#humberto gatica

[publicacionesdeunachica]

El hombre que yo amo sabe que lo amo.

Me toma en sus brazos y lo olvido todo.

Él es mi motivo, es mi propio sol.

Él me da alegrías que nadie me dio.

[nervoussystemmusicreverence]

David Foster - This Must Be Love

Music

Artist

David Foster

Composer

David Foster Lamont Dozier

Lyricist

David Foster Lamont Dozier

Produced

Humberto Gatica

Credit

Bill Meyers - Arranged, Synthesizer Nathan East - Bass John Robinson - Drums Paul Jackson Jr. - Guitar David Foster - Keyboards Jeff Pescetto - Lead Vocals Warren Wiebe - Lead Vocals Greg Phillinganes - Piano David Reitzas - Synthesizer Program Jeff Rona - Synthesizer Program Dean Parks - Sitar

Released

December 5 1990

Streaming

[doctorzosfavoritemusic]

"I Hate You Then I Love You" by Luciano Pavarotti & Celine Dion

I'd like to run away from you But if I were to leave you I would die I'd like to break the chains you put around me And yet I'll never try

No matter what you do you drive me crazy I'd rather be alone But then I know my life would be so empty As soon as you have gone Impossible to live with you But I could never live without you For whatever you do For whatever you do

I never, never, never Want to be in love with anyone but you

You make me sad You make me strong You make me mad You make me long for you You make me long for you

You make me live You make me die You make me laugh You make me cry for you You make me cry for you

I hate you Then I love you Then I love you Then I hate you Then I love you, I love you more For whatever you do I never, never, never Want to be in love with anyone but you

You treat me wrong You treat me right You let me be You make me fight with you I could never live without you

You make me high You bring me down You set me free You hold me bound to you

I hate you Then I love you Then I love you Then I hate you Then I love you more For whatever you do Whatever you do

I never, never, never Want to be in love with anyone but you I never, never, never I never, never, never I never, never, never Want to be in love with anyone but you But you

"I Hate You Then I Love You" is a song sung as a duet between Celine Dion and Luciano Pavarotti. It was first released as a track on Celine Dion's 1997 album Let's Talk About Love.

The song was written by Alberto Testa, Tony Renis and Norman Newell. Luciano Pavarotti unexpectedly teamed up with Celine Dion to sing one of her biggest hits. Pavarotti was one of the most successful opera singers in history and enjoyed a career of more than 50 years.

Producers David Foster, Humberto Gatica & Tony Renis

[mychameleondays]

Michael Jackson: Thriller

Epic EPC 85930

Released: November 30, 1982

[laopiniononline]

60 años del Festival de Viña del Mar: Lucho Gatica eterno

60 años del Festival de Viña del Mar: Lucho Gatica eterno

Hoy se dio inicio a la versión número 60 del Festival Internacional de la Canción de Viña del Mar.

En esta versión, que está a cargo de Canal 13, TVN, FOX e IACC, los animadores, María Luisa Godoy y Martín Cárcamo, salieron al escenario a celebrar los 60 años de Viña con un potente mensaje de respeto femenino y unificación latinoamericana, donde Martín Cárcamo finalizó exclamando”Libertad para…

[ilvoloflightcrew]

WHEN TALENT HAS NO BOUNDARIES by SUSAN

WHEN TALENT HAS NO BOUNDARIES by SUSAN

Let me say, Gianluca was the one who inspired me to write this article. Gianluca said, “I thought there were three hundred thousand boys singing like me, and instead that night I discovered that there are only two: Ignazio and Piero.” Of course, Gianluca was referring to the night they sang together for the first time on Ti Lascio Una Canzone.What Gianluca realized in that moment was the…

[ohmoguer]

* PAPITO QUERIDO * 💥👊 Cada vez más cerca de tu CIUDAD… La obra ‘Papito Querido’, el clásico del teatro mexicano * ¡Está de Regreso! * Es una entrañable y divertida comedia para toda la familia, y ahora, se presenta con una nueva versión estelarizada y dirigida por el primer actor, * Humberto Zurita. * ‘Papito Querido’ es una comedia reflexiva, sorpresiva y amena, donde habla del gran amor que un padre puede sentir por su hija, y precisamente los espectadores, serán testigos de la gran caracterización de Humberto Zurita, donde lo verás como nunca antes lo pensaste. * ¡Dos horas de risa garantizadas! * Acompañan a Humberto en esta aventura teatral; Aylín Mujica, Víctor González e Ivonne Zurita. * IMPORTANTE: * Por cuestiones personales y de salud, el actor Otto Sirgo, no podrá realizar la gira, siendo su personaje ocupado por * Luis Gatica. * La primera etapa de este exitoso proyecto arranca el próximo 14 de octubre: GIRA: * 14 octubre * / Durango * 15 octubre / * Torreón (Se realizará un Homenaje a Rogelio Luevano, descubridor de Humberto Zurita). * 16 octubre * / Monclova Coahuila * 18 octubre / * Monterrey Nuevo León. * 20 octubre / * Puebla * 25 octubre / * Aguascalientes * 26 octubre * / Guadalajara * 27 octubre / * Zacatecas * 29 octubre / * Ciudad Acuña, Coahuila * 30 octubre / * Piedras Negras Coahuila Próximamente ‘Papito Querido’…. ¡NO TE LA PUEDES PERDER! * Una comedia de Rodolfo Rodríguez. * Versión y dirección: Humberto Zurita. * Producción: Gabriel Varela. @varelateatro @zuritahm @aylinmujic @victorgonzalezactor @_luisgatica https://www.instagram.com/p/Ci81N_BMIXq/?igshid=NGJjMDIxMWI=

[entrepalabrasmx]

Inicia nueva temporada de 'Conejo Blanco, Conejo Rojo'

Conejo Blanco Conejo Rojo  extiende temporada en La Teatrería

Debido al éxito de esta puesta en escena diferente, en donde reta a sus participantes, Conejo Blanco, Conejo Rojo, extiende temporada. 

Sin ensayo, sin director, un intérprete diferente cada noche y un libreto esperando en un sobre sellado en el escenario, Conejo Blanco Conejo Rojo, de Nassim Soleimanpour, es un audaz experimento teatral y un potente recordatorio del poder transgresor y transformador del teatro. La única regla después de ser testigo es no revelar nada de la obra.

Esta experiencia teatral alarga su temporada 2022, de mayo a septiembre en La Teatrería y agrega 18 intérpretes, cada uno en una única función.

Al dramaturgo Nassim Soleimanpour se le negó un pasaporte en Irán, su país natal. Incapaz de viajar, decidió escribir una obra que podría viajar por el mundo en su lugar: Conejo Blanco, Conejo Rojo. Desde su estreno conjunto en 2011 en Edimburgo y el festival Summerworks, Conejo Blanco Conejo Rojo ha sido traducida a 20 idiomas diferentes.

La extensión de la temporada 2022 será a partir del 11 de mayo en la sala A de La Teatrería y las funciones serán todos lo miércoles a las 8:30pm.

Verónica Bravo - 8 de junio

Raquel Garza - 15 de junio

Rebecca Jones - 22 de junio

Carlos Aragón - 29 de junio

Lucía Uribe - 6 de julio

Tiare Scanda - 13 de julio

Mario Iván Martínez - 20 de julio

Gabriela Warkentin - 27 de julio

Tito Vasconcelos - 3 de agosto

Miguel Conde - 10 de agosto

Ana Sofía Gatica - 17 de agosto

Humberto Busto - 24 de agosto

Damayanti Quintanar - 31 de agosto

Raúl G. Meneses - 7 de septiembre

Conejo Blanco, Conejo Rojo

de Nassim Soleimanpour

De mayo a septiembre de 2022

La Teatrería (Tabasco 152, Roma Nte)

Boletos $450, disponibles en taquilla y Ticketmaster

IG: @lateatreria TW: @LaTeatrería FB: La Teatrería Teatro & Estudio

[acab5023]

🇦🇺 Peter Allen ‎– Bi-Coastal - 1980 Uno de los trabajos más icónicos y sofisticados del sonido WestCoast. https://youtu.be/BED505MZqxQ Pieza clave del más puro Pop Californiano, producido magistralmente por David Foster y su socio Humberto Gatica. www.westcoastmusic.it/West%20Coast/Peter%20Allen/peter_allen_bi.htm Los mejores músicos de la historia, inclusive mi admirado Jeff Porcaro.. Un disco absolutamente esencial. Súper Classic!! https://www.instagram.com/p/CJyX8vFscJl/?igshid=uwiefchw0qge

[thewindian]

A Review of Celine Dion’s Let’s Talk About Love by Nicholas Forbes

The first album on my list is from world renowned vocalist, Celine Dion. She’s world renowned for a reason, having the ability to hold a note for more than an hour and possessing a voice that could sink a ship Celine Dion still is very much a beloved singer and has reached a height in her career only a few musicians attained. Selling over 280 million albums worldwide, having the second best selling single by a female artist, six best selling albums back to back (three of them diamond status), and having a residency show becoming one of the bestselling in decades,Celine through the years has proven why she is the superstar that she is. Known as a replacement for Barbra Streisand in the early nineties, she quickly grew out of that mould and created a name for herself. Celine Dion was off to a terrific start in the nineties coming out of her French career strong and ready to take over the American market. She enlisted the help of David Foster and Diane Warren who catapulted her to top of the charts with hits like Because You Loved Me and The Power of Love. By the end of the nineties she was proclaimed “the second best selling female artist” with sales of over 100 million albums in sale and counting.

        In discussing Celine’s success, one cannot deny the influence of this album. The album broke sales records and most importantly it dominated the charts. Let’s Talk About Love, being one of her most successful albums, was released in 1997 after her Grammy award winning album Falling Into You. Much of her success is owed to this masterpiece of an album and such is the classically tinged ballad My Heart Will Go On that became a staple on radio in the late nineties. The album sold over 31 million copies worldwide and was her second album to reach diamond status in America selling approximately 10 million copies in the US market alone. Throughout the project, she collaborated with Barbra Streisand, the Bee Gees, Luciano Pavarotti, Carole King, George Martin, Diana King, Brownstone, Corey Hart and her previous producers: David Foster, Ric Wake, Walter Afanasieff, Humberto Gatica and Jim Steinman.

         The album showed a progression of her music and the songs were mainly designed to showcase her voice. Containing the standard fifteen tracks, the album varied in musical styles from rock, reggae, R&B, disco to classical music, the album above all was diversified and at times felt non-cohesive but in the end it maintained its charisma.

Track list

The Reason – Carole King

The album starts out with this offering from Carole King (produced by George Martin.) The song begins with a sultry orchestra and 10 seconds in, she delivers the opening line “I figured it out/I was high and low and everything in between/ I was wicked and wild but you know what I mean/till there was you/yes you”.  The song is poignant and is very much a confessional love song where the protagonist declares that her lover is the reason for her sanity. The song is soft rock oriented and builds up as it goes along into bombastic climax showcasing her vocals and range. It makes prominent use of the electric guitar and keeps Celine Dion on her toes as the demanding orchestra never seem to be too much for her. Her voice takes precedence here and right off the bat she reminds her audience why she is compared to the likes of Whitney Houston.  

Immortality - Barry Gibb, Robin Gibb & Maurice Gibb

Celine Dion croons through this piece with a sense of maturity that was non-existent in her earlier work. Her vocals are reminiscent of the Bee Gees who nonetheless are responsible for this piece. The song embraces the conception of life, its sordid uncertainties with relations to human emotions and the facets of human desires, lyrically speaking the song heavily expounds on the connection between time and love. Celine really excels through the song though at times her voice seems to be lost in the backing vocals of the Bee Gees. The romantic ballad ends with the line “we don’t say goodbye” suggesting that love is immortal and can outlast the flesh that consumes it.

Treat Her Like A Lady - Diana King, Andy Marvel, Billy Mann & Celine Dion

This song is heavily influenced by Jamaican music. Written by Diana King and taken off her debut album “Tough Love”. Celine raps throughout the song with a sense of understanding and grit. The lyrics are very conscious and comes across as a warning to both sexes when involved in a manipulative relationship. The song experiments with reggae and slight elements of funk, and tackles issues that were discussed with less tenacity in her earlier works. The song, however, feels misplaced on this album and even so in her catalogue of music. Still one cannot deny the versatility of Celine Dion, even though she is mostly known for her ballads this song reminds us that there are chances to be taken.

Why Oh Why - Marti Sharron & Dan Sembello

This might be Celine Dion’s most R&B-esque song in her entire catalogue. In this piece Celine Dion reflects the sultry inflections of Toni Braxton, she mimics the typical R&B style of vocalising and uses this well-known technique of singing quite well. The sultry low crooning and soulful outbursts of frustration at the climax deeply echoes the pain and embodies the devastating lyrics that scornfully chastises a cheating partner. At times the song itself feels misplaced and unnatural in regards to her known repertoire of songs, and comes across as if she is experimenting with sounds and melodies that may seem foreign to her. But like Treat Her Like A Lady, Celine Dion sounds convincing as any R&B crooner out there and brings home the song with a strong vocal performance. The song alludes to the fact that Celine Dion can indeed sing almost anything.

Love Is On The Way - Peter Zizzo, Denise Rich & Tina Shafer

The song exercises Celine Dion’s voice in many ways and it is by far one of the most soulful numbers on the album. The song makes good use of the choir and builds up to heart stopping, anointing climax that conjures an excitement that compels even the most resistant. The song like many on the album is cognizant in its message. The lyrics dwells on life and the possibilities of finding love after the storm has passed. Borrowing heavily from gospel, this piece offers Celine Dion a chance to showcase her multi-flavoured vocals and to once again reaffirm her place as one of the most endearing balladeers music has ever heard.

Tell Him – David Foster, Walter Afanasieff & Linda Thompson

On this track Celine sings with her idol Barbara Streisand and she holds her own against the titan vocalist. The song could have gone in a different direction with the two titans clashing and displaying vocal gymnastics with the deed of trying to outdo the other. The song takes a different approach, a less obvious one. Instead of a vocal rivalry between Celine Dion and Barbra Streisand they rely on each other. The song calls on each vocalist to assist the other, the words display a friendship between the two with the passing on of knowledge from one woman to another about the trails of love and taking chances. The song allows each vocalist to compliment the other as the two voices come well together and blend in flawless harmonies.

Where Is The Love – Corey Hart

The production is very poignant and commands an outstanding performance from Celine Dion that did not require a single power note to highlight the anguish the lyrics presented. Very restrained, calm and mellow, the melody, much like the lyrics, serves like a lullaby expressing the right to equality and universal love. Celine Dion remains relaxed and in control of her vocals in this number. In another effort she creates an emotional piece that at times allows her to be emotional.

When I Need You - Albert Hammond & Carole Bayer Sager

A highlight of the album, Celine Dion delivers an emotional sweeping performance and a climax that reinforces her grade as a true vocalist. Being a cover of a well-known Leo Sayer song, Celine Dion makes this number her own. The song opens with Celine Dion whispering sentiments of love and a desire to need someone unconditionally draws the listener to expect something more which she delivers throughout the end of the song. The song mimics the inflections of soft rock and finds Celine at the whims of her emotions channelling her emotions the best way she knows how, through her voice.

Miles To Go (Before I Sleep) – Corey Hart

Another gem from Corey Hart that adds well to Celine Dion’s catalogue of ballads. This song continues in borrowing the aesthetics from soft rock a genre that Celine Dion seems to be fond of. The song is very conscious in its lyrics and discusses the unlimited boundaries a partner will go for a loved one. The song is a romantic offering and conjures up cliché words such as “every step I take/every breath I take” but nonetheless it is very sentimental and asks one to question the limits taken to secure a loved one.

Us – Billy Pace

A lover wonders why the intimacy with the loved one has disappeared, and Celine Dion’s voice goes through the array of emotions that commands such frustrations. The song comprises a lush orchestra and makes well with Celine Dion’s powerful vocals that ultimately takes centre stage at the end of the song. The song builds to a climax that is sweeping as is touching and resumes to a calmness that offers peace of mind for the protagonist, in other words the release of the frustration that has once bewildered her.

Just A Little Bit Of Love - Maria Christensen, Arnie Roman & Arthur Jacobson

This piece offers the audience a different side to Miss Dion, the song incorporates the sweet effervescence that is normally found on a Donna Summer’s track. This Disco tinged track entices the audience with a barrage of multi-flavoured soulful vocals that could make Aretha Franklin blush with envy. The song capitalises on its disco beat and Dion’s flexible vocals commanding the song’s direction. The song speaks of the immense power and influence of love, concurring that love is the remedy to all of life problems affirming that “Just a little bit of love can turn it around/Just a little bit of love can do it”.

My Heart Will Go On – James Horner & Will Jennings

The song discusses a story of a love that survives through time, distance and solitude; very poignant and by far the best cut from the album. The orchestra, melody, lyrics and the voice of Celine Dion works well together and each element of the song stands out on its own. The flute at the beginning of the song is instantly recognizable around the world. Being the theme song of one of the biggest grossing movies of all time, Celine Dion becomes the voice of the protagonist in the film and channels her despair, her acceptance of the reality of their love and mostly the promise of a reconciliation in the afterlife. The song plays to the strength of Celine Dion and is by far her most classical effort to date.

I Hate You Then I Love You - Tony Renis, Manuel de Falla, Alberto Testa, Fabio Testa & Norman Newell

Celine Dion takes chances with this piece, stepping into a room with world renowned tenor Luciano Pavarotti and holding her own is quite remarkable. She is never lost in the production and more importantly Pavarotti doesn’t overpower her, like he normally does with his other contemporaries. The magic that belongs to this number is found in the balance between these two vocalists. Celine Dion’s melodiousness and syrupy vocals nonetheless compliments Luciano Pavarotti’s commanding voice effortlessly and brings to life the story of the torn lovers the two singers seem to embody.

Be The Man – David Foster & Junior Miles

Produced by David Foster and delivered with fiery vocals one could only expect from Celine Dion. The song plays to Celine Dion’s strength meticulously being a ballad that voices the same issues balladeers sing of; the plea of a woman to the man she loves, requesting him to be the man strong enough to love and support her. The song may not be the strongest cut from the album but it provides Celine with a familiarity to something that she is mostly known for, and that is saccharine confessional romantic ballads.

Amar Haciendo El Amor – Billy Mann, Denise Rich & Manny Benito

Celine Dion sings in Spanish as beautiful as she sings in English and French. She sings with a frim awareness of the language and shows control in her pronunciation. She navigates throughout the song with grace and slight precision and it aids her well in the end. The song describes the deep feelings awakening from one lover to another, and that those feelings erupt from a place of deep sincerity and reveal themselves slowly. The song overall showcases Celine’s versatility much like previous numbers on the album and is performed in a fashion that embodies a singer well versed in the genre of Latin Music.

To Love You More - David Foster & Junior Miles

Lesser known talents would have surrendered to the production of this piece. The song written by David Foster gives Celine Dion a chance to grow and literally test her strength as a vocalist. The violin played by world renown Japanese violinist Taro Hakase highlights the beauty of the song and adds a hint of complexity to the production on this piece. The song could easily be one of her more memorable moments in her entire career, vocally speaking.

Let’s Talk About Love – Bryan Adams, Jean-Jacques Goldman & Elliot Kennedy

Celine Dion closes the album with this piece and rightfully so. The song sends a message of universal love with the medium that transcends across all borders, barriers and colour and that is music. She employs a children’s choir at the most poignant moment in the song as a ploy to exemplify the message and wisely she enforces a choir at the end of the song to fully vocalise the need for such a necessity as love, acceptance, equality and peace. The song compliments Celine Dion’s voice and shows her crooning through the production with a sense of being a polished vocalist and a seasoned performer. The song deals with a very hearty issue and Celine Dion delivered it the best way she knew how.

[adondeirhoy]

Beto Cuevas presenta nuevo tema inedito “Requiem de Amor”⁠ ⁠ ⁠SALVA este POST para que puedas volver a leer esta info⁠ ⁠ Dale follow a @pontikmedia en todas las redes sociales⁠ ⁠ Noticias de #Entretenimiento, #Música, Conciertos, #Tendencias, Estilo de Vida y #Moda - Pontik®⁠ ⁠ Requiem de amor es el título de una de las canciones inéditas que conforman COLATERAL, el nuevo álbum de BETO CUEVAS, en el que también incluye grandes éxitos re-versionados junto a grandes artistas invitados. ⁠ ⁠ Requiem de amor es una balada retro producida por Humberto Gatica y escrita por Beto Cuevas y Jaime Ciero, es uno de los 6 temas inéditos incluidos en su nuevo álbum.⁠ ⁠ “Desde hace mucho tiempo que tenía ganas de hacer una canción que tuviera una sonoridad años 50’s. Recuerdo que en los 80’s Robert Plant hizo un proyecto llamado “ The Honey Drippers “ donde te versionaba un clásico de los 50’s “ SEA OF LOVE “ y desde entonces que quedó instalada la idea de homenajear una era musical con la cual crecí. Senti que hacerlo en mi etapa solista era perfecto para seguir explorando la estilística del sonido que vive en mi subconsciente. REQUIEM DE AMOR es una canción de amor y desamor no basada en una experiencia personal pero si basada en la ambivalencia que a veces acontece en las relaciones de humanas” refiere el artista.⁠ ⁠ El video se grabó en la Ciudad de México y presenta una estética retro que evoca a los grandes ídolos del Rock N Roll y en donde Beto adopta un look nunca antes visto en toda su carrera.⁠ ⁠ #Instagood #musician #music #musica #musico #musicos #newrelease #newvideo #musicanueva #newmusic #enews #justout #outnow #estilodevida @spotify @spotifymx @spotifybrasil @spotifylatam @spotifyspain #entertainmentnews #musicnews #instanews #pontik #newmusicalert #newmusicfriday #musicaddict #musicaboa ⁠ ⁠ #musicalatina #betocuevas #requiemdeamor ⁠ ⁠ ESCUCHA nuestra #playlist en @spotify en http://bit.ly/PontikNew ⁠ ⁠ Todas las semanas musica nueva!⁠ @warnermusic @warnermusiclat @warnermusiccentroamerica @warnermusicmex @warnermusicspain @warnermusiccol @warnermusicarg @warnermusicbr⁠ ⁠ (at Mexico City, Mexico) https://www.instagram.com/p/B-ICuu1AjV9/?igshid=2e1e09048daz

[otzi]

42. chibi

42. "The Power" by Cher & Humberto Gatica

[eprecious]

#Repost from @timidakolo with @regram.app ... Ladies and Gentlemen :Track list of the Album”Merry Christmas Darling” with Emeli sande,Eric Benét,Kenny G,Laura Bretan,Eben voices of Gabon choir .Produced by Humberto Gatica and @officielfredericgassita Powered by @virginemi @universalmusicgroup #mralibongoondimba #hafemusic Out NOV 22. https://www.instagram.com/p/B5DuVh7AD8B/?igshid=1dymtfpklqyh5

[telegid]

Новое шоу Ассии Ахат покоряет США

Новое шоу Ассии Ахат покоряет США

С 1 июня на общественном телевидении США PBS (Public Broadcast Service) состоятся более 50 премьерных показов нового шоу украинской скрипачки Ассии Ахат ‘A Music Extravaganza’. Шоу состоит из более 20 любимых во всем мире композиций разных времен в новых современных аранжировках.

Для заслуженной артистки Украины Ассии Ахат стало огромной честью представить новое шоу 4 декабря 2018 года в…

[prismatica-the-strange]

Oh! I love these! I wasn't tagged but...

1- Anchor by Skillet

2- Helium by Alex Goot

3- Sailboats by Sky Sailing

4- Criminal by Brittany Spears

5- Because I love her [End Credits] by David Waters (Swan Princess 3 The Mystery of the Enchanted Kingdom)

6- All Star (Breath Carolina Remix) by Smash Mouth

7- Walking Her Home by Mark Schultz

8- Get Up by Mayday Parade

9- I'm Alive Humberto Gatica Mix by Celine Dion

10- Let Your Hair Down by Capital Lights

Anyone who wants to jump on this go ahead!

@justarandomhumanhere

tagged by: @casbelieves <3

rules: You can usually tell a lot about a person by the type of music they listen to. Put your favourite playlist on shuffle and list the first 10 songs, then tag 10 people. No skipping!

talkin to me - amerie

with you - wonho

you think - girl’s generation

under the sea - samuel e. wright

gee - girl’s generation

come on get higher - matt nathanson

u should know my name - vava

love my life - jay park ft pH-1

let me blow ya mind - eve

white t-shirt - jonghyun

tagging: @galaxycastiel @alienhazy @profoundsbond @castiels-a-lamp @castielsbeeslippers @barrnes @driiving @magneticghouls @delusionalcas @supergaycas+ anyone would like <3333

lol i did it wrong i clicked all the songs :c playlist version below:

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