#i also like the part where meryl and milly show up and do literally nothing except save vash from his contrived pseudo death

[collieii]

fr tho why did badlands rumble include a fake out vash death when we all know there's literally no way he would actually die. besides the general he's the protagonist thing if it's supposed to take place at some point within the anime/manga timeline, where we know he survives, it's such a ??? choice

[severalspoons]

Liveblog: Rewatching Trigun, Episode 20

Surprise, this blog series continues! I have no intention of letting it end at episode 19. (I mean, that’s not even a nice round number!) While these aren’t liveblogs any more, they still give me an opportunity to discuss meta. 

Life lesson learned: once you start a series of anything, do not stop until it’s finished--no matter what other projects come up, no matter how shiny they are, and no matter how much you’re dreading watching episode 23. Since I do my best work when feeling inspired, I hate to wait and let my enthusiasm for the new project cool, but jumping ship only ends in two unfinished projects instead of one.

This is going to be arranged by theme, not so much chronologically. Also, it ended up being more about Wolfwood than originally intended.  Including a spoiler, so be careful.

Millie’s Transmitter

Millie reports that the Chief of Bernadelli gave her a transmitter/tracking device, which must be a rare, valuable piece of technology -- to prevent anyone from outwitting her. Meryl replies that this is nothing to brag about. I disagree.

First of all, the chief cares about her enough to entrust her with this bragworthy technology. She must have earned his trust and good opinion, also an achievement. He could easily punish or fire her, but instead gives her a tool to perform better. Countless people with learning disabilities dream of bosses like this. 

People tend to take a harmful all-or-nothing attitude towards disabilities. Either PWD are incapable of doing things and nothing can be done about it, or they are capable of doing things, and shouldn’t need help. Since people with disabilities themselves live in society, they end up indoctrinated and taking the same attitudes towards themselves. Shame and self-hatred often result. People strive for years, often with therapy, to get to the matter of fact acceptance Millie shows here.

***

Vash in Hell

Everything is red, from the beginning. The sand, himself and his clothes, the sky. Knives comes into view, blurry and mostly in shadow, only one eye visible.  What looks like meteors, probably chunks from the ships, fall through the sky like rain. We’re seeing from Vash’s point of view.

When waking Vash, Knives’ voice is normal, sounding like a real child. It doesn’t change to his growly evil voice until Vash accuses him of being a murderer. Then, his eye loses its pupil, and he suddenly appears to have fangs. He looks like he’s become some sort of monster. Not human, as Vash says.

Knives beats him up for even daring to compare him to a human. What hurts the most about this is you know it’ll be a long time, and probably many more such beatings, before Vash leaves.

Was it ever possible to take care of Knives? Was Rem’s last request reasonable?

Vash announces he’s finally ready to face Knives. What impresses me most: he’s finally making a significant decision for himself.

***

Meet the Folks

How is Vash more attractive in normal clothes than his signature coat, even in scenes showing only his face? Speaking of which, this episode is full of beautiful shots of Vash’s face. Wolfwood’s, too. 

How the hell did Wolfwood get here? He said he was concerned about Vash crying then jumping off a cliff, and followed him. However, he seems to have climbed up from below. How would he have found a floating platform? Certainly, none is visible below him. And since he seems to know nothing about the flying ship, he can’t have taken Vash’s strategy and jumped onto a platform at just the right time. 

“Come meet the folks!” Yes, they actually do have a summer cottage in the sky. Ever wonder why Vash’s head is always in the clouds? ;) 

Wolfwood actually says “I’m getting sick of your lies.” Hypocritical much?

Wolfwood is the first guest Vash has brought “home” in over 20 years (in other words, since he became The Stampede)! 

Does that mean that the whole time Vash has been on the run, he hasn’t visited the SEEDS ship (probably to prevent anyone tracking him from discovering it)? Vash could have simply hid out for the last 20 years in the SEEDS ship; it’s his home, after all. Instead, he chose to go out and protect people from Knives, and each other. (How many of us would have made the same choice?)

***

Inside Legato’s Lair

What does this informant know about Chapel’s duties? From the way Legato dismisses his concerns, it seems like Knives’ followers aren’t given much information about each other.

Wolfwood is now doomed. “You’re such a fool. Had you behaved, you might have lived to see Doomsday. But I’m pleased, for I now have the opportunity to carry out another of my master’s wishes.” 

A surprisingly restrained evil chuckle from Legato. Thank you for sparing us a full-on villain laugh.

How does Legato get shoulder padding that sticks out that far? Each shoulder is almost twice as big as his head.

***

A Series of Awkward Events

The ship has a whole observation team. No one should be able to get up here without the SEEDS leaders knowing, right? Right? ...

The old man tells Brad Vash has changed over the years. How? 

After all this buildup, Brad opens the door, letting in blinding light, and this is what he sees:

The legend acting like an idiot and getting his butt kicked. Very dignified. 

This is Brad’s reaction:

“Is that your great legend?! Huh?!” “What a relief! He hasn’t changed at all.” (A relief? What were they afraid would have happened to him?)

Brad is not amused by Wolfwood’s touchy-feely ways.

“Who’s he?” Vash, looking embarrassed: “I’m not sure.” Fair enough, but not very helpful, and Wolfwood doesn’t elaborate. We already know and love Vash’s embarrassed grin, but I can’t get over Wolfwood’s almost sinister smile in the mirror. 

A cute moment where Vash looks back like, “isn’t my place great?” and Wolfwood just gapes like an idiot. (Close your mouth, my dude. Flies are gonna get in). 

Vash last visited about 20 years ago, and Jessica was a small child then, so she should be about 23 or 24. However, she looks and acts like a teenager. Vash inadvertently becomes part of an unwanted love triangle.

To his credit, Vash tries to put her off, in a joking way (”I have a reputation for being easy but even I need a bit of advance warning”). Wolfwood makes the whole situation worse by teasing Vash about his “girlfriend” in front of a fuming Brad. It’s as if he were going out of his way to antagonize the people on the ship.

When Vash actually has a chance to look at Jessica’s face, he remembers her. Think about that. He may only have met her once, it’s been 20 years, and he still recognizes her and remembers her name. How many other people does he remember from the past ~130 years? This is how he uses his powerful plant brain--Knives would view it as a waste.

Jessica cooks a feast for Vash, which, tragically, he won’t get to enjoy. How did she cook all this food so fast? It’s enough to feed the whole ship.

***

Wolfwood is mistrusted for the wrong reasons

Wolfwood actually takes off his shades and armor of acting like a jerk while introducing himself to Jessica. This is unusually open and vulnerable of him. He actually is trying to behave. But Brad, worried about “a bunch of outsiders” bringing war to their flying paradise, hits him where it hurts.  

...Did I mention Wolfwood has beautiful eyes?

Anyway, everyone gathers around staring at Wolfwood from a distance, while he drops cigarettes on the ground. There’s an entire pile lying at his feet. The whole scene is the definition of passive aggressive. 

What seems to anger Wolfwood is not so much how they treat him personally, but their denial combined with moral superiority. Not to push a metaphor too far, but these folks are able to take the moral high horse because their literal high position keeps them safe. Yet, they use this immense privilege not to help the world below, or to prepare for the ship’s inevitable fall, but to hide in their castle in the sky. It clicks for me that Wolfwood probably feels about running away the way Vash does about suicide (think back to episode 11). 

The SEEDS dwellers do not seem to understand that Wolfwood is both trying to help them and a little resentful of what they have. To them, he is everything they’ve been taught to fear and hate, up here poisoning Paradise for them with his unpleasant ideas. Of course this sort of dynamic never happens in real life.

Also, keep in mind that none of them know anything about the people below directly, only from hearsay. They’re not wrong about Gunsmoke as a whole, but they treat Wolfwood like a monster rather than a person.  That also never happens in real life.

Then he gets to the scene of a crime too late--but just in time to look like the one responsible. Although the ship dwellers would love to see him dead, he leaps to defend them against his own colleague. Knowing, perhaps, that doing this would confirm he switched sides, and his own days might be numbered. He doesn’t even pause to think, he just goes, the same way he did when the child went missing in episode 9.

***

Vash Will Save The Day

“Like you care. Five years is probably like a blink of the eye to you anyway.” Vash denies it, but the second part is probably true. He looks so surprised to hear it’s been five years.

It can’t be easy for Vash to admit that he was responsible for the “Fifth Moon Incident,” and is probably more dangerous than Knives. Once again, his only argument is “please.” But there’s no buffoonery or melodrama here. He’s dead serious, and that’s more convincing. 

Wolfwood tries to stop Leonoff from saying his name. No one who would understand the significance or matters to him is present, just Brad and Jessica. Is he merely afraid others will hear? Does he still consider himself to be Chapel?

Even facing Leonoff, Wolfwood still hasn’t put his shades back on.

Now imagine if Vash managed to find ways out of no-win situations and save the day without all the whining and crying.

Wolfwood can pause and wait for once, having faith that Vash will show up. He knows there’s always a third option for Vash. He does not yet see any for himself. Still, progress nonetheless.

***

Unfortunately for me, Vash is back with his red coat in Vash the Stampede mode, yellow glasses hiding his face.

OK, I can see how Leonoff’s puppets get into the ship without being noticed, but how on Earth did the big guy even get here?

[recentanimenews]

Some Of The Best Anime Scenes Ever Are Only A Few Seconds Long

By the time you get to the end of this sentence, another brand-new anime will have come out. True, it might be another unfinished, hilarious mess like My Sister, My Writer, but you won’t know that until you actually watch it. Before you know it, you’ll be spending your entire free time catching up on new releases instead of doing what’s really important, like re-watching Cowboy Bebop. Why don’t anime series include one short scene that could tell you instantly what the whole show is about in just a few short seconds? Well, surprise--they do, and here are the four best of them.

  *SPOILERS AHEAD*

  4. Eren’s Mother Losing Her Resolve (Attack on Titan)

  The terrifying power of Attack on Titan is that it strips its characters of their dignity. The anime is gory, true, but every death in it is made so much worse because it comes at the hands (or, more commonly, the mouths) of naked, human-eating giants that move like drunk toddlers. This way, the anime can torture its characters with primal, humiliating fear. You see this perfectly in Episode 1.

    That’s when Carla Jaeger is trapped underneath her house while a nightmare-inducing Smiling Titan approaches her. Ordering her son Eren to run and save himself, Carla tells him for the last time that she loves him, accepting her fate because she knew that at least her child was safe. Well... for like a second. She then flashes back to her family life and, through tears and desperately gagging herself with her hand, she whispers: “Don’t leave me…”

    When I got to that scene, I wanted to scream: “MA’AM! THIS WASN’T PART OF THE DEAL!” Carla was supposed to die her quiet, traumatizing death as part of Eren’s standard-issue tragic backstory. With her silent and cowardly (but very human) pleas, though, everything became so much more real. On some level, we know that characters facing death must feel fear, but we don’t like to think about it to preserve the magic of escapism. But this is precisely what Attack on Titan does.

  It doesn’t make bad stuff “cool” for us. It makes us confront every ugly aspect of it. I’m convinced that if Hajime Isayama had directed a Batman movie, he’d have made the Waynes’ last words: “I don’t want to die...” And then they’d crap their pants. Because that’s the true face of tragedy and fear, encapsulated perfectly by Carla’s three words.

  3. Whitebeard Embracing His Foolish “Son” (One Piece)

  The flashy, supersonic fights in One Piece have always been one of the anime’s biggest selling points, like the Luffy vs. Katakuri punch-up. I use it as an example mainly because, whether you read this article when it’s first published or years later, chances are that fight will probably still be going on. But, for all its action, that’s not what One Piece is ultimately about. To find out what that is, we have to look at episode 472.

  The episode takes place during Whitebeard’s attempt to rescue Ace from the Navy. It was an epic arc full of action, excitement, and plot twists, the biggest one being when Whitebeard’s subordinate Squard was tricked into betraying everyone and turned his boss into an entrée at a Brazilian steakhouse.

    After that happened, you sort of expected Whitebeard to literally break Squard in half. But then… he just hugged him. Not only that, he told him that he forgave his foolish “son” and still loved him. The Whitebeard Pirates always had this thing where the captain was called “father” and everyone else were his “sons” but you never thought it was so… literal.

    When you think about it, though, this is what One Piece has been getting at from the get-go: the power of non-biological family. Literally every major character on the show was raised by people they weren’t related to. Luffy and Ace had Dadan. Sanji had Zeff. Nami had Bell-mère and Nojiko, Tony had Dr. Hiriluk, Robin had the archeologists at the Tree of Knowledge, Franky had Tom, etc.

  Still, the message about the importance of family works best with Whitebeard and Squard. See, it’s easy to love your non-biological family members when everyone gets along and, in the case of the Straw Hats, sacrifices their life for you. It’s harder and therefore more powerful when one person unwittingly screws up, but can still know that they’re forgiven and loved. That’s just beautiful. That's One Piece.

  2. The Humanoid Typhoon’s Wounds (Trigun)

  There aren’t many western anime out there. One might almost think that Japan never had a Wild West or cowboys. But that’s just one reason to appreciate Trigun (or, to call it by its proper name: Gun Gun Gun.) The other reason, of course, is the show’s main character, Vash the Stampede, the Humanoid Typhoon, The Sixty Billion Double-Dollar Man, a gunslinger who can level entire towns… without actually killing anyone there. It’s actually nice to have an action character out there who believes in pacifism, even if it comes easy to them on account of being one of the most powerful people on the planet.

  Hey, apropos of nothing, let’s check out a random scene from Episode 13 when Meryl and Milly see Vash getting out of the shower because why not?

    Oh… dear.  That is… that is just unfortunate. I mean, he sorta looks like a Ken doll that was operated on by Sid from Toy Story while he was going through a Cronenberg phase. Even Frankenstein’s monster is recoiling at the sight of Vash’s body, from the gigantic scars to the missing arm and metal literally bolted to his flesh. But the thing is, every wound tells the story about the high price of pacifism.

  Every scar is a reminder of the time when Vash could easily have killed but ended up saving the day with his wits and acting like an idiot. Every mark is a reminder that choosing life will often carry with it a great cost. A cost that Vash paid gladly because, to him, pacifism isn’t just something he believes in when things are easy. Even in the darkest of times, he is going to be himself and stick to his principles. But he doesn’t want to bum everyone out so he ultimately diffuses the situation in a way only he can:

    THAT is Trigun.

1. Tsuyu Befriending Habuko (My Hero Academia)

  I’ve gone on record saying that I think the world of My Hero Academia is horrifying, but I mainly think so because their world is so young. Their society has accepted people with superpowers (sorry, Quirks) only very recently and although over 80% of the global population has a Quirk, it doesn’t mean they eliminated all prejudice. Just look at My Hero Academia - Training of the Dead, the second OVA that introduced the character of schoolgirl Habuko Mongoose, who has a snake head. And people are afraid of her.

    Yeah, she was a bit awkward and she could paralyze you by looking at you, but her awkwardness came from her loneliness caused by social isolation. She was so lonely that she actually started stalking one student, Tsuyu Asui, to be closer to another human. Then one day, while being followed by Habuko, Tsuyu simply turned to Voldermorticia and asked: “Do you want to be friends?”

    That’s all it took to completely change the life of this lonely girl while quickly summarizing what My Hero Academia stands for. Their world is at peace thanks to All Might, whose catchphrase is “Plus Ultra”–“Go Beyond.” This doesn’t just apply to going beyond your physical abilities and punching the villains just a little harder. It’s a philosophy that implores us to do more, to be our best selves especially in our everyday lives. That is precisely what Tsuyu did.

    She did more. She saw past Habuko’s appearance and gave her a chance. If the world of MHA is to survive, it will be thanks to people like Tsuyu, always going that extra step not just as a superhero but also as a civilian. She is the true embodiment of All Might’s words and, as such, the true heart of My Hero Academia. Let’s hear it for the show’s best girl.

  Are there any other scenes that you think sum up your favorite anime? Let us know about them in the comments!

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Cezary writes words on the internet. Follow him on Twitter or check out his two comedy websites.

By: news+feed@crunchyroll.com