#i also want to make a latino ver. for luke

[demi-goshdamnit]

Luke Castellan being Asian-American

(in this headcanon, Luke is japanese-american)

Luke lived in Connecticut with his mother when he was younger, in a small apartment that used to be home

The first rule he ever learned was to never wear shoes around the place, or else he would've been beaten with a broom or his mom's stolen hotel slippers

Whenever he and his mom go out to eat at restaurants, she would always hoarde the napkins, salt and pepper packets, and the butter in her purse to take home

He and his mother spoke only in japanese alone, but english when there were others. It used to feel like a secret language for Luke

Luke couldn't read katakana, hiragana or kanji— brother can't even read english— so he solely learned through his mother

Sometimes Luke would catch himself cursing in japanese to himself at camp; whether he's training with his siblings or just having fun with his friends

If he's pissed or angry, probably at clarisse or chris, he'll yell out a "ばかやろう (asshole)" or "くそくらえ (eat shit)"

During meals at the pantheon, Luke has rice with EVERYTHING; He doesn't give it up for offerings and sometimes he'll just snack on onigiri's after a long day

Rice was his only connection to his mom, whether he admits it to himself or not

Ain't nun of ya'll catching Luke use any other utensils other than chopsticks and an occasional spoon, bro is committed

On the run, whenever they can, Luke would make stir-fry and fried rice for Thalia and Annabeth, trying to teach them how to use chopsticks and giving up after 15 minutes of miniBeth spilling rice everywhere because she couldn't properly hold it

I think younger Luke would've DREAMED of having a celestial bronze katana; he would imitate the old japanese samurai movies his mom had and even tried using long sticks as placeholders

Luke coming back to the Hermes cabin after a long day, exhausted as fuck and half-conscious, slipping his shoes off and mumbling "ただいま (I'm home)" before falling face flat on his bed

Speaking of Luke's bed, he would definitely give up mattress privileges to others because he's used to sleeping on the floor from 1) constantly travelling on the road for years, and 2) his childhood bed was a futon

"Besides, futon beds are better for your back," Luke reasoned.

[verhdelstanddelosbesos24ky]

Ver Película — “El stand de los besos 2″ Online en Español HD

El Stand de los Besos 2 (2020) HD 1080p Latino Ver HD, Peliculas Online o Descargar en calidad HD y en español latino (Dual Latino-Inglés) 1080p, 720p y 4K,

::VER GRATIS CLIQ AQUI:: https://t.co/c447kqFYzJ?Boots2

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El stand de los besos 2 (Mi primer beso 2 en españa) Película Netflix original 2020 sacudió el cine español y latinoamericano.

SINOPSIS Título original The Kissing Booth 2 Año 2020 Duración 130 min. País Reino Unido Reino Unido Dirección Vince Marcello Guion Jay S Arnold, Vince Marcello Fotografía Anastas N. Michos Productora Distribuida por Netflix. Coproducción Reino Unido-Estados Unidos; Komixx Entertainment Género Romance | Comedia romántica. Adolescencia. Secuela

Reparto Joey King, Molly Ringwald, Jacob Elordi, Maisie Richardson-Sellers, Joel Courtney, Carishma Basday, Joshua Daniel Eady, Meganne Young, Kai Luke Brummer, Frances Sholto-Douglas, Camilla Wolfson, Taylor Zakhar Perez, D. David Morin, Michelle Allen, Bianca Bosch, Bianca Amato, Nathan Lynn, Morné Visser, Chase Dallas, Judd Krok, Toni Jean Erasmus, Motsi Tekateka, Shana Mans, Carson White, Noa Milan, Matthew Dylan Roberts, Dylan Edy, Grant Ross

Resumen Elle Evans, que debe tomar decisiones sobre la universidad, afronta su relación a distancia con Noah Flynn, que se marcha a Harvard, su cambiante relación con su mejor amiga Lee y lo que siente por un nuevo y carismático compañero de clase de nombre Marco (Taylor Zakhar Perez).

HISTORIA Y CRITICAS

El stand de los besos (The kissing both) 2018 Pelicula

‘The Kissing Booth’: Netflix’s Teen Comedy Sensation Is Sexist and Outdated — Review

Netflix might be trying to corner the market on big-budget spectacles from some of Hollywood’s hottest names — from the $90 million “Bright” to its multi-picture deal with Adam Sandler and Martin Scorsese’s much-hyped “The Irishman” — but the streaming giant has quietly planted its stake in a less ambitious place: romantic comedies. So far this year, Netflix has released six original films that are classified as rom-coms, with at least three more on the way before the year closes out. And it’s on to something here: 2017’s “A Christmas Prince” was such a smash hit for the outfit that it has already prepped a holiday sequel.

Netflix’s newest hit-in-the-making, “The Kissing Booth,” is kicking up similar attention. Unfortunately, the high school-set rom-com is a sexist and regressive look at relationships that highlights the worst impulses of the genre. Netflix isn’t new to the sub-genre of teen rom-coms, and it has already succeeded with other picks. Later this month, Craig Johnson’s delightful “Alex Strangelove” will arrive on the streaming service, and last month saw the introduction of Olivia Milch’s “Dude,” a female-driven comedy in the vein of other raunchy features like “Bridesmaids” and “Mean Girls.”

Films like that are indicative of the outfit locking down yet another piece of Hollywood magic and serving its viewers something they want to see, even if the traditional studio system isn’t giving it to them, but “The Kissing Booth” is a strange blight on that run. The film combines classic narrative tropes of the genre — think a low-budget mishmash of “Pretty in Pink,” “Never Been Kissed,” “Mean Girls,” and “10 Things I Hate About You” — but is also hobbled by a gross understanding of gender dynamics and what makes a healthy relationship.

And that’s to say nothing of its approach to depicting sexual harassment, frequent slut-shaming of its leading lady, and attempting to romanticize a “bad boy” love interest who mainly seems interested in getting in physical fights and then loudly mouthing off about his possessive tendencies. Cute, huh?

The movie, written and directed by Vince Marello (best known for his film versions of stories from the “American Girl” doll franchise), is an adaption of the Beth Reekles novel of the same name, and starts off with a relatively sweet premise. Elle (Joey King) and Lee (Joel Courtney) have been best friends since birth, “raised like twins” by their mothers, who also happen to be life-long best friends. (One of the moms is even played by Molly Ringwald, to give the film further rom-com bonafides.) They’ve been obsessed with Dance Dance Revolution since they were tiny, and while their private high school appears to be a clique-y kind of place, they’ve grown into popular-ish kids who are grounded by their bond.

The first act of “The Kissing Booth” plays out in predictable fashion, as Elle wrestles with her growing feelings for Noah as he alluringly teases her, engaging in the kind of push-pull will-they-won’t-they dynamic that’s always been a hallmark of the genre. And yet, even in its earliest moments, “The Kissing Booth” is preoccupied with sexist rhetoric and a willingness to apologize for Noah’s alarming behavior.

Elle (who, it must be noted, is just charming, thanks to King’s bubbly performance) has a lot going for her, including a plucky personality that manages to find all kinds of solutions for weird problems. Early in the film, Elle tears her last pair of school-issued pants, and unable to rustle up any other options, is forced to head off to school wearing a two-year-old skirt (too small, but at least part of the dress code). The moment she hits campus, she’s assaulted by catcalls from nearly all of her fellow male students (a real “boys will be boys” moment that imagines that all teenage boys are simply unable to do anything beyond scream epithets at pretty girl they’ve known for years, if she’s wearing a short piece of clothing).

It gets worse, as Elle is groped by another student, leading Noah to physically assault him (predictable). Elle lands in the principal’s office — an awkward enough twist, given she’s the actual victim here — and things only get worse from there. Both Lee (again, her best friend and typically a sweet guy) and the school’s principal tell Elle that she was “asking for it” by wearing the skirt. It’s a laughably regressive moment, such obviously outdated thinking, but “The Kissing Booth” just keeps plugging along.

The parking lot-set fisticuffs helps pave the way for Elle and Noah’s tentative romance, with Noah first brushing off his behavior as springing from a place of familial affection for Elle, while she wonders if it’s a sign that he has deeper feelings for her. Despite this run-of-the-mill and wholly relatable high school romance (who has never felt like Elle?), “The Kissing Booth” remains enamored of Noah’s defining characteristics: he’s got a seriously violent streak who gets turned on by jealousy and demonstrates some weirdo possessiveness that never abates.

This is not an exaggeration. Noah’s affection for getting into fights — often very brutal ones — becomes a large part of the film. Elle even lays down a rule that he can’t fight anymore if he wants them to be together (His response: “You know, you’re cute when you’re bossy”), and later gets him to admit that his family has struggled to deal with it, even sending him to counseling with no lasting impact. It’s “kinda just how I’m wired,” he muses, and that’s all there is. Later, Lee briefly worries that Noah has hit Elle, a jarring moment in a film marketed as a fluffy rom-com for teens. And Elle constantly acquiesces to him, even when it feels dangerous.

El stand de los besos 2 Pelicula completa Netflix

Una escena de El stand de los besos 2 Netflix: El stand de los besos 2, una confusa comedia adolescente

El stand de los besos 2 (Estados Unidos, 2020). Dirección: Vince Marcello. Guion: Vince Marcello, Jay S. Arnold, basado en las novelas de Beth Reekles. Elenco: Joey King, Jacob Elordi, Joel Courtney, Taylor Zakhar Perez. Duración: 130 minutos. Disponible en: Netflix. Nuestra opinión: mala

La experiencia de ver El stand de los besos 2 es desconcertante. Se trata de una secuela del film estrenado en Netflix en 2018 que resultó ser un enorme éxito, según los datos de la plataforma. Basadas en las novelas escritas por Beth Reekles a través de la aplicación colaborativa Wattpad, ambas películas tienen como protagonista a Elle (Joey King), una estudiante de secundario que vive en un mundo de fantasía digno de una historia animada de Disney. La escuela a la que asiste, sus compañeros, sus actividades y sus amigos tienen el espesor dramático de una hoja de papel y sus intenciones, matices o pasiones entrarían en una carilla de esa misma hoja.

Inverosímil y sin un atisbo de realismo o actualidad, la trama parece estar dirigida al público adolescente o preadolescente pero, y ahí es dónde comienza el desconcierto. Difícilmente le interesen los constantes montajes que resumen los mejores momentos de los personajes a un grupo etario que baila en TikTok y se comunica a través de Instagram, ni tampoco los artificiales diálogos que abundan en el film. O tal vez sí. Pero con una puesta en escena más cercana a ciertos telefilms apuntados al público infantil y una historia que se ocupa de tratar a los cuerpos de sus personajes como objetos para admirar y a sus cerebros como un accesorio resulta complicado identificar al espectador ideal de El stand de los besos 2.

Es posible que sus realizadores hayan tenido la misma dificultad. Puestos a adaptar la historia escrita por una joven mujer de 16 años, los dos guionistas adultos reinterpretaron la fantasía adolescente en sus propios términos y terminaron con una película de dos largas horas y diez minutos que nunca se preocupa por hacer de su protagonista un personaje mínimamente interesante, que exista más allá de su relación con los hombres de su vida, a los que en esta vuelta se suma Marco (Taylor Zakhar Perez), el chico nuevo de la escuela. Construido, aparentemente, utilizando la información provista por una encuesta, el muchacho tiene un poco de Noah Centineo (A todos los chicos de los que me enamoré), una pizca de el propio Elordi y algo de los protagonistas de Elite y su exótico atractivo latino filtrado por el algoritmo de Netflix.

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