#howard hargrave

[commiepinkofag]

Queer Privacy: Essays from the Margins of Society Compiled by Sarah Jamie Lewis

What Is Queer Privacy? by Sarah Jamie Lewis

Privacy, Perversion, and Power by Ada Collins

What’s In A Name? by Kath Rella

Exploring Polyamory in Private by Audrey Howard

Skylar by Avi Zajac

Privacy On The Margins by Morgan Potts

The Myth Of The Anonymous Troll by Violet Hargrave

Digital Security for Trans* Communities by Norman Shamas & Anonymous Trans* Activists

Where Do We Go From Here? by Sarah Jamie Lewis

[ulkaralakbarova]

From Wichita to Dodge City, to the O.K. Corral in Tombstone, Wyatt Earp is taught that nothing matters more than family and the law. Joined by his brothers and Doc Holliday, Earp wages war on the dreaded Clanton and McLaury gangs.  Credits: TheMovieDb. Film Cast: Wyatt Earp: Kevin Costner Doc Holliday: Dennis Quaid Nicholas Earp: Gene Hackman James Earp: David Andrews Morgan Earp: Linden Ashby Ike Clanton: Jeff Fahey Josie Marcus: Joanna Going Sheriff Johnny Behan: Mark Harmon Virgil Earp: Michael Madsen Allie Earp: Catherine O’Hara Ed Masterson: Bill Pullman Big Nose Kate: Isabella Rossellini Bat Masterson: Tom Sizemore Bessie Earp: JoBeth Williams Mattie Blaylock: Mare Winningham Mr. Sutherland: James Gammon Frank McLaury: Rex Linn John Clum: Randle Mell Tom McLaury: Adam Baldwin Urilla Sutherland: Annabeth Gish Curly Bill Brocius: Lewis Smith Young Wyatt: Ian Bohen Virginia Earp: Betty Buckley Lou Earp: Alison Elliott Sherm McMasters: Todd Allen Francis O’Rourke: Mackenzie Astin Warren Earp: Jim Caviezel Mrs. Sutherland: Karen Grassle Frank Stillwell: John Dennis Johnston Sally: Téa Leoni Ed Ross: Martin Kove Bob Hatch: Jack Kehler Pete Spence: Kirk Fox Johnny Ringo: Norman Howell Marshal Fred White: Boots Southerland Indian Charlie: James ‘Scotty’ Augare Billy Clanton: Gabriel Folse Billy Claiborne: Kris Kamm Judge Spicer: John Lawlor John Shanssey: Michael McGrady Dr. Seger: Ben Zeller Stable Hand: Rockne Tarkington Mayor Wilson: David Doty Gyp Clements: Matt O’Toole Saddle Tramp: Brett Cullen Danny: Owen Roizman Gambler: Lawrence Kasdan McGee: Matt Beck Film Crew: Costume Design: Colleen Atwood Original Music Composer: James Newton Howard Producer: Kevin Costner Set Decoration: Cheryl Carasik Production Design: Ida Random Producer: Lawrence Kasdan Executive Producer: Charles Okun Director of Photography: Owen Roizman Producer: Jim Wilson Casting: Jennifer Shull Editor: Carol Littleton Art Direction: Gary Wissner Set Designer: Charlie Daboub Key Costumer: Barry Francis Delaney Set Designer: Barry Chusid Music Editor: Jim Weidman Supervising Sound Editor: Stu Bernstein Camera Operator: Ian Fox Executive Producer: Michael Grillo Hair Supervisor: Marlene D. Williams Assistant Art Director: Gershon Ginsburg Executive Producer: Dan Gordon Camera Operator: Bill Roe Foley: John Murray Script Supervisor: Anne Rapp Second Unit Director of Photography: Richard Bowen Set Designer: Tom Reta Dialogue Editor: Lewis Goldstein Executive Producer: Jon Slan Makeup Artist: Francisco X. Pérez Stunts: Gary McLarty Visual Effects Producer: Robert Stadd Chief Lighting Technician: Ian Kincaid Still Photographer: Ben Glass Dialogue Editor: James Matheny Costume Supervisor: Cha Blevins Foley: Dan O’Connell Property Master: William A. Petrotta Supervising Sound Editor: Robert Grieve Sound Re-Recording Mixer: Rick Kline Sound Re-Recording Mixer: Kevin O’Connell Construction Coordinator: Greg John Callas Boom Operator: Joel Shryack ADR Supervisor: Jessica Gallavan Hairstylist: Elle Elliott Dialogue Editor: Alison Fisher Key Makeup Artist: Gerald Quist Makeup Supervisor: Michael Mills ADR Editor: Joe Dorn Supervising Dialogue Editor: Bobby Mackston Key Costumer: Ruby K. Manis Key Grip: Tim Ryan Location Manager: Paul Hargrave Key Hair Stylist: Dorothy D. Fox Steadicam Operator: Rusty Geller ADR Editor: Stephen Janisz Rigging Gaffer: Kim Kono Dolly Grip: David L. Merrill Costume Supervisor: Le Dawson Key Costumer: James M. George Casting Associate: Phil Poulos Casting Associate: Elizabeth Shull Movie Reviews: GenerationofSwine: Tombstone was a different beast, and that sort of overshadows this, given that one tries to be more accurate and the other goes for entertainment. Take Wyatt Earp as a biopic and it is a superb and fair film. Compare it to Tombstone which was more of a Western and it’s lacking the flair. However, it ends abruptly, and it is miscast. Cosner (and i am a fan) doesn’t really make a good Earp. Dennis Quaid who I am also a fan of, doesn’t make a good Doc. This was 1994, in the 80s I might have a dif...

[takadasaiko]

G, K and M for the fanfic asks?

G: Do you write your story from start to finish, or do you write the scenes out of order?

I usually write from start to finish. Every once in a while I’ll toy with scattered scenes as short stories (like with the Hargrave AU Drabbles), but somehow they almost always come to a cohesive story.

My original story (The Phoenix Initiative) is a bit more scattered, but there’s a reason that would be a spoiler in there 😉

K: What’s the angstiest idea you’ve ever come up with?

Oh wow. That’s a long, long list. Tom Keen’s addition backstory in my Blacklist fics is pretty angsty. I also have an idea for Anakin Skywalker going through the World Between Worlds, desperate to find an alternative action to fix his past mistakes and change the past. That one’s pretty painful, but I do like to have what I prefer to call an earned ending at the end of the line. It doesn’t always have to be happy, but it often is close.

Here’s a question to any readers of my fanfics: what do YOU think is the angstiest story I’ve written? 😈

M: Got any premises on the back burner that you’d care to share?

Too many. I haven’t had time to write very much lately, but in addition to finishing A Flicker of Light, I have the Anakin in the WBW story I mentioned started. I also have a Howard Stark story that’s been battering around my head for years where an old Hydra operative tracks down his background and goes after his family, giving Peggy Carter a first row seat to learning a whole lot more about Howard than he ever wanted anyone to. Plus it would be a story that introduces his and Maria’s relationship 😊

I also have my pilot series the Phoenix Initiative that I’m looking at reformatting into prose. I really should be working on that one 😅

Thank you for the asks! I love these games!

Fic Ask Game

[forevermytom]

Blacklist Redemption 1.01 Leland Bray

[keenmindspodcast]

Welcome to another addition of our hiatus series: Down the Rabbit Hole! This time Tessa and Jen jump into a discussion on Scottie and Howard Hargrave, who they are and how they got to where they were in Redemption, and how we believe that they connect with the overarching mythology of the show.

[ventingblacklist]

[askscottiehargrave]

Au: have you and Tom talked about Howard?

There isn’t a need to speak of past mistakes, and ever since Tom has ben here, he’s been recovering there’s been no need to speak of Howard. What Tom needed was support and happiness and a reminder of good times. Howard doesn’t classify under any of that.  

Forgive and forget? No no, resent and remember. 

[blacklister214]

Did Tom Already Wash His Hands of Howard and Halcyon?

It occurred to me that it is strange that Howard hasn’t been mentioned even in passing by Liz or Tom. Even when they were talking about getting married again, nobody even mentions the possibility of inviting Howard. We haven’t seen so much as a phone call Tom has dodged or accepted, which is odd given that Howard’s and Tom’s last on screen exchange was warm.

I think there must have been some Tom/Liz conversation that we missed where Tom told Liz about the troubling occurrences following the incarceration of Tom’s mother. I do wonder if Tom has already worked out Howard was dirty and issued an ultimatum to stay away from him and Kat (whom I hope survived) or else the evidence gets leaked. 

Tom’s injury and/or Red’s and Tom’s joint investigation might give us some insight on the status of that storyline. Red might ask why Tom didn’t originally ask for his father’s help, or ask him to ask for his father’s help and Tom may shoot back with “Because my father is even more untrustworthy than you, if that’s possible.” Or Liz could ask Tom if he wanted her to call his father after he is hurt and Tom declines.    

I’m not saying that Tom’s family secrets need to be resolved immediately, but as talented as the writers are, I’m sure they could squeeze in some information about where things stand with the Hargraves.   

[blacklist-redemption]

Drawing of Terry O'Quinn. By artist Rufus Gefangenen

[krism23]

The Blacklist: Redemption 1.05 : Borealis 301

[takadasaiko]

Fan fic word thing attempt TWO: plan, pet, shoe/s, game

Plan

Logan padded his way out into the hallway at that comment, pulling a t-shirt that read Naval Aviator over his head as he spoke. “If you’re banking on Veronica not asking questions for whatever you’re planning, it’s like you don’t know her at all.” He couldn’t help the smirk that tugged into place at both of their expressions.

- Birthday Bash (a Veronica Mars one shot)

There hadn’t even been a discussion, though. Tom had called her, they had met, and he’d laid out a plan to rent a car under a false name to drive up to Massachusetts in hopes that they wouldn’t tip Reddington, Katarina, or anyone else that might be watching off and spook Koslov.

- Love Me Twice, Chapter Twenty-Four

Shoe(s)

“You grab shoes and I’ll take Pony out, okay?”

- Untitled Veronica Mars One shot

Game

Howard nodded. “And the attempt to throw me out of my own company so that she could finally take hold of it for them. Scottie always has known how to play a long game.”

- Love Me Twice, Chapter Twenty-Five

Fanfiction Work-In-Progress Guessing Game

[lerelene]

The Blacklist: Redemption

1. I ~love~ how there are ony two kinds of good Russians on western tv - the defectors and the dead ones.

2. Really stupid code phrase there. Literally ANYONE would know that “The wolves are sated” is followed by “and the sheep are intact”, it’s a PROVERB!

3. Is that rash from the water? Either that or it’s a very clumsy product placement. ...Aaaand it’s from the water.

4. “I like my chin - it was my mother’s” XD

5. Solomon is amusing

6. The final moments? Insane. I propose we have a DNA test next episode.

[keenmindspodcast]

Summer Hiatus is almost over for Blacklist fans, and while Redemption isn't going to have a second season, Bokenkamp seems confident that it will be addressed in the main show. We wanted to share our thoughts on this amazing 8 episode spinoff and all of the interesting complications it brought to the Blacklist world.

[ventingblacklist]

We're two guys standing around in a comic-book store, and they're 1,000 agents with access to the surveillance state and a satellite network.

  ...Are you done pouting?

[askscottiehargrave]

Do you still love Howard after everything he did?

At our marriage we swore that only death would do us part. My love for Howard died when he did. The man who rose from the grave is not the man I loved, he’s not my husband, nor is he the father of my son.

[blacklister214]

Scottie loves Howard (3x21)

I must really love the Hargraves dysfunctional spy romance. Don’t get me wrong I want to slap both of them for the way they’ve treated Tom, but I do think their relationship is interesting to watch. I think it would be pretty funny if every union leading to Agnes, Red and Katrina, Howard and Scottie, and Liz and Tom all followed the pattern of spy falling target. 

I really do think that Scottie loves Howard and is innocent of trying to have him killed. Yes she had him tortured, but she did the same thing to Tom and we all know she loves her son. Ultimately she couldn’t pull the trigger on Tom, just as I don’t think she would pull the trigger on Howard.

In the main show there was a scene that stands out to me as clear evidence that Scottie loves her husband. I am referring to the scene where Red captures Scottie in 3x21. At first Scottie tries to use her connection to Howard to save herself, but Red informs her that history won’t help her.

Red goes on to inform Scottie of his disappointment in the company’s direction and says there was a time when Howard would never have taken the contract with Kirk. Scottie’s reaction is very interesting here, she quickly denies that Howard had anything to do with the attack on the church. She offers that her marriage to Howard has been dead for years and she’s running things now.   

One must ask why Scottie would do that. Scottie isn’t a ‘buck stops here’ kind of woman. She’s more than happy to push the blame on to Kirk during the next episode. Why bother clearing Howard? Was she hoping Red would be more inclined to spare her, if he knew his friend was innocent of wrongdoing? No, because then why would she reveal that she and Howard are estranged. The “we haven’t shared a bed in four years” implies that Howard might not care if Red kills her. Obviously Scottie’s words are not about saving herself.

Scottie knows Red well and how thorough Red is when someone wrongs him. I think with her final moments she is trying to ensure Red’s wrath does not extend to Howard. I am looking forward to those two making appearances in Season 5.