#i also saw some of my old art reposted on tiktok

[swagpatrolkitten]

Back with more skk <3

[ave661]

Hi! I’ve got to say I absolutely adore your art it’s impeccable and always leaves me either blushing or crying (I’ve seen the somewhat sadder or dad!character renders you’ve made and I did cry for no reason but I love them either way)

Anyway, I did read your pinned post but I’m not sure if this falls in your ‘okay’ category. Are you comfortable with us using the newer renders that have “Do Not Repost” on them? I use the old ones but lately it’s seems disrespectful if I do use the new ones because I’m not sure you are okay with me using those. Is it alright if I do use the new ones? Obviously I’ll give you credit, as always, but I want your permission first before I do so.

I hope this makes sense. Anyway, have a great day/night!😊

I've been thinking about changing the pinned post for about a month now and I've been postponing the answer to this question for a while to think it over and I came to the conclusion that I don't want my renders to be reposted in any way. Not only new ones, but also older.

If I could go back in time, I would add a huge "do not repost" watermarks from the very beggining on every render. Back then I didn't know how much some of them would blow up and who would use them in what way. I've never been in a fandom as a creator, so I learn something new with every mistake. Maybe I'm too trusting and for a long time I didn't expect that some people would sell fanart they found on the internet. People trace, sell, use without credits, remove my watermarks, edit with AI. Every new info about someone trying to sell them makes me want to give up and I really, really, really don't want that to happen. It's annoying to waste hours reporting thieves. That's why I started adding bigger and uglier watermarks and also posting less renders here and X. However, I'm still very active on Instagram and TikTok because the download option is disabled there which makes me feel more comfortable. I also post stuff on Patreon.

I love seeing my renders used in creative ways and inspiring you to do something, unfortunately every now and then I see them being used in… not so nice ways. Like adding a sw@stik@ to my Konig render, using my Dad series for pedo fics/bots or nsfw stuff that sometimes makes me a bit uncomfortable. But when I read comments that some people thought I MADE THEM because of the watermarks on them, it makes me… ughhhhh.

It really hurts me to say "no" when many of you are respectful, nice and give me credits, but there are also people who don't care and just want to use them for their own profits, not caring that someone spent long time on them.

There's also the problem with Pinterest. Even though I've never posted anything there, I've noticed that sometimes I see my art with all the info and links to my Tumblr blog. Honestly, I don't know how it works, but I don't want anything of mine there. Every time I see them, I report, but like I said, it wastes time that I could be using to create new stuff. So when someone reposts my renders here, it increases the chances of them getting on Pinterest = more stealing in the future.

Sorry I changed my mind on this, but when I saw HT recently selling my Ghost meme on their t-shirts, and then heard that the company that designed it apparently got approval from act!v!s!0n themselves, I was speechless. I guess "I thought they were official" has reached a new level.

[star3synth]

it’s intro time!!

hello there! my name is cameron, i use he/they pronouns, and i’m a digital artist! i’m self taught and i mostly use art as a fun little side hobby, so my style tends to be pretty simple. i draw a lot of fanart and sometimes some art of my original characters!

you may know me from @/starrysynth on instagram. both that account and this one are run by me. i created this account to have another place to post my art and also post random thoughts and memes…. and also partly because instagram is currently deciding to be evil with its AI and i want to have another place to post on if i do end up leaving that app. i might end up reposting some of my older(ish) artworks on here as well.

anyways! the fandoms that i’m currently most involved in are project sekai colorful stage, bandori girls band party, pokèmon, vocaloid, dungeon meshi, splatoon, and spy x family! some of my favorite characters include kohane azusawa, minori hanasato (if the profile pic didn’t make that super obvious already lol), all of more more jump and wonderlands x showtime, all of harohapi + pasupare + afterglow, and hatsune miku (there’s more but those are the ones i’m most obnoxious about)

i don’t really have any dni criteria besides the obvious “be a decent non-hateful person and you’ll be good” type of thing. also, i would appreciate the use of tone tags when interacting with me as i do need them!

tags i’ll use: #cameron’s rambles for text-based and non-art posts, #cam’s archive for old art reposts, #queueueueueue for scheduled/ queued posts (i saw an opportunity to be funny here), and regular tags for all current/ recent art posts or reposts

some of my other accounts:

(the / in the usernames is not actually there, i put it here so that i don’t end up accidentally tagging random people in this post)

instagram: @/starrysynth (yeah i left this one. feel free to look at it if you want i guess?)

tiktok: @/starrysynth (this one is a lot more fandom based and i don’t post my art on it)

artfight: @/star_synth

cara: @/starrysynth (not sure how much i’ll end up using this site since it’s such a new platform)

thanks for reading my intro! i hope you have a good day/ night!

(also, did you hear the joke about the construction? don’t worry, i’m still working on it. :D )

[obsidiannebula]

Ok kiddo and I are sitting down to watch a Backyardigans for the first time in a few months and I DON'T think I like what's going on with The Backyardigans- Official YT channel. Not only did they change the banner to the weird soulless-cutesy new art they're using on that new Castaways video (more on that later), they've also started reposting episodes and songs with new thumbnails and titles that are more on trend with what gets clicks on YouTube Kids.

Between this and the way they're pushing Castaways specifically (I was surprised a few months ago to learn that Castaways went viral on TikTok some time ago- I love that one but it's probably not even in my Top 50 Backyardigans songs, this show has too many bangers), my guess is that they saw the sudden virality of Castaways and since they still own the IP and it's just been languishing for so many years, they are trying to capitalize on that virality.

My guess? I think they've been reposting the old content and original show version of Castaways especially to start getting people (kids on YouTube kids specifically, who are often less fussy about things like art styles and voice actors changing) into Backyardigans who weren't already, then making a Castaways video with the new art to use as a bridge between the old version of the show and a reboot.

I don't have high hopes for a Backyardigans reboot that is happening so soon after the death of Janice Burgess and the virality of Castaways- it gives cash grab to me. The original Backyardigans show was certainly lacking in production value in many areas, and certain episodes and songs I know recognize as probably problematic, but it had an excellent formula, it highlighted a new music and dance genre every episode and the songs were EXCELLENTLY composed and the choreography was fun! And a show about the stories kids come up with in the backyard is a FANTASTIC premise for a kids' show for so many reasons! I worry that the goal with this reboot is not to bring the joys of childhood fantasies and diverse styles of great music and dance to a new generation, but to cash in on trends with an available IP.

I hope I'm wrong, I guess. I love Backyardigans and while the old version is certainly good enough for my new-generation member, a new one with genuine passion and craftsmanship going into it would be welcome. We'll see what happens

[yunahyartsofficial]

HEWO I FORGOT TO INTRODUCE MY SELF SO UHM HERES QNA

(SKIP THIS IF YOU WANT) \SHORT:https://yunahy.carrd.co/

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Accounts

(You can follow me here!)

Wattpad- @Yunahy

Tiktok-@mweheheyunahy/@yunahyofficialblog

Instagram-@Yunahy_ocsuwu

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GAME USERS

Cookie run ovenbreak- ID: BSHJC4948

Cookie run kingdom:!HOLLYBERRY SERVER! Kittycolektorkin

Fer.al user: yunahyofficial

◇Feel free to friend me!♡

---------------------------------

Rules

This account can be ok with swearing

Ask is open

No lemon or NFSW stuff here

There will be a reblog even a reblog fanfiction

You can search who i followed

Everyone can like and follow this acc

This acc is the main acc of yunahy

Dares, request and ask can be only be ask

Comision is only for ajpw payments (money payments in the future)

This is an art,reblog ect post there will be no lemon or nfsw posts/reblogs just arts

This acc might be really on undertale, fandoms and ocs

No bullying

Gifts are apriciatted >w<

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Allowed Requests

● OCS (mine or your ocs)

● Fandoms (you can request undertale stuff also)

●Theme arts

●Sketches

●Art gifts

--------------------------

Fun fact:

This account was actually one and all the past pictures are been deleted and been replaced a new one if you saw a old picture of mine in this account I CONGRATS YOU! >W<

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Q and A

Can we reblog your posts?

Yeah sure if your gonna repost please ask permision

Gender and be called?

Female she/her They/Them and call me yunahy

Whos your favorite character in undertale and its aus?

Ink,flowey,sans,charas,asriel and storyshift asriel

Why you princess of logics?

Cuz i am. i BEILIVE IN LOGICS SCREEEE

What aplications you have?

I have instagram, facebook,tiktok, tumblr and twitter (i dont use twitter and tiktok anymore sadly but you can still follow my tiktok account.)

Is your comisions open and where do you do it?

Comisions are open for animal jam play wild users and i receive comisions at facebook, instagram and tumblr just pm me!

Are you new to this acc?

No not really ;~;

Do you have a youtube channel?

Ye but not really on at it..

Can we ask you questions anytime?

Yeah sure!

Who thought you to draw?

My art teacher and my self most of the times

Do you like undertale aus ships?

YES OFC >:3

Is it ok spamming?

Yes hehe-

Do you sell things?

No

Do you gift people arts?

Yes

Are you a fangirl fandom?

I mean i am kinda.

What are you into now?

Playing with my friendo and draw some stuff and reading fanfics!

Do you do reposting and reblogs and is your arts all yours?

All arts here are mine except for the reblogs. And no i dont repost people arts just reblogs

Will you show your ocs?

Yes might can

Country you live in?

Philipines

Language?

Filipino,Engkish,Español/Spanish and Japanese

Birthday?

July 24

Aplication use on doing arts?

Clip studio paint, Ibispaint and Sketch

Hobby?

Painting/Drawing,Piano,Biking and gaming

Are you kind?

Yes ofcourse!♡

Can i be your friend?

Sure!

Redesighn your arts?

Sure you can please give credits thanks!

Shipper?

I mean i am kinda.

Using your pictures as your pfp?

Sure no need for credits

Multi fandom and shipper?

Yes but not uh posting always

Fav color? :>

Almost every color but uh ill go with any Light color

Can you read english?

Most of the time yes. But i dont really know how to pronounse so yeahh.

What are you mostly are you?

Im mostly an filipino artist and editor

What are you scared of?

Im really scared of being alone. Ngl im really lonely i know what it feels like but i have friends now :D

What are your likings?

I pretty much have many, Which are light color arts, Spotify musics (mostly calming and rocking musics)and food ect

What was your very first usernane you have?

From the old time, i really like lost kitty toys, and i saw one character i like. Beebles >:D and thats how i got the very first username, but since i got animal jam and changed my user to yunahy. I change myself to yunahy (yunahy isnt a real character)

Nickname?

Yunahy.

When do you post?

Friday-Saturday.

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Tags for me to know

#officialyunahyfanart #officialyunahy

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Fandom i am in

HUNTER X HUNTER, UNDERTALE/AUS/UNDERVERSE, DEMON SLAYER (kinda),NINJAGO (left), MHA (MY HERO ACADAMIA), LITTLE NIGHTMARES 1/2, CC (CAMP CAMP), TOH (THE OWL HOUSE), FNF,DANGANROPA, Fnaf (five nights at freddy)

HTF (Happy Tree Friends) sonic

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TYPES OF OCS I HAVE

Tricksters

Bunnies

Aus

Opposites

Old oc

Hell oc

Axotles

Fersona

Persona

Ect

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Other info

Request:Open

Ask: Open

Comision:Open

Art trade: Open

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Plannings to this blog

Adding oc ref sheets link

Adding sites link

Doing other fandom blog

Doing a oc flowey ask blog

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EXTRA COMISION INFO

●I wont do NFSW

●Please sent me a sheet of the oc/characters

●I dont do comics only arts

----------------------------------------- COMISSIONS

info:https://dmawdmwa.carrd.co i have to change due to quitting and not using my phone.

[inaantoknaaso]

These are sketches I made of my best friend and I when she watched me screen-record last night. I originally posted this on my Instagram first but I thought that maybe it would be better if I put my Tumblr to use and just post sketches and small fun comics here. I really don’t get attention on my Instagram anyway and I’d like to save myself some embarrassment.

I first got introduced to Madness from the mod but that’s not at all what got me into the fandom. I was on TikTok one day and I saw a part 1 fan animation called “Madness Confabulation” reposted and I fell in-love with the smoothness and fluidity of the animation. At first I thought that’s where the inspiration from the mod came from so I went on YouTube and found that it was made by No Signal. I haven’t had an interaction with Madness for the next few days I believe and then I found this: Hank. It honestly made me laugh genuinely and I fell into the fandom. Whenever I hear this song, whether it’s at work or somewhere else, I think of that and smile. I found Krinkels and watched every one of his videos from start to finish. My love for Madness Combat is equivalent to my love for Hetalia, I think I’m staying permanently. I’ve been a Hetalia fan for almost 5 years now and I’ve never left, and I hope that happens with Madness :).

As I stated on Instagram, I’m going to be making a fan animation off of my favorite Deimos voicelines from Project Nexus 2 as inspired by roseycloudz. It’s not going to happen right away since I’m busy, but I will make it happen in due time using the offical Deimos made by DeimosArt on Newgrouds (who also happens to be Filipino, yeee ♡ ♡). I love his art so much and I actually use it as my profile picture on Discord. I plan to make one with Sanford too if I can.

It’ll hard for some people to tell since Hetalia is an old anime and isn’t the much popular, the outfit I typically always draw myself in is inspired by 2p! America. If Y’all want, I can post a reference sheet for outfits I draw myself in for better detail, I have a self portrait on Instragram if you want a reference that badly though, it just needs a few changes, thank you! ♡

[60b3r]

Memes Kill Creativity?

Memes vs. Genes

In the 1976 book The Selfish Gene, Richard Dawkins coined the term 'meme' to describe something with symbolic meaning that spreads by imitation from person to person within a culture. This idea is an analogue to the nature of selfish gene, described similarly as a piece of genetic material possessing information required to be able to replicate themselves inside a living. The only key difference in both terms is that the gene is natural, while memes are artificial. The rest of memes' operating schemes completely mimic the genes perfectly. In our current timeline, memes as we know today are taking many forms: as image macros, short videos, and rick-rollicking music. Memes in imageboards and forums have been pushing internet porn traffic into a stalemate and putting our power grid into unnecessary burden. Of course, memes are not to be regretted, but otherwise need to be taken seriously, since they are able to put our current understanding of media industry and economic system into shame.

As with every other thing that have existed, memes are not exempt in its dualistic nature. If you ever venture to the depths of dark web, you may know that memes also took part in the infamous mimetic Tumblr-4chan War. Not only that, some memes are reportedly causing harm towards some users, even though it is often disguised or said to be a dank joke or mere sarcasm. Memes have seen its share of use in online bullying, mass shootings, and hate crimes, cowering behind the freedom of expression tag. Regardless, memes are also an extremely effective form of information transmission. Like all living systems with no set moral standards, memes do evolve and are subject to natural selection. Memes, like genes, actually work like a mindless machine. Again, this is eerily like the performance of DNA in living systems. The last thing we want from this thing is virulence.

Every day, something went viral on Twitter. Hashtags are flaring into the top trends, some videos are being watched billions of times, and another cat vs. cucumber pic garnered thousands of likes. Viral properties of a virus (duh) is defined as the capability to multiply quickly in relatively short amount of time. The term saw a huge increase in usage during the dawn of the internet age and the rise of computer malwares spread through unsecured ports of network protocol. This term is being applied to memes, as it is like a virus (which is a pure embodiment of a selfish gene). Now, a lot of people are utilizing memes to create art, because it enables them to cater the short-attention spans of current internet users. They create shorts, illustrations, inside jokes, and small comic strips. Some of you might not agree with me on this one, but stay with me now and I will explain to you why I would like to treat memes and art as a single unit of interest in this argument.

The dawn of meme-technology

Viral memes and their popularity are now often considered important in defining a time period in the internet culture. Now every netizen can somewhat distinguish the approximate age, sex, and political views of other users from the usage of rage comics, meme songs, and meme platforms they use. Intuitively we can make a generalized difference between the userbase of Reddit, 4chan, 9gag, Vine, and now Tiktok. Others, by the share of relatability with sub-genres of different areas of interest (film memes and game memes). Some others, even, in the perspectives of different social and economic class system (first world problems and third world success memes). Meme preferences to us netizens are ironically giving away our anonymous identity. Identity which the media companies are vying to get their hands on. That's where I would like to come into my opening argument: both memes and genes which originally possesses no intrinsic value, suddenly become a subject of value with technology.

How do we draw the logic, I say? The ones and zeros inside electrical systems are value-free, so does DNA in living cells. As we meddle ourselves with biotechnology to manipulate genetic material for profit, we also simmer ourselves in the computer sciences and tweak physical computation to perform better. We give value in the inanimate object by manipulating them. In our world, we often heard these expressions: that communication is key, sometimes silence is golden, and those who control the information wields the power. What’s these three statements have in common? Yes, information and expression. Memes are the simplest form of both. This is the beginning of the logic: memes are no longer in and on itself independent of external values. The infusion of utilitarian properties in memes as artificial constructs are seemingly inevitable, and for the better or worse shapes our current society.

We might have heard that somewhere somehow, the so called ‘global elites’ with their power and wealth are constantly controlling biotech research and information technology—or, in the contrary, they control these knowledge and resources to keep shovelling money and consolidate their power. Memes are one of their tools to ‘steer’ the world according to their 'progressive agenda', seemingly driving the world ‘forward’ towards innovation and openness. Nah, I am just joking. But, stay with me now. It is actually not them (the so-called global elites) who you should be worried about. It is us—you and I, ourselves—and our own way of unwittingly enjoying memes that are both toxic and fuelling the age-old capitalism. Funny, isn't it? We blame society, but we are society. But how are be becoming the culprits yet also be the prey at the same time?

Middle-class artists are hurt

Now, aggressive marketing tactics using memes are soaring. Media companies are no doubt cashing in the internet and viral memes to their own benefit. Streaming and cataloguing are putting up a good fight compared to their retail, classic ways of content delivery. This is quite true with the strategies of Spotify and YouTube, other media companies alike. They can secure rights to provide high-quality content from big time artists and filmmakers and target these works directly to the end consumer, effectively cutting the cost of distribution which usually goes to the several layers of distribution line like vinyl products, radio contracts, and Blu-ray DVDs. I believe this is good, since it is like an affirmative action for amateur artists to start a career in the art industry. Or is it? Does it really encourage small-time artists to begin? Yes. How about the middle-class artists? Not necessarily.

You might sometimes wonder, “how the hell did I get somewhere just by following the trending or hot section in the feed?”. This toxicity of memes often brings some bad things to our tables. Social media algorithms handle contents (like viral memes) by putting those with high views or likes to the front page, effectively ‘promoting’ the already popular post and creating a positive feedback cycle. By doing so, they could capitalize on ad profits on just few ‘quality’ contents over huge amounts of audience in a very short amount of time. The problem is most of the time, these ‘quality’ contents have no quality at all. They just happen to possess the correct formula to be viral, with the correct SEO keywords and click-bait titles with no real leverage in the art movement. This way, I often find both the talented and the lucky—of which the boundaries between them are always blurred—overshadow the aspiring ‘middle-class’ artists who work hard to perfect their craft.

If you are already a famous guitarist with large fanbase, lucky you, you are almost guaranteed to top the billboards. What, you have no skills? Post a video of you playing ‘air guitar’ and… affirmative actions to the rescue. Keep on riding the hype wave and suddenly you get to top trending with minimal effort, thanks to your weird haircut. Those haters will surely make a meme out of your silly haircut, not even your non-existent guitar skills. But still, hype is still a hype, and there’s no such thing as a bad publication. This also answers why simple account who reposts other people’s content could get much more followers than the hard-working creators. Not only being outperformed by the already famous artists taking social media by storm, now the ‘middle-class’ artists are also dealing with widespread content theft and repost accounts because of the unfair, bot grading system. It is unimaginable how many nobodies got the spotlight they don’t deserve just because they look or act stupid and the whole internet cheers around them. Remember, this is not always about the artist, but also the quality of the art itself. I believe a good art should be meaningful to the beholder.

Why capitalism kills creativity

The problem in current art industry is that we are feeling exhausted with the same, generic, and recycled stuff. We indeed already see there’s less discourse about art now. Sure, the problem lies not in the artist or medium, but is in the viewers—the consumer of the art form—and how the capitalist system reacts to it. The hyper efficient capitalist system doesn’t want to waste any more time and money trying to figure out what’s new or what’s next for you. What we love to see, what is familiar to us, the market delivers them. The rise of viral memes phenomenon in the social media pushes the market system to the point where they demand artists to create the same, redundant, easy art form. Listen to some of The Chainsmokers’ work and we'll see what music have become: the identical 4-chord progression, the same drop, the predictable riser, and the absence of meaningful lyrics. We sat down and watch over the same superhero movies trying hard to be the next Marvel blockbuster. The production companies are also happy not to pay writers extra to come up with new ideas and instead settle with borrowed old scripts from decades old TV drama. Disney's The Lion King and its heavy use of the earlier Japanese Kimba The White Lion storyline is one guilty example.

Despite it initially being an economic system and not a political ideology, it is untrue that many Marxist philosophers usher the suppression of art. While it is ironic that Stalinist policy intends to curb ‘counter-revolutionaries’—in this case his enemies—by limiting freedom of press and media; American propaganda added further so that it seems that the ideology is also limiting art and kill creativity. We all know the Red Scare in the U.S. during the Cold War saw a popular narrative of communism and socialism that is devoid of freedom of expression. This state propaganda then further become ‘dehumanization’ and make freedom of expression invalid under the guise of equality. Marx argue that total equality is not possible, and the uniqueness is being celebrated by having them doing what they do best and provide the best for their community. Thus, an individual's interests should be indistinguishable from the society's interest. Freedom is granted when the whole society is likely to benefit from an action. According to Mao in his Little Red Book, freedom of expression in art and literature, after all, is what initially drive the class consciousness. It is capitalism, not communism, that kills creativity.

If left unchecked, the threat of this feedback loop is going to cause a lack of diversity, resulting in stale content, less art critique, and overall decline in our artistic senses. Artists’ creativity that are supposedly protected by the free internet are destroyed within itself through the sheer overuse of viral memes. Capitalism has successfully turned the supposedly open, free-for-all, value-free platform that is the internet against the people into a media in which they are undeniably shaping new values on its own: the art culture that's not geared towards aesthetics and appreciation, but towards more views and personalized clicks. How social media and media industry caters to the demands of the consumer are, in Marx's own words, “digging its own grave”.

Spare nothing, not even the nostalgia

Well, people romanticize the oldies. The good old days, when everything is seen as better and easier. Look at the new art installations that uses the aesthetics of naughty 90s graphic design to become new, the posters released in this decade but with an art deco of the egregious 80s pop artist Andy Warhol, or the special agent-spy movies set frozen in the Nifty Fifties. Nostalgia offers us a way to escape from the hectic choices of our contemporary: different genres of music, dozens of movies to watch, and different fashion to consider. We choose to settle with our old habits, that we know just works. Remember how do we throw our money on sequels and reboots and remakes of old movies we used to watch during our younger days? We don’t even care about new releases at the cinema! Did you remember how Transformers 2 and their subsequent sequels perform at the box office at their opening week?

The huge sales of figurines and toys of Star Wars franchise—if we could scrutinize them enough—came from the old loyal fanbase of the late Lucasfilm series, not primarily from new viewers. Then suddenly, surprise-surprise. Our love for an old franchise deemed dead enough to be remembered and treasure soon must be destroyed to pave way for three new outrageous sequels (the ones with Kylo Ren and Snoke) by the grace of our beloved capitalism. Sadly, nothing is left untouched by the capitalism’s unforgiving corruption. Nostalgia has become a gimmick that makes people like some art more than they should, because it’s familiar. It is another way of squeezing your pocket dry.

Not that it is bad to make derivatives like covers or remixes, but the trade-offs are far too high. Consequentially, the number of original arts is now very little, because artists don’t bother making new stuff if they just aim for a quick buck. Most of the young adult novels are essentially the same lazy story progression with only different time setting and different character names. Most of them even have the same ending! No more a beautiful journey like the thrillers of Dan Brown or the epic adventures of Tolkien’s Lord of The Rings, which defines their respective times. Do we seriously want to consider Twilight and 50 Shades of Grey as a unique work? Isn’t the Hunger Games and the Maze Runner essentially the same?

If you play video games, you must have known that the trend always starts over. Game developers are making gazillions of sequels, and only a few of them that are actually good. Most are outright trash. Oh, wait, old video games like Homeworld are also getting remasters to cater the demand of nostalgic consumers. No new Command and Conquer release from EA Games? Re-release the 25 years old Red Alert because people will re-buy it! Profit!

15 June 2020 8.03 PM

[shirlleycoyle]

Why This Teen Walked Away From Millions of TikTok Followers

This is part of a special series, The Future of Fame Is the Fan, which dissects how celebrity became so slippery. It’s also in the latest VICE magazine. Subscribe here. 

Sixteen-year-old Ava Rose Beaune was hanging out at a friend’s house on an otherwise unremarkable mid-July afternoon when her cell service briefly shut off. She tried to text her dad, but it wouldn’t send—definitely odd, she thought, but not alarming.

Then people started messaging her: Did you see what’s on your Twitter? Your Instagram? What’s going on? She logged on to her social media accounts and saw that her new Facebook status alluded to suicide—but she hadn’t posted it.

“My whole family thought I was going to kill myself,” Ava said.

Suddenly, a man she’d never met was calling her parents, demanding to speak to her. He had control of all her contacts, texts, emails, and social media accounts. The next day, he texted her: I just want to talk to you. (Spoken and written quotes from Ava’s alleged stalker are italicized to indicate they are not necessarily direct quotes but are as she remembers them.) He called her, and she answered, begging him to do whatever he wanted to her Instagram account, if that’s what he was after. “Delete it. Delete it and leave me alone if that’s what you want,” she told him. You don’t want that, he said. “I do,” she replied. I just want to meet up with you and have sex with you, he said.

“That’s when I hung up the phone, and I was like, this is getting weird,” Ava told me. This stranger had managed to hack her accounts using a method called SIM swapping, in which he contacted her wireless service carrier and convinced them that he owned the account and needed them to transfer access to the SIM card to the phone in his hand—effectively taking over her digital life.

In screenshots viewed by VICE, the hacker can be seen posting a Story to her Instagram about being Ava’s new boyfriend, issuing rape threats, and writing things like “I can’t wait til I impregnate you and marry you. you only live 5 MIN away from me.” She got her social media accounts back in her own possession and resolved the problem with her carrier. “OK, this is, you know, the end, whatever,” she recalled thinking.

With more than 2 million followers on TikTok, Ava was a minor celebrity in her own circles. So, she said, she was used to men being creepy, or even hostile. This was extreme, she thought, but it was over.

But it wasn’t. This was only the beginning of weeks of daily harassment so severe it would uproot her life entirely.

As of this year, TikTok likely has more than 1 billion monthly active users, and the market research firm Statista estimates that adolescents between 10 and 19 years old make up 32.5 percent of those users. The spiritual successor to Vine, TikTok is a micro-video sharing platform that favors an off-the-cuff, do-it-yourself style: People of all ages lip-sync to movie clips and songs, mimic elaborate dances in their living rooms, and use filters to edit the 60-second videos into tiny works of art. It’s also something of a fame lottery.

All this manic, frenetic energy combined with massive audiences is addictive in the same way any social media platform is: with casino-style scrolling and a notification system and the looming chance at virality. Normal teens like Ava—who signed with a talent agency in January 2020—become voracious consumers as well as unstoppable creators, hoping to strike it big, get discovered, or at the very least, make it to the For You feed, where one video plucked by some mysterious algorithm from a user’s feed can get in front of millions of eyeballs instantly.

“I’d rather not give those people the satisfaction of being noticed.”

Despite all this, cyberbullying experts say that TikTok isn’t the worst social media app for harassment. “The way that TikTok is built reduces the likelihood of cyberbullying when compared to other apps,” said Sameer Hinduja, the co-director of the Cyberbullying Research Center. Features like direct messaging that only allow mutual followers to contact each other, and the inability to add images or videos to comment sections, set it apart from other apps. “To be sure, cyberbullying can manifest itself in hurtful TikTok videos directed towards others, as well as in comments and in livestream chats—but these possibilities are no different than on any other social media app,” Hinduja told me.

According to TikTok’s transparency report from 2020, 2.5 percent of videos the platform removed were for bullying or harassment. But there are some features unique to TikTok that make it prone to a different, more personal kind of harassment. “Duet” allows other users to repost your video with a split-screen video of their own. Most of the time, it’s used innocently, for singalongs or miniature skits. But some users say it opens a portal for disturbing abuse. In 2018, BuzzFeed News reported that people—often young children—would duet their videos with a video of them acting out suicide, putting plastic bags over their heads or belts around their necks, to show their disgust at the original post. And a Duet from a more popular account can send a wave of attention from their followers to your page, not all of it positive.

Nick, who runs a TikTok account with his five-year-old daughter Sienna (the family goes by their first names publicly, to protect their privacy), told me that they experience Duet-based harassment on top of the usual comment section cruelty. “Some users would duet our videos and say mean, nasty things that were just not true,” he said. “In the beginning, it made us second-guess the path we were going down.”

It hasn’t stopped since they started the account, in October of 2018—and they’ve since gathered more than 14 million followers. But they have gotten better at managing it, Nick said. “Sienna is luckily very intelligent and knows that this is not OK. I made sure to sit down with her, emphasizing how special she is and that people may not see that right away.”

Nick believes TikTok does a good job of handling harassment, and giving creators the tools to handle it themselves. “If there is consistent harassment from a specific account, I block and delete their hateful comments,” he said. “For the negative comments in general, I tend to just ignore them. I’d rather not give those people the satisfaction of being noticed.”

TikTok does allow users to opt out of Duets. But these are the features that foster that slingshot fame; opting out of them means opting out of your chance at going viral or just growing your audience.

Fatima and Munera Fahiye, who are sisters and TikTok creators with around 3 million followers each, told me that they also find the platform to be responsive when they need support. “There were multiple accounts on TikTok impersonating me on the app, and TikTok helped me by verifying my account to let people know that my account is the real one,” Munera said.

Whatever harassment they do receive—which often means racist comments—they say is outweighed by the support of fans. “I have been on TikTok for a year now, and I have not experienced any harassment, but after gaining some followers I have seen some mean comments about my hijab every now and then, but I try to not give it any attention, because the love and support that I am getting from my fans is more than the little hate, so it does not matter,” Fatima said.

The harassment that happens on TikTok doesn’t stay there, however. On Reddit, whole communities are devoted to catching women and girls on social media in the middle of wardrobe slips, where you can see down their shirts, up their skirts, or anytime they shift and move and reveal a glimpse of more skin. Standalone websites are made for this purpose, too, and for doxxing and harassing women who might have a TikTok in addition to an OnlyFans or other separate adult platform.

In 2020, a server on the gaming chat platform Discord took requests for TikTok creators to be made into deepfakes—AI-generated fake porn. Although child pornography is against Discord’s terms of use, even in the form of deepfakes, one of the most requested targets was only 17. A request for another deepfake noted, “by the way she turns 18 in 4 days.”

Creators also find their content, clothed as in the originals or deepfaked, reposted to porn sites. In concert, the people on each of these platforms work together to create an overwhelming environment of virtual assault for many young women.

Until TikTok, Ava had never really been into social media, she told me on a Zoom call in her parents’ house. She was taking a break from high school distance learning; this was her senior year, spent over video chats because of the COVID-19 pandemic. “I always told myself I’d never make a TikTok because my friends all had it and I was like, that’s so cringe,” she said. “Like, I’ll never start that. But they were like, ‘Come on make one,’ so I did.”

She said she made her first account when she was 15, and posted the usual stuff: trend dances, makeup videos. Within a few days, her audience went from the friends who talked her into joining to 150,000 followers—a leap in popularity that she still doesn’t entirely understand. The sudden attention startled her; she deactivated the account.

She accidentally reactivated the account later, and at this point, having gotten over the initial shock of attention, decided to give it another try.

A rock smashed through her mom’s car window with a threatening note tied to it: I want to take you and impregnate you.

Once Ava started posting new videos, the hateful comments started. “I thought that was like the worst it could get,” she said. “It was like, body shaming and hate—the body shaming especially never bothered me, and the normal hate comments were just like, whatever.” A few users created accounts to post rape threats about her, and this did disturb her, but she took it as par for the course as a young woman online.

That is, until one of her followers started stalking her and her best friend, Gabriel. That follower messaged Gabriel, mentioning her home address and demanding to know who she was dating. “So, we’re both kind of like laughing like this guy’s obviously just some weird fan,” she recalled.

I have something planned for Ava. You’ll see in the next three months. I’m planning something big, Ava says he told Gabriel. He hacked her phone three months later, on Gabriel’s 18th birthday. After that, the man texted Ava every day.

“It was stuff about how he wants to rape me, how he’s going to get me, how I can easily stop this—he was texting my dad saying, She’s not allowed to hang out with her friends, if she goes out I’ll know. Saying he’s watching over us and stuff like that.” Every time Ava thought the situation was as bad as it could get—that this man she’d never met was going as far as he could go—he went further.

Then a rock smashed through her mom’s car window with a threatening note tied to it: I want to take you and impregnate you.

Cyberbullying has proven long-lasting effects on teens and young adults. As Hinduja noted, studies show that it’s tied to low self-esteem, depression, anxiety, family problems, academic difficulties, delinquency, school violence, and suicidal thoughts and attempts.

“So at this point I was like, ‘OK, this is getting a little serious.’”

“Most important to me is how negative experiences online unnecessarily compromise the healthy flourishing of our youth at school,” he said. According to his and his co-director Justin Patchin’s research at the Cyberbullying Research Center, over 60 percent of students who experienced cyberbullying reported that it “deeply affected” their ability to learn and feel safe while at school, and 10 percent of students surveyed said they’ve skipped school at least once this past year because of it.

“That cannot be happening,” Hinduja said.

“In general, I hope people will remember that everyone is a human being just like them. We are all capable of feeling hurt and disappointment, and just because there are numbers and a platform attached to our lives doesn’t mean we are impervious to hurtful words or harassing comments,” Nick said. “TikTok is a space where everyone should feel safe to express their creativity, and in order to do that we need to be kind to others.”

Maxwell Mitcheson, Ava’s agent and the head of talent at TalentX Entertainment, told me that he’s seen harassment take a direct toll on young people. “A lot of creators are growing up in front of millions of people, and that involves making mistakes and learning and growing from them,” he said. “The hateful rhetoric definitely weighs on them; some don’t even look at their comments section anymore just to try and stay positive.”

“It’s the inability to make mistakes, being attacked for being authentically yourself, and the sudden lack of anonymity,” Mitcheson said.

Ava’s experience was on the extreme side, he explained, but creators at his agency have had instances of hacking and stalking, or fans randomly showing up at creators’ homes. “We’ve had to involve security and PIs before, but Ava’s was a situation that could have ended in tragedy if it weren’t for the Toronto police intervening.”

After the window-breaking threat, Ava said the police told her that she couldn’t stay at home. She went to stay at a friend’s house, but he still reached her there, she said. “He just kept going saying like, look at what you’ve done, this is all your fault,” she said. He sent her a private message that would delete after it was opened, so she recorded it using a friend’s phone:

I need you to accept the fact that I’m extorting you right now, you need to accept that this isn’t going to end no one’s gonna catch me, the police haven’t ever caught me when I did this before, accept it, give me what I want, I want you to meet up at this park right behind your house I want to do this this this this to you

if you don’t I will kill your parents in front of you in your living room and take you.

“So at this point I was like, ‘OK, this is getting a little serious,’” she told me.

She said she sent the message to the police, who told her whole family to stay somewhere else, hours away. They did, for two weeks. He kept texting her: are you going to be there Saturday you’re making the wrong decision you better answer me.

Eventually, Ava recalled, he was caught. He left the VPN he was using to mask his location off for a half a second, according to her—just long enough, she remembers the police telling her, for the investigators to capture his location data and pinpoint where he was texting her from.

Ava said that the police told her that when he was caught, they found six separate phones and a bunch of SIM cards in his possession—full of pictures and videos of Ava that he’d taken from her accounts. According to the Toronto area detective Ava and her family worked with, the case is still in the courts.

Talking to me now, over Zoom, in between classes and facing midterms, Ava seems fine. She’s able to recount this story in delicate detail, without flinching. She understands the gravity of what happened to her, and how it upended her life. Her family decided to move away, “to the middle of nowhere, pretty much,” she said.

But she is different now. She stopped posting to her TikTok to focus on her friendships and family, though she still posts sporadically on Instagram. She would like to be more active on social media, but she’s not pushing herself. She has anxiety that she describes as “really bad.”

“It’s really affected me, like, you know, just like not being able to live in your own home, and like, even when you are at home, not being safe… It’s really hard, especially when I was only 16 when this happened,” she said. “It is hard, and knowing that my parents were always stressed out and not being able to go outside and walk without feeling kind of scared…”

Before she stopped posting new TikTok videos, she tried to open up on the platform in videos about her mental health and her experiences. But people weren’t receptive to it.

“Especially when they’re like, Oh, a TikTok girl that all the simps love, or What are you complaining about, all these boys love you, kind of thing,” she told me. “I’ve been trying to go to therapy and trying to get over it, but when that kind of thing happens you’re not really the same afterwards. You have a different outlook on social media. You’re kind of scared of if it’s going to happen again. You don’t think those people exist until it happens to you, and then you’re like, wow, this is crazy.”

Online harassment has a silencing effect on people of all ages and genders, but women have it especially bad—and young women are pushed offline, out of the center of conversations and control of their own narrative, at earlier and earlier ages. As adolescents, harassment online makes them do worse in school, seek riskier behaviors, and contemplate or even attempt and follow through on self-harm and suicide. As grown women, this looks like anxiety, a lack of self-confidence, not sleeping, and stepping out of the online conversation altogether to protect their own mental health, and, in severe cases, the safety of themselves and their loved ones. When harassment is allowed to carry on, and women are shamed for seeking help, the damage digs deeper—and we lose those voices.

I asked Ava what she wishes more people understood—about her, about what it’s like to have a big social media following, about how it feels to have millions of eyes on you at such a young age. “I just wish they knew that just because you have followers, doesn’t mean you have this perfect life,” she said. “Just because boys love you, that doesn’t complete your life. When these kinds of things happen, you should be able to be open about it.”

Follow Samantha Cole on Twitter.

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