#i briefly thought selene and endymion was the one where the guy gets immortality but not eternal youth and he gets so old and shriveled--

[river-gale]

jane eyre and fairy tale references in the mars house by natasha pulley

Let's talk about folklore! TMH references it near-constantly. This post was originally just going to be me chatting about individual references for fun and enrichment, but now I want to talk about what purpose they serve.

A few of them are to describe situations or scenery:

This one is a Sleeping Beauty reference, used to describe what happens when the internet goes out. Sleeping Beauty is also a ballet with music by Tchaikovsky, completed in 1899; a lot of ballets are based on fairy tales, so it makes sense that these are the stories the narrator picks. The story is from January's perspective, and he's a former ballet principal—it's a neat bit of characterization.

He also uses them to talk to and about Gale:

(If you know a specific Tang dynasty novel this is referencing, please tell me, I will give you my hand in marriage.)

This is the plot of Bluebeard!

The second one here is Selene and Endymion. The first one is Jane Eyre, which is not technically a folk tale—it's a novel, a work of Gothic literature by Charlotte Brontë—but, like TMH, it follows the same archetypal plot of plenty of folk tales. A vulnerable person, usually a young woman and sometimes poor, has to marry someone powerful and monstrous—an animal, a dragon, an invisible god, a serial murderer, a nobleman who's keeping his ex-wife locked in the attic, or in the case of TMH, a CEO who is also a xenophobic demagogue who may or may not have murdered their last spouse. This is why January references Bluebeard. He's in the exact same type of story.

There's an equivalent feminine archetype of the Monster Bridegroom—the Swan Maiden and related tales—but the allusions in TMH tend towards the Monster Bridegroom version, just because it works better for the themes of power dynamics and different kinds of power.

The thing that makes TMH interesting, though, is that it isn't just an Monster Bridegroom folktale from January's perspective. It's also one from River's. January is marrying an incredibly wealthy and influential politician who wants people like him permanently disabled; River is marrying someone with superhuman strength who belongs to the same group as the person who recently ripped off their leg. If we take "monstrous" to mean alien, powerful, and potentially dangerous, then that's exactly what they are to each other—and what the animal spouses in Monster Bridegroom myths are.

And the allusions in the book reflect that, because they're also used to describe January.

Could be a lot of things—many different cultures have Things In Ponds That Eat You, and that's beautiful—but my first thought is kelpies.

A generic one.

January's Swan King thing! (And then they kiss about it!!)

I don't have a quote for this one, but Earthstrongers—and January in particular—are often compared to polar bears. (He's got polar-bear-colored hair.) It's very East of the Sun, West of the Moon.

The double fairy tale plot of this book is super cool—they're each the same fairy tale archetype to each other—but possibly even cooler is that Jane Eyre does a really similar thing with its fairy tale allusions!

The first speaker is Rochester, and the second is Jane. He's her monster bridegroom (due to the attic wife situation), but he frequently alludes to changeling and fairy stories when speaking about her. It adds some depth to the Jane Eyre reference in TMH!

It also recalls this passage from TMH:

Because at their hearts, Jane Eyre and TMH are both stories about class boundaries and power dynamics being transcended by the ability to match someone's freak.