#how to play a neurodeviant character
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Reasons I love Dhawan Master #47: Heâs neurodeviant!
In no particular order, here is an illustrated list of reasons I love Sacha Dhawanâs Master, most of which boil down to the way that Sacha Dhawan so expertly embodies the Master to such a degree that we can look  into this characterâs mind as we never have before.
Find my full series under the HELP I WUVS HIM tag or at the why I love Dhawan Master tag.
Read more about my version of Dhawan Master/Thirteen [plus fam] in The Happy Famverse, a series of comic shorts about the domestic lives of [extended] Team TARDIS.
#47: Heâs neurodeviant! Yes, I am using that particular word, rather than âneurodiverseâ or âneurodivergentâ or âneuroatypical,â for a reason. âDeviantâ has long been a code word for âanything the people in charge donât approve of,â including oneâs intelligence, oneâs social interactions, oneâs sexuality, oneâs abilities, etc., etc., etc. As an extension, itâs also associated with iconoclastic rebellion and often stubborn adherence to something contrary to the mainstream. I think that the Master [generally speaking, but especially this one] would glorify their renegade spirit and other condemned traits by turning the term âdeviantâ into one of pride. So thatâs why heâs neurodeviant.
In this case, âneurodeviantâ means âpossessing and using a neurotype, brain style, thought pattern, and/or means of self-expression thatâs rather uncommon.â Iâm sure itâs pretty obvious to a lot of readers already that he is neurodeviant [just as it was pretty obvious to a certain number of you that he finds choking a turn-on], but I donât care. I start from the basics and prove those so that I can work my way into more complex arguments.
Evidence for the Masterâs neurodeviance is all over the place. Here are several key examples, though this is not a comprehensive list.
He has a conversational consciousness. See #34 [his reaction to Thirteenâs TARDIS] and #11 [his mind at work].
He acts everything out. See #46 for an in-depth example.
He has a variety of behaviors particularly associated with neurodeviant self-expression, stimming, coping, etc., including, but not limited to the following: nonstandard eye contact [see #42], saying âOooohâ [see #38], baring his teeth [see #33], repeating things [see #31 and #28], headbanging when frustrated [see #27], rocking when excited [see #14], brainfingers [see #12], dancing/clapping when excited [see #3], and his vibrating when angry [see #2].
I want to know why the Master is neurodeviant. Why did Sacha Dhawan and the showrunners decide to make this version of the character so obviously neurodeviant?
I have two possible answers, one from the showrunnersâ perspective, one from the actorâs. From the showrunnersâ perspective, the Master has always been mad, insane, nuts, crazy, mentally ill, whatever. The characterâs mental traits have also been inextricably linked with their cruel, immoral actions, suggesting that the Master is a nasty sadistic person because of their mental traits. In the showrunnersâ minds, crazy = evil. Furthermore, neurodeviance, according to them, isnât so far from insanity. Neurodeviance = crazy = evil. In this interpretation, the showrunners may be using the Masterâs neurodeviance as a [crappy, horrible, wrong, ableist, bigoted] attempt at explaining his mean-spirited, coercive, sadistic actions.
From Sacha Dhawanâs perspective, things might look a bit different. He writes openly on Instagram about having Crohnâs disease and chronic anxiety. He doesnât discuss Crohnâs a lot, but he does mention that its symptoms can be disruptive. He goes into a little more detail about chronic, debilitating anxiety, how it distorts his thoughts, and why itâs important to bring this subject out in the open so that people donât feel so ashamed about it. In other words, heâs intimately familiar with health limitations/chronic pain/physical disability, as well as mental pain and suffering/mental illness/unfun ways in which your brain messes with your head. Itâs possible that he plays the Master as neurodeviant because he has some familiarity with uncommon physical and mental conditions and wants to draw on those to represent the Master realistically and sympathetically, at least as far as neurodeviance is concerned.
I see both possible answers at work when the Masterâs on the screen. Sometimes heâs just an insane megalomanaical dipshit with dreams of creating a new race. Sometimes that perspective even affects the actors. In an interview with Sy Fy Fangirls, Sacha Dhawan talks about surprising Jodie Whittaker and gang with the revelation on the plane that O is the Master. He says, âThat was the first time Jodie and the cast and crew had actually seen me as the Master and how I was going to do it and they were like, âWow, okay. This guy's crazy.ââ Hey, itâs the nuts = evil = nuts equation in practice!
At the same time, I also see the more empathetic perspective. Indeed, in the same interview, Sacha Dhawan described the character as âstooped [I think this is supposed to be âsteepedâ] in history and emotion, which is what I wanted to bring to the surface. By doing that, I think the audience, as much as they hate him, will also sympathize with him and feel for him.â [Sidenote: Obviously he was unfamiliar at this point with just how much certain people love the character and will side with any version for various reasons.] And I see that emphasis on history and emotion, as opposed to batshit evil, in Sacha Dhawanâs performance. I see that in the way that he performs the characterâs neurodeviance consistently, meticulously, realistically, and, as far as I can tell, respectfully. Rather than a source of comedy or an explanation for the Masterâs cruelty, Sacha Dhawan tends to portray the Masterâs neurodeviance as a neutral aspect of the character. That is so fuckinâ rare these days that I have to write rapturous essays when it happens.
@natalunasans @spoonietimelordy @queen-of-meows @sclfmastery
#sacha dhawan#dhawan master#why I love Dhawan Master#HELP I WUVS HIM#neurodeviant#neurodeviance#neurodeviant master#neurodivergent master#autistic master#crazy and evil??#evil because crazy??#how to play a neurodeviant character#Step 1 -- Find a really cool adjective like neurodeviant.
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Why I love Dhawan Master #51: Heâs played by Sacha Dhawan!
In no particular order, here is an illustrated list of reasons I love Sacha Dhawanâs Master, most of which boil down to the way that Sacha Dhawan so expertly embodies the Master to such a degree that we can look  into this characterâs mind as we never have before.
Find my full series under the HELP I WUVS HIM tag or at the why I love Dhawan Master tag.
Read more about my version of Dhawan Master/Thirteen [plus fam] in The Happy Famverse, a series of comic shorts about the domestic lives of [extended] Team TARDIS.
#51: Heâs played by Sacha Dhawan!
Before I get to what I love about Sacha Dhawan, though, I have to talk about the thing I cannot stand about Dhawan Master. Itâs also the thing that I cannot stand about Thirteen. Basically, the show [the BBC and writers and directors] refuses to deal with the fact that Sacha Dhawan is the first British Indian actor playing this character. Heâs also playing opposite Jodie Whittaker, whoâs the first White woman to play the character of the Doctor. I donât give a fuck if Time Lords donât do race and gender the way that Earthlings do; weâre dealing with two Earthling actors, a brown man and a white woman, whose casting is groundbreaking because of their race and gender. Their race and their gender are important. However, the show so strenuously avoids dealing with the race and gender of the Doctor and the Master that they end up in situations with unfortunately racial and gender-based implications.
Talking about Nazis, racism, misogyny, and rape below the cut.
@natalunasans @sclfmastery -- my sometime partners in meta...
Example #1: In Spyfall 2, the Master disguises himself as a Nazi officer [for some reason never adequately explained]. Heâs hiding his true appearance under a perception filter. Toward the end, the Doctor messes up his perception filter, causing the Nazis to see that heâs not one of them and to attack him. The show presents this as the Master getting his just desserts; itâs even played for laughs, with the Master asking if they could just talk about this. âYouâve always struck me as such reasonable people...â Hah hah, Nazi oppression of non-white people is funny!
This episode nominally addresses race, insofar as the Master explains to the Doctor why the Nazis arenât clocking him. Thatâs not really a discussion of race at all, though. An actual discussion of race in this bit would note that the white Doctor hides one Indian person, a woman, from the Nazis, but rats out another, a man, to them. It would also note that the Doctorâs outing of the Master to the Nazis exploits the fact that sheâs a pretty blond white woman. Therefore sheâs closer to the âAryan archetypeâ that she says the Master doesnât fit. Being closer to that archetype, sheâs protected from the violence visited on people who donât fit that archetype. In this bit, both the Doctor and the Master are using the Nazis for their own ends. The Doctor in particular seems to be trading on Nazi sexism and racism, using the Masterâs color and gender against him.
Example #2: In The Timeless Children, the Master turns his penetration by the Cyberium into a sexualized encounter. [See #45: âHeâs robosexual!â for details.] The Cyberium imparts to him all the knowledge compiled by the Cyber empire, so he also gains access to a vast amount of information. When he eroticizes penetration by the Cyberium then, heâs also eroticizing the acquisition of knowledge.
With this in mind, letâs take a look at what he does with the Doctor in The Timeless Children. He separates her from her fam under duress. He pins her down with a paralysis field. And then he forces her to learn about her past. This is clearly physical and psychological torture. Itâs also a violation, done without her consent.
Furthermore, given the Masterâs sexualization of stuff like this with the Cyberium, what he does to the Doctor here is also a sexualized violation. Itâs particularly gross in terms of gender because we have a man pinning down a woman and forcing her to submit to something she does not want. If that sounds rapey, thatâs because it is. Itâs equally gross in terms of race because we have a brown man overpowering a white woman. This plays into stereotypes of non-white colonized people [especially men] as less civilized, lustier, and less in control of themselves than white colonizing people, especially white women, who are thought to be demure and innocent. In this example, the Master in particular seems to be trading on colonialist ideas of sex and race, using them against the Doctor.
And this is what I really canât stand about Thirteen and Dhawan Master. The BBCâs inability to thoughtfully address their races, their genders, and how those inflect their interactions -- that failure writes both characters into really gross situations where they use racist/sexist beliefs and stereotypes to hurt each other. While the Master in particular has exploited racism, sexism, and a combination in the past [see Simm Master for copious detail], the show has portrayed this as bad and wrong. In this recent season, though, no one calls the Doctor out on the racist/sexist way she feeds the Master to the Nazis, and no one seems to have registered the particularly racist/sexist resonances of the Masterâs torture of the Doctor in the last episode. Gross, show. Really gross.
I write about these failures for a reason. First of all, the intersections of race, class, and gender are on my mind as I, a white nonbinary person in the US, watch the Covid 19 pandemic and recent police brutality expose the racist, sexist, classist, etc., etc., etc. underpinnings of this society. Second of all, this particular mini essay requires writing about what I donât like before I can explain what I do like.
I donât like Dhawan Master as written and narratively presented. Because the show thinks that it can ignore his race and gender in conjunction with the Doctorâs, he comes off as an exceptionally gross racist/sexist in ways that the show never comments on. By the same token, Thirteen suffers from the same inability of the show to deal with the intersection of her race and gender [especially apparent in her scenes with Ruth Doctor].
All that said, I absolutely love Dhawan Master as played and interpreted by Sacha Dhawan. If youâve been following my series, you know that I praise the actor for his thorough attention to detail and his skill in making the Master a very specific character who thinks in an unusual, multivocal way, exhibits many traits of neurodeviance, and clearly deals with several lifetimesâ worth of rage, pain, and grief. His focus on expressing what the character is thinking and feeling encourages the audience to try to understand the character and to commiserate. And heâs largely successful! Itâs a testament to his talent and skill that he takes this character made so unintentionally GROSS by the show and turns him into someone perceived by many viewers as relatable and sympathetic.
#sacha dhawan#dhawan master#HELP I WUVS HIM#why I love Dhawan Master#doctor who#dw meta#racism#sexism#intersectional oppression#the bbc can't deal#gross and unfortunate implications#for both the doctor and the master#when good actors have bad material#ignoring the race and gender of your groundbreaking actors playing protagonist and antagonist is NOT a successful narrative strategy#nazis#colonialism
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