#i can't remember the book i read it from so i didn't go into it because i couldn't remember the details lol

[takashi0]

This is only true if you're one of those people who think that a DnD campaign where Orcs are the primary villain is some sort of coded message saying that being racist to black people is good, aka a fucking psychopath who is projecting their own bigotry onto fantasy media.

Literally the entire point of the Hearth's warming special with the Windigos and Zecora's introduction episode was "hey being racist is BAD!" Or more accurately mostly the first one since the second one is also a "Don't judge a book by its cover" aesop that also had smatterings of "racism is bad" with it thanks to Zecora being a Zebra. I can't fucking stand this notion of "If you ever had bigoted tendencies ever at all you're irredeemably evil and we will never, ever acknowledge the fact that you changed for the better."

That is some fucking Lily Orchard tier "Straight up lying about the show", there's like FOUR episodes out of Nine seasons!

I'll concede that the buffalo thing wasn't the best thought out idea, but you're talking about a tv show meant for seven year olds and the moral of the episode is "Learn to compromise", you are out of your goddamn mind if you think they're going to touch on things like the Trail of Tears, let alone do it in a fantasy world where you can just say that shit didn't happen.

I'm pretty sure the actual thing they said was "G5 being a distant sequel where the ponies are racist to each other like the Hearths Warming Origin episode completely undermines everything Twilight and co did through the show", but hey acknowledging that means you can't make the show look bad or the fandom look irrational for no reason, and God knows we can't have that!

Oh wow the main protagonists aren't perfect people, I thought that's what you fucking yahoos wanted.

Also didn't Yona give up trying to act like a pony and the ponies gave up on trying to make her act like one too?

Again, real "Orcs are totally black people you guys" vibes

Dragon culture was made up of Fratboy douchebags who tormented each other and other races for fun, to the point where they tried to get Spike to smash Phoenix eggs for shits and giggles. Another dragon straight up tried to KILL SPIKE just for entering his cave.

The Griffons were rude assholes who only cared about themselves and money.

My memory is hazy but I wouldn't blame anyone for not being super stoked about Yak culture since the most I remember of the Yaks outside of Yona is "Screaming loudly and breaking everything in sight."

And I swear to God if you use THE CHANGELINGS as an excuse to slander the ponies you are a complete goddamn idiot. Their first introduction on the show is them INVADING A CITY and attempting to harvest the population for love! Which is exactly what they did in their next appearance to Ponyville! Yes, Thorax exists! Yes, they all eventually did a face turn and Chrysalis left because she's a bitch! That's great! That's wonderful! But that doesn't change the fact that Thorax's whole challenge was proving to the ponies that he wanted to peacefully coexist! The ponies not trusting him were obviously in the wrong to do so, BUT THEY HAD GOOD FUCKING REASON TO NOT IMMEDIATELY TRUST HIM.

If you're going to give the mane six shit for thinking the Zebra they've never seen before who hangs out in THE DANGEROUS FOREST OF MAGICAL PLANTS AND ANIMALS THAT CAN KILL YOU could MAYBE be dangerous, but act like the Changelings did nothing wrong, you need to sort out your priorities!

The Seaponies/Hippogriffs were the only culture aside from maybe the Zebras (who we didn't see until the season 10 comics which I haven't read so idk) and I guess the Kirin (who had like one problem that one of their own already understood how to solve anyway) that you could say "nah they don't need to learn friendship from the ponies." And see the buffalo thing above for "These aren't missionaries you fucking morons, this is a little girl show about friendship."

Yeah! And the board were the ANTAGONISTS! The main villain of the season was the head of the Board's DAUGHTER who worked with the closest thing the show had to SATAN to try and sabotage it! Again, why the fuck are you guys acting like Calvinists?

They fucking didn't, you should know better than to blindly trust tumblr users on anything.

i'm gonna be honest i don't get why they say everypony instead of everybody in mlp. it's not like the word everybody is human-specific. the ponies have bodies. the word everypony, however, is pony-specific in a world where ponies are not the only people in their society, which means it would be more accurate and inclusive to use everybody instead of everypony. it all makes no sense to me

[lurkingshan]

2024 Recap: ✨A Summary✨

Post your most popular and/or favourite edit/gifset/analysis for each month (it’s okay to skip months!)

@troubled-mind and @my-rose-tinted-glasses brought this back, so here is mine! I can't believe some of this stuff happened this year, it feels like it's been 84 years.

January:

most popular - Deep character analysis of Phaya from The Sign

favorites - The birth of Japanese QL Corner, Breakdown of the Last Twilight finale (siiiigh), love for I Became the Main Role in a BL Drama and Gyeongseong Creature, and this list of some of my fav non-BL jdramas

I was a busy little bee in January! Not surprising, as I tend to hermit at home in the deep winter and do nothing but watch dramas and post too much. JQL Corner became my big project of the year, and I can't believe there wasn't a single week that I didn't have Japanese QL to talk about. I Became the Main and Gyeongseong were both surprise delights that ended up among my favs of the year. I’m still holding my LT grudge, in case anyone had any doubt.

February:

most popular - Praise for Dead Friend Forever's mystery arc

favorites - Appreciation for Love for Love's Sake's ending, every single LITBC book club post that I either wrote or read, my final review of Cooking Crush

The original run for the LITBC book club that @bengiyo and I led! What a great time reading a fantastic book, chatting with besties, and making new friends. I also stand by that praise for DFF's mystery arc--that was the strongest part of the show; the things I took issue with were elsewhere in the story. I have just been thinking I need to rewatch LFLS and this post reminds me why (I remember when it first ended me and @wen-kexing-apologist were like, we're going to watch it again immediately! And then realized we were in no way emotionally prepared for that LMAO). Cooking Crush remains a fav and I may or may not be rewatching right now.

March:

most popular and favorite- An actual love letter to TsukuTabe, my beloved

other favorites - Analysis of Unknown ep 6 aka The Turning Point and big love for Cherry Magic Thailand after the finale

Wow, three of my very favorite shows of the year all happening at once. What a blessed month this was. Also, this is not a specific post, but this is the month when I read Da Ge and then spent weeks with people coming into my DMs to get their own copy of the translation, which was a top fandom experience for me because I met a bunch of new people, some of whom stuck around to talk about Unknown, and it made me feel like an illicit dealer which was very fun.

April:

most popular - The boopening

favorites- A breakdown of the pseudo-incest trope and this list of my favorite friends to lovers dramas

The boopening was a once in a lifetime whimsical tumblr event, and I am so glad I was able to participate fully. I also really like these other two because I feel strongly that all tropes have their place and can be enjoyed when executed well and I love talking about that.

May:

most popular - Love for Oyei and Cher from Wandee Goodday

favorites - Trans Allegory in Cupid's Last Wish, co-authored with @wen-kexing-apologist and @so-much-yet-to-learn and this cdrama rec list.

I spent much of May watching and posting about shows I did not end up liking much in the end, but that is also the month I finally watched CLW with my friends and enjoyed it more than expected, in part because WKA had us watch it through the lens of trans allegory, which totally worked.

June:

most popular - Class disparity themes in Love Sea

favorites - 10 Things I Love About Triage, celebrating Thai marriage equality with @my-rose-tinted-glasses, praise for Marahuyo Project

What a fun Pride month with the start of Love Sea, Knock Knock Boys, Marahuyo Project, The Trainee, and me finally watching Triage.

July:

most popular - Teaching the youths about face fucking and power dynamics in Love Sea

favorites - 10 Things I Love About Oppan and The Miracle of Teddy Bear Saved the Gays with @twig-tea

More great shows. I'm so glad me and Twig ignored the rumors and watched Teddy Bear because it's one of my favorite Thai dramas of all time.

August:

most popular - Cheering on the defeat of noble idiocy in Love Sea

favorites - Praise for Knock Knock Boys and this spicy JBL rec list and this other quality JBL rec list and calling out weird fandom attitudes about JBL

Another good month, and the busiest by far for QL Corner. There were so many JQLs airing this summer! What a time to be alive.

September:

most popular - Documenting Wang's behavior in The On1y One

favorites - 10 Things I Love About Mr. Mitsuya's Planned Feeding, clocking Doku Koi as a fav early, this high school bl rec list and this BL romance rec list

I'm filled with so much bitterness reading that Wang/Tian post. I'll be taking this grudge to the grave!

October:

most popular - Moar boops

favorites - Analyzing Dohoe in Let Free the Curse of Taekwondo and celebrating the first two episodes of Love in the Big City and the creation of the LITBC Drama Book Club Round Up

Two moody Korean shows with complicated gay leads dropped in my birthday month, the book club band was back together, and I got to do Halloween themed boops. I WAS THRIVING IN OCTOBER.

November:

most popular - On fandom as a life saving force

favorites - This list of some of my trash favs for @happypotato48 and getting my feelings out on Young and Gyuho and Hirukawa and Minase and final thoughts on the LITBC drama

I was having a lot of feelings in November.

December:

most popular - Democracy in Squid Game 2

favourite - QL superlatives and grievances, this round up of my fav dramas of the year and being so very normal about Hirukawa

This write up really helped me appreciate that I had good stuff to watch and write about every month this year. There were some disappointments, but also a lot of shows I really loved and it was fun to remember some of the things I wrote. Also, i got to make so many fun rec lists! If you were tagged here, or if you just see this and want to join in, consider yourself invited to do your own!

You can go here to find your top 10 posts of each month.

[thomaslittlegirl]

Hi author, I hope you are well. 😊

I discovered your writing recently and I am completely enchanted, you are incredible! Anyway, if you could write about Tommy dating a much younger girl, like 18/19 years old and completely opposite to him, smiley and completely shy (even with Thomas' family). I don't know, it just seems interesting how a young soul can captivate old Tommy. Stay safe and healthy. xo

hi love! i hope this is even a little bit like the idea you had in your head. im sorry for any grammatical errors, its 4am and my first language is not english. 😅🩷

opposites. thomas shelby

warnings; age-gap, just fluff (?

⋆𐙚₊˚⊹♡

if there was something that amazed thomas, it was definitely how opposite you two were.

he remembers the first time he met you like it was yesterday: it was a rainy wednesday in small heath. water fell mercilessly and the fog was so thick that it was difficult to see the city clearly.

he was leaving his bar when he saw you. your boots were full of mud as was the bottom of your clothes. he had noticed your purple lips and your almost imperceptible spasms due to the cold. it was fucking raining, and espite that, you had decided to go out.

thomas still remembers your beautiful light blue dress and believes that if he closes his eyes he can feel the fabric of the fabric on his fingers.

he had never seen you before, and if he had, he had not paid enough attention to you until that moment, that day where he saw the water soak your hair and your beautiful flower dress.

it was almost an automatic response from his body when he crossed your path and stopped you, wondering what you were doing alone on the street in those horrible weather conditions.

instead of freaking out like any sane person would have done, you accepted that a shelby offered to take you back to your house, claiming that it was dangerous for a young girl to be hanging around on a day like that.

he was surprised that you weren't scared, even knowing who he was and what he did. it seemed naive to him that you trusted his pure intentions so much and that was the first time he noticed the difference between you.

you trusted easily, something that he would not allow himself to do even on the last day of his life. a girl who loved colors, unlike him, the one who wore nothing but depressing grays and black suits.

you were sweet, kind, believed that everyone had a good part inside them; young and innocent... and that's why he could endlessly list the differences between him and you.

you were pure, not like him.

the good in the bad of his world, and he was the bad in the bad.

for him you were a breath of fresh air, something he didn't know he was looking for his whole life until he found you.

in the present, thomas looks at you from the desk; dried blood rests on his knuckles as he selflessly signs some papers.

his eyes can't help but wander over your body, noticing how that shirt you stole from him rests on your body angelically.

the older man watches you as you shyly chat with ada, nodding to everything the woman tells you even if you don't agree. always too peaceful to start an argument or demonstrate that your position was contrary to what was imposed.

the minutes pass and your legs move gently, bouncing non-stop on the floor, impatient. the man can read your expressions as if it were an open book.

time passes and when his sister finally leaves, thomas watches as you look at him with a sweet smile, walking towards his figure.

shelby already knows what you want and carefully pushes his chair back a little, just enough to move away from the desk and give you room to settle.

still smiling lovingly at him you sit on his lap, with your side against his chest. your legs swing gently again, searching for a comfortable position.

thomas, still serious, wraps his arm around your waist and continues with his paperwork. he feels you relax against his body and a smile appears on his face.

even without looking at you, he can feel your sweet eyes watching him tenderly, making him feel unworthy, undeserving.

a small, delicate hand rests on top of his, and he finally allows himself to feel that love in his chest when he feels the pads of your fingers carefully caressing his bloody and bruised knuckles.

neither scared, nor disgusted... simply understanding.

if there is something that amazes thomas, it is how well you complement each other despite being total opposites.

[dresshistorynerd]

I've seen a post you've reblogged and added to, among many things about women showing nipples. Can you recommend any ref material (articles, videos, etc.) are share your knowledge about this? Cause I'm curious about that, as nowadays going out in a shirt without a bra makes you indecent, while in like 90s it was okayish? I wonder how it was in previous centuries.

There is a really cool academic paper about bare breast dresses in 17th century England specifically. I think anyone can read it by creating a free account.

Abby Cox also has a good video about the cleavage during the past 500 years in which she goes through also the nip slip phenomena.

I don't have other sources that specifically focus on this subject, though many sources about specific decades touch on it, but I do have my primary source image collection, so I can sum up the history of the bare nipple.

So my findings from primary source images (I could be wrong and maybe I just haven't found earlier examples) is that the Venetians were the first ones to show the nipple for courtly fashion. At the same time in other places in Europe they sported the early Elizabethan no-boob style that completely covered and flattened the chest. In the other corners of Italy the necklines were also low but less extreme. Venetian kirtle necklines dropped extremely low as early as 1560s and they combined extremely sheer, basically see-through partlets with their kirtle. First example below is a 1565-70 portrait of a Venetian lady with the nipples just barely covered waiting slip into view with a movement of arm. There was an even more extreme version of this with the kirtle being literally underboob style, still with a sheer doublet. Though I believe this was not quite for the respectable ladies, since I have only seen it depicted on high class courtesans. They were not exactly respectable ladies, but they did have quite good social position. The second example is a 1570s depiction of a courtesan, which is revealed by the horned hairstyle. By the end of the century this underbust style with only see through fabric covering breasts, had become respectable. In the last example it's shown on the wife of the Venetian doge in 1597.

Around the same time, at the very end of 1500s, the extremely low cut bodice fashion enters rest of Europe. The low cut style was present in the bodices of all classes, but the nipple was really only an aristocrat thing. The lower classes would cover their breasts with a partlet, that was not sheer. Bare breast was ironically from our perspective a show of innocence, youthful beauty and virtue, and to pull off the style with respect, you also had to embody those ideals. Lower class women were considered inherently vulgar and lacking virtue, so a nipple in their case was seen as indecent. Bare boobs were also a sort of status symbol, since the upper class would hire wet nurses to breastfeed their children so they could show of their youthful boobs.

Covering partlets and bodices were still also used in the first decade of 1600s by nobles and the nip slip was mostly reserved for the courtly events. The first image below is an early example of English extremely low neckline that certainly couldn't contain boobs even with a bit of movement from 1597. The 1610s started around 5 decades of fashion that showed the whole boob. The first three were the most extreme. Here's some highlights: The second image is from 1619.

Here the first, very much showing nipples, from c. 1630. The second from 1632.

The neckline would slowly and slightly rise during the next decades, but nip slips were still expected. Here's an example from 1649 and then from 1650-55. In 1660s the neckline would get still slightly higher and by 1870s it was in a not very slippable hight. The necklines would stay low for the next century, though mostly not in boob showing territory, but we'll get there. But I will say that covering the neckline in casual context was expected. Boobs were mostly for fancy occasions. It was considered vain to show off your boobs when the occasion didn't call for it and covering up during the day was necessary for a respectable lady. You wouldn't want to have tan in your milk-white skin like a poor, and also they didn't have sun screen so burning was a reasonable concern.

1720s to 1740s saw necklines that went to the nip slip territory, though they didn't go quite as low as 100 years earlier. The nipple was present in the French courtly fashion especially and rouging your nipples to enhance them was popular. Émilie Du Châtelet (1706-1749), who was an accomplished physicist and made contributions to Newtonian mechanics, was known in the French court to show off her boobies. An icon. Here she is in 1748. Here's another example from this era from 1728.

The Rococo neckline never got high, but in the middle of the century it was less low till 1770s when it plunged into new lows. In 1770s the fashion reached a saturation point, when everything was the most. This included boobs. The most boob visible. There was a change in the attitudes though. The visible boob was not a scandal, but it was risque, instead of sing of innocent and did cause offense in certain circles. I think it's because of the French revolution values gaining momentum. I talked about this in length in another post, mostly in context of masculinity, but till that point femininity and masculinity had been mostly reserved for the aristocracy. Gender performance was mostly performance of wealth. The revolutionaries constructed new masculinity and femininity, which laid the groundwork for the modern gender, in opposition to the aristocracy and their decadence. The new femininity was decent, moral and motherly, an early version of the Victorian angel of the house. The boob was present in the revolutionary imagery, but in an abstract presentation. I can't say for sure, but I think bare breasts became indecent because it was specifically fashion of the indecent French aristocracy.

Here's example somewhere from the decade and another from 1778. The neckline stayed quite low for the 1780s, but rose to cover the boobs for the 1790s.

The nipple didn't stay hidden for long but made a quick comeback in the Regency evening fashion. It was somewhat scandalous by this point, and the nipple and sheer fabrics of the Regency fashion gained much scorn and satire. The styles that were in the high danger nip slip territory and those that allowed the nipple to show through fabric, were still quite popular. The sleeves had been mid length for two centuries, but in 1790s they had made a split between evening and day wear. The evening sleeves were tiny, just covering the shoulder. Showing that would have been a little too much. Like a bare boob? A risque choice but fine. A shoulder? Straight to the horny jail. (I'm joking they did have sheer sleeves and sometimes portraits with exposed shoulder.) But long sleeves became the standard part of the day wear. Getting sun was still not acceptable for the same reasonable and unreasonable reasons. Day dresses did also usually have higher necklines or were at least worn with a chemisette to cover the neckline. Fine Indian muslin was a huge trend. It was extremely sheer and used in multiple layers to build up some cover. There were claims that a gust of wind would render the ladies practically naked, though because they were wearing their underclothing including a shift, which certainly wasn't made from the very expensive muslin, I'm guessing this was an exaggeration. Especially though in the first decade, short underboob stays were fairly popular, so combined with a muslin, nipples were seen. Here's an early 1798 example of exactly that. The short stays did disappear eventually, but in 1810s the extremely small bodices did provide nip slip opportunities, as seen in this 1811 fashion plate.

Victorian moralizing did fully kill the nip slip, though at least they were gender neutral about it. The male nipple was just as offensive to them. In 1890s, when bodybuilding became a big thing, bodybuilder men were arrested for public indecency for not wearing a shirt.

[prolibytherium]

I never touched it but I feel like i only ever hear positive things said about song of achilles.. in (rough strokes at least) what makes it dogshit to you?

Okay it's been a while since I actually read it so some of this might not be spot on accurate. Sorry if at any point I say 'the book never does xyz' and it actually does once or twice but I think my underlying criticisms are accurate

-Patroclus is made into like this soft gentle tender quivering little yaoi boy. In the source text, he's shown as compassionate and moved by the suffering of his own men (and apparently having some medical skill, tending to the wounded in the camp), but very much invested n combat and very, very good at it (pages worth of descriptions of the guys he's killing left and right). In this, the arguably more complex character from this 8th century BC text is flattened into Being A Healer, he doesn't want to go to war he just wants to help people, he only goes because Achilles has to but he doesn't want to fight he's a HEALER he's a gentle lover NOT A FIGHTER who just wants to help he just wants to help everyone around him he HEALS while Achilles is a doomed warrior who is so good at fighting and KILLING its a DICHOTOMY GUYS!!!LIKE THE BEAUTIFUL SUN AND MOON DOOMED LOVERS SO SAD patocluse HEALER . (I Think he's specifically characterized as being BAD at fighting but might be misremembering)

-I don't remember much about Achilles' characterization I think it just makes him less of a jackass while not adding anything of interest and levels out into being mad boring.

-Not getting into the literal millenias old debate whether the mythological characters Achilles and Patroclus were being characterized as some type of lover by the original oral sources of the Iliad or its Homeric writers. We will never know. We don't even know what (if any) culturally accepted conventions of male homosexuality existed in bronze age Greece (we know much more about their descendants). But there are some interesting elements of their characterization in this direction, with how unconventional their relationship is WITHIN the text itself- Patroclus is described as cooking for Achilles and his guests (very specifically a woman/wife's job), Achilles chides Patroclus like a father, but there's also scene where Achilles' mourning of him directly echoes a passage of Hector's wife mourning her husband, Patroclus is explicitly stated to Achilles' elder, and is overall treated as his equal or near-equal, closest confidant and most beloved friend (to the point that pederastic classical Greeks would debate over who was erastes (older authority figure lover) and who was eromenos (adolescent 'beloved')- many took it as a given that this text depicted their present-day cultural norms of homosexual behavior but it existed so Outside of these norms that it had to be debated who was who). Their relationship is non-standard both within the text and to the descendants of the civilization that wrote them.

Basically what I'm saying is this book had opportunities to like, explore the unconventionality of the relationship (being presented here as explicitly lovers), explore the dynamics of why Patroclus wants to do 'women's work' (besides being a tenderhearted softboy), the weird dynamics where they take on paternal roles to each other but also roles of wives, how they feel about being this way, and just kind of Doesn't. Which I guess isn't an intrinsic fault (because it omits much of what I just talked about to begin with). it's just like.... Lame. This book takes jsut abandons everything interesting about the source text in favor of flattening it into bland Doomed Yaoi.

-The conflict that sets off the core story of the Iliad is Achilles and Agamemnon fighting over Briseis, an enslaved Trojan woman taken by Achilles as a war-trophy, Achilles spends most of the story moping because he was dishonored by his 'trophy' being taken. Achilles and Patroclus and everyone else are raping their captives, all the women in the story are either captured Trojans (or in the case of the free women within the walls of Troy, soon to be enslaved, and are slave owners themselves). Slavery as an institution and extreme patriarchal conventions are innate to the text and reflective of the context in which it was developed. You cannot avoid it.

But obviously you can't have your soft yaoi boys doing this, so the author has them capturing women to Protect Them from the other men. Their slaves are UNDER THEIR PROTECTION and VERY SAFE (and they might even Like And Befriend Them but I might be misremembering that. Briseis does though). Our heroes have apparently absorbed none of the ideals of the culture they exist in and the author seems to think "they're gay and aren't sexually attracted to their captives" would translate to them being outright benevolent (also as if wartime sexual violence is just about attraction and not part of a wider spectrum of violent acts to dehumanize and brutalize an accepted 'enemy')

In the source text, Briseis mourns Patroclus as being the kindest to her of her captors, who tried to get her a slightly better outcome by getting her married to Achilles (which probably would be the Least Bad of all possible outcomes for a woman in that situation, becoming a legal wife instead of a slave), and wonders what will happen to her now that he's gone. This is a really really sad, horrible, and compelling dynamic which could be fleshed out in very interesting ways but is instead is tossed entirely aside in favor of them being Besties. Like brother and sister.

All of the above pisses me off so much. If you don't want to engage in the icky parts of ancient/bronze age Greece then don't write a retelling of a story taking place in bronze age Greece. I'm not gonna get mad at children's adaptations of Greek myths or silly fun stories loosely based on them for omitting the rape and slavery but it is SO fundamental to the Iliad. If you're not willing to handle it, either fully omit it or better yet set your Iliad inspired yaoi in an invented swords-and-sandals setting where you can have all your heartbreaking tragic doomed lovers plot beats and not have to clumsily write around the women they're brutalizing.

-The author didn't seem to know what to do with Thetis and she made her just like, Achilles bitch mother who spends most of the story trying to separate our Yaoi Boys (iirc her disguising Achilles as a girl and hiding him on Scyros is made to be more about getting him away from Patroclus than trying to save her son from his prophesied doom in the Trojan War) until she sees how much they loooove each other and I think helps Patroclus' spirit get to the afterlife or something in the end?

-This is more of a personal taste gripe but it has that writing style I loathe where the prose feels less like a story and more like an attempt to string together Deep Beautiful Hard Hitting Poetic Lines that will look great as excerpts on booktok (might predate booktok but same vibe). It's all very Pretty and Haunting and Deep but feels devoid of real substance.

I really like The Iliad and The Odyssey in of themselves. They're fascinating historical texts that give a window into how 8th century BC Greeks told their stories, saw their world, interpreted their ancestors, etc. And genuinely I think these texts have 'good' characters, there's a lot of complexity and humanity to it.

WRT the Iliad- all of the main Achaeans are pretty fascinating, the one singular part where Briseis Gets To Talk and laments her situation is great, Achilles fantasizing that all of the Trojans AND the Achaeans die so he and Patroclus alone can have the glory of conquering Troy (wild), Achilles asking to embrace Patroclus' shade and reaching out for him but it's immaterial (and the shade being sucked back underground with a 'squeak' (the squeak kinda gets me it's disturbing and sad)), Hecuba talking about wanting to tear out Achilles' liver and eat it in a (taboo, exceptioally pointed) expression of rage and grief for his mutilation of her son's corpse, just one tiny line where the enslaved women performing ritual wailing for their dead captors are described as using it as an outlet to 'grieve for their own troubles' is heartrending, etc. A lot of grappling with anger and grief and the inevitability of death, a lot of groundwork laid for characters that could be very interesting when expanded upon in the framework of a conventional novel.

And Song Of Achilles really doesn't do much with all that. I know a lot of my gripes here are kind of just "It's different from the Iliad", I would have thought of it as mostly mediocre and forgettable rather than infuriating if it wasn't a retelling (and I DEFINITELY have strong biases here). But I think the ways in which it is different are less just a product of a retelling (of course there's going to be omissions and differences) and more a complete and utter disinterest in vast majority of its own subject matter, to the book's detriment. I think a retelling has a point when it EXPANDS on the source, or provides a NEW ANGLE to the source. This book doesn't Really do either, it just shaves off the complexity of its source material, renders the characters into a really boring archetype of a gay relationship, and gives very little else. Its content boils down to a middling tragic romance that has been inserted into the hollowed out defleshed skeleton of the Iliad.

Bottom line: I definitely would not be as mad about it if I wasn't familiar with the source material but I think it's fair to expect a retelling to Engage with/expand on its source, and I also think it's weak purely on its own merits. This book was set up to disappoint Me specifically.

[madegeeky]

Hannibal (the TV series) seasons in one sentence:

Season 1: The least amount of police procedural you will ever see in a police procedural.

Season 2: Reins are off now, fuckers, let's do some goddamn character work!

Season 3: Wherein the first half is Hannibal writing fanfiction and the second half has completely new main characters.

[causenessus]

i’m thinking about the way that they both tried to push each other away but they’re meant to be. and they kept coming into each other’s lives. what bon iver meant when they said “i have buried you in every place i’ve been / you keep ending up in my shaking hands.” (a song for a lover of long time ago). also made me think of the quote “you want to watch the world burn?” “let me guess, you’ll set it on fire?” “no, i’ll hand you the match and stand at your back.” definitely such a power couple kind of like calloused hands yn and kuroo but let me word it this way: they both look like they could kill you and could but iwaizumi won’t because he’ll watch you get beat to a pulp by y/n. and he’ll just be watching y/n the entire time like “damn, i love her.” when they get married and they say their vows, he says “‘til death do us part and even after” and he MEANS it. take one good look at iwaizumi hajime and tell me he wouldn’t tear the world in two with his bare hands for y/n. and i just know they have the best midnight dates. sometimes they're out making late convenience runs saying "i shouldn't eat this." "fuck that." and sometimes they're in their kitchen together, making pancakes at 1 am.

BRUISED-H. IWAIZUMI SMAU

as a professional boxer, yn is used to shaking off bruises. it helps that iwaizumi’s always been there to take care of her.

main masterlist

status: completed

tags: iwaizumi x f!reader, childhood friends to lovers, roommates to lovers, mutual pining, misunderstanding

warnings: language, alcohol use, violence/blood, adult themes, angst, flawed characters, anger issues, depression, injuries, will be an excessive amount of written chapters, grammatical mistakes probably, everyone probably will be out of character, please note warnings may change as story progresses, and to check each chapter for individual warnings

playlist to accompany ur reading

minors dni & other rules

bonus: yn style guide | iwa style guide

introductions: yn’s gc | iwaizumi’s gc | roommates gc

teaser!

part one: rest in peace, kageyama

part two: context clues

part three: "argentina"

part four: not slutty enough

part five: my person [✐]

->bonus! six years back [✐]

part six: making room

part seven: the healing power of shit talking [✐]

part eight: another, unknown yn

part nine: in crisis

part ten: a test

->bonus! seven years back [✐]

part eleven: pissing contest [✐]

part twelve: rock bottom

part thirteen: lonely [✐]

part fourteen: i love brazil!

part fifteen: he's here

part sixteen: oikawa what is this behavior

part seventeen: dumbasses

part eighteen: three time [✐]

part nineteen: four years later [✐]

[girlivealwaysbean]

i hate being bitter and resentful and holding onto grudges but my god!!!!!!!!!!!! i see people going to college and becoming these cool confident versions of themselves and im like fuck u dad

[tenrose]

I started Neuromancer but currently I absolutely have not the brain capacity for it, so I've decided to switch cyberpunk technical vocabulary for a 1k pages political fantasy book. I need to rest my brain you see.

[jewishcissiekj]

oH?

[wordstome]

how c.ai works and why it's unethical

Okay, since the AI discourse is happening again, I want to make this very clear, because a few weeks ago I had to explain to a (well meaning) person in the community how AI works. I'm going to be addressing people who are maybe younger or aren't familiar with the latest type of "AI", not people who purposely devalue the work of creatives and/or are shills.

The name "Artificial Intelligence" is a bit misleading when it comes to things like AI chatbots. When you think of AI, you think of a robot, and you might think that by making a chatbot you're simply programming a robot to talk about something you want them to talk about, and it's similar to an rp partner. But with current technology, that's not how AI works. For a breakdown on how AI is programmed, CGP grey made a great video about this several years ago (he updated the title and thumbnail recently)

I HIGHLY HIGHLY recommend you watch this because CGP Grey is good at explaining, but the tl;dr for this post is this: bots are made with a metric shit-ton of data. In C.AI's case, the data is writing. Stolen writing, usually scraped fanfiction.

How do we know chatbots are stealing from fanfiction writers? It knows what omegaverse is [SOURCE] (it's a Wired article, put it in incognito mode if it won't let you read it), and when a Reddit user asked a chatbot to write a story about "Steve", it automatically wrote about characters named "Bucky" and "Tony" [SOURCE].

I also said this in the tags of a previous reblog, but when you're talking to C.AI bots, it's also taking your writing and using it in its algorithm: which seems fine until you realize 1. They're using your work uncredited 2. It's not staying private, they're using your work to make their service better, a service they're trying to make money off of.

"But Bucca," you might say. "Human writers work like that too. We read books and other fanfictions and that's how we come up with material for roleplay or fanfiction."

Well, what's the difference between plagiarism and original writing? The answer is that plagiarism is taking what someone else has made and simply editing it or mixing it up to look original. You didn't do any thinking yourself. C.AI doesn't "think" because it's not a brain, it takes all the fanfiction it was taught on, mixes it up with whatever topic you've given it, and generates a response like in old-timey mysteries where somebody cuts a bunch of letters out of magazines and pastes them together to write a letter.

(And might I remind you, people can't monetize their fanfiction the way C.AI is trying to monetize itself. Authors are very lax about fanfiction nowadays: we've come a long way since the Anne Rice days of terror. But this issue is cropping back up again with BookTok complaining that they can't pay someone else for bound copies of fanfiction. Don't do that either.)

Bottom line, here are the problems with using things like C.AI:

It is using material it doesn't have permission to use and doesn't credit anybody. Not only is it ethically wrong, but AI is already beginning to contend with copyright issues.

C.AI sucks at its job anyway. It's not good at basic story structure like building tension, and can't even remember things you've told it. I've also seen many instances of bots saying triggering or disgusting things that deeply upset the user. You don't get that with properly trigger tagged fanworks.

Your work and your time put into the app can be taken away from you at any moment and used to make money for someone else. I can't tell you how many times I've seen people who use AI panic about accidentally deleting a bot that they spent hours conversing with. Your time and effort is so much more stable and well-preserved if you wrote a fanfiction or roleplayed with someone and saved the chatlogs. The company that owns and runs C.AI can not only use whatever you've written as they see fit, they can take your shit away on a whim, either on purpose or by accident due to the nature of the Internet.

DON'T USE C.AI, OR AT THE VERY BARE MINIMUM DO NOT DO THE AI'S WORK FOR IT BY STEALING OTHER PEOPLES' WORK TO PUT INTO IT. Writing fanfiction is a communal labor of love. We share it with each other for free for the love of the original work and ideas we share. Not only can AI not replicate this, but it shouldn't.

(also, this goes without saying, but this entire post also applies to ai art)

[always-just-red]

Hii! I've seen some Pregnancy scenario with LaD's men, but I have this HC-- personally for Sylus. That when fem!reader got pregnant, he didn't really understand how the Pregnancy hormones work, until he experienced one and he got confused how he should act or react because it's feels like he's walking on landime, one wrong move/word, she'd throwing tantrum or being sulky at him

I've heard from my Friend who got pregnant before, when she craving something and her Husband showing any form that he can't fulfill what she's craves, she felt her heart broken, and she'd sulk and acted as if he just cheated on her. The problem is, she always craved something that didn't even exist at that moment😂, she's craving certain type of Mango while it's not even that Mango season, so nobody selling it. He literally being desperate to negotiate with her cravings

So... Can I request a scenario smiliar like that? It doesn't have to be mango, or any foods. Just... how Pregnancy hormones or Cravings could make Sylus got frustated lol

Aaaaa anon this is adorable, thank you! We love making Sylus suffer in cute and harmless ways. He's always asking for trouble, so let's give him some! 😌💅

Something Sweet

Sylus x Reader 🩸

Summary: Sylus knows how to get what he wants. Getting what you want might be a little more tricky...

Genre: fluff!

Warnings/Additional tags: female!reader, IMPLIED pregnant!reader (pregnancy not actually mentioned or described- just hormones being hormones ✌), established relationship, canon pet names, a lil bit of roleplay because Sylus refuses to leave his Mystic Adventure era

| Word count: 2.1k | Masterlist | Opt-in to my taglist here!

Disclaimer: Characters belong to Love and Deepspace. All work is my own, so please don't repost or plagiarise!

“Sy, d’you know what I’m craving right now?”

“Always, sweetie.” Sylus doesn’t look up from his book. “Not now, though. I’m tired.”

Morning sunlight streams through the gaps in your living room curtains, casting pale yellow shapes over the floor. A shard of it has been inching over the sofa towards Sylus, the sharp edge now grazing the side of his face. He shifts, ever so slightly, away from its touch. His eyes are open but heavy.

“No,” you scold, leaning forwards to swat at him with your book. “That’s not what I meant, you narcissist.”

He chuckles with his usual low timbre— his gaze still not lifting— and the sound is deeper for how close he is to sleep. He wants to give in to it, you can tell. When he turns a page, the movement is languid, soft. You’re losing him.

“Sy,” you say again, then with more of a whine: “Sylus.”

His eyes flutter closed as he draws in a deep breath. His hand raises, his fingers stretching to pull his reading glasses from his face. They’re set down on the arm of the chair beside him, along with the book, and he turns to you with a smile. “What are you craving, sweetie?”

You rest your book on your stomach. Your legs are stretched out over Sylus’s lap, and his hand finds one of your feet, massaging an ache from it as you begin your speech. “Do you remember that café we used to go to? The one we found when it started raining in the park that day? We didn’t think it was open, but then the owner knocked on the window and said we could—”

“Yeah?” His hand moves to your other foot.

“Well, they make these—”

“Macarons.”

“You remember?”

His smile widens like he remembers vividly. “Kitten, how could I forget? I’m still jealous of that sweet little treat. You’ve never made that face for me, and believe me—” he wiggles one of your toes— “I’ve tried.”

That had been one of the only times you’d truly caught him off-guard, back when your feelings for one another were unnamed and uncharted. The rain had been drumming against the café window, and you’d heaved Sylus’s damp coat from your shoulders— giggled at the raised eyebrow and the sarcastic ‘…thanks’ he’d given in turn. One hot drink later, you were lifting a pastel pink macaron to your lips, taking a delicate bite and failing to stifle a tiny, almost euphoric moan.

You remember realising yourself: blushing profusely and expecting some remark, some ridicule, but none ever came. Sylus’s eyes were wide, dark, fixed upon your still parted mouth.

After a few of the longest seconds of your life, he’d dragged the plate with the rest of the macarons away from you and muttered something about how you had better not do that again.

“They’re still the sweetest things I’ve ever tasted,” you tease now, just as you’d wrestled him for that plate back then, set on eating every last macaron.

He makes a hmph as he idly runs a finger over the part of your foot he knows is ticklish. His expression is distinctly grumpy, but it falters as you laugh and try to writhe away from him.

You’re quickly out of breath. “Sylus?”

“Mmm?”

He glances up at you and you smile sweetly, head tilting. “Please?”

His coat on a rainy day. The entire plate of macarons in the end; he’s never been very good at denying you anything. For the first time since you’d stirred him from his book, however, he appears genuinely regretful. “You’re forgetting something, sweetie,” he murmurs gently. “Why did we stop going to that café, hmm?”

You shrug.

“It closed, kitten,” he sighs. “Months ago.”

“What?”

Not only did you already know that— you actually visited the café on its final day. The owner was telling you stories: he was moving somewhere warmer, closer to family, and he needed all the funds he could get. Sylus had snuck an obscene amount of money into the man’s tip jar whilst you acted as a distraction. You both had fond memories of that place; it was nice to make one more.   

It's all coming back to you and you’re struck by a wave of nostalgia. You want to go back there. You can’t go back there. It doesn’t exist anymore, and you’ll never taste sweetness like that again.

Your mouth has gone dry.

“Sweetie?” Sylus prompts, because he notices you’re far away. “Are you alright?”

“Yeah,” your voice wobbles, “I just really wanted… I mean, I really needed one of those—”

“… Macarons?” he finishes for you.

You burst into tears, and one day, you’ll tally this as another time you took the man by surprise. His face drops instantly— lost, for a moment— before he slides your legs from his lap, allowing him to lean closer. “No, no, no,” he coos, “don’t cry, kitten, please. I didn’t mean to… well, I didn’t realise…”

He doesn’t know what to say, and he always knows what to say. He set you off with a single word and now he’s stuttering like sentences are all possible landmines. He tries his luck again, putting a foot forward: “Listen to me. I’ll go to the store. Would that be alright? Or perhaps there’s another café that could—”

You explode: sobbing even more viscerally. Your whole body shakes with it.

Sylus has frozen. He watches on helplessly as you cry, blabbering about the macarons you can’t have and the café you can’t return to. Across the room, even Mephisto has hunched down on his perch, though he issues a few, spirited squawks, maybe in solidarity with your breakdown, or maybe in protest of it.

It’s like a catalyst. You cry more: burying your face in your hands because what the hell is wrong with you? It’s not a big deal. It’s not a big deal, so why do you feel sick? And then there’s Sylus— your Sylus, devoted and adoring— and here you are, punishing him for something beyond his control.

You look up from your hands, desperate to apologise, but he’s gone. More shards of sunlight paint his empty seat and catch all that’s left of him: a few crow feathers, glistening like onyx. Mephisto is gone too, and the room is quiet, save for you snivelling and feeling sorry for yourself.

“Sylus?” you call out into the empty morning.

It isn’t his fault, not really. You wouldn’t want to be around you, either.

…

Something brushes over your cheek, and your tired eyes open.

The sun has ebbed back behind the curtains and the ceiling light has taken its place, casting artificial highlights over everything in reach: the coffee table, the closed-up flowers at its centre and a mug of tea that’s gone cold. Sylus is in front of you too, backlit and soft like a daydream, and he—

He left you.

“Sy?” you whisper warily, because the context is coming back to you slowly, piece by piece.

“Hey,” he coaxes, voice as honeyed as whatever’s turned the air sweet.

You blink, rubbing sleep from your eyes and relishing the warmth of his hand on your face. Then you slap his shoulder. “Hey, really? That’s all you’ve got— hey?”

He’s kneeling for you— on the floor, beside the couch— so you can meet his eyes. He settles his chin thoughtfully on the edge of the seat, his nose almost touching yours. “What would you prefer, sweetie?” His lips are close to yours too. “Good evening, my beloved? Greetings, my queen?”

“How about sorry?” you snap, because he isn’t cute and he isn’t charming.

He pouts. “Why sorry?”

“Because you left, Sylus!” You sit up straighter, and your phone tumbles out of your lap. Its screen is still lit-up from a few hours ago, showcasing a very one-sided conversation and a rant you never actually sent, because it’s still in the text box.

You vaguely recall writing it, so you try to snatch the phone from Sylus’s hand as he plucks it from the floor. He’s more alert than you. More co-ordinated. He keeps it out of your grasp as he reads the unsent message, an eyebrow raising.

It was a lot of things— colourful, creative— not entirely tasteful. “My, my, your highness,” he tuts, “so this is the treatment your valiant knight receives for undertaking your quest?”

“You’re not valiant,” you rebuke, and you manage to wrestle your phone from him. “You’re—”

“A heartless prick,” he finishes casually, quoting your message with a chuckle. He takes your free hand and kisses the back of it, refusing to let you pull away. “And whose fault is that, I wonder?”

“You can have your heart back.”

“Nope. You’re stuck with it, sweetie. With me, too. Now—” he sits back on his knees— “would you please ask me about my quest?”

The analogy is lost on you. You sit fully up, looking down at him. “What quest, oh valiant knight?”

His lips form a smirk; he just loves when you play along. “Close your eyes.”

You do— whether you’re queen or not. You hear him shifting aside, and then there’s a snap of his fingers. The air changes, warping like thick, liquid smoke, and you know he’s using his Evol. “Open,” he commands.

And there on the coffee table, freshly teleported, is a plate of macarons the colour of cherry blossoms. As if anticipating the comparison, Sylus pulls a handful of pink petals from his pocket and blows them up into the air so they can spiral down on the scene. He watches them. Then you. “Ta-da,” he proclaims, his tone dry but full of humour.

You’re prone to hyperbole nowadays, but this is without a doubt the best thing you have ever seen.

“Sylus,” you gasp in disbelief, “how did you—”

“It doesn’t matter,” he says; the story isn’t for today, and he’s very, very tired. A few weeks from now he’ll tell you about how he tracked down the contact information of the owner of the old café. How he spent an hour on the phone bargaining for a certain macaron recipe, and several more hours in the kitchen, trying to get them perfect. “Now, they might not be exactly the same, sweetie. But I did try to—”

You surge forwards, capturing his lips in a kiss. It’s so impulsive— so reckless— that you almost tumble down from the couch, but he catches you, steadies you, and your hand is gripping the soft of his hair as he kisses you back. Slowly, his mouth not leaving yours, he lifts you back into your seat.

“Easy, sweetie.” His voice is low as he pulls away, and though he turns his face from you, you can make out the blush on his cheeks. He settles back into his kneeling position on the floor. “I have one more surprise for you. Do try to control yourself.”

He retrieves a small, complete flower from his pocket, albeit one a little dreary from its journey. Sylus smiles triumphantly as he holds it out to you, and he was right; you do want to throw yourself at him. Instead, you take the flower and lean forwards, tucking it behind his ear before he can protest. He’d tilted closer to help you, and he sits back with an exasperated tsk when you’re done.

“It suits you,” you grin.

He yawns. “Everything does.”

You don’t want to get into trouble, so you shimmy to the very edge of your seat and carefully— showing tremendous restraint— reach out to take his face in your hands. “You’re amazing, Sy. Thank you for doing all of this for me, but…”

“But…?”

“I missed you. I like macarons, yeah,” you smile, “but I’d much rather have you.”

This time, he can’t hide his face and the way it goes pink, like the blossom behind his ear. His cheeks are warm beneath your palms. “You couldn’t have said that before I spent the whole day—”

His voice is strangled as you keel towards him— slow and deliberate— to thread your arms around him and pull him into a hug. He tenses for a moment, then wraps his arms around you too: holding you tightly, keeping you from falling any further. You can feel his hand stroking your back and he hums as you give him a gentle squeeze.

“Such a lovely moment, kitten,” he muses, your head on his shoulder. “I do hope it’s sincere, and not— say— an excuse for someone to get her paws on the macarons behind me.”

There’s another moment of quiet.

“Don’t be silly, Sy,” you retort, but your mouth is full, your cheeks are stuffed, and not a single word of it is intelligible.

[felassan]

David Gaider on Fenris, under a cut for length:

"Fenris. Now, DA2 is a story all on its own but I'm not going to go there other than to sum it up as "we had just over a year and a half to make this". It's why I only wrote one follower, Fenris, and although it'll make his fans mad: I probably shouldn't have. Let me explain. The way we'd approach making the followers is brainstorming a list of concepts covering first the array of gameplay classes (and sub-classes) and then making sure they each have some skin in the game when it came to the story's conflicts - ideally having characters on both sides of the major ones. Why? You can't make a player care about the world, but you can make them care about characters who care about the world. It's the easiest way to provide hooks into a conflict, outside of it knocking on the player's door. Heck, it's probably better than that. Players will burn the world for approval. After that, we'd decide things like romances/sexuality. Then the writers would pick who they'd write. I always let my writers pick first. I figured they do their best work when it's something they're inspired to write... and they got so few chances at ownership, I wanted to give it whenever I could It's why I (reluctantly) let Patrick wrest Cole from my grasp in DAI, a character I'd created in Asunder. It's also why I let Jennifer take Anders in DA2, who I'd started in Awakening. In this instance, it meant I was left with the angry elven warrior character who nobody else appeared to want."

"It should have been my first clue that something was up. The second was how the artists had zero clue what to do with him. The art concepts were all over the place - from mages to crows to... well, even weirder. No matter how hard I tried to explain the idea, the artists simply didn't seem to get it Does this mean he was a bad character? Not exactly. Just an idea that probably deserved some re-examining. You can tell when an idea has a certain spark, and part of that is being easy to communicate. Sadly, there wasn't time for any re-examining even if it'd occurred to me. And it didn't, not yet. If it had, if I had time, maybe I'd have re-booted him as a templar. Someone pro-templar rather than anti-mage, who could give a personal hook into Meredith and give the templars some badly-needed humanity. But this falls into the shoulda-woulda-coulda category. I had a follower to write. Quickly. I struggled, at first. It was hard to get away from "Fenris hates everything, all the time". It felt very one-note, and I didn't know where to take him. My third clue, I guess. I also wasn't sure if I was the right person to write a former slave. I did know that couldn't be the center of his story. I did know trauma, however. How it can eat you up. How the hate and resentment is like drinking poison and hoping the other person dies. How it can infect your relationships. Fenris's trauma isn't my trauma, obviously, but here I dipped into a more personal part of myself than I'd ever done before."

"It gave me the center of his story I was missing, but wow was it uncomfortable. In a good way, maybe. I likely wouldn't have, if I hadn't been so desperate. In a way, I think DA2 had some of our best writing *because* of the timeline. It was raw, with little time to sand down the interesting parts. I wouldn't have done the "Fenris doesn't talk to you for three years" thing if I'd known we were going to cut all the reactivity initially planned for the time jumps. When that call was made, I campaigned to cut the jumps to a year, but there was no time for the revisions it'd need. So, um. Awkward. I used to get asked where the name came from, and I... don't remember? Obviously it's derived from Fenrir, but I don't recall why we picked that. Someone pointed at Fenris the Feared from Joe Abercrombie's books... and I did read them, so maybe the name lodged in my head? Wouldn't be the first time. Casting Fenris turned out to be easy. He was the first time I requested a specific VA and got him. (The other times were Merrill and then Solas, my two "I want these specific Welsh actors, please".) Why? OK, if you must know, I'd played a bit of Final Fantasy XII. I heard Balthier. "Yes, that." 😅 And Gideon Emery was a delight, as it turned out. Consummate professional, and that lovely gravel in his voice... good god. Bite the knuckles. There was a struggle to find the voice at the outset where I did my best not to say "just pls do Balthier" but he found Fenris on his own and it was amazing. Overall, Fenris turned out better than he had any right to, considering the rocky start. He had a lot of soul, a vulnerability forged by pain that struck a chord with a lot of players, and I'm glad. Do I regret anything? Probably having him live in a corpse-filled mansion that would never update. That's a hindsight thing, though, as again the cut to reactivity over the time jumps came late. Outside of that, maybe letting the player give him back to Danarius? Poor shock value and a waste of resources because almost nobody took the option. Good evil options are ones that are tempting to take. And the lyrium tattoos. Interesting concept, but they're probably why you'll never see Fenris in a future DA. He requires a custom body, and the tattoos make that expensive. It's why I put Fenris in my 4th DA novel - the cancelled one. Don't fret, though. He died in it, so this way he lives on. 😉"

[source thread]

User: "Wait wait how does he die in [the cancelled novel]??" David Gaider: "Gloriously, after taking up a cause he didn't believe in at first but then made his own, one that allowed him to rediscover what it meant to be elven." [source] David Gaider: "I’m not sorry about the novel cancellation. I’m the one who cancelled it. I am kinda sad we couldn’t make it work, though. Considering it was after I left the DA team, it would have been my final DA hurrah." [source] David Gaider: "From my perspective, it was kind of "well if you're never going to use him again, let me at least give him a proper send off" and the story required a glorious death... but I get that's not the story his biggest fans would want (which is Hawke + Fenris 4ever), so it's just as well." [source]

User: "You all did some incredible work with such a tight deadline" David Gaider: "I'm of the opinion that even if we'd had only another six months to bake, DA2 would be remembered as a classic and not either a flawed gem or underbaked sequel, depending on who you ask." [source]

David Gaider: "Just to clarify the "they're probably why you'll never see Fenris" thing, as it's spawned commentary: 1. It's the reasoning as was explained to me back then. 2. Obviously, if Bio *really* wanted to, they'd find a way around it. But it was a complication that meant he couldn't be included casually." [source]

[vroomvroomwee]

Crowley is Lucifer

(Ok I know some of you don't believe this theory but I highly suggest you give this a quick read anyway. I tried to make it short and easy and I'll be going chronologically, from s1 all through s2)

- First, let's get this out of the way, Lucifer and Satan aren't neccesarilly the same person. Even in the show the devil that appeared in s1 has only ever been reffered to as Satan, not even once as Lucifer.

- In the bible Lucifer was the one to tempt Eve with the apple, and who do we know that does that in the show. Crowley is literally THE snake from Eden.

- An obvious one perhaps, but the red hair is also a giveaway

- In the bible Jesus was tempted by the devil for 30 days, in the show Crowley says "I showed him all the kingdoms of the world", so that's another role Lucifer has that Crowley had in the show

- It's well known (even mentioned in the Sandman) that Lucifer was the most beautiful of all angels, and our demon is played by no other than David Tennant

Now on to season 2 because there's a LOT to unpack here

- He litterally started the engine of the universe which was one of Lucifers roles

- He's the first to say "let there be light", which is pretty fucking huge since that is Gods line

- "I worked closely with upstairs on it" even in the first scene they're telling us Crowley is an angel of very very high rank

- He fell for asking questions, which is litterally what Lucifer fell for, for questioning God. This in and of itself should be a pretty big indicator. "I only ever asked questions"

- Shax: "a miracle of enourmous power only the mightiest of archangels can perform"

Crowley: "How do you know I didn't do it"

And Shax just... doesn't counter that. She looks even skeptical, as if it COULD be a possibility, unlike Uriel who says to Aziraphale don't excpect us to believe you did it. Shax litterally doesn't shut the option down which confirms Crowley has the power not only of an archangel but of the mightiest kind

- In the bookshop with Gabriel/Jim he says "I don't remember. It [gravity] seemed like a good idea when we were all talking about it"

- "You're welcome to come in, you might even spot an archangel" don't tell me this was Crowley just egging Shax on and not being sneaky

- The fact that he could sense the demons coming. "Somethings wrong""It's coming in waves", when Aziraphale couldn't. It could be a demon thing but we saw Sandalphon, an archangel of lower rank, in the first season mention "something smells evil" so obviously angels can sense demons too, they just have to be powerful enough. And keep in mind Sandalphon was already in the book shop for quite some time, Crowley sensed them even before they had arrived (he also sensed the hell hound who was some fucking miles away)

- The.fucking.folder. "You have to be a throne or dominion above" and this dude opens these clasified documents like it's nothing. If this isn't an indicator of his high position as an angel I don't know what is.

- He's worked with Saraqael, another very high ranking angel

- "I'm the only first order archangel in the room"... and the camera imediately pans to Crowley, and for anyone who's read the book and watched the show you know that rarely anything is coincidental

- When the Metatron says they can't lose another prince of heaven. This... this fucking line. So it's relatively well known that Gabriel and Lucifer are brothers, and if Gabriel is one of the princes of heaven I wonder who the other one could be. "Two princes of heaven". And the Metatrons words were very careful, he doesn't say lost as in heaven can't find him, he says it in the context that they won't be sending Gabriel to hell since they won't lose another prince to downstairs

- In the bookshop when no one can identify the Metatron he turns to Crowley who imediately recognises him. Now you have this dude, who's literally on top of the angel hierarchy and is responsible for running heaven and the connection to God themself, surrounded by archangels and a principality you spoke to face to face with just a few years ago and... none of them can tell who you are, the only one who does is the literal demon. That tells us that Crowley has not only seen him in this form, but has probably worked with the Metaron himself personally. "Always asking damn fool questions", 10 million angels and he remembers what this one particular angel was like 6000 years ago

- Crowley is also very reluctant to reveal his identity as an angel. Now if he were just an ordinary angel of no real significance he wouldn't have a problem revealing his name, but... if his name was one that's the literal representation of all evil in this world, then it is understandable he keeps it a secret, in fear he might scare Aziraphale away

- And I wanted to leave the best for last. So you remember in the book when Crowley has to sign his name to start Armaggedon, and Hastur tells him "no, your real name" after which he reluctantly writes it. Now in the book we never see him write anything, but in the show we see him write a sygil, something that looks very mich like an L. An L... A FUCKING L. And now I wonder how this theory didn't come up sooner.

(Also he can fucking stop time, like dafuq)

Edit:

- "Oh looky here it's Lucifer and the guys" we all thought he was talking about someone else, he's just refferencing things other angels have said about HIM. FUCK

- I keep seing people saying Crowleys memories were wiped because he couldn't remember Saraqael and Furfur. But I think people forget, demons lie. He's lying to make them think he's not that angel they worked with, that he's not Lucifer. (In season 1 we hear him a few times refferencing his life as an angel, so he does remember most of it)

- Also saying if the Raphael theory were true then as showrunners they would have mentioned him somewhere for those not that familiar with the bible (or don't read much fanfiction). The refferences for Crowleys past are so so vague that it would be too sudden and confusing if he were Raphael. But there is one name that everyone is familiar with, no matter who you are how old you are or where you're from, a name that needs no introduction.

Edit 2:

- Back to him being the most beautiful angel, I don't think it was ever quite explained how every single demon when they're in hell looks... awful, but Crowley doesn't. Beelzebub has the spores all over their face, Hastur the maggots and the sh-, Dagon the scales etc. But Crowley doesn't, not even when he's in hell, he's always just so, well, pretty.

- I saw a few people asking about how Lucifer started the rebellion and Crowley wouldn't do that. I think it's the same Crowley who wouldn't get stuck in traffic after creating the M25, or the same Crowley that wanted to call Aziraphale after bringing down the entire London network, "you told them you invented the spanish inquisition, and started the second world war""so the humans beat me to it that's not my fault", "so all this is your demonic work?""no, the humans thought it up themselves nothing to do with me"

- Also I think Satan's in charge of hell not Crowley the same way the Metatron's in charge of heaven and not Gabriel (and who can very easily demote angels if he so wishes)

Edit 3:

- like some of you pointed out Lucifer is also known/means Light-bringer. And Crowley was the first to say "let there be light."

- The file he opens with Muriel is Gabriels file, a class A archangel, so if he knows the password to that it means that either he's on the same level as Gabriel, or above him.

[inkskinned]

yesterday while feverish i wrote about how boats can moor next to each other like pigeons, cooing with the gentle rap of water against their hull. you once said that that the way i see things - birds in the water, feathers in marina paint - was "childish and naive." you said i'd been misdiagnosed - "it can't all be adhd. you might be just kind of stupid and lazy."

i still do certain things like how you taught me - turn the pillow case inside out before putting it on. drive defensively. hate myself entirely.

the prompt for this poem is "mahler's fifth." i wish it wasn't, but mahler's fifth was our song. it ended up in my book. every person that knows your name has promised me they'll give you one swift rabbit punch, right to the face. dean read the book and showed up on my front porch, drenched in sweat from running the 8 miles at 4 in the morning. he was shaking. pacifist and gentle - he works with children - i'd never seen him furious. a punch isn't going to do it, he said, and then said i'm sorry. i had to come to see if you were okay.

mahler's fifth was mine first, like my girlhood. i like the way each movement piles onto the next movement, each instrument bleeding into the next. i like the horn version the best. before i met you, i danced to it on grass still-wet from sprinklers.

later you would tell me that the way you heard it was somehow better. you understood something in it that i couldn't quite wrap my fingers into. once, on our anniversary, you asked the classical music radio station to play it for us. we missed hearing it because we were fighting. one of the things people get wrong about abuse is that sometimes victims are, like, brutally aware of the stupidity of our situation. what do you mean that you thought i wasn't good enough for you? you? you're just... nothing.

sometimes people can pull the poetry out of your life. i watched my words become clothesline, and then thin out into kite twine. i watched you chew through every good syllable of me. so many good songs and places and moments were ruined. i am glad you didn't like most of my music - less to tie back to you.

but still mahler's fifth. the music swells, and i am 21 and throwing up in a bathroom on my birthday. a woman i will later refer to as lesbian jesus runs a cool hand down my back, her perfect pantsuit starch-pressed. she told me to leave you. she said - and this is true, and not an invention of rhyme or fantasy - i'm you from the future.

i am 22, and i got home from an award ceremony, and i remember you telling me - you act so proud of yourself when you're actually so fucking embarrassing. i took you to disney world. you took my virginity. i gave up visiting spain for a week with my family - i instead choose you, to spend the time just-cuddling. you called it "our fuck week." the music swells. it probably should have been a red flag that for about 3 years - i just gave up on crying. my grandfather died and you said nothing. my uncle died and you ghosted me for 3 weeks. you said i need to protect myself from your ongoing tragedy.

every so often i come back to the memory of one of our last afternoons in person. i had just told you that i wasn't going to law school, despite the free ride - i was going to join a creative writing program. master's in fine arts. i was going to finally do it - i was going to follow my dreams. this blog was already internet-famous. however reluctantly, i would occasionally refer to myself as a poet. i got into umass amherst's writing program for fiction authors. it is one of the the top 5 programs in the country.

wait are you seriously considering actually attending that? dumbfounded, you turned completely towards me in your seat. for the 3rd time in our relationship, you almost crashed the car. you actually want to be a writer?

the first time i went viral, it was for a poem i wrote about you:

he wants to say i love you but keeps it to goodnight because love will take some falling and she's afraid of heights.

every time i see that, i want to throw up. you weren't in love with me, you were in love with the control you had over me. a little truth though: i am afraid of heights. you caught a rabbitgirl and skinned her alive.

mahler's fifth still makes me sick.

give me that back. give me back music. give me back everything i had before you. give me back fearlessness. give me back bravery. give me back a scarless body.

give me back what you took from me.

[togament]

⤷ ume, sakura, nirei, kiryu, kaji, togame, suo, endo.

"he wants to make you smile so he left you a little note. What'd he write and where'd he hide it? I got you."

⤷ 𝐈𝐍𝐆𝐑𝐄𝐃𝐈𝐄𝐍𝐓𝐒: FLUFF FLUFF FLUFF!!!!, g/n reader, suo's kinda scares me ngl, I feel guilty for togame pls be patient with him He Is Trying, ENDO IS SCARY, nirei is very sweet oh MY GOD, all the fluff all the fluffies!!!!!!!

♯ 𝐔𝐌𝐄

"You found it! ◡̈ I just wanted to drop a little sunshine for my sunshine while I go get some sunshine ☼ You're my favorite person in the world and I hope this note makes your heart do a little happy dance like mine does whenever I see you. If you find this (and you did!! Yay!) it means you're awesome and that I'm so lucky to have you in my life. I love you!!!!! Your Number One Fan, 🍑"

Little doodles and happy scribbles!!!! You can tell he was smiling so widely when he wrote everything out for you -- it's like you can feel his happiness radiating from his writing it's very infectious. He just loves you that much.

(hid it in your favorite mug for you to find in the morning when he's out tending to his garden.)

────

♯ 𝐇𝐈𝐑𝐀𝐆𝐈

"Hey, love. Just a quick note to remind you how much I appreciate everything you do. For me and the boys. Your support means the absolute world to me. Don't forget to take your vitamins today -- gotta take care of yourself too, alright? I love you. - T."

Thankful and doting!!!!!! Vaguely smells like him too so you know he kept the note right by his jacket pocket for a while before sneaking it into its rightful hiding spot. His handwriting is sharp and you know he wrote it quick. He probably wrote it while on patrol.

(hid it inside your vitamin case that you use daily so you find it easily.)

────

♯ 𝐒𝐀𝐊𝐔𝐑𝐀

"I'm not really good with this whole cutesy stuff, but I wanted to let you know I'm thinking about you. You make my days better (even if I don't say it right). Love you. Lots. - S. P.S. there's chocolate for you in the fridge :)"

Clumsy and cute, the note has little writing indents of past notes he's written and promptly thrown away. He settled for this one because you're stirring awake beside him and he doesn't wanna get caught lmao

(Has the note hidden in one of the books you're currently reading, right where your bookmark is.) ────

♯ 𝐍𝐈𝐑𝐄𝐈

"Whoops. You found me. Wanted to leave you a little surprise! I'm planning on something fun for us real soon, but until then (tonight!!) I hope this note makes you smile as much as you make me smile every day. You're the best! I can't wait to see you. - your bunny."

Bright and cheery, much like Nirei is. Of course he has something planned for the both of you by the end of the day and he's keeping it a secret... But you know him. Something's bound to slip from his lips when you meet up with him tonight. Promise to act surprised?

(He hides it inside your pencil box because he knows you use it on the daily.)

────

♯ 𝐊𝐈𝐑𝐘𝐔

"Sweetheart! ♡ Surprise! I just wanted to leave a little reminder of how much I adore you. If you find this note, it means you didn't wait for me to play with you ( •̀ - •́ ) kidding! Can't wait to start our new game tonight. I love youuuu!! - forever your Player Two ♡"

Written on a purple and pink post-it, it's spritzed with his perfume. His penmanship is remarkable too. Playful and sweet!!!!! It makes you extremely giddy and excited to meet up with him later. You know for a fact he's got his space set and decked out in fairy lights for your game night. Gotta wait for a couple more hours though UGHHHSHAS

(has it neatly hidden inside the game case of the new game you both have been dying to play.)

────

♯ 𝐊𝐀𝐉𝐈

"Before anything, don't get mushy on me. Just wanted to say you're pretty great and I'm glad you're around. Found this album at the shop. Remembered you saying you wanted to listen to them, so I guess that's my way of saying I care. Listen to it with me later. - Ren. ♡"

neatly written on a post-it note, you kinda think it could be printed out. It's crazy. Short and concise, you can tell he had his brows furrowed when he wrote this for you. He's trying!!!!!! He really is!!!! You know he'd bring some food for the both of you when you meet up. He's a romantic at heart.

(has it taped to the CD he bought for you right next to your player.)

────

♯ 𝐓𝐎𝐆𝐀𝐌𝐄

"I'm probably late again, aren't I? Big surprise. I promise I'm working on it, but in the meantime, I thought I'd leave you a little reminder that you're amazing and that I promise I'll always be worth the wait. Thank you for being so patient with me, doll. I love you. A lot. Bringing your favorite dish tonight. Kame Special. -🐢"

HE'S TRYINGGG AAAASJKDKJASD!!!!!! As you read, you can practically hear the slight purr in his voice and he sounds so apologetic too. HE'S TRYING HE'S TRYINGGJAKJDS he loves his sleep a bit too much, you see. Pepper him in kisses when you meet him tonight. He deserves as much.

(Snuck it inside your planner the night before your date so you'd find it when you go check on your schedule for the day. He's not late for your home date later, by the way.)

────

♯ 𝐒𝐔𝐎

"My dove. Consider this a little hint: I've got a little something special planned for you, but you'll have to find more clues first and follow them. I promise you won't be disappointed. I'll be waiting for you tonight. Wear that dress that I love so much, yes? - Your Hayato."

uH OH. UH OH UH OH. Your man has you working for the surprise but that's such a him thing to do. At least he has something super cute planned by the end of it!!! If he says you won't be disappointed, he means it. HE MEANS IT.

(hid it inside the pocket of your coat that he knows you'll be using today. It's something you'd naturally reach into. Such a Suo thing to plan out.)

────

♯ 𝐄𝐍𝐃𝐎

"Hey there, gorgeous. I know you're in the middle of pretending not to miss me while reading up on this chapter. It's my favorite one, by the way. If you find this note, it means I'm missing you too and totally not hiding underneath your bed or in your closet ᕙ( •̀ ᗜ •́ )ᕗ See you in a sec. - Only Your Yams."

Ominous and teasing, much like Endo is. You kind of wanna check under your bed and in your closet but you know your boyfriend's just out to grab some coffee for the both of you. His handwriting is legible and super neat and he spritzed some of his favorite perfume on the note too. Mmmmm. Sandalwood and smoky vanilla.

(hid it between the pages of your favorite book with your bookmark replaced with a new one he bought for you. One of those fancy ones that can mark the words and stuff. Has to match his.)

a/n: I FINALLY WROTE SOMETHING I FUNALLYNJASDJKASD HUHUHUHUHUUASHKAS thank you for reading through this. I feel very rusty.