#honestly horror and noir are such close genres in my head. the horrors will get you but are the horrors something or is it just the mob

[ageofwonders]

Like everyone else I think about standalone city of mist comic a normal amount, but when thinking about other possible mediums the only filmed format I think could consistently work is something like NightMare Time.

I would pay blood to see a case like Amnesia Town or The Unwanted Guest adapted like this, the series does a very good job at conveying a similarly dramatic tone as the comics and visually it does remind me of a lot of the live play shows I've seen for city of mist already.

YOu'd maybe need to exclude the. Musical numbers but I'm sure there can be a reason for them to stay as well

[aemonded]

I want to get started in on classic films: are there any you personally recommend?

Hey, thanks for asking! <3

So from your ask I took you wanted a recommendation of classic films that may be my personal favourites. So I’m going to go with the ones that I personally are current loving and finding the most ‘rewatchable’/ have saved on my computer, as well as ones that I do think everyone should watch/ are fantastic, but tend to be the ones I don’t reach for as often. 

This obviously does not include all the classic films that you can find online in ‘Best of’ Lists (although there obviously is some overlap), but I also tended to do straight up ‘films.’ Classic musicals are another thing entirely, so if you want my suggestions on them, just drop me another line.

My current favourite Classic Hollywood films tend to be along the film noir genre or thrillers/ murder mysteries. In case you didn’t know, film noir is defined as the following:

Film noir (/nwɑːr/; French: [film nwaʁ]) is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression.

This means in terms of ‘horror’ genre movies, I tend to avoid gore/slashers (which were not a thing back in the day, but I felt I needed to emphasise that) I only watch horror movies that don’t rely on cheap jump scares, tricks, and tend to have good psychological motivations, because as Alfred Hitchcock said, the original master of horror, the mind is scarier than anything you can create otherwise.

My Current Favourites:

The Ghost and Mrs. Muir: A widower in the early twentieth century falls in love with the former inhabitant of the house she bought, who happens to be a crotchety old sea captain played by Rex Harrison, king of crotchety old crotchety characters. The film plays out as he tries to emancipate her from her ex-husband’s overbearing family, and get her to ironically accept more of life from beyond the grave. (Literally, I’m not a big romance movie person, but this is the only romance movie I will accept in my life because it involves a ghost and has other elements/ not just is total schmalz).

Alfred Hitchcock’s Rope: Two gays commit a murder and host a dinner party over it. Based on the Leopold and Loeb murders of the 1920s (Look them up if you don’t know about them; absolutely mental), the film is coded as hell (because 1940s), but is also homoerotic as fuck, acknowledged as homoerotic by everyone who worked on it, one of the main actors was gay, and it involves Jimmy Stewart being dropped in as a dinner party guest and eventually trying to solve the crime. It’s probably honestly my favourite Alfred Hitchcock, because it’s a quick watch, it takes place inside the entirely same space the entire movie (but never feels like it), and is the perfect example of a murder mystery).

The Postman Always Rings Twice: The quintessential film noir, featuring Lana Turner’s amazing outfits and honestly, a really well-rounded performance by her. I only saw this recently for the first time, and if you don’t know, Lana Turner was considered the ‘blonde bombshell’ of her time, and not much in the acting department (By word of mouth). So going into the film, I assumed she’d be a terrible actress: but she was honestly really fantastic, created a nuanced performance out of the often one-note femme fetale characters given to women in film noir, and you honestly understand her motivations and character, however flawed. I’m now a fan and am searching out more of her work.

Double Indemnity: Another film noir I saw recently, and fell in love with Barbara Stanwyck’s acting and her in general. In real life, she was an adorable bisexual; in film, and this film in particular, she’s a fantastic actress, and I’m searching out more of her work now, even into her sixties and seventies, where she did some fantastic performances in series on TV into the seventies and eighties (This monologue of her being an old woman and having a crush on a young man is both heartbreaking, pitiful, and understandable, and it’s so well acted. It gives you just a taste of her acting talent, and how hard she worked to create a well-rounded character). This is probably my favourite film noir overall, definitely because of Barbara Stanwyck and her crazy wig. xD

The Twilight Zone [Original TV Show Run]: I know this is a TV show, but I’d be remiss if I didn’t mention it. I love The Twilight Zone, and none of the later revamps have come close to touching it, and the effect it’s had on pop culture cinema. Some of the more ‘creative’ episodes (I.E: The awful ones with cowboys or aliens), I tend to skip, but The Twilight Zone is at its greatest when its creator Rod Serling is able to narrate about problems we all struggle with, and create a twist to really punch home if scenarios were different. Some of my favourites off the top of my head would be ‘Last Stop at Willoughby’ and ‘Nothing in the Dark,’ which are criminally underrated episodes. There’s also a great resource in this AV Club website, which literally reviews each and every plot of the original run and gives it a letter grade. I’m still not fully through the original run (because there’s 150 episodes, yikes), but I’ve watched at least half of the episodes, if not more. Plus it’s where, once you’ve watched more Classic Hollywood material/TV, you’ll begin to recognise a ton of character actors/early up and comers in the episodes, like random!William Shatner (twice), and Baby!Robert Redford (Who’s fucking adorable and I love him so much in his episode).

Twelve Angry Men: Twelve very different men are brought together on a jury to decide the fate of a young vaguely ethnic man. It’s a classic and I swear it should be shown in every school. It’s one of my favourite movies of all time, point stop, and honestly, as a J.D. graduate and someone who just needs to complete their admissions program now to become a lawyer, this is ‘my’ law-based movie (Most people are To Kill a Mockingbird, which by this point, trust me, is cliched to hear other lawyers talk about, even though it’s another fantastic movie you should watch). Even if I can’t turn off my lawyer brain at one point where something happens and I’m like THAT’S A MISTRIAL XD, it’s still one of the best films I’ve ever seen, and I rewatch it at least every two months.

Some of my Other Recommendations (That I don’t rewatch often but still are fantastic):

All About Eve (BETTE DAVIS)

Rebel Without a Cause (JAMES DEAN)

A Streetcar Named Desire (MARLON BRANDO BEFORE HE WAS CRAZY)

On the Waterfront (SEE ABOVE)

Cool Hand Luke (PAUL NEWMAN)

Sunset Boulevard

Psycho (Hitchcock)

Vertigo (Hitchcock)

Leave Her to Heaven (Gene Tierney and her fabulous wardrobe)

Hope that gives you some ideas to start with! If you need any other help, let me know! <3