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soveryanon · 4 years ago

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Reviewing time for MAG177!

- I like that this season, Martin is ready to accept that they not talk about things for a while but is not allowing it to last forever. Same as with Jon earlier, it’s a mix between waiting for others to open up on their terms, when they’re ready, but not letting the situation fester either:

(MAG166) MARTIN: … Ssso, are we going to talk about it…? ARCHIVIST: [INHALE] MARTIN: Or…? [FOOTSTEPS STOP] [BAG JOSTLING] ARCHIVIST: What’s to talk about. MARTIN: What happened back there? What you did to Sa– … ARCHIVIST: Go on. Say it. MARTIN: … What you did to “that thing”.

(MAG177) MARTIN: … Look, this is ridiculous, Basira, can we please just talk? BASIRA: No. MARTIN: Why not? ARCHIVIST: Martin… MARTIN: [EXASPERATED] No, Jon, enough is enough! It has been hours and not a bloody word! We have been slogging our way through literal nightmares to find you, Basira. There’s been, ‘s been plagues, and wars, and monsters, and I– we’ve been worried sick. It has been awful. […] Christ, I just wanted to talk, that’s all…! BASIRA: So talk! [BAG JOSTLING] MARTIN: I mean stop and talk. […] See, this is exactly the kind of thing that comes up when we talk…! […] O~kay, well, since we’re talking, I, I–I was wondering. I don’t know if, if I missed it, or if you both just assumed that I knew since you knew already but, well, I… BASIRA: Spit it out. MARTIN: What was the deal with Trevor? [A TELEPHONE RINGS IN THE BACKGROUND] Why was he… I mean, I’m not really sure what happened, back there.

It’s interesting that what came spontaneously to Martin’s mind were early bits of the journey: “nightmares” is how Jon had described the domains in MAG163, “plagues” refers to the Corruption village from MAG164, “wars” to the Slaughter Trenches from MAG163 (and “monsters” can cover a lot of things… including Not!Sasha in MAG165). Those were Jon&Martin’s first experiences, and I’m not surprised that they might have shaken Martin in a special way – Martin certainly had a personal fear of the Desolation fire from MAG169, and was personally targeted by the Lonely house in MAG170, but they weren’t the first. They didn’t have that novelty, the discovery of how badly things were out there.

- So far, we had seen Martin not having the codes to understand the new world in contrast to Jon, and relying on Jon to explain things to him. Jon knows about Basira’s circumstances, which once again locked Martin out of the loop; it’s good that Jon has indeed been trying to respect Basira’s privacy (he really showed that he took it into account, as answering Martin would have been easier, and he chose to mention Basira’s situation in only broad strokes), but it’s also understandable that Martin would get so easily frustrated when he’s once again the only one missing the keys and others initially refuse to help him understand until his insistence finally pays off. And even when he tried to change that status quo, he shared some information about Jon’s&his journey, as if inviting Basira to do the same! Part of his frustration might have had to do with dashed hopes, too – Jon had already pointed out, multiple times, that Basira had had it bad, and was still taking that into account:

(MAG164) MARTIN: Is Basira alive? ARCHIVIST: [INHALE] MARTIN: Is she… in… o–one of these places? [STATIC RISES] ARCHIVIST: She’s alive. Out there, not… trapped in a–a hellscape, but… moving. [STATIC DECREASES] Hunting. She’s… she’s looking for Daisy. She’s a few steps behind. […] She… thinks she’s going to kill Daisy. Like she promised. [STATIC DECREASES] But she’s conflicted.

(MAG175) ARCHIVIST: Basira and Daisy. We’re close. MARTIN: Wait, what? Wait, really? B– Th–that’s brilliant! What are we waiting for, let’s go! ARCHIVIST: Uh, y–yeah, i–it’s… It’s not… it’s not going to be easy, things aren’t… good.

(MAG176) MARTIN: How… How are we even gonna approach Basira? [TRILL OF A BIRD] ARCHIVIST: It’s tricky. She’s… [INHALE] She’s had a bad time. MARTIN: [HUFF] I mean… Haven’t we all? ARCHIVIST: No. [TRILL OF A BIRD] No, we haven’t. [SILENCE] MARTIN: … Right. ARCHIVIST: If we approach her directly, she’s likely to bolt. [SQUAWKING OF A BIRD] And she can move a lot quicker than we can.

(MAG177) BASIRA: Can’t have been that bad. MARTIN: I– … What? BASIRA: You look fine to me. MARTIN: [INDIGNANT] Excuse me?! BASIRA: Whole and healthy with a shoulder to lean on every step of the way! MARTIN: Basira… ARCHIVIST: [SOFTLY] Martin. Leave it. Trust me, she’s been through a lot more than we have.

… But Martin had been hoping and trying to improve Things for a while. First, it was through the idea of killing avatars (MAG171: “Jon. We are… doing good, right? Making things better?” / MAG174: “You’re removing evil from the world!”); now, the next hope was to find old familiar faces/allies back… and it’s been another cold shower, although with sprinkles of hope.

(And it is true that so far… Martin&Jon haven’t had the worst fate in this apocalypse. Other avatars can’t touch Jon, and he extends that protection to Martin. Unless you count the whole world as The Eye’s domain, they’re not trapped inside of one like other victims. They’re together, able to have fluffy moments and forms of intimacy, while others are subjected to constant torture. Jon isn’t even hungry anymore or feeling withdrawal symptoms, compared to season 4. They didn’t want that form of privilege, but it is true that they’ve been… mostly fine so far. I’m curious about Jon’s understanding of Basira’s situation: what horrors did she experience on her way? Will she describe them a bit more?)

- I love that Basira’s bitterness immediately came out as an unfair, unwarranted attack… about the fact that Jon&Martin were together. Basira, meanwhile, had been alone, tracking Daisy but without Daisy. She is without her partner, and we know how deeply she identified as a team with Daisy:

(MAG117) ARCHIVIST: I think Basira is the same, she’s coming along to back-up Daisy, or so she says. I–I, I don’t quite get those two, I suppose. What they’ve done, seeing what they’ve seen… It’s a hell of a bond. The sort of thing I’ve mostly done alone. […] BASIRA: But at least Daisy’s coming along. I mean… I know she’s… difficult. Everything they say about her, it’s true, it’s fair. But… she’s solid. She’s a fixed point. And if she’s there, I know exactly where I stand, exactly what I’m doing relative to her. She has no doubts. […] Despite everything she’s done, she’s… she’s still the best partner I ever had.

(MAG128) BREEKON: Dunno. ‘t’s not right… on my own… not right… No point in doing it on my own. Don’t know what happens now… Thought I might kill you. Missed my chance. Thought I might just… deliver something. So here’s a coffin. [RATTLING SOUND] In case you want… to join your friend. BASIRA: Get out. ARCHIVIST: Basira… BASIRA: Get. Out. […] (Breekon) “I am without him, now. I. am. I can feel myself fading. Weak. No reason to move. Nothing to deliver. But I am no longer tied to the casket; so you can have it. You can stare at it, knowing how your feral friend suffers, knowing how powerless you are to help. And when you can’t bear it any longer, knowing that you can climb in and join her…”

(MAG131) MELANIE: Basira’s not going to be happy that you let him out. ARCHIVIST: Basira isn’t here. [INHALE] And if this works… I’ll have Daisy waiting for her when she gets back, so I don’t think she’ll be thinking too much about Jared.

(MAG133) ARCHIVIST: You’re not happy she is back. BASIRA: I didn’t say that, Jon. I would never abandon Daisy and, having her back is… [SIGH] But right now, she’s dead weight. And I need to be able to travel light.

(MAG155) ARCHIVIST: Have you… thought any more about what I said? BASIRA: Yeah. I don’t think I can. Daisy wouldn’t come if I didn’t, and… I’m not leaving her behind. Besides, both of us being blind would be… [PAUSE] Anyway, being stuck here isn’t exactly her main problem right now.

Of course she would be especially on edge, to see Jon&Martin together and… functioning.

- Super happy about Martin’s point that:

(MAG177) MARTIN: I–it’s not a competition! Christ, I just wanted to talk, that’s all…!

Because YEP. He’s right! But Basira might be also right that she isn’t in the mindset to hear about how hard it’s been for Jon&Martin. As usual: complicated situations for everyone involved, where their sharp edges end up hurting the others around. (And we’ve seen way worse, as far as recriminations and conflict in the successive Archival teams have gone: since the episode began with the three of them traveling together, we were already in a set-up in which they had tacitly agreed to work together on some level. That’s… rare enough to be noticeable.)

- … To be fair for Jon, he did mention right away that he knew “everything” – but Martin had trouble understanding the scope of that at first, so Basira has to experience the same clarifications:

(MAG176) BASIRA: … What about you? ARCHIVIST: I mean… I can know literally anything, so…! Ask away, I guess. BASIRA: … You understand how unhelpful that is for proving identities. ARCHIVIST: I’m sorry to be an inconvenience!

(MAG177) ARCHIVIST: I told you, I know everything now, more or less. I can see her. With my, uh… BASIRA: … Magic horrorvision? ARCHIVIST: Sure. MARTIN: It’s actually been amazingly useful so far. BASIRA: So you can control it now? ARCHIVIST: … Yes. BASIRA: Hmm.

… From Basira’s point of view, Jon confirming that he had more power, and specifically “control” of it now, might have been gigantic red flags already. In season 4, Jon had told her multiple times that he couldn’t really control them, and that trying to purposefully use them came with huge drawbacks:

(MAG127) ARCHIVIST: No, I suppose you didn’t. BASIRA: Don’t snoop in my head. ARCHIVIST: I’m not… “snooping”, I’m not looking – it-that’s not… how this works. BASIRA: Explain it, then.

(MAG140) ARCHIVIST: [SIGH] Yesterday, I tried something, I… [GLASS PUT DOWN ON THE TABLE] [INHALE] I–I deliberately tried to… Know something, like I did in the Coffin, but… there was a lot. Too much. [SIGH] And I… BASIRA: What did you find out? ARCHIVIST: [SNORT] Nothing. There was too much. BASIRA: You don’t remember any of it? ARCHIVIST: [SIGH] You drink the whole contents of a bar in three seconds, you don’t remember what the merlot tasted like. [SIGH] It just… hurt.

(MAG148) BASIRA: Any luck finding [Annabelle]? ARCHIVIST: I haven’t really been trying. Doing that sort of thing consciously, it… makes me hungry.

So what could it possibly mean, if Jon quickly explains that in this horrific transformed world, he can control his powers and that they don’t cost him much? It hurts to see her like this, but I understand that the current circumstances led to her only showing her sharp edges (her impatience, her implacability turned against people who would be supposed to be her allies, her accusatory tones, the overall impression that people around her are only worsening the situation).

- Special appreciation for Basira being so casually derisive about Beholding and everything Beholding-related:

(MAG123) BASIRA: [SIGH] Alright. Best I can understand it, Beholding, or… The Eye, or whatever you wanna call it, we’re one of the only powers that hasn’t actually taken a shot at our ritual.

(MAG140) ARCHIVIST: … Why am I always the last to know about these things? BASIRA: By this point, I just assume the Eyeball tells you.

(MAG177) ARCHIVIST: I told you, I know everything now, more or less. I can see her. With my, uh… BASIRA: … Magic horrorvision? ARCHIVIST: Sure.

(And Martin had already described Jon’s Archivist Corner Time as “vomit your horrors” and “puke your terrors” (MAG168), but I’m delighted that he also joined Basira in the casual roasting of Beholding powers with “magic Eye stuff” when discussing with her. Basira and Martin kind of have the same method of making fun of concepts: exaggerating imaginary scenarios to point out their ridiculousness (MAG125: “No, I just popped down Superdrug. Yes it was hard to come by.”, MAG140: “You know, we’ve actually got a group chat going called ‘British Cops Who Love To Do Extrajudicial Spook-Killings On Foreign Soil’. I’ll just see if they’re free this Saturday.” / MAG175: “Oh my goodness, really? And here was me thinking the apocalypse was going oh-so-swimmingly!”), but Basira tends to have a sharper tongue and use particularly acerbic vocabulary too… So they could mix well and Basira could have a wonderfully horrible influence on Martin, I’m so ready for this.)

- Oh, Martin… He had shown enthusiasm at the prospect of seeing Basira, even considering her a “friend”:

(MAG170) MARTIN: I want to have friends, I… no, I have friends. I’m… I’m in love, eh! I am in love, and I will not forget that, I will – not – forget. I am Martin Black–

(MAG175) MARTIN: I–I know what you meant! I can still be keen to see our friends! ARCHIVIST: … True. MARTIN: Besides, we can help them now.

(MAG176) BASIRA: Don’t move. Either of you. MARTIN: H–hey, whoa! Whoa, Basira, it’s us…! BASIRA: I said don’t move. This place plays tricks.

(MAG177) MARTIN: You might not care but it is good to see you, Basira. It has been a long time since we saw a friendly face. BASIRA: Friendly wasn’t what I was going for. MARTIN: All I’m saying is, it’s nice to find someone we can trust again. [INHALE] Ever since everything went to hell, it’s just been–

(And it’s true that he had gone for drinks with her and Melanie in season 3! And that Basira was understanding of the pain caused by his grief when his mother died in season 4…)

So no wonder that he’s put off by the “friendly face” being so stern while he’s pushing for cooperation. But once again, circumstances not ideal, and it’s only the beginning of them working together again – they might mellow down after a while – and Basira might have been deceived a few times before meeting with them, as she mentioned the place playing “tricks”. (Although that might also be a lasting trauma from the Unknowing: Basira already experienced it, and was only able to get out of it by grounding herself. She had asked Jon, when he woke up from his coma in MAG122, to prove that he was himself, and wasn’t able to fully trust it for a while. It might be Basira expressing the same cautiousness again.)

- I was expecting Basira (and potentially Georgie) to directly accuse Jon about the apocalypse, and I get her point of view (though it’s still sad!) given how Jon… seems oddly at peace in the new universe, and had just repeated to her that his powers have increased?

(MAG177) BASIRA: Yeah, about that. [POINTEDLY TO THE ARCHIVIST] You caused this, didn’t you? ARCHIVIST: [HEAVY BREATH] BASIRA: Don’t give me that look, you know what I mean. Did you mess up the world? Yes or no. ARCHIVIST: … Yes. BASIRA: Goddamn it! I knew it was you, I knew it! MARTIN: Basira… ARCHIVIST: I didn’t mean to, Elias was… We were all playing out this big ritual for him. With me as the lynchpin, the gate. BASIRA: [EXPLOSIVE SIGH] Oh you didn’t mean to! Oh that’s all right then. Christ! I should’ve known, I… I should’ve just let Daisy take you out at the start. MARTIN: … You don’t mean that.

And! Once again: of course, it’s not Jon’s fault. Jonah schemed and caused the apocalypse. … But it’s also true that Jon has not been really good at explaining what had happened, or at defending himself: for someone who doesn’t know how the apocalypse was unleashed, meeting someone presenting himself as the “gate” doesn’t… tell much. It’s different from “Jonah ensured that I would be marked by the Fears, then hijacked my body to recite an incantation that unleashed the Fears into the world”. It’s still hard to hear Basira expressing regrets for not having allowed Jon to be killed back in season 3, when he was still scrambling around and discovering how Elias had roped him into the Fears’ business – but it’s also, probably, part of Basira’s guilt resurfacing. She had less emotional ties to Jon than to Daisy: she thought she was doing the right thing back when she had prevented Daisy from killing him in MAG091, it’s natural that she would re-evaluate that particular act. But it’s also saying a lot about her (and her relationship to Daisy) given her refusal to face and re-evaluate the “fairness” of Daisy’s actions, during the last part of season 4 and in this episode.

And it’s additionally interesting that Basira set that hinging moment that could have made things better (/would have prevented the apocalypse)… back in MAG091. The day when the group went to confront Elias, which led to Basira herself getting tied to the Institute and becoming a prisoner of it. Is that when Basira feels like her whole life derailed, when she began the process of losing Daisy? Objectively, things weren’t perfect before that already: the Fears were still around, Daisy was already a Hunter killing people, whether they were involved with the Fears or not (and although Jon hasn’t explained that part to her yet, we know that Jonah would likely have just used another Archivist for his plans); but I feel like it’s telling a lot that Basira didn’t tell Jon that she regrets not having killed him back in season 4, when he had been hurting people. She longs for a time when she was still mostly uninvolved, when she could have just kept going with her life.

- Interesting that all the other avatars/monsters, so far, seem to share the spontaneous knowledge that Jon was the one who caused the apocalypse and is all-powerful… yet Basira didn’t, and had to ask. (Or did she know about it, but refused to accept it and wanted Jon to confirm it himself?) It might be an indicator that she’s not a full-blown avatar?

- SOB for Martin trying to appease things and obviously disagreeing where Jon is concerned – without being overly defensive either, and letting Jon say his piece.

- Jon has already changed and made peace with a few aspects of what happened, I feel? Comparing him to early season:

(MAG161) ARCHIVIST: Can you imagine…? If we’d had this… MARTIN: [SHARP] But we didn’t, though, did we. [CREAKING SOUND] ARCHIVIST: No… MARTIN: So there’s no point in dwelling. ARCHIVIST: [HUFF] MARTIN: Jon, I… This isn’t healthy.

(MAG165) ARCHIVIST: You could’ve–! … You knew what was happening. HELEN: I suspected. But all I really did was refuse to help! And that is hardly a unique quality. ARCHIVIST: [SIGH] HELEN: If that makes it my fault, then surely, this is Georgie’s fault as well, and Melanie’s! ARCHIVIST: Leave them out of this, they didn’t know…! HELEN: There it is again! Knowledge! It’s so very important to you, isn’t it? These fossilised nuggets of pretend comprehension, weighing you down, stopping you thinking or feeling! What about… hypotheticals? If they had known, what would they have done? Is that something you can see?

(MAG167) MARTIN: [EXHALE] So, what? Without assistants, [Gertrude]’d be bad at the apocalypse? [RUSTLING OF CLOTHES] ARCHIVIST: Wi–without… trust, without a, a reason… Gertrude needed both the purpose her mission gave her, and the control her position allowed. To be here, like us, without a, [INHALE] a reason, without someone to ground her, she… She’d have power but… no control. No real… purpose. Perhaps she’d dedicate herself to a, a doomed quest like us, but– … [QUIET] No… I think this would have broken her. And she’d have resigned herself to… ruling her domain. […] MARTIN: [INHALE] [SNORT] Ssso. If you say Gertrude wouldn’t have been able to go on without a reason… ARCHIVIST: Yes, Martin, you are my reason. MARTIN: Just wanted to make you say it…!

(MAG175) MARTIN: I mean… Right, if none, if none of this had happened, if the world had just�� carried on? [WET SQUEAK] What would have happened, was… was all that fear justified? [SHUFFLING] ARCHIVIST: [SIGH] I can’t know the future, Martin, not even a hypothetical one. MARTIN: But… you know what was going on, what was happening.

(MAG177) MARTIN: … You don’t mean that. BASIRA: No? [EXHALE] I don’t know. Maybe. If I had… it would have stopped all this, wouldn’t it? ARCHIVIST: Perhaps. Perhaps not. BASIRA: I thought you knew everything? MARTIN: He can’t do hypotheticals. BASIRA: And if I killed you now? MARTIN: What did I just say? ARCHIVIST: You couldn’t. [PAUSE] And even if you could, it wouldn’t be enough to undo what’s happened to the world.

Since Gertrude’s story, and the realisation that she actually would have fared worse in the apocalypse, it feels like Jon has stopped clinging to these “hypotheticals” and how the apocalypse-could-have-been-oh-so-easily-avoided, like he has decided that they don’t matter that much if the point is to only claim and assign guilt through them. It happened, and it happened because Jonah(/The Web?) did everything for it to happen. Even if Jon didn’t explain it well in this episode, he also immediately pointed out that Jonah was the cause of it, even using “lynchpin” to describe himself, a word that we hadn’t heard since… Jonah’s own letter in MAG160:

(MAG160, Jonah Magnus) “And there was only one being that could possibly serve as a lynchpin for this new ritual: the Archivist. A position that had so recently become vacant, thanks to Gertrude’s… ill-timed retirement plans.”

(MAG177) ARCHIVIST: I didn’t mean to, Elias was… We were all playing out this big ritual for him. With me as the lynchpin, the gate.

(Interesting that he said “gate” instead of “door”, though!)

- … What is absolutely new is that Jon pointed out that killing him wouldn’t fix the world:

(MAG177) BASIRA: And if I killed you now? MARTIN: What did I just say? ARCHIVIST: You couldn’t. [PAUSE] And even if you could, it wouldn’t be enough to undo what’s happened to the world. BASIRA: So… what? You’re the immortal god of this messed up little hellscape now? ARCHIVIST: “God” might be stretching it. [DEEP INHALE] But I am more powerful now, yes.

Which is new information! I’m (positively) surprised that this option is already crossed out as a “solution”, since I thought it might be brought up or carried out way later in the season! (… But which might mean that Jon could ultimately have to bear a fate worse than death, or to seek death as a liberation. Woops.)

- Yay for Martin asking for clarifications about Trevor, and it was really reminiscent of him asking Helen what had happened with Not!Sasha:

(MAG166) MARTIN: Will you tell me how he did it? ARCHIVIST: Martin… MARTIN: He just keeps going all vague about it! HELEN: Oh, goodness. You see what you’ve done to the poor boy, Jon? He’s coming to me for clear answers.

(MAG177) MARTIN: … O~kay, well, since we’re talking, I, I–I was wondering. I don’t know if, if I missed it, or if you both just assumed that I knew since you knew already but, well, I… BASIRA: Spit it out. MARTIN: What was the deal with Trevor? [A TELEPHONE RINGS IN THE BACKGROUND] Why was he… I mean, I’m not really sure what happened, back there. BASIRA: Seriously? You brought him here and you didn’t brief him, Mr All-Seeing-Eye? ARCHIVIST: … Oh, I just… MARTIN: He just keeps being vague and ominous. BASIRA: Well, some things don’t change then! ARCHIVIST: It was a courtesy. I wasn’t sure what you’d be comfortable with me sharing. BASIRA: Oh, how generous!

(The phone ringing now and then, throughout the episode? CHILLING, with how it occasionally timed with the content, I kept wondering whether it was Annabelle trying to call Martin again =D)

* “Well, some things don’t change then!” savage but fair, Basira.

* Again: I’m glad that Jon was trying to respect Basira’s privacy! It’s not a lot, it feels very mundane, but it’s also Jon… trying to do the right thing and to respect others. (I feel like it conveys a lot about the fact that he’s aware of her flaws, is now even more ready to call her out on them, but also fundamentally likes/cares about Basira…)

* I love how Martin’s main word this season, when talking about Jon talking, is “ominous”:

(MAG161) ARCHIVIST: No, I don’t need to. “It” can see us here, and… [WOODEN CREAKING SOUND] And I can see out as well. MARTIN: O–kay, we’ll just file that under… ominous, for now.

(MAG163) ARCHIVIST: You could see that tower from anywhere on Earth. And it can see you. And if you walk towards it, eventually you’ll get there. But you have to go through everything in-between. MARTIN: … You’re being ominous again! ARCHIVIST: Sorry.

(MAG169) MARTIN: You sure there isn’t another way? [ANXIOUS BREATHING] … Yeah, yeah, I know, “the journey will be the journey”, blah blah, ominous blah…! ARCHIVIST: … I’m sorry. MARTIN: ‘T’s fine. I know you wouldn’t take us through if we didn’t actually need to go through, so…

(MAG177) MARTIN: He just keeps being vague and ominous.

Martin has One Word and is using it.

- GODS for the way Julia ended… Addition/Confirmation that it was indeed Daisy who killed her (it wasn’t 100% clear whether it had been her or Basira, in the previous episode):

(MAG176) ARCHIVIST: And Julia? [SILENCE] TREVOR: Dead. ARCHIVIST: I’m sorry. TREVOR: Shut it! Should’ve been me. [TRILL OF A BIRD] I’m old… slow… It’s not fair, outliving her…! But that dog of yours, that rabid bitch, she…! Killed her first, so she could see me limp away! [PANTS] It’s a game to her.

(MAG177) BASIRA: … So, when everything went sideways at the institute, I lost track of Daisy and Julia Montauk. I know Daisy managed to kill her, but I don’t know the details. Didn’t find any sign of them in the Archives, at least. ARCHIVIST: It was about a week later. They’d been stalking each other through the tunnels beneath the city. Daisy managed to corner her in an old subway access and tore out her throat. MARTIN: [SIGH] ARCHIVIST: Trevor found the body three hours later. BASIRA: [IRRITATED] Do you want to tell it? ARCHIVIST: Sorry. [INHALE] I thought you’d want me to fill in on the missing details. BASIRA: I don’t.

It’s not an exact parallel, but… there is still something to be said about Robert Montauk getting torn to pieces by a (Dark) Beast in prison, and Julia getting butchered by a (Hunt) Beast in a cramped/dark place. ;;

(Jon and Martin didn’t mention anything about Daisy’s whereabouts in the segment of MAG160 just before Jon read Jonah’s letter: did Jon already know about this? Or did that bit of knowledge come with everything else, after the apocalypse? Julia was already dead by then for around two weeks, if she was called one week after the attack on the Institute…)

- BIG AOUCH for the way Basira described her discovery of the apocalypse:

(MAG177) BASIRA: Anyway, seems like since then, Trevor was tracking Daisy. Wanted revenge, you heard him. I was still in the Institute when everything went to hell outside, so I guess that protected me from the first wave. … Once I saw what’d happened… that we’d… lost… [INHALE] Didn’t feel like there was anything left worth doing, except keeping my promise to Daisy – so I went looking. I’ve found Trevor’s trail eventually and started tailing him. I hoped I could follow him as he tracked Daisy, but… then you had to blunder your way in as always, and I had to step in.

She was basically alone in the Institute when the apocalypse happened… although it was the place she initially got forcibly tied to as “collateral”/a hostage.

* I wonder what protected her from getting imprisoned by a domain: was it the building itself? Her connection to it as an employee? Her connection to the Archives/to Jon? (Or: is she actually trapped in a “domain” on her own, with her never-ending hunt of Daisy?)

* I’m very curious about her mention of a “first wave”, which seems to imply that there have been others? Or at least, that London wasn’t entirely touched and transformed in one go?

* Sobbing a bit about the vocabulary she used: “that we’d… lost…” feels like a fight, a war (one side against another), and that is the siege mentality she had carried all through season 4.

* Aaand Jon had already mentioned that Basira was trying to fulfil her promise to Daisy:

(MAG158) DAISY: [PANTING] Basira… promise me something. BASIRA: What? … No, Daisy, no. DAISY: [PANTING] Mm, Basira… When this is over, you need to find me… and kill me. Promise me. BASIRA: No. No, Daisy, we’ll figure something out! NOT!SASHA: [IN THE DISTANCE] You can’t hide forever, Jon. DAISY: [PANTING] These last months, I… it was always borrowed time. Can’t outrun it forever. BASIRA: Daisy… DAISY: [PANTING] Promise me. BASIRA: … I promise. DAISY: Thanks. [BREATHLESS] Now, run…!

(MAG164) MARTIN: What’s Basira going to do? [STATIC INCREASES] ARCHIVIST: She… thinks she’s going to kill Daisy. Like she promised. [STATIC DECREASES] But she’s conflicted. MARTIN: And will she? ARCHIVIST: I–I don’t know, th–the future, th–that’s… that’s not something I can see.

But sob that it seems to have come as a Last Thing On Earth To Do… Before, Basira was still trying to prevent the Institute from being burned down, and was helping Jon&Martin from afar (telling them what was happening in London, sending statements to Jon). I wonder if before the apocalypse, Basira still had some hope that they could find a way to get Daisy back?

* … I feel like there is a big misunderstanding re:Trevor, since Jon had explained that he was “prey”:

(MAG176) MARTIN: [HIGH-PITCHED AND SLOW] Jon? I know you keep saying we’re safe, and I am feeling very calm. But just so I know, can he… Can he kill me? ARCHIVIST: … He could, yes– MARTIN: Right… ARCHIVIST: –if he were still a Hunter. TREVOR: … Shut it! ‘Course I’m still a Hunter! MARTIN: [GRUNT] Mm-mm-mm! TREVOR: [BESTIAL PANTS] MARTIN: Gotta go with Trevor on that one, Jon! ARCHIVIST: … No. [HUFF] Right now, he’s prey. [TRILL OF A BIRD] How long have you been running now, Trevor? [CREAKING SOUNDS] TREVOR: [PANTING] Don’t know… Too long…!

He was running away from Daisy and/or Basira, when Basira was tracking him, not hunting Daisy. Typical dumb Hunters things, where Basira was apparently following Daisy through someone… who was actually running away from her.

- Cat is out the bag and a o u c h. Jon’s plan worked, at least? Woops.

(MAG177) MARTIN: Sorry…! BASIRA: It’s his fault. He used you to bait Trevor, to bait me. [SHUFFLING] MARTIN: Wait, I’m–I’m sorry, you used me as bait? ARCHIVIST: I used us as bait, I didn’t know which one he’d go for. MARTIN: I mean, yeah, sure, but… only one of us was aware of the plan! ARCHIVIST: I, I’m sorry, I was going to tell you, but then I–I, I got distracted and… then we were within earshot of him, and I couldn't say anything and I… I–I mean… You would have agreed, right? MARTIN: That’s not the point, Jon!

So one of them was bait, to use Trevor as bait, to catch Basira.

It’s usual with Basira, but I love how her words and reasoning imply way more than what her behaviour lets on: she saved Jon&Martin. She is acerbic and bitter and accusatory towards them, but she did save them, when she had an opportunity to see them get killed (well, as far as she knew; she wasn’t aware that Trevor couldn’t have killed Jon). Even if it’s to use Jon as a resource… I feel like it does say something that she made the quick decision to save them instead of allowing Trevor to end them?

REALLY glad that Jon apologised and seemed to acknowledge that it hadn’t been a Great Move towards Martin because, indeed – Martin had mentioned that he would understand Basira in that situation, but it was throwing Martin into the arena without warning and while Jon was in control of the situation, knowing that it was likely to cause Martin distress. I really love how, this season, they’ve not been absolutely perfect but also able to acknowledge when they have hurt the other, reaching an understanding.

- And once again, the FABRIC RUSTLED!

(MAG177) ARCHIVIST: … I’m sorry. [SILENCE] MARTIN: [SIGH] It’s okay. I understand. [BAG JOSTLING] [FABRIC RUSTLES] BASIRA: Urgh… [SILENCE] You done? ARCHIVIST: Can we not have a moment? BASIRA: No, Jon, we can’t. This is a chase, remember? Time is a factor.

Still cackling so hard at Basira’s dejected sound. She saw them dancing around each other back in season 3 and got glimpses of Jon’s wallowing in season 4:

(MAG088) BASIRA: I just, I mean he was good company. Y’know, when he wasn’t being a paranoia machine. He was funny, you know? MARTIN: What, Jon? BASIRA: Yeah. MARTIN: I don’t think I’ve ever heard him tell a joke. BASIRA: Maybe you weren’t listening. MARTIN: Right. Well, I’m sure it’ll get sorted out when DAISY brings him in and you can probably talk to him then. Oh! Sorry, I forgot you’re not actually with the police any more, are you.

(MAG106) MELANIE: [CHUCKLE] And anyway, Martin’s always been lovely to you. BASIRA: Hm. I dunno, I mean, you should have seen him when I turned up last year. I think he thought I was trying to steal his precious Archivist. MELANIE: Aaah…! I got the exact same, when Jon was hiding out and came to me with his “source on the inside” stuff. Martin was not impressed. BASIRA: Huff. That boy needs to relax. MELANIE: Or at least find someone else to fuss over. BASIRA: Yeah, he’s got it bad. … Do you know if he and Jon ever…?

(MAG122) ARCHIVIST: Just you and me. … And– Melanie and M–Martin, I–I guess. Honestly, I’m surprised Martin isn’t– BASIRA: [SHARP INHALE] ARCHIVIST: What? Oh God! The, their plan, it’s– Martin i–is…! Is he okay, wh– … What did Elias do?

(MAG123) ARCHIVIST: Haven’t seen Martin about yet? BASIRA: Yeah, he comes and goes. He’s busy. Well, he seems it. ARCHIVIST: Working for Peter Lukas. BASIRA: Don’t be too hard on him, Jon. Your, uh… “situation”, it hit him. Hard.

(MAG127) BASIRA: [EXHALE] … Yeah. People keep saying that. ARCHIVIST: Do they? … W–w–who else– [SHORT SHARP EXHALE] Did Martin say something?

(MAG148) ARCHIVIST: I’ve been meaning to ask. The… tape. The one of the, uh… my victim. You said Martin gave it to you. BASIRA: [EXHALE] Yeah. ARCHIVIST: How was he? H–how did he look, was he, uh… BASIRA: I don’t know. I didn’t… see him. He just left it on my desk with a note.

(MAG151) BASIRA: Jon may be going through a whole “we have to trust Martin” thing, but I’m not. As far as I can see, you’re either compromised, or you’re being played. And I want to know which. MARTIN: … I didn’t know Jon had listened to them already! BASIRA: Well, he has. He seems to think you’ll come to him when you need him. I think you’re feeding him what he needs to hear so he doesn’t bother you.

So now, she has to deal with them as a couple. (And it might sting EXTRA HARD… given how she’s Daisy-less. Basira and Daisy aren’t canonically romantically, but they were partners anyway: it’s still rubbing her loss in her face. Helen’s dig about her being the “third wheel” later… was spot-on.)

- I’m glad that Jon’s shitty sense of humour has resurfaced, too! <3 We saw some of it already this season, but I’m glad that he’s using it with Basira again (she had mentioned that she thought he was funny, in MAG088 – they used to share the same sense of humour!)

(MAG140) ARCHIVIST: I hope you’re not suggesting that Santa works for the People’s Church. BASIRA: [SIGH] Jon.

(MAG177) ARCHIVIST: When did I become everyone’s satnav? BASIRA&MARTIN: Jon…!

Martin and Basira, same struggle.

- The background sounds were already dreadful and putting you on edge, so YIPS when Jon explained where they were:

(MAG177) MARTIN: Yyyeah, speaking of… Wh–where actually are we, anyway? I mean… I’m happy to be out of the woods, but I don’t– ARCHIVIST: Wonderland House. A, uh… mental “health” facility. MARTIN: … Oh. Oh, dear. ARCHIVIST: Mm-hm.

Martin’s reaction… He already guessed how awful it could be, uh. As feared, it echoed what Helen had told Jon in her first appearance this season (MAG164: “Look at this place, look at this… [DEEP INHALE] wonderland! This is the world now, and we are strong and free”) – it was a Spiral domain, and Helen appeared – and Jon&Basira are on “Alice”’s trail.

- I’m still laughing very hard that Martin and Basira’s conversation, with the music in the background, the awkwardness, the small talk while waiting (for Jon to come back)… was literally an Elevator Music scene:

(MAG177) BASIRA: So… Did you actually walk all the way down here from Scotland? [A TELEPHONE RINGS IN THE BACKGROUND] MARTIN: Hm… Kind of? Scotland’s not really a thing anymore. BASIRA: Huh. London’s still there. Sort of. MARTIN: Yeah, that’s where we’re heading. Eventually.

* Curious about London’s status, since Basira had also said that “” – it seems to have taken less damage than Scotland, is it because it’s close to the new centre of the world (the Panopstitute)? Is all of London considered an Eye domain, now?

* Martin’s “eventually” is… mmm. Does he think they’re still far from London? Jon hadn’t mentioned when they would arrive – just that the journey had to be done, and this is the 14th Fear domain they’ve encountered. The only one potentially “missing” is Beholding, which might just be the goal. What do they need to travel through to reach London, now? Is it because their journey needs to be done on another level, like emotionally or decision-wise, and that they haven’t fulfilled the condition yet?

- The way Martin described Jon going Kill Bill on avatars, as Martin had requested, was absolutely hilarious because of how quickly summarised it was:

(MAG177) MARTIN: He’s been destroying other avatars on the way. BASIRA: Oh. That’s… good, I guess. How’s he doing it? MARTIN: [INHALE] He’s getting The Eye to, like… like, look at them? He–he just kind of drinks up all their fear and they, uh… just sort of… implode? BASIRA: … Sounds satisfying. MARTIN: Myeah… Not sure how much good it does, though. And one of them was a kid. BASIRA: Jon killed a kid? MARTIN: What? No. No! No, I just mean, one of the avatars that we saw was, like, thirteen or so. BASIRA: That’s… messed up. MARTIN: Yeah. We had to let him go, ‘cause… Uh, well, I mean… [A TELEPHONE RINGS IN THE BACKGROUND] BASIRA: Yeah. MARTIN: Mm, yeah.

I’m noting that Martin understood that “drink your fill” meant that Jon was feeding from their fears (it sure sounded like Jon was feasting when killing them)! I’m still snickering SO HARD at Martin’s shortcuts leading to Basira’s surprised disgust over the idea of Jon killing a kid (but at the same time: the fact that she was surprised over the concept means… that she wasn’t expecting Jon to do these kind of things, naturally). It’s interesting that Martin hadn’t mentioned who that kid was, although he had connected him to Basira in MAG173…

- I’ll roll in my fluffy covers over how we have canon footage of Martin saying that:

(MAG177) BASIRA: … So what’s your plan? MARTIN: Long-term? Elias.

Elias is a long-term plan uwu Geddim, Martin.

I’m… still delighted that Jon and Martin both had problems regarding whether to call him “Jonah” or “Elias”, tried “Jonah” for a while, and yet it persistently doesn’t work and they end up spontaneously going with “Elias”, because SAME HAT:

(MAG161) MARTIN: Elias won, and there were some tapes he’d kept for himself, and he wanted to gloat. So, he sent them! ARCHIVIST: He’s not… MARTIN: I–I don’t see– ARCHIVIST: … “Elias”. MARTIN: Jonah, then. I don’t know, I find it hard to think of him as… I don’t really like to think of him!

(MAG162) ARCHIVIST: No, no, lo–look… I, I–I was listening, and I–I was filled with this… hatred. This anger; I–I wanted to leave, and hunt down Elias, a–and…! MARTIN: W–wow, okay… […] Do you think it’ll do anything? Confronting Elias?

(MAG164) MARTIN: What about Elias? [STATIC INCREASES] ARCHIVIST: He’s inside the Panopticon; the tower, far above the world.

(MAG167) ARCHIVIST: Help us with what? MARTIN: ‘xcuse me? ARCHIVIST: Annabelle, help us with “what”? Our–our, our journey, killing Elias, vanishing the Entities – what?

(MAG174) MARTIN: Thanks for that. … Hang on, you’re still down to kill Elias, right? Uh, oh, Jonah, whatever. ARCHIVIST: I’m still going to confront him. [INHALE] I don’t know if killing him is something I’m even… capable of, but if I can and I have to, I will.

(MAG177) ARCHIVIST: I didn’t mean to, Elias was… We were all playing out this big ritual for him. […] MARTIN: Long-term? Elias. He’s up in that that… “Panopticon” tower thing.

I love how they’ve basically given up on trying to call him “Jonah”.

- … To be fair with Basira:

(MAG164) MARTIN: How is he? ARCHIVIST: Hard to say. The, the way this works, this… “new sight”, the knowledge is, is… [SIGH] It’s somehow wrapped up in the Panopticon? An eye can’t… see inside itself.

(MAG177) BASIRA: Figured as much. What’s he up to? MARTIN: Jon doesn’t know. He says it’s a “blind spot”. BASIRA: A blind spot. MARTIN: A–apparently. BASIRA: Convenient.

From the outside, it indeed sounds very convenient. (Jon was a bit more talkative about it, described it as the fact that an “eye can’t see inside itself” which, ewww, but also, oh alright, indeed.)

- I’m glad that Basira asked about Melanie!! ;w;

(MAG177) BASIRA: What about Melanie? MARTIN: He’s… not sure about her either? He can’t see her or Georgie. BASIRA: Dead, then. [STATIC INCREASES, THEN FADES] ARCHIVIST: [INHALE] No. Uh, not dead. Just… hidden, somehow.

She sounded stone-cold, but still asked… Their relationship in season 4 had been extremely harsh on Melanie’s end, but they did use to get along in season 3 and, post-Hill Top Road expedition, it had seemed like things were a bit pacified in the Archives…

- I hadn’t gotten that feeling in MAG164, when Jon had asked Martin to ask him questions for him to use his powers, but this time… it really felt like Jon was immersing and then resurfacing from the sea of knowledge that he had mentioned in season 4?

(MAG127) ARCHIVIST: [SIGH] It’s… hard. It’s like there’s a–a–a door, in my mind. And behind it, is… i–is the entire ocean. Before, I didn’t notice it, but now, I–I know it’s there, and I can’t forget it, and I can feel the pressure of the water on it. I–I–I, I can keep it closed… but sometimes, when I’m around p–people, or–or places, or… ideas… a drop or two will push through the cracks, at the edges of the door. And I’ll… know something. BASIRA: … What happens, if you open the door? [PAUSE] ARCHIVIST: I drown.

(Season 5 trailer) MARTIN: Are you still… [SIGH] “feeling it”? Seeing everything? ARCHIVIST: Yes, I, I’m trying not to, but… all of the fear, th–the anguish, i–it just… [INHALE] It keeps coming at me in waves, rolling over me, filling my head with such… awful sights.

(MAG177) ARCHIVIST: [INHALE] Right. Daisy. Give me a moment. [INHALE] [STATIC RISES] […] BASIRA: Dead, then. [STATIC INCREASES, THEN FADES] ARCHIVIST: [INHALE] No. Uh, not dead. Just… hidden, somehow. BASIRA: Hm, back with us, then. ARCHIVIST: I know the route.

He inhaled before using his powers (and before the static kicked in) and then almost gasped when coming back to them.

- REALLY INTERESTING that Martin described Jon’s need to stop as him needing to “make a statement”:

(MAG177) MARTIN: Really? Now? ARCHIVIST: I’ll try to be quick. BASIRA: What’s going on? MARTIN: [SIGH] It’s… It… He needs to make a statement.

Not read, or spit, or “vomit”/“puke” but “make”. Like statement-givers had been doing at the Institute, putting their stories down onto paper or getting them recorded. It’s true that Jon is creating them in his own way, but it’s still an extremely interesting shift…

And once again: where are these tapes going? Why does Jon need to “pour out” into them?

(MAG162) ARCHIVIST: This cabin. [WOODEN CREAKING SOUND] It’s not right. And, when I thought that, I–I felt… It, it all poured out of me down… into the tape.

(MAG163) ARCHIVIST: [QUIET] I… I know. [SILENCE] I–I’ll use the tape recorder…! [PLASTIC OF A TAPE] I just… [INHALE] You probably want to wait outside.

They’re still presented as a necessary part of that new process, I wonder what their purpose is…

- F for Jon, Basira&Martin teaming up against him now:

(MAG177) BASIRA: Is that like a euphemism, or…? MARTIN: Ew, no! It’s, hum… He sort of describes the place he’s in to the recorder and… Look, it’s–it’s, it’s magic Eye stuff, he can’t help it. He needs to do it, and if he doesn’t… ARCHIVIST: [FAINT GRUNT] BASIRA: He gets constipated? ARCHIVIST: Hardly! MARTIN: Actually, yeah, basically. ARCHIVIST: [SIGH] BASIRA: Right.

- Martin had been keeping lookout around Jon since MAG171, but not necessarily listening to the whole thing:

(MAG177) ARCHIVIST: Look, if you can both just give me some space, I would appreciate it. MARTIN: … Fine. I’ll keep lookout. [MARTIN MOVES AWAY] BASIRA: No. If it’s information about this domain, I think I’d better hear it. ARCHIVIST: [SIGHING] If you say so…! [INHALE]

It’s curious that Basira now wanted to hear about it – she was refusing to listen to him read statements, back in season 4. Why did she need “information about this domain”, since Daisy had already left? Was it pure curiosity, did she want to understand what Jon is currently doing and how he operatesnow? (… Was she trying to imitate Daisy, since Daisy sometimes stayed with Jon when he was reading a statement?)

I wonder if Basira got stuck, absolutely unable to interrupt like Martin had been in MAG167…

- … Alright, that was a very intense statement, both from the concept of the domain and how it was conveyed – Jon impersonating the Bad Therapist, and either pantomiming/recreating a scene which had happened there, either encapsulating various experiences in one demonstration, either directly communicating with a victim from the domain and directly being responsible for their pain, terror and anguish?

Jon’s narration tends to follow the victims in third-person internal focalisation, with a few exceptions (MAG172 being a theatre script meant that the voices, both from the Spider tormenting Francis, and Francis themself, were heard without a narrative filter; Oliver added another narrative layer since he was describing one of his victims; same thing with Jon knowing about Gertrude’s life in the Archives, which had traces of his own judgement). It was absolutely chilling that, for once, all we would hear would be the tormentor’s own words, and that we would only be able to get a glimpse of the victim through the former’s commentaries. It was plain scary (Jon was TERRIFYING) and really conveyed a sense of helplessness – we, the audience, were put in the victim’s place, as helpless as them to do anything while “Dr David”/Jon controlled absolutely everything.

All the little tricks were terrible! Negating one’s identity and experiences, the use of derogatory phrases (“people like you”, “meaningless little brat”, “unlikeable waste of air”, “hysterical little creep”), the threats, the absolutely improper airiness given the situation, the medical mistreatment and incompetence, the accusations, the plain meanness, the utter denial of control. Jon presented the domain as belonging to The Spiral, but I felt that this one had some Web-vibes embedded into it, given how it was also about being trapped and at the mercy of someone else, being unable to fight a situation and utterly manhandled?

(I have my own favourite references, but with “Another of your lies, is it, as though we haven’t heard enough of them in the, what, five years I’ve been treating you now? No matter. … Yes, five years, can we please not start that again?”, my brain still screamed about García Lorca’s play. The Spiral could have a day with that one, too.)

Amongst the terrible things: the fact that we could hear the domain so directly now, and especially the sounds originating from Doctor David’s consultation, the motions, the snaps, the pills? Even the pills getting swallowed? What was up with that? It was already a curious thing in MAG175: how the panting and the footsteps of the chase were audible although Jon was staying in a fixed spot. Is reality bending around him in the domains, creating a small bubble in which what he describes doesn’t exactly happen but happens anyway? (My main question is: who or what swallowed the pills we heard? Was Jon really terrorising someone, or was he “alone” in front of Basira, pantomiming everything?)

What is clearer is about the overall sounds of the scenery: we could hear the screams and the wails in the background, and the clock ticking in that room… as long as the statement lasted. But both stopped when the statement was finished (and the static disappeared), while the faint muzak was audible again:

(MAG177) ARCHIVIST: [SIGHING] If you say so…! [INHALE] [STATIC RISES] [DOOR OPENS AND CLOSES] [FOOTSTEPS, A TELEPHONE RINGS IN THE BACKGROUND] [CLOCK TICKING IN THE BACKGROUND] [STATIC FADES] ARCHIVIST: “Hi. How are we doing? You can call me Doctor David. […] Like I say: we have all the time in the world! [STATIC RISES] And good old Doctor David isn’t – going – anywhere.” [STATIC FADES] [THE SCREAMS AND THE CLOCK STOP, THE TINNY MUZAK RESUMES] [SILENCE]

So… there really is a little bubble transforming around Jon, and I wonder whether Basira was pulled into it or remained exterior? At least, the tape recorder caught these sounds…

- Basira, Sayer Of Fuck, thank you for your services:

(MAG177) ARCHIVIST: [DEEP EXHALATION] … Satisfied? BASIRA: Ff… Fuck.

Fuck The Spiral, indeed.

(It was Basira’s second “Fuck” of the series! First one had been in MAG148, she’s now on equal stand with Jon.)

- ;_; I feel for Jon, who had trouble explaining exactly what this domain was about:

(MAG177) BASIRA: No, I get that bit, it’s just… So the guy was mad, or…? ARCHIVIST: No, it–it… I–I mean, yes. It’s sort of, like… gaslighting but in reverse? [A TELEPHONE RINGS IN THE BACKGROUND] Uh, this place, it’s built on the fear that your mental health problems aren’t actually real. BASIRA: … Wouldn’t that be a good thing? ARCHIVIST: N–no, I– Hum, I’m not explaining it very well. Uh, it’s, it’s the worry that everything is, is awful, and it’s actually… your fault. That, that you made it up, that, hum… that you’re… BASIRA: What? ARCHIVIST: [SIGH] Bad therapists. Let’s just say it’s the fear of bad therapists, filtered through The Spiral.

It’s a very understandable fear; until Jon cleared it up, I thought it was “that little voice in some people’s head”, because woops. The statement did feel familiar on a lot of levels, for me, and I’m still so occasionally impressed at this series’ ability to give a mirror to so many people in such different ways.

- Was Jon already trying to warn Basira about Helen, before she appeared?

(MAG177) BASIRA: That’s… a lot more nuance than I’ve gotten used to since everything went wrong. ARCHIVIST: Yes, well. The Spiral is nothing if not insidious.

With the way Basira arrived, she screamed “potentially vulnerable to Helen” given that Helen can track her (Basira went through her corridors, after the end of MAG143) and that Helen had already offered Jon&Martin to drop them wherever they wanted…

Regarding Basira’s answer: I wonder if what she had faced in the apocalypse so far really did lack much nuance, or if she was just… plainly unable to see it. We saw with Noah Thomson that her reflex is to refuse to see it when it’s too heavy to bear, and she already knew that Daisy had been killing on her way; if this one’s case wasn’t as straightforward as she wanted to believe (if he’s just a “nasty piece of work”, therefore it’s not a heavy loss if he dies, it doesn’t make Daisy absolutely monstrous, it doesn’t mean that she has to feel empathy for a victim), it… was probably the same for Daisy’s other victims, and perhaps also for the other horrors Basira has witnessed.

- CONGRATULATION, MARTIN! You’ve already run into your ~(almost)corpse of the season~!

(MAG040) ARCHIVIST: That’s where you found her? MARTIN: Yes. She was sat in a wooden chair in the middle of the room. No worms. No cobwebs. Just… an old corpse. Gertrude Robinson. She was slumped forward, but I could see her mouth hanging open.

(MAG080) TIM: Try his office. MARTIN: Yeah. Right. [DOOR OPENS TO THE SOUND OF DRIPPING] MARTIN: Jon? Oh. Oh no. TIM: I told you he was going to do something like this. MARTIN: Oh, no, no… Who is it?

(Season 4 trailer) MARTIN: Hi Jon. [PAUSE] H–how are you? [LIGHT CHUCKLE] … Yeah. Yeah, same here.

(MAG158) PETER: There is… of course… just one other complication? [FOOTSTEPS STOP] You’ll have to dispose of the current occupant. MARTIN: Curren–… [QUICK FOOTSTEPS] [SHARP BREATHING] … Who is that? PETER: Jonah Magnus! His… body, at least. Sitting here; watching; binding it all together; growing ever older. If you want to take his place, well…

(MAG177) MARTIN: [NERVOUSLY] Uh… Is that door meant to be open, heh? And… dripping blood? [BAG JOSTLING] ARCHIVIST: We’re here. [DOOR CREAKS] MARTIN: … Oh! Jesus… [BAG JOSTLING] ARCHIVIST: Yes. Horrible way to go…!

Now, there might be hope that he won’t be discovering Jon’s corpse at the end of season 5 since this tradition is done already.

- ;; Jon’s description of what Daisy did was incredibly chilling, because it felt more like a predator waiting. It felt like someone calculating and planning for the best moment.

(MAG177) ARCHIVIST: I know the route. [BAG JOSTLING] Come on. [FOOTSTEPS START AGAIN] It… will take us past Daisy’s victim, though. MARTIN: Victim? BASIRA: She’s been killing. MARTIN: What? No – no, that can’t be right. I–I thought people weren’t even allowed to die any more. ARCHIVIST: Not permanently, but, uh… Ah. […] BASIRA: You’re sure this is Daisy’s handiwork? ARCHIVIST: Positive. [STATIC RISES] She’d been prowling around for a long time, waiting for a gap in the “treatments”. And when she got one, she carved through the door like it was paper. He tried to run but she was so fast. She took his legs first, slicing through the tendons so that he could– […] MARTIN: Wait. Wait, so… so, she’s hunting down criminals? People who she… thinks got away with stuff? BASIRA: … Sure.

I still wonder if there is a bit of Daisy, right now, within the beast, aware of what it is doing? Knowing that she’s back to being a “sadistic predator”, witnessing her actions, aware of their monstrosity yet unable to stop them, would probably be season4!Daisy’s worst nightmare…

If Daisy is following a personal list of people who (she, as a Hunter, felt) had “gotten away with stuff”… Jon and Elias might be on that list? Daisy had explained to Jon, in MAG132, that she had been planning to kill him after The Unknowing. And she had wished for Elias’s death for a long time (MAG082: “One day, someone is going to kill you. I really hope it’s me.”): could she go after Jon? After Elias in the Panopticon?

- I’m still curious about the “death” status: Jon mentioned that people getting killed wouldn’t stay “permanently” dead. Are they meant to respawn at some point? Go to another domain? Does it also apply to Trevor, since Jon wasn’t the one to kill him? (Julia, however, apparently died before the apocalypse if it was only one week after the attack on the Institute – that’s two weeks before the apocalypse – so… bye.)

- Basira’s attempt to avoid the subject huuuuurts, and I like how Jon, as he is now, is able to carry much more “nuance”, precisely, and to point out… well, how things are rarely dichotomic, and how it’s easy to completely ignore someone’s circumstances and own problems as soon as you label them as “the bad guy”:

(MAG177) BASIRA: [SIGH] Noah Thomson. That… nasty piece of work. Crossed him a few times when we weren’t doing sectioned work. Last I heard, he’d dodged a GBH charge Daisy brought him in on. Blinded a guy during a robbery. I guess she didn’t forget. MARTIN: Wait. Wait, so… so, she’s hunting down criminals? People who she… thinks got away with stuff? BASIRA: … Sure. ARCHIVIST: Really? As simple as that? BASIRA: What’s your point? ARCHIVIST: What, you think he ended up in Wonderland House at random? We’re just going to ignore it, and write him off as a “nasty piece of work”? BASIRA: We don’t have time for this. ARCHIVIST: Then we should make time. You want to hear how he ended up blinding that man? Because it wasn’t a robbery. He was running away from Daisy, lashing out in a panic. The court believed it. But you believed her… BASIRA: [ANGRY] I told you not to look in my head! ARCHIVIST: I didn’t. And I won’t. But you can’t hunt a monster that you refuse to see.

* Not only did Daisy try to charge him with lies, not only did Basira believe her (while justice had sided with him!); it is indeed especially relevant that he was encountered in this domain, where people are denied the help that they would require. When it came to Daisy, Basira simplified things a lot and created another “us” vs. “them” separation… which wasn’t fair and didn’t work.

* I like that Jon’s understanding of Basira is not entirely provided by his powers: by now, it feels like he’s learned to know her, her flaws and weaknesses, but also to keep in mind how things are more complicated than he would have liked to believe. In season 1, Jane Prentiss had been a monster terrorising them; by season 4, Jon had read enough stories about avatars to know that they tended to be, initially, vulnerable and/or isolated people lured in by a deceptive comfort, power, or their will to survive. It still means something that he wants to talk Basira out of her mindset, is still trying to help her to understand unpleasant bits of reality (even if it hurts her, since it requires her to change… a big portion of how she had grown to conceptualise the world).

* It’s almost verbatim another scene from the series:

(MAG118) ELIAS: Martin, I do not have time for this. MARTIN: Then maybe you should make time.

(MAG177) BASIRA: We don’t have time for this. ARCHIVIST: Then we should make time.

How bad does it have to be, for her to be “Elias” in a verbal squabble?

- Jon’s “You can’t hunt a monster that you refuse to see” is SUCH a powerful line, and I feel like it’s really summarising Basira’s main flaw… and potentially what might be literally happening. Basira can’t manage to catch up to Daisy: I had wondered whether it was because Basira was holding back, unsure that she would be able to kill her… but maybe it’s, plainly, because she’s never be able to directly see Daisy’s actions for what they were, to understand Daisy’s guilt and who was Daisy in season 4. Basira, through her silence, complacency and willing ignorance/denial, both enabled and was complicit in Daisy’s monstrosity; maybe now, in this universe working on dream-logic, Basira can’t reach her because the concept of Daisy has always escaped her.

- It’s interesting that in the episode, different terms were used to describe Martin’s and Basira’s feelings towards respectively Jon and Daisy: Martin “trusts” Jon (to not look into his head), Basira ��believed” Daisy’s words. In a lot of ways, Basira and Martin’s situations share similarities (caring for someone powerful, who has the capacity to do a lot of harm). But Martin was able to draw clear lines and get critical of Jon’s behaviours when it was getting monstrous (attacking people in season 4), without being absolutely perfect either – he did push Jon to “smite” avatars this season without taking into consideration the harm it could do to Jon and what it meant on an ethical level, but he also ended up accepting Jon’s reluctance and agree that if Jon didn’t feel like it was the right thing to do, then it wasn’t. They’re anchors in that regard, too, grounding each other to prevent them from drifting away.

Meanwhile, Basira… was ready to tolerate Daisy’s actions, as long as it didn’t happen in front of her or to someone she liked a bit (MAG091: “I know what you do here. […] You’re not that subtle. But I… I always thought you just killed monsters.”). Daisy’s actions as a Hunter in the police were both atrocious in themselves, but also through the complacency of her superiors and colleagues, including Basira:

(MAG082) ELIAS: I was wondering. Is it worth it? Operating the way that you do? DAISY: Just answer the question. ELIAS: Does the lack of oversight make up for the lack of support? […] Please, Detective Tonner. You don’t want this to happen in the police station any more than I do. Your superiors, exactly how aware are they of what you’re doing right now? DAISY: They know enough. They got a call and sent me down here. That’s how it works. ELIAS: And then they don’t ask any questions, as long as you keep it far away from official police channels. Except your partner leaving has made you sloppy. […] Here’s what’s going to happen. I’m going to make a statement. Your statement. To prove to you what I know, and because I want John to hear it someday. And when it’s over, you are going to leave. Because if you don’t, I’ll make sure your superiors know all about every nasty little thing you’ve done in the name of peace and order, and I’ll make sure they are subject to the scrutiny they so desperately want to avoid. More importantly, I’ll make sure they know it has all been exposed because of you. Is that clear? […] Feel free to see yourself out. If you take any action against myself or this Institute, I will ensure the police become aware of your crimes in a way that cannot ignored or covered up.

(MAG092) ELIAS: Allow me. She rightly suspected that I held evidence of various murders she had committed, and that I sent this to her superiors. DAISY: … ELIAS: She’s quite the killer, your partner. All in the public good, of course. And she was correct, I spent some time acquiring that evidence. Or creating it. And while your superiors don’t much care about the killings, the fact there is proof… They’re not happy. And they want you brought in. […] You think you’re the only police officer eager to do violence and call it justice? No, there are plenty of other rabid dogs out there, mad with the Hunt.

(MAG132) DAISY: I hurt… a l–lot of people… and some who… who I shouldn’t have. Did you ever hear the, the story Elias told me? About what I did. How I am… He, he didn’t get a detail wrong. The Hunt… Hunger was in me all my life. Telling me who to chase, how to hurt them. I never needed to think… who I was outside of that. But down here, where I… I can’t hear the… blood anymore, I d–, I don’t… I don’t know who I am without, without the chase… I just know… that I… I don’t like who I was back outside. I don’t want to be her again. I want… to be… better… [PANTS] Y–you know what I thought wh–when I woke up here? I thought this was hell; I wa–, I was dead, and within hell. And I… eh, I–I knew I deserved it… I don’t want t–to be a s–sadistic predator again… I–I don’t want to… hobble around, like some pathetic, wounded prey either… I don’t know which would be worse. And I’m sc–scared, now, that I’ll never get the choice…

(MAG142) MARTIN: Not nice being interrogated, is it? DAISY: I… [EXHALE] Oh. MARTIN: Yeah. [SILENCE] DAISY: [INHALE] I’m sorry, Martin. MARTIN: It’s alright. Wasn’t you. [INHALE] Not really. DAISY: No, it was. I hate… a lot of what I did back then; doesn’t mean I’m not… responsible for it, doesn’t mean it… wasn’t me.

(MAG153) DAISY: They’re not gone yet. We could still get them. [RUSTLING OF CLOTHES] ARCHIVIST: Daisy, no. It’s like you say. “Don’t listen to the blood.” DAISY: [SLOWER BREATHES] … “Listen to the quiet”… ARCHIVIST: Even so, if it’s having this much of an effect on you– DAISY: I’m not going back. I can’t let it in again. ARCHIVIST: But it– … What if it kills you? DAISY: [CHORTLE] Always said I was dedicated to justice…! ARCHIVIST: Daisy! It’s not… You can’t think like that. DAISY: Jon. Do you have any idea how much damage you can do if you’re a police officer who wants to hurt people? How much the system will protect you? ARCHIVIST: [SHARP INHALE] DAISY: I managed to keep most of it from Basira, but… ARCHIVIST: That wasn’t you, that was The Hunt! DAISY: … [SIGH] We were the same. [SILENCE] ARCHIVIST: … You’d never known anything different. [SILENCE] DAISY: Because I never wanted to. All that time trapped was good for one thing: thinking. And I did a lot of it. I’ve made my choice.

(MAG155) BASIRA: I’m trying to convince her to go after them. To, er… “Hunt” them. ARCHIVIST: Why? BASIRA: Because I’m not going to lose her. ARCHIVIST: She goes Hunting again, you might anyway. BASIRA: And if she doesn’t, she might die. ARCHIVIST: Something you’re fine with in certain other cases. And something she’s made peace with. BASIRA: Because of the guilt she feels over the stuff The Hunt made her do…! It’s not her fault. ARCHIVIST: Earlier, when she was still out of it, I, uh… I “saw” some of the things she was talking about, some of the things she did, while she was police. I’m not convinced I disagree with her assessment. [PAUSE] Do you want me to tell you? BASIRA: No. No, I don’t. ARCHIVIST: … You knew, didn’t you? You knew the sort of things she did, and you let her. BASIRA: No, not exactly. I thought… [PAUSE] It’s not that simple. ARCHIVIST: It never is. But that doesn’t make it okay. [SILENCE] BASIRA: None of us are who we were, Jon. [SILENCE] ARCHIVIST: No. I suppose not. In many ways, it’s simpler now, isn’t it? At least now, our demons have names. BASIRA: Mm.

Basira felt harsh, in this episode, but the episode was equally harsh on her, with Jon trying to push her to change her mindset and to realise what wrongs had been committed, what the situation truly had been. It feels like we might be getting there, though? Basira had spiralled for the worse in season 4, but didn’t really get an arc of her own so far, and everything has been laid out for it now. (It also… helps me to make peace with Daisy’s likely fate, if the promise is fulfilled and she is killed as part of Basira’s acceptance of what Daisy had done and what Basira had allowed to happen?)

(- Regarding Basira’s harshness and the fact that she tends to throw herself into trying to do something without thinking it through:

(MAG117) BASIRA: I don’t want to be here. But by the end, I didn’t want to be police either, so… guess I don’t really know what I do want, which… maybe that’s just as well. My options… they’ve gotten a lot narrower over the last year. […] And if it’s anything like when we went after Rayner, it’s going to get bad. The sort of bad you can only get through if you stay focused and keep a clear head. You choke down the fear, and not because it’s feeding some weird horrible god like Jon thinks, but because that’s how you keep going.

(MAG119) BASIRA: Don’t panic. Don’t panic. Just close your… Ignore it. ignore the, uh… don’t listen. Focus. Think. This is a place. You are you and you’re in a place now. If… if it’s a place, and it’s now, then… then… then it has an end. The other things, the… […] Good! Then… then keep moving. Keep moving until you find another place. A place you know… just keep moving. Keep moving.

(MAG128) BASIRA: Do you know how I survived the… The Unknowing? ARCHIVIST: I… No. No, I don’t. BASIRA: No powers, no… magic or… help. I was trapped in that place, and so I tried to figure it out. And I did. A little. So I kept doing it. I kept going through until I got out. I… reasoned my way out of that nightmare. ARCHIVIST: Good lord… BASIRA: Then everything ended, and Daisy was gone. And you were gone. And Tim. And then I got back to the Institute, and Martin send me to meet the new boss. Then I stood alone in an empty office for more than one hour. I can trust me, Jon. That’s it.

(MAG142) MARTIN: Would have thought Basira would’ve had more sense, though. DAISY: When Basira and I were partners, I’d see this happen sometimes. She can read a… situation like no one I know, always seems to know the right move, but for all her research, she never wants to put a plan together. I think she just hates all the unknowns, the… variables. [SIGH] Contingencies. If she spots an advantage, she’ll… grab it, and trust herself to figure out the details as she goes. MARTIN: Hm. DAISY: It’s worked so far.

(MAG146) BASIRA: No. No, if he is being controlled, we need to know. And we need to know now. Do you know where she is? ARCHIVIST: H… Not… not properly, I, I think she has some connection to Hill Top Road. BASIRA: Then we go. Now. [SHUFFLING] Unless anyone has any objections? […] Daisy? DAISY: … Be better if we could prepare. MELANIE: I–I just think that… we shouldn’t be exposing ourselves like this until we have a little bit more than a hunch…! ARCHIVIST: She does have a point. MELANIE: I didn’t ask you. BASIRA: ‘Kay, fine. I’ll go, then. I’ll do some recon on my own and update you.

(MAG155) BASIRA: No sign of Annabelle either. ARCHIVIST: You’re still on that? BASIRA: You’re not? ARCHIVIST: … I–I mean, I don’t know how much she can predict or manipulate the future, but I think she’s proven she can at least avoid us finding her. BASIRA: Yeah, well. It makes me feel better. ARCHIVIST: I suppose that’s something.

Given how that’s also what she did upon discovering that the world had “ended”, it sounds more and more like a coping mechanism to not have to deal with everything else, and/or to get back a semblance of control… I’m remembering what she had said about her father’s life-lessons:

(MAG117) BASIRA: I don’t know. I feel kind of bad. Everyone seems to be having a much worse time of it than me, and I was meant to be the hostage. It’s amazing, how much you can ignore when you keep your head in a book. Mf! My dad would hate me talking like this. He couldn’t stand people who just passively moaned about their problems. He always said: “If you don’t like something, you accept it and you adapt; or your fight and you change it. Whining doesn’t help.” I’ve always tried to live like that, but I think sometimes… you feel like you’re adapting, but… it’s just denial. But not anymore. I’m going to fight and change it. I just hope I’m not heading into the wrong battle.

… And back then, it hadn’t really struck me as a potentially toxic mindset. I mean, it’s supposed to be inspiring, but it’s also… so dichotomic. Either you shut up and accept, either you actively fight: there always will be cases where it’s more complicated than this, where you can’t really do either. And it feels like Basira tried really hard to live through these words, without accepting that they weren’t really working because the world is a way more complex place than this…

I’m really/curious excited, because with the way Jon kept pushing for her to understand how keeping her eyes closed and following a pure binarism had been her fatal flaws, it really seems like we’re heading towards something. Crossing fingers for a Basira mini-arc/inner-journey before everything bursts into flames!)

- … On another note, Helen, your entrance, please.

(MAG177) [TENSE SILENCE] [SOUND OF AN ELEVATOR ARRIVING WITH A SUDDEN, SHRILL “BING”] MARTIN: [SURPRISED GASP] [DISTORTION SOUNDS] HELEN: Not interrupting anything, am I? MARTIN: Christ, Helen, you scared the life out of me! HELEN: [INSINCERE] Sorry darling. ARCHIVIST: Not now, Helen.

Best and Worst entrance at the same time.

I didn’t really hear static, this time around? Like, the usual distortion sounds were there, but not the fuzzy static? Is it because they were already in a Spiral domain?

Her playfulness was off the charts this time, and OOFT:

[…] BASIRA: Really don’t need your opinion on this. HELEN: Good to see you too, Basira! You’re looking well.

She felt absolutely untrustworthy, in such a cartoonish way… that actually, it probably would have been fine to take her on her offer right now, if expecting to be deceived?

(MAG177) HELEN: I can offer a shortcut. Take you right to that murder machine you call a partner. MARTIN: Basira… Jon can’t go through Helen’s doors, we, we couldn’t come with you. HELEN: Basira is a strong, independent woman. She doesn’t need you two holding her hand. Anyway, it’ll be dead quick. Two minutes, door-to-door, quick shot to the back of Daisy’s head, and we’ll be home before you know it! ARCHIVIST: … You just heard what The Spiral does to people, you can’t… trust her. HELEN: Urgh, nonsense! Martin can vouch for me. You and– what’s-his-name went through Michael’s door, right? And he was rubbish compared to me. MARTIN: … We were in there for two weeks…! HELEN: Exactly! And you’re just fine! Better than fine, flourishing! MARTIN: … You really don’t care, do you? HELEN: Alright, be like that. [FOOTSTEPS] Under new management, anyway. [EXHALE] So what’s it going to be, Basira darling? Quick and easy? Or are you looking to take the long way round as the third wheel?

* It’s… suspicious that Martin ended up explaining/reminding to the audience the Jon Problem about him being unable to go through Helen’s door without likely destroying her in the process. It feels like someone will end up inside soon…? (Also yay for Martin once again stating that if Jon can’t go, it means that they can’t go!)

* Helen’s “dead quick” is awful, I hate it.

* Martin, forgiving and forgetting? NO AHAHAHA RESENT AND REMEMBER:

(MAG080) MARTIN: Sorry? Sorry, what? How can you not care!? TIM: Because this is us now. Worms. Monsters. Corridors. They’ll keep happening until one of them kills us and we’ve just got to deal with it. [SIGH] … Any sign of the woman…? MARTIN: I don’t think so. [PAUSE] We should have helped her.

(MAG082) MARTIN: I told you that there was someone else there. It may… DAISY: Which one should we be asking, by the way? The man with the knife hands or the woman trapped in your “magic corridors”? MARTIN: It happened.

(MAG117) MARTIN: Hey, hey, I mean what’s normal, right? Is living in an old document storage normal? Is losing a friend and not even noticing normal? Corridors? Evil all-seeing managers? I suppose you can get used to anything, but…

(MAG118) MARTIN: [DRY LAUGHTER] Dignity? Alright, yeah; like the dignity of being trapped in your flat by worms, or sleeping in the Archives, clutching a corkscrew! Or– or fetching drinks for the thing that murdered your friend without you even noticing…! Laughing at all their little jokes, then being left to wander impossible corridors for weeks!

… Helen’s lack of respect for Tim, though :w (Peter had also shown some trouble with remembering his name, in MAG158…)

* Squinting hard at Helen saying that Martin is “flourishing” and adding that “Under new management, anyway”: was it referring to herself (as The Distortion’s new management, since she just mentioned Michael having been “rubbish”)? To Martin’s own Fear alignment…?

I’m glad and relieved that Basira refused her offer, even if it’s purely motivated by strategy ;; (And I’m amazed that Martin hadn’t noticed how much fun she’d been having until now – she… doesn’t seem to be getting worse? She’s just consistently casually awful.)

(- I’m wondering if Helen’s “Especially now you’ve got… someone else to do the intense, driven thing. I think you might need to get a new schtick!” was purely gratuitous or a very direct jab… Right now, Jon&Martin’s quest to the Panopticon feels like it has been put to a stop, to allow them to focus on Daisy. The way Helen put it, it seemed as if it was convenient for Jon to not have to handle the “driven thing” anymore at the moment…? Is Jon actually reluctant to reach the Panoptitute, just like Basira might be sabotaging herself from reaching Daisy through nightmare logic…?)

- Once again, the episode ends with Jon leading the way, which he’s done a lot since coming out from The Lonely with Martin in MAG159. It makes sense, since he has the knowledge and a better understanding of the domains compared to the others, but I wonder if there will be a point, this season, when Jon will have to follow someone else instead of taking the lead?

- Amongst the things which were not mentioned this episode and had involved Basira:

* The fact that the “kid” avatar that Jon&Martin encountered was Callum Brodie. Basira had been involved in the mission to rescue him from the kidnapping orchestrated by The Dark, and Martin was aware of that when they met Callum in MAG172. Yet, he didn’t namedrop him in front of her, in this episode.

* Jon mentioned that Elias had manipulated them, but not how it had been done, and that it had required to get him marked by the Fears. Basira was directly pushed by Elias to go to Svalbard, where Elias knew that the Dark Sun resided, on the pretext that they might be attempting a ritual there. If Basira hadn’t listened to Elias, or had shared who was her source with the others… maybe they could have averted that mark for a little while longer.

* They didn’t mention that Jonah launched the apocalypse through a letter which had been hidden amongst the statements that Basira had sent to Jon. (No mention of the tapes either: though Jon&Martin had already understood that Basira wasn’t behind them by the beginning of season 5, Basira might have confirmed that it indeed wasn’t her).

=> That’s a few instances where Basira’s actions had “complicated” consequences and made her an (unwilling) contributor to the Fear business and Jonah’s plans. I wonder if these little details and pieces of information will be revealed to her soon? They… could hurt her a lot, while still helping her to see how the situation is not as simple as she wanted to believe (the victim she had helped to save was a bully and turned into an avatar torturing other kids; her fear of another ritual led to Jon’s second-to-last mark; either she didn’t pay enough attention to the statements she was sending, either the package was compromised before reaching its destination, leading to Jonah’s letter trapping Jon).

MAG178’s title is hard! It makes me think of something Gerry had told Jon, but also possibly of administration-stuff. Elias and/or Rosie stuff? Something about Daisy’s list of preys? Domain with a “minor” fear to show, like with the Extinction, how Smirke’s categorisation didn’t work all that well? Something about the deaths not being permanent? Beholding domain or statement, demonstrating the way it’s a bit more important than the other Fears in this new world?

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