Tumgik
#hotd anatomisation
Text
Listen, I thought I would survive this season lurking on the sidelines, but I can’t. Jace broke my heart tonight after surpassing any and every character GRRM ever created in my brain and heart since reading Fire and Blood, and I need to talk about 2x07.
Strong words, yes, damn ugly, when Jace is calling people ‘mongrels’ (no we ain’t letting it slip, no, but the rest of men are sometimes getting away with whores, mothers-of-bastards, are we good with these now cause its common speech or smth). Imagine that tho, classist Jacaerys going through calling himself things in his head every day of his life while looking at his beautiful visibly not-silver curls getting in his eyes. Just imagine for a second. So distinct.
It’s bubbling in him for years. And his entire family - his mother, his father, his other father, his third father (the epitome of Targaryen legacy if there ever was one), his grandfathers, every person that his young heart wants to trust - refusing to talk to him about it. While every ‘family’ member deemed unsafe - read - Aegon, Aemond, Alicent (even fucking Cole) is out there ready to discuss the obvious with anyone at any given time, including Jace himself. Why does his mother play pretend for 16 years not once speaking to him about it? How often does he ask himself? Alicent has dark hair, why does Aegon look like a true Targaryen? How often does Jace lose sleep over this thought.
I have news for you babes. He got his first perception of what ‘mongrel’ is from the mirror. If you need him to spell it out, you haven’t been paying attention.
I’ve slowly shifted to preferring his show characterization to the one in the book (he is my favourite Targ in asoiaf books and shows verses, and I know I know book!Jace had the whole little pet project with the Dragonseeds and he had two dozen powerpoint presentations and a huge spreadsheet document about it, and a separate spreadsheet he made just to calculate and weigh in benefits and negatives of offering such power to bastards. Yet. YET). He sees what neither Viserys nor Rhaenyra allowed themselves to see, blinded by their entitlement, classism and feeling of supremacy. Jacaerys, mind you, everyone that is calling him a bastardphobe and whatnot, realizes that if anyone—anyone—I repeat—ANYONE—outside direct family is to claim a dragon, in 25 years he himself will be in the exact same situation as his mother. Vermithor or Silverwing alone are no lesser treats than Vhagar, and as his mother like to remind him, Vermax is young. If a man (pay attention) claims any of the two, Jace’s inheritance will be out the window, no matter how many silver-haired babies he has with his cousin-step-sister, Rhaenyra's intentions would die with her last breath.
So what is he to do? Is he to lay abed, eat cake and dangle his feet, waiting for the inevitable to come? No. He is to do exactly what he has been doing since he was 8 (younger even!) – learn High Valyrian, train with the sword, be impeccable in dragonriding, in diplomacy, in manners, while nourishing the relationships with all his younger siblings, preparing them to be his closest allies (half of which we have never seen Rhaenyra display, except the proficiency in the only two skills that are explicitly Targaryen, nigh a feeble attempt at diplomacy once when she tried to betroth Jace to Helaena, and after her ex now stepmom turned her down she fled to the nearby island). Not to mention he was doing fine managing amiable connection with Aegon and to some extent Aemond before the grown-ups and their big fucking heads laid the seeds (ha!) for the feud to continue in their generation.
Read the above paragraph again. He does it all, for years, as well as he can, while also taking care of and shielding his brothers. And so far, instead of acknowledging his accomplishments we’ve only seen Rhaenyra respond with slack filler statements like “No worries Jacey, precious, it’s far in the future, don’t push yourself too hard” (listen, I know we can’t be certain just because it wasn’t on-screen, and she definitely did good raising her kids, but I’m getting the vibe she isn’t one for words of affirmation, she ain’t really good at that iykwim, and it’s his language), and Jacaerys bows his head, says ‘Yes, Mother’ and then proceeds to pressure himself beyond his limits (and Luke as well – as we saw in 1x10 – because he realizes how delusional and naïve the ‘no pressure’ statement is.)
Gods oh gods, and imagine, this is just one layer, but he is also a young man, and a young man’s ego.. Well. I feel like I should also quote bby boi Jon Snow, and his reasoning on why he won’t lay with women (ironic how that turned out).
Now layer all the above with the following. He is born with black hair. Luke too. Joff too. Obviously Jace as the oldest will take care of them and shield them. But then, but then, the moment she gets the opportunity, Rhaenyra marries Daemon. And of course. Names her first silver-haired son Aegon. (her channelling her father here SO much i can't even). Do I need to start a counter of the fucking number of daggers in Jace’s heart by now?
One more Rhaenyra says. One more dagger should be fine, he is her bestest most perfect boy, nothing can hurt him. Nothing can hurt him, so she leaves him to deal with the Small Council on his own repeatedly. Nothing can hurt him so she conspires with a rando and refuses to keep him in the loop. Nothing can hurt him, so she flies out alone and comes back with her shiny new dragonrider and doesn’t even acknowledge Jace, he has to go reach out to her first. (good gods, imagine if Addam had silver hair).
He can take one more, the most perfect boy, Rhaenyra says. (I wrote this one before Emma D’arcy’s new interview where they directly confirm Rhaenyra felt justified to choose herself over Jacaerys).
Let me dive you for a second in Jace’s POV for this one (in the magical method of David Lightbringer): Imagine you are the first born child. You have studied and build yourself to be deserving of being your Mother’s son, but you never quite get proficient enough to change your physical features. Then. Your grandsire dies, your uncle steals everything from your Mother, and your first proposal on any counteraction gets your little brother killed.
You blame yourself, you feel tremendous guilt - how did this happen - you were always the perfect son (you don’t even acknowledge the small victories you win for your Mother, you were always good at these skills you honed pedantically for years, it is not an achievement). You do not let yourself grieve, instead you have to make it up for the loss you caused.
But your Mother continuously keeps you in a cage allegedly for your own wellbeing, which brings its own amount of frustration at the age of 16. But you sneak out and win another small victory – the only price you need to pay is your late father’s rightful inheritance. You get recognition for a second, but then Mother complains that her ails for being caged are greater than your ails for being caged, and you as a good son try to figure a way out for both of you.
So, after keeping you in this cage for safety, which you are not asking for - on the opposite - your idea gets transmuted by some rando into a plan that will take away the last pillar of legitimacy you see in yourself. Imagine now, not only have you been stripped of it, but Mother scolds you for complaining.
And you finally break – no mother, if you do this I am exactly the mongrel I was told I was all my life, I called myself – but it comes out jagged and aggressive and immature, and you become a little entitled primadonna. But either way you ask, beg, plead for one thing, just this one thing – truly for yourself – you must deserve that much, one need for your very being to remain whole and for yourself to be able to keep your feet on the ground and mind whole. That one thing, that one time, you ask her to pick you over herself. And Mother choses herself.
In Jacaerys’ mind this last decision of hers invalidates all her arguments of keeping him safe, because ultimately, he realizes she is keeping him safe to satisfy her own needs, without realizing 1) what damage she is doing to him as a human being, and most importantly 2) she is preserving himself only while she lives – she ultimately does not care what will happen to him once she is no longer alive.
It is very rude way to put it, but it is a very human and very real thing real parents do sometimes, especially when their (eldest) kids are severely parentified. And Rhaenyra, bless her, not putting the blame on her entirely, is in an impossible situation too, but is also immature more often than not. It’s in the genes. And has been lonely and abandoned often, and believes if there is one man that will never abandon her, it’s her bestest boi Jace. And no one told her a firstborn son is not supposed to fill the role of a partner. I am however very saddened to see she did not learn a single lesson from her interactions with Viserys – especially that she seems incapable of realizing she’s shutting out Jacaerys brutally, just as her father did with her. For 20 damn years, she has been subjected to abandonment and being left all alone (by all the men in her life), and she can’t realize she’s doing the same to Jace, while also keeping him on a leash, caged with her, unable to seek refuge anywhere.
Truly heartbreaking.
I think that ought to be enough layers to cover the strong classist word for y’all. Thank you for coming to my TED talk.
(I feel a quick exclaimer is needed. As a viewer I find that development extremely juicy, it fed me well and I am relishing and relating to both, not criticizing. But Jace is also my best boi, so there you go.)
37 notes · View notes
Text
The unsung heroes of HOTD • prologue
So here is the thing.
I was planning to make this a singular post, but at this point I am at I don't even know how many names but surely above at least five dozen, so I shall instead jump into my nerd shoes, and shall make of it a series.
The premise is as follows: The writing room of HOTD this season to a large extent failed a rich and marvelous piece of modern media and especially so, the incredibly gifted teams who worked on its production. It saddens me deeply how we only focus on the bad, while we fail to reflect on the enormous amount of talent and hard work so many people put into it. It happened in 2019. It will be happening again.
So what are we to do about it? Whine, dine, overanalyze, scream, cry, laugh, eat cake, repeat the same three curses until D&D reincarnated show up in our mirror?
Yap Condal this, yap Hess that? Condemn Martin for the next damned ungodly reason? Some folk may chose to slander and throw vitriol at the writing team and while I might indeed in the future yap along mine own hopefully constructive criticism (because some is positively and absofuckinglutely in place), I respectfully disagree with this approach of consuming media; yap about the bad, overlook the intensely good.
I should also state that I am sometimes that person to critique the let-people-enjoy-things movement for their certain lack of media literacy, but tis a lack that is often visible in the hotd critical tag as well.
To that statement, I should add, I refuse to become an apologist for Hess or Condal (the latter - let us all for a moment remember and admit - was one of the last saving graces of the rubbish inferno that was GOT's last couple of seasons and if you disagree - here be your invitation to enter a discourse with me). I might in due time issue a detailed post in a mock Shakespearian lingo mixed with High Valyrian & rap rhymes, but the point of this post is:
I should much more delight in praising the talented people who 1000% broke their backs and their hard labor is very clearly visible, because such is the topic I prefer mine own time be invested in.
We all agree across the board (right?) the actors are phenomenal. More than, even. I would love to touch on that as well but it shall be later on. I am much more interested in discussing the production value, because I'm here for this medium with all senses. Thus, I plan to focus on the production teams in this small nerdy series, sharing thoughts hopes griefs and all, as a way to fill the void in my heart until we get episodes 2x09 and 2x10 (my humorous brief on that: here).
For chapter i, we shall be focusing on the casting department, led by one Kate Rhodes James, for she is pure professional peak, more so than Nina Gold, dare I say, and everything she and her team have done for HOTD is purely and utterly ethereal, otherworldly, three-eyed-ravenesque, phenomenal.
When shall this post be posted will be decided by mine own nerdy brain and whether or not it decides to pen a 6000 words essay on a topic I know next to nothing of (surely, I could delve into research and this might be a source of delay, I suppose you see the potential for issues there).
-
TLDR version: I just want to spell the names of the folks that showed up to work and did fucking brilliant, and marvel at a their masterful craftsmanship.
Disclaimer 1: I cannot stress the following enough: I do not lend my support to anyone who would cast shade and hate or outright criticize the opinions of others simply because they diverge from their own. If thou dost desire to experience the show by critiquing the writers, then by all means - you do you, i do me, and we shall be in courteous and merry accord to agree to disagree.
Disclaimer 2: I know just about nothing of producing cinema and tv. I have one (1) friend who works in the industry. Come at me with professional opinions - very very welcome.
If thou would like to follow this endeavor, thou can keep an eye on the #the unsung heroes of hotd tag, no need to follow my daily fulminations.
I've done and made my peace.
1 note · View note