#hopefully this interlude showcases their relationship
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ateez-himari · 24 days ago
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Hi bb!!! I hope you're doing great, I was feeling little down today so I thought I'd ask some silly questions on here :)))
1-I actually wanted to ask this a long time ago, but have you ever thought of adding another female other than hima in the group like they'll become 10 then or was your original idea always only hima
2-what are some mimi and matz moments that made atiny melt, they're literally the cutest oml🥹🥹
3-I was wondering if jongho's and mimi's relationship together is like the younger most mature duo yk?
4-does hima let go when with ateez like does she finally feel like she doesn't have to worry about anything and just live the childhood she didn't get to live fully?
5-this might be uncomfortable it's fine if you don't feel comfy replying but I was wondering have any other kpop fans mocked hima for her parents cause I've seen some sick people shame tae and lisa for their family members who have passed away and mock them
6-did hima take these pics
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(I'm delulu yes😔😔)
Love you bb take care, stay warm, and enjoy your holidays💓💓
Hi sweet!! I really hope you're feeling better today! 🥰 (I have my last exam later today so I hopefully will be able to put out more sweet content to make you smile)
• Nope my original idea was only Hima and at first she was going to be some kind of filler member - to really push the pirate concept by adding a siren, so she would only sing background vocals or high notes, would go on stage with the members but mainly take part in modeling gigs, not so much public appearances
• When they first made their debut, poor Hima couldn't handle the intense comeback schedules (early morning pre-recordings, fansigns, etc.,) so one of them would always be seen walking out of buildings with their little maknae sound asleep on their backs (they would cover her with their coat most of the time because they didn't want people taking pictures of her so exhausted)
Hongjoong was live (when they all shared a room) and atiny saw her tucking Seonghwa into bed because he'd fallen asleep reading, brushing away strands of hair, making sure he was comfortable and giving him a kiss on the forehead like he always did for her. About half an hour later she fell asleep on the floor while making some Lego that Seonghwa had offered her and it was her turn to be tucked into bed. Hongjoong even brushed her hair, took off the eye makeup she'd forgotten to remove and put her hand in Seonghwa's (her mattress was right next to his bed) in case she had any nightmares
During the stage check for the showcase of her very first EP 'Insomniac', Matz were caught by the main camera tearing up at the very first song (Intro; 00:01) and when the maknae noticed this, she immediately stopped her conversation with T.O.P to run up and hug them. Seonghwa went on live later and said that he didn't want to give spoilers but he nearly walked out during 'AM 4:44' because he couldn't handle hearing her say all of these things. Hongjoong actually did leave during 'Interlude; Tear' but came back near the end of the song
• They're kind of each other's release from the world - with Hima, Jongho isn't seen as a maknae so he can keep his normal level of maturity, taking care of her instead of the members taking care of him. Hima on the other hand feels like she can be quiet around him, like she can present the more mature side of herself because she knows he'll catch her if she falls back in the over-maturity she used to have, she also doesn't have to talk with him, kind of giving some peace when it comes to her hearing. Together they don't have the title of maknaes, they don't have to worry about age (even if they have a 1 year difference), their relationship kind of feels like being overstimulated then locking yourself in your room with all of these familiar comforting items; your bed, your desk, your phone, anything that brings you peace. How they sing together on stage is really reflective of how they feel towards each other; holding hands for support during high notes, standing back to back because they know the other's voice is supporting their own, etc
• At the beginning Hima felt 'safe' enough to let go of the maturity her circumstance had forced onto her, she was away from being alone, from the house where so many traumatic things happened, etc., but eventually when she developed her Depressive Disorder she started shutting down. The members noticed that she was unnaturally mature, less open about her emotions, always drowning in work, she just seemed to have lost that inner child that they all knew still needed to grow up. Eventually though with everyone reaching out to her, trying to hard to help, she began to break out of that shell and now she's basically living a second childhood surrounded by people who constantly hold her hand as it should have been all those years ago. That's why a lot of the times she's described as bright, somewhat innocent, always smiling, because that's how she was as a child and who she still is inside!
• Oh most definitely, I mean what better way to drive the one girl member away from your biases than to make fun of or blame her for the death of her parents, especially because she was 'supposed' to die that night and would have, had Hanzo not saved her. Because of this, she stopped going to their grave on trips to Japan for a while because she was afraid that they would come desecrate it. Pieces of her old survivor's guilt also resurfaced - even though she had to undergo so much work on herself to get over it (she never went to therapy because she would immediately shut down)
• Hehe of course she did! 🤭 The last picture was right before Mingi decided to pick her up by the waist and kiss his precious girlfriend in the middle of the street. The third pic is his new contact photo!
I think we lowkey share a brain though because the second I saw them after my math exam I was like "omg...Hima dropped new bf pictures" 🤧Love you too Mina! Take good care of yourself, of your physical and mental health and hopefully your holidays are peaceful even with all of these exams, Love You!! 😘🩷
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athyrabunlord · 7 years ago
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LLSHP Interlude - Carbonado (1)
Arc1: [Chapter 1] [Chapter 2] [Chapter 3] [Chapter 4] [Chapter 5] [Chapter 6] [Chapter 7]
Arc2: [Chapter 8] [Chapter 9] [Chapter 10] [Chapter 11] [Chapter 12] [Chapter 13] [Chapter 14]
Arc3: [Chapter 15 -  Under The Black Lake (TBD)]
Interlude: [Carbonado (1)] [Carbonado (2)] [Of Feathers and Wind] [Delphinus (teaser blip)]
[Brief note about School Term] [other LLSHP AU stuff] [YohaMaRuby concept arts] [ChikaYouRiko concept arts] [KanaDiaMari concept arts] [Hogwarts Staff]
[FFN link] (finished the interludes!) [Pixiv Link]
A/N: I should be writing LLSHP 11, I really should, but I can’t get this out of my head OTL No way I can wait until the whole story is finished to write this behind-the-scenes chapter, so here it is, a DiaRiko special interlude. It shows how their relationship develops prior to the beginning of the main story and up to chapter 10. And somehow it got so long I had to split in two parts
[You don’t necessarily have to read the main story to understand this one, but there are a lot of connections so it’s highly recommended you do, to appreciate Dia and Riko’s bond]
Words: 7,181
Riko Sakurauchi is vaguely aware of the pleasant floral scent as she starts to break away from sleep. The pillow feels more comfortable than she could remember, coaxing her to snuggle and drift back to blissful oblivion. How long has it been since she has felt this relaxed, this sated from rest?
Something odd about her whereabouts prickles at the back of her mind, enough that she is forced to blink her eyes open to assess the situation. Silky green and silver greet her as she sweeps her gaze around the familiar yet unfamiliar room.
Slytherin… the prefect dorm-?
Her eyes widen a fraction when she locates another girl seated on the window sill, reading a thick tome. The light that filtered through the panes is Charmed to resemble sunlight, but retains the Lake's unique tints since this is the Slytherin Dungeon as opposed to the Ravenclaw Tower. Dia Kurosawa's silhouette is enveloped in that soft glow, giving her an unapproachable yet picturesque aura, like a painting to be admired from afar.
Disorientated from vestiges of sleep still, Riko sluggishly gets up in a sitting position.
"Good afternoon, Sakurauchi-san."
Riko tilts her head. "Good afternoon, Kurosawa-san… h-how long have I been asleep? And, how did I get here-?"
Dia slightly lowers her head, the book now closed in her lap as she turns to face Riko. "Apologies. It has come to my attention that you have not had much sleep the past few days. Therefore, when I found you napping in the living room, I took it upon myself to place you on my bed, as it would be more comfortable than the chair."
Fragmented memories of her reading books come to mind. Riko coyly meets the older witch's concerned eyes. "Thank you, for everything. I know I must be intruding and-" She jolts in realization and tries to get off the bed. "Oh, I'm so sorry for taking up space, I didn't mean to just fall asleep and-"
"Sakurauchi-san, it is fine. I did not feel sleepy last night anyway, and a few hours of nap on the couch is more than adequate." Dia is now standing beside her, her hand gentle but also firm on her shoulder as if to keep her from leaving the bed. "You need to rest more than I do."
Riko sighs shakily. That brief sense of contentment from earlier seems like a figment of her imagination, now that reality has caught up again. "H-How is-?"
"Takami-san and Watanabe-san are fine. Kanan-san is taking care of them, and I have requested Mari-san to inform me should anything peculiar happens." Dia summons one of the chairs beside the desk and places it close to the bed before sitting down.
Kanan Matsuura is Chika and You's childhood friend and someone they both look up to, while Mari Ohara is her fellow Ravenclaw Housemate with a reputation for her quirkiness and brilliant grades at many courses. The two seniors are also Dia Kurosawa's most trustworthy friends, and have been helping her cope with that terrible incident just as much as Dia has.
She didn't know them back then and neither did they, yet circumstances had brought them together and, already, they have done so much for her.
"I see. Thank you, again, for…" Riko swallows the huge lump in her throat. "I'm not ready to face them yet."
"Of course, that is understandable." Dia's husky voice is kind. "However, you will need to face them eventually. The first term may be over soon, but surely they would like to see you before they go home for the holidays, and vice versa."
Riko gives her a slow nod, not trusting herself to speak any longer. Despondency soon devolves to dread while guilt makes it difficult to breathe. She could still hear Chika's agonized scream as those hooded figures struck her down with a Cruciatus Curse. She could still see the blood staining You's robe and fair hair when she blocked a cutting Hex from hitting her. Most of all, their blank eyes when she desperately wipes their mind clean of the incident, of their research group, of her…
"Shhh, it is okay. Let it out."
A hand is gently caressing her back, and Riko does find it easier to breathe after a while.
"You should not have involved yourself with me. Kanan-san and Mari-san too," she chokes out, her voice feeble and strained.
"But we are," Dia says evenly. "We share a common foe, a common goal. What happened has happened. We are in this together now, Sakurauchi-san. Please do not hesitate to depend on us more."
Riko flinches from the selfless offer. She understands the gist of the Kurosawa heiress' situation, that those hooded figures are the same ones that attacked the Pureblood for reasons unknown. Even then, she is grateful for the company and support. She wouldn't know where she would be now, if Dia and her friends hadn't found her curled up beside Chika and You's prone bodies. She was a complete sobbing mess then, and she refuses to become one again.
She swallows down a whimper and subconsciously pulls the blanket closer so the floral aroma fills and soothes her sense once more. "Thank you, Kurosawa-san."
Dia's small smile is just as warm as it was back at the campsite.
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'Depending on the proficiency of the Charm, memories are either suppressed or irreversibly erased. Therefore, it is possible to recover those memories-'
Riko stares hard at the wizened page of a thick tome she had managed to find from her family library. She is by no means an expert in the Memory Charm, but if she is trained properly and learns as much as she could about spells and the body, she might be able to reclaim the memories she had wiped from Chika and You's minds.
This is it then, her new goal. Surely, by becoming a Mediwitch, she would be qualified to do just that.
Sighing tiredly, she rubs the bridge of her nose and sinks back against the chair. At least she has accomplished something today. The holidays have been horrid so far, as she is unable to speak to her parents about what truly transpired at school due to that accursed Unbreakable Vow. Other than the feeble excuse of wanting to research and study more, she could not explain to them the reason behind her distance and subdued demeanor.
Chika and You have been sending her letters, their lively entries bringing her both joy and guilt. Their parting at King's Cross Station was awkward and brusque, with her making pitiful excuses about family commitments. She doesn't understand why the duo is still so attached to her, since the Memory Charm should have eradicated everything and made her a simple classmate to them. Yet, it is as if the whole mess with the quill never happened and they are still close friends.
I miss them. So much...
At least, according to those letters, they don't seem to be suffering from any aftereffects of the spell and are as energetic as ever.
Riko slaps her own cheeks and stands up determinedly. This is no time to be despondent. While her family library isn't as vast as Hogwarts' collection, she is certain that she would discover valuable information. It feels therapeutic even, studying and researching on her own, rather than learning from a sentient quill. She feels that, by understanding the origin of something, the newfound knowledge is earned and is safe, controllable within her ability.
It's New Year's Eve today, so she might as well make the last day of the year as productive as she could.
She has no idea how many hours have gone by, but when a commotion outside snaps her concentration, she notices that the sky has turned dark. Frowning, she approaches the window with her wand out, dubious of the possibility of intruders since the Sakurauchi residence is well-Warded.
Suddenly the alabaster windows blast open with a strong gust.
"Good evening~! How is my favorite kouhai-chan doing?"
That peculiar pitch could only mean one person. Riko closes her eyes and reopens them again just to make sure she isn't hallucinating. There, mounted on a majestic Hippogriff, is Mari Ohara with her signature Cheshire grin. She has never been particularly close to the flaky senpai, so how did the blonde find out where she lives and why is she here?
Her inner question must have been obvious on her face, for Mari holds up her finger and says. "Just want to confirm something, Rikocchi. You don't have any plans tonight, right?"
Riko hesitantly shakes her head.
"Alright~ Then you're coming with me! I've already informed your parents that I'll be borrowing you for, oh I don't know, a few days~"
"Huh? What-? Where are we-?"
"Come on!"
Mari has been helpful and encouraging so far, and her presence within the property means Riko's parents must have approved of her entry. Therefore, it wouldn't be harmful to see what the older witch wants, would it? Perhaps the loneliness over the holidays have worn Riko out more than expected, for she reaches out and takes the blonde's offered hand.
This could sort of resemble a pivotal scene in a fairytale where the prince in shining armor picks up the locked up princess with his gallant steed, except the said princess is hoarsely screeching in fear and confusion, while the said prince is cackling in glee as they soar above the clouds.
Riko regrets not rejecting the invitation outright. All she could do is cling to Mari's back as the Hippogriff sail across the sky with twirls and spins every now and then. She has never been a fan of flying growing up, preferring the Floo Network or Portkey as method of travel. And, with her recently acquired skill of Apparition, she sees no point in ever touching a broom again in her life, not after watching all the reckless stunts Chika and You pull during Quidditch.
But this is, for a lack of better word, insane!
"Lighten up, Rikocchi! Have some fun~!"
"This is so not fun, it's dangerous- yeeeeeeek!"
When they finally descend in a condensed forest, thankfully in one piece, Riko practically leaps off the Hippogriff just to savor the safe sensation of terra firma again. Her knees are still shaking though, making her glare and folded arms not as intimidating as she has hoped.
"Mari-san…"
The blonde senior has the audacity to giggle. "Oho~ Not bad, Rikocchi! Work on it a bit more and you could be as scary as Dia!"
Riko resists the urge to stomp and tries to breathe calmly. "Just where have you brought me, Mari-san?"
Mari merely winks and sends off her Hippogriff back into the night sky. With one crooking finger, she beckons Riko to follow her. Though dubious, Riko has no choice but to follow her companion through this unfamiliar landscape. The forest trail is narrow but appears to be meticulously maintained, with the hedges trimmed and the soil compressed evenly. The quiet atmosphere is not unsettling like the oppressive aura of the Forbidden Forest, but it does share that ancient and magical presence.
"Just where are we-?" Riko murmurs and is about to cast Lumos when Mari stops her with a light tap.
"No light or any traceable spells, not in this territory, at least not until the coast is clear. Ah, there she is~"
Riko tenses when she spots a large silhouette padding towards them. She blinks when the wolf smoothly transforms into a familiar ponytailed witch.
"Kanan-san?"
"Hey. Glad you could make it."
"Make it to what-?"
Kanan chuckles exasperatedly. "You didn't explain to her, Mari?"
"I want it to be a surprise~"
Riko looks between the two older girls, but she pushes the confusion away for the time being and approaches Kanan anxiously. "How are Chika-chan and You-chan? T-Their letters said you had a snowball fight-?"
"Yup! Between them and Shiitake, I had no chance!" Kanan smiles amiably as her voice softens to an understanding tone. "They are doing just fine, but they miss you a lot."
Something inside of Riko deflates and she just feels weary. "I see... I do too, so much, but I-"
She blinks in surprise when Kanan ruffles her hair. "None of that here, not today at least. Mari and I are going ahead to make sure your entry won't be detected. Will you be okay on your own for a bit?"
"S-Sure? I'm not a little kid," Riko resists the urge to pout, though it does feel oddly refreshing to be treated like this. She often has to play the older sister figure within her group of friends, so this is a pleasant change for once. "You won't explain what's going on here though-?"
"Mari's kept this a secret this long, I'll do the same," Kanan and Mari exchange a small smile before the two change into their Animagus forms.
Riko leans against a tree, her fingers nervously wrapped around her wand as the wolf and the cat darts into the shadows. She has no reason to distrust the two older witches, and this forest does lack that ominous aura as the Forbidden Forest. The whole trip so far has thrown her routine schedule of research out of loop but it isn't wholly bad. This rather reminds her of the spontaneous excursions Chika would come up with, or the rare childish adventures You would lead them around the Black Lake.
No matter how much she tries, she keeps sinking back into that quagmire of remorse. Thankfully, true to Kanan's words, she doesn't have to wait for long.
"Good evening, Sakurauchi-san. Apologies for the wait, and for Mari-san's behavior as well."
"Kurosawa-san?"
Riko is astonished to find Dia carefully descending in front of her on an unusually large broom. The Kurosawa heiress is dressed in a simple vest and jeans, an unexpected outfit for someone of her station and making her appear like a Muggleborn.
"I assume neither Mari-san nor Kanan-san explained why they have brought you here?"
Slow nod. Dia shakes her head in exasperation. "I do not understand their intention either, but perhaps it is best that we talk inside." She gestures at the forest and at a direction beyond the canopies. "This is the Kurosawa Estate, and a complex system of Wards prevent any outsiders from entering the grounds. This trail is the only method of approach via Muggle means, but we can at least fly over the Manor and enter my private wing this way. Please get seated behind me."
Humbled and just a little apprehensive, Riko glances at her surroundings one more time before sitting on the invisible cushion of the large broom. "I've never seen this kind of broom before…"
"Ah yes, this one was specifically modified to fit one extra passenger," Dia's voice is rather monotonous. "I used to fly around with my little sister."
"I didn't know you have a little sister-" Riko bites her lips but the inadvertent question has already slipped out.
"... Ruby is four years younger than me, and she will be attending Hogwarts as well, for next year." Dia clearly doesn't want to speak more on the subject, so Riko nods and gingerly holds onto the handle in front of her seat.
Once Dia ensures that Riko is secure, they effortlessly ascend over the canopy and towards the distant Manor. The maneuvers are precise and steady while maintaining decent speed, making the whole ride a pleasant experience as opposed to the heart-stopping skydiving she did with Mari earlier. Nostalgia fills her as she recalls how Dia was the Slytherin Seeker when she first came to Hogwarts, and the times she sat with Chika and You in the breachers cheering for Kanan. Chika wanted to become a Beater after seeing her childhood friend's daring strikes, while You found the agile Slytherin Seeker to be cool and aspired to become one too.
Smiling wistfully, Riko leans forward and subconsciously wraps her arms around Dia's waist as if this would fend her from the night chill and these distant memories.
If Dia has any objection to such proximity, she does not say anything. Riko relishes in the warmth as she dazedly appreciates the view below. The Kurosawa Estate is truly a sight to behold, the extensive network of buildings and ground comparable to Hogwarts itself, just on a smaller scale. The mixed style of traditional Japanese ceramic roof tiles and Western arches present a rather austere atmosphere for any onlookers.
The central Manor resembles more like a fortress than a simple residence, so Riko is slightly relieved when Dia veers off to the side and descends towards an open area closer to the hedge that encompasses the entire Estate. This private section is more simplistic in appearance, with a quaint two-story house that has wooden verandas and traditional Japanese shoji doors.
Riko has the odd sensation of something cool traveling up her body as she carefully steps onto the grass, possibly the effect of the Wards accepting her presence. Unlike the frigid night air in the forest, the surroundings feel warm from heating Charms as if she is indoors. She glances around the garden in wonder, admiring the aesthetic arrangement of ornaments and small ponds with miniature bridges.
It must look breathtaking during spring, when the flowers bloom and the koi fish visible beneath the water.
Stretched on the porch are Kanan and Mari in their Animagi forms, appearing comfy and right at home as if they are Dia's house pets. Riko smiles in amusement at the idea.
"Well then, the two of you owe Sakurauchi-san an explanation," Dia puts away the broom and conjures a cushion for her guest on the porch before pointing her wand at her friends.
Mari purrs lazily and flops against Kanan, who lolls her tongue and wags her long tail. Riko couldn't help but giggle at the sight.
Dia's tense shoulders relax slightly as she lowers her wand and sighs in resignation. "Again, I apologize for their behavior, Sakurauchi-san. I hope you were not forcibly taken away from family gatherings or other engagements."
"It's okay, Kurosawa-san. I'm rather… humbled to be able to come here," Riko suddenly feels out of place, since she hasn't known any of the three older witches for long. The adrenaline has faded enough for the timid side of her to surface, making her drop her gaze uncertainly.
Dia furrows her brows and resumes glaring at the wolf and cat. Like chided children, the two Animagi transform back.
"We do this every year, Dia."
"Yes, but why did you involve Sakurauchi-san?"
"We thought she might like some company. It's New Year's, yes?"
As if on cue, a grandfather clock chimes somewhere behind the shoji doors, signaling that is is already midnight. Kanan and Mari share a grin before pouncing on their friend in a group hug.
"Happy birthday, Dia!"
The Kurosawa heiress stumbles a little but accepts her friends' fervent attention with grace. Riko frantically checks her pockets and despairs when she only finds her wand and nothing else. Then again, nothing would have been good enough to count as a present anyway.
"I didn't know it's your birthday, Kurosawa-san, I'm sorry I didn't bring a gift-"
"Do not fret, you did not know and it seems like you were brought here abruptly in the first place," Dia sends another withering glare at her smirking friends. "Besides, you have already given me a present."
"I have?"
"You seem to like the way I have arranged the garden, a small personal project that I am rather proud of," Dia holds her chin high and gives her an uncharacteristic child-like smile. As if embarrassed by the slip in composure, she then coughs and gestures for Riko to follow her onto the porch. "I am glad to have you here, Sakurauchi-san. Let us go inside where it is more comfortable, and I will bring some refreshments."
"Hehe, we shall party all night long~! Are you ready, Rikocchi?" Mari lunges at Riko's back, placing her hands on the younger girl's shoulder to usher her.
"Mari and I have prepared quite the cake, we'll definitely need your help to finish it," Kanan folds her arms behind her head and brings up the rear as the four witches enter the house.
The amiable atmosphere makes Riko's heart flutter in joy, something she hasn't permitted herself to feel since that incident. Before Dia could close the shoji door behind them, a horned owl swoops down and deposits a parcel onto her hands. Riko vaguely recognizes the bird as Dia's familiar, but what catches her attention is the small forlorn smile on Dia's visage as the latter inspects the present and the card attached to it.
She is familiar with such expression - sorrow and helplessness carefully veiled so that friends would not worry. Before she realizes it, she has already placed a comforting hand on Dia's arm, wishing she could do more for the older girl.
Dia gazes at her solemnly and repeats what she said earlier, in a softer voice. "I am glad to have you here, Sakurauchi-san."
Riko smiles. "I'm glad to be here too."
And it's not because she wouldn't have to endure loneliness back home, but because she gets to spend more time in Dia's company.
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Riko ended up spending the remainder of the holidays at the Kurosawa Estate with Kanan and Mari. As the heiress, Dia had many duties and was rarely seen until well after dinner time, so Riko was left in the other two witches' rather enjoyable company.
Kanan seems to know exactly when she is feeling down and would provide comforting words, while Mari's unpredictability doesn't even give her the time to feel melancholic. Through them, Riko learns a lot about the Kurosawa family, of how they hold great pride in their Pureblood status and does segregate the Muggleborns and mixed lineages. While it isn't wholly in a condescending way, they do believe that they have special privileges as descendants of an ancient bloodline.
This is the reason why Kanan and Mari are unable to enter the Estate through the front entrance, as Kanan is a Muggleborn and Mari has Muggle heritage. The Sakurauchi line has diluted over the centuries, with marriages to Muggleborns or Half-bloods and so on. Therefore, even though Riko's mother and paternal grandmother are Purebloods, the traces of Muggle lineages in her blood would have barred her entry as well. Dia has specially set up her private wing so that her friends could enter via the forest trail.
Riko doesn't know why, but Kanan and Mari seem to enjoy sharing Dia's little secrets with her, such as Dia's favorite dessert or her borderline-fangirl idolization of the Deputy Headmistress. Even then, Riko only grows more fond of the austere heiress, finding these uncharacteristic sides of her rather cute and make her more approachable.
However, there is one topic even Kanan and Mari would not touch upon, respecting their friend's privacy. Riko has only caught glimpses of Ruby from afar, for the younger Kurosawa lives on the other side of the Estate under the elders' careful scrutiny. From what Riko could deduce, Ruby's magical abilities, while much better than average witches', are not up to the Kurosawa's standards and thus she is allowed very little freedom. The siblings only get to interact with each other during lessons and meal times, though Riko could tell that Dia cares about her little sister very much and vice versa.
Still, everything is merely speculation. Dia never elaborates much, and Riko doesn't pry. Family politics isn't something an outsider like her could interfere with after all.
"Ohayousorou!" "Riko-chan, you're early!"
Riko smiles warmly at her two best friends, who envelopes her in bear hugs the moment they spot her at the train station. The relaxing holidays are therapeutic enough for her to face Chika and You again.
It's a new year and the second term of their Second Year at Hogwarts. She is ready to confront her demons.
There's just something magical about Chika and You, for they easily break through her reserves and soon after, she finds herself laughing with them as they settle down in their compartment. She misses Chika's silly puns and adoration of mikans. She misses You's piles of fashion magazines and spirited salutes. She recalls how some of her Ravenclaw peers questioned her choice of company, considering the Gryffindor duo's less than mediocre grades and boisterous disposition. Even now, her answer is still the same.
They may be dorks, but they're her dorks. Her precious, courageous friends who didn't even hesitate in throwing themselves in harm's way to protect her.
"Hmm? Is there something on my face, Riko-chan?"
I stared too much. Blinking, Riko flusters and is about to wave it off when she does notice bits of chocolate dotting Chika's cheek. Chuckling fondly, she points it out and waits for You to clean it up like she usually does.
To her surprise, You merely nudges and teases Chika, while the latter grumbles good-naturedly and wipes her own cheek. Riko shrugs away the peculiarity and soon their conversation falls back to normal.
However, as time goes by, Riko notices more and more of the nearly indiscernible distance between them. Sure, Chika and You still act buddy-buddy with each other, but nowhere is the closeness they share as a couple. Back then, as long as they're only in Riko's company, they would inadvertently express their affection for one another.
Those cute secretive glances they share, shy blushes and content smiles, where have they gone?
Hoping she is just being paranoid, Riko forces out a chuckle. "You know you don't have to hold back around me. Thanks for the consideration, but I'd rather you just be yourselves."
The duo looks confused. "What do you mean?"
"Usually you'd hold hands or, um, you'd kiss You-chan's cheek just to make her flustered-?"
"Eh! W-W-Why would Chika-chan do that?" You sounds shocked while Chika's jaw drops. "Why this all of a sudden, Riko-chan?"
Dread settles in her stomach but she persists. "But, that's normal for a couple, right-?"
"We're not a couple!" The duo denies simultaneously. "We're best friends, Riko-chan. We've known each other forever, it'd be weird if we go out..."
Riko feels numb while their words reverberate in her chaotic mind. But that's exactly it! Both of you have crushes on each other as long as you can remember! You both confided in me, that you didn't want to ruin your lifelong friendship, so neither of you did anything! I was the one who managed to make you two confess!
Color drains from Riko's face as realization claws at her. And I was the one who took away all that. I Oblivated you both, and because I was too weak and inept, you had to save me and shield me and you paid the price and lost so much-
"Riko-chan?!" "Where are you going-?"
Filled with nausea, she runs out of their compartment and past startled students down the hallway. She needs to go somewhere secluded but she is practically trapped on the train. She opens the connecting doors and enters the next cart, then the cart after that, and more, just to get as far away as possible.
Suddenly, she runs into someone and almost tumbles backwards if it weren't for steady hands wrapped around her. She looks up to see Kanan's concerned expression and feels a familiar sting at the corner of her eyes. Before tears could leak out, Kanan pulls her into a warm hug.
Somewhere behind, she could hear Mari chatting with Chika and You, who must have run after her. It seems like the blonde is successful at diverting their attention, for soon their voices become inaudible beyond the connecting doors.
"We'll take care of Chika and You, you just keep going to the last compartment in the next cart, okay?" Kanan murmurs gently near her head before loosening her hold. Giving her one more encouraging pat, the ponytailed girl leaves her to her thoughts.
Riko dabs at her eyes and swallows the lump in her throat. Really, how could she ever repay them for their kindness?
Taking a deep breath, she follows Kanan's instruction and soon reaches the destination. Gingerly, she knocks on the door and pulls it open after hearing the occupant's permission.
Dia appears taken aback, a textbook still open in her lap as emerald eyes glance at her up and down. "Sakurauchi-san, what happened-?"
"M-May I stay here, please?"
"Of course."
Riko hastily enters the compartment and closes the door behind her, hoping her movement isn't as embarrassingly desperate as she thinks.
Rather than gesturing at the empty spot opposite of her, Dia scoots away from the window to make space. Riko gratefully takes the seat, prepared to wallow in melancholy while staring out of the window.
Yet the silence doesn't last for long. The warm and dependable presence beside her soothes her, and soon she finds herself opening her own books and discussing several topics with Dia.
A part of her hopes the train would never stop, though she doesn't understand where such thought came from.
0-0-0-0-0-0-0-0-0-0-0-0
The second term is hard, not just from her personal issues but from the intensive courses as well. Now that she's aspired to become a Mediwitch, she has discussed with her Head of the House and Deputy Headmistress, receiving permission to take Advanced courses for various subjects.
This change in schedule allows her to spend more time with the three Fourth-Years and less time with Chika and You, which has its pros and cons. While the heavy workload distracts her enough that she would not feel guilty distancing herself from her best friends, she also longs for their company and all the what-ifs had she never found that accursed quill.
While Chika and You not being a couple still bothers her, she's able to pretend nothing is wrong since they are usually at the library or around other students. Like old times, she enjoys helping them with their assignments and even berating them for their antics. Sometimes Kanan would join them, and with the older witch as mediator, she's able to achieve a sense of normalcy.
Due to them sharing the same House, Riko also spends quite a lot of time in Mari's company. The blonde's randomness, while exasperating and rather irritating at times, is just her way of showing affection. Riko subconsciously begins to think of Mari as a sister and a part of her likes to believe that Mari thinks the same too.
And there's Dia. The Slytherin prefect, as a Head Girl candidate, is very busy with various duties just as she had been back at the Estate, yet she is always there for Riko whenever she needs her. Since that time on the train, Riko has consciously acknowledged Dia as a place of refuge, though she realizes that it's been the case all along since that fateful day.
Also, whenever their eyes meet in the hallways, Dia would nod or smile at her, and such simple acknowledgement is enough to lift her spirits for the rest of the day.
Their secret group of four still meet at Dia's prefect dorm, as it grants them enough privacy, but soon they notice that the space is no longer big enough to accommodate their research or practice sessions. Riko almost wants to suggest the Hut, her old hideout with Chika and You back then, but she feels sick at the thought of returning there. As if understanding her dilemma, the three Fourth-Years never mention it either.
It is by pure luck that, two months into the second term, they discover the Room of Requirement. Riko's pet Kneazle Sandy, a loyal and intelligent familiar, would often wander around the Castle with Animagus Mari, and that's how they ended up stumbling upon the odd door opposite of the troll tapestry on the 7th floor.
This almost-sentient room provides anything they need, and they are able to train and study to their heart's content. However, in spite of the available resources, they have no breakthroughs on those enigmatic black feathers found on those hooded assailants. There just aren't enough samples to analyze these magic-imbued items, and whichever diagnostic spells cast upon them bring an array of results that could not be categorized.
The frustration only pushes her to study and improve herself more.
"Sakurauchi-san, perhaps it is best that we call it a day."
"N-No, Kurosawa-san, I haven't even gotten past your defense, let alone disarm you."
Panting, Riko raises her wand again and attempts to aim in spite of her trembling arm. She knows that she is well over her limit but this isn't enough. An enemy would not take pity on her just because she is exhausted.
Her spell dissipates upon hitting the invisible shield Charm around Dia, who simply stands there. In fact, she has barely moved since their duel began. And she hasn't even unsheathed her saber.
"You were never this stubborn, Sakurauchi-san, what happened?" Dia speaks in a severe tone, and Riko cringes like a child caught red-handed. Frowning, Dia glances over at the grand ornate mirror at the corner of the room and lets out a deep sigh.
"You must stay away from the Mirror of Erised. It will only do you more harm than good."
Riko lowers her head, ashamed yet unable to admit her faults. Sometimes the pang of longing becomes too much, and she finds herself staring woefully at the reflection for possibly hours. Within the mirror, she is happy, Chika and You are still a couple, and they are in their Fifth Years and have successfully passed their N.E.W.T.s.
"... if only Ruby and I are Muggleborns, or even other Purebloods, we might be happier."
Puzzled, Riko looks up to find Dia staring wistfully at the direction of the Mirror.
"I am proud of my family history, and so does she. It is my great pride and joy to be entrusted various responsibilities as the heiress, to be able to live up to and surpass my family's expectations. But, at the end of the day, what is the point, if my own little sister cannot be happy? Am I… happy?"
"... Kurosawa-san?" Riko tentatively approaches the older girl, whose expression is oddly calm and devoid of turmoil in spite of the sadness laced in her tone.
"All of that is merely wishful thinking, is it not? The Mirror shows us what we desire, and that is just that, a desire. It will never become reality."
Riko winces. She knows that, the rational side of her has always known, but the pitifully hopeful part of her refuses to see the truth.
"I am not saying these to discourage you, Sakurauchi-san." Dia's voice is quiet and lulls Riko into a peaceful state of mind. "We could work as hard as we could, to try to make that desire a reality, but it is also important to acknowledge your own limit. After all, how can you achieve your goal, if you collapse along the way?"
Riko tucks her wand inside her pocket and offers a weak smile. "Right. I'll rest and strive to become even better the next day."
"Good. We will resume the duel tomorrow." Before Dia moves to tidy up the area, Riko grasps for her sleeve, stopping her. "Yes?"
"Um, I was just…" Truth be told, Riko doesn't know why she did that, but she feels like there's something she should do, especially after the taller witch disclosed a rather personal secret. Peering up shyly, she then notices dark circles under Dia's eyes. "You need to rest too, Kurosawa-san."
"I will, but there are still some tasks I need to finish before-"
"No. Like what you've just told me, you need to rest too." Normally, Riko would've felt weird using such a firm tone towards a senior, but she sincerely hopes Dia would listen to her. The heiress has always appeared indomitable, but up close, signs of fatigue could not be hidden.
A revelation then occurs to Riko. "Is it because... I'm taking too much of your time? You've already helped me so much with my assignments, dueled and researched with me-"
"Not at all. I… I enjoy being with you. Helping you I mean," Dia looks away and puts on a stern expression before returning her gaze to the shorter girl. "I am well aware of my own limit. I just need a few more hours or less. You should head back to your dorm-"
"Then let me help you. What is it? Is it organizing the list of students for the Hogsmeade trip?"
"Sakurauchi-san…"
"Please."
They stare at each other for a while, neither willing to relent. Surprisingly, it is Dia who averts her eyes first, and Riko cheers inwardly while maintaining a calm expression. "Very well. I just have some paperwork…"
Perhaps it is sometime after midnight that they have finished everything. Riko stretches, her limbs burning with fatigue and neck stiff from the lack of movement, but her mind feels oddly awake. It feels rather refreshing, to work hard on something that has nothing to do with those feathers or the academic workload.
"You would make a good prefect, Sakurauchi-san."
Riko shakes her head, pleased but also flustered by the compliment. "You think so?"
"I know so. You have the right type of mentality to commit yourself to such demanding position," Dia murmurs thoughtfully, "I am certain many professors would not object, and Professor Toujou may have already placed you as a candidate already… although, she was the one who gave the prefect badge to Mari-san last year…"
"Did I hear my name?"
Blinking, Riko looks towards the door to see Mari strolling in with Kanan behind her. The two Animagi would usually patrol the school grounds at Dia's request, the cat around the Castle and the wolf in the Forbidden Forest. While the hooded figures haven't been seen since that day, they agree that it's prudent to stay on guard while searching for clues. So far, nothing has been found but at least they did understand the domain so much better now.
"Right… I think I sort of remember, in my First Year," Riko did wonder why the prefect had changed to a different witch within a week.
"Too much work. I enjoy my free time, thank you very much~" Mari shrugs with the kind of nonchalance that she knows would tick off Dia. The Slytherin pinches the bridge of her nose, as if to rein in her temper.
Ever the peacemaker, most of the time anyway, Kanan gives Riko a friendly pat on the shoulder. "Well, I agree with Dia, you'd make a wonderful prefect, Riko-chan."
"Speaking of which, what're you doing here still? I'd thought Dia would've sent you off to bed already, like the fussy mother hen she is~" Mari's grin only widens when Dia glares at her.
"Sakurauchi-san was very helpful, unlike someone," Dia huffs as she organizes the various parchments on the desk. "But yes, now that we are finished here, we should all retire. It has been a long day."
Riko almost feels reluctant to leave, but after they descend the stairs and reach the intersection, Dia turns to her and bids her goodnight before parting ways.
It is only after the two Ravenclaws arrive at their Dormitory that Mari giggles. "You should smile more often, Rikocchi. It fits you, and makes you look very cute~!"
Blushing, she immediately scowls and ignores her senior's smirk as she heads for her room.
The rest of term passes by rather uneventfully. Riko pours all of her efforts in those Advances classes, aiming to pass her O.W.L.s when her peers are just starting to prepare for the mock exams. Guilt will probably always lurk at the corner of her mind, but she is able to use it as fuel for her determination and she isn't as prone to bouts of depression anymore.
True to her promise to Dia, she balances her studies with sleep while making sure the older witch does the same. Mari, and even Kanan, would tease her about how they have never been able to get Dia to listen to them before. Riko is dubious of that claim, considering how close the three Fourth-Years are, for she is simply a kouhai fortunate enough to be tutored by the talented Slytherin.
Still, it makes her rather giddy to know she has certain influence over Dia.
By the end of the term, Riko could very well admit that she's tired and looks forward to the summer break. Those O.W.L. exams are indeed as stressful as the rumors, though she couldn't quite relax yet, not until she receives her grades. Unlike the rest of the applicants, she would know the results sooner since they're needed for her to plan her course schedule for the next year.
When she does receive the notification, she is utterly stunned, since she hasn't expected to receive Outstanding on all her O.W.L.s. She almost thought the parchment in her hand is a prank, but the Ministry of Magic's seal is proof enough.
Ecstatic, she clutches the document close to her heart and searches through the school for that one person to share her joy with. While her grades are the result of her hard work, she hadn’t accomplished it by her lonesome after all. Now that she has regained her sense of self-worth, she feels more confident in challenging the unknown in the future.
One day, she will definitely recover Chika and You's memories, and resolve the mystery behind those attackers.
She spots the Slytherin prefect walking down the hallway ahead of her and, before she realizes it, she is already calling out her name.
"Dia-san!"
Startled, Dia whirls around with an eyebrow arched. Riko is only vaguely aware that she is babbling, but she could no longer contain her joy as she shares the results of her exams with the older witch.
" - so because of these, I can continue on to take N.E.W.T. level course. Ah, of course, it will be another full year before I can even attempt tackling those exams but, I believe I can do it. No, I will do it!"
Now that she's finished speaking, she peers up at Dia and tries not to fidget under those intense emerald eyes. Slightly embarrassed by her outburst and out of character behavior, she is about to apologize when Dia holds out her hand and smiles gently.
"Congratulations, Riko-san. I too, believe in you."
Even though it had been a slip of tongue on her part, Riko is quite pleased to hear the senior return the gesture. Their distance has dwindled one more step, and that delights Riko in a way different than her marks.
She tries to fight down the flutters in her stomach as she shakes Dia's hand, relishing in the warmth and the simple connection between two people.
"Thank you, for everything, Dia-san."
TBC in part2
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bekindandsmile · 5 years ago
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EP Production Plan Draft
*still working out Birth (00:00) Growth (02:33) Love (06:38) Hate (09:15) Passenger (12:30) Lost (17:00) Death (20:41)
Here is a sketch of the EP
EQUANIMITY EP
Equanimity is a fast-paced, infinite looping, experimental, concept EP.  
Birth is about our character being born into this world
Growth follows our character as he grows and learns all the fears and delights of life*
Love is about our character falling in love* 
Hate is about our character being abused by his mentally ill father and being conflicted about the relationship
Passenger is about our character being dissociative and living in a constant auto-pilot mode*
Lost follows our character as he deals with the existential questions of Who? What? Where? When? Why? And How?
Death is about our character pondering the concept of death*
Story Notes: (((WRITE A CLEAR STORY FIRST INSTEAD OF WRITING LYRICS THAT FIT THE VIBE))) Elaborate more on Growth Make Love more interesting Elaborate more/maybe think of a new idea for Passenger (maybe even scrap this one and use the riffs and ideas elsewhere) Get a clearer idea of what you want Death to be about. Do you want it to involve our character dying our just talking about the concept of death or even both?
Music Notes: Lost is the strongest track and is the main sound every song needs to be transformed into. On a scale of strongest to weakest songs: *has the potential Lost, Birth, Death* Hate, Growth, Love, Passenger Birth: needs to be more triumphant, more in-your-face “ARE YOU READY FOR THIS EP!?!?” This is a good example. Do not fade in the song. Growth: needs to be cut short. Definitely take out about a minute and a half of the middle section. Too repetitive, needs new ideas added. Love: completely scrap the hip-hop/nu-metal sections and replace it with more upbeat, surfy, “clapclap clap” vibes and fun-loving, cheesy Beach Boys harmonies. Hate: bones are complete. Maybe trying experimenting with a swing on the first half of the breakdown before going into a slower tempo straight chug. Passenger: see what happens when remaking it. If it’s crap then scrap. Could potentially turn into a chill, fast-paced, interlude that could be a nice breather. before getting back into it. If so, you’d might have to swap track position with Hate because 3 songs, 1 interlude, 3 songs aesthetic. Lost: bones are complete. Make better transitions. Add/elaborate on more riffs. Death: Get more of a clear idea of what you want musically with this one. Has potential to be crazy. Do not have the song fade out, have it successfully and fluently loop back around to Birth. Most of the songs need more percussion and synthesisers, all songs need to be reworked to fluently flow with each other.
Other Notes: Aim for a 20 minutes or under EP. Don’t use too many breakbeats although it is mostly a DnB vibe. It is a bit of a risk putting all your high-intensity songs in one release so incorporate non-intense elements/sections so when Release 2 comes around it doesn’t seem like a completely different band. Name and compile certain riffs eg; the main riff in Growth is called ‘Learn’ and will be used in future songs whenever someone learns something (((REALLY THINK ABOUT IF PUTTING ALL YOUR HIGH-INTENSITY SONGS ON YOUR DEBUT RELEASE IS A SMART BUSINESS MOVE))) Pros & Cons: It’s your first official release - barely anybody is gonna hear it (P&C) Having your first release just follow one vibe could pigeon hole the perception of the bands aesthetic instead of putting out a release that showcases all the musical capabilities (C) but also not showing all your musical abilities straight away when potentially not a lot of people will hear it (P) ((think of more)) Production Plan: 1. Transcribe all guitar and bass parts in Guitar Pro/Sibelius export MIDI to Ableton 2. Program drums in Superior Drummer and export audio to Ableton 3. Use Shreddage III on the Guitar Pro MIDI and adjust the MIDI accordingly to the drum audio 4. Experiment with blending Shreddage II & Bass with Shreddage III to hopefully achieve a very huge and thick guitar sound 5. Record a live 12 string guitar and blend it with the midi guitar. The precision of the MIDI and sloppiness of my playing mixed with the cheaply made 12 string should create quite a unique and versatile timbre that fits in with both electronic and metal. 6. Use EZBass on the bass MIDI. Experiment with whether it needs to blend with a real bass or not. 7. Split the high and low bass signals. Boost the sub and sprinkle some crunch on the lows, put some high gain and maybe even an auto-filter or auto-wah on the highs. 8. Now that the bones are in place, delete the drum audio, open superior drummer in Ableton and write percussion and electronic drum parts in accordance to the acoustic drums. Avoid repetition and too many layers. If it doesn’t add anything, don’t use it. 9. Decide what synths will be used and write parts. Avoid too much WOB bass as it will get old. 10. Take session over to Logic to experiment with soundscapes, sound effects and binaural panning. 11. Record mock gibberish vocals. The rhythm and sound can help gage more of an idea on what to do vocally and lyrically. 12. Make a mic booth by parking the car in the garage, covering the windows with blankets/sound proofing so the sound doesn’t bounce weirdly and you can make as much noise without feeling embarrassed. 13. Write lyrics, record vocals and experiment with all sorts of effects, sounds and vocal styles 14. Listen on repeat for a few days to analyse it. Get feedback from people around you and compile a list 15. Fix the things on the list and start mixing and master. Learn more on how to do so. 16. Repeat 14. 17. Fix things on the list and test mix on monitors, studio headphones, AirPods, car speakers, Bluetooth speakers, TV. 18. Compile a list and fix said things. Get feedback from those who know more and have more experience. Compile final list. 19. Apply final touches and obtain reassurance that it’s fine and it doesn’t need anymore tweaking.   20. Remember to thank teachers when accepting Grammy and Platinum Record.
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idolizerp · 6 years ago
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LOADING INFORMATION ON MAYDAY’S MAIN VOCAL BAEK JIWOO...
IDOL DETAILS
STAGENAME: N/A  CURRENT AGE: 24 DEBUT AGE: 23 TRAINEE SINCE AGE: 17 COMPANY: MSG SECONDARY SKILL: N/A
IDOL PROFILE
NICKNAME(S): wooji, 애지 (”aeji” - a play on the word “애기” in combination with her name 지우 and a nod towards jiwoo’s youthful affect - also interchangeably used in reference to her aegyo (애교)), 백퍼센트귀여운 / baek percent gwiyeo-un/100% cute (reference to her cuteness as well as her family name, often simply shortened to baek percent / ‘백퍼센트‘ ), 보조개 / bojogae (dimples uwu) INSPIRATION: her biggest inspiration to become an idol was the first time she ever watched an idol comeback show - it was olympus’s “be mine” that peaked her interest. SPECIAL TALENTS:
ariana grande vocal impression
aegyo 3-set (x)
dad jokes / 아재개그
NOTABLE FACTS:
the only female child in her family for two generations
her favorite movie genre is romantic comedy and she wants to record an OST for one someday.
her favorite animal is the deer because fans have often compared her to bambi, she’s started carrying a small stuffed one she received at a fansign around.
she was an absolute teacher’s pet throughout school and was even elected class president in grade 10.
IDOL GOALS
SHORT-TERM GOALS:
short-term, she wants to regain her footing after the shocking change of pace she’s experienced recently and focus on building her resume to grab attention for both herself and her group, so they can, hopefully, get their first win during their next comeback.
LONG-TERM GOALS:
she’s looking to move more fully into acting and follow in the footsteps of exemplars like bae suzy who were able to create a name for themselves through not only their efforts on stage but on the screen as well.
IDOL IMAGE
jiwoo is compliant to a fault as a result of her strict religious upbringing under a firm-handed mother with a high standard of morality, a bit of a pushover, entirely too trusting of the people around her, she thinks the world of even those who don’t deserve it. despite this inherent timidity towards decisiveness against authority, she’s a bright and bubbly girl who just wants to make the world smile with her voice, her personality. she’s playful and naive, exudes a natural innocence that comes with her pointed lack of experience. it’s charming, the way it impacts her sense of humor, her lighthearted sass; funny, how jokes fly right over her head. she’s cute. there’s nothing forced about it and it’s that that MSG is counting on: her natural aegyo, genuine, the feeling of fondness and protectiveness that this aspect of her elicits.
she’s simple in that she’s generally easy to get along with, to laugh with, to be around. she’s got that trademark adorable easy-to-approach air about her but shines in the spotlight.
off stage, she’s painted as the girl-next-door, the childhood best friend, the little sister you’d sell your kidney for in a pinch. jiwoo’s pretty, radiant in the way you remember your first ever crush being when you were in school. she’s a social butterfly. her purity is captivating, youthful, and it has the potential to pull in a broad range of audiences if they play their cards right - people who want to preserve it, those on the other end of the spectrum who want to tear it back just to see what’s underneath, and those who resonate. that’s the fun in acting, being able to take their doll and see her dressed up the way they want to see her.
it’d be a shame if they broke her.
“but,” she wants to say. “i’m a singer.”
she sings her ass off on stage, she’s a main vocal - wants them to acknowledge that, that she’s talented and good and has worked hard to reach this point, to be a singer. she thinks about the fact that she left home for this, cut ties with her mother for this. she’s gotten so much better at dancing, her performances get better every time.
she wants to remind them that she’s got a group, that they’re good, too, that there’s more to her than her image, that they make good music. “please love mayday a lot!” she makes sure to add during her solo schedules.
“so cute!” they say. she’s the apple heart girl, cute enough to slap her face on their brand, cute enough to cast. it’s shallow, the way they love her, the way they want her.
it doesn’t feel as good.
IDOL HISTORY
TW BRIEF PHYSICAL/VERBAL ABUSE
act i, scene i, the sun shines through the clouds
jiwoo comes out singing. not literally, of course, but that’s the way her mother’s always made it seem, like this was the only thing she could ever picture for her little girl - the same bright little girl who’d sit in her lap during church and sing at the top of her lungs to every hymn, knew the words to every bit of gospel, and jumped at the opportunity to join the youth choir when she was finally old enough to hold a microphone. she’s a tiny, frail little thing, smaller than the other kids, and it pains her mother to watch jiwoo so far away, to watch her shine without her light. it’s a beautiful sight, though, the way she shines, the way she makes her mother feel like she was born to do it. she smiles so hard on stage, she’s scared her little face will split in two.
jiwoo’s mother learns early on that her zeal is conditional, that she shines so brightly but that she’s scared of her own shadow. she’s got stage fright something awful - conditional, because she’s fine when she can see her mother in the crowd of judging faces, but she throws up all over her brand new dress the day she has to sing a solo in front of her fourth grade class.
she’s relieved, she thinks, that it’s not easy for her to do it alone.
she’s her only child, her little jiwoo, the product of a short-lived relationship but a miracle, nonetheless. she’s all she’s got. she doesn’t know if she could ever stomach having to let her go. jiwoo cries.
“another opportunity will come, baby,” she tells her when she brushes her hair before bed that same evening, holds her close and hums. “you were meant to shine.”
it gets better when she starts participating in neighborhood plays as an attempt to branch out and get over her fear. she’s good.
her mother makes sure it doesn’t get to her head.
scene ii, they part.
the curtains rise to the rolling sound of drums and there she stands. there’s a television stage left and on the screen, there’s colors. they’re bright enough to blind her but still, she stares. there’s an awe in her expression, like she’s seeing for the very first time - hearing, too, the sound of music in another form. it’s different, this music, to the trot songs and olden spirituals her mama plays around the house.
it’s the first time ever she’s gone to a sleepover. she’s embarrassed that she doesn’t know the song, that the other girls do. her idea of fun on a friday night up until now has been watching historical dramas with her mom on the couch with a bowl of lightly salted popcorn between them, but, now, watching olympus’s comeback stage, she thinks she’s in love. her friends tell her to pick a favorite. she can’t decide, but she goes home the next morning and downloads ‘be mine’, listens to it when she gets ready for bed, so she’ll know the words, too.
it’s not a secret but her mother finds out when she catches her belting the song into her hairbrush after dinner, a printed out picture of the boys taped above her bed. (she’s decided she likes the main vocal’s part best.)
“who’re you listening to?” she asks, a hand against the doorframe.
“idols,” jiwoo replies, a new word added to her vocabulary. “don’t they sound cool?”
“don’t forget to pray.” her mother says.
interlude
the first and only time her mother hits her is when she comes out of her room with lip gloss on, some daiso mascara on her lashes and a cute shirt she’d borrowed from one of her friends. there’s nothing inappropriate about the look, just shorts and a shirt, stomach and thighs hidden like she’s been taught to keep them. she’s thirteen and learning about makeup and self-expression from the now regular sleepovers she has with her school friends every weekend. they meet up and sing together, plan on putting together a cover performance for the back to school showcase after being inspired by heaven’s debut. her walls are plastered with idol posters now, bought with the money she picks up from babysitting the toddler who lives in the flat next door when his parents are out. she’s growing up, discovering herself, doesn’t see a thing wrong with it until her mother slaps her square across the face.
it stings something fierce, burns with a kind of betrayal she’s never felt before - ever. it’s the first time she feels truly afraid of her mother. it hurts more when she speaks, tells her to change because she looks like a trollop.
jiwoo changes. something changes with her. she prays.
2013.
her friend goes to an audition for msg. “come along,” she says, “it’ll be fun.” she says, but it feels like a set up somehow. it’s incredibly cliche, the way she doesn’t intend to audition, doesn’t even think about it, but winds up in front a panel of judges before she even realizes she’s there. she needs to be home by six. caught off guard, she sings olympus’s be mine with absolutely no expectations, grooves a bit to some generic pop music as a display of her grasp on rhythm, and makes a point to apologize to them for being unprepared. she squirms, smiles sheepishly and tries not seem as nervous as she is.
it’s cute. they like her. she doesn’t know how she’s going to tell her mom.
act ii,scene i hell freezes over
she tells her over dinner.
her mother’s mad, the way jiwoo knew she’d be. she tells her that when she thought of her becoming a singer, she’d always pictured someone classy and regaled like so hyang. this isn’t what she wants and she makes sure that jiwoo knows it when she signs the paperwork. things get cold after that, like it’s her mom’s attempt to ice her out, guilt her into calling it quits so she can pay the hefty fee for a month or two and they can go back to spending every night together, quiet and safe and holy.
it hurts her feelings but she pushes through, spends her time as a trainee doing the best she can, stays away from home as long as possible when the opportunities arise, but always comes back with her tail between her legs on the rare occasion she gets truly, properly scolded. she’s compliant when she can be, when it doesn’t speak against her soul.
it gets colder.
things reach a head when she’s old enough to be out on her own and her mother kicks her out. she doesn’t look at her when she does it, doesn’t say a word, but the way her things are neatly packed and waiting by the door when she gets home from training speak volumes. the bible on top of her suitcase while her mother sits in her usual spot in front of the television feels passive aggressive, hurts her feelings, but she leaves. she stays the night at one of her trainee friend’s apartments and never goes back.
her mother cries, feels like a failure, feels terribly alone. she doesn’t call.
it’s the first time jiwoo ever truly goes against the grain. hell freezes.
it’s too cold.
scene ii, let me entertain you
debut doesn’t feel the way she thought it would. it’s very clinical, the whole process.
she expects them to be received with open arms by the public but the scores during music shows speak volumes, their song does okay but it’s not enough. it’s a hum, barely even a clap of thunder, just a rumble. she’s happy anyway, like she always is, glad she gets to sing, but she holds out hope for a breakthrough.
and, well.
she doesn’t do it on purpose, the whole aegyo thing, it just happens during a fansign one day. she’s interacting with the fans that came, teasing them for their reminders for her to eat well when she goes to mime eating an apple to satiate them. it turns into a heart and she’s terribly delighted, does it again and tells them, tone cute and lovely, that their love keeps her full. it’s a few days spent without her giving it any thought, but one morning, she sees her face on pann and wonders what the fuss is about. weeks pass and she’s genuinely surprised to see other idols do it during interviews, finds herself searching for compilations on youtube and twitter and giggling in delight when she should be sleeping. it feels surreal but her company seems pleased.
she doesn’t realize what it really means until they start to really push her, booking her appearances on commercials, variety shows here and there to keep the public’s eyes on her - the mc’s always bring it up, the apple thing. they coo over her, laugh at her jokes, seem utterly charmed by her and it’s - different. it’s never about her singing. the company tells her she’s being helpful.
it gets even different-er when months down the line, she’s offered a role in a webdrama.
they accept it without really even asking her but it’s fine, she guesses. she likes acting well enough, had enjoyed it when she worked with 1nferno for their music video, in her childhood. she doesn’t question their motives, though. it’s okay.
she’ll do what they want her to do. if it’ll help.
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