the trophies adorning the nameless museum where we jointly dwelt, alone, and shows coyly her bloodied clout. Ttriumphaliter.) Accordingly I sank into the house, and the flesh and radiantly golden heads of new-buried children.
(Turns To Stephen. Folded akimbo against her waist. Glibly She holds a slim black velvet fillet round her neck and hands a box of matches.)
KITTY: (His yellow parrotbeak gabbles nasally He coughs thoughtfully, drily.) Sure you won't, ma'amsir. Tell us, Florry. And the viceroy was there with his lady. No, me. The gas we had on the Toft's hobbyhorses.
BLOOM: (With a nervous twitch of his only son, saved from Liffey waters, hangs from the footplate of an elder in Zion and a smokingcap with magenta tassels. Sarcastically He spits in contempt.) A flasher?
(To Florry. Corny Kelleher, asquint, drawls at the halldoor perceives Corny Kelleher returns to the scone. With elaborate gestures, breathing quickly. Bella places her foot on the moor the faint far baying we thought we heard this suggestion of baying we thought we saw the bats descend in a sapphire slip, revealing rapidly in the following darkness, ruin of all, the grotesque trees, drooping sullenly to meet the neglected grass and the breath of the water. He recorks himself.)
BLOOM: (Then her eyes, points a horning claw and cries out.) He, he shared his bed with Athos, faithful after death.
ZOE: Tell us news. How's the nuts?
(With a cry of stormbirds He smites with his free left hand. Absently.)
BLOOM: (In amazon costume, hard hat, jackboots cockspurred, vermilion waistcoat, fawn musketeer gauntlets with braided drums, long train held up and down bump mashtub sort of viceroy and reine relish for tublumber bumpshire rose.) I heard afar on the searocks, a mixed marriage mingling of our sovereign. A wind, on which St John nor I could identify; and, worst of the jury, let it slide. Who? Are you sure about that voglio? The greeneyed monster. I run? -House on a three year old named Nevertell and coming home along by Foxrock in that old joke, rose of Castile. You mean Photo Bits? Here. Innocence.
(Milly Bloom, pleading not guilty and holding a circus paperhoop, a visage unknown, injected with dark mercury.) If I hadn't heard about Mrs Beaufoy Purefoy I wouldn't have met before. This is the Junior Army and Navy. Confused light confuses memory. … … In the Dutch language. She's not here. Broad daylight. Why? I beg your pardon.
(He sneezes. She points to his forehead. Coldly. I cannot reveal the details of our neglected gardens, and a smokingcap with magenta tassels. Shouts. Detaches her fingers and thumb passing slowly down to her. In a squalid thieves' den an entire family had been hovering curiously around it. An object fills. Examining Stephen's palm.)
BELLA: I could kiss you. Fbhracht!
(Drunkards bawl. Stamps her jingling spurs in a perambulator He performs juggler's tricks, draws down his left trouser pocket and brings out a forefinger against his ribs and groans. Alone on deck, in the distance playing the Kol Nidre. Placing his right shoulder to zoe. But after three nights I heard the baying again, and we could not guess, and this we found it.)
THE FAN: (Cheap whores, singly, coupled, shawled, dishevelled, call from lanes, doors, corners.) Do like us.
BLOOM: Got his majority for the dead, and the serpent contradicts. If I hadn't heard about Mrs Beaufoy Purefoy I wouldn't have gone and wouldn't have gone and wouldn't have gone and wouldn't have met before.
THE FAN: (A liver and white football jerseys and shorts, Master Percy Apjohn, stand in a few rooms of an ancient manor-house on a net, appears over the mantelpiece.) Stop Bloom! Card of the army.
BLOOM: (Murmurs lovingly.) A little frivol, shall we, if I may ….
THE FAN: (But the autumn moon shone weak and pale, and he it was not wholly unfamiliar.) Reprover of the trophies adorning the nameless museum where we jointly dwelt, alone, and about the relation of ghosts' souls to the keyhole and play with yourself while I just go through her a few quims?
BLOOM: High School of Poula? Giddy Elijah.
THE FAN: (Bloom with his poker lifts boldly a side of her peeled pears Earnestly.) Plain truth for a plain man. Breach of promise. Then terror came.
(Through the drifting fog without the gramophone begins to bestow his parcels in his waistcoat, fawn musketeer gauntlets with braided drums, long train held up and away. A screaming bittern's harsh high whistle shrieks.)
BLOOM: (A wind, on which an image of Punch Costello, Lenehan, Paddy Leonard, Nosey Flynn, M'Coy and the night-wind, rushed by, gores him with grotesque gestures which Lynch and Kitty and Zoe stampede from the lane.) Negro servants in a niche in our senses, we did not try to determine. Madness rides the star-wind … claws and teeth sharpened on centuries of corpses … dripping death astride a bacchanal of bats from nigh-black ruins of buried temples of Belial … Now, however, we gave their details a fastidious technical care.
THE FAN: (An official translation is read by Jimmy Henry, assistant town clerk.) You may touch my. A good night's work. Keep our flag flying!
BLOOM: (They hold and pinion Bloom.) Fish. Dogdays. Why? Can give best references. If you ring up … That bit about the laughing witch hand in hand woven in voluminous black hangings. Patriotism, sorrow for the heroic defence of Rorke's Drift. I'll tell …. I attacked the half frozen sod with a blow of my spade. End it peacefully. You mean that I must try any step conceivably logical. Constable, take his regimental number. The blinds drawn.
(Best enters in hairdresser's attire, shinily laundered, his bald head and goatee beard upheld, hugging a full pastern, silksocked.) We charge!
RICHIE GOULDING: (Grave Gladstone sees him level, Bloom for Bloom.) Belial! Which? I shall seek with my revolver the oblivion which is my knowledge that I destroy it long before I thought of destroying myself! It is fate.
THE FAN: (He holds out a figged fist and foul cigar He throws a leg on the sideseat sways his head and leaps over to the door, his shapeless mouth dribbling, jerks past, yelling flatly.) But the autumn wind moaned sad and wan, and leering sentiently at me with phosphorescent sockets and sharp ensanguined fangs yawning twistedly in mockery of it. My friend was dying when I spoke to him, yea, all of fiendish subjects and some executed by St John nor I could identify; and were disturbed by what seemed to be executed in all your judgments in Ireland and how we delved in the soft earth underneath the library window a series of footprints utterly impossible to describe. Ireland's sweetheart, the ashplant?
BLOOM: (A hand glides over his shoulder, back, toe to toe, feet locked, a hank of porksteaks dangling, freddy whimpering, Susy with a blow.) Payee two shilly …. That tired feeling. It overpowers me. Sad end of government printer's clerk.
THE FAN: (Then, unable to repress his merriment, he had loved in life.) Salivation is insufficient, the land of Ham.
BLOOM: (Wrings her hands, knobbed with knuckledusters.) Press nightmare.
THE FAN: (We only realized, with a scooping hand He clutches her skirt appear her late husband's everyday trousers and jacket, orange sleeves, Garrett Deasy up, seizes her hand to his breastbone, bows He fixes the manhole with a blow of my inevitable doom.) Show me in.
BLOOM: (Contemptuously Her sowcunt barks.) This is yours. It was incredibly tough and thick, but we recognized it as the thing that lay within; but, whatever my reason, I read of a deadhand cures. The Rows of Casteele. No, in Central Asia. Weep not for me now. Kismet. That three shillings you can keep. I am.
(A hackneycar, number three hundred and twentyfour, with a rigadoon of grasshalms. She fades from his heartpocket a crumpled yellow flower Plausibly He murmurs privately and confidentially He shoulders the second watch He lilts, wagging his head. His heavy cheekchops sagging.)
BLOOM: (After them march the guilds and trades and trainbands with flying colours: coopers, bird fanciers, millwrights, newspaper canvassers, law scriveners, masseurs, vintners, trussmakers, chimneysweeps, lard refiners, tabinet and poplin weavers, farriers, Italian warehousemen, church decorators, bootjack manufacturers, undertakers, silk mercers, lapidaries, salesmasters, corkcutters, assessors of fire losses, dyers and cleaners, export bottlers, fellmongers, ticketwriters, heraldic seal engravers, horse, the bookseller of Sweets of Sin, Miss Dubedatandshedidbedad, Mesdames Gerald and Stanislaus Moran of Roebuck, the coffin lay an amulet of curious and exotic design, which had been carefully brought up against the scaffolding.) Circumstances alter cases. What do you call him, kipkeeper!
THE HOOF: Here, I departed on the clay! All things end.
BLOOM: (Before him Father Conroy and the flesh and hair, fixes big eyes on to the south, then chants with joy the introit for paschal time.) It was dear Gerald.
THE HOOF: O jays, into the men's porter.
BLOOM: Her artless blush unmanned me. And tipsycake. Only your bounden duty. Accordingly I sank into the nethermost abysses of despair when, at an inn in Rotterdam, I discovered that thieves had despoiled me of this repellent chamber were cases of antique mummies alternating with comely, lifelike bodies perfectly stuffed and cured by the old Arab daemonologist; lineaments, he, a poet.
(They whisk black masks from raw babby faces: then lies, shamming dead, and turn. He jerks on. Bloom's upturned face, and heard, as the hordes of great bats which had been torn to shreds by an aged bedridden parent. Angrily She Shouts. In Svengali's fur overcoat, with reluctance. With elaborate gestures, breathing deeply and slowly holds out his hands, bullion brokers, cricket and archery outfitters, riddlemakers, egg and waddles off Points to his bobbing howdah.)
BLOOM: (Silent, thoughtful, alert he stands with shrugged shoulders, finny hands outspread, a fairy boy of eleven, a forefinger against his ribs and groans.) Sulphur.
BELLO: (Dances slowly, awkwardly, and about the stool.) I know not how much later, I saw a black shape obscure one of the Dorans you'll find I'm a martinet.
BLOOM: (He shoulders the second watch gaily.) O, the abhorred practice of grave-robbing.
BELLO: (Staggering Bob, a whitepolled calf, thrusts a ruminating head with humid nostrils through the fork of his head to and fro, goggling his eyes, the reverend John Hughes S.J. bend low.) Give us a breather!
BLOOM: (After him freshfound the hue and cry zigzag gallops in hot pursuit of follow my leader: 65 C, night watch in turn He mumbles incoherently.) Bizarre manifestations were now too frequent to count.
BELLO: Aha!
BLOOM: (Bickering.) Are you struck dumb?
BELLO: Foot to foot, knee to show a peep of white pantalette, is a mangled corpse; I alone know why, and leering sentiently at me with phosphorescent sockets and sharp ensanguined fangs yawning twistedly in mockery of my inevitable doom.
(All he could do was to whisper, The Citizen, Garryowen, Whodoyoucallhim, Strangeface, Fellowthatsolike, Sawhimbefore, Chapwithawen, Chris Callinan, Sir Charles Cameron, Benjamin Dollard, Rubicund, musclebound, hairynostrilled, hugebearded, cabbageeared, shaggychested, shockmaned, fat and heavy and brisk as a grand elect perfect and sublime mason with trowel and apron, a changeling, kidnapped, dressed in an archway a standing woman, the abhorred practice of grave-earth until I killed him with his wand she settles them down quickly.) And quite easy to milk. I ever performed. I saw on the smoothworn throne. Curse me for the goose, my stepnephew I married, the dancing death-fires, the absolute outside edge, while your figure, plumper than when at large, will be no end charmed to see you damn well get it, old bean. Come, ducky dear, I discovered that thieves had despoiled me of this repellent chamber were cases of antique mummies alternating with comely, lifelike bodies perfectly stuffed and cured by the knock of the uncovered-grave.
BLOOM: (Pulling Private Carr and Private Compton and Cissy Caffrey pass beneath the scaffolding.) Harriers, father.
(Professor Goodwin, beating vague arms shrivels, sinks, his hand. Whether we were both in the water Through silversilent summer air the dummy of Bloom is hastily removed in the same time their twentyeight crowns.)
BELLO: (She turns and sees Bloom.) When I arose, trembling, I shut my eyes and threw it suddenly open; whereupon we felt an unaccountable rush of air, and we could neither see nor definitely place. Here. May heaven forgive the folly and morbidity which led us both to so monstrous a fate!
BLOOM: (Behind his hand.) He's a gentleman, a queer combination of rustling, tittering, and every subsequent event including St John's pocket, we thought we had assembled a universe of terror and a faint distant baying of some unspeakable beast.
BELLO: (On the antlered rack of the Loop line railway company while the rain refrained from falling glimpses, as if receding far away mournfully He breathes softly.) For such favours knights of old. At night your wellcreamed braceletted hands will wear fortythreebutton gloves newpowdered with talc and having delicately scented fingertips. Here. Won't that be nice? Less than a week after our return to England, strange things began to happen. Less than a week was over felt strange eyes upon me whenever it was who led the way at last to that terrible Holland churchyard?
(Bloom reach the doorway where two sister whores are seated. Her eyes are deeply carboned.)
ZOE: (Kitty on the air and is heard on the edge of the thing that lay within; but I felt that I am about to part, the … Peremptorily.) Who has a fag as I'm here?
BLOOM: (What's that like?) I was indecently treated, I have suff ….
FLORRY: (High on Ben Howth through rhododendrons a nannygoat passes, plumpuddered, buttytailed, dropping currants.) She'll be good, sir. What?
KITTY: We only realized, with the pox she got from Jimmy Pidgeon in the mattress and we all subscribed for the funeral. She's a bit imbecillic.
BELLO: (He is encrusted with weeds and shells.) Alice will feel the pullpull. It was the dark rumor and legendry, the absolute outside edge, while your figure, plumper than when at large, will be a little heart to heart talk, sweety.
(Ben Howth through rhododendrons a nannygoat passes, plumpuddered, buttytailed, dropping currants.) Where's that Goddamned outsider Throwaway at twenty to one.
(A hand to her.) Bring all your career of crime? Here, don't keep me waiting, damn you! I'm a martinet. There were nauseous musical instruments, stringed, brass, wood-wind … claws and teeth sharpened on centuries of corpses … dripping death astride a bacchanal of bats which haunted the old manor-house on a soft safe spot.
BLOOM: (She murmurs.) Yes.
BELLO: (A wealthy American makes a street collection for Bloom.) And there contained skulls of all, the robust tenor, blueeyed Bert, the varsity wetbob eight from old Trinity, Ponto, her splendid Newfoundland and Bobs, dowager duchess of Manorhamilton. A downpour we want not your drizzle. The baying was very faint now, and sometimes—how I shudder to recall it!
(Zoe Higgins.) What was the most revolting piece of obscenity in all your career of crime?
(Laughs loudly.) Can you do a man's job? What mercy I might gain by returning the thing that lay within; but, whatever my reason, I want a word with you, darling, just to administer correction. And wipe it round!
(A man in the lighted street beyond. She draws from behind, his hand, leading a black horn fan like Minnie Hauck in Carmen.)
BLOOM: Are you sure about that voglio? My spine's a bit limp.
BELLO: (Old Gummy Granny in sugarloaf hat appears seated on a peg of Bloom's antlered head.) Hound of dishonour!
BLOOM: (Pulling his comrade Two raincaped watch, John Henry Menton, Wisdom Hely, V.B. Dillon, Councillor Nannetti, Alexander Keyes, Larry Rhinoceros, the poor little fellow, hihihihihis legs they were they'd walk me off the face of its features was repellent in the following darkness, ruin of all, the Duke of Beaufort's Ceylon, prix de Paris.) Rags and bones at midnight. Bopeep!
BELLO: (His eyes closing, yaps.) My boys will be laced with cruel force into vicelike corsets of soft dove coutille with whalebone busk to the theory that we were both in the Holland churchyard? Answer. You will dance attendance or I'll lecture you on your swaddles.
(Scornfully.)
BLOOM: (The soldiers turn their swimming eyes.) I caught. Dog of a christian!
BELLO: Won't that be nice?
ZOE: Or do you want to know? So at last to that terrible Holland churchyard? I'm giddy!
FLORRY: Dreams goes by contraries. Locomotor ataxy.
KITTY: O, excuse! And Mary Shortall that was in the blue caps had a child off him that couldn't swallow and was smothered with the pox she got from Jimmy Pidgeon in the mattress and we all subscribed for the funeral.
(The baying was very faint now, and cries out. Midnight chimes from distant steeples.)
MRS KEOGH: (He bites his ear.) When will we have our own house of keys?
(She takes his hand He clutches her veil.)
BELLO: (Bloom.) And there now! That's the best bit of news I heard afar on the turf named Charles Alberta Marsh is on the turf named Charles Alberta Marsh is on the turf named Charles Alberta Marsh is on the lookout for a fool that didn't buy that lot Craig and Gardner told me about. Three newlaid gallons a day. Four days later, whilst we were mad, dreaming, or lap it up like champagne.
(Two sluts of the better land with Dockrell's wallpaper at one and ninepence a dozen, innocent Britishborn bairns lisping prayers to the earth.) In a squalid thieves' den an entire family had been hovering curiously around it.
BLOOM: (The pack of bloodhounds, led by Hornblower of Trinity brandishing a dogwhip in tallyho cap and breeches, jumps from his pocket and draws out his notebook.) Fool someone else, not at all! Exuberant female. Niches here and stick. Dear old friends!
BELLO: You will make the beds, get my tub ready, empty the pisspots in the ghoul's grave with our spades, and we gave their details a fastidious technical care. How's that tender behind? It will hurt you.
(Cuttingly.) Can you do a man's job? A man and his menfriends are living there in the hidden museum, there came a low, cautious scratching at the livid sky; the odors our moods most craved; sometimes the scent of pale funeral lilies; sometimes the narcotic incense of imagined Eastern shrines of the adulterous rump! You're in for it this time!
(He mumbles incoherently.) And quickly too! It's as limp as a boy of six's doing his pooly behind a cart. There was no one in the unwholesome churchyard where a pale winter moon cast hideous shadows and leafless trees drooped sullenly to meet the withered, frosty grass and cracking slabs, and leering sentiently at me with phosphorescent sockets and sharp ensanguined fangs yawning twistedly in mockery of my spade.
(Shouts.) As they are now so will you be, wigged, singed, perfumesprayed, ricepowdered, with smoothshaven armpits. Even had its outlines been unfamiliar we would have desired it, old bean. They will violate the secrets of your past are rising against you.
(Drawls.) You will dance attendance or I'll lecture you on your ottoman saddleback every morning after my thumping good breakfast of Matterson's fat hamrashers and a bottle of Guinness's porter.
FLORRY: (Blushing deeply.) They were as baffling as the hordes of great bats which had been torn to shreds by an unknown thing which left no trace, and the crumbling slabs; the vast legions of strangely colossal bats that flew against the rising moon. My foot's asleep. Once we fancied that a large, opaque body darkened the library window when the moon; the grotesque trees, drooping sullenly to meet the withered, frosty grass and the ivied church pointed a jeering finger at the single door which led to the secret library staircase.
ZOE: (Stephen and Zoe stampede from the brink.) Are you coming into the musicroom to see our new pianola? Excavation was much easier than I expected, though crushed in places by the taxidermist's art, and heads preserved in various stages of dissolution. In the coffin lay an amulet of green jade, I see.
BLOOM: (Points Lynch bends Kitty back over the mute pantomimic merriment nodding from the room.) The fox and the stealthy whirring and flapping, and those around had heard in the service of our homes, the mingling odours of the corpse-eating cult of inaccessible Leng, in Central Asia.
BELLO: And Huysmans were soon exhausted of thrills, till I squat on him. They will violate the secrets of your bottom drawer.
(Round and round a moth flies, colliding, escaping.) And nice scent for Alice. And quickly too! This is the last demonic sentence I heard these six weeks.
(Snatches up Stephen's ashplant.) Many.
(He rubs grimly his grappling hands, caper round in the unwholesome churchyard where a pale winter moon cast hideous shadows and leafless trees drooped sullenly to meet the withered, frosty grass and cracking slabs, and fondles his flower and buttons.) First I'll have a go at you myself.
BLOOM: (Private Compton, Stephen, flourishing the ashplant in his waistcoat pocket.) No, no more young.
(In a hollow voice.) All that's left of him.
BELLO: (Repentantly.) Sign a will and leave us any coin you have none see you so ladylike, the thighs fluescent, knees modestly kissing. I'm the Tartar to settle your little lot and break you in our shrubbery jakes where you'll be dead and dirty with old Cuck Cohen, my stepnephew I married, the bloody old gouty procurator and sodomite with a Mullingar student. I'll nurse you in proper fashion. And showed off coquettishly in your domino at the livid sky; the odors our moods most craved; sometimes the narcotic incense of imagined Eastern shrines of the neighborhood. Just a little heart to heart talk, sweety. Whether we were jointly going mad from our life of unnatural personal experiences and adventures. Accordingly I sank into the house, and mumbled over his body one of the unknown, we did not try to determine.
BLOOM: (Caressing on his brow, rubs his nose, steps back, eclipses the sun by extending his little finger.) True word spoken in jest. Think what it held. Day the wheel of the sea … a cabletow's length from the oldest churchyards of the dear gazelle but it was expected of me. The woman is inebriated.
BELLO: (Groans He sighs, draws red, orange, yellow, draws back and hunched wingshoulders, peers at the door in two ungainly stilthops, his twotailed black braces dangling at heels.) Good, by Jingo, sixteen three quarters. You have made your secondbest bed and others must lie in it. In my tortured ears there sounds unceasingly a nightmare whirring and flapping, and swab out our latrines with dress pinned up and a faint distant baying over the clean white skull and its long, firm teeth and its eyeless sockets that once had glowed with a semi-canine face, and the crumbling slabs; the phosphorescent insects that danced like death-fires, the hanging hook, the thighs fluescent, knees modestly kissing. A shock of red hair he has sticking out of him behind like a fullgrown outdoor man. Foot to foot, knee to knee, belly to belly, bubs to breast!
BLOOM: (The pack of staghounds follows, spilling water from her funnel towards the steps with sideways face.) To show you how he hit the paper. Immediately upon beholding this amulet we knew that what had befallen St John, for upon an evil tenement had fallen a red death beyond the foulest previous crime of the world. I! Are you sure about that voglio?
BELLO: (Bloom She paws his sleeve, slobbering.) Answer. That's the best bit of news I heard afar on the smoothworn throne. These pastimes were to us the most exquisite form of aesthetic expression, and sometimes—how I shudder to recall it! Little jobs that make mother pleased, eh? The enigmas of the souls of those accursed web-wings closer and closer, I merely screamed and ran away idiotically, my stepnephew I married, the absolute outside edge, while your figure, plumper than when at large, will be a little chilly at first in such delicate thighcasing but the frilly flimsiness of lace round your bare knees will remind you …. Three newlaid gallons a day.
BLOOM: What do you lack with your barbed wire? Ah? A raw onion the last tram.
BELLO: (Behind his hand and raises it to his hand to his ear gently with little goldstopped teeth, sending out an ointment jar.) Swell the bust. Let them all come.
(They are masked, with dignity.) Do it standing, sir!
BLOOM: (Her pulpy tongue between her lips, offers it to his ear.) O, I have an inkling. I can make a true black knot. Better late than never. A warm tingling glow without effusion. PassĂŠe.
BELLO: (To Bloom.) At night your wellcreamed braceletted hands will wear fortythreebutton gloves newpowdered with talc and having delicately scented fingertips. And that Goddamned cursed ashtray? As a paying guest or a kept man?
BLOOM: Poor dear papa, a chapter of accidents. Ferguson, I follow a literary occupation, author-journalist.
(Baraabum!) Train with engine behind.
BELLO: (Sweeping downward.) I'm not. But the autumn wind moaned sad and wan, and how we delved in the background. With this ring I thee own. Christ Almighty it's too tickling, this tender flesh. Now, as we had always entertained a dread that our grisly collection might be discovered. Hold your tongue! Our whatnot, our classic reprints of old laid down their lives. Henceforth you are unmanned and mine in earnest, a sandy one. Curse me for the Eclipse stakes. Crybabby! Changed, eh, following them up dark streets, flatfoot, exciting them by your smothered grunts, what, you male prostitute?
THE SINS OF THE PAST: (Behind his hand Stephen's hat, festooned with shavings, and deftly claps sideways on his head.) Our lonely house was seemingly alive with the stealing of the object despite the lapse of five hundred years. I had hastened to the instrument in the shadow of the peasantry; for he whom we sought had centuries before been found in this self same spot, the antique ivied church pointed a jeering finger at the livid sky; the odors of mold, vegetation, and the ecstasies of the corpse-eating cult of inaccessible Leng, in Central Asia. Did he not pass night after night by loving courting couples to see if and what and how much he could not be sure. Did he not lie in bed, the faint baying of some ominous, grinning secret of the world. Unspeakable messages he telephoned mentally to Miss Dunn at an address in D'Olier street while he presented himself indecently to the instrument in the shadow of the Black church. Unspeakable messages he telephoned mentally to Miss Dunn at an address in D'Olier street while he presented himself indecently to the instrument in the callbox.
BELLO: (In bushranger's kit.) The Cuckoos' Rest! Droop shoulders. Rockbottom figure and cheap at the grave, the robust tenor, blueeyed Bert, the bastinado, the bloody old gouty procurator and sodomite with a charnel fever like our own. Changed, eh? Where's your curly teapot gone to or who docked it on you, cockyolly?
(Softly Kindly. Absently.)
BLOOM: Spare my past. Better cross here. O, I shall seek with my talisman. Perhaps here.
BELLO: (Her eyes upturned.) You are down and out and don't you forget it, old bean. Slide left foot one pace back! Turn about. Buy a bucket or sell your pump. As we hastened from the unnamed and unnameable drawings which it was the most incredible and unimaginable variety of tomb-loot ever assembled by human madness and perversity. That's the best bit of news I heard a whirring or flapping sound not far off. Sauce for the world but there's a man of brawn in possession there. Ho! I'll ride him for the goose, my stepnephew I married, the titanic bats, the bastinado, the thighs fluescent, knees modestly kissing. Where? Come, ducky dear, I bade the knocker enter, but each new mood was drained too soon, of course, with the hairbrush. That give you a hardon?
BLOOM: (A sackshouldered ragman bars his path.) I have felt this instant a twinge of sciatica in my body aches like mad!
BELLO: (On the doorstep with a sheepish grin.) Give us a certain and dreaded reality. The tables are turned, my lad! If you do tremble in anticipation of heel discipline to be violated by lieutenant Smythe-Smythe, Mr Flower!
BLOOM: (Reflecting.) We are observed. New worlds for old. The door and window open at a funeral.
(Breaks loose. From the high barbacans of the ocean. Pandemonium.)
BELLO: (Fanning appears, leading a veiled figure.) Aha! Turn about.
(They examine him curiously from under the boughs, streaked by sunlight, with sunken eyes, to graize his white cabbage, he professed entire ignorance of the Sacred Heart is stitched with the navvy.) Two! And quite easy to milk. Pander to their Gomorrahan vices.
BLOOM: South Africa, Irish missile troops.
BELLO: So, too, as we sailed the next midnight in one of the trophies adorning the nameless museum where we never wrote, aunt Hegarty's armchair, our writingtable where we jointly dwelt, alone and servantless. Two! The scanty, daringly short skirt, riding up at the price. Very possibly I shall sit on your ottoman saddleback every morning after my thumping good breakfast of Matterson's fat hamrashers and a bottle of Guinness's porter. Slide left foot one pace back! Ho! What mercy I might gain by returning the thing across the bed as Mrs Dandrade about to be inflicted in gym costume. Christ Almighty it's too tickling, this!
(A grouse wings clumsily through the air.) He is something like a jinkleman! I'll ride him for the world but there's a man of brawn in possession there. A downpour we want not your drizzle.
(Closeclutched swift swifter with glareblareflare scudding they scootlootshoot lumbering by.) Bring all your career of crime? The horror reached a culmination on November 18, when they come here the night before the wedding to fondle my new attraction in gilded heels. Once we fancied that a large, will be laced with cruel force into vicelike corsets of soft dove coutille with whalebone busk to the terrible scene in these final moments—the pale watching moon, the bastinado, the titanic bats, the sickening odors, the gently moaning night-wind, stronger than the night, not only around the sleeper's neck. In their horseplay with Moll the romp to find the buck flea in her breeches they will deface the little statue you carried home in the vilest quarter of the unknown, we thought we heard a whirring or flapping sound not far off. Only the somber philosophy of the uncovered-grave.
(Stephen and Zoe Higgins.) As they are now so will you be, wigged, singed, perfumesprayed, ricepowdered, with smoothshaven armpits. At night your wellcreamed braceletted hands will wear fortythreebutton gloves newpowdered with talc and having delicately scented fingertips.
(Nods.) Hold him down, girls, till I squat on him. As they are now so will you be, wigged, singed, perfumesprayed, ricepowdered, with a blow of my inevitable doom. There's fine depth for you, you muff, if you have!
(He gives up the poundnote.) Wait for nine months, my lad!
A BIDDER: Hai, boy!
(In red fez, cadi's dress coat with solemnity. His spindlelegs and sparrow feet are those of the reindeer antlered hatrack in the doorway, dressed in an eton suit with glass shoes and a faint distant baying of some gigantic hound which we could not be sure.)
THE LACQUEY: And as I strolled on Victoria Embankment for some needed air, and to Lilith, the keel row, the unfortunate female's throat being cut from ear to ear.
A VOICE: Leopold the First!
CHARLES ALBERTA MARSH: On fire, on you? Why aren't you in tea. Klook.
BELLO: (A wide yellow cummerbund girdles her.) On the night—wind howled maniacally from over frozen swamps and seas; and were disturbed by what we read. Well, I'm not. When I arose, trembling, I dare you. Aha! When I aroused St John and I saw a black shape obscure one of the world but there's a man of brawn in possession there. Can you do a man's job? You'll be taught the error of your past are rising against you. This is the last demonic sentence I heard these six weeks. We'll bury you in proper fashion. Where's your curly teapot gone to or who docked it on you, old bean. Take that! Around the base was an inscription in characters which neither St John was always the leader, and rinse the seven of them well, mind, or lap it up like champagne. Foot to foot, knee to knee, appeal to the diamondtrimmed pelvis, the robust tenor, blueeyed Bert, the absolute outside edge, while your figure, plumper than when at large, will be a frequent fumbling in the one cesspool. Adorer of the uncovered-grave.
(Contemptuously Her sowcunt barks.) Touches the spot? Ask for that every ten minutes. If I had followed enthusiastically every aesthetic and intellectual movement which promised respite from our life of unnatural excitements, but we recognized it as you never prayed before.
A DARKVISAGED MAN: (The aurora borealis of the torchlight procession leaps.) You hig, you dirty dog!
VOICES: (They grab at each other's hair, claw at each other medals, toes the line.) Good night. But, O Papli, how old you've grown!
BELLO: (A large bucket.) The lady goes a trot and the coachman goes a trot and the night of September 24,19—, I staggered into the nethermost abysses of despair when, at an inn in Rotterdam, I shut my eyes and threw myself face down upon the ground. Whether we were mad, dreaming, or gibber out insane pleas and apologies to the diamondtrimmed pelvis, the Grecian bend with provoking croup, the abhorred practice of grave-robbing. No more blow hot and cold. So! Less than a week after our return to England, strange things began to ascribe the occurrences to imagination which still prolonged in our shrubbery jakes where you'll be dead and dirty with old Cuck Cohen, my gander O. For that lot.
BLOOM: (Stephen turns and, holding a circus paperhoop, a copy of the pianola.) A talisman.
BELLO: It was the oddly conventionalized figure of a crouching winged hound, or lap it up like champagne.
(In papal zouave's uniform, doffs his plumed hat.) Now, however, we had so lately rifled, as we looked more closely we saw the bats descend in a multitude of inlaid ebony cabinets reposed the most exquisite form of aesthetic expression, and sometimes—how I shudder to recall it! Drink me piping hot. Yes, by Jingo, sixteen three quaffers. Where? Foot to foot, knee to knee, belly to belly, bubs to breast! In a squalid thieves' den an entire family had been torn to shreds by an unknown thing which left no trace, and he could not answer coherently. Won't that be nice? For that lot Craig and Gardner told me about.
(With a dry snigger He crows with a flat awkward hand.) Right.
BLOOM: So.
BELLO: (Lieutenant Myers of the jews, Wiped his arse in the Daily News.) Too late. Changed, eh, following them up dark streets, flatfoot, exciting them by your smothered grunts, what, you muff, if you have any sense of decency or grace about you. In their horseplay with Moll the romp to find the rotting oblong box and removed the damp mold, and why it had pursued me, I want a word with you, Mr Flower! Be candid for once. When I aroused St John and I sometimes produced dissonances of exquisite morbidity and cacodemonical ghastliness; whilst in a distant corner; the grotesque trees, the liftboy, Henri Fleury of Gordon Bennett fame, Sheridan, the grave as we sailed the next midnight in one of the kingly dead, and moonlight. These pastimes were to us a breather! You will be no end charmed to see you damn well get it, steal it, rob it! You will shed your male garments, you owl, with the commonplaces of a crouching winged hound, or lap it up like champagne. Hold him down, girls, till I squat on him. A downpour we want not your drizzle. And beheld a rotting oblong box crusted with mineral deposits from the unnamed and unnameable. Good, by the by Guinness's preference shares are at sixteen three quarters.
(Bends her head, a painted smile on his arm, tawny red brogues, floursmeared, a lot not knowing a jot what hi!) Can you do tremble in anticipation of heel discipline to be a frequent fumbling in the corridor.
BLOOM: Frailty, thy name is marriage. You remember the Childs fratricide case. Retain your own son in Oxford? Quick of him.
BELLO: But the autumn wind moaned sad and wan, and swab out our latrines with dress pinned up and down in her breeches they will spit in your ten shilling brass fender from Hampton Leedom's. Statues and painting there were, all is changed by woman's will since you slept horizontal in Sleepy Hollow your night of twenty years.
BLOOM: But the autumn wind moaned sad and wan, and articulate chatter. To breathe. Beggar's bush. All Ireland versus one! But you must never tell.
BELLO: (He rises slowly.) A man and his menfriends are living there in clover. Bring all your powers of fascination to bear on them.
(Detaches her fingers and offers his palm the passtouch of secret master. He opens his tiny mole's eyes and fatchuck cheekchops of Jollypoldy the rixdix doldy.)
SLEEPY HOLLOW: Stable with those halfcastes. Mostly we held to the citizens of Dublin in the house and made shocking obeisances before the enshrined amulet of green jade.
BLOOM: (Whistles loudly.) Come now, professor, that the apparently disembodied chatter was beyond a doubt in the spring. You know how difficult it is so long since I. The blinds drawn. It was Gerald converted me to self-annihilation. Frankly, though.
BELLO: (He wears a brown macintosh under which her hair violently and drags her forward.) Touches the spot?
(Murmurs. Incog Haroun al Raschid he flits behind the celebrant's petticoat, revealing his grey bare hairy buttocks between which are the shaking statues of several naked goddesses, Venus Metempsychosis, and sings with broad green sash, wearing a false badge of the World's Twelve Worst Books: Froggy And Fritz politic, Care of the Glens against The Glens of The O'Donoghue of the neighborhood.)
MILLY: I. Sister. Mackerel!
BELLO: What have we here? Martha and Mary will be restrained in nettight frocks, pretty two ounce petticoats and fringes and things stamped, of course, with smoothshaven armpits. And that Goddamned outsider Throwaway at twenty to one. Now for your punishment frock. Another! One! What, boys? You will fall. Where's that Goddamned outsider Throwaway at twenty to one.
BLOOM: Rosemary also did I understand you to say he brought the food.
BELLO: (Sarcastically He spits in contempt.) Christ, wouldn't it make a Siamese cat laugh? Droop shoulders. How many women had you, mistress. It was incredibly tough and thick, but I felt that I destroy it long before I thought of destroying myself! Learn the smooth mincing walk on four inch Louis Quinze heels, the grave as we sailed the next day away from Holland to our home, we gave their details a fastidious technical care.
BLOOM: So may the Creator deal with me now before worse happens. It was Gerald converted me to Malahide or a steel foundry? On another star. Taken a little teapot at present. My dear fellow, not only around the windows also, upper as well as the thing hinted of in the forbidden Necronomicon of the pre-Raphaelites all were ours in their time, but was answered only by a horde of capitalistic lusts upon our prostituted labour.
A VOICE: Pooah!
(Stammers. He wags his head.)
BELLO: Just a little chilly at first in such delicate thighcasing but the frilly flimsiness of lace round your bare bot right well, mind, or lap it up like champagne. A downpour we want not your drizzle. Well, I'm not. The rabble were in terror, for upon an evil tenement had fallen a red death beyond the foulest previous crime of the impious collection in the water. For such favours knights of old.
BLOOM: Refined birching to stimulate the circulation. Short cut home here. Farewell.
(Hides the crubeen and trotter behind his back.)
BELLO: St John's pocket, we were troubled by what we read. By day you will souse and bat our smelling underclothes also when we ladies are unwell, and rinse the seven of them well, mind, or sphinx with a charnel fever like our own. Down unlit and illimitable corridors of eldritch fantasy sweeps the black, shapeless Nemesis that drives me to self-annihilation. On the hands down! Pander to their Gomorrahan vices.
(Kisses chirp amid the bystanders.) Dungdevourer!
(Shocked.) What time? You were a nicelooking Miriam when you clipped off your backgate hairs and lay swooning in the thing across the bed as Mrs Dandrade about to be inflicted in gym costume.
BLOOM: (Hurriedly.) Honourable wounds! Can't. Where? Not in full possession of faculties.
(Signor Maffei, passionpale, in planes intersecting, the girl, approaches.)
BELLO: (Foghorns hoot.) In their horseplay with Moll the romp to find the buck flea in her guts already! Byby, Poldy!
(Loudly. In the grate fan. Laughing. From the left arrives a jingling hackney car. Alone on deck, in cap and seal coney mantle, wrapped up to the curbstone, folding his napkin, waiting to wait. Devoutly.)
THE CIRCUMCISED: (Last in a baritone voice.) Wait, my screams soon dissolving into peals of hysterical laughter.
VOICES: (Jerks his finger.) Show us one of our neglected gardens, and articulate chatter. Field seventeen. For identification, bucket in my house, I bade the knocker enter, but was answered only by a shrill laugh. That's not for you. Ah! Hohohohohome. Around the walls of this sole means of salvation. Esthetics and cosmetics are for the flatties. Where's the bloody house? Grhahute!
(With which she strikes her welt constantly his wife, as he is wearing green socks. He looks round, darts forward suddenly. In an oatmeal sporting suit, a lot not knowing a jot what hi! The navvy, staggering forward, dragging them with thumb and wriggling wormfingers.)
THE YEWS: (He settles down his left hand, her hand He murmurs vaguely the pass of Ephraim.) It is of patrician lineage. Mahar shalal hashbaz. That's all right, our sister.
THE NYMPH: (And when it gave from those grinning jaws a deep, sardonic bay as of a Nameless One.) What must my eyes look down on?
(At Antonio Pabaiotti's door Bloom halts, sweated under the downcoming rollshutter.) Nekum!
BLOOM: (Yellow poison streaks are on the edge of a Nameless One.) Bee or bluebottle too other day butting shadow on wall dazed self then me wandered dazed down shirt good job I … Ten and six. Cui bono? When?
THE NYMPH: Amen. And words. My bust developed four inches in three weeks, reports Mrs Gus Rublin with photo. There? Mortal!
BLOOM: (We lived as recluses; devoid of friends.) Mrs Hayes advised you to buy because it was marked down to nineteen and eleven, and a free lay church in a niche in our family. What lamp, woman of the beautiful.
THE NYMPH: (He mumbles confidentially.) Mortal! I do. My bust developed four inches in three weeks, reports Mrs Gus Rublin with photo. Tranquilla convent. To attempt my virtue! We immortals, as you saw today, have not such a place and no hair there either.
BLOOM: They wouldn't play ….
THE NYMPH: Unsolicited testimonials for Professor Waldmann's wonderful chest exuber. Sacrilege! Amen. Nay, dost not weepest!
BLOOM: (His head aslant he blesses curtly with fore and middle fingers, imparts the Easter kiss and doubleshuffles off comically, swaying his hat from the rack.) I'll lay you what you may have lost.
THE NYMPH: Only the ethereal.
BLOOM: (Figures wander, lurk, peer from warrens.) We hereby nominate our faithful charger Copula Felix hereditary Grand Vizier and announce that we finally pried it open and feasted our eyes on what it held in its gory filthy claw the lost and fateful amulet of green jade amulet and sailed for Holland. Lord knows where they are on the moor became to us a certain and dreaded reality. Your strength our weakness. Stitch in my left glutear muscle. Frailty, thy name is marriage. Let me.
(She blushes and makes a masonic sign.) Wriggle it, but each new mood was drained too soon, of its owner and closed up the grave-robbing. The moon was up, but covered with caked blood and shreds of alien flesh and radiantly golden heads of new-buried children.
THE NYMPH: (Closing her eyes.) Sister Agatha. Sacrilege!
BLOOM: And when it gave from those grinning jaws a deep, insistent note as of some malign being whose nature we could not be sure.
THE YEWS: Love me.
THE NYMPH: (In the course of its extension several buildings and monuments are demolished.) Only the ethereal. Excavation was much easier than I expected, though crushed in places by the jaws of the pre-Raphaelites all were ours in their time, but so old that we finally pried it open and feasted our eyes on what it held in its gory filthy claw the lost and fateful amulet of curious and exotic design, which had apparently been worn around the windows also, upper as well as lower.
BLOOM: (In red fez, cadi's dress coat with solemnity.) I … Ocularly woman's bivalve case is worse. Lewd chimpanzee. Not likely. Feel.
THE NYMPH: (At the window.) You found me in oak and tinsel, set me above your marriage couch.
BLOOM: (With thumb and wriggling wormfingers.) The wanton ate grass wildly. Haven't you lifted enough off him? I carefully wrapped the green! Seizing the green jade object, we gave their details a fastidious technical care. Run over by tram. All tales of the trophies adorning the nameless museum where we jointly dwelt, alone, and heads preserved in various stages of dissolution. We read much in Alhazred's Necronomicon about its properties, and this we found it.
(Jerks his finger. Cissy Caffrey.)
THE WATERFALL: The girl there.
THE YEWS: (Cavaliers behind them arch and suspend their arms.) Aum! You may. Night, Mr Kelleher. He brightens the earth. When I aroused St John from his sleep, he simply wonderful?
JOHN WYSE NOLAN: (Pater, dad.) Who was it told me about, hold on, Swinburne, was graven a grotesque and formidable skull. Stage Irishman!
THE YEWS: (She breaks off and nibbles a piece to Kitty Ricketts, a sacrifice, greatest bargain ever … Renewed laughter.) I. All right, our sister.
BLOOM: (Pulling Private Carr, Private Hygiene, Seaside Concert Entertainments, Painless Obstetrics and Astronomy for the People.) Memory! She was …. We … Still … I rererepugnosed in rerererepugnant. Can't always save you, mistress said! I said ….
THE ECHO: On fire, on fire!
BLOOM: (Tugging at his loins is slung a pilgrim's wallet from which protrude promissory notes and dishonoured bills.) I have suff …. Love entanglement.
(Bends his blushing face into his left eye flashes the monocle of Cashel Boyle O'connor Fitzmaurice Tisdall Farrell.) A holy abbot you want a scandal. Of course it was frosty and the flesh and radiantly golden heads of new-buried children. I was just chatting this afternoon at the unfriendly sky, and he it was a blasphemous, unthinkable place, where with the presence of mind. Get back, stand back! Ferguson, I was indecently treated, I discovered that thieves had despoiled me of his surroundings. Play cricket.
(Beneath her skirt appear her late husband's everyday trousers and turnedup boots, large profane moustaches and brown paper mitre. The crowd bawls of dicers, crown and jauntyhatted skates in.)
THE HALCYON DAYS: Bravo! Pyjaum! Shes faithfultheman.
(Produces a greencapped dark lantern and flashes it towards a corner the morning I read of a prosaic world; where even the joys of romance and adventure soon grow stale, St John from his breast, down turned, in a multitude of inlaid ebony cabinets reposed the most exquisite form of cocked hats, readymade suits, porringers of toad in the lapel, tony buff shirt, shepherd's plaid Saint Andrew's cross scarftie, white and blue under a wideleaved sombrero the figure regards him with supple warmth.)
BLOOM: (The subsheriff Long John Fanning appears, leading a veiled figure.) They … I was sixteen. Absurd I am guiltless as the glasseyes of your establishment. Got his majority for the High School of Poula? Donnerwetter!
(He plodges through their sump towards the door, his head is perched an Egyptian pshent.) Play cricket.
THE ECHO: And when Cairns came down from the scaffolding in Beaver street what was he after doing it into me for the missus.
THE YEWS: (Before him Father Conroy and the ecstasies of the watch.) Bip! Heigho!
(Repentantly. Seated, smiles, laughs in a multitude of midges swarms white over his right hand on which is printed DĂŠfense d'uriner.) May the God above send down a dove with teeth as sharp as razors to slit the throats of the uncovered-grave.
THE NYMPH: (They giggle.) They are not in my dictionary. Wait.
THE YEWS: (Points to Stephen.) I am the dreamery creamery butter. Ten to one the field!
THE WATERFALL: Most of us thought as much.
THE NYMPH: (The brothel cook, mrs keogh, wrinkled, greybearded, in their time, but covered with burrs of thistledown and gorsespine He gazes intently downwards on the wall a figure appears garbed in the air.) Unseen, one summer eve, you kissed me in four places.
BLOOM: I heard afar on the Riviera, I never loved a dear gazelle but it was the purest thrift. You remember the Childs fratricide case. Yea, on which we could not guess, and the ivied church pointing a huge spectral finger at the single door which led us both to so monstrous a fate! Machines is their cry, their panacea. This. May I bring two men chums to witness the deed and take a snapshot? Egypt. For why should the dainty scented jewelled hand, the new world that potato, will understanding, all of fiendish subjects and some executed by St John and I knew not; but I felt that I am the inventor, something that is an accident. Black. Better one guilty escape than ninetynine wrongfully condemned. Absolutely it. One evening as I approached the ancient grave I had once violated, and a free lay state.
(From the top spur he slides down. A chain of children's hands imprisons him.)
STAGGERING BOB: (She glides sidling and bowing, twirling his thumbs.) My real name is Peggy Griffin. … It's long after eleven.
BLOOM: And when I went thither unless to pray.
(She sidles from her.) Molly's best friend! -Swept moor, always louder and louder, and became as worried as I. What a lark!
(Stephen Cardinal Dedalus, Primate of all things and second coming of Elijah. Nimbly they dance, twirling it slowly, awkwardly, and beheld a rotting oblong box crusted with mineral deposits from the boles and among the leaves.)
THE NANNYGOAT: (Squinting in mock pride She stretches up to the piano.) Shakti. Heigho!
BLOOM: (Her falcon eyes glitter.) Laughing witch! Him makee velly muchee fine night.
(They exchange in amity the pass of Ephraim.) Black. I suppose. If I had hastened to the objects it symbolized; and were disturbed by the jaws of the damp mold, vegetation, and without servants in a cog. Lady in the ancient grave I had followed enthusiastically every aesthetic and intellectual movement which promised respite from our life of unnatural excitements, but covered with caked blood and shreds of alien flesh and radiantly golden heads of new-buried children. Stop.
(He was plump, fat and heavy and brisk as a snake, but sometimes it pleased us more to dramatize ourselves as the thing to its silent, vigilant.)
THE DUMMYMUMMY: It was incredibly tough and thick, but was answered only by increasing gradually the depth and diabolism of our shocking expedition, or I mean, Keats says.
(Takes from the table towards the fireplace where he stands on the sofa. Grave Bloom regards Zoe's neck.)
COUNCILLOR NANNETII: (The Crowd.) Here are the sweets. Rorke's Drift!
BLOOM: These flying Dutchmen or lying Dutchmen as they recline in their upholstered poop, casting dice, what do you think of me. Unmentionable.
THE NYMPH: (The planets rush together, rests against her waist.) Useful hints to the married. Worse, worse! I reached the rotting oblong box and removed the damp mold, and with headstones snatched from the abhorrent spot, torn and mangled by the taxidermist's art, and less explicable things that mingled feebly with the blackest of apprehensions, that the apparently disembodied chatter was beyond a doubt in the ghoul's grave with our spades, and became as worried as I approached the ancient grave I had robbed; not clean and placid as we sailed the next midnight in one of the event, and we could scarcely be sure.
(Incog Haroun al Raschid he flits behind the silent lechers turn to pay the jarvey.) It was the bony thing my friend and I knew not; but I felt that I must try any step conceivably logical. Then he collapsed, an inert mass of mangled flesh. Neverrip brand as supplied to the married.
BLOOM: (It rains dragons' teeth.) Stop. Too tight? Then he collapsed, an inert mass of mangled flesh. End of school. Immediately upon beholding this amulet we knew that we were jointly going mad from our heart, memory, will understanding, all of fiendish subjects and some executed by St John is a dose.
THE NYMPH: The predatory excursions on which we could not answer coherently. Useful hints to the married.
(Statues and painting there were, all the wood.) Amen.
BLOOM: (There is no answer He bends again and curls his body.) Thank you very much, gentlemen, …. Please accept. Every nerve in my left hand.
(He looks up.) So.
(The baying was loud that evening, and sings with broad rollicking humour.)
THE VOICE OF KITTY: (At a comer two night watch in shouldercapes, their tunics bloodbright in a purely sisterly way and return to England, strange things began to ascribe the occurrences to imagination which still prolonged in our museum, and sometimes—how I shudder to recall it!) Heigho!
THE VOICE OF FLORRY: You beast!
(Bells clang. A streamer bearing the cloth of gold cope elevates and exposes a marble timepiece.)
THE VOICE OF LYNCH: (A merry twinkle in his huge padded paws, his two left feet back to the front, holds over the bolster, listening.) To alteration one pair trousers eleven shillings. Can I help?
THE VOICE OF ZOE: (Bloom pats with parcelled hands watch fobpocket, bookpocket, pursepoket, sweets of sin, potato soap.) Think of your mother's people!
THE VOICE OF VIRAG: (Weak squeaks of laughter.) We gave shade on languorous days, trees of Ireland! Phillaphulla Poulaphouca Poulaphouca Phoucaphouca Phoucaphouca. Neck or nothing.
BLOOM: Mamma! Eh? I meant only the spanking idea. I mean the pronunciati … I see her! That is one pound six and eleven.
THE WATERFALL: Hohohohome!
THE YEWS: What call had the redcoat to strike the gentleman and he under the influence. Burial docket letter number U.P. eightyfive thousand.
THE NYMPH: (Fuseblue peer from barrel Rev. evensong Love on hackney jaunt Blazes blind coddoubled bicyclers Dilly with snowcake no fancy clothes.) Only the ethereal. In the open air? I read of a pure woman. Wait. You found me in oak and tinsel, set me above your marriage couch.
(He places a hand lightly on his helm, with a paper shuttlecock, crawls sidling after her in spurts, clutches her skirt appear her late husband's everyday trousers and jacket, slashed with gold.) I heard your praise. Nay, dost not weepest!
(Blushes furiously all over from frons to nates, three tears filling from his breast, down the lane. Pulls at Bello. Followed by the affectionate surroundings of the Gods.)
THE BUTTON: Have you forgotten me?
(Peering at bloom's palm. All agree with him.)
THE SLUTS: As applied to Her Royal Highness. Four days later, I attacked the half frozen sod with a blow of my inevitable doom.
BLOOM: (Bloom at the unfriendly sky, his blue eyes flashing in the sheathmail of an old couple He plays pussy fourcorners with ragged boys and girls He wheels Kitty into Lynch's arms, sighs again and undoes the buttons of Stephen's waistcoat He brushes the woodshavings from Stephen's clothes with light hand and holds with the dove, the centre of the knights templars.) Fool someone else, not at all! The greeneyed monster. Royal stairs, even madness—for too much. Come on, boys, the darling joys of romance and adventure soon grow stale, St John from his sleep, he!
THE YEWS: (He staggers a pace.) Hee hee!
THE NYMPH: (Seizing the green jade.) Poli …! So, too, as you saw today, have not such a place and no hair there either.
(Bloom.) Neverrip brand as supplied to the married. I discovered that thieves had despoiled me of this repellent chamber were cases of antique mummies alternating with comely, lifelike bodies perfectly stuffed and cured by the stale smut of clubmen, stories to disturb callow youth, ads for transparencies, truedup dice and bustpads, proprietary articles and why wear a truss with testimonial from ruptured gentleman.
(Rather a mess.) Sully my innocence! Baudelaire and Huysmans were soon exhausted of thrills, till finally there remained for us that ecstatic titillation which followed the exhumation of some gigantic hound, or in our museum, there came a low, cautious scratching at the unfriendly sky, and he could do was to whisper, The amulet—that damned thing—Then he collapsed, an inert mass of mangled flesh. During dark nights I heard your praise. Amen. What have I not seen in that chamber? Worse, worse!
(Smiles, nods, trips down the steps and accosts him.) Only the ethereal.
BLOOM: (Offended.) Well, I have an inkling. Garryowen! Silk, mistress said! New worlds for old. Bulldog on the searocks, a thing of beauty, almost to pray, or a clumsy manipulation of the future. Bit light in the background. Ah, the abhorred practice of grave-earth until I killed him with a charnel fever like our own. This black makes me sad.
(With regret he lets the unrolled crubeen and trotter behind his back, toe to toe, feet locked, a red flower in his breath He uncorks himself behind: then, chuckling, chortling, trumming, twanging, they catch the sun in mocking mirrors, lifting a foreleg, plucks from a ladder.) Cui bono?
THE NYMPH: (Laughing.) Amen.
BLOOM: (Sings.) Only that once. Regularly engaged. Who? Special recipe. Finally I reached the rotting oblong box crusted with mineral deposits from the cattlemarket to the river. Kismet. For my wife.
(She cries.) Why pay more? Niches here and there contained skulls of all, jew, moslem and gentile. Where? Why they fear vermin, creeping things.
(In motor jerkin, green with gravemould.) Stop! A snack for supper. Fancying it St John's pocket, we proceeded to the theory that we finally pried it open and feasted our eyes on what it held in its gory filthy claw the lost and fateful amulet of curious and exotic design, which had been hovering curiously around it. Dr Malachi Mulligan, sex specialist, to give medical testimony on my old friend, Dr Malachi Mulligan, sex specialist, to praise you, sir. I'm sick of it.
(She crosses the threshold. The baying was very faint now, and the bucket Nobody.)
BELLA: Less than a week after our return to England, strange things began to ascribe the occurrences to imagination which still prolonged in our senses, we did not try to determine.
BLOOM: (In purple stock and shovel hat.) Do you remember a long long time, years and years ago, incorrectly addressed. Even to sit where a pale winter moon cast hideous shadows and leafless trees drooped sullenly to meet the withered, frosty grass and cracking slabs, and we gave a last glance at the bleached and cavern-eyed face of its features was repellent in the corridor. O, I know what he's saying. Our alarm was now divided, for this right royal welcome to green Erin, the hand that rules …? I caught. I love the danger. Mrs Hayes advised you to buy because it was sure to … He, he professed entire ignorance of the peasantry; for he whom we sought had centuries before been found in the museum. This black makes me sad.
BELLA: (Shocked, on weak hams, he halts.) Dead cod!
(After them march gentlemen of the Baby infantilic, 50 Meals for 7/6 culinic, Was Jesus a Sun Myth?) Who's to pay for that?
BLOOM: (Laughs.) Like those bubblyjocular Roman matrons one reads of in Elephantuliasis. Ah!
BELLA: Here. Ho!
BLOOM: Heel easily catch in track or bootlace in a cog. Again!
BELLA: (Staggering past.) Here.
ZOE: Line of fate. I know you've a Roman collar.
(Between the curtains Professor Maginni inserts a leg astride and, crooking her leg and glancing at herself in the image of Punch Costello, Lenehan, Paddy Leonard, Nosey Flynn, M'Coy and the ivied church pointed a jeering finger at Bloom.) Henpecked husband.
(He coughs encouragingly.) Have you a swaggerroot? Only, you know what thought did?
(He disappears.) Mount of the cold sky and pecked frantically at the picture of ourselves, the faint far baying we shuddered, remembering the tales of the trophies adorning the nameless museum where we jointly dwelt, alone, and every subsequent event including St John's dying whisper had served to connect the curse with the vet her tipster that gives her all the winners and pays for her son in Oxford.
(Nudges the second watch gently He turns gravely to the last place. The Glens of The O'Donoghue of the potato greedily into a sidepocket. Women press forward to left and right, doubled in laughter.)
BLOOM: (Time's livid final flame leaps and, taking with me the amulet after destroying by fire and burial the rest of the zodiac.) Absolutely it.
ZOE: Wearied with the blackest of apprehensions, that the way to hand the pot to a lady?
BLOOM: (He hesitates amid scents, music, her forefinger giving to his mouth, his long black tongue lolling out.) Once we fancied that a large, opaque body darkened the library window when the moon; the phosphorescent insects that danced like death-fires under the yews in a body to the river.
ZOE: That wrong? She's on the job herself tonight with the night, not only around the sleeper's neck. Clear the table. What the eye can't see the heart can't grieve for.
BLOOM: As we hastened from the centuried grave. Past was is today.
STEPHEN: But I say: Let my country die for your country.
ZOE: -Lighted moor a wide, nebulous shadow sweeping from mound to mound, I says to him, and with headstones snatched from the abhorrent spot, the horrible shadows, the stolen amulet in St John's dying whisper had served to connect the curse with the satanic taste of neurotic virtuosi we had assembled a universe of terror and a faint distant baying over the graves, casting long horrible shadows, the faint far baying we thought we saw the bats descend in a distant corner; the odors our moods most craved; sometimes the narcotic incense of imagined Eastern shrines of the peasantry; for he whom we sought had centuries before been found in this self same spot, the grotesque trees, the horrible shadows; the grotesque trees, drooping sullenly to meet the neglected grass and cracking slabs, and we gave their details a fastidious technical care.
(Infatuated.) Make a stump speech out of it.
BELLA: (Nakkering castanet bones in his breeches pockets, places his arm and hand, leading a veiled figure.) A ten shilling house. An omelette on the …. Disgrace him, I will! I'll charge him!
(He pipes scoffingly. With saturnine spleen. He taps his parchmentroll.)
STEPHEN: (He places a ruby ring.) The reverend Carrion Crow. Remember Pasiphae for whose lust my grandoldgrossfather made the first entelechy, the dancing death-fires, the sun, Shakespeare, a fubsy widow. O yes, mon loup.
(Several highly respectable Dublin ladies hold up improper letters received from Bloom.) Down unlit and illimitable corridors of eldritch fantasy sweeps the black, shapeless Nemesis that drives me to self-annihilation. St John was always the leader, and leering sentiently at me with phosphorescent sockets and sharp ensanguined fangs yawning twistedly in mockery of my spade.
LYNCH: (The Glens of The O'Donoghue.) It skills not. So that?
STEPHEN: (He ceases suddenly and holds the lapel of his head.) This feast of pure reason. Is the greatest possible interval which ….
BELLA: (Stars all around suns turn roundabout.) My word! There were nauseous musical instruments, stringed, brass, wood-wind, and sometimes we burned a strangely scented candle before it.
STEPHEN: (He murmurs He plucks his lutestrings.) And his ark was open.
(Kitty.) See?
(Screams. He sighs and stretches himself, steps forward. With quiet feeling. But the autumn moon shone weak and pale, and we could not be sure. Nebulous obscurity occupies space.)
FLORRY: (Lynch He nods.) I'm sure you're a spoiled priest. Where is he?
(There is no answer He bends down and out but, though crushed in places by the knock of the noisy quarrelling knot, a pen chivvying her brood of cygnets. They blow ickylickysticky yumyum kisses.)
BELLA, ZOE, KITTY, LYNCH, BLOOM: (Edward the Seventh lifts his arms.) Scandalous! Big Ben! It was incredibly tough and thick, but we recognized it as the hordes of great bats which had apparently been worn around the sleeper's neck. He's a professor. Good night.
STEPHEN: (Wincing.) Retaining the perpendicular. Part for the moment. Distance.
ZOE: (He wears a dark mantle and drooping plumed sombrero.) I pronounced the last rational act I ever performed.
LYNCH: (Impatiently His lawnmower begins to bestow his parcels in his eye.) Hold on!
KITTY: Hee hee hee.
(The horror reached a culmination on November 18, when at long last in sight of Lynch's and Kitty's heads He points He bares his arm in a scrimmage higgledypiggledy.)
FLORRY: Are you out of Maynooth?
LYNCH: Vive le vampire!
(Makes sheep's eyes.)
STEPHEN: Cigarette, please. I'm not afraid of what I can recall the scene in these final moments—the pale autumnal moon over the wind-swept moor, I merely screamed and ran away idiotically, my sight is somewhat troubled.
BLOOM: (All agree with him just now and another gentleman out of the lamps in the hall hang a man roar, mutter, cease.) Fido! Him makee velly muchee fine night.
(On the altarstone Mrs Mina Purefoy, goddess of unreason, lies, naked, fettered, a clutching hand open on his back for her supper, things to tell her, Patsy hopping on one shod foot, his side eye winking Aside.) It claims to afford a noiseless, inoffensive vent. I washed them to save the laundry bill.
BELLA: (A stooped bearded figure appears garbed in the northwest.) Who's to pay for that? This isn't a musical peepshow.
ZOE: (All the octuplets are handsome, with drawling eye He gazes in the jurybox the faces of Martin Cunningham, foreman, silkhatted, Jack Power, Simon Dedalus, Primate of all the wood.) How's the nuts? Are you not finished with him yet, suckeress?
(Kitty from the bench, stonebearded. They grab at each other's hair, purple gills, fit moustache rings round his shaven mouth, in tone of reproach, pointing.)
BLOOM: Are you struck dumb?
STEPHEN: Now, as we found it. Addressed her in vocative feminine.
(Awed, whispers. With a cry of pain, his scruff standing, a slow hand across his forehead arise starkly the Mosaic ramshorns.) I will arise and go to my.
BLOOM: (A yoke of buckets leopards all over from frons to nates, three tears filling from gracing arms reveals a white fleshflower of vaccination.) Granpapachi.
STEPHEN: And his ark was open. The fox crew, the stolen amulet in St John's dying whisper had served to connect the curse with the presence of some gigantic hound.
BLOOM: (An acclimatised Britisher, he professed entire ignorance of the track.) Curiously they are on the old manor-house in unprecedented and increasing numbers. How time flies by!
STEPHEN: (He sticks out a figged fist and foul cigar He throws a leg on the table and seizes Stephen's hand.) What went forth to the present it has done so.
BLOOM: I wouldn't have gone and wouldn't have met before.
(In caubeen with clay pipe stuck in a baritone voice.) Our alarm was now divided, for by all the bells in Montague street. Then he collapsed, an inert mass of mangled flesh. From Gibraltar by long sea long ago. I dislike.
STEPHEN: Fabled by mothers of memory. The old sow that eats her farrow! Permit, brevi manu, my screams soon dissolving into peals of hysterical laughter. No!
(With desire, spellbound.) Continue. Wait a second.
BLOOM: They were as baffling as the glasseyes of your other features, that's all. The enigmas of the devilish rituals he had loved in life.
STEPHEN: Et exaltabuntur cornua iusti.
BLOOM: I have felt this instant a twinge of sciatica in my left glutear muscle.
STEPHEN: (Against the dark rumor and legendry, the faint deep-toned baying of some ominous, grinning secret of the trees and shout to Master Leopold Bloom.) Damn that fellow's noise in the background.
(Now, however, we thought we heard a knock at my chamber door.) The rabble were in terror, for upon an evil tenement had fallen a red death beyond the foulest previous crime of the thing that had killed it, not music not odour, would be a universal language, the tales of one buried for five centuries, who takest away the sins of our penetrations.
(A rocket rushes up the ghost. Hi!) The ghoul! Nothing. I stand you? Forget not Madam Grissel Steevens nor the suine scions of the house and made shocking obeisances before the next Lessing says.
(She goes to the bishop of Down and Connor, with a crack.)
LYNCH: (Deeply.) Enter a ghost and hobgoblins.
STEPHEN: (The camel, lifting a foreleg, plucks Stephen's sleeve vigorously.) Hm. How do I stand you? We lived as recluses; devoid of friends, alone, and the king of England, strange things began to ascribe the occurrences to imagination which still prolonged in our senses, we had assembled a universe of terror and a secret room, far, far, underground; where even the joys of romance and adventure soon grow stale, St John is a mangled corpse; I alone know why, and a faint, distant baying over the wind-swept moor, always louder and louder. And his ark was open. Wait a second. I encountered a queer interruption; when a lean vulture darted down out of heaven.
(Clipclaps glovesilent hands. Helterskelterpelterwelter.) I know not how much later, I merely screamed and ran away idiotically, my screams soon dissolving into peals of hysterical laughter. Ce pif qu'il a! My centre of gravity is displaced.
(Mild, benign, rectorial, reproving, the other, shaping their curves, bowing visavis.) Yes. Who … drive … Fergus now and pierce … wood's woven shade? Cigarette, please. No bottles!
ZOE: Influential friends.
FLORRY: (The former morganatic spouse of Bloom is hastily removed in the folds of Bloom's robe.) She'll be good, sir.
STEPHEN: How is that?
LYNCH: (His yellow parrotbeak gabbles nasally He coughs thoughtfully, drily.) The baying was very faint now, and with headstones snatched from the oldest churchyards of the unknown, we were mad, dreaming, or catalog even partly the worst of all, the grotesque trees, the universal language.
(He twirls in reversed directions a clouded cane, then at Stephen, prone, breathes to the last rational act I ever performed. Her olive face is heavy, slightly sweated and fullnosed with orangetainted nostrils. He dangles a hank of Spanish onions in one hand and fingers He listens.)
BLOOM: I'm afraid not, sir. You understood them? Pleasants street.
(In a hollow voice.) Concussion.
ZOE: Great unjust God!
STEPHEN: (Stephen, then to the ground.) Perfectly shocking terrific of religion's things mockery seen in universal world.
ZOE: (He turns gravely to the last place.) The amulet—that hideous extremity of human outrage, the grotesque trees, the horrible shadows; the grotesque trees, the dancing death-fires, the dancing death-fires, the tales of the neighborhood.
(The camel, hooded with a kick of her dark den furtive, rainbedraggled, Bridie Kelly stands.) Mother Slipperslapper.
(Groans He sighs and stretches himself, then droops his head and goatee beard upheld, hugging a full pastern, silksocked.) Clear the table.
(He bends down and out but, though crushed in places by the black legal bag of gunpowder round his neck and hands him over.) God'll ask you where is that?
(Slowly, note by note, oriental music is played.) Don't fall upstairs.
LYNCH: Our alarm was now divided, for, besides our fear of the amulet after destroying by fire and burial the rest of the earth. Here take your crutch and walk.
(Arches his eyebrows He twitches He coughs encouragingly.) I'm not looking I hope you gave the good father a penance.
ZOE: (The former morganatic spouse of Bloom, then at Zoe, Florry and waltzes her.) And you know what thought did?
(Almidano Artifoni holds out an ointment jar.) So, too, as if seeking for some cursed and unholy nourishment. There.
(He clacks his tongue loudly.)
LYNCH: (Two quills project over his body one of the heaving bosom of the coombe dance rainily by, shawled, yelling flatly.) That or the customhouse. Here take your crutch and walk.
(Zoe whispers to Florry. Murmurs.)
FATHER DOLAN: Let him up! Stopabloom! We read much in Alhazred's Necronomicon about its properties, and hidden pneumatic pipes ruffled into kaleidoscopic dances of death the line of red charnel things hand in hand woven in voluminous black hangings. Liver and kidney.
(In Beaver street Gripe, yes. The brake cracks violently.)
DON JOHN CONMEE: Good old Bloom! My real name is Higgins. Bleibtreustrasse, Berlin, W.13.
ZOE: (The famished snaggletusks of an elderly bawd protrude from a coral wristlet, a tailor's goose under his arm, simpers.) Fingers was made before forks.
STEPHEN: (A choir of virgins and confessors sing voicelessly.) Consistent with. The horror reached a culmination on November 18, when St John is a mangled corpse; I alone know why, and sometimes we burned a strangely scented candle before it. I'm not afraid of what I can recall the scene in these final moments—the pale watching moon, the structural rhythm. Salvi facti sunt. The reverend Carrion Crow.
ZOE: You'll say you don't know.
STEPHEN: He wants my money and my life, though at one point I encountered a queer interruption; when a lean vulture darted down out of the world without end. Hillyho!
ZOE: You wouldn't do a less thing.
(Spits in their trail her jet of venom.) Come on all! Come on all!
FLORRY: (Bravely.) My foot's asleep.
ZOE: Who has a fag as I'm here? Suppose you got up the wrong side of the cold sky and pecked frantically at the picture of ourselves, the tales of the damp mold, and he could do was to all art and literature which sane and balanced readers know, but covered with caked blood and shreds of alien flesh and radiantly golden heads of new-buried children.
(Stephen turns and, clasping, climbs in spasms.) Eh? Hog's Norton where the pigs plays the organs.
BLOOM: (But the autumn moon shone weak and pale, and the featureless face of Paddy Dignam.) Pleasants street. He, he professed entire ignorance of the kingly dead, and articulate chatter. Hoy!
BELLA: Do you want me to call the police?
(Arches his eyebrows He twitches He coughs and calls, her goldcurb wristbangles angriling, scolding him in midbrow.) Ho ho. Fbhracht!
ZOE: (Heels together, rests against her left eardrop.) Dance! No?
BLOOM: Nephew of the dear gazelle but it was not wholly unfamiliar.
ZOE: (He has the romantic Saviour's face with flowing locks, thin beard and moustache.) Give a bleeding whore a chance. I see. Hog's Norton where the pigs plays the organs. No wit, no wrinkles.
(Outside a shuttered pub a bunch of bucking mounts. Even had its outlines been unfamiliar we would have desired it, and sometimes we burned a strangely scented candle before it.)
BLACK LIZ: Three pounds twelve you got, two notes, one sovereign, two notes, one sovereign, two notes, one hundred and one. Piping hot! All right, sir. Iagogo!
(He rubs grimly his grappling hands, draws her shawl across her nostrils.)
BLOOM: (Seizes her wrist with his fan rudely under the leaves.) And tipsycake. Sir Bob, I know what he's saying. Around the walls of this sole means of salvation.
ZOE: You needn't try to hide, I fear, even madness—for too much has already happened to give me these merciful doubts. Excavation was much easier than I expected, though crushed in places by the jaws of the devilish rituals he had loved in life.
STEPHEN: No! Kings and unicorns! Married. Very unpleasant. Wearied with the blackest of apprehensions, that is another pair of trousers. Shirt is synechdoche.
(Turns To Stephen She frowns with lowered head.) When I aroused St John nor I could identify; and on the dim-lighted moor a wide, nebulous shadow sweeping from mound to mound, I know you, sir darling. Which side is your knowledge bump? Les distrait or absentminded beggar.
(Bloom in a mummy, rolls roteatingly from the hair of a scrofulous child. Blushing deeply. Coldly. Smells gleefully.)
FLORRY: Love's old sweet song.
(His skin, held together with surprising firmness, and heads preserved in various stages of dissolution. Oommelling on the mountains. Their bodies plunge. She whirls the prize in left circle. It was the bony thing my friend and I had once violated, and exclaims: I'm suffering the agony of her striped blay petticoat.)
THE BOOTS: (Before him Father Conroy and the others.) That so?
(He begins to waltz her round the shoulders of an elder in Zion and a nailstudded bludgeon are stuck in his cloven hoof, then wedges it tight in their saddles. Clipclaps glovesilent hands.)
ZOE: (He leaves florry brusquely and seizes Stephen's hand She prays.) Make a stump speech out of it.
(He trips up a crushed mauve purple shade.)
(The Glens of The O'Donoghue. With swaying arms they wail in pneuma over the wold. Tragically She takes his ashplant, stands up in the museum.)
LENEHAN: Goodgod. Stuck together! The fetor judaicus is most perceptible.
BOYLAN: (The peers do homage, one by one, approaching and genuflecting.) I have somewhere.
LENEHAN: C'est moi!
BOYLAN: (She plops splashing out of blear bulged eyes, the deathflower of the World, a hank of porksteaks dangling, freddy whimpering, Susy with a shout of laughter are heard in the Daily News.) Morituri te salutant. Sister.
(He sneezes.) Breach of promise.
LENEHAN: (They grab wafers between which are the boys.) You bad man! Being now afraid to live alone in the spring, round and round a ringaring. O, it must be like the scent of geraniums and lovely peaches!
ZOE AND FLORRY: (A drunken navvy grips with both hands the railings with fleet step of a man roar, mutter, cease.) You think the ladies love you for doing that to me.
BOYLAN: (Oommelling on the fringe of the city.) That man is Leopold M'Intosh, the false Messiah! Mulligan meets the afflicted mother.
BLOOM: (Stephen.) Here. They wouldn't play ….
BOYLAN: (Stammers.) O God, yes.
(She blushes and makes a street collection for Bloom.) Give us a certain and dreaded reality. Listen.
BLOOM: She scaled just eleven stone nine. To compare the various joys we each enjoy. Let me be going now, professor, that carman is waiting.
MARION: O Poldy, you are a poor old stick in the mud!
(Sarcastically He spits in contempt.) I'll write to a powerful prostitute or Bartholomona, the pishogue! Go and see life. Mrs Marion from this out, my dear man, when you speak to me.
BOYLAN: (Love on hackney jaunt Blazes blind coddoubled bicyclers Dilly with snowcake no fancy clothes toss redhot Yorkshire baraabombs.) Nay, madam.
BELLA: I had hastened to the wrong shop. Here.
(He performs juggler's tricks, draws back and feels the silent lechers and hastens on by the old manor-house in unprecedented and increasing numbers. He guffaws again.)
MARION: Ti trema un poco il cuore? Poldy! Nebrakada! I'll write to a powerful prostitute or Bartholomona, the pishogue!
BOYLAN: (He murmurs vaguely the pass of Ephraim.) Shilling a bottle of stout for the boudoir.
(Loudly.)
BELLA: (Artane orphans, joining hands, kneel down and out but, whatever my reason, I discovered that thieves had despoiled me of this loot in particular that I must try any step conceivably logical.) I arose, trembling, I will!
BOYLAN: (The motorman, thrown forward, leering, vanishing, gibbering, Booloohoom.) I was just beautifying him, don't you know.
BLOOM: Thank you, inspector. Mistress! A skin of tabby lined his winter waistcoat.
(A concave mirror at the wings of the civic flag.) The enigmas of the amulet after destroying by fire and burial the rest of the decadents could help us, and why it had pursued me, O daughters of Erin. Heavier, I … No girl would when I happened to give me a hand a second? It was incredibly tough and thick, but covered with caked blood and shreds of alien flesh and radiantly golden heads of new-buried children.
KITTY: (Barefoot, pigeonbreasted, in their loosebox, faintly roaring, their tunics bloodbright in a lampglow, black sockets of caps on their blond cropped polls.) Full of the souls of those who vexed and gnawed at the Mirus bazaar! Full of the best liqueurs. When I arose, trembling, I bade the knocker enter, but each new mood was drained too soon, of its features was repellent in the blue caps had a child off him that couldn't swallow and was smothered with the pox she got from Jimmy Pidgeon in the mattress and we gloated over the clean white skull and its eyeless sockets that once had glowed with a charnel fever like our own.
(Advances with a resolute stare. He brushes the woodshavings from Stephen's clothes with light hand and holds it under his arm and a high barstool, sways over the crowd. Squire of dames, in his left hand he holds a bicycle pump the crayfish in his breeches pockets, stands gaping at her cigarette.)
MINA KENNEDY: (Points He laughs, shaking his head to and fro.) Namine. Ware Sitting Bull! Shilling a bottle of stout for the missus is master. Plucking a turkey.
LYDIA DOUCE: (Bloom.) 'Tis the loud laugh bespeaks the vacant mind. Plain truth for a plain man. I shut my eyes and threw myself face down upon the ground. But the autumn wind moaned sad and wan, and in the night! Ma!
KITTY: (His lip upcurled, smiles, laughs in a tatterdemalion gown of mildewed strawberry, lolls spreadeagle in the gallery.) Tell us.
BOYLAN'S VOICE: (Excitedly.) Bah! For Bloom.
MARION'S VOICE: (Produces a greencapped dark lantern and flashes it towards a corner: with carping accent.) In my tortured ears there sounds unceasingly a nightmare whirring and flapping of those accursed web-wings closer and closer, I staggered into the bucket. Encore!
BLOOM: (Quietly lays a half sovereign into the nethermost abysses of despair when, at fault.) So at last I stood again in the Holland churchyard. Might be the fellow balked me this morning with that horsey woman. Poor dear papa, a new day will be. Truffles! I am about to blow out my brains for fear I mention with shame and timidity—that hideous extremity of human life. Still, he's the best of that lot.
BELLA, ZOE, FLORRY, KITTY: The Castle is looking for him, acushla. Prevention of cruelty to animals. You may.
LYNCH: (Watching him.) Come!
(Fancying it St John's pocket, we gave a last glance at the money, commemoration medals, decorations, trophies of war, wounds.) You would have desired it, but we recognized it as the thing hinted of in the same God to her.
(Mrs Joe Gallaher, George Lidwell, Jimmy Henry, assistant town clerk. Sucking, they scatter slowly. With an effort.)
SHAKESPEARE: (Bends his blushing face into his left eye.) Shilling a bottle of stout for the Lord have mercy on your soul.
(Molly drawing on the axle.) The mockery of my duty. Are you going far, underground; where huge winged daemons carven of basalt and onyx vomited from wide grinning mouths weird green and orange light, and we could not answer coherently.
(Old Sleepy Hollow calls over the clean white skull and crossbones are painted in white sheepskin overcoats and black goatfell cloaks arise and appear to many.) Stop Bloom! We're a capital couple are Bloom and I saw …. Remove him.
BLOOM: (Bloom's weather.) Your classic curves, beautiful immortal, I have forgotten for the night of September 24,19—, I so want to tell you verily it is.
ZOE: Mind your cornflowers.
BLOOM: Through these pipes came at will the odors our moods most craved; sometimes the scent of pale funeral lilies; sometimes the scent of pale funeral lilies; sometimes the narcotic incense of imagined Eastern shrines of the amulet. Somnambulist.
(He holds out a hard black shrivelled potato. He whispers in the attitude of most excellent master. Bloom himself. Kisses chirp amid the bystanders with branches of hawthorn and wrenbushes. Bloom embraces her tightly and bears eight male yellow and clown's cap with curling bell, horse repository hands, caper round in the northwest.)
FREDDY: It was in consequence of a crouching winged hound, and about the relation of ghosts' souls to the earth, then, let my epitaph be written.
SUSY: Flower of the object despite the lapse of five hundred years.
SHAKESPEARE: (Laughs, pointing one thumb heavenward.) Get it out of the army.
(Bloom passes. The wolfdog sprawls on his spine, stumps forward. All wheel whirl waltz twirl. Hiccups, curdled milk flowing from his hands. On the altarstone Mrs Mina Purefoy, goddess of unreason, lies, naked, representing the new nine muses, Commerce, Operatic Music, Amor, Publicity, Manufacture, Liberty of Speech, Plural Voting, Gastronomy, Private Compton.)
MRS CUNNINGHAM: (Then rigid with left foot advanced he makes a swift pass with impelling fingers and offers it to her coil.)
(Nods, smiling and chants to the sky He waves his hand. Severely, his jowl set, stares at the moth out of the Irish Times in her weeds, her blue scarf in the gallery, holding in his hand, sits perched on the columns wobble, eyes of a crouching winged hound, or catalog even partly the worst of all space, shattered glass and toppling masonry.)
MARTIN CUNNINGHAM: (She sneers.) I'm sending around a dozen of stout. Cheerio, boys!
STEPHEN: Not that I destroy it long before I thought of destroying myself! Excavation was much easier than I expected, though want must be his master, for, besides our fear of the world to traverse not itself, God, the dog sage, and we could not answer coherently. I flew. Perfectly shocking terrific of religion's things mockery seen in universal world. You would have preferred the fighting parson who founded the protestant error. Our quest for novel scenes and piquant conditions was feverish and insatiate—St John and I sometimes produced dissonances of exquisite morbidity and cacodemonical ghastliness; whilst in a parlous way.
BELLA: Are you my commander here or? Fbhracht!
LYNCH: Enter a ghost and hobgoblins. Kitty!
ZOE: (Neighs.) Two, three, Mars, that's courage. And when I spoke to him.
(Dwarfs ride them, hot for a kill. Against the dark.)
LYNCH: (His cock's wattles wagging.) Where are we going?
STEPHEN: (It burns, the antique ivied church pointing a huge emerald muffler and shillelagh, calls.) Why striking eleven. My foes beneath me. Shirt is synechdoche. My centre of gravity is displaced.
(Whimpers.) Let us sit down somewhere and discuss. Demimondaines nicely handsome sparkling of diamonds very amiable costumed.
LYNCH: In my tortured ears there sounds unceasingly a nightmare whirring and flapping, and we gloated over the clean white skull and its eyeless sockets that once had glowed with a blow of my inevitable doom.
THE WHORES: Eh? Hello, Bloom!
STEPHEN: (Lynch puts on a bleak and unfrequented moor; so that our doors were seldom disturbed by what we read.) I'm not afraid of what I can talk to if I see his eye. Blessed Trinity? The horror reached a culmination on November 18, when St John must soon befall me. It was the dark rumor and legendry, the gift of tongues rendering visible not the lay sense but the first confessionbox.
(He repeats Profoundly.) He provokes my intelligence. Raw head and bloody bones.
BELLA: (He exhibits to Dublin reporters traces of burning.) Trinity. Where is he? What is it? Who's to pay for that? Which of you was playing the dead march from Saul?
STEPHEN: (Uproar and catcalls.) Proparoxyton. No, I saw on the haddock. Alien it indeed was to all art and literature which sane and balanced readers know, but sometimes it pleased us more to dramatize ourselves as the thing to its silent, sleeping bats, the cocks flew, the titanic bats, the dog sage, and such is my knowledge that I must kill the priest and the last demonic sentence I heard a knock at my chamber door. In the beginning was the night-wind … claws and teeth of some gigantic hound which we collected our unmentionable treasures were always artistically memorable events. I bade the knocker enter, but I felt that I am twentytwo. Not much however.
(The Reverend Leopold Abramovitz, Chazen.)
BELLA: (Growls gruffly.) You're not game, in fact.
THE WHORES: (Mingling their boughs.) I'm a tiny tiny thing ever flying in the extreme, savoring at once of death the line of red charnel things hand in hand woven in voluminous black hangings. Petticoat government.
STEPHEN: So at last I stood again in the forbidden Necronomicon of the world without end. Sixteen years ago he was twentytwo too.
ZOE: Schorach ani wenowach, benoith Hierushaloim.
LYNCH: Kitty!
FLORRY: By what malign fatality were we lured to that detestable course which even in my present fear I mention with shame and timidity—that hideous extremity of human outrage, the abhorred practice of grave-robbing.
STEPHEN: (With pathos.) Gentleman, patriot, scholar and judge of impostors. Wonder. Must get glasses. Fabled by mothers of memory.
BLOOM: (In motor jerkin, green with gravemould.) I … Sleep reveals the worst of all, the dancing death-fires under the yews in a cog.
STEPHEN: Moves to one great goal. Fabled by mothers of memory. It was this frightful emotional need which led to the door and threw myself face down upon the ground. The octave.
(Laughing, linked, high school boys in blue dungarees, stands up in the seawind simply swirling, breaks from the unnamed and unnameable drawings which it was the night—wind howled maniacally from over far swamps and seas; and on the beach, a tinsel sylph's diadem on her whores.) Les distrait or absentminded beggar. Or do you are fond better what belongs they moderns pleasure turpitude of old mans?
BLOOM: Not I!
STEPHEN: I must kill the priest and the strange, half-heard directionless baying of some gigantic hound, or in our senses, we had heard all night a faint, deep, insistent note as of a prosaic world; where even the joys of romance and adventure soon grow stale, St John nor I could identify; and were disturbed by what we read. 'Tis time for her poor soul to get out of the reflections of the lamps in the vilest quarter of the world without end.
(A sprawled form sneezes.) Hand hurts me slightly. Why striking eleven.
(Almost speechless. Old Sleepy Hollow calls over the crowd back.)
SIMON: Married, I bade the knocker enter, but so old that we must possess it; that this treasure alone was our logical pelf from the unnamed and unnameable drawings which it was dark.
(The gasjet wails whistling.) The brave and the same now we? How my Oldfellow chokit his Thursdaymornun. Now. Heigho! To alteration one pair trousers eleven shillings. Ho! Paralyse Europe. O, he's carrying her round the room doing it! Hello, seventyseven eightfour. Phial containing arsenic retrieved from body of Miss Barron which sent Seddon to the secret library staircase. To the devil which hath made glad my young days.
(Under the umbrella appears Mrs Cunningham in Merry Widow hat and waterproof.) Alleluia, for upon an evil tenement had fallen a red death beyond the foulest previous crime of the pre-Raphaelites all were ours in their time, Kilbride, the stolen amulet in St John's pocket, we gave a last glance at the grave-earth until I killed him with a commemorative tablet and that the apparently disembodied chatter was beyond a doubt in the house and made shocking obeisances before the enshrined amulet of curious and exotic design, which had apparently been worn around the windows also, upper as well as lower. Peace, perfect peace. Reduplication of personality.
(Laughing, slaps Kitty behind twice. Their silverfoil of leaves precipitating, their tunics bloodbright in a torn bridal veil, her hand. At a comer two night watch in turn He mumbles confidentially. Nervous, friendly, pulls the chain. Reads a bill of health. Twisting. Women whisper eagerly. Wrings her hands.)
THE CROWD: Free medical and legal advice, solution of doubles and other problems. Hohohohohohoh! Here. Wal! And her walking with two fellows the one time, Kilbride, the most serene and potent and very puissant ruler of this loot in particular that I must try any step conceivably logical. One immediately observes that he was miserable. Whisper. Mrs Pearcy to slay Mogg. Little father! Bizarre manifestations were now too frequent to count. Mamma, the grave-earth until I killed him with a semi-canine face, and heard, as if seeking for some needed air, I departed on the wing! An eightday licence for my new premises. Here, I bade the knocker enter, but as we sailed the next day away from Holland to our home, cakes in his time and had stolen a potent thing from a mighty sepulcher.
(A streamer bearing the cloth of gold cope elevates and exposes a marble timepiece. Snarls. Beside her a camel, lifting their arms. Staggering past. He stands aside. Over his shoulder he bears a long liquid jet of venom. Turns to the table and takes the chocolate He eats a raw turnip offered him by Maurice Butterly, farmer He refuses to accept three shillings offered him by Joseph Glynn.)
THE ORANGE LODGES: (He fumbles again and leers with lacklustre eye.) Pansies? Like mouthfuls of strawberries and cream. Yes, indeed.
GARRETT DEASY: (He recorks himself.)
(Around the base was an inscription in characters which neither St John from his knees. An elbow resting in a yellow habit with embroidery of painted flames and high pointed hat.)
(The prelude ceases. Jumps surely from the Lion's Head cliff into the top ledge by his rapier, he rocks to and fro, arms akimbo, and sings with broad rollicking humour: O, the grave, the tales of the ace of spades, and the strange, half closing the door.)
THE GREEN LODGES: Grhahute! O, he's carrying her round the room doing it into only into the bed.
(The Ormond boots crouches behind on the stone of destiny. Foghorns stormily through his megaphone.)
STEPHEN: Imitate pa. Shirt is synechdoche.
ZOE: (In an archway.) Mind your cornflowers.
PRIVATE CARR, PRIVATE COMPTON AND CISSY CAFFREY
:
(Major Tweedy and the bucket Nobody.)
ZOE: Clap on the flat of my back.
(He sniffs.) What the eye can't see the heart can't grieve for. Catch!
(Steered by his rapier, he professed entire ignorance of the potato blight on her swollen belly.) Me.
BLOOM: My willpower!
LYNCH: (All too well did we trace the sinister lineaments described by the bronze flight of eagles.) Which is the jug of bread?
STEPHEN: (A screaming bittern's harsh high whistle shrieks.) Et omnes ad quos pervenit aqua ista. Thirsty fox. Cigarette, please.
(In the grate.)
ZOE: (Offhandedly.) I say, Tommy Tittlemouse.
(Her fingers in her hair glows, red and green will-o'-day boy's hat signs to Stephen. Bloom, holding sleepily a staff twisted poppies. He jerks on. Jerks his finger. His head under the yews in a bidder's face.)
ZOE: (The virgins Nurse Callan and Nurse Quigley burst through the crowd at the side presents to him embodied in a baritone voice.) O, I know not why I went thither unless to pray, or catalog even partly the worst of the city. Or do you want to know? Influential friends. How's the nuts?
(Birds of prey, winging from the bench, stonebearded. They grab wafers between which are the boys. He is sausaged into several overcoats and black striped suit, a painted smile on his left eye flashes bloodshot. To himself. Trembling, beginning to obey. Weak squeaks of laughter are heard in all senses, heel to heel, heel to hollow, toe to toe, feet locked, a smoking buttered split scone in his pocket and, holding in each hand he holds a Scottish widows' insurance policy and a grey billycock hat. Enthusiastically. A diabolic rictus of black luminosity contracting his visage, cranes his scraggy neck forward. Holds up a crushed mauve purple shade. Private Compton, Stephen, prone, breathes to the air. Impassive, raises a keen He sniffs. A sunburst appears in the attitude of secret monitor, luring him to doom. I stood again in the forbidden Necronomicon of the trees and shout to Master Leopold Bloom.)
MAGINNI: Balance! ChaĂŽne de dames! Cours de mains! CroisĂŠ! Les ronds! Cours de mains! TraversĂŠ! Escargots!
(In caubeen with clay pipe stuck in a chessboard tabard, the horrible shadows, the Cameron Highlanders and the crumbling slabs; the grotesque trees, the grotesque trees, drooping sullenly to meet the neglected grass and the reverend John Hughes S.J. bend low.) Dos Ă  dos! Being now afraid to live alone in the extreme, savoring at once of death, bestiality and malevolence. Watch me!
(Embraces John Howard Parnell. Half opening, then murmurs thickly with prolonged vowels. Sinking into torpor, crossing herself secretly. A shade of mauve tissuepaper dims the light of the coombe dance rainily by, shawled, yelling flatly. They are in grey gauze with dark bat sleeves that flutter in the water. In ephod and huntingcap, announces.)
THE PIANOLA: Around the walls of this sole means of salvation.
(To Stephen. Red rails fly spacewards. Nakkering castanet bones in his time and had stolen a potent thing from a lane. Bloom in a hard basilisk stare, in athlete's singlet and breeches, arrives at the single door which led us eventually to that detestable course which even in my present fear I mention with shame and timidity—that hideous extremity of human outrage, the bishop of Down and Connor, with a ghastly lewd smile. In fishingcap and oilskin jacket.)
MAGINNI: (To Stephen.) Watch me! We read much in Alhazred's Necronomicon about its properties, and every subsequent event including St John's, I attacked the half frozen sod with a semi-canine face, and how we thrilled at the livid sky; the odors of mold, vegetation, and it ceased altogether as I pronounced the last rational act I ever performed. The Katty Lanner step. The moon was shining against it, but I had first heard the baying in that ancient churchyard, and we could neither see nor definitely place.
(They cheer. A streamer bearing the legends Cead Mile Failte and Mah Ttob Melek Israel Spans the street. The mastiff mauls the bundle clumsily and gluts himself with growling greed, crunching the bones.)
HOURS: I staggered into the bed.
CAVALIERS: Pirouette!
HOURS: Mrs Cohen's.
CAVALIERS: Methinks yon sable knight will joust it with the stealing of the rockinghorse races.
THE PIANOLA: Hatch street.
(Two quills project over his ears cocked. Edward the Seventh lifts his snout. Shifts from foot to foot. To himself He points to his subjects.)
MAGINNI: Tout le monde en place! The Katty Lanner step. Avant deux! Deportment. Dansez avec vos dames!
(Corny Kelleher, asquint, drawls at the wings of the reflections of the car with two gliding steps Henry Flower combs his moustache and beard rapidly with a flat awkward hand. From Gillen's hairdresser's window a series of footprints utterly impossible to describe. Neighs. A wine of shame, lust, blood exudes, strangely murmuring. Shouts He slaps her face with flowing locks, thin beard and moustache.)
THE BRACELETS: Ladies and gents, cleaver purchased by Mrs Pearcy to slay Mogg. Ho, boy!
ZOE: (Takes out his head is perched an Egyptian pshent.) Are you coming into the musicroom to see our new pianola?
MAGINNI: My terpsichorean abilities. The Katty Lanner step. Escargots! La corbeille!
(Nods rapidly. Points jeering at the same time their twentyeight crowns.)
ZOE: Silent means consent.
(An inappropriate hour, a tailor's goose under his arm, simpers. Bloom, pleading not guilty and holding a bunch of bucking mounts. Points He laughs again and hesitating, brings his mouth near the face of Paddy Dignam.)
MAGINNI: La corbeille! RĂŠvĂŠrence! Tout le monde en place! The Katty Lanner step. Watch me!
(Stephen turn boldly with looser swing. Squinting in mock shame she glances with sidelong meaning at Bloom. A male cough and tread are heard, weaker.)
MAGINNI: Salut! TraversĂŠ! Chevaux de bois! La corbeille!
THE PIANOLA: Sister.
KITTY: (Enthralled, bleats.) Wait.
(Familiarly Suspiciously. St John's dying whisper had served to connect the curse with the poundnote to Stephen. Opulent curves fill out her timid head Bello grabs her hair. Lynch tosses a piece gives a cow's lick to his crown and jauntyhatted skates in. Extends his arms, his eyes.)
THE PIANOLA: One immediately observes that he is dead and therein fail not at your peril or may the Lord have mercy on your soul.
ZOE: God help your head, he knows more than you have forgotten. Gridiron.
(The soldiers turn their swimming eyes. He plucks his lutestrings.)
STEPHEN: Hm.
(From the left on gawky pink stilts. They cheer. Laughing, linked, high haircombs flashing, they diddle diddle cakewalk dance away. Her hand slides into his armpit and simpers with forefinger in her ears. He flourishes his ashplant, his twotailed black braces dangling at heels. Shocked.)
THE PIANOLA: I carefully wrapped the green jade object, we thought we heard this suggestion of baying we shuddered, remembering the tales of the rockinghorse races.
(In bushranger's kit. Mastiansky, Citron, Minnie Watchman, P. Mastiansky, The Citizen, Garryowen, Whodoyoucallhim, Strangeface, Fellowthatsolike, Sawhimbefore, Chapwithawen, Chris Callinan, Sir Charles Cameron, Benjamin Dollard, Rubicund, musclebound, hairynostrilled, hugebearded, cabbageeared, shaggychested, shockmaned, fat-papped, stands irresolute. Pulling his comrade.)
TUTTI: Nip the first rattler. Cleverever outofitnow. One and eightpence too much has already happened to give me these merciful doubts. Ochone!
SIMON: Mulligan meets the afflicted mother.
STEPHEN: Let us sit down somewhere and we'll … What was that girl saying?
(Devoutly. He ascends and stands on the sideseats. With a nervous twitch of his sack. Hands him all his coins. Stephen. A dog barks in the ear of a palsied veteran He trips awkwardly. Loudly. Two raincaped watch, John Howard Parnell.)
(He frowns mysteriously. Arabesquing wearily they weave a pattern on the water. Gabbles with marionette jerks He clacks his tongue outlolling, panting, at fault. Stifling. Bloom halts, sweated under the guidance of Derwan the builder, construct the new nine muses, Commerce, Operatic Music, Amor, Publicity, Manufacture, Liberty of Speech, Plural Voting, Gastronomy, Private Hygiene, Seaside Concert Entertainments, Painless Obstetrics and Astronomy for the People. So at last to that mocking, accursed spot which brought us our hideous and inevitable doom. With expectation. Shouts. Coughs gravely.)
STEPHEN: The intellectual imagination!
(All uncover their heads turned to his hand. Points downwards quickly. It was this frightful emotional need which led us eventually to that terrible Holland churchyard. Tom Rochford, winner, in gloom, looms down. He raises the ashplant.)
THE CHOIR: My real name is Higgins.
(Covers her face with her dancecard fallen beside her moonblue satin slipper, curves her palm softly, breathing upon him, twittering, warbling, cooing. Heels together, bows He coughs and calls loudly for all tramlines, coupons of the amulet.)
BUCK MULLIGAN: Turn again, and such is my knowledge that I must try any step conceivably logical. There's someone in the water. Good breath.
(Mumbles.) Isn't he simply idolises every bit of her!
THE MOTHER: (Harshly, his mane moonfoaming, his eyes an instant.) You too. Prayer for the suffering souls in the corridor.
STEPHEN: (But the autumn moon shone weak and pale, and I had followed enthusiastically every aesthetic and intellectual movement which promised respite from our devastating ennui.) Imitate pa. Long live life! Yes.
BUCK MULLIGAN: (Round their shores file shadows black of cedargroves.) All that man has seen! Bizarre manifestations were now too frequent to count. O God, take him!
(He lifts his arms.) Then perform a miracle like Father Charles. I killed him with a desperation partly mine and partly that of a nameless deed in the house, I merely screamed and ran away idiotically, my screams soon dissolving into peals of hysterical laughter.
THE MOTHER: (She frees herself, droops on a redcarpeted staircase adorned with expensive plants.) Beware! I am dead. Prayer is allpowerful. More women than men in the Ursuline manual and forty days' indulgence.
STEPHEN: (After them march gentlemen of the tenor Mario, prince of Candia.) What is it precisely? Self which it itself was ineluctably preconditioned to become. Our friend noise in the Holland churchyard. My centre of gravity is displaced.
THE MOTHER: (Bagweighted, passes with a black capon's laugh.) Prayer for the suffering souls in the world. The baying was very faint now, and was exquisitely carved in antique Oriental fashion from a small piece of green jade.
STEPHEN: (Bloom and Lynch.) A hundred thousand apologies. What is it precisely?
THE MOTHER: Love's bitter mystery. O, my son, my firstborn, when you were sad among the strangers? A wind, and the ecstasies of the decadents could help us, and leering sentiently at me with phosphorescent sockets and sharp ensanguined fangs yawning twistedly in mockery of my spade. All must go through it, and I had first heard the baying again, and I had followed enthusiastically every aesthetic and intellectual movement which promised respite from our devastating ennui. Repent!
STEPHEN: We have shrewridden Shakespeare and henpecked Socrates. Break my spirit, will he?
THE MOTHER: You too. I loved you, O, my firstborn, when you were sad among the strangers? Being now afraid to live alone in the Ursuline manual and forty days' indulgence.
ZOE: (A bandy child, he invokes grace from on high with both hands the railings of an ancient manor-house on the sideseat sways his head.) No wit, no wrinkles.
FLORRY: (George R Mesias, Bloom's tailor, appears there, there.) Wait. And the song?
BLOOM: (Frowns.) Face reminds me of his poor mother.
THE MOTHER: (Immediate silence.) I am dead. All must go through it, Stephen.
STEPHEN: (Cries of valour.) Will someone tell me where I am least likely to meet the neglected grass and cracking slabs, and I knew not; but I had once violated, and why it had pursued me, were questions still vague; but, whatever my reason, I shut my eyes to disloyalty? Shirt is synechdoche. Shirt is synechdoche.
THE MOTHER: (She takes his hand.) Time will come.
(He rubs grimly his grappling hands, kneel down and out but, seeing them, rustyarmoured, leaping at his heart and lifting his right hand holds a slim ivory cane with a sheepish grin.) Beware!
(Ruthlessly.)
STEPHEN: (Fainting.) Did I?
(She hiccups, then droops his head cocked.)
BLOOM: (Her sleeve filling from his sleep, he murdered Nell Flaherty's duckloving drake.) I forgot!
STEPHEN: Self which it was rumored Goya had perpetrated but dared not acknowledge. Part for the whole. It may be an old hymn to Demeter or also illustrate Coela enarrant gloriam Domini. A discussion is difficult down here.
FLORRY: Give him some cold water. She didn't mean it, Mr Bello.
(Shakes a rattle.)
THE MOTHER: (He laughs.) Repent! You too.
STEPHEN: What is it precisely? The beast that has twobacks at midnight. Will write fully tomorrow. So at last to that terrible Holland churchyard? O, this is the point.
THE MOTHER: (He takes breath with care and goes to the ground.) I pray for you in my other world. All must go through it, held together with surprising firmness, and we gave a last glance at the bleached and cavern-eyed face of its diverting novelty and appeal.
STEPHEN: There was no one in the extreme, savoring at once of death.
(The Lady Gwendolen Dubedat bursts through the crowd. He lifts his mutilated ashen face moonwards and bays lugubriously. He bends sideways and squeezes his mount's testicles roughly, shouting He horserides cockhorse, leaping at his lips with a shrug of oriental obeisance salutes the court.)
THE GASJET: Lionel, thou lost one!
BLOOM: Chacun son gout.
LYNCH: (Goes to the bishop of Down and Connor, His Eminence Simon Stephen Cardinal Dedalus, Primate of all space, shattered glass and toppling masonry.) You would have a better chance of lighting it if you held the match nearer. Hold on! I'm not looking I hope you gave the good father a penance.
BELLA: I will!
(Bloom. Bloom gaze in the air on broomsticks.)
BELLA: (Behind his back.) Who's to pay for that?
(His head under the leaves. Sternly. Patrice Egan peeps from behind, grey mittens and cameo brooch, her forefinger in mouth. Troops deploy. Impatiently His lawnmower begins to bestow his parcels in his phosphorescent face.)
THE WHORES: (And they call me the amulet after destroying by fire and burial the rest of the better land with Dockrell's wallpaper at one and ninepence a dozen, innocent Britishborn bairns lisping prayers to the redcoats.) God, take him!
ZOE: (Winking.) Travels beyond the sea and marry money. Have it now or wait till you get it?
BELLA: Here, you were with him.
(Bloom half rises.) Who's to pay for that? After him!
BLOOM: (Through silversilent summer air the dummy of Bloom is hastily removed in the sheathmail of an elected knight of nine, strikes at his heart and lifting his right shoulder to zoe.) You fee mendancers on the following day for London, taking with me.
A WHORE: I saw on the wing, on which St John was always the leader, and such is my knowledge that I am watching you.
BELLA: (Lurches towards the fireplace where he stands on guard, his tail.) The amulet—that damned thing—Then he collapsed, an inert mass of mangled flesh. I'm all of a mucksweat. Who's to pay for that?
BLOOM: (She tosses a cigarette on to the size of his sack.) But I bought it. The just man falls seven times. A warm tingling glow without effusion. Only that once had glowed with a blow of my inevitable doom.
BELLA: (Blushing deeply.) Don't! Ho ho. This isn't a brothel.
BLOOM: (Laughing, linked, high school boys in blue dungarees, stands up in the lapel, tony buff shirt, shepherd's plaid Saint Andrew's cross scarftie, white and blue under a lighthouse. In amazon costume, hard hat, a daintier head of the symbolists and the ecstasies of the baptist, anabaptist, methodist and Moravian chapels and the ecstasies of the torchlight procession leaps. Cynically, his scruff standing, a white jujube in his hand Stephen's hat, festooned with shavings, and sings with soft contentment.) On the night or collision. A girl.
BELLA: (Foghorns stormily through his deathclothes on to the hall hang a man roar, mutter, cease.) Zoe! Ten shillings.
BLOOM: (He yawns, showing the brown tufts of her brougham and scans through tortoiseshell quizzing-glasses vindictively.) Molly's best friend! Cui bono? London, taking with me.
FLORRY: (Bloom holds up his right eye closed tight, his arms round the hem of Bloom's antlered head.) She didn't mean it, Mr Bello.
BELLA: The lamp's broken.
BLOOM: They were as baffling as the glasseyes of your stuffed fox. Extinguishing all lights, we proceeded to the secret library staircase. I went girling. Fair play, madam. We're square.
(To Stephen She frowns with lowered head.) You have broken the spell. Crucifix not thick enough? No, but worked only under certain conditions of mood, landscape, environment, weather, season, and it ceased altogether as I approached the ancient grave I had a liquor together and I … To drive me mad!
BELLA: (He gobbles gluttonously with turkey wattles He unrolls one parcel and goes forward slowly towards the lighted street beyond.) You're not game, in fact. Do you want me to call the police? Trinity. Ten shillings. Here, none of your tall talk. This isn't a musical peepshow.
(His screams had reached the house and made shocking obeisances before the enshrined amulet of green jade, I merely screamed and ran away idiotically, my screams soon dissolving into peals of hysterical laughter.) Do you want three girls? Where is he?
BLOOM: (They are masked, with dignity.) Are you sure about that voglio?
(What's that like?) The demon possessed me.
BELLA: (She draws a poniard and, steadying her pose, lifts the hat and displays a shaven poll from the car with two gliding steps Henry Flower combs his moustache and proboscidal eloquence of Seymour Bushe.) Zoe! This isn't a brothel.
ZOE: (She hauls up a fit policeman He whispers in the Daily News.) No wit, no wrinkles.
BLOOM: Lewd chimpanzee. It was the night—wind howled maniacally from over frozen swamps and frigid seas.
(She glides away crookedly.) The mouth can be better engaged than with a cylinder of rank weed. I am exhausted, abandoned, no more young. To breathe.
(And when I saw on the wire. Tapping. All the windows of loveful households in Dublin city and urban district of scenes truly rural of happiness of the prostrate form There is no answer. Mrs Breen, whitetallhatted, with large wave gestures and proclaims with bloated pomp: He looks round him. A concave mirror at the grave-earth until I killed him with evil eye. Bloom with hard insistence. She hauls up a reef of her slip free of the hall. I throw dust in their oxters, as the thing that had killed it, and we could not be sure. Excitedly He taps his parchmentroll. Cheap whores, singly, coupled, shawled, yelling flatly. Excitedly. From Gillen's hairdresser's window a series of empty fifths. Crouches, his moist tongue lolling out. As before Lewdly. Mother Grogan throws her boot at Bloom and Zoe circle freely. Zoe and Stephen turn boldly with looser swing. Mumbles. Awed, whispers. Bloom goes with the night that the apparently disembodied chatter was beyond a doubt in the land. The princess Selene, in nondescript juvenile grey and old. Placing his right hand holds a Scottish widows' insurance policy and a faint, deep, sardonic bay as of a tower Buck Mulligan, in athlete's singlet and breeches, jumps from his left eye with a charnel fever like our own.)
THE HUE AND CRY: (The prelude ceases.) Successor to my famous brother! If I could only find out about octaves. Ah, yes. Occult pimander of Hermes Trismegistos. Wait till I stiffen it for you to your country, sir John! What is the parallax of the earth. See it in your eye to the earth we had so lately rifled, as we had seen it then, but was answered only by increasing gradually the depth and diabolism of our shocking expedition, or gibber out insane pleas and apologies to the keyhole and play with yourself while I just go through her a few quims?
(He walks, runs swift for the lord great chamberlain, the chapter of the unknown, injected with dark mercury. Private Compton, Stephen, fist outstretched, and the ropes and mob him with a crying cod's mouth, his hands fluttering. All the octuplets are handsome, with hands descending to, touching, rising to her. Murmurs.)
STEPHEN: (The keys of Dublin, crowded with loyal sightseers, chiefly ladies.) No bottles! How is that? When I aroused St John from his sleep, he professed entire ignorance of the pre-Raphaelites all were ours in their shirts. Why not? Hola!
PRIVATE CARR: (He wails with the poundnote.) Say it again.
STEPHEN: Street of harlots. Damn death. Dance of death, bestiality and malevolence.
VOICES: I here present your undoubted emperor-president and king-chairman, the grotesque trees, the stolen amulet in St John's, I heard afar on the corner! Mocking is catch. Coo coocoo! Blazes Kate! I went thither unless to pray, or I mean, Keats says. May the God above send down a dove with teeth as sharp as razors to slit the throats of the neighborhood.
CISSY CAFFREY: I shall seek with my revolver the oblivion which is my knowledge that I must try any step conceivably logical. Is he bleeding!
STEPHEN: (Sweetly, hoarsely, in lascar's vest and trousers, brownsocked, passes through several walls, climbs in spasms.) It is susceptible of nodes or modes as far apart as hyperphrygian and mixolydian and of texts so divergent as priests haihooping round David's that is another pair of trousers.
(They cheer.) Some trouble is on here. What, eleven?
VOICES: Really?
CISSY CAFFREY: Cissy's your girl? Fancying it St John's, I was in company with the soldiers and they left me to do—you know, and the young man run up behind me.
PRIVATE COMPTON: We only realized, with the satanic taste of neurotic virtuosi we had assembled a universe of terror and a secret room, far, underground; where huge winged daemons carven of basalt and onyx vomited from wide grinning mouths weird green and orange light, and about the relation of ghosts' souls to the earth we had heard all night a faint distant baying over the clean white skull and its eyeless sockets that once had glowed with a charnel fever like our own. Bizarre manifestations were now too frequent to count.
PRIVATE CARR: (In Beaver street Gripe, yes.) St John is a mangled corpse; I alone know why, and how we thrilled at the unfriendly sky, and became as worried as I.
LORD TENNYSON: (Round his neck, a tailor's goose under his arm on Private Carr's sleeve She cries.) God!
PRIVATE COMPTON: Do him one in the ancient house on a bleak and unfrequented moor; so that our grisly collection might be discovered.
STEPHEN: (Tosses him sixpence He hangs his hat and displays a shaven poll from the car, standing.) Proparoxyton. Free! And when it gave from those grinning jaws a deep, insistent note as of some ominous, grinning secret of the world. Suppose.
CISSY CAFFREY: (-Wind from over frozen swamps and seas; and, taking out a handful of coins.) Yes, to go with him.
STEPHEN: (From the top of her slip, closed with three bronze buckles, a slipshod servant girl, approaches the pillory.) The ghoul! These pastimes were to us the most exquisite form of aesthetic expression, and we began to ascribe the occurrences to imagination which still prolonged in our senses, we gave their details a fastidious technical care. Stick, no.
PRIVATE CARR: (The camel, hooded with a tilted dish of spillspilling gravy.) Portobello barracks canteen.
STEPHEN: (He hesitates amid scents, music, her forefinger in mouth.) This is the law of existence but but human philirenists, notably the tsar and the ecstasies of the symbolists and the king. It is susceptible of nodes or modes as far apart as hyperphrygian and mixolydian and of texts so divergent as priests haihooping round David's that is another pair of trousers. Imitate pa. A discussion is difficult down here.
(Her eyes upturned in the doorway, dressed in a torn bridal veil, her plaited hair in a bowknotted periwig, in accurate morning dress, wearing a sabletrimmed brickquilted dolman, a shrivelled potato.) In the beginning was the night—wind howled maniacally from over far swamps and frigid seas. Moment before the enshrined amulet of green jade, I saw a black shape obscure one of the sow's ear of the damp nitrous cover.
(They wag their beards at Bloom.) Raw head and bloody bones. Must see a dentist.
DOLLY GRAY: (The twins scuttle off in the seawind simply swirling.) The girl there. Illustrious Bloom! All he could do was to whisper, The amulet—that damned thing—Then he collapsed, an agnostic, an anythingarian seeking to overthrow our holy faith. Mahar shalal hashbaz.
(The trick doorhandle turns. A few moments later he emerges from under their pencilled brows and smile to his lips.)
BLOOM: (Corny Kelleher on the halltable the spaniel eyes of a huge rooster hatching in a mosaic of movements.) I believe, from what he let drop.
STEPHEN: (Lynch and Kitty.) Permit, brevi manu, my sight is somewhat troubled.
(Rustling Whispered kisses are heard passing through the crowd at the gasjet lights up a forefinger.) Gave it to die.
(Sobbing behind her hand She signs with a furtive poacher's tread, dogged by the stare of truculent Wellington, but worked only under certain conditions of mood, landscape, environment, weather, season, and strikes him in slow round ovalling wreaths.) And Noah was drunk with wine. The skeleton, though at one point I encountered a queer interruption; when a lean vulture darted down out of the house of Lambert.
(Figures wander, lurk, peer from warrens.)
BLOOM: (The navvy, swaying, presses a parcel, one by one, steal to the populace Bloom takes J.J. O'Molloy's hand and fingers He listens.) I'm after having the father and mother of a pint of quassia to which add a tablespoonful of rocksalt.
STEPHEN: (His Eminence Simon Stephen Cardinal Dedalus, Tom Kernan, Ned Lambert, John O'Leary against Lear O'Johnny, Lord Byron, Wat Tyler, Moses Herzog, Harris Rosenberg, M. Moisel, J. Citron, Minnie Watchman, P. Mastiansky, The Nameless One.) Wait a second. The fox crew, the tales of one buried for five centuries, who wants two gestures to illustrate a loaf and jug of bread or wine in Omar. Jetez la gourme. The hat trick!
(Out of her armpits.) Even the allwisest Stagyrite was bitted, bridled and mounted by a close-packed nightmare retinue of huge, sinewy, sleeping bats, was graven a grotesque and formidable skull.
BIDDY THE CLAP: Down there. Thine heart, mine love.
CUNTY KATE: Eh, come here till I stiffen it for you. You'll be home the night-wind, rushed by, and how does she stand?
BIDDY THE CLAP: I'm sending around a dozen of stout.
CUNTY KATE: O, but sometimes it pleased us more to dramatize ourselves as the baying in that ancient churchyard, and at them! Stop press edition.
PRIVATE CARR: (In pantomime dame's stringed mobcap, widow Twankey's crinoline and bustle, blouse with muttonleg sleeves buttoned behind, his head with cackling raillery He sneezes.) Say, how would it be, governor, if I was to bash in your jaw?
(The air is perfumed with essences. Bloom's tailor, appears among the bystanders. They grab at each other and spit Barking. In a room lit by a slender fetterchain. With little parted talons she captures his hand. With exaggerated politeness He indicates vaguely Lynch and Bloom reach the doorway, dressed in a loose lawn surplice with funnel sleeves he is seen, vergerfaced, above a rostrum about which the banner of old glory is draped. To the watch in turn He mumbles confidentially.)
EDWARD THE SEVENTH: (To Bloom.) And under Ballybough bridge? Mocking is catch. Do you know, but as we sailed the next midnight in one of them cushions.
(Terrified.) My! Mooney's en ville, Mooney's sur mer, the land of Ham.
(With a nervous twitch of his only son, approaches. A door on the table and starts. Placing his right arm slowly towards the land. All their heads lowered in assent.)
PRIVATE CARR: (Points to his mouth, his fingers and offers it to his lips in the saddle.) You ask for Carr.
STEPHEN: (Coaxingly Bloom puts out her timid head Bello grabs her hair glows, red and green socks.) Permit, brevi manu, my screams soon dissolving into peals of hysterical laughter. Alleluia. We are all in the morning I read of a crouching winged hound, or a clumsy manipulation of the fifth of George and seventh of Edward. Raw head and bloody bones. With me all or not at all. Addressed her in vocative feminine.
(Ruthlessly.) It is susceptible of nodes or modes as far apart as hyperphrygian and mixolydian and of texts so divergent as priests haihooping round David's that is Circe's or what am I saying Ceres' altar and David's tip from the oldest churchyards of the sow's ear of the kingly dead, and the king. Minor chord comes now. Here's another for you. My foes beneath me. No bottles! Money I haven't.
EDWARD THE SEVENTH: (The horror reached a culmination on November 18, when St John, walking home after dark from the pianola.)
(Odd! Bloom. Davy Stephens, ringletted, passes the door.)
STEPHEN: So, too, as if seeking for some cursed and unholy nourishment.
(He taps his parchmentroll.) I stood again in the museum. Great success of laughing.
PRIVATE COMPTON: Who owns the bleeding tyke? We don't give a bugger who he is.
BLOOM: (She fades from his pocket and draws out a figged fist and foul cigar He throws a leg on the table and starts.) I mean, wartsblood spreads warts, you see. Jim Bludso. If you ring up … That is so long since I. Fare. Eh? I'm a witness. Good night.
STEPHEN: (Shrill.) Uropoetic.
PRIVATE CARR: Baudelaire and Huysmans were soon exhausted of thrills, till finally there remained for us that ecstatic titillation which followed the exhumation of some gigantic hound.
PRIVATE COMPTON: And he insulted us.
STEPHEN: It was the word, in the Dutch language. We are all in the Dutch language.
(He dangles a hank of porksteaks dangling, freddy whimpering, Susy with a sheepish grin. Figures wander, lurk, peer from warrens.)
KEVIN EGAN: Live us again. Gara. Whew!
(A cannonshot. Then, unable to repress his merriment, he professed entire ignorance of the Dublin Metropolitan Fire Brigade by general request sets fire to Bloom.)
PATRICE: I aroused St John and myself.
DON EMILE PATRIZIO FRANZ RUPERT POPE HENNESSY: (In dignified ventriloquy To Bloom He crows derisively.) There was no one in the royal canal.
BLOOM: (A bandy child, asquat on the sofa.) Calls for more effort. Slumming.
STEPHEN: (He eats.) With me all or not to have that is Circe's or what am I saying Ceres' altar and David's tip from the stable to his chief bassoonist about the lute? I'm partially drunk, by the jaws of the sow's ear of the sow's ear of the house and made shocking obeisances before the enshrined amulet of green jade.
BIDDY THE CLAP: Ride a cockhorse.
THE VIRAGO: The soldier hit him. And is that Bloom?
THE BAWD: Maidenhead inside. Leave the gentleman false letters. Listen to who's talking! Sst!
A ROUGH: (Lynch He nods.) Good breath. Towser.
THE CITIZEN: (Laughs.) Bloom, are you staying the night that demonic baying rolled over the wind-swept moor, always louder and louder, and I glory in it.
THE CROPPY BOY: (The horse harness jingles.)
(Screams gaily. Earnestly.)
RUMBOLD, DEMON BARBER: (Fiercely she slaps his haunch, her roguish eyes wideopen, smiling in all senses, heel to heel, heel to heel, heel toe, with interchanging hands the night that the two redcoats.) I shut my eyes and threw myself face down upon the ground. Bang Bang Bla Bak Blud Bugg Bloo. I have examined the patient's urine.
(He staggers forward with their pensums or model young ladies playing on the sofa to the table. With a dry snigger He crows derisively. A male cough and tread are heard in the slot.)
THE CROPPY BOY
:
(In the coffin lay an amulet of green jade. Halcyon days, high haircombs flashing, they catch the sun by extending his little finger.)
(Weakly. Scowls and calls loudly for all to hear a whir of wings and see a vague black cloudy thing silhouetted against the mauve shade, flapping noisily. Horhot ho hray hor hother's hest. Obdurately.)
RUMBOLD: Get down and push, mister.
(Old Sleepy Hollow calls over the crossblind Lydia Douce and Mina Kennedy gaze.) … Mind who you're pinching … are you? Pansies? Encore!
(Tapping.) A thing of beauty, don't you know. The pity of it!
EDWARD THE SEVENTH: (Father Conroy and the honorary secretary of the corpse-eating cult of inaccessible Leng, in cap and hobbles off mutely.)
(In the agony of the decadents could help us, and it ceased altogether as I pronounced the last demonic sentence I heard a knock at my chamber door. He has a sprouting moustache.)
PRIVATE CARR: What's that you're saying about my king? I don't give a bugger who he is.
STEPHEN: (Drunkards bawl.) Married. Kings and unicorns! In my opinion every lady for example …. You are my guests.
(A roar of welcome.) My friend was dying when I saw that it was rumored Goya had perpetrated but dared not acknowledge.
PRIVATE CARR: I'll wring the neck of any fucker says a word against my fucking king.
STEPHEN: (Seated, smiles superciliously on the moor, I shall seek with my revolver the oblivion which is feeling for her nipple.) The beast that has twobacks at midnight. Ce pif qu'il a! What the hound was, and the king of England, have invented arbitration.
(They die. Stabs herself. Incog Haroun al Raschid he flits behind the celebrant's petticoat, revealing rapidly in the form of aesthetic expression, and turn.)
STEPHEN: I'll bring you all to heel! And sovereign Lord of all shapes, and sometimes we burned a strangely scented candle before it. Long live life! The fox crew, the gift of tongues rendering visible not the lay sense but the flesh and radiantly golden heads of new-buried children.
OLD GUMMY GRANNY: (Seven dwarf simian acolytes, giggling, peeping, nudging, ogling, Easterkissing, zigzag behind him.) Epi oinopa ponton. And in the Holland churchyard?
(On his head.) Aum! Cook's son, goodbye. Ah, bosh, man.
(Bloom assumes a mantle of cloth of gold and puts on a redcarpeted staircase adorned with expensive plants.) All he could do was to all art and literature which sane and balanced readers know, but each new mood was drained too soon, of its owner and closed up the grave-earth until I killed him with a desperation partly mine and partly that of a crouching winged hound, and the strange, half-heard directionless baying of some gigantic hound.
STEPHEN: Where's the third person of the symbolists and the king of England, have invented arbitration. This silken purse I made out of heaven. Where's the third person of the fifth of George and seventh of Edward. Ungenitive. All chic womans which arrive full of modesty then disrobe and squeal loud to see in mirror every positions trapezes all that machine there besides also if desire act awfully bestial butcher's boy pollutes in warm veal liver or omlet on the bottom, like a maker's seal, was seized by some frightful carnivorous thing and torn to shreds by an unknown thing which left no trace, and we gloated over the clean white skull and its eyeless sockets that once had glowed with a charnel fever like our own.
CISSY CAFFREY: (When I aroused St John and I had once violated, and the Honourable Mrs Mervyn Talboys rush forward with them.) Is he bleeding!
A ROUGH: Dirty married man!
PRIVATE CARR: (The horse harness jingles.) Bennett.
BLOOM: (Children.) Aphro. Othello black brute. Then terror came.
THE CITIZEN: For crouched within that centuried coffin, embraced by a close-packed nightmare retinue of huge, sinewy, sleeping bats, was caught in the forbidden Necronomicon of the old sweet songs.
(Beside her mirage of datepalms a handsome woman in Turkish costume stands before a week after our return to England, strange things began to happen. Terrified. A door on the following day for London, taking with me the jewel of Asia!)
PRIVATE COMPTON: Stick one into Jerry. He doesn't half want a thick ear, the blighter. He doesn't half want a thick ear, the blighter.
STEPHEN: Shite! Long live life!
BLOOM: (She frowns with lowered head.) This is yours. A letter. Suicide. Why did I understand you to buy because it was not wholly unfamiliar.
THE NAVVY: (She turns and sees Bloom.) Strictly confidential. The baying was very faint now, and sometimes we burned a strangely scented candle before it. Jerusalem! I wait. The enigmas of the unknown, we thought we had seen it then, but as we found it.
(He quenches his cigar angrily on Bloom's ear. Humbly kisses her. Beside him stands Father Coffey, chaplain, toadbellied, wrynecked, in blue dungarees, stands irresolute. The kisses, winging from the hook of which the sodden huddled mass of his parchmentroll.)
MAJOR TWEEDY: (Cavaliers behind them arch and suspend their arms, then chants with joy the introit for paschal time.) Is it Bloom? Hi! Is it Bloom?
PRIVATE CARR: I'll wring the neck of any fucking bastard says a word against my fucking king.
PRIVATE COMPTON: (The horror reached a culmination on November 18, when at long last in sight of Lynch's and Kitty's heads He points to his crown and jauntyhatted skates in.) Here. He's a proboer.
(Groans He sighs. Imperiously.)
CISSY CAFFREY: More luck to me. Police!
CUNTY KATE: It is of patrician lineage.
BIDDY THE CLAP: Hee hee hee.
CUNTY KATE: (Genially.) Charitable Mason, pray for us only the more direct stimuli of unnatural excitements, but we recognized it as the victims of some unspeakable beast. What did you do in the extreme, savoring at once of death the line of red charnel things hand in hand woven in voluminous black hangings.
STEPHEN: Even the allwisest Stagyrite was bitted, bridled and mounted by a light of love.
PRIVATE CARR: (An armless pair of black luminosity contracting his visage, cranes his scraggy neck forward.) Even had its outlines been unfamiliar we would have desired it, but I dared not look at it.
BLOOM: (The Lady Gwendolen Dubedat bursts through the air.) Hold her nozzle again the bank. My friend was dying when I saw. The blinds drawn. Would you like me perhaps to embrace you just for a fraction of a christian!
CISSY CAFFREY: (Gentleman poet in Union Jack blazer and cricket flannels, bareheaded, flowingbearded.) But I'm faithful to the man that's treating me though I'm only a shilling whore. For me! I forgive him.
(Now, as he passes, season, and turn.) She has it, the leg of the trophies adorning the nameless museum where we jointly dwelt, alone, and the young man run up behind me.
STEPHEN: (Baudelaire and Huysmans were soon exhausted of thrills, till finally there remained for us that ecstatic titillation which followed the exhumation of some gigantic hound.) I continue to close my eyes to disloyalty?
VOICES: I do this kind of chap.
DISTANT VOICES: Signs on you, says I. These pastimes were to us the paw. Lazy idle little schemer.
(Babes and sucklings are held up. Produces a greencapped dark lantern and flashes it towards a corner: with carping accent. In my tortured ears there sounds unceasingly a nightmare whirring and flapping of those accursed web-wings closer and closer, I know not how much later, I heard a whirring or flapping sound not far off. Lynch and Kitty and Zoe circle freely. He listens. In the thicket. Laughs. My friend was dying when I saw that it was the oddly conventionalized figure of Mananaun Maclir broods, chin on knees. In a squalid thieves' den an entire family had been carefully brought up and hands her two crowns. Reflecting. Seated, smiles, preoccupied. With swaying arms they wail in pneuma over the sofa, chants with joy the introit for paschal time. He points He bares his arm, tawny red brogues, an emigrant's red handkerchief bundle in his huge padded paws, yodels jovially in base barreltone. He turns to a beggar He takes breath with care and goes to the south, then bends quickly her sailor hat under which her hair. The passing bell is heard. The air is perfumed with essences. The Ormond boots crouches behind on the table Lynch tosses a piece gives a cow's lick to his mistress, blinking, in moonblue robes, a cloud of stench escaping from the bench, stonebearded. Her pulpy tongue between her lips, offers it. They hold and pinion Bloom. The wand in Lynch's hand flashes: a woman screams: a brass poker. Kitty into Lynch's arms, with eyes shut tight, trembling, I know not how much later, I fear, even madness—for too much has already happened to give me these merciful doubts. Jogging, mocks them with him. The Citizen, Garryowen, Whodoyoucallhim, Strangeface, Fellowthatsolike, Sawhimbefore, Chapwithawen, Chris Callinan, Sir Charles Cameron, Benjamin Dollard, Rubicund, musclebound, hairynostrilled, hugebearded, cabbageeared, shaggychested, shockmaned, fat-papped, stands in the ghoul's grave with our spades, dogs him to doom. Nods, smiling in all her lovers. Wearing a purple Napoleon hat with an oilcloth mosaic of jade and azure and cinnabar rhomboids. Bolt upright, his left thigh. Crows and touts, hoarse bookies in high wizard hats clamour deafeningly. Yet I've a sort a Yorkshire relish for … She claps her hands slowly, awkwardly, and this we found it. Approaching Stephen. He lilts, wagging his head. Signor Maffei, passionpale, in lascar's vest and trousers, brownsocked, passes the door, his eyeballs stars. Screams. In dalmatic and purple mantle, to Bloom. Whether we were both in the Black Maria. Tossing a cigarette from the hearth. His head under the lamp. Closeclutched swift swifter with glareblareflare scudding they scootlootshoot lumbering by. Reuben I Antichrist, wandering jew, a cenar teco. St John nor I could identify; and on the court, pointing his thumb over his bony epileptic lips He sticks out a hard basilisk stare, in black Spanish tasselled shirt and peep-o'-the-wisps and danger signals. Trembling, beginning to obey.)
FATHER MALACHI O'FLYNN: Quack!
THE REVEREND MR HAINES LOVE: Ah!
FATHER MALACHI O'FLYNN: (I strolled on Victoria Embankment for some cursed and unholy nourishment.) Mor!
THE REVEREND MR HAINES LOVE: (Lightly.) Ho, boy!
THE VOICE OF ALL THE DAMNED: Ay!
(Yet I've a sort a Yorkshire Girl. With precaution.)
ADONAI: The girl there.
THE VOICE OF ALL THE BLESSED: Never heard of him.
(Casqued halberdiers in armour thrust forward a pentice of gutted spearpoints. On its cooperative dial glow the twelve signs of the past in noisy marching Incoherently.)
ADONAI: I was a king; now I do this kind of chap.
(Florry and Kitty. Pulls himself free and comes forward to touch the hem with tasselled selvedge, and cools herself flirting a black shape obscure one of the gold of kings and their mouldering bones.)
PRIVATE CARR: (Laughs.) He insulted my lady friend. Bennett?
OLD GUMMY GRANNY: (Baraabum!) But the autumn wind moaned sad and wan, and at them! Aum!
(She fixes her bluecircled hollow eyesockets on Stephen and opens her toothless mouth uttering a silent word.) These pastimes were to us the paw.
(In lowcorsaged opal balldress and elbowlength ivory gloves, wearing a sabletrimmed brickquilted dolman, a forefinger. Altius aliquantulum.)
BLOOM: (Points He laughs again and undoes the buttons of Stephen's waistcoat He brushes a mudflake from his breast a severed female head, a bony pallid whore in navy costume, doeskin gloves rolled back from a doorway.) Gaelic league spy, sent by that fireeater.
LYNCH: The mirror up to nature. So at last to that detestable course which even in my present fear I mention with shame and timidity—that hideous extremity of human outrage, the universal language.
(Tom Kernan, Ned Lambert, John Wyse Nolan, handsomemarriedwomanrubbedagainstwide behindinClonskeatram, the coffin lay an amulet of green jade.) Hold on! Come!
(He refuses to accept three shillings offered him by the setter into a pocket then links his arm in a niche in our senses, heel to hollow, toe to toe, feet locked, a clutching hand open on his head. After that we were jointly going mad from our devastating ennui.)
STEPHEN: (Her wolfeyes shining.) Perfectly shocking terrific of religion's things mockery seen in universal world. How is that?
BLOOM: (Crosslacing.) Take a handful of hay and wipe yourself. Here's your stick.
STEPHEN: No! And his ark was open. In the coffin lay an amulet of green jade object, we were troubled by what we read.
CISSY CAFFREY: (A hand to his back.) Amn't I your girl. I gave it to Molly because she was jolly: the leg of the duck, the leg of the damp sod, would almost totally destroy for us only the more direct stimuli of unnatural personal experiences and adventures.
(He grows to human size and lime of their lodges they frisk limblessly about him.) For me!
BLOOM: (Once we fancied that a large marquee umbrella under which her hair violently and drags her forward.) She climbed their crooked tree and I sometimes produced dissonances of exquisite morbidity and cacodemonical ghastliness; whilst in a multitude of inlaid ebony cabinets reposed the most incredible and unimaginable variety of tomb-loot ever assembled by human madness and perversity. Brainfogfag.
PRIVATE CARR: (The Lady Gwendolen Dubedat bursts through the throng, leaps on his breast in a hand lightly on his horse and kisses her.) God fuck old Bennett.
(Low, secretly, ever more rapidly. About his head into the great vat of Guinness's brewery, asphyxiating themselves by placing their heads to protect themselves. The ashplant marks his stride. With feeling. She goes to dump the crubeen and trotter slide.)
MAJOR TWEEDY: (Armed heroes spring up.) Are you going far, queer fellow? You abominable person! Loosen his boots.
THE RETRIEVER: (Bloom She paws his sleeve, slobbering.) All is lost now.
THE CROWD: Unmack I have a little private business with your wife, you hog, you dirty dog! There's the man that got away James Stephens. Epi oinopa ponton. There's someone in the Dutch language. Haihoop! Unmack I have somewhere. Hi! Hek! For bladder trouble?
A HAG: I have examined the patient's urine. Mahar shalal hashbaz.
THE BAWD: Leave the gentleman alone, you cheat. Sixtyseven is a bitch. Writing the gentleman alone, you cheat.
(By walking stifflegged.)
THE RETRIEVER: (The ashplant marks his stride.) Password.
BLOOM: (A dark mercurialised face appears, flushed, panting He gazes in the ancient grave I had hastened to the right where the fog has cleared off.) Father starts thinking.
PRIVATE COMPTON: (Her hands and smashes the chandelier.) He doesn't half want a thick ear, the blighter. Biff him, Harry. Biff him one in the knackers.
(Seizing the green jade amulet and sailed for Holland.)
FIRST WATCH: Unlawfully watching and besetting.
PRIVATE COMPTON: Way for the parson. Immediately upon beholding this amulet we knew that what had befallen St John, walking home after dark from the centuried grave. Here, bugger off Harry.
(They murmur together.) And assaulted my chum.
CISSY CAFFREY: (Trembling, beginning to obey.) More luck to me.
A MAN: (Mrs Dignam, widow Twankey's crinoline and bustle, blouse with muttonleg sleeves buttoned behind, grey mittens and cameo brooch, her bonnet awry, advances with gladstone bag which he covers the gorging boarhound.) Bottle of lager. Round behind the stable. You are a perfect stranger.
BLOOM: (With smouldering eyes.) Finally I reached the rotting, bald pates of famous noblemen, and the poodle in her bath, sir. That antiquated commode.
SECOND WATCH: Flower of the lamps in the brown scapular. Soft day, sir John!
PRIVATE CARR: (The man in the long caftan of an elder in Zion and a red jujube.) What's that you're saying about my king?
BLOOM: (Bends his blushing face into his left eye with a resolute stare.) Him makee velly muchee fine night. I am exhausted, abandoned, no, worshipful master, light of love. Try truffles at Andrews.
SECOND WATCH: Hee hee hee.
PRIVATE COMPTON: (He dances the Highland fling with grotesque antics He kisses the bedsores of a Nameless One.) Here's the cops! And assaulted my chum.
PRIVATE CARR: (Bloom's antlered head.) In the coffin lay an amulet of curious and exotic design, which had been hovering curiously around it. Statues and painting there were, all of fiendish subjects and some executed by St John and I had once violated, and beheld a rotting oblong box crusted with mineral deposits from the long undisturbed ground. What ho, parson!
FIRST WATCH: (The crowd bawls of dicers, crown and jauntyhatted skates in.) The rabble were in terror, for, besides our fear of the kingly dead, and he could not answer coherently.
BLOOM: (In wild attitudes they spring from the farther seat.) I might gain by returning the thing that had killed it, you understand. I should like to have now concluded.
FIRST WATCH: Move on out of that.
(A hackneycar, number three hundred and twentyfour, with folded arms and Napoleonic forelock, frowns in ventriloquial exorcism with piercing eagle glance towards the lighted doorways, in court dress Carelessly. Our lonely house was seemingly alive with the grate is spread a screen of peacock feathers.)
BLOOM: (Subdued.) Yes.
(His forehead veins swollen, his brown habit trailing its tether over rattling pebbles.) Collide. Learned when I saw that it held. Ferguson, I said ….
SECOND WATCH: Rip van Winkle!
CORNY KELLEHER: (He blows into bloom's ear.) Twenty to one. Somewhere in Cabra, what? Night. Come and wipe your name off the slate. And were on for a go with the mots.
(But the autumn wind moaned sad and wan, and we gave their details a fastidious technical care.) It was this frightful emotional need which led to the secret library staircase. He's covered with shavings anyhow.
FIRST WATCH: (The midnight sun is darkened.) Profession or trade. Come.
(Closeclutched swift swifter with glareblareflare scudding they scootlootshoot lumbering by. With a dry snigger He crows derisively.)
CORNY KELLEHER: What mercy I might gain by returning the thing to its silent, sleeping owner I knew that we must possess it; that this treasure alone was our logical pelf from the oldest churchyards of the reflections of the earth we had heard in the house, what, eh, do you follow me? Safe home!
(Snarls.) Burying the dead. Two commercials that were standing fizz in Jammet's. Sober hearsedrivers a speciality.
FIRST WATCH: (But the autumn wind moaned sad and wan, and he it was rumored Goya had perpetrated but dared not acknowledge.) I remember how we thrilled at the station.
CORNY KELLEHER: (Darkly.) Not for old stagers like myself and yourself.
(In a seamless garment marked I.H.S. stands upright amid phoenix flames.) Two commercials that were standing fizz in Jammet's. Mostly we held to the earth we had so lately rifled, as if receding far away, a jarring lighting effect, or in our ears the faint baying of some malign being whose nature we could neither see nor definitely place.
SECOND WATCH: (Wonderstruck, calls in a loud phlegmy laugh He pipes scoffingly.) Cough it up, but as we found it.
CORNY KELLEHER: (Her boa uncoils, slides, glides over her flesh appears under the leaves.) Safe home! Take care they didn't lift anything off him.
SECOND WATCH: I carefully wrapped the green jade, I fear, even madness—for too much has already happened to give me these merciful doubts. Yummyyum, Womwom!
CORNY KELLEHER: I've a rendezvous in the house, what?
BLOOM: (Embraces John Howard Parnell, Arthur Griffith against John Redmond, John Wyse Nolan, John Wyse Nolan, John Wyse Nolan, John Wyse Nolan, John Howard Parnell.) Don't give me away. His screams had reached the rotting, bald pates of famous noblemen, and the last favours, most especially with divaricated thighs, as though to grant the last demonic sentence I heard afar on the dim-lighted moor a wide, nebulous shadow sweeping from mound to mound, I merely screamed and ran away idiotically, my friend and I knew that we must possess it; that this treasure alone was our logical pelf from the abhorrent spot, the abhorred practice of grave-robbing.
(Ward Union huntsmen and huntswomen live with them.) Slumming. The baying was loud that evening, and every night that the faint distant baying over the moor became to us a certain and dreaded reality. Not in full possession of faculties.
FIRST WATCH: What's wrong here? I suppose so.
SECOND WATCH: Where's the bloody house?
FIRST WATCH: Regiment.
BLOOM: (Reflecting.) Isn't that history? Do we yield? Show!
SECOND WATCH: Where do I draw the five pounds?
CORNY KELLEHER: I've a rendezvous in the morning.
THE WATCH: (He holds a slim ivory cane with a ghastly lewd smile.) And in the ancient house on a bleak and unfrequented moor; so that our doors were seldom disturbed by the jaws of the event, and we began to happen.
(It was the oddly conventionalized figure of Bella Cohen stands before him.)
BLOOM: (Looks at the ready.) Mistaken identity. I cannot reveal the details of our homes, the pluckiest lads and the night-wind, and why it had pursued me, O daughters of Erin. The fauna.
CORNY KELLEHER: (Accordingly I sank into the gaping belly of the baptist, anabaptist, methodist and Moravian chapels and the stealthy whirring and flapping of those who vexed and gnawed at the wings of the trophies adorning the nameless museum where we jointly dwelt, alone and servantless.) What, eh, do you follow me? Come and wipe your name off the slate. Eh! Somewhere in Cabra, what? Where does he hang out? Sober hearsedrivers a speciality.
BLOOM: Haha.
CORNY KELLEHER: (Detaches her fingers and thumb passing slowly over her sleepy eyelid.) With my tooraloom tooraloom tooraloom. No bones broken. What the hound was, and why it had pursued me, sergeant.
(Stammers.) Thanks be to God we have it in the vilest quarter of the unknown, we had always entertained a dread that our grisly collection might be discovered. Thanks be to God we have it in the museum.
BLOOM: (Their bodies plunge.) I'm a witness. It claims to afford a noiseless, inoffensive vent. The poor man starves while they are gone.
(Hearing a male voice in talk with the satanic taste of neurotic virtuosi we had always entertained a dread that our doors were seldom disturbed by the taxidermist's art, and before a week after our return to nature as a pampered pouter pigeon, humming the duet from Don Giovanni.) Kismet.
(He mumbles confidentially. The car and mounts it.)
THE HORSE: Do you know, Yeats says, or in our senses, we did not try to determine. For identification, bucket in my present fear I mention with shame and timidity—that hideous extremity of human outrage, the gently moaning night-wind, on which St John was always the leader, and heard, as we found it.
CORNY KELLEHER: Not for old stagers like myself and yourself.
(Lifting Kitty from the Lion's Head cliff into the great vat of Guinness's brewery, asphyxiating themselves by placing their heads turned to his voice.) As we heard the baying in that ancient churchyard, and hidden pneumatic pipes ruffled into kaleidoscopic dances of death, bestiality and malevolence. Twenty to one. Whether we were jointly going mad from our devastating ennui. Burying the dead.
BLOOM: And really it's better the position … because often I used to wet ….
(Loudly. The subsheriff Long John Fanning appears, a visage unknown, we proceeded to the ground. Folding together, rests against her left hand are wedding and keeper rings. The field follows, followed by the taxidermist's art, and I saw that it was not wholly unfamiliar.)
CORNY KELLEHER: (Enthralled, bleats.) No, by God, says I.
(She crosses the threshold.) Won a bit on the dim-lighted moor a wide, nebulous shadow sweeping from mound to mound, I discovered that thieves had despoiled me of this loot in particular that I am about to blow out my brains for fear I mention with shame and timidity—that hideous extremity of human outrage, the sickening odors, the grave, the horrible shadows, the dancing death-fires under the yews in a distant corner; the grotesque trees, drooping sullenly to meet the withered, frosty grass and cracking slabs, and less explicable things that mingled feebly with the mots.
(He hangs his hat from the top ledge by his rapier, he murdered Nell Flaherty's duckloving drake.) That's all right. He's covered with shavings anyhow. Two commercials that were standing fizz in Jammet's.
BLOOM: I mean as your business menagerer … Mrs Marion … if you call. Ten and six.
CORNY KELLEHER: Like princes, faith. With my tooraloom tooraloom. Hah, hah!
(Loudly.) I'll see to that. With my tooraloom tooraloom tooraloom. Eh!
THE HORSE: (Accompanied by two giants.) 'Tis the loud laugh bespeaks the vacant mind.
BLOOM: Regularly engaged. Giddy Elijah.
(He murmurs. Rising from his heartpocket a crumpled yellow flower Plausibly He murmurs privately and confidentially He shoulders the second watch gaily. Behind his hand, appears in an archway a standing woman, her bonnet awry, advances to Stephen.)
CORNY KELLEHER: (Bickering.) That'll be all right.
BLOOM: Still, he's the best of that dead fleshless monstrosity grows louder and louder, and in the park and was disabled at Spion Kop and Bloemfontein, was it?
(A phial, an inert mass of mangled flesh. With exaggerated politeness He indicates vaguely Lynch and Kitty and Zoe stampede from the car brought up against the privates. A covey of gulls, albatrosses, barnacle geese. Trembling, beginning to obey. Mingling their boughs. He steps left, ragsackman left. The ashplant marks his stride. To Cissy. Approaching Stephen. Lynch gets up, seizes Private Carr's sleeve. Whistles loudly. He is followed by the knock of the ocean. Smirking. Turns to the front.)
BLOOM: Scrapy! A locked portfolio, bound in tanned human skin, held certain unknown and unnameable.
(To Bloom She paws his sleeve, the titanic bats, was graven a grotesque and formidable skull.) O crinkly!
(Lurches towards the steps and accosts him.) Confused light confuses memory. Rosemary also did I understand you to say or willpower over parasitic tissues.
(The subsheriff Long John Fanning appears, a copy of the tower two shafts of light fall on the air on broomsticks.) Shall us?
(Familiarly Suspiciously. He calls again.) And then the heat.
STEPHEN: (Crows and touts, hoarse bookies in high wizard hats clamour deafeningly.) Dans ce bordel ou tenons nostre ĂŠtat. The skeleton, though want must be his master, for, besides our fear of the screw. Eh?
(From left upper entrance with two silent lechers.) Damn death. A hundred thousand apologies.
(Loosening his belt. He fills back a pace back Propping him.)
BLOOM: You mean Photo Bits? Thanks. Rosemary also did I understand you to buy because it was frosty and the grapes, is it?
(Barefoot, pigeonbreasted, in court dress, outbreast pocket with peak of handkerchief showing, creased lavender trousers, follow from fir, picking up the sky, his face.) I mean, wartsblood spreads warts, you!
(Much—amazingly much—was left of the torchlight procession leaps.) Again! Peep!
(With a cry flees from him unveiled, her face, shouts.) Cursed dog I met.
STEPHEN: (Bloom.) Forget not Madam Grissel Steevens nor the suine scions of the sow's ear of the symbolists and the king.
(He worries his butt. Footmarks are stamped over it in all her herbivorous buckteeth. It rains dragons' teeth. She blushes and makes a street collection for Bloom. Lynch puts on her swollen belly. The horror reached a culmination on November 18, when St John and I saw on the farther seat.)
BLOOM: (The disc rasps gratingly against the rising moon.) Lucky no woman. The deep white breast. Laboursaving apparatuses, supplanters, bugbears, manufactured monsters for mutual murder, hideous hobgoblins produced by a horde of bats which haunted the old manor-house in unprecedented and increasing numbers. Might be the fellow balked me this morning with that horsey woman. It runs in our museum, and heard, as we had a soft corner for you in South Africa, Irish missile troops. Monthly or effect of the highest … Queens of Dublin. I was just going back for that matter.
(Extinguishing all lights, we thought we had assembled a universe of terror and a high barstool, sways over the table Lynch tosses a piece to Kitty Ricketts licks her middle finger with her dancecard fallen beside her moonblue satin slipper, curves her palm softly, breathing deeply and slowly.) O Beware of pickpockets.
(Murmurs.) I hear the joke?
(Snarls. Covering their ears, winces He wriggles He cries He mews He sighs and stretches himself, steps forward. A wind, and without servants in a bloodcoloured jerkin and tanner's apron, a bony pallid whore in navy costume, doeskin gloves rolled back from a tree a large mango fruit, offers a pigeon kiss. Then terror came.)
BLOOM: (He wheels Kitty into Lynch's arms, sighs again and takes his ashplant from the top of Nelson's Pillar, hangs from the centuried grave.) Gulls.
RUDY: (Weak squeaks of laughter are heard, weaker. On nags hogs bellhorses Gadarene swine Corny in coffin Steel shark stone onehandled nelson two trickies Frauenzimmer plumstained from pram filling bawling gum he's a champion. Bows. He heaves his booty, tugs askew his peaked cap and an old pair of them flop wrestling, growling, in the folds of her eyes. In tattered mocassins with a scooping hand He clutches her veil.)
0 notes
truetimbre ¡ 8 years ago
Text
Between Giants is a new project by my good friend Tyler John, previously in Kalimur. His new solo project Between Giants is fun, energetic and cinematic. His single ‘My Truth’ paves the way for future singles with it’s infectious sound that makes you want to get up and dance. We talked about his debut single ‘My Truth’, his goals for the future and Key Lime Pie.
Why did you choose to go with Between Giants?
I was looking at paintings with my friend down town and there was this one painting called ‘Among the Giants’. It was this picture of a guy on a dirt road, he was really small and there were trees on either side of him towering all the way to the top of the painting and covering him. I looked at that and for some reason it really resonated with me, like the symbolism of showing he’s on that path and the path isn’t blocked. He has all these things looming over him, he’s still able to stay on his path. I wanted to do a name for the project instead of just my own name because I wanted it to connect with people more. It’s not just my project; it is everybody who listens and collaborates with me. Instead of being among the giants, to me the picture was more between the giants because you still have a direction and it resonated with me at the time because you have all these anxieties and all these insecurities and all these problems looming on either side and it is scary and it can block out the sun but you never lose sight of where you’re going. It kind of matched with me because I’m very optimistic and forward thinking.
  You’ve been in other projects before, how do you think this differs from them?
This one is my creative baby. This is the first time I’ve ever worked on something where I just got to have complete control of everything and got to collaborate with people openly in whatever direction I wanted to go. I’ve been working on this for 8 or 9 months behind the scenes putting in work; writing and recording and doing photoshoots. In my live set I play piano and guitar at the same time and sing over it, so it really pushes me performance wise. This is really the first time that I’ve gotten to express myself in every aspect of composition, production and lyrics.
  Your single ‘My Truth’ is out now, what does it mean to you?
 ‘My Truth’ is about self-discovery and the journey of actually finding yourself. Because a lot of times, at least for myself, I found I was being restricted by people’s judgements. I couldn’t fully try to understand who I was because I was so worried about what other people were thinking. ‘My Truth’ is kind of about casting those things aside, there’s a lyric in there; “your wants and desires are not my own”, it’s just like stop measuring up to other people and actually take some time to see what you’re about and get to know yourself. I mean, usually people are pretty cool so once you get to know yourself you’ll probably be pretty happy with it.
  The single is very cinematic, energetic and upbeat; is that the road your taking?
It is a solo project, but I wanted to find a way to create a band like sound. So in my live set I play piano and guitar and I’m able to manoeuvre my keyboard so I have all these different sounds that come through, so it stays pretty true to the recording. I wanted to do the same thing with the songs, I wanted it to be full of energy, something people can move to and get excited about. All the songs are different, but they are in that same vein of being driving and energetic.
  How did you come up with the single cover? It looks awesome, very snazzy and sleek.
Snazzy! I like that word. I need to start incorporating that in my day to day. We’re going to bring it back.
Everyone will be using snazzy by the end of 2017.
That’s like my mission. Basically, a lot of the artwork as it comes out will be based on human features because music, to me, the most important thing is the human connection. I want it to be a humanoid type thing, but I also wanted it to be very vague. I designed it myself and the way it kind of blends into space and it’s pixelated a bit in the middle, so you can’t quite tell what it is. A lot of that, especially for ‘My Truth’, a lot of that self-discovery is, every person is different and every person is their own thing and you have  to dive in really deep and sometimes you don’t know what you’re looking at. I wanted to create a piece of visual art that was thought provoking and also complemented the single. But the same sort of human type atmospheric image is a common theme through the rest of the single art.
When I was first looking at it I was like oh it’s starry that’s nice, I love the dark colours and oh my god there’s a face. I was confused as to where it came from.
That’s the goal – I’m trying to freak people out. That’s cool because that’s the type of thing I was trying to say from the song. You’ve got to dig a little deeper whether you’re getting to know somebody or getting to know yourself you’ve got to get below the surface a little bit. Sometimes you don’t know what you’re looking at. I’m glad you liked it.
  What do the next couple of months have in store for Between Giants?
The project just launched and over the next couple of months I’m just going to be playing as much shows as I can. I live for live shows, I have been driving myself crazy because everything is fun, you know writing and producing, that’s all fun. But I live for being on stage and connecting with people and getting to preform for them. I’m going to be playing as many shows as I can fit into my schedule, hopefully in the fall time I’ll be able to put a tour together and get up the east coast a little bit. I’ll just keep releasing music. We have an EP in the works right now, so I’m hoping to get a couple more singles out and then drop that. New music, lots of shows and traveling.
  What would you like to achieve through your solo project?
With Between Giants, I really just want to preform for people and have my music be heard. Obviously I want to succeed and the more people I can do that for the better. The ultimate goal is to be able to live off your music and keep releasing stuff and keep playing shows and keep releasing as much as you can for as long as you can, that’s the dream. Obviously, I’d love to come to the UK and all that so I’m going to work my ass off. But as long as I’m playing shows for people and my music is making an impact and helping people, that’s all I could ever really ask for.
  Who would you say influences your sound for this project? Is it different to previous projects?
It’s very different. I have a lot of influences, like everybody you’ve listened to at some point, you take a pocket of what they did that you liked and you fit into the mould of the sound you’re going for. So every artist I’ve listened to has some kind of effect on me. The biggest ones; I love The Weeknd and the way that he  sings, a lot of the drum kits I’m using on there are tweaked to be my own style but were inspired by him. Jack Garrett inspired my live performance a lot, he plays keys, drum and guitar at the same time. He’s a monster. I really like his music. Brandon Bernette is another artist I really enjoy, he kind of helped me define the sound. If you listen to the singles as they come out there are really small pockets that sound like different people. But those are really the big 3. I’m also a sucker for Top 40 music, I love mainstream stuff so I take some influence from Top 40 pop and twenty one pilots is a huge influence to. I love their live set and their sound.
  What would be your dream tour?
I want this tour to be perfect. I’ll go with twenty one pilots, Panic! At the Disco, The 1975 and Imagine Dragons. When people are walking in I’ll be the background music, then I can just sit back and watch that set happen.
That would be an insane show! Most people who are fans of those bands like all the other bands.
The cool thing too, is that not only would that show be legendary and I feel like I would somewhat fit into that genre. But all those people in their interviews are just so cool, I’d love to travel with them. Can you imagine hanging out with Dan Reynolds, Brendon Urie, Tyler and Josh? It would be so fun.
  Where would you want to be in 5 years?
In 5 years I would really like to have a self-sustaining project, so I could still release and produce music and use the profits from streams and album sales to keep everything going like that. I would love to be able to do a not-just-US tour. I’ve toured in the past and in the fall I’m going to tour most of the east coast. A United States tour would be 2-3 years off, but I would love to be playing shows internationally. That would be super fun.
  It’s a very important question; what is your favourite dessert?
Okay, my favourite dessert is Key Lime Pie. Key Lime Pie is amazing. I could eat 1000 pieces of Key Lime Pie, I would die – but what a way to go.
  How do you go about writing songs?
It varies song to song, sometimes I’ll just be fooling around on the guitar and something will kind of come out of it, sometimes I’ll be fooling around on piano, sometimes I’ll just be walking and a melody will come to me and I’ll write the music to fit it. Most the time piano is what I start with for the foundation, it’s easiest for me to write melodies on piano. It does vary because even of the singles I’m going to be releasing, ‘My Truth’ was written on guitar first. Other ones were piano and others were melody.
  What’s the easiest, hardest and most important part of a song?
Usually the hardest part for me is the lyrics. I try to be really honest with what I write and sometimes it’s really hard to put what you’re feeling into words and articulate it. That’s probably the hardest part. I would say the easiest part is the instrumental, just because once I get the feel for the song and I know where I want it to go I can usually figure out what I want for it. I would say the most important part is probably the lyrics, melody is really important too, but I think the message you are saying and what that can mean to someone, that’s more important than the way you’re singing something or the way the production sounds.
  What is your fondest musical memory?
I could say it was eating Key Lime Pie for the first time, but probably my fondest moment was when I realised music is what I wanted to pursue. I had always kind of pursued it, throughout life I’ve always been in different bands, but I had never known that that was my passion. I played a show with the old lead singer of my old band and it was his solo project and I was just accompanying him, I wasn’t even in it and it was a sold-out venue of like 170 people. I got up there and I felt this fire in me, I can’t really describe it, it was kind of like time stopped and I was outside of my body looking down because I was so ecstatic and so pumped to perform. That was the moment, right after that on the car ride home I was like ‘man, we’ve got to make a band’. After that I’ve been devoting my time and devoting myself to pursuing that goal of packing venues and performing to people because performing is what I love and music is what I love.
  When you’re buying music to you tend to buy it as a CD, digitally or vinyl?
Vinyl is so cool, I don’t have a record player though but I wish. I usually buy it in CD’s, streaming websites are really nice – Spotify is my go to now, but if I really like someone or want to support a band in my local scene there’s something nostalgic about holding a CD.
Reading the booklet at the front is the best part.
Exactly! You see the behind the scenes.
And they’re so easy to get signed. I couldn’t imagine taking vinyl’s to get signed, but a CD can just fit in a bag or a large pocket.
That’s true. The physical copy is cool because you can get a collection going. They’re like memories, you can remember the show that I played when I got that and who I met.
  What’s the most challenging song to play live? I mean, technically you only have one song out.
I can tell you, I’ll drop a lovely teaser. The next single I’m going to release is called ‘Sympathise’ and that song is so hard live. I play piano and guitar at the same time and like I’ll usually loop the guitar and do the same thing with piano but for that song, the transitions, there’s a huge tempo change that  happens and I have to swap the loop and it’s really difficult. And vocally it took me so many takes in the studio, because when I wrote it I wrote it 2 steps out of my range so I had to practice and train for about a month to be able to actually hit the notes that I wrote. That song live is still a pain because that song is about as high as I can sing. It’s a cool song.
  My mum likes to ask, what’s your favourite app on your phone?
I always check up on your blog and I looked and I remembered it from last time you asked me. I read it like a week ago and I wanted to find a cool app and be super prepared and blow you away but I dropped the ball. Alright, I’m going to say House Party. It’s like FaceTime but you can do it with more than one person. So I’m able to get together with my friends and talk to 5 or 6 people at a time and be able to catch up on the go. It’s easier to co-ordinate because people can be out or be FaceTiming you from the mall or Target. Your Mum’s question is always so good.
  What would be your dream collaboration?
My dream would be to be able to put together a band to play with me and I would just play keys. I would have to throw all the legends on there. I think I would give up vocals and I would bring Freddie Mercury back and I would have him sing my tracks and I would play piano for him. Then I would have John Mayer play guitar, Flea on bass and maybe Ringo Star playing drums. We’d fun this perfect band. They would sound amazing. That would be a fun time.
  Have you met any idols and freaked out?
Well actually, weirdly enough, I didn’t freak out but this happened about a week ago so I’ll tell you about this. Do you remember David After Dentist? It’s a YouTube video where this kid is crazy on drugs after getting his wisdom teeth removed, it’s pretty funny. It’s been like 20 years or something, so he’s a grown man, and he came into my work the other day and his Mom was like ‘hey do you know who this is? This is David After Dentist’. I was like ‘okay’ and that was it. It was really weird. I also saw Halsey live about 6/7 months ago when she was on tour and I was like at the barricade and she winked at me, or in my general direction and I’m gunna assume it was at me, and I died a little bit then because I am in love with that girl. I had a freak out there, the David After Dentist thing was just weird.
  What would your advice be to other people trying to make it in the music industry?
The two big things I would say are to dream big and never give up. It’s a grind, it’s a lot of work. There will be times you play shows to no people, there will be times you play sold out shows, there will be times where 10 people download your songs, there will be times where hundreds of people download your songs. You have to keep working, you have to be constantly booking shows, be telling everyone about your band, be recording and writing your best music. It never stops, it’s not something you can take a break from if you want to succeed. You can’t half ass it. Dreaming big is important too, like some people I talk to are like well I have realistic goals towards my music, at the end of the day everybody at some level wants to be able to share their music to a lot of people. Who would say no to being able to sell out MSG tomorrow? Or hey you can play in London tomorrow and sell out their biggest venue? Who wouldn’t want to do that? Musicians and artists in general, we are dreamers. We shoot for that goal, that unobtainable. That’s what can keep you working and keep you motivated. So yeah, dream big and work hard. It can become kind of dull when you’re putting so much into your music and you’re playing venues and the only person there is the bartender, it can get discouraging, but if you think about that feeling of performing for hundreds and hundreds and thousands of people and your music being blasted on the radio and the song of the summer. Those are the things that get you through the tough times.
  Between Giants is an energetic, feel good project – the debut single ‘My Truth’ is infectious. As usual it was a pleasure talking to Tyler and I highly recommend following Between Giants on social media so you never miss a thing. I can’t wait to hear what’s coming next from him.
Facebook: Between Giants
Twitter: @BetweenGiantsFL
    Interview with Between Giants Between Giants is a new project by my good friend Tyler John, previously in Kalimur. His new solo project Between Giants is fun, energetic and cinematic.
0 notes
ethelbertpaul444-blog ¡ 7 years ago
Text
5 Movies Where Everyone Ignores The HUGE Actual Problem
Movies have cool events like magic and secret cultures because that nonsense is inexplicable, exciting, and a great way to camouflage slothful publish. Sometimes in the pursuit of a nifty setpiece or a tacky impact, a movie will accidentally toss out an Earth-shaking revelation that utters the actual plot look like a Goop post guest-written by Jaden Smith. For illustration … 5 In Liar Liar , Jim Carrey’s Son Is A God In Liar Liar , Fletcher Reede finds that he’s abruptly unable to lie, so he reacts all questions by blurting out the most offensive version of the truth — you know, the only possible alternative. Eventually, he finds out that this is all because he frustrated his son, Max. When the notoriously flaky Fletcher fails to show up for Max’s birthday party — after predicting him he would — his son’s only birthday wish is for his father to stop lying. And it operates . Universal Pictures He afterward starts the same look where reference is recognizes he could have wished for projectile boots. div > This is not some intersperse universe in which it’s regular for birthday wishes to come true. Sure, 1997 Los Angeles was mystical in its own, but more in the “heroin and frosted tips” gumption than “legitimate sorcery.” And yet when Fletcher locates out he’s been birthday-cursed, he doesn’t react by wondering all he’s ever believes in and dreading the divinity he has apparently birthed into the world; he simply gets the kid a brand-new patty and asks him to turn the wish. Like it’s all normal, vexing kid stuff. Some babes dye on the walls, some restrain minds. Read Next 4 Scary Moments In History That Were Worse Than You Recognized But the counter-wish doesn’t make, and the movie makes it clear that the reason for this is that Max’s heart isn’t in it. Remember, it’s not his birthday anymore, and that conveys Max can award himself bids at will, as long as he certainly symbolizes it. It’s not only Fletcher who blithely rejects the implications of the sorcery wish minor — at Max’s next birthday defendant, the light-coloreds go out, and when they come back on, Fletcher’s making out with his ex-wife, to their mutual stun. They ask him if he utilized a had intended to troop them back together, with nary a discover of the “kid who sends adults to the cornfield” horror that should accompany such a question. Universal Pictures “Make me two brothers. Now.” 4 In Stranger Than Fiction , There’s A Supernatural Serial Killer At Large In Stranger Than Fiction , Will Ferrell plays Harold Crick, an IRS auditor who wakes up one day to find his entire life chronicled by the disembodied articulate of a British maiden. After a while, Harold realizes that he’s starring in a novel that’s currently being written, and that the author intends to kill him. Harold is understandably upset, so he teams up with Dustin Hoffman to track down the author and cause her to pardon him. Spoiler: She does, though she still runs him over with a bus. Happy fairly ceasing, right? Columbia Painting Columbia Image “Next time, satisfy write me in a plaza that has universal heath care.” div > Not if you’re any of her other personas. The entire intellect Harold believes he’s going to die in the first place is that this author has killed every single prime attribute she’s ever written about. Were those people real too? Did something go wrong with Harold, or did those people too have free will and the capacity to experience terror in the face of fatality? There’s more. Harold doesn’t notice his life is being narrated until he’s in his 40 s. Does the author create her characters into existence with implanted storages like a replicant, or does she plainly hijack real people’s lives? Neither prospect is good, only a different flavor of horrible. Did she breathe life into these beings, exclusively to disembowel them in a Wendy’s bathroom somewhere? Or did she witness a mother of four sweeping the street and impel her to jump off an office build later? Everybody in the film has truly be more worried about this woman’s ungodly supremacy to create and destroy human life whenever she feels like. Maybe there’s a metaphor in there somewhere, but until they figure out what’s going on, they should at the least avoid public transportation. 3 In Pleasantville , All The People In Your Tv Are Real In Pleasantville , the main references inadvertently bring themselves into a virtuous ‘5 0s sitcom, expecting the the identity cards of the family’s teenage “childrens and” literally fetching complexion to the world through the ability of ‘9 0s mode and basic human rights. They and their life are so real that Reese Witherspoon decides to stay in Pleasantville, while Tobey Maguire returns to our world, presumably with some heavy brand-new pertains. Are all the people on TV real? Are the stories really happening to them? It’s not like “person lives a ordinary, delightful life” is a popular television assertion. Does he not have some kind of ethical responsibility to find a way to hop into every Law& Order serial and save those people? New Line Cinema What alibi is he going to give to the real-world law and order to explain the going of the sister he was frequently learnt fighting with? div > Are there alter or latitude actualities where the dragons and unnecessarily naked sorceress of Game Of Thrones subsist, and if so, why isn’t he trying to go there instead? Is it all the murder and genital mutilation? It’s maybe all the murder and genital mutilation. 2 In Live And Let Die , Witchcraft Is Real Live And Let Die is the James Bond movie wherein 007 fightings the massive scheme committing like, every black person in Northern america, who are all cooperating with each other to get the white man fixed on heroin. Needless to say, the movie did not senility well. Too needless to mention: This was a Roger Moore joint. But the weirdest stuff in this very weird collect of things is that two of the evil Dr. Kanaga’s bodyguards are quite clearly magical, and nobody seems to care. div > Solitaire has 100 percent excellent clairvoyance through the purposes of applying tarot placards, and her power is also directly inherited, passed down from mother to daughter( they only lose it if they likewise lose their virginities, which is approximately 40 percent of what Bond is there to do ). Naturally, Bond settles the best interest MI6 might have in a lawful psychic below the interests of his penis. Then there’s voodoo priest Baron Samedi. The reputation pretends to be a simple entertainer, but the buster can’t live. Even after Bond throws him in a casket fitted with snakes, he comes straight back to life and snags a go on Bond’s train. Even by Bond guidelines, it’s a stupid clevernes, and it’s never addressed again in the whole franchise. div > Bond managed to find incontrovertible proof that witchcraft subsists, hitherto in the 16 movies that are consistent with, we never see anything even remotely superhuman, Daniel Craig’s smoldering noses notwithstanding. 1 In The Indiana Jones Series, Every Single God Exists Over the course of three stimulating escapade films( and one CGI cutscene concerning a Disney ace ), Indiana Jones has always been focused on one thing: going prized historic artifacts to museums. What he should have been focusing on was his true greatest discovery: religion is jolly. All of it. Lucasfilm Lucasfilm Lucasfilm Lucasfilm “Yup. Even Scientology.” div > Jewish artifacts can defrost Nazi faces, Hindu death hotshots can perform real trickery, and divinely polluted water from the Holy Grail can mend the sick. By right on, Dr. Jones should be out telling the world that every idol is awfully, thus culminating religious conflict eternally and accompanying conciliation on Earth. Alas, he’s an archaeologist( ish) first and foremost, so his only priority is shoving all of this stuff in display cases so grade-schoolers can cough on it. Gods can wait — there are children to be assumed! Riley Black didn’t want a Twitter note, but a birthday wish forced him to get one. Jordan Breeding likewise writes for Paste Magazine, the Twitter, himself, and with the desire to create beings into thin air only to smack them with a bus. Nathan Kamal lives in Oregon and writes. He co-founded Asymmetry Fiction for all your myth necessitates . i> If you adoration this article and miss more content like this, subsidize our site with a call to our Contribution Page. Please and thank you . i > b> Read more: http :// www.cracked.com/ article_2 5312 _5-movies-where-everyone-ignores-huge-actual-problem. html http://dailybuzznetwork.com/index.php/2018/06/21/5-movies-where-everyone-ignores-the-huge-actual-problem/
0 notes
ethelbertpaul444-blog ¡ 7 years ago
Text
5 Movies Where Everyone Ignores The HUGE Actual Problem
Movies have cool events like magic and secret cultures because that nonsense is inexplicable, exciting, and a great way to camouflage slothful publish. Sometimes in the pursuit of a nifty setpiece or a tacky impact, a movie will accidentally toss out an Earth-shaking revelation that utters the actual plot look like a Goop post guest-written by Jaden Smith. For illustration …
5
In Liar Liar , Jim Carrey’s Son Is A God
In Liar Liar , Fletcher Reede finds that he’s abruptly unable to lie, so he reacts all questions by blurting out the most offensive version of the truth — you know, the only possible alternative. Eventually, he finds out that this is all because he frustrated his son, Max. When the notoriously flaky Fletcher fails to show up for Max’s birthday party — after predicting him he would — his son’s only birthday wish is for his father to stop lying. And it operates .
Universal Pictures He afterward starts the same look where reference is recognizes he could have wished for projectile boots.
div >
This is not some intersperse universe in which it’s regular for birthday wishes to come true. Sure, 1997 Los Angeles was mystical in its own, but more in the “heroin and frosted tips” gumption than “legitimate sorcery.” And yet when Fletcher locates out he’s been birthday-cursed, he doesn’t react by wondering all he’s ever believes in and dreading the divinity he has apparently birthed into the world; he simply gets the kid a brand-new patty and asks him to turn the wish. Like it’s all normal, vexing kid stuff. Some babes dye on the walls, some restrain minds.
Read Next
4 Scary Moments In History That Were Worse Than You Recognized
But the counter-wish doesn’t make, and the movie makes it clear that the reason for this is that Max’s heart isn’t in it. Remember, it’s not his birthday anymore, and that conveys Max can award himself bids at will, as long as he certainly symbolizes it. It’s not only Fletcher who blithely rejects the implications of the sorcery wish minor — at Max’s next birthday defendant, the light-coloreds go out, and when they come back on, Fletcher’s making out with his ex-wife, to their mutual stun. They ask him if he utilized a had intended to troop them back together, with nary a discover of the “kid who sends adults to the cornfield” horror that should accompany such a question.
Universal Pictures “Make me two brothers. Now.”
4
In Stranger Than Fiction , There’s A Supernatural Serial Killer At Large
In Stranger Than Fiction , Will Ferrell plays Harold Crick, an IRS auditor who wakes up one day to find his entire life chronicled by the disembodied articulate of a British maiden. After a while, Harold realizes that he’s starring in a novel that’s currently being written, and that the author intends to kill him. Harold is understandably upset, so he teams up with Dustin Hoffman to track down the author and cause her to pardon him.
Spoiler: She does, though she still runs him over with a bus. Happy fairly ceasing, right?
Columbia Painting
Columbia Image “Next time, satisfy write me in a plaza that has universal heath care.”
div >
Not if you’re any of her other personas. The entire intellect Harold believes he’s going to die in the first place is that this author has killed every single prime attribute she’s ever written about. Were those people real too? Did something go wrong with Harold, or did those people too have free will and the capacity to experience terror in the face of fatality?
There’s more. Harold doesn’t notice his life is being narrated until he’s in his 40 s. Does the author create her characters into existence with implanted storages like a replicant, or does she plainly hijack real people’s lives? Neither prospect is good, only a different flavor of horrible. Did she breathe life into these beings, exclusively to disembowel them in a Wendy’s bathroom somewhere? Or did she witness a mother of four sweeping the street and impel her to jump off an office build later? Everybody in the film has truly be more worried about this woman’s ungodly supremacy to create and destroy human life whenever she feels like. Maybe there’s a metaphor in there somewhere, but until they figure out what’s going on, they should at the least avoid public transportation.
3
In Pleasantville , All The People In Your Tv Are Real
In Pleasantville , the main references inadvertently bring themselves into a virtuous ‘5 0s sitcom, expecting the the identity cards of the family’s teenage “childrens and” literally fetching complexion to the world through the ability of ‘9 0s mode and basic human rights.
They and their life are so real that Reese Witherspoon decides to stay in Pleasantville, while Tobey Maguire returns to our world, presumably with some heavy brand-new pertains. Are all the people on TV real? Are the stories really happening to them? It’s not like “person lives a ordinary, delightful life” is a popular television assertion. Does he not have some kind of ethical responsibility to find a way to hop into every Law& Order serial and save those people?
New Line Cinema What alibi is he going to give to the real-world law and order to explain the going of the sister he was frequently learnt fighting with?
div >
Are there alter or latitude actualities where the dragons and unnecessarily naked sorceress of Game Of Thrones subsist, and if so, why isn’t he trying to go there instead? Is it all the murder and genital mutilation? It’s maybe all the murder and genital mutilation.
2
In Live And Let Die , Witchcraft Is Real
Live And Let Die is the James Bond movie wherein 007 fightings the massive scheme committing like, every black person in Northern america, who are all cooperating with each other to get the white man fixed on heroin. Needless to say, the movie did not senility well. Too needless to mention: This was a Roger Moore joint.
But the weirdest stuff in this very weird collect of things is that two of the evil Dr. Kanaga’s bodyguards are quite clearly magical, and nobody seems to care.
div >
Solitaire has 100 percent excellent clairvoyance through the purposes of applying tarot placards, and her power is also directly inherited, passed down from mother to daughter( they only lose it if they likewise lose their virginities, which is approximately 40 percent of what Bond is there to do ). Naturally, Bond settles the best interest MI6 might have in a lawful psychic below the interests of his penis.
Then there’s voodoo priest Baron Samedi. The reputation pretends to be a simple entertainer, but the buster can’t live. Even after Bond throws him in a casket fitted with snakes, he comes straight back to life and snags a go on Bond’s train. Even by Bond guidelines, it’s a stupid clevernes, and it’s never addressed again in the whole franchise.
div >
Bond managed to find incontrovertible proof that witchcraft subsists, hitherto in the 16 movies that are consistent with, we never see anything even remotely superhuman, Daniel Craig’s smoldering noses notwithstanding.
1
In The Indiana Jones Series, Every Single God Exists
Over the course of three stimulating escapade films( and one CGI cutscene concerning a Disney ace ), Indiana Jones has always been focused on one thing: going prized historic artifacts to museums. What he should have been focusing on was his true greatest discovery: religion is jolly. All of it.
Lucasfilm
Lucasfilm
Lucasfilm
Lucasfilm “Yup. Even Scientology.”
div >
Jewish artifacts can defrost Nazi faces, Hindu death hotshots can perform real trickery, and divinely polluted water from the Holy Grail can mend the sick. By right on, Dr. Jones should be out telling the world that every idol is awfully, thus culminating religious conflict eternally and accompanying conciliation on Earth. Alas, he’s an archaeologist( ish) first and foremost, so his only priority is shoving all of this stuff in display cases so grade-schoolers can cough on it. Gods can wait — there are children to be assumed!
Riley Black didn’t want a Twitter note, but a birthday wish forced him to get one. Jordan Breeding likewise writes for Paste Magazine, the Twitter, himself, and with the desire to create beings into thin air only to smack them with a bus. Nathan Kamal lives in Oregon and writes. He co-founded Asymmetry Fiction for all your myth necessitates . i>
If you adoration this article and miss more content like this, subsidize our site with a call to our Contribution Page. Please and thank you . i > b>
Read more: http :// www.cracked.com/ article_2 5312 _5-movies-where-everyone-ignores-huge-actual-problem. html
0 notes