#i assume alphabetical but im terrible at the alphabet so who knows them letters might just scattered dhdjsjsjs

[boomerang109]

tell me in the tags how the files in your brain are organized!

[dahniwitchoflight]

Homesquared Chapter 4

I cheated and some of my chapter 4 thoughts leaked into the chapter 3 post lol

Mostly about the pretty obvious Garden of Eden metaphor Dirk is for some reason setting up for himself and Rose as Adam and Eve

and I was about to say which begs the question of what the heck role Terezi is supposed to play as but then it’s very obviously as the Snake in the Garden

Terezi is very much just barely holding back some irritation towards how Dirk is treating Rose, but she’s also very intelligent and is aware of How much Dirk sees/knows and controls about their situation, so she’s probably leveraging her powers over Mind as much as possible in order to stay hidden in plain sight from Dirk’s narrative

and she does so in a way that is one of Dirk’s only blindspots - How Mind and other people have an effect in the determination of the Soul/Heart

By acting in a manner and doing things in a way that aligns with his expectations of her, he assumes and pigeonholes her into a type of character and bases his predictions of her behaviors off of that archtype, never expecting her to act outside it, and when he sees her actions and thoughts and desires all align within it, never questions that it might one day change or was different all along. Dirk’s never really been good at reading other people, can’t see without the lens of “how would I do it” blinding him to things he would never think to do, a trap that he keeps falling into with his friends and one he’s probably trying to overcome by becoming Ultimate God Person/combining all perspectives into his own and uncovering blindspots like that

But right now Mind is the darkest thing in is corner still and I think he sort of knows that as well

Terezi walks the crazy wiggled line boundary between their two Souls that defines who each of them is, as expertly as a person on a tightrope, never wavering until she reaches her destination, at which point she’ll leap off of that line and leave Dirk scrambling to try and calculate her next move/who exactly is she/what her goals are, since’s it won’t be following the clearly defined Heart boundary he’s used to drawing his plans by, so she’ll have to choose the perfect moment in order to entice Eve of the Apple of Revelation once more, heck, she might even do that so sneakily that she gets Adam to take a bite as well, since as soon as Rose bites it she’ll have an ally with her against Dirk.

For God created the Serpent originally as well, so thus why did he not imagine it’s betrayal and prevent it before it could have happened? Or else why did he create something he knew was going to betray? Eden was a paradise, so why intentionally create Evil in that paradise?

If Eve corrupted Adam and the Snake corrupted Eve, Who exactly corrupted the first Serpent? That’s something that the bible never goes into really, at least in Genesis, except to say that the Snake was punished for it’s action to forever crawl the earth eating the dust of man’s heel, punishing all snakes, as Adam and Eve’s punishment punished all humans

(Later I think the bible would try to say that the Snake was the Devil all along, but then why punish the Snake and all it’s progeny for it? If it was the Devil’s doing that undid Adam and Eve then why punish them for the Devil’s actions they would have no way of guarding against or now way of knowing it was a lie? Was it not God’s failure? The Walls of the Garden of Eden were supposed to protect his perfect creation afterall)

Gotta say though I really Rose’s design

I would call her Evil Rose, but she things she does she does in ignorance, not really out of evil, it would be like calling Eve evil for listening to the Snake when she was purposefully blinded to it’s intentions by her creation by God.

Once again we get this idea of Knowledge and Choice affecting eachother, Well I say again but really I’ve been watching RWBY a lot lately and the idea that you can’t make a real choice without real knowledge comes up a lot in it’s mythos and it is really applicable here

Terezi’s design as well is incorporating a lot more Red, she really dug those red shoes aesthetic but gave it her own twist, she’s got a red tie, her ever present red cane and glasses and even in that shot of her her horns look more red and solid as well, even though i know it’s just the lighting

So really digging the whole Terezi is the Apple/Snake in the Garden metaphor, she has also been having that tendency to just snack on random plants, intentionally for her own or Dirk’s unaware benefit or not, it’ll make it that much easier to her actions of later betrayal to be seen as “in character and therefore expected and not dangerous” instead of pre-meditated and actually dangerous, to him

And then they start waxing about their various philosophical babble, Dirk seems really determined to also use this to try and figure out that whole problem of how other’s affect the self, he’s trying at least, I think, in his own way. But not for a good reason, not so that he can have a real understanding of that, but because he wants to use it to guard his own self even further

He’s maybe not using Rose here as an equal player, but more like a wall to bounce his own ideas off of and test them, like using a neural learning AI to test ideas or an actual literal wall in a game of table tennis.

Heh, I got a chuckle out of the fact that Dirk’s answer to the Ship of Theseus problem is “why does we even have to remove and replace parts of it, why not keep the original pristine and eternal?”

because it’s funny how avoidant of the problem that answer is, man he really really is uncomfortable with the idea of changing the self in any way

“He's avoiding the question again. It's amazing how one can technically have the maximum amount of metaphysical personal awareness possible, and still not notice these sorts of things. “

SAYS LITERALLY YOU but honestly this is just more fuel to the idea that maybe he can make a genuine connection and understanding with a person if he can recognize how he and her are the same

“It's stuff like this that makes me wonder sometimes whether there's anything about myself that I'm missing. Then I throw that wonder in the garbage can and turn the incinerate setting on.”

but nah he’s still firmly denying that possibility, he’s almost actually equating his trauma of self erosion with the idea that making friends and understanding others changes the self in subtle ways as well

He can’t even stand the thought of his own close friends influencing him to be different in small subtle ways or adjusting his behavior for others because that STILL counts as a change of self that he didn’t authorize or choose. 

Also can’t help but by be reminded of my wacky little fan made Gamma session I made forever ago by them using the name Delta-Detritus and basically be like alright, what if we do SBURB again but BETTER/worse this time?? Which is essentially the thread that most Homestuck fix it fanfiction tends to go towards

Though I am curious now

We got A/Alpha for Alternia which is based of off “Alternate” introducing the trolls as an alternate race to Human Earth

B/Beta for Beforus which is based of off “Before” introducing the planet of trolls that came before the first group

And then Earth C, now, there isn’t a letter C, the third in the greek alphabet is actually Γγ Gamma, (and the fourth is  ΔδDelta)

So I wonder what “name” Earth C really has?

It feels like it should either start with C OR with GA, as Alternia starts with the AL of Alpha, Beforus starts with the BE of Beta and same with Deltritus and Delta

As as “Another for Earth” Gaia isn’t a terrible option all things considered, now you just have to make it sound like a word which describes it’s use to the narrative

It’s is a very split place, having the two timelimes Meat and Candy associated with it, as well it does feel extremely mercurial in nature, being a sort of crosswords between Homestuck and Homesquared proper, and really exists in a place between stories, an ephemeral epilogue of sorts

really a merger of Gaia and Gemini feels the most appropriate here, like Gamini, also the word mini stands out in there as well, knowing that this Planet is sort of on a lesser status compared to the other three since it’s not going to be the birthplace of a session, also has the word Game in it

But then people will wonder why it doesn’t begin with a C since it still is called Earth C so *shrug*  

Honestly C K and G sounds are all very similar in the tongue, so maybe it’s both Camini and Gamini at the same time OH FUCK CA AND GA, ONE HAS CALLIOPE ONE HAS GAMZEE? SHIT IM ONTO SOMETHING (no im not)

I like Camini now better, it comes from a place of Gamma/Gamzee/Game/Gemini but ends up being more about the twinned Ca’s that were used to, Caliborn and Calliope and fits with the establish Earth C theme

So there you go, Earth C’s actual planet name should be Camini 

which also works because: 

Camini

home stove/furnace

smelting/foundry furnace, forge

vent (underground fires)

according to the latin language this word also has multiple meanings and many Irons in the Fire, I think the fandom will appreciate the name haha

Yeah both races are definitely going to both be playing one game of SBURB, despite what Dirk is intending, the pic does make it really clear

There’s something to say how Dirk seems to be represented by Purple and Rose by Orange in this here and then how all of the cave is a backdrop of that same purple.

Look at even the controllers on the machine having purple and orange knobs, even being solely on Dirk’s side of the image

I guess Dirk intends himself to be the force behind Derse, since that’s the force that always “wins” and Rose fitting in her place as the ultimate loser (since of course Dirk will want to win his own game) but also to be like Skaia the force of Prospit

So Dirk intends to be a whisperer like a horrorterror, choosing to manifest his influence that way, while Rose will give visions to her race like Skaia?

makes sense honestly

but again even with the themes of duality, the theme of the trio is bright and center in that piece of ultimately technology, the third influence hidden unseen in the furthest corner behind the curtain of snakelike tubes and wires that Dirk will not expect to interfere, or even have the capability to interfere, Terezi

heck it’s even in the buttons next to the controls being colored red blue and green

there’s so much duality in homestick with destructive red and creative green but then there’s also always been that mercurial breathy blue as the third

God, tell me that doesn’t look like a baby proto horrorterror

I can hear it raging it’s revenge against it’s cruel human creators even as I type

No wonder they become associated with destruction, they know theyre the pawns of two heartless cruel god children playing at life like it was a game

Rose you MUST KNOW how bad this is, it’s not a theoretical discussion anymore, that things exists and is alive and has feelings and you did it to that

and that thing is technically a Dirk too

Is this how Dirk get’s his revelation? Or downfall? As his Heart is unwittingly invaded by the horrified cacophanous screams of his grotesque tortured progeny crying out for his blood?

His end unintentionally ending up as the thing he feared most? Inner self destruction caused by his own sharp and bloody splinters turned and pointed inward, tearing himself apart with the pieces of his own Soul? Caused by his own Hubris?

I will say typing that all out is pretty good

I’m just sad the same will probably happen to Rose too though ): Maybe she’ll make careful more humane species? Something that has the potential to exist and be happy as it’s own creature while Dirk just creates monstrosities forever in conflict with Rose’s race?

They’ll each be the master of their own eventually destinies I suppose but Homestuck seems to have a good track record so far of the Ultimate Female Creator being out to protect the happiness of the children that exist in her creation while the Ultimate Male God just ends up destroying everything in his

[arabellaflynn]

My response to extended periods of stress is to distract myself by cramming new things into my head. I had a terrible semester at college once and front-loaded the entirety of the sci.electronics.repair FAQ into my brain. It wasn't useful at the time, but I can repair the shit out of a VCR now, so I assume I'll use it someday. I am so overloaded I am about to claw my own face off, so naturally I am teaching myself Hebrew. I've been using Duolingo to do it, which is frankly a very bad idea. (I should really be using Ha'Ulpan, which is where you'd typically go for a crash course in Hebrew before emigrating to Israel, but that costs money, so no.) Duolingo is billed as a way to teach yourself a language, which it is not. It is a way to memorize a bunch of interactive flashcards. This might be effective for people who don't care how language works -- which is most people -- but it's awful for people like me, who hang all of their memorization off of a framework of base patterns. Duolingo explains nothing. The "lessons":

Do not teach the alphabet. Hebrew is written in this sort of half-assed abjad, where most but not all vowels are not marked in non-teaching texts, and some but not most unmarked vowels are actually represented by a placeholder Alef. 'Aba' is father and 'ima' is mother, but they are both written Alef-something else-Alef. Look at that and imagine how the vowel change looks totally mental to someone who spells things in a full alphabet. Alef comes out looking like it says about six different things, one of which is nothing.

Do not explain the orthography. There are several pairs of letters in Hebrew that do, or at least can, say the same thing. Tet and Tav both say /t/; Kaf and Qof both say /k/; Yod and Ayin are both sort of /j/ and sort of not; Vav and Bet can both say /v/, although both also have other readings; Samekh is /s/ and Shin can be read that way as well. Some other apparent character pairs are actually the same letter that has a 'sofit' form when it comes at the end of the word, which on the Hebrew keyboard is a different key (as opposed to the Arabic IME, which auto-corrects to the final form when it kerns all the cursive joining). I still have no idea if there is a rule behind Tet vs Tav; Yod vs Ayin and Kaf vs Qof are almost certainly because they once represented different sounds (Yaa vs 'Ayin and Kaa vs Qaf are still separated in Arabic), but I don't have enough context to guess which is likely to be which in Modern Hebrew.

Do not consistently read new vocabulary words out loud. If you're not going to explain the letters to me, the least you can do is read me the word so I can figure it out myself. Of course, it also never explicitly mentions that you read all this right-to-left, which seems like an important note to give when you're using a left-to-right language for instruction. You would think it would be obvious when everything is right-justified, but this is the kind of stuff you shouldn't take for granted when building beginning lessons in anything.

Do not use any nekkudot. A nikkud ("point") is a diacritical mark, mainly underneath the consonant but occasionally beside, inside, or above it, that explicitly indicates ('dagesh') a pronunciation change or ('nikkud') an unwritten vowel. This is how you teach people to read Hebrew, in Hebrew. You use it for small children. Or, if you have any sense, novice adult learners.

Do not explain any grammar. There is no explanation of why "you" is sometimes 'at' and sometimes 'atah'. No explanation of why sometimes the present-tense verb has an '-et' on the end and sometimes doesn't, even when the subject is 'ani' in both cases. (Answer: Hebrew inflects according to gender of both subject and speaker, which seems like a thing that should be noted for anglophones.) You are left to guess at wtf to do with prepositions and particles like Ha, V', Be, Le, and others. 

Do not consistently account for the direction switch of Hebrew input. Firstly, there's no warning that the thing expects you to type in Hebrew; I installed a Hebrew keyboard before I started, but I also have six other keyboard layouts on the phone, because I'm me. If it wants you to type a full sentence, it can get the text running consistently right to left, but there are exercises that want you to fill in just one word, and that breaks it horribly. The words run right-to-left as intended, but they are arranged left-to-right in English order.

Do not listen to its own internal dictionary of synonyms. I have run into this in other languages and it drives me crazy. There are exercises where it asks you to translate a sentence in the target language into English. If you tap 'derech', Duolingo tells you it means a way, a path, or a road. Translating 'derech' as anything other than "way" in the English sentence gets you marked off. If there is some reason why 'Ha'yeled roah derech' could not mean "The boy sees a road" isolated from context, Duolingo does not give it.

I am already cheating by being a linguist who has some idea of how Semitic languages work. My one attempt at an Arabic class was a disaster for non-Arabic-related reasons, but I do know basic things like the idea behind an abjad, handling regular transformations of letter shapes at the end of a word, and how words are constructed by adding vowels/prefixes/suffixes to a triconsonantal root. These would be completely alien to most English speakers. There is a systemic way to accomplish transformations like the one from "(male) child" ('yeled') to "(female) child" ('yaldah') or "children" ('yeldim'), or from the noun "food" ('okel') to the verb for "to eat" ('le'kol'), but it is never actually pointed out.

I also have a living resource who grew up speaking Hebrew and enjoys teaching people things, usually at great length. I can ask the Eccentric all the weird stuff and he'll give me a long, detailed answer, fully 60% of which will have something to do with the original question. Technical grammar questions can be Googled to good effect, but the answers to cultural questions are, at best, unreliable. (Example: "Does Modern Hebrew have regional accents?" Google answer: "Modern Hebrew is very young and spoken in a contained geographic area. While there are some tiny variations in pronunciation and vocabulary, these are so slight it is unlikely a non-native speaker would ever notice them." Answer from actual Israeli person: "Absolutely, remind me next time I see you and I'll do imitations, some of them are hilarious.") [The question of accents is especially pertinent; I am never comfortable in a language until I sound like myself, and since I don't sound like a textbook all the time, this usually means picking a dialect to drop into. My informal Japanese tends to stay Tokyo-standard in grammar but in tone is rather bokukko, for instance. It's marked in speech (although often the actual pronoun boku is used in internet Japanese by female blog authors who don't want to be explicitly female in text), but I am clearly a non-native speaker, and I feel it conveys a proper warning that I am not going to do well by Japanese standards of femininity. There are a few potential accents I could wind up with in Hebrew. American is fairly far down on the list; I'm usually pretty good at not sounding like a Yank. The letter Resh is most universally difficult for non-native speakers. I could probably use the French or German R and be understood (both voiced uvular fricative /ʁ/, the French one higher and more nasalized), but the Resh as given in the only explicit explanation I've found is actually supposed to be a uvular trill /ʀ/, which occurs more towards the hard palate than either of those, and with a rounder sounding chamber behind it. It comes so far forward that it is the closest thing I have ever seen to the theoretically-impossible velar trill. Wikipedia says this is an Ashkenazim thing, which explains why you hear it so much in Yiddish. I would definitely be understood if I used the Arabic alveolar trill /r/, which is noted as a variation common among the Sephardim, but it's also associated with Arabic-speaking refugees, and I feel like that might not be the accent I want if I'm going to be practicing this on Israeli friends. I've no idea which one the Eccentric uses; I gather he has one parent from either tradition and they lived in Jerusalem, so who the fuck knows. It's impossible to pick up from his English. He's made no effort to zero out his accent, but he has had three decades to nail the English retroflex alveolar approximant /ɻ/, and more or less does. Chet is voiced /χ/, and undotted-Khaf is unvoiced /x/, both of which I have.]

An irksome aspect of learning Hebrew is the transliteration system. There isn't one. You notice that my Japanese is italicized and the attempts at Hebrew are in single quotes? This is because the Japanese is brought straight across using a standard Japanese-to-Latin alphabet system used in some textbooks and on the internet. (There are other, more precise systems, but they involve diacritical marks that can't be typed on a pure-ASCII keyboard.) The Hebrew is... uh, approximate. There is no way to unambiguously transcribe Hebrew text in Latin letters that is immediately readable to people whose languages use the Latin alphabet. Duolingo doesn't even try. I type things using the Hebrew IME whenever possible, because I'm trying to learn to spell, but when the Eccentric explains things to me he does it with the regular QWERTY keyboard. It has quirks. Words whose transliteration ends in '-ah', as in the new year's greeting 'shanah tovah', are words that end in He, a letter which normally says /h/ but when word-final represents /a:/ for grammatical reasons. He also consistently writes his Vav as "U'" when it's used as a conjunction, even though it's pronounced /v/. My guess is that this is how it is taught in Israeli schools. There seems to be a system behind it, but it does not make sense unless you also read the original Hebrew.

This is all somehow working anyway, probably because I'm me. I made it to Day 18 of my first ever stab at learning Hebrew before I started scaring up podcasts. It only took me that long because I had to figure out how to search for the word for "Hebrew (language)" in Hebrew, because searching in transliteration gets you nothing. Day 20 I picked up a series of linguistic interviews put out by Leshoniada (לשוניאדה, a word which gave Google Translate shitfits, but which the Eccentric informs me is a portmanteau that comes out something like "Grammar-lympics"). The details escape me completely, because I lack vocabulary, but because Hebrew has a very regular stress pattern (word-final, almost always) individual terms are easy to pick out. Between that and a lot of straight-up imports from Greek, the topic of the first episode was easy to get.

from Blogger https://ift.tt/2JTyn9x via IFTTT -------------------- Enjoy my writing? Consider becoming a Patron, subscribing via Kindle, or just toss a little something in my tip jar. Thanks!