#i am not very good at coming up with story ideas myself tbvh i just see story and point out wrong thing in it

[shoechoe]

Ok I'm curious how you think Giorno could have theoretically destroyed the entire Mafia? Since there's an organization map shown in ep 5 (I believe?) that shows just how big Passione is, so for me, a 15 year old doing that pretty much on his own seems impossible.

That is a good point. I thought of a couple things here, so the answer got pretty long, but I hope you don't mind. It’s around a thousand words long.

 I feel like for this, you could make a very similar argument that Vento Aureo also does not show how Giorno was able to take control of the mafia. It has him defeat Diavolo, and then it just sort of cuts to Giorno as the new Boss, giving no real explanation as to how he managed to actually... do that. Does a 15 year old gaining control of the mafia with only Mista, a relatively low-ranking guy, to back him up also not seem somewhat impossible? How did he pull the strings to do that? An answer to this really isn't given. (This is something that I would argue is another structural problem with VA's storytelling.)

 To be honest, in my head, I always imagined the most simple fix would just be to do a similar thing to how it's canonically played out, only instead of showing a scene where Giorno becomes the Don, it shows Italy starting to heal from the corruption that the Mafia caused. It could show businesses and landowners no longer being robbed and threatened on the regular, drug addicts starting to recover, etc. But you're right that doing that would leave a lot unexplained and be generally weird and confusing, arguably more so than the original ending.

 Another concept that I had was that maybe Vento Aureo could keep the general story it was trying to tell, but it has a different setting. Instead of the Mafia, maybe it could be a big and wealthy corporation like a pharmaceutical company, designed to manufacture, research, diagnose, and distribute medicinal drugs, and the CEO (Diavolo, in this case) is abusing his power for extra money? In that case, the focus on drug abuse and the main character's motivations would make a lot more sense. (Although, it would probably make the fact that the cast are half minors kind of weird, but not all of them have to actually work at the company. Maybe they end up tagging along or are connected to the ordeal for other reasons. Fugo and Narancia could just be interns that Bruno hired to boost their future careers or something.) Although, this concept would need a lot of effort put into it to rework the story in a way that fits, and it'd need to change the characters quite a bit, so it'd be understandable if this wouldn't be a change to immediately jump to.

 So, how would Giorno manage to dismantle Passione? That would probably be the biggest challenge he'd face overall, and I imagine a lot of members wouldn't take too kindly to it. Stripping them of their leadership is a step, but like you said, Passione is a pretty large organization, so he'd probably have to do more than that to get rid of it.

 After doing a little bit of research into how Mafias are typically dealt with and thinking about how Italy is portrayed in Vento Aureo, I think the best method to do this in the most believable way would be for Giorno to get law enforcement involved. (Although, the way I thought about it working would also have to have introduce some extra concepts into the story.)

 The thing with the police in part 5 is that they're pretty explicitly portrayed as corrupt, useless, and hated by civilians. They are completely unwilling to stop the Mafia, and don't really seem to attempt doing so at all. The police seem to just be a complete non-issue for Passione. I mean, yes, Passione is known to have a high population of stand users, so they'd have an easier time than the typical Mafia dealing with them, but the police don't even seem to be trying to arrest them at all.

 It kind of made me wonder: what exactly is preventing the police from getting into this? And then, I had an idea: What if Diavolo was bribing the police department to ignore him? This would introduce a method for Giorno to get an advantage on destroying the mafia: what if killing Diavolo stopped the bribing from happening, so the police actually start arresting gangsters? It would give more reasoning for the police's previous non-involvement and why they're so corrupt (and also probably give more narrative purpose to Abbacchio previously being a police officer who accepted a bribe from a criminal).

 With this, you'd probably also have the issue of other gangsters attempting to bribe the police out of getting arrested- but, since it's not coming from the Boss himself anymore, I imagine it would be significantly less money, to the point where maybe the police wouldn't accept it, or wouldn't make them stop ignoring Passione. I also think that many of the gangsters being stand users would prove to be an issue, but:

a. Giorno could get further involved with his Gold Experience Requiem (Although, I would also tweak the stand ability; infinite death is a concept I'm overall uncomfortable with and I don't think is handled well with GER, for the reasons I've explained. But, it can still be powerful enough to threaten mafiosos into hiding.)

b. Not all of them are stand users- remember, Pericolo, the capo that retrieves Polpo's fortune, did not have a stand. So, many of them would still be under big threat of getting arrested, which would certainly make a dent in Passione's numbers.

 Now, the police still aren't good here at all- they're still scumbags who accept bribes from criminals and are hated by civilians for good reason. However, with an organization on this scale, I think this would be the most believable route to go in fixing the presented problem that Giorno wanted to solve. A gigantic organization like Passione can only really be dealt with by something big like law enforcement at this point, right? So, what Giorno did was take away their motivation for ignoring criminals. It's not possible for just him to dismantle an entire criminal organization singlehandedly, but he could pull the strings to make Passione weaker and start causing some actual arrests.

 Then, we’d have the actual ending. I think the most sensical way to do it would be to forward the story to a few years in the future, so we can see how Italy has improved. Passione has been severely weakened at that point, if not essentially gotten rid of, so its influence starts to go away- we can see recovered addicts and teens who have been previously influenced by the drug trade, businesses succeeding, and other various things. I think this would work a lot better overall and show that Giorno’s initial motivation was fulfilled.

 This would probably need to be more thought out to actually be implemented, but it's an idea that I thought of. I hope it makes sense even if it might need some tweaking or further fleshing out to it.

[certifiedceraunophile]

Hi! A fan of your writing here. I just love the way you write Caroline. An Avoidable Heart is my comfort fic and I am constantly in awe with the way you write and craft the dynamics in that story. Caroline's inner monologue is just priceless and God! I just love that intro scene where Caroline is walking into the Mikaelson compound with vampires and hybrids in the surrounding ready to pounce on her.

I would love to hear how you would have visualized Caroline crossing over into TO or not? Like in what season and why? How it would have likely gone?

Thank you!

First of all lovely anon gimme a moment to breathe, asdfghjkl why are people so lovely 😭😭🥺✨ It means sooo much to me that you’d take the time to jump into my inbox and send these kind words, like please I’m not worthyyyyy, But you make me smile and feel really freaking warm so *handcuffs your hand to mine* you aint leaving 💖✨💞🙃

But OK ALSO oh my god dude THAT CAROLINE WALTZS INTO THE COMPOUND AND TAKES ON A COUPLE HUNDRED VAMPIRES BY HERSELF SCENE???? Ughhhhh I’m sorry but I have SUCH a boner for Caroline in that, like my badass -I admit kinda op- QUEEN IS HERE and she’s fucking shit up, I’m sorry but I love that scene so much it’s so dear to me I was killing myself over how self-indulgent and grossly Over powered Caroline is but like idgaf man it’s such a hot scene and Caroline is practically invincible and we just love to see that, so seriously lovely anon, you telling me you LOVE that scene??? Puts the biggest smile on my face and reassures me a LOT bc I was whining and cribbing over how absolutely unbalanced that scene is to literally everyone BUT LIKE YOU JUMPING OUT OF NOWHERE and pointing that exact scene UGHH…...meant to fucking be the both of us 💖💞✨

And ALSO Caroline’s monologue is quite honestly the easiest inner monologue out of the three voices I wrote for that work, Klaus’s is the real pain in the ass tbvh like it is NOT easy writing pretentious besotted losers with a Kardashian complex especially when you need to make them sound cool when they’re the lamest OP dude bros to ever exist - and no I don’t hate Klaus although I seem to try my darndest to convince ppl I do- I just personally believe that a feral fucker like that with a thousand years of existence under his belt can grow a pair and graduate from his kindergarten level of emotional maturity to adult sometime soon, But then on the flipside he’s so grossly adorkably smitten and feral for Caroline plus hella horny for her all the time that its usually easy to write the trashed and devoted idiot he is into something pretentious and powerful and potent when relating to his unflappable arrogance and his narcissism, but sometimes I also need him to be *deep* and ffs profound for the sake of the plot and jfc my muse just wont work with me on that, she’s like I’m sorry I’m not about to bust my ass to make this mongrel intelligible like no sir all I wanna do is make him uncomfortably horny for Caroline and leave him like that.

So smh yeah the struggle is real….but lmao Caroline is just so precious and fiercely protective and just so achingly lonely in that story, so desperate for connection and trust and intimacy yet so guarded and impervious to everyone like it hurts me to write her like that but it really challenges me as an author to balance out her inherent light with the “void” I create in her and through her, so yeah it’s a very fulfilling task and I wouldnt change it one bit, and also I had to balance out her physical op-ness w half a millennium of the ugliest emotional trauma lol so I guess that figures, but the point being….once again I am overjoyed knowing that you liked a facet of the story that I tried so hard to make as authentically Caroline and achingly real and moving as I can and I cannot possibly feel more accomplished than rn for it so ty ty ty ty for reaching out to me and telling me *tackle hugs* It makes me GIDDY knowing that you enjoyed that particular part of the story like ugh stab me please you're too sweet.

And ok NOW, coming to The Originals part of the ask, (also please note that when I say TO headcanon; Hope does not exist, Hayley is a dead in a ditch and ofc Klaus will stop being that lil bitch they tried to pawn off as Klaus in TO) 

HEADCANON 1

Honestly my biggest headcanon when it comes to TO crossovers somehow always include non-humanity!Caroline like it’s just so perfect to me?? The opportunity to make shit BLOW UP b/w them like imagine the DEBAUCHERY, the heat, the SEXUAL TENSION, the repression of one Klaus Mikaelson, the EXPLORATIONS, and omg the role reversal when Klaus has to be the voice of moral reason between them and not bc he believes Caroline would not be able to stand herself if she does something heinous and monstrous but bc he wants her to be completely and utterly herself, and yk *aware*, when she DECIMATES ppl to the ground and is in full-on predator mode, like he wants her monster to come out and play with him when no part of Caroline is locked away or suppressed, so obviously when she is w/o her humanity KLAUS exercises restraint on her behalf, like can you imagine that, Klaus restraining himself and being the vague, extremely broken and just largely inaccurate moral compass between the two of them for ALL the wrong reasons- and the entirety of NOLA just standing there watching him herd this baby vampire who seems to be intent on riling him up and angering him when all she is doing is giving him a massive hybrid hard on, like IMAGINE THE GOODNESS of non-humanity Caroline wrecking NOLA and Klaus letting her wreck it bc he is helpless in the face of Caroline Forbes and also bc he is quite honestly *enjoying* the debauchery himself so why put a damper on the festivities.

-I might wanna add that I favour this headcanon a lot bc I genuinely do not even remotely *like* the idea of NOLA as Klaus's chosen place to set his roots so like I would love Caroline going to NOLA and destroying everything there just bc I detest NOLA and the storyline behind it in TO. (yes is it petty? Obvi, but like I am a petty soul and I make no apologies ma’am)

HEADCANON 2

So yeah that’s my main TO headcanon, but my other one being, one I talk about very frequently, scream about in tag rants to an obsessive level, and like this is a cracky one but still very valid, where Caroline rolls up to NOLA humanity intact and all, finds Hayley preggo and is just laughing her fucking ass off bc anybody ANYBODY, with half a brain and a two minute convo w klaus would know how UTTERLY stupid the entire baby shit is especially when it’s with an immemorable one night stand, and Caroline’s just losing her shit about how like an entire city is obssessed w this baby and she just straight up tells Klaus he’d SUCK as a dad (which he really does tho like he was a shitty fucking dad canonically too) and Klaus is just like *sigh* girl tell me about it. I mean basically he’s finally relieved that someone is on his side about the whole baby thing and how he definitely does not want his entire millennium of life to finally sum up to this one squalling leaking stinky infant/unicorn Hayley is apparently baking in her oven, and I say this headcanon is cracky bc klaus would never have put up w this mess long enough for Caroline to come in and sort it out, there’s this preferred method of disposal of his called heart ripping that would've been employed quite early on and honestly saved us all a lot of brain cells and minused years of life, bc let’s be real any Klaus who’s NOT a lil snivelling bitch wearing a Klaus skinsuit would’ve yeeted the baby and the mama first chance he got, and that’s just how I see it.

Lmao I really hope I didnt scare you away w my *strong* opinions Ik they can be a bit much but I enjoy having them so theyre not going anywhere, anyways this ask answer got WAYYYY too long but I’m hoping I answered your question well with this or atleast left you slightly confused and bemused over my feral screaming....either ways I’m really really really happy to have got your ask and the chance to rant so much bs, Twas cathartic and honestly I had nothing to do today so I was more than happy to dish this baby out for you. Thank you so much sweet anon for putting a smile on my face today I am absolutely HONOURED by your words you’sa cutie 💖💞✨🗣🗣

[tcheschirewrites]

Hey, are you participating in NaNoWriMo? Have you ever? And what was your experience like? I'm considering it but I feel so intimidated because I know I won't be able to commit to it wholeheartedly. Lowering my expectations and pacing myself would seem like the perfect solution but work kills my creative brain cells by the seconds. I wouldn't be surprised if by the end of November I've only written half of page of alien language. Any advice? Also does Nano have to be a new project?

Oh man, Nano. I’m well familiar with Nano, and I’ve participated a few times (to varying degrees of success). This got very long, so I’m putting a cut.

The first time I attempted Nano was in 2006 for my novel Seerking. I had heard about it from a friend who was in an LJRP I was in, and she encouraged me to try it. I was still in high school at the time, and very frankly I did not have the dedication necessary to complete it. I got a lot of worldbuilding complete, but very little writing. I got about two pages of prose, and three notebooks of character and setting history, as well as a fairly detailed outline. I still have all of this.

The second time I attempted was in 2009, for a story that is based heavily on the Iron&Wine song ‘Boy With a Coin’. I got a little bit further, but I got stuck in a few places. I think it’s because my idea was bigger than my life experience, and I also got stuck in a lot of small details. Additionally, my first Word document (where I got about two chapters in?) was destroyed when my laptop’s hard drive just straight gave up on life - I did buck up and rewrite quite a bit, though it didn’t sing quite the same notes, and I have this handwritten copy still. (It’s possible I tried again with this same project the year after? I don’t remember tbvh)

My third attempt was in 2011, about a goverment operative and a faun. This one I got the furthest, and I still have the original handwritten draft and the typed copy. I pantsed this one, 100%. To this day, I still don’t know how this story ends, but I’d love to attempt a rewrite someday.

Then, unfortunately, from around 2012 until Fall of last year, I stopped writing period. I was in a real bad situation, and just didn’t have the energy for anything, let alone a novel. My most recent experience with Nano as an organization was Camp Nano, which is a much looser structure, and it is in May and July. Rather than the hard and fast 50k, you set your own goal when you announce your project.

I can understand your hesitance to participate, honestly. Nano is a beast of a project – to reach the minimum goal of 50k in the 30 allotted days, you have to produce 1667 words of new content every single day. This is approximately 3 pages, maybe a little more – which is a lot when you’re already stressed! And if you miss a day you have to adjust your daily totals for every following day, and the pressure starts to mount! It’s a lot, even if it is only meant to be a neat little challenge (mostly, I’ll cover benefits a bit later).

Now, my recommendations are going to follow two paths: planning, and pantsing. If you are naturally a planner – that is, you like having rough outlines, refined outlines, you like having character data, history, etc – then I recommend you have as much of your novel planned ahead of time before November 1st hits. Whatever notes or files you need to have set aside before you begin writing those first words, have them ready – read over them, refine them, and have them memorized front to back so that you know what your story is meant to be. If you are a natural planner, and you have not done this by today’s date (it’s 30 October where I am), then I do not recommend participating this year because it will stress you the fuck out and you might even make yourself sick.

The other popular option is called pantsing – essentially, you have a rough idea, and you’re flying by the seat of your pants. (This is literally what it is called on the Nano website, by the by – there are badges for it and everything.) If you are a pantser, then I still recommend a little preparation, but of a wildly different degree and type: find your story’s ambiance. If you are a pantser, think about what sparked the idea for your story? Try to put yourself back in the place (emotionally or physically) where you had the most intense version of the idea, and hang onto that feeling with both hands. This is incredibly important, because it will allow you to harken back to that feeling without chasing the high of first being hit by that feeling. If you are a pantser, focus heavily on the feelings you want to evoke with your story, and let your heart guide you.

Now the third option (I know what I said, I lied all right) is if you are a combination planner-pantser; you don’t want to have the rigidity of the outline, but you also like having a little bit of structure, or at least a direction to go in. If you are a combination planner-pantser, I recommend doing very soft preparation for yourself in the week leading up to Nano. So things like building yourself a playlist, maybe doodle what your main looks like in your head, or small details like character names and short dossiers. If you’re able, I recommend coming up with an ending, so you know what the end-goal looks like and you are able to track your story’s completion in your head.

For all three, I would recommend deciding ahead of time how you want to write your novel – are you going to type it up in a word processor (please make so many backups, do not live the heartache that I had to)? Are you going old school and hand writing it? Are you feeling like a boss that day and maybe want to dictate it into an app on your phone? Pick one, and make a dedicated space for your novel. You can mix them up, certainly, but make sure that you are able to consolidate effectively or you’re going to stress yourself out.

Now, you asked whether or not it has to be a “new” project. There are actually a few answers to this, depending on what you mean. Now, if we are to assume that “new” strictly means a brand new, fresh idea that you have just come up with specifically for National Novel Writer’s Month 2020, then the answer is no; it does not. Back in the day, there were a few purists that insisted you had to have a designated project every year, but like most purists, they’re just being assholes about it.

As a matter of fact, it does not even have to be a brand new project that you have not written any words for at all – however, if you do have an idea that you have already written for, you are not permitted to use any of your previous word count toward your goal. This is definitely a no-no. Personally, I’ve tried this, and I found it rough – I liked having the designated project, and I liked the buildup to it.

If you have, though, an idea that you’ve worked over and you are simply ready to start putting words on a page, this, I think, is Nano’s sweet spot.

Now, I know most of this 1000+ answer has been cautioning and reminders that Nano is tough – because, well, it is. It is a huge undertaking, and I feel like every participant has their horror stories to tell about their experience. But I want to reassure you that it isn’t 100% a hard slog to a dreary end; there are so many tools that Nano themselves provide you, as well as user-run communities and workshops, and even some benefits after the fact. These are the things I want to wrap this post up with.

Firstly, no matter how tired or stressed you are, if you register for nanowrimo.org, you’ll begin receiving daily emails from published authors and past participants. These range from silly and tedious, to incredibly comforting. My favorite one, which I cannot remember a lot of specifics from, was from a man who detailed his experience and reassured everyone that the work doesn’t have to be good – it just has to be 50k words. That’s it. You can have typos and errors all over the place, plot holes of all shapes and sizes, and a main character who doesn’t make any sense at all; it doesn’t matter, because the point of the event is simply to finish. Neil Gaiman has also said a time or two that your first draft’s only purpose is to exist. Just get the words out; you can fix them later.

Additionally, when you are completing your profile, you can enter in your location and there are designated forums for participants in your area. In the past, there have been meetups for group-writes and workshops as well, though I imagine they will be more along the lines of Discord calls this year. If you are a social person who needs a pair of eyes to help you work through a scene, Nano’s got your back. They will also send you statistics for your area for the average word count, daily word count, past winners, etcetera. It can sometimes feel like you are very alone during this difficult project, but a lot of these things bring a very human element to the event.

Finally, what comes after you have completed. A lot of these benefits are newer than my time, but I browsed through them when I did my Camp Project. When you complete the goal in the allotted time, you get a neat little badge for your webpage and a printable certificate for the immediate boost of dopamine. But you will also get discounts to some neat shit, like different word processing applications (I got 50% off of Scrivener when I finished Camp), as well as things like The Great Courses, discounts in the swag store, etc. But more than that, there are partnering websites who want to help you on the road to being published. Wattpad is in this group, but I believe also big name publishers (I might have seen Penguin on there at one point) are willing to work with winners to get their works distributed.

All that said, I recommend every writer attempt Nano at least once in their writing career. Even if I personally have not done so stellar in the past, it is a fantastic learning experience for all of the work that goes into producing a novel from start to finish – it forces you to know your limits, and sometimes to overcome them. I don’t think I will be participating this year – I have so many side projects that I want to get done, but I will very likely drop everything to do it next year. I have two novels that are real roughly built up that I could do for this, though, and I would love the dedicated time to spend on them.