#hororr sci fi

[schlock-luster-video]

On July 5, 1973, The Andromeda Strain debuted in Hungary.

[noro-noro-noro]

oh right in my dream - there was some kind of movie audition. we (sister & i) had to keep a straight face while shenanigans happened all around us. someone kept bringing in various popular movie posters shittily re-shot & badly composited with the seinfeld cast. these were great. there was a hororr movie one, a sci-fi one, & at least one more. maybe juriassic park. - someone bought me hades 2 as a gift. despite really not wanting to play it right now i did it anyway bc i felt bad about not using a gift, & it turns out there was a poseidon mode where instead of playing the game you jump into the water & start exploring. you can catch fish & stuff but the goal was to keep going forwards. camp out in air pockets over night, cook some food, avoid the larger & more dangerous creatures while you figiure out how to keep getting deeper in the water. awesome! really liked it. - we adopted a little kitty!!! it was really round and gray small

[vtgscifi]

source bluemelodybooks DE ELLIS A Thousand Ages Vintage HORORR Horrific Nightmare SCI FI Horror Book

[vtgbooks]

DE ELLIS A Thousand Ages Vintage HORORR Horrific Nightmare SCI FI Horror Book

[moonsofsappho]

40 WLW BOOK RECCOMENDATIONS

Here's a list of wlw book reccomendations and their genres since it's extremely hard to find. I haven't read most of these!!

young adult / contemporary || romance || fantasy / fairytale || sci-fi / dystopia || mystery / thriller || horror / paranormal || historical || coming of age

[ 1 ] The Miseducation of Cameron Post - Emily Danforth (coming of age, young adult)

[ 2 ] Annie on my Mind - Nancy Garden (romance, young adult)

[ 3 ] Of Fire and Stars - Audrey Coulthurst (fantasy, romance, young adult)

[ 4 ] The Abyss Surrounds Us - Emily Skrutskie (sci-fi, young adult)

[ 5 ] We Are Okay - Nina Lacour (young adult, contemporary)

[ 6 ] These Witches Don't Burn - Isabel Sterling (young adult, paranormal, contemporary, romance)

[ 7 ] The Henna Wars - Adiba Jaigirdar (young adult, contemporary, romance)

[ 8 ] Queen of Coin and Whispers - Helen Corcoran (fantasy, romance, young adult)

[ 9 ] Girl, Serpent, Thorn - Melissa Bashardoust (fairytale, fantasy, young adult)

[ 10 ] The Falling in Love Montage - Ciara Smyth (young adult, contemporary, romance, coming of age)

[ 11 ] Bleeding Earth - Kaitlin Ward (horror, young adult, dystopia, fantasy)

[ 12 ] Its Not Like its a Secret - Misa Sugiura (young adult, contemporary, romance)

[ 13 ] Criers War - Nina Varela (young adult, fantasy, romance)

[ 14 ] This is How you Lose the Time War - Amal El-Mohtar and Max Gladstone (sci-fi, romance)

[ 15 ] The Dark Tide - Alicia Jasinska (young adult, fantasy, romance)

[ 16 ] Tell Me How You Really Feel - Aminah Mae Safi (romance, young adult)

[ 17 ] The Difference Between Me and You - Madeleine George (young adult, contemporary, romance)

[ 18 ] Wilder Girls - Rory Power (young adult, mystery, thriller)

[ 19 ] Huntress - Kate Quinn (mystery, thriller, historical)

[ 20 ] Girls of Paper and Fire - Natasha Ngan (fantasy, young adult)

[ 21 ] The Priory of the Orange Tree - Samantha Shannon (fantasy)

[ 22 ] Fingersmith - Sarah Waters (historical, mystery, thriller)

[ 23 ] Tipping the Velvet - Sarah Waters (historical, romance)

[ 24 ] The Best Bad Things - Katrina Carrasco (mystery, thriller, historical)

[ 25 ] The Once and Future Witches - Alix E. Harrow (historical, fantasy)

[ 26 ] Wicked Saints - Emily A. Duncan (fairytale, young adult, fantasy)

[ 27 ] The Truth about Keeping Secrets - Savannah Brown (coming of age, young adult, contemporary, mystery, thriller)

[ 28 ] The Summer of Impossibilities - Rachael Allan (romance, contemporary, young adult)

[ 29 ] Youre Next - Kylie Schante (young adult, mystery, thriller)

[ 30 ] A Line in the Dark - Malinda Lo (mystery, thriller, young adult)

[ 31 ] High Desert - Kate Dalafield (mystery, romance)

[ 32 ] The Blind Goddess - Anne Holt (mystery)

[ 33 ] Ordinary Mayhem - Victoria A. Brownworth (mystery, thriller, horror, paranormal)

[ 34 ] The Haunting of Hill House - Shirley Jackson (horror)

[ 35 ] Into the Drowning Deep - Seanan Mcguire (sci-fi, hororr)

[ 36 ] The Red Tree - Caitlín R. Kiernan (fantasy, paranormal, horror, mystery)

[ 37 ] Sawkill Girls - Claire Legrand (coming of age, horror, young adult)

[ 38 ] As I Decended - Robin Talley (horror, young adult)

[ 39 ] Adaptation - Malinda Lo (sci-fi, young adult, thriller)

[ 40 ] The Seven Husbands of Evelyn Hugo - Taylor Jenkins Reid (historical, romance, contemporary)

This took a very long time to make so I would love it if you could repost!!!

[isikepalapu]

di 23 tahun yang ku lalui.

Untuk mengingat-ingat beberapa hal tentang bagaiamana ini dijalanani, bagaimana kepala ini berpikir, bagaimana diri ini bersikap, dan apa-apa saja yang telah, akan, dan enggan dicapai.

Menyadari bahwa fase cocok-tidak cocok dengan orang lain masih berlanjut hingga sedewasa ini. Tidak hanya anak kecil, orang dewasa pun juga berkonflik.

Mengemban ketakutan akan kesehatan orang tua; yang menua-mengharap segala banyak kepana anak namun belum tergapai-melelahkan pikiran-mengganggu kesehatan. //menjadi terpikirkan untuk memulai olah raga sedini mungkina-menbahagiakan batin-menekan harapan kepada di luar kendali agar kelak menua namun tetap segar bugar & bahagia.

Relasi manusia itu unik. Relasi dalam berpasangan terutama. Sangat unik. Saat kecil berpikir bahwa mencintai = menikah; menikah = cukup dengan saling mencintai = tidak ada cinta lain selain yang kamu cintai itu. Tidak. Akhirnya menyadari makna ucapan "kita bisa menikah dengan siapa saja namun kita tidak bisa mengontrol kepada siapa kita jatuh cinta". Ternyata, tidak serta merta saat berpasangan dengan seseorang lantas mematikan rasa kagum terhadap sosok lain. Dalam hubungan, ada yang masih bertahan belasan hingga puluhan tahun namun sama-sama menggores luka, bukan karna masih saling mencinta atau meromantiasasikan bahwa cinta abadi adalah blablabla namun kenyataannya banyak pertimbangan yang di mana resiko bila berpisah justru lebih menyeramkan.

Semakin dewasa, semakin tidak ingin terlampau lama berada di jauh dari orang tua.

Di datangi saat hanya akan dibutuh kan bukan suatu hal yang menyebalkan.

Menyadari posisi kita tidak yg utama dalam tingkat priorotas orang lain bukan suatu yang harus dipusingkan.

Susu bayi ternyata mahal. Masih lebih siapa secara mental & finansial untuk memelihara kucing. Its not FOMO, its anak muda yg effortless & masih egois untuk menunda kebahagiaannya sendiri. Maaf ya nak, di 23 tahun mama belum bisa menahan diri untuk nda beli jajan demi bisa beli susu/ popok mu. Maaf ya, kamu hadirnya ntar ntar dulu.

Pusing antara harus menitih karir di bidang mana. Yang sesuai maunya org tua? Sesuai passion ku? Sesuai budget hidup ku?

Aturan dari jaman mahasiswa lebih konsen upgrade cv

23 tahun tapi masih butuh di antar orang tua buat berobat tapi di satu sisi malu kok udah gede maumauan nyuruh simbah2 buat nemenin, kayaknya emang pantasnya di antar pasangan hidup tapi 23 tahun masih lebih mempercayakan segala keluh kesah ke sehatan untuk didampingi keluarga. Tersugesti kalau yg dampingi bukan orang rumah kayaknya sembuhnya bakal lama.

Temen-temen kok kayak ada bedanya dulu vs sekarang. Aku tuh dilihat ada bedanya ga ya?

Tidak artinya menikah dengan jalur pacaran = hidup berantakan; menikah dengan jalur ta'aruf = hidup lancar jaya. Suka-suka yang punya semesta mau bagaiaman alurnya. Kalau suka-suka kamu dan jalannya paten, nanti kamu sok tau.

Tidak suka tidak sama dengan benci

Filosofi Teras, Sebuah Seni Bersikap Bodoamat, thread twitter perihal perbedaan jatuh cinta bedes lanang vs wadon oleh Ryuhasaan, tonight show, kumpulan meme twitter, shit post absurd, lagu-lagu jebolan soundcloud, sex edu by sisilism, video edu parenting terutama oleh dailyjour, akun IG bapak2.id, segala tulisan di Quora, film tema drama keluarga/ hororr/ gore/ sci-fi adalah referensi segala isi kepala di 23 thn.

Mulai skeptis denga segala huru hara terutama di tktk -.-

Masalah orang Twitter bukan urusan gw

Akan marah jika thread pelecehan namun bermula dari sama-sama mau bertemu di ruang privasi.

Suka mikir orang baru yg masuk ke kehidupan asliya psikopat/ begal/ tukang hipnotis/ niatnya pasti kalau ga jahat, jahat bgt. Apalagi yang tautau ada di kontak whatsapp, hallo... Kita punya sosial media lain untuk sekedar say hi, WA itu ranah privas kalau kamu tau-tau di sana pasti kamu agen pinjol!

Kalau mau telfon, chat dulu. Angkat telfon & say something on that itu butuh effort besar. Kalau urgent, chat dulu. Kalau tidak chat=tidak urgent.

Sebisa mungkin meminimalisasi konflik. Kalau kamu hidup penuh konflik & mau bagi-bagi konflik aduuuh makasih aku pusing kepalaku cuma satu.

Paras bukan segalanya, wawasan luas & good speaker & listener & frekuensi humor yg sama baru bisa jadi segalanya.

Tidak ada kehidupan yg sempurnya. Pasti ada pusing nya. Semakin terlihat sempurna = pusingnya pasti makin makin.

[quarkmaster]

The Host

Insipred by Stephen Oakley's concept "Host Monster"

(https://www.artstation.com/artwork/qEnQR)

The project started from a ZSphere, I sculpt and poly paint all in Zbrush. I used Keyshot Bridge and render everything in Keyshot 6 and final comp the image in Photoshop. I hope you like it.

Allan Lee

[brokehorrorfan]

Our House will be released in select theaters and on VOD on July 27 via IFC Midnight, following its world premiere at the Fantasia Film Festival in Montreal on July 22.

The Canadian sci-fi/hororr film is a remake of 2010's Ghost from the Machine. Anthony Scott Burns (Holidays) directs from script by Nathan Parker (Moon). Thomas Mann, Percy Hynes White, Nicola Peltz, and Kate Moyer star.

The dead are sending you a signal via the trailer below.

A machine that can bring back dead loved ones seems like a great idea…until you unleash the wrong spirits. When his parents are killed in a car accident, science wiz Ethan (Thomas Mann) must leave behind college and his girlfriend (Nicola Peltz) to care for his younger brother and sister. By day, he juggles the responsibilities of raising two kids; by night, he tinkers in the garage on an invention he hopes will change the world: a machine that can generate wireless electricity. He gets more than he bargained for, however, when the device awakens the dead souls that haunt the house. As Ethan and his siblings attempt to make contact with their parents, a horrifying realization sets in: not all the spirits in their midst may be friendly. This hair-raising science-fiction ghost story is a nightmare journey into a past that refuses to stay dead and buried.

[znaidartproject]

Accurate representation: quality over quantity

Although film is considered a vast expanse of stories contributed from all around the world, through in our North American and European perception there is a shockingly low portion of genuine representation which reflects the black experience in an engaging or realistic manner. Even in the cinematic worlds of Jordan Peele, as exaggerated and amplified as they may seem, there is always a notable element of ominous sincerity. It’s hard not to engage in criticism and open discourse without having to generalize mildly. A noticeable portion of the black representation in the world of cinema is caricature-like and typically depicts a version of the black experience that is unrealistic and seen as a somewhat “comedic” existence, for a source of entertainment. One of Jordan Peele‘s most valuable storytelling gifts is in his ability to merge the genres of horror and comedy in a way which hones in on his black protagonists as the “normal” ones who are experiencing life amongst the chaos, judgement and outright bigotry exhibited by white people. Even as Peele’s plotlines delve into fantasy-like or science fiction-esque territory, they still contain incredibly realistic components which allow for poignant racial commentary to be made. 

All in all, the subgenre of black hororr and sci-fi shouldn’t be mischaracterized as a solely politically charged art form, or a variety of artistic activism to be “celebrated” for its representational value, or uniqueness in the mainstream sphere. There is still a *long* way to go in terms of the attention provided to black filmmakers of an genre or stylistic approach, especially in the context of educating future generations. It is the responsibility of academics to include black work in their film studies classes, on their reading lists and as theory-based examples in their lectures and seminars. All that it takes is for the public to shift their preconceived notions, and view it as worthy of both praise *and* criticism. Throughout the centuries, the work of black artists has been notoriously underfunded and underestimated. Instead of recycling traditionally white stories, and rebooting them with characters of color (as is the current trend with contemporary filmmaking and more specifically, book-to-film adaptations), let’s instead bring attention to black stories, and break out of the embarrassingly whitewashed world that we find ourselves in.

[schlock-luster-video]

On March 11, 2006 the colorized version of Plan 9 From Outer Space debuted in San Francisco.

Here's some new fan art inspired by the cult classic!

[schlock-luster-video]

On June 15, 1961, Village of the Damned debuted in Australia.

[schlock-luster-video]

On January 31, 2004 the Director's Cut of Alien debuted in Japan.

[schlock-luster-video]

On January 17, 1986 Re-Animator debuted in the United Kingdom.

[schlock-luster-video]

On January 5, 1971 The Andromeda Strain debuted in West Germany.

[schlock-luster-video]

On August 22, 1992, Alien 3 debuted in Japan.

.