#honestly a lot of different types of rival/enemy characters

[isekyaaa]

Character.ai has proven to me that I would be a terrible darling for a yandere story I either get killed or they go full deredere :/

[straycalamities]

Hello, how are you

Why do you Like Entre and Swag?

i’ve been sick almost the entire past week but i think im getting better

do you mean as a relationship? ho boy. well, first of all, seeing as a lot of ships ive gotten into after it end up sharing a lot of similarities, i think its safe to say it became one of my favorite ship dynamics period

this got long fast

enemies/rivals-to-lovers isn’t anything new for me seeing as i dedicated, on-and-off, 8+ years to naruto and sasuke as one of my first hardcore ships that i still enjoy

and in general i just really like ships between characters who bicker and banter a lot (vash and wolfwood from trigun being a perfect example of this) but still being something more significant to each other than either of them truly realize until it sinks in either slowly or forcefully

and especially as i’ve grown older, i’ve gotten more and more and more interested in the intricacies and complications of having two very…hmmm damaged? i guess? personalities trying to find something that works because they need it to

which the other two ships have as well, but in a more “toxic yaoi” way, ya feel? LMAO like! hannibal and will graham from the hit show :) which that came after swagtre but it still stands as it got me to appreciate that aspect of their relationship even more than i did

swagtre is in no way synonymous to hannigram. hannigram is on a different level of delicious toxic yaoi, BUT it goes to show what ive opened up my ship palate to voraciously

even so, that’s moreso the early stage of their relationship, which is fun! but also not the whole story

i guess the main thing that initially drew me in was that i’ve always had a weakness for characters like swag. he’s so full of bravado, performative self-interest, defusing every little thing with a joke, and all the while coming off as a destructive idiotic selfish little brat. meanwhile the truth that resides is much deeper than that. that he does care, he just doesn’t know how, so he does his best which…is easily overlooked because he’s uncomfortable with being seen for being genuine in any way because it makes him feel vulnerable and blah blah this ain’t a swag study

but anyways truffula flu made me like him a normal amount! :)

then there’s entre who wears his heart on his sleeve moreso. he’s always been more honestly reactive, that’s why his mainverse it’s so fun to pick on him, and it didn’t get numbed by the apocalypse all that much. entres also a guy who takes things for face value at first. then there’s also the fact he used to have such a hero/senpai-crush on swag before the whole thing even happened and they’d even became pretty friendly acquaintances

and now he’s having to wrestle with the fact everyone who used to like him, hates him, except dave and bitter. and anyone else that might? probably dead. and of course! why wouldn’t they? his big mistake that cost the world

and swag is the loudest reminder of them all. forcibly inching and digging and clawing his way into entres psyche and mind until he finds himself using all of swags same words at himself during moments of self-hatred. self-hatred that’s been there all his life but now it has a burning world to reference. and swags voice mingling with his mother’s.

and entre may get defensive and bite back and try to turn things around on swag, but he can never truly say swags wrong. because he’s not! entre fucked up everyone else’s lives over a deeply selfish and shallowly thought-through decision. and even if swag is also a capitalist self-serving asshole, well he only destroyed his own environment, he didn’t end civilization as they know it

and that just makes it worse than the preachy “hippie” types that used to nag at him before. someone who’s in his same ilk is now berating him

and while entres never Not risen to rage-bait. he absolutely never took the phrase “don’t feed the trolls” to heart, he also has deeper reasons why with swag he always throws himself at the opportunity to try and defend or twist things, because it’s hitting him so much harder than everyone else (besides 72)

so yes, when swag keeps saying entres obsessed with him, he’s actually right! entre IS and has been since swag forced the jester hat on him and paraded him around camp as a spectacle. one that he can never truly deny that he deserves

i also think we should go back to entres pre-apocalypse feelings about swag because it’s important to note that entre wanted to Be swag. he looked at swag and saw the man he wanted to grow into. maybe less childish and gross, but the charisma behind it all, the way that even despite that, he had so many wrapped around his finger and every word

and the thing with early entre, is he always directly compared himself with other oncelers. sizing himself up against them and like…really it just makes sense right? to him, they were all iterations of himself, achieving and accomplishing or even failing different things. and even if at first the multiverse unnerved him, he started to use it to his advantage. i mean he got 72 to mentor him, he was lifting tips n tricks off others like swag, and he was directly taking notes on how Not to be off others (One, Bitter, Strangecase, Stone (sorry man ilu) and more bc this list is longer than the idol list LMAO)

so thats just more to really hammer in how intrinsic to entres identity swag became and it became more palpable in the worst way in truffula flu

this is all as an aside to the crushing guilt of his giant mistake itself but we all know how he feels abt that

and for swag, i mean don’t take my word here as word of god because i don’t THINK my theory here is confirmed to be canon, but im pretty sure he saw himself in entre as well. like it went both ways. and swag felt fear AND i guess relief? if that makes sense that it was entre instead of him. like this guy is very much Like him and any of them coulda done this, but it was entre, not swag. and that’s why swag is very insistent on not letting entre forget it, because deep down he’s terrified that it could’ve been him if entre hadn’t done it first

and so he looks down on him and beats him even further down as a way to kinda uhhh make himself feel better? except it doesnt. it never makes him feel better but it DOES make him feel not as worse as he could, or thinks he could if he just let the guy go after daring to make such a fool of himself in front of everyone

i think, as much as entre sees himself and how he wants himself to be in swag, swag sees himself in entre and what he doesn't want to be. and entre changes it to him seeing all the stuff he doesn't like about swag, the pieces of him he doesn't want to mimic because he refuses to continue to admit to himself that he still envies and looks up to the man swag is, because even at the end of the world, he's one of the few who seems to have something figured out that works for him. he actually seems to enjoy himself in this hell. he seems to feel free to find happiness and entre couldnt be more envious of that

but then as more and more people crowd into their camp, and they get to a baseline and learn the uhhh capabilities of their survival companions, they also learn to realize that they operate on the same wavelength the most even if neither of them admit it. obviously everyone wants out of this hell, but i dont think any of them tenaciously chase after that ambition as much as swag and entre do, for their own reasons

most of the rest of the camp has taken a sort of acceptance to the situation either in a pragmatic or pessimistic way. and of course nobody wants this to stay the way it is, but they don't have that sort of...all-encompassing fire to find a way to reverse their situations as much as swag and entre. i mean we did have bitter's optimism for a bit there, but he was doomed so like...what other option did he have other than believing in entre, but it was absolutely rooted in nothing. even entre knew that.entre especially knew that. bitter was deteriorating the fastest he'd ever seen it and if he hadn't been able to find a way to slow it down in the other ppl who took weeks to turn, then what was he going to do for the guy taking days?

so all bitter's optimism did was make entre feel sicker with guilt for everything and completely drove the little grip he had on hope into the ground. especially by making him take his first un-turned life. especially because, i think we have to address this here to fully understand why entre goes the way he does afterwards: bitter was never truly bitter to entre. bitter was himself. bitter was the likely future entre saw himself walking towards. out of every other onceler further ahead along from him, successful or aftermath or otherwise, bitter felt the most real for him

bitter was always his own failure even before it happened literally and live right before his eyes. that's always what he meant to entre even in mainverse/pre-truffula flu. that's why he made such a dedication to trying to butt his way into bitter's life. that's why he spoiled him and wormed his way into his heart, because he was trying to put that energy out there that one day, if this were to become literally his fate, someone would do this for him as well. or maybe he'd put enough good karma out there with doing this for bitter, that this wouldn't even become him at all!

that is exactly why entre was so stricken after his death. that's why it hurt and broke him so hard. he didn't know bitter long enough for his cries of "he's my best friend!" to fully be true. if anyone was entre's best friend at the time, it was 72, or dave, or his own mother. it was not bitter, bitter was his pet project. bitter was the poisoned dart that seared in striking him, and slowly ate at him after he was gone. bitter was him fully being unable to run from the consequences and culpability of his own actions. because now this was something that was clearly, unignorably, happening right in front of his eyes and now the blood was directly on his hands

bitter was his future self and his sealed demise that came with it. bitter was his destroyed future. bitter was his own mortality.

entre does come to realize something akin to this later on, but i guess i didn't make it understandable enough because i think a lot of people missed that this was the true narrative going on underneath the surface. which is my bad and on me, i could've done a better job, but ya. this was always my intention and it's a very key part in understanding why entre is the way he becomes and does what he does afterwards

which, back to swag, is his doing to entre. because swag does strong-arm him into and making him believe there was no alternative to entre killing bitter who swag DID, as anyone else did at the time, believe entre's statement that entre saw him as his best friend, but that also meant that was even more entre's problem to solve to him. and it's something entre finds hard to forgive swag for for a while after, even as his own guilt berates him for his own involvement in creating this fate for bitter, there's always that part of him that blames swag for forcing him to actually face the consequences of his actions. because, as most oncelers, entre doesnt like that very much LMAO

and yet despite it all, it still, in its own twisted way, makes him feel the most seen by swag. if that makes sense?? especially as 72 made it abundantly clear he was disappointed in him and didn't even seem to know who entre really was anymore. the survival needs and guilt had warped entre towards a vitriolic survivalist away from that bright eyed young man that he had taken in.

and then of course, nobody else really seemed to want to push a deeper connection with him at the time for this or that reason. so he had dave, who he personally saw as still just an employee so of course dave was with him and on his side, he had that employee loyalty. dave became his right hand, but that also meant that entre felt that he couldnt confide as much in dave because it's hard to explain but it's like...since dave was working FOR him, he didn't want to muddle it up with personal feelings to keep dave sharp. that's what entre thought at the time anyways

and so, for better or worse (mainly worse) who stuck around and kept nosing endlessly into entre's business and his life and burying himself in his side like a thorn he couldnt remove and absolutely couldnt forget. well that was swag.

in this sort of fucked up whirlwind...swag became the most emotionally significant person in entre's life. especially as swag started to show that he DID gave at least half a shit. and after their shouting matches that got swag to admit this little tip of the iceberg or that. entre did get to wondering what else there was going on underneath that. it became something he wanted to dig at to find out.

despite how they bickered and butted heads, entre always felt more comfy telling swag things he wouldnt or would no longer tell anyone else. swag's little bits of sympathy or lightheartedness became little crumbs of something that entre subsisted off of to keep going, because, despite everything, he still looked up to him. he still admired him and what he was capable of and what he could do. and how he didnt seem to let anything that was going on bring him down. he kept his shine.

and for swag (again not word of god here) i think he liked that entre DID butt against him. obviously he had fun with rocky and one. but (and this IS word of god/confirmed canon) they weren't as much his friends as he touted they were. swag struggles creating (and especially maintaining) close relationships. they make him vulnerable and they come with stakes and things to lose. so swag always kept his relationships fair-weathered and shallow. (aside from just not knowing how to be genuinely real and vulnerable with people in a way that COULD cultivate a close relationship) he sure did say and shallowly BELIEVED they were deeper than what they were, but deep down...he had an idea that were push come to shove...he wouldnt mourn anyone as much as your normal guy would mourn his true friends and he felt that it was mutual.

so as much as he ran away from it, swag felt very alone. swag always has issues with loneliness and that's why he throws himself from person to person and has to be the loudest and brightest and funniest in the room. and hey even if you hate what youre hearing and seeing, he's still got your attention. and that can be good enough when it comes down to it. (end of word of god/confirmed canon swag stuff)

but yeah i think that...not that rocky or one were yes-men or anything, but i mean they kinda just worked with his antics and like okay yeah here we go, swag stuff again yay(or nay) but entre always was fighting it. he didnt just accept swag entirely for this way or that, he was always critiquing, always challenging, always prodding back as strongly as swag prodded him. and i think that change of pace is what kept swag coming back over and over beyond the other stuff i said earlier

and like...as the guy at the center of it all, i think even swag said it himself at some point, if anyone knew how to get them back out of this mess it was him. and as swag said: he saw entre as a way better leader than him. even if it personally irked and annoyed him, himself when it happened to him. entre clearly had figured out his stuff and what he'd say had merit (just not with swag who always knew better for himself)

so if entre saw swag as the better leader for his charisma and weird optimism, then swag saw entre as the better one for his pragmatism and his knack for staying rational most of the time. i think that's also why entre's slip in lucidity bothered swag a whole lot because...if entre couldn't be the rational one, they were screwed. he'd gotten used to entre being a kinda...logical pillar to bounce off of, so if he was losing his touch with reality, that was going to doom the lot of them (even him). it's also with (word of god) swag's deep deep fear of abandonment so...if entre abandons his own senses, he's abandoning Swag and that Cannot Happen

this is a whole lot but its really hard for me to explain the why FULLY without dragging out all the nuances and complexities to their relationship because THAT'S WHY!!! it's SOOO complex and there's so many layers and nuances to everything that had to keep working in a certain way to go in a positive direction or else it all fell apart, as we saw, over and over

they both have so many issues that hold them back in ways and then theyre both so damn stubborn that it ended up making them even getting along as FRIENDS a damn slow-burn (and i am, always, a sucker for a slow-burn. one of my main weaknesses in a ship)

you can see they both end up wanting that, even if neither of them would admit it. but they both, as businessmen, saw their cooperation as fruitful for the success of themselves and the camp. it was just all this other baggage going on making it hard

so then we get the hospital. where rocky gets his harsh taste of the reality of their situation and he gets HIS humble pie of his own mortality, pushing him away from swag who remains reckless. and then entre, feeling ostracized from literally everyone and even having a hard conversation with 72 in the elevator, when it all comes down to it, and they seem doomed. he lets himself be weak and falls a bit into swag. and this is where it changes a lot of things for entre. this moment of weakness he was pushed into by fearing it was this or never.

because obviously they get saved and then it's swag losing his foot or getting left behind for zombie-chow and OBVIOUSLY the latter isnt an option so...entre makes that call and then cant go through with it because swag's fear is shaking him to his core in a way he never thought would happen. like he let himself get weak and it's immediately striking him in a soft spot that changes him for the rest of the story

i think it's here where he gets that kinda "oh..." deep deep down. that wow. yeah. swag is much more significant to him than previously believed. that leads into the hardware store where slowly and surely, swag becomes his precious possession. swag's the only one that believes in him. swag's the only one that understands him. swag's the only one he wants to be around. nobody can touch or harm swag but him. swag is his responsibility. swag is his, his, his.

and this is very very poisoned by entre's deteriorating state of mind and emotional health. the man is a long-coming disaster finally starting to collapse on himself. and the centerpin of it all is keeping swag safe and to himself because swag's the only good he sees right now in this hell of a world. swag's words become law in his mind. if swag says he has to be more of a leader, more assertive, he'll take that and run marathons with it. anything to make swag proud of him

because that's another thing is entre has just...always chased someone being proud of him or happy with him. or that he was doing good or whatever. a common onceler problem with the way that Once-ler Mama just Is but yes...it's always been a big deal for entre. he's terrified of failure. and he's terrified of disappointing people who mean something to him. so he'll do whatever it takes to make swag proud and it's not like the rest of thee camp know better than Him what's the Greater Good for them, of course. he's the leader. he's the one who created all this. this is his world and he knows everything about it better than anyone.

meanwhile swag's too fucked up on having his wings finally clipped after leaving off the high of true and total freedom for so long. that he has to stew with no escapism and let the reality of his life as it is now sink in. old ghosts start to catch up to him and new horrors start to sink in. that and the pain meds of course, but through it all, he's still operating on that trust he's placed in entre. entre's a weirdo, but he always takes care of him and spoils him as much as he can. and it makes swag not wanna question, not that he has a leg to stand on (ha) currently anyways when it comes to that. he doesnt know anything going on outside his door. and to be honest, i think that's the part of this shitty situation that he likes. he's clearly tired and been tired of feeling responsible for other people, but he also cant help himself because of his deep need to try and keep as many people in his life as possible because that means the ones that leave have a lot more replacements

but yeah obviously when he gets out and suddenly everyone is his responsibility again and it's up to him to be the hero (in his perspective) he puts entre in his place in the only way he knows how, but at this point...he's reached an understanding of entre and entre HAS become more significant to him than just a business partner. and he's starting to act on the parts of entre he can see in himself and so despite entre fucking up (yet again) he sees it as entre just trying to do what he was guided to in the best way he could manage and swag has little issue just being like ok you fucked up but who cares about that anymore

he has a better understanding on how entre thinks and what he wants (not a great one but a better one) and i think he knows that to endlessly punish entre and leave him alone would just make him way worse and so he decides to stick with him himself (i also think this is also swag's abandonment issues)

i don't think has very recognizable romantic feelings for entre at this point, but entre very much does for swag. so this keeps entre on his feet as much as it can despite the whole spectacle of it being something that'd drive him, any other time, to a long walk off a short pier. but it had to be a spectacle for swag because he had to show to everyone that hey hes here and hes the one fixing things! youre welcome!

but it's still a harrowing experience that strip entre down to the bone and he might be at his lowest he's been since bitter. maybe even lower, but then the prisma event happens and, if entre's event stripped entre to the bone, swag's stripped swag to the marrow

and if there's one thing about entre, it's fixing problems that aren't his own is one of the best ways to keep him moving. even if to anyone else, what swag's been doing this entire time for entre is the Absolute Bare Minimum, in entre's persective, with what he knows and observes from swag, it's worlds and worlds. so when the tables turn, entre feels like it's his turn to give back. and maybe the tables didnt entirely turn on their own, but entre pushed them to. he spun it.

swag was already knocked down a peg by losing his foot, but losing his emotional stability, his comfort, his optimism in this hopeless world. being abandoned by someone that was more dear to him than the others. that slammed him rockbottom. he stopped caring about if people liked him or not because why bother? they're all going to die or leave anyways. i think he knew sooner than we think that rocky was infected, and one was always him being purposefully obtuse. he knew what his fate was. everyone was going to leave him now. and he refused to care about it anymore

shoving everyone away and hermitting in himself. the same careful practices he berated and mocked entre for are things he'd come up with on his own. he was there to be useful now in a direct way. with practical ideas, survivalism, and physical labor. if there was no more joy or optimism, whatever. they were alive. and his joy didn't get to smile anymore so no one deserved to

i think it was the one-two combo of prisma and rocky that really did swag in because, even if i said he doesnt get Actually close to people, he still considered them his. like those are his people and he's going to lose them all. they're all going to leave him behind on this earth that he's been knew for a while fucking sucked shit, but as long as he got to have fun it hadn't mattered, but now he can't

and entre kinda...accidentally did the best thing he could've for swag at this time. he also felt alone, discarded, from the queen piece on the board to a pawn. and so he clung to the only thing he'd found reliability in over and over for better or worse: swag

in general, in this arc, i was working on him taking this giant blow to his ego as a humbling moment to have him kinda try to make amends and create meaningful relationships (or repair the existing ones) with the others in the camp, but being that he thought none of them wanted anything to do with him, his main focus was always swag. swag was the only one besides dave that he thought without a doubt, wanted him around in some capacity beyond being useful

and it's not that entre is a stranger to only being seen for his usefulness, so he bared down into that otherwise, but having tasted the high life...that's why he stuck to swag. he was back to eating those crumbs like addictive delicacies and they tasted even sweeter this time. they end up becoming very, very codependent on each other. they were before a bit too but here, especially so,

but with entre's tanked self-esteem (and it was already pretty bad before) and his sense of duty and taking responsibility, he takes to his role like a duck to water. but it's kinda...funny bc they both become both roles in a codependent relationship??? so it's like...codependency in its most truest realized form lmao

it's starts especially one way but then entre gets sick and it flips the other way, but entre's still trying to maintain the original set-up. this is also where their relationship becomes physical. from affections kept away from others' eyes, to deeper kinds of intimacy. i think with all that they've lost and are doomed to lose, they find their old coping mechanisms (which were never healthy or actually worked either tbqh lmao) just weren't cutting it anymore so then they turned to other things

with like...needing a more direct and physical and raw way to show each other they're still alive, still here, still significant to each other. swag initiates it more, i think, because while they're both on the asexual spectrum. swag's is demi. so this goes to show just how emotionally important entre's become to him, but also i think it's because of yknow...how he was raised. and for him it's more comfortable to do bedroom stuff with entre than kiss him or rub his shoulders. that stuff's "for girls" (too emotionally vulnerable)

and swag starts to show his care as more of...like a direct invasive thing. where he's not going to let entre abandon him too. he's going to somehow make him better and keep him here as long as he can. and entre's taken to rolling over for nearly everyone because he doesnt feel like he's allowed to stand up for himself and this includes swag because it's clear he's doing it because he cares so it's fine right?

and that's kinda where everyone's idea of them leaves off because we never got to go past that. so i get where people, especially those who aren't a fan of toxicity in their ships, would be confused why people like swagtre so much and even for me, as much as i love a good conflict in my ships, i think if this is all it was, i wouldn't be quite as obsessed as i am. because i'll be honest!! it made me sad quite a lot LMAO but i always did it for the bit (story) above all else. because while i wanted entre to say the magic words or do the magic thing or have the magic realization that would fix it all, that's not a good story

but it really is for the later story that i've gotten so caught up. even before we confirmed the Continued story i was always caught up and daydreaming of where this could go

and i just really really love the growth they've had with each other and how many like...jumps in their characters and stuff they've made with and because of each other. entre would not be who he is today in any iteration without some of the realizations i've made through swagtre and same with swag i know with good authority

and it's just like...it takes so long to get even where we ended it. and they have all these weird labyrinthine bullshit things to work through and against and with to get anywhere. and it goes back and forth. forward and two steps backwards so much. but it's just very interesting to study and even reread or reminisce on. and even think about ways it coulda gone differently idk...i just like ships that give me multiple multiple things to chew on and think about. i like to have a full course meal. no shade to people who like other stuff but yea..that's what i personally enjoy. the more complicated, the more difficulty and personal baggage and issues they have to work through to make it work, the better

and i can't say too much on where it's confirmed to go, because that's yet to be seen (smile emoji) but yes...it gets better and idfk i just eat up to people becoming super significant to each other in an apocalypse especially if they started off hating each other?? damn

and it's addictive seeing swag start to come more and more out of his shell. i say his moments of being genuine, vulnerable, real, and raw and caring were addictive crumbs for entre BUT BITCH ME TOO TF!!!

it drives me NUTS (SLASH HUGE POSITIVE!!!!) i love being a driving force to get to see aspects of a character we wouldnt see otherwise. knowing i had a hand in swag learning things about himself and revealing things about himself he would never in other situations...yum...that's the good shit

but yes so concludes my novel on why i like swagtre including i guess an impromptu summary of their relationship

if you made it all the way to the end god damn man...love ya

[theprismyyy]

Natalie + Superpowers

Natalie Scatorccio:

Ok, let's start with Natalie because here we are a kingdom and we all follow our majesty Scatorccio.

Given her role as a hunter, her skills with a gun, and her clear status as a "sellout" throughout the story, I can't help but imagine her as a super soldier type figure, but not a super soldier like our good old Steve Rogers, Captain America, in fact I think Natalie would be much more inclined towards something like Bucky Barnes, the Winter Soldier/White Wolf. I mean, you get the appeal, right? They're both outcasts to some extent in their story, lost and unsure of where exactly they fit into everything that's going on, and they're both lovers of black eyeliner ;) and yeah, that sounded a lot funnier in my head.

About your background story within this universe:

If we are talking about the MCU, she would probably have been sold by her parents, more specifically by her father, for testing with some new formulation of the super serum that was being tested on babies and later in a story that I will not develop now, she would have been saved and become Bucky's protégé, almost like a daughter.

Now if we are talking about the X-men universe for example, her story would be almost the same, still sold by her parents but the difference is that here she was born with super powers, being a mutant, and the organization she was sold to carried out experiments with these so-called mutants; in the end she would have been rescued and taken to the X-mansion, where she would meet the other girls (honestly I like this version much more)

Same Energy:

Now a little about what powers I think she would have and a brief description of them, with a small note that all the information was taken from a wiki about the Winter Soldier, with of course some modifications to make everything consistent with the character.

Superhuman Strength: Natalie's strength would be enhanced to the peak of human potential. Making her strong enough to break through a solid wall with a single punch, as well as effortlessly lift a grown man over her head with one arm and throw him, in addition, this strength extends to her legs, allowing her to jump approximately eight to ten times higher in a single bound and heights lesser yet greater than that of ordinary humans without taking any momentum.

Superhuman Speed: She would be able to run and move at speeds faster than any Olympic-class runner, allowing her to run at speeds of 51.5-57 km/h.

Superhuman Stamina: Natalie's musculature would produce considerably less fatigue toxins, allowing her to physically exert herself for several hours before showing any signs of fatigue or tiredness. She can also hold her breath underwater for long periods of time.

Superhuman Agility: Scatorccio's balance, coordination, dexterity, and flexibility are enhanced to levels that are beyond the physical limits of any Olympic gold medalist. Making her capable of leaping long distances from one building to another without difficulty, as well as easily juggling multiple opponents in a fight.

Enhanced Durability: Natalie's body is much tougher and more resistant to physical injury than that of an ordinary human. She would be able to withstand very strong blows from superhuman enemies, as well as withstand electrocution, gunshots, and puncture wounds, as well as falls from great heights, with little to no injury.

Enhanced Reflexes: Natalie's reflexes would be equally enhanced, rivaling those of Captain America, Spider-Man, Wolverine, and other characters from the stories. Her reaction speed is superhumanly fast, which makes it possible for her to easily dodge multiple point-blank shots simultaneously.

Regenerative Healing: Scatorccio's healing rate is much faster than that of a normal human. She is able to heal from broken bones, torn muscles, gunshots, stab wounds, and many other injuries within days. Most minor injuries -- such as cuts, bruises, scrapes, or burns -- heal within a few hours. It is worth noting, however, that her healing would not extend to the level of Deadpool's, for example.

@jellyb3annn I don't know, I thought you might be interested (let me know if you'd prefer me to remove your appointment)

© 2024 theprismyyy — please do not copy, translate or repost any of my works without my permission.

[aimportantdragoncollector]

Time to apply as a new sibling for Yoichi!

Hates bank vaults- Vaults are boring because there is no entertainment value or enrichment for any living thing going in there. My preference is a large open terrarium with a lot of people and enrichment and plenty of places to explore! So all of Planet Earth!

Prefers Captain Hero to the Demon King- *quietly hides my Demon King/Captain Hero fanfic behind my back* Demons are cool, especially if they're reformed and get pulled into a pseudo-friendship with the Hero where they're always snarky with each other. But Captain Hero is better because at least he has no plans to destroy the world...that was the Demon King's plan in the original, right?

Villains need not apply- I don't think I'm a villain, I'm just someone who enjoys writing stuff!

Yoichi would like someone younger than him so that he can be an older brother, but this is not a strict requirement- I'm probably younger so that's covered! I also have experience as the annoying younger sibling, I even learned how to pick locks just so I could bother my older sister!

Must have a tolerance for PDA- I can just go into the other room and let you have your peace. If it's directed at me though then I'm fine with hugs. More than likely I'll just hole myself up in my room to write the next chapter of my Cap- I mean the next chapter of a romance novel...

Yoichi's hair care products are not to be borrowed under any circumstances- You don't have to worry about that because I have my own hair care products and we likely have very different hair types. Mine is thick, curly, and oily to the point where it gets greasy easily...especially if I use the wrong product.

You must be able to defeat All for One in combat. This is very important because All for One will certainly try to murder you for replacing him.- Oh he already declared his desire to murder me when I filled out one of his applications. So there's nothing new there! Honestly he'd have a hell of a time trying because he isn't the first, nor is he the last who wants my head on a silver platter...and one of the ones who wants my head is kind of an all powerful being who would take one look at All for One and decide to rearrange his face because it would be funny.

The Demon King / Captain Hero fanfiction is actually not a problem! Even though Yoichi prefers to ship Captain Hero with his rival, he wrote some Demon King shipping fics just to annoy his older brother. If Yoichi manages to lock All for One in a bank vault as he was plotting yesterday, then he will read your fanfiction out loud to the prisoner.

Your question about the Demon King's motives launched a long rant from Yoichi that I will spare you. Suffice to say that the Demon King wanted to have total control over the world but in Yoichi's eyes destroying people's free will is the same as destroying them.

Some characters might argue that authors are the real villains. You've committed countless crimes against Yoichi and his loved ones. Fortunately for you he's willing to overlook that because you're tormented All for One too and because of the Demon King / Captain hero fanfiction. Also Yoichi really wants to see the look on All for One's face when one of his hated enemies gets added to the family.

Myself, I recommend a fireproof house.

[thescrapbookingscientist]

Bimonthly Media Roundup

- The Ministry of Ungentlemanly Warfare (Movie) - Well this was a waste of time. We decided to give it a chance for Family movie night as we had all liked previous Guy Ritchie movies, but man did this one have no soul. The characters barely had one personality trait to their name and were completely uninteresting, the plot was a stock standard "stop the nazis" shoot a man dumb action, and there really wasn't anything interesting happening with the visuals or dialogue to bother looking up from your phone to catch. Honestly the only things I remember enjoying at all where that the girl had a few good outfits and there was one jokingly homo-erotic flirting scene between some of the men that made me chuckle, but otherwise this was a complete snooze fest at best and outwardly annoying at worst. If you are really craving a Guy Ritchie spy action starring Henry Cavill, just watch The Man From UNCLE again.

- Spy X Family (Anime) - Paused this in Season 2 way back in order to obsessively binge One Piece, but man I forgot how cute and wholesome this is. I think all the OPs and EDs are great, I love how cringefail Lloyd is as he tries and fails to be a normal man, Yor is an absolute badass and hilarious character, and of course Anya is right there with Yotsuba as the poster child for actually likable weird anime child. I'll have to catch the movie when it comes to crunchyroll, I'd say this is the perfect slice of life/comedy to relax and unwind to.

- Skip and Loafer (Anime) - Speaking of fun slice of life/ comedy, I had heard good things about this series for awhile so my sister and I picked it up. It feels good to say that those things were true, this is a super charming romantic comedy with a larger focus on different types of friendships and how people's perceptions of how others view them affects they way they perceive others themselves. In terms of the plot itself I can't say it's doing anything special or unusual, but it's strength lies in how charming and down to Earth it is. The characters are all fun and likable without feeling like straight archetypes, even background characters have notable designs and personalities making the world feel lived in, the dialogue and expressions are entertaining, and while the slow burn romance is at the center of the story there's also happening with the leads relationships with other characters that helps them feel more rounded. The 'protagonist who is so good-hearted and earnest that they help people learn to drop their masks and form genuine relationships where they can be themselves' may be a standard but it's tried and true for a reason, and the writer here does a good job at making the whole thing feel pleasant without coming across as over-the top. If you want a sense of the general vibe of the show I would recommend checking out the OP, which is quite catchy and features a cute little dorky dance between the leads that really showcases the series charm. Also, there's some great trans rep in the form of the protagonists guardian.

- Jujutsu Kaisen (Anime) - Ah Jujutsu Kaisen, we've blown through the movie and 2nd season and there sure is a lot I could say about both. Overall I do think I've liked the 2nd season more, as the plot gets a lot more interesting/ less standard and the flashback arc has been my favorite from the series thus far, though at the same time some of the series flaws have become more pronounced as the "over-explaining convoluted techniques mid fight" and lack of more light hearted character interactions make some of the episodes really drag. Taken by itself I would say the series is enjoyable with a lot of good ideas, memorable interactions, and great animation, but it has a lot of issues with execution. It's one of the series I would love to get the script for and change a bunch around, like "Oh hey author I love this 'rivals to friends to soulmates to traumatized to enemies who still care deeply for each other to pure tragedy' thing you got going on here, how about we give a bit more focus to that and not fast forward through the moral-compass to genocide fall in half an episode?" or "Hey author, this brother complex blood manipulator guy is fun with a cool technique, you don't need to spend a solid ten minutes having him explain that 'guy can control blood' and 'blood less effective in rain', it's a visual medium, you can trust your audience to understand what's happening with their eyes". Anyway I'd still say it's worth a watch, I miss Maki, Geto has a great design, and I respect the movie for giving us a true Monster-lover with an actual scary monster girlfriend, good for him.

- Dungeon Meshi (Manga) - Reading the manga now, unsure whether I should binge it all at once or try to slow down my reading pace to truly admire the art and progression of the story. For now I'll say it's very pretty and very clever, looking forward to getting to the new non-adapted chapters.

- The Witch of Mercury (Anime) - *Sigh* I know I should be watching this more, as it isn't as if it's not a good series. In general I watch things much slower on my own so that hasn't helped, but mostly I just haven't been in the mood to watch a plot heavy show that requires my full attention, when I do get free time I find myself drifting towards the more lighthearted shows on this list or doing something that isn't watching anime. I'll finish it at one point and will probably have many good things to say, but it might be a slow journey.

- The S Classes That I Raised (Webcomic) - The longer I read this the more I find it unfair that it tends to be the least popular of the Holy Trinity, as it's certainly my favorite of the three. It can really do comedy well when it wants to, some of the more recent chapters have me smiling all the way through, but it's also great at doing interesting non standard things with the world building and plots and having the familial binds be the heart of the story. It definitely has it's flaws, I like all the women a lot but wish they could be a bit more central to the story, and sometimes the tone shifts can be a bit uneven in what you are supposed to take seriously, but overall it's cute, super fun, and consistently engaging.

- One Piece (Anime/TV) - Attempting to get my hands on all the artbooks featuring the many colored cover spreads.

- Genshin Impact (Video Game) - Slowly gathering pearls, primogems, and water droplets so I will be prepared when Kokomi comes back. I have thus far spent no money on this game, but if anyone will break me it will be her.

Listening To: Good Luck Babe by Chappell Roan, Tounges & Teeth and Metaphor by The Crane Wives, Achilles Come Down cover by Annapantsu, Dream Girl Evil by Florence + The Machine, The Red Means I Love You by Madds Buckley, Promiseland by MIKA, One Last Time by Ariana Grande, Bonjour Au Revoir by Joyce Jonathan, Power by Little Mix, All In by 6FU (Alien Stage), Lay All Your Love On Me by ABBA, Song of the Dead by Kana-Boon.

[heretic-altias]

There’s that job tier list going around but honestly my characters have such narrow skill sets I can just talk about my OCs for once and tell you what they’re good at.

Altias started out as an archer, but picked up mch in HW and with it engineering as a whole. She’s a SUPER talented magitek engineer and weapon creator. She could easily rival Cid if they didn’t have such different focuses. That just comes with being a super good gnb and mch as well as things like blacksmith, armorer, and carpenter. Whatever you need to make weaponry, she’s talented at. Her gnb is more Garlean based than bozjan, but she definitely has pulled inspiration from both and then also summoning magic. She studied summoner extensively, and while she’s never actually been a summoner, she incorporated their way of summoning egi into her weapons to empower them. This led to her being corrupted by an actual primal, a strange fusion of Bahamut and her own insecurities that just lives in her head rent free now, but it kind of worked out bc she can draw on his power now, it only took an entire expansion of her being high risk bc the primal was trying to take over her. Her studies focus now on fusing magic and magitek in a way the Garleans never could being incapable of using the former.

Akku’s talents have always been more diplomatic than anything else. Even his echo lets him see people’s emotions (he later learned that the more accurate description was he could see their dynamis) like an aura around them. He was initially a ninja by chance, the rogues helped him out and gave him some training when he ran away from home and ended up in Limsa. Zelda (a friend’s OC) later took him on as a student to specialize that into ninja. He was decent enough in practice, but in battle he’d freeze up. He spent a long time seeing himself as kind of a useless warrior of light since he couldn’t fight like the others. So after ShB he resolved to do things his way instead of trying to be like the others, and learned conjury leading into white magic. This is his real skill set, he’s a healer not a fighter. His offense magic is generally water aspected (Enbarr is very helpful) and non lethal, just keeping enemies away from him so he can focus on healing his allies. In ingame job terms, his only REALLY GOOD skill is whm, but ninja is something he’s trained in.

Kito has a lot going on, but his skill set centers around his unusually dark aspected aether which is really strange, particularly for the warrior of light. DRK has always been his number one talent, to the point he was genuinely afraid of his own power for awhile. But he hung up that sword after EW, and picked up rpr when traveling to the void which also matches well with his dark aether. But he uniquely also combines the class with drg, he was accidentally soul bonded to Twintania freeing her from the binding coils (think an inheritance cycle dragon and rider type relationship between them). So instead of a rpr avatar, he draws on her power and his own dark aether creating an odd mix of rpr and drg that’s ultimately mostly rpr in training and appearance. He’s also a really good botanist, he studied plants in bozja before it exploded, but those are really his only canon job skills.

[eigwayne]

Jamil is the obvious Char of Gundam X, being a Quattro figure, but Lancerow is kinda framed as Jamil's Char and he's just so bad at it. He's such a nice person at his core, he is a fail Char.

The Frost siblings are of course the true Chars of X, performing his 0079 function as recurring enemy who is destroying their supposed superiors from within in underhanded way for the sake of their own revenge. But I love how Lancerow is framed as Jamil's rival and then just... isn't.

Also I used to be annoyed the Frosts survived the series, but surviving and being rendered impotent to carry out their revenge is a worse comeuppance for them, really. Look at all these people carrying on and learning to be happy, motherfuckers!

I am still mad that Jamil/Sara seems to be happening, based on those annoying soppy looks they give each other. Gross. Worst pairing. This translation was softer in the part that made me dislike Sara in the fansubs, at the beginning where she finds Tiffa trying make-up. The original translation was harsher and you're just like, WTF Sara?! This was not so bad, so new viewers probably won't get the same visceral reaction myself and others got when watching the scene originally. So that's good for them but for me? Don't like the character, and I hate when characters I like end up shackled to characters I don't like. Also, I like loyalty as a trait, but the passively waiting lady and the man who doesn't seem interested ending up together annoys me. Plus I still can't get over the initial dislike of Sara and I don't like them as a romantic pairing. Jamil has better chemistry with Dr. Tex, honestly, but he didn't need a romance. I guess one could make the case that he spent the whole series actively avoiding romance, and now that there's peace, he's comfortable to pursue it, but if that's the case, it was clumsily done, because that just occurred to me now, as I was typing, and this is my third or fourth watching.

All that for a four second clip... Anyways! Garrod and Tiffa's ending was perfect and whatever Toniya and Ennil have going on with Witz is hilarious, and it looks like Roybea/Roabea is getting in on that too which is even funnier.

In summary: The last arc was rushed, but overall, the series is really enjoyable and these are good payoffs. No part of the show is truly unnecessary- even the Newtype dolphin arc has its purpose (no pun intended or I would have spelled it differently). The happy endings feel suitable (mostly). So yeah, I still recommend this show a lot.

I love how Lancerow is a total non-entity, not even mentioned until the ep before he appears, and then Tiffa hits space and he's like, just a natural and essential extension of the story. He's the weakest-sauce Char but a great piece of X worldbuilding.

[teklarn]

I NEED A PART TWO FOR BAUKGOU’S AWKWARD CONFESSION!!

𝓫𝓻𝓾𝓽𝓪𝓵 - 𝓴. 𝓫𝓪𝓴𝓾𝓰𝓸𝓾 𝓹𝓽. 2

character(s): katsuki bakugou x fem!reader

a/n: k the first one kinda blew up and i've been on tumblr for like a week and it made me rly happy receiving the requests ty <33 thank u for all the reblogs too !! this is a bit later than i hoped it would come out b/c half of the original fic was deleted by accident, but i’m on summer break until sept 5 so hopefully i’ll still update frequently. 

𝕣𝕖𝕓𝕝𝕠𝕘𝕤 𝕒𝕣𝕖 𝕘𝕣𝕖𝕒𝕥𝕝𝕪 𝕒𝕡𝕡𝕣𝕖𝕔𝕚𝕒𝕥𝕖𝕕!

summary: bakugou finds he’s rejecting his feelings for you in fear of becoming weak, however he just can’t seem to ignore you. 

genre: lil angsty, fluffy at the end

warnings: cursing, one-sided pining, gave reader a quirk, the fighting scene is bs i cannot write action scenes at all im so sorry lol,  second hand embarrassment for our dearest dynamight :(

word count: 2507

pls don't mind any typos! i try to edit to the best of my ability but i tend to type fast and i might miss a few or a lot of things. 

- - -

read part one here my loves !!

you found yourself bored, cheeks puffing out as you swirled around the drink in your glass cup, sitting across from midoriya. he was muttering again, which you’d always found cute, however you weren’t listening this time at all. 

part of the reason you’d rejected bakugou was due to the fact midoriya had requested your attention first, and not as friends. if you’d told bakugou that, it would just wound his delicate ego on top of the fact that you truly had no interest in him whatsoever. 

at the moment, though, he was the only thing on your mind. there was no sudden spark of attraction you’d felt when he’d confessed. of course, anyone would find it flattering that the katsuki bakugou found you attractive. his standards were higher than the clouds. 

at the moment, it felt like something was blocking your chest from feeling something for him, however you couldn’t pinpoint what it was. 

“—it was amazing, right, y/n? y/n?” 

your eyes flickered up to meet the emerald, wide-eyed eyes of your friend. you contemplated lying, but it was no use. shaking your head softly and pursing your lips, you set your drink down. “i’m sorry, midoriya. i’m just kind of...out of it, i guess you could say?” 

he cocked his head to the side. “’out of it’?” he repeated. 

“yeah,” you sighed, head pounding. 

“is everything alright? maybe today isn’t the best time for this.” 

“yeah,” you agreed. “maybe.” 

“do you want to go back to the dorms?” 

you nodded, massaging your temples. “yeah, yeah let’s go home.” 

midoriya let out a soft chuckle through his nose, smiling. “alright.” he offered his hand, and you gladly let him heave you up. 

“i’m sorry about this. honestly, midoriya, i enjoy your company, i really do. but i never assumed you’d catch feelings for me too—” 

“too?” he blinked. the two of you continued on your way back to Heights Alliance. 

you gulped. “yeah, there’s—” 

“are you saying you caught feelings for me, as well?”

your eyes fell blank, lips parting in question. “no, uh. you know what? never mind.” you giggled gently in hopes the two of you would laugh it off without another thought. perhaps you should keep you and bakugou’s quiet interaction to yourself. midoriya and bakugou were already rivals enough. 

- 

the following week was agonizing in many ways. sitting beside bakugou guaranteed that you would get strange, judgmental looks. it never guaranteed his stolen glances. when you’d catch him staring, his cheeks would flare up, and you swore he had smoke puffing out his ears. 

each time, he looked as if he would explode. what can you expect from a guy like him? 

it was easy to assume you’d just pissed him off, though. you weren’t the type of person to tell everyone you’d been asked out, but you needed to speak to someone about it. the thought had been nagging you, stuck at the back of your mind but just on the tip of your tongue. 

you even found that you were distancing yourself from midoriya, who, after asking you out, had insisted you begin calling him izuku. over everyone else, you’d choose him to speak to about the matter, but ever since you’d discovered he had feelings all along, it was strange being around him. 

you viewed him differently. he shot you glimmering smiles and blushed softly when you said his first name. 

“y/n?” 

you twisted around to see mina rocking on her heels behind you. “yes?” 

“are you okay? you seem...how do i put this.” she tapped a pink finger against her lips. “off. you seem off. is everything alright?” 

your brows raised. “oh, yeah. i’m good. thanks for checking in.” 

“is there anything you want to talk about?” she adjusted her hero costume. you and the rest of the girls were currently changing for another training exercise. 

yaoyorozu fixed her hero costume. “i don’t mean to impose on anything, but i have to agree with mina, y/n. of course, there’s no pressure to tell us anything. you’re under no obligation to unless you need and want to talk to someone, but we’re here if you need us, okay?” 

you nodded, smiling softly. “thanks you guys.” 

- 

it was the same training as before, however you were able to select a partner of your own. being that there were 21 students in the class, there was always ought to be a group of three, or one person left out. you’d come into yuuei out of pure luck, as some like to put it. 

you’d found it offensive they’d assumed it was that and not your own pure skill. it’d taken a while to re-convince yourself that you were worthy of being in the class, even if you were usually the odd one out. 

most students had already bonded by the time you arrived here, so finding a partner wasn’t always easy. once you and midoriya had gotten close, you two did most things together, however at the moment, you weren’t quite feeling it. 

surprisingly, your eyes caught bakugou standing alone, eyes scanning the room for a partner. kirishima must have partnered up with another friend, then. it was always them together. 

unfortunately, you weren’t quick enough to avoid either of them. bakugou was already trotting up to you, eyes locked on your figure just as midoriya began jogging to your side. 

in perfect unison, they asked, “be my partner?” (in two very different tones, of course.) 

you blinked between them, about to answer when aizawa came up behind you three. 

“are you guys in the group of three?” your teacher deadpanned. 

your shoulders slumped. “yeah, i guess so.” 

“get to work. you’ve already wasted five minutes standing around.” 

you nodded politely. “yes, sensei.” 

you swallowed. bakugou’s crimson gaze was pinning you in your spot, and midoriya’s lips thinned with a lack of enthusiasm when bakugou looked back at him. 

“get to work, you three,” aizawa repeated, walking away. 

“i can take on both of you.” bakugou cracked his knuckles. 

you clenched your fists. “we already know you’re at the top of the class, bakugou. there’s no need to rub it in our faces.” 

he averted his eyes, cheeks flushing red. it was like a sad, silly way of letting you know you won this fight. 

“i’ll go against you two,” you said, adjusting your hero costume. 

midoriya’s eyes widened. “what? y/n, but—” 

“but i’m not strong enough?” you finished for him. you knew where they ranked in strength, and while yours was just as powerful, if you let one thing slip, your arrows would disappear and you’d be dust. “that’s exactly my point, you two are practically at the top of the class with your quirks.” 

“tch, don’t hold back,” bakugou said, readying himself. 

“don’t go easy on me,” you mocked. 

“y/n, do you really think this is a good idea—” before izuku could finish, you and bakugou launched yourselves at one another. 

you charged forwards. an arrow flew from your hand, twisting its way right through the smoke of an explosion. when it cleared, bakugou was nowhere to be seen. 

a gasp fell from your lips as you turned around just a little too late. your ears rang terribly as your back collided with the ground. 

izuku cried out. green lightning flashed, and he was at your side in a moment. “kacchan!”

you groaned, sitting up. bakugou cut through the smoke with an arm. “fight me, damned nerd. there aren’t any pauses in a real fight.” 

you wriggled yourself away from midoriya. “midoriya, you’re my enemy in this.” 

“bu—” 

“no buts. fight me. and don’t hold back.” 

midoriya noted the determination in your eyes and stood, giving you a sure nod. you were back on your feet in a second. bakugou flew in the air and came crashing down just as fast as he conjured a blast in his right hand. 

attacking wasn’t your best option right now. you were smart enough to know that. an arrow appeared flat at your back and pulled you from where bakugou was targeting. 

cement flew into the air. 

that blast could have wounded you badly. possibly killed you, if he’d hit the right spots. 

in the air, you examined their zealous features. midoriya’s brows were furrowed in that determined smolder. 

bakugou, as always, looked angry. as expected, he charged first, shooting himself into the air. his foot nearly collided with your face, missing my barely an inch. you took your shot, revealing the arrow you’d hidden behind your back. the tip collided with his chest. 

you left the arrow to complete its command and stick your blonde opponent to the wall and trap him there while you went after midoriya. 

while he bested you in strength, you did the same to him when it came to speed. you dodged his punches like they were weak attempts at hitting a ball in a park. 

you grinned. in a battle of strength and speed, whoever landed the first hit would win. there was no question. 

twisting in the air, you allowed the ball of your foot to shove midoriya to the ground. he cried out as his face was crushed into the cement. 

it was perfect timing, as bakugou ripped free of your hold, the arrow keeping him in one spot dissolving into air as soon as its purpose was lost. 

your head whipped around to see him charging for you. 

your fingers curled. the headache pounding at your temples was beginning to get hard to ignore. 

bakugou launched himself at you, spinning in the air like a missile. he really wasn’t going to howitzer you...right? 

when he didn’t slow down, you threw your body to the right, the attack just barely missing your leg. it scorched a bit of your thigh. a groan fell from your lips as you cupped the area around the burn, shuddering with pain. 

bakugou’s chest was puffed proudly as he marched up to you, hands cracking with excited explosions. 

he pulled back his right arm, ready to spark up another fight as midoriya recollected himself. you bit your lip to hide the fact you were quivering. 

it was sudden, but bakugou paused when he saw your hand fly up. 

“give me a minute...” you gasped out, skin still sizzling. 

“y/n! are you alright?” 

you didn’t respond. midoriya smacked his friend’s arm. “kacchan! what’re you thinking?”

“midoriya, i’m fine. don’t stress over it.” you limped to your feet, rejecting the extended hand from your green-haired friend. “i’ll just go see recovery girl.” 

“do you need—” 

you smacked midoriya’s hand away, a little bit more rude than you intended it to be. “i’ll be...fine.” you offered a weak smile to hopefully make up for your tiny outburst. 

although you could see in his eyes he wanted to help, midoriya nodded and stood by, hand falling back to his side. you clutched around the patch of burned skin. the sting had faded a bit, however there was a soreness to the wound that felt like a constant stabbing to your leg. 

you swallowed the pain down, marching towards the exit with determination and a bit of a limp.

you looked back to see midoriya had gone off to tell mr. aizawa what was going on. your teacher nodded, understandingly. 

there were a few worried glances and offers for help in the hall, but you’d neglected them all and found yourself relieved to see recovery girl in her office, typing away. 

she turned as the door opened. “please knock beforehand next time—oh, dear. y/n? are you alright?” 

you gave a tense nod. “mhm. just got a bit banged up in training today.” 

the old woman pursed her lips, smile lines becoming evident. “i see.” she led you to the small cot reserved for patients such as yourself and directed you to sit down. 

she examined the bruise. “it’s fairly bad. what happened?” 

you made a gesture to the door. “i was brawling with bakugou and things got...intense.” 

“that boy has quite an extreme side to him, as i’ve come to notice.” 

“mhm,” you agreed. 

“unfortunately, y/n, i have no ointments to be able to treat this properly.” 

you nodded sheepishly before the old woman smooched your cheek. a soft green glow radiated around you. 

when she pulled back, she said, “now, your body will be trying to catch up on the healing process. that’s what my quirk does. speed up recoveries. since it’s sped up, you’ll require some rest, preferably sleep. i’ll make sure your teachers know you’re excused for the rest of the day, sound good?” 

“yes, thank you recovery girl.” 

she pushed herself out of her rolling chair and left the room, smiling at you.

your eyes fluttered shut not long after that. 

- 

the sun was gone when you woke up, the hallway light flickering off. 

“good, you’re awake.” 

you looked to the left. you cried out, gathering the white sheets around yourself despite being completely clothed. “bakugou! what the hell? you stalker! you creep!” 

bakugou took the slap you gave him on his arm. it was light, and didn’t do much damage. 

“what...what do you want?” 

even in the dark, you could tell bakugou’s cheeks were burning red. “about...about the other day. i wanted to talk to you about it.” 

your chest fluttered in unwanted hope. “there’s nothing to talk about.” 

“dammit, y/n, i wish there wasn’t anything to talk about. you’re insufferable and annoying and i can’t stand being around you because no matter what’s going on, you make my chest feel all funny. it’s stupid, and i can’t take my eyes off of you.” 

heat rushed to your cheeks. “i’m flattered, really. but i-” 

“i’m not asking you to reciprocate my shitty feelings. if anything, it’s better if you don’t.” 

“bakugou, i wasn’t...” you paused. 

“you what?” he snapped, voice soft despite his tone. 

“i was going to say that ever since you...ever since you asked me out, i’ve been conflicted about my own feelings.” 

“the hell is that supposed to mean?” 

“i’m not sure if i like you back or not, bakugou. but hearing you say all this...makes me want to give it a shot. sort of. also, why the hell are you watching me sleep?” 

bakugou swept hair from his eyes. “don’t go and try to change the subject on me, dumbass.” 

you gulped. 

“so what’re you saying?” 

“i’m saying,” you started, “i’m saying that maybe i want to go out on that date with you.” 

“say it again.” 

“what?” you looked up, his eyes boring into yours. 

“i said i want you to say it again. tell me you want to go out on a date with me.” 

it startled you how sure he was when he knew what you wanted, too. this was unlike the last attempt to ask you out. 

“katsuki bakugou, i want to go on a date with you.” 

he grinned. “where to?”

[sukirichi]

jujutsu kaisen characters as students in high school: (non-canon AU)

featuring: itadori yuuji, fushiguro megumi, gojo satoru, getou suguru, & ryoumen sukuna notes: some parts include you as their friend, or even their high school love! (this is unedited/ not proofread)

masterlist ! requests are open 

𝐈𝐓𝐀𝐃𝐎𝐑𝐈 𝐘𝐔𝐔𝐉𝐈

he’s not the brightest bulb, but he makes up for it through hardwork and enthusiasm

yuuji is literally that classmate everyone is just friends with

the type who waves with a smile, saying “good morning!” the moment he walks through that door

with that being said, since he’s everyone’s friend, i headcannon that yuuji doesn’t really have a best friend because he’s so open and available to everyone it’s hard to have just a one on one conversation with him

not to say he’s always surrounded by a crowd that you can’t get near him, but everyone likes talking to yuuji

he just fits in so well and understands people 

kind of like how he easily clicked with junpei (please, i miss him, i still can’t believe that he’s...you know...)

whether it’s the guys raving to him about sports

or girls shyly talking about their crush on class or about that new shojo manga

yuuji is open to anything and everyone. this boy wears his heart on his sleeve and he’s honestly such a precious boy, please be kind to him <3

the type of student that gets called to answer in class but isn’t shy to admit he doesn’t know the answer while rubbing the back of his neck

he does pay attention tho

i think it’s canon that yuuji is a dedicated man, like from that time he just watched movies straight and kept his cursed energy controlled so the cursed corpse would stop hitting him

overall, yuuji is a very hard working student! 

he wouldn’t get over the top grades, but he’s really proud of himself (and he should be!)

also that one kid in class that is surprisingly good in sports despite his lanky figure and laid back persona, because all the other sports-craved people are always flexing or challenging other captains 

but plot twist, this boy is ripped and very, beautifully kept in trim

yeah he’s not really into club activities that much

not because he hates them, but he’s just not that into it. he’s more than glad to join in whatever activities though and enjoys them, but if asked what he’d like to do, it wouldn’t be that first thing that came to mind

in conclusion: itadori yuuji is the class sunflower that lights up everyone’s day  🌻

yuuji’s role: the hard worker! 

𝐅𝐔𝐒𝐇𝐈𝐆𝐔𝐑𝐎 𝐌𝐄𝐆𝐔𝐌𝐈

hands down, megumi is THAT student

if you’re volunteering in the library, you can sure as hell guarantee you’ll see megumi there

he doesn’t like studying in class because it’s too noisy, so if he’s in school, you’ll always see his name in the library logs

he’s that kid that aces all exams

the type to scowl when he sees a 96% mark because he’s expecting a perfect mark

okay before you come at me, i’m not saying megumi is that annoying smart kid in class that goes, “Oh, I’m so dumb, just a 96?”

no he’s more frustrated at himself because he knows he studied hard and lost sleep over it. he’s just wondering where he went wrong. he has literal note cards and customize flash cards on an app on his phone, waking up every four am and probably taking supplement classes after regular school hours

i headcannon that megumi is someone who always wants to do his best and actually goes through lengths to prove his worth

maybe it stems from having the need to show who he really is and what he’s capable of

but yeah i can totally see him doing that

also that cute student that keeps visiting the cafe every saturday morning, wearing a black hoodie and headphones tucked in, his pretty hands nestling over a book

he looks like a gamer but honestly i don’t think he’s got time for that lmao

would also be that guy people find hard to approach because of his quiet and reserved self

he’s pretty intimidating too

definitely sits beside the window at the back of the class. you can’t fight me on that

just because he’s smart and loves studying, it doesn’t mean he’ll sit on the front row and raise his hand every damn second

the teachers will encourage him to participate in class a little bit more, especially after seeing he’s awkward during group activities, but megumi just really prefers to do things by himself

i also headcannon him eating in the cafeteria like everyone else instead of having his alone time during a rooftop? like idk i can’t picture megumi completely isolating himself like that

he blends in well in a way that you know he’s just like everyone else; a human

but he also stands out in the manner that he’s a lot more introverted and reserved compared to everyone else

surprisingly good during sports and relay games

100% reliable

the type to stay up at midnight to finish a group project, sighing because his groupmates doesn’t care as much as he does, but turns it in anyway the next day

he’d be annoyed at them, but he doesn’t really like confrontation so he doesn’t out them to the teacher like that

but he’s also not someone who lets people walk over him, so he’ll simply say something about his groupmates becoming more responsible and to be serious for once as a “warning”

and yeah, he may be closed off, but once you get really close with him (even better if you have similar interests) you’ll find there’s a lot more to him than what you’ve originally seen and he’s actually a pretty great friend and supportive classmate

would teach you instead of just letting you copy his work or snap pictures of his notes

ugh he’s so responsible and morally right and that’s so attractive help

in conclusion: fushiguro megumi is the hidden gem  💎

megumi’s role: the intellectual outsider!

𝐆𝐎𝐉𝐎 𝐒𝐀𝐓𝐎𝐑𝐔

man...i don’t know how to start this

i’ve said this about megumi, but gojo is also that student

no, in fact, he’s THE student

everyone loves him. literally everyone

the teachers? smitten

his classmates? in love

the school guard? calls him by his first name

the cleaning lady? turns into a star with the way she lightens up when he’s there

the cafeteria staff? yeah free food because he’s gojo satoru

gojo is what i like to call the “one who has it all” because....well, he kind of does

he’s really smart and talented, which comes as a surprise to everyone in the first day of school when he nearly gets kicked out for falling asleep in class

only for everyone to be shocked that he knows the answer already and the teacher is only discussing chapter 1 lmao

yeah he’d be that kid who always sleeps in class

or is playing games on his phone behind an open textbook

he literally doesn’t listen to what the teacher is saying at all - or at least that’s what he wants you to think

man is a god at multitasking and his seatmate would snicker because he’s crushing his enemies at a phone game, but then gojo coolly corrects the teacher about history or something

he’s pretty laid back tbh

but when he’s got everyone’s attention on him? ofc he’d show off

basketball meats are wild. even students from neighbouring schools would visit just to see gojo play - and he’s not even an official member! the coach just asked him to replace a sick player but boy won that champion shot

omg BASKETBALL PLAYER GOJO I CAN’T

but he pretty much excels at everything

except cooking class, gosh, don’t ever bring this man anywhere near a fire. that’s probably the only thing that really got him to detention this time because he always somehow talks himself out of getting that red card with his words and charm

also that kid that would receive lots of confession letters, chocolates, and random gifts in his shoe lockers

he knows he’s handsome and he’s not shy about it. in fact, he’s shameless when it comes to his allure on people

but he also doesn’t really date anyone (it’s canon this man won’t stay loyal to a single woman lmao)

if he and megumi were classmates, they’d be sort of rivals

megumi would always come on top of class, but gojo is just a breath away from the former’s perfect marks. if it only weren’t for megumi’s squeaky clean record and reputation - whereas satoru’s is TAINTED as heck - and the fact that gojo doesn’t really study as much as gumi, then yeah he’d also be top of the class if he wanted to

on a much more serious note,,,gojo acts like nothing really bothers him and he’s simply that effortless

but i feel like he grew up with tutors from a very young age and that’s how his natural intelligence was just further improved and increased with that type of environment in his childhood

and unlike megumi, i don’t think gojo would really have a set goal in mind on who he wants to be or what he wants to do in the future

he’d just be enjoying the moment <3

in conclusion: gojo satoru is the effortless god!

satoru’s role: the lazy king everyone is envious of 

𝐆𝐄𝐓𝐎𝐔 𝐒𝐔𝐆𝐔𝐑𝐔

the playboy

you can’t argue with me on this one

he just is, i feel it deep in my SOUL he just is

moment he walks in, all classy and suave aura and all, you can honestly smell and taste the amount of confidence that drips from him

probably came from a well-off family

probably the mayor’s kid lmao and he’s been used to the attention ever since he was young

much like megumi, he’s not really the type to show off his intelligence

and similar to gojo, people are surprised he’s actually got them brain cells just because everyone is more focused on his appearance first

like who would expect this tall hunk beautiful beast of a man with long hair and piercings actually liked classic novels and could effortlessly recite sonatas and poems in different languages

yeah i headcannon that getou is an intellectual, cultured man

ofc having long hair and piercings isn’t allowed in his school, but because he’s geto and the school knows about his family’s influence, they just let it slide

probably comes late to school too

he eats in the cafeteria, but you don’t really see him indulge much. some days, he’ll have his own fancy bento box prepared by a family chef, but geto is actually pretty simple and humble that he also buys packed bread or canned coffee 

takes the library volunteer by surprise when he drops by one friday after class to borrow an old classic novel that even your professors had a hard time analysing

but geto’s like, “oh this? yeah i last read it when i was thirteen, thought i’d read it again”

IDK WHY but I can see him as sort of breaking the rules when it comes to the school uniform

top three buttons of his shirt open when he’s feeling hot or something

doesn’t really keep his tie that tight too

but overall, geto is a composed and well-put together guy

i just can’t picture him slacking when it comes to his appearance, he’s too fancy and pretty for that

he’s also similar to megumi in a way people find it hard to approach them, but most definitely, geto also receives confessions often 

i can see him dating someone after being interested in someone in school and actually being serious with them unlike gojo

then they would be “that” couple that’re just so couple goals

not the type that goes overboard with pda and pulls off the angry face emoji when they hear someone talking about them and they’re like, “NO HE’S MINE”

okay that’s cringe but i legit witnessed that way too many times in high school yall cant blame me lmao

but they’d be more like the chill laid back couple that supports each other in everything and you can just tell they have a happy, healthy relationship

(oh to be getou’s girlfriend in high school and his first love and all his firsts)

in conclusion: getou suguru is the unpredictable!

getou’s role is: that one classmate you really admire but he’s so far out your league but he’s genuinely a good guy anyway so you’re happy for him no matter what <3

𝐑𝐘𝐎𝐔𝐌𝐄𝐍 𝐒𝐔𝐊𝐔𝐍𝐀

okay okay hear me out but...the stoner

i really can’t see him any other way guyssss

and if you’re his classmate, you most likely wouldn’t see him that much either

dude is like 2-3 years older than everyone in class and he doesn’t give a shit about it

he’ll come like...once a week, if he’s in the mood enough

teachers don’t even bother scolding him for his tattoos anymore because there’s rumours going around he’s the son of a yakuza leader or that he’s a gangster who sells organs or some creepy dark stuff

ofc he doesn’t do that

he just does drugs and gets drunk at most

sukuna doesn’t really have that much friends either. yeah he parties with people and often gets high with some older kids, but he doesn’t genuinely enjoy their companies either

would totally come to school with his uniform unironed

red-eyed from his high and naps at the back of the class, making the teacher soften their voice in fear of waking him up

also doesn’t have a pen or paper

i mean...he doesn’t even bring a bag

fails the exams all the time, making him repeat year by year, and he’s even known for beating his senpai up for something stupid and sending the guy to a hospital where he stays for two weeks

but on the other hand

he’s also freakishly attractive and surprisingly easy to talk to

you probably bumped into him one time and you profusely apologize, but then he notices something about, something odd like, “did you just cut your hair?”

“uhm yes...you noticed?”

sukuna shrugs lazily, “noticed something was different, but whatever. it looks good on you though.”

he’s just soooo nonchalant most of the time, it’s hard to believe he’s actually pretty violent

but yeah this man has anger issues i’m sorry

but with that speaking, i actually don’t see sukuna as a bully with like a gang of his “followers” or that type of jazz

he’s more like the kid that hides under the bleachers or gets high in a storage room while everyone else is occupied with school festivals

it’s a shock he even came, but sukuna just says “free food is always a gift” but ofc it’s not free food...he just steals from the stalls

now here comes the fun part

so now that we know sukuna pretty much is a hopeless case...suddenly, he isn’t? maybe he meets you, the class volunteer who goes out of their way to visit his shabby apartment just to hand him his class work that he’s missed out on

he obviously disses you at first and ignores you, telling you to get lost

but somehow your kindness and persistence has him breaking

now he starts coming to school often, carrying a pack of gum or mint pops because he smells like weed and he’s slightly conscious of himself

this is supposed to be just them being students in high school, but i could honestly sukuna changing colors once he just gets a better grasp of what would be good for him

or maybe something finally interests him and gives answers to his silent questions

i feel like he’s such a troubled kid and just lacks proper care and attention, but once you become his friend and show him you don’t have bad intentions, he’s actually a loyal and decent guy

and when you two finally get close, you eventually gain enough courage to tutor him. sukuna is actually pretty smart too, he just doesn’t like studying, but when you compliment him, oh man, he melts

“yeah, you actually got that right! i told you you could do this!”

tsk,” he scoffs, “that’s all kindergarten shit.”

“if it is, then why haven’t you graduated?”

“shut the fuck up.”

although he sneers, you and sukuna have gotten close enough that you know both of you don’t mean anything bad behind those words and it’s all light hearted teasing

oh and when you ask him to take a picture with you for “high school memories?”

sukuna is disgusted

“get that thing away from my face - did you just take my photo?”

“yeah, you look pretty cute here! i’m so printing this and putting this in my album.”

sukuna is about to scold you even more, but the thought of you putting your photo together - even when he’s frowning in the picture - in something as sentimental as a photo book really has him softening up

would even try - keyword is try - to study more just so you’d stop frowning when you see his paper covered in red marks all over again

and he’d even try cutting down on his weed for the sake of his “health”

ofc he won’t suddenly - or ever, even - become the amazing student megumi is

he’ll still get into trouble because he’s impulsive and has poor coping skills, also he’s not good with words or dealing with his emotions

but on his good days, he’s a pretty funny guy

it just takes a lot to see that side of him, but it’s worth the time and patience

also i was expecting to write funny scenarios or imagines of stoner! sukuna because he’s too high to even hold a proper conversation sometimes but all i got is him saying weird words like “snail trap” or something when you ask him how his day is

would also have that garbled little laugh when he’s so out of it

sukuna will try to be better though, you just need to be patient him

but my GOSH when he finally graduates

he’s going to hide that little smile because deep down, he’s also pretty proud of himself and how far he’s come <3

lol now this makes me want to writer a high school au lololol

in conclusion: yeah he’s the stoner with a good heart 

which is so not canon...this shouldn’t even be a headcanon we know ryoumen sukuna is PURE EVIL but oh well maybe when I’m down from my sukuna high I’ll write him a lot more canonically

[bonsai62]

I just realized something... I was talking to this person one time on a post before and as I was typing that’s when i realized something:

This is for my fellow Nobamaki & Itafushi shippers! If you guys don’t ship it then it’s okay! This is just like a small analysis in my eyes and the way I read things! I can be wrong or just love reaching on a shit ton of things but this is all for fun and I love sharing with you guys!

Let’s get started! Also, this contains spoilers!

Do you guys realize that Nobamaki/Itafushi actually parallel to each other? Let me explain in shitty English and basic grammar and vocabulary lol:

As I watch and read Jujutsu Kaisen I see a lot of parallels between characters; Gojo with Megumi or Yuji, Getou with Megumi and Yuji or Nobara and Maki... but what I want to parallel between characters is:

Yuji & Maki

1. Raw strength:

Both are hella fucking strong and for people who don’t have cursed techniques, they know how to kick fucking ass. What made me realize that both of them are the same is honestly during the baseball game. I like how we were able to see Maki and Yuji making a home run... okay well Momo fucked up Maki’s groove! Haha! But during the Tokyo vs Kyoto event, Maki and Yuji go ham on their enemy.

Yes, Maki used weapons but still, we can’t deny she got good speed and strength that is similar to Yuji’s. That’s why I wish I can see them both doing a bad ass duo fight together.

I have a small headcanon that Yuji actually enjoys training with Maki the most because I feel like he can understand someone who shares similarity in natural raw strength and speed. And Maki feels the same way and it’s a good excuse to bully Yuji as a joke. I would honestly love to see that! Lol!

2. Their story:

Yuji and Maki honestly have it bad. Yuji loosing his only family member (his abuelo) and becoming Sukuna’s vessel which leads him to a future execution. For Maki is the fact that her family treated her like garbage and having to leave her sister behind and eventually her sister dying.

Both Maki and Yuji share that same pain when it comes to loosing someone. We saw Yuji with Junpei and in the Shibuya Arc with Nanamin and Noabra. Again, Maki the same with Mai.

I think what made me even realize it MORE on how alike and how they parallel with each other are these images right here and how they worded their final saying:

In the Shibuya Arc, Yuji lost it. He lost it with Nanamin and Nobara (but luckily for Todo, he was able to pick his feet back up).

If I was Yuji, I would’ve reacted the same way because imagine having the idea you want to save people no matter what but people keeps dying around you or by you? It’s tiring and I would’ve had a mental breakdown too.

After kicking Mahito’s ass, Yuji says there is no reason anymore. For me, when Maki’s arc came it really reminded me of this:

When Mai died and was killed by her own dad. Her dad took away someone who was precious to Maki no matter how much they didn’t get along. Maki really wanted to create the Zenin clan just for Mai to be safe and free.

Again, same with Maki, I would’ve killed the whole clan too because of how in general the Zenin clan is and how they treat people.

3. Having a “curse”:

Nanamin to Yuji: “You’ve got it from here”

Mai to Maki: “destroy everything”

I don’t necessarily mean a curse curse but it’s more like final words that someone important to them said before dying.

For Yuji, he won’t die because Nanamin believes that Yuji can move forward and save the world.

As for Maki, Mai tells her to destroy everything in order for things to change (I might be wrong). It’s for the Zenin clan to start fresh. That is another way I kinda Interpreted (again, I can be wrong). Maki still isn’t done with destroying things plus she is going to move forward just like Yuji. 

I have a thing that if the higher ups find out about Maki, she would be on the verge of being executed as well. So imagine both Maki and Yuji together being executed.

Now on to the next pair!

Megumi & Nobara

Again, this is just me analyzing. But if you ship Itafushi and Nobamaki, you can actually see another pair that parallels to each other but so far I haven’t seen anyone compare them yet, or it’s just me lol!

1. No rivalries:

I think what I love about these ships so damn much is that there is NO RIVALRIES. Even if you don’t ship them you have to admit it is amazing seeing a m/m or f/f getting along without being damn rivals. I’m glad Gege decided not to do that especially towards the women because it does get so tiring that two women don’t like each other for no damn reason or fighting over the main guy or other main guy. At least when Nobara didn’t like Mai or Momo, she had a reason for not liking them.

And don’t get me started with Megumi and Yuji. I was so happy to finally see two boys be friends instead of the usual, boring rivalries. I’m a be honest with you, I was pretty shocked that Gege was able to make Megumi and Yuji be so close and trust each other as friends. It’s a breath of fresh air for the two ships like omg I was happy not seeing the basic shonen bullshit with the f/f and m/m relationship.

2. Hyping up their pairs:

What I mean by hyping them up, I’m talking about the potential that Maki and Yuji has that Nobara and Megumi sees from them. Nobara since the start acknowledge that Maki is strong and vice versa with Megumi with Yuji. What made me see that Nobara knows that Maki is just amazing and strong was during the baseball when Maki was able to hit almost a home run. Nobara just knew that Maki would be able to make that home run but again Momo ruined her moment! Lol!

As for Megumi, we see while the Tokyo students came up with a strategy to win against the Kyoto students, we see him saying that Yuji can actually beat all their asses without curse energy or energy(one of those). Megumi reassures to people that Yuji can take care of himself and is very useful. Another time Megumi reassured that Yuji is strong is when he was in his bed healing from Hanami’s attacks and when they fought tiger against that one dude (forgot his name)

3. Thinking about them/defending them:

Now… this is really what made me think why Nobara and Megumi parallel with each other

It’s becasue I feel like they’re the ones who are more attached and over protective with Yuji and Maki than how Maki and Yuji are with them.

Now, I’m not saying it’s vice verse with Maki and Yuji. But I’m talking about how Nobara and Megumi expresses it. Let me explain:

While reading and watching JJK, we see how Nobara is with Maki compared to anyone else. And no, I’m not saying that Nobara isn’t overprotective with Megumi or Yuji but just the way she is towards Maki. I would honest love to see how these girls got along and how they became close!

Ever since Maki and Nobara had that deep conversation about why Maki choose to be a sorcerer, that is when I actually started shipping them because of how much respect Nobara has towards Maki and it continues to develop more and more with the two of them. We saw how Nobara got super defensive when she fought against Mai (First time) and started dissing Mai. The second time was with Momo, when she was straight up talking shit about Maki.

I love how when Nobara was talking about Maki and Yuji when fighting against Momo. However, I felt a different vibe towards it as well. What I mean by that is that I got more of a “big sister vibe” toward Yuji and a “I love and respect Maki”

But again, I feel like Nobara had some sort of feeling and attachment toward Maki ever since that fight with Momo and more than anyone else too. However, that is just me though! You do t have to agree with my reaching!

For Megumi and Yuji… First of all… Megumi would not hesitate to pull a trigger if anyone is trying to harm Yuji. What made me see that was against Kamo and the Kyoto students. I swear that day Megumi was literally about to commit murder.

Yeah, Nobara got pissed but she went easy on them, but Megumi didn’t. Oh no, he was about to commit a felony. He wanted all the smoke. He wanted that curse. I swear I even felt how pissed he was. I just feel like every time and separates, shit goes down the wrong way and everything goes wrong.

For me, shipping Megumi and Yuji is a whole ass different post but I won’t do that lmao same with Nobamaki because I can write a whole ass essay why I love how compatibly/perfect for each other lol

Bonus:

But guess what… during the Kyoto and Tokyo event, same shit happened with Megumi like Nobara: Megumi was thinking of Tsumiki and Yuji. And again, I felt like it was still different when Megumi was thinking of Tsumiki and Yuji. I find it crazy how Nobara and Megumi were thinking about two people during that event:

Nobara: Maki & Yuji Megumi: Yuji & Tsumiki

This is my personal favorite image of Nobara and Megumi. *wink wink* it’s basically the same image on who is important to to them.

Again, for Nobara and Yuji’s relationship, I just love the way it is. She gives me “big sister” energy towards Yuji and vice verse. Yuji and Nobara are those chaotic siblings that are the hyper ones while Megumi and Maki are the chill ones that can actually keep them down. There has been one occasion where both Megumi and Maki calms Yuji and Nobara down because of how they were acting and I’m not gonna lie it’s kinda cute lmao:

4. Not leaving them:

During the Shibuya Arc, Maki and Nobara separates but at one panel, Nanamin was telling Nobara and Nitta that he was going to join the Zenins. Nobara quickly picked her head up and suggested that she wanted to join him in order for her to be with Maki (this is a stretch but hey Iike being dramatic) however, Nanamin quickly declines her and tells her that it’s too dangerous. I think she was disappointed that she couldn’t go, but hey, Nanamin is a gentleman and he knows when a child is gonna end up getting hurt. I thought it was cute that she was super worried about Maki and just doesn’t care and wanting to join her.

Now, up the recent chapters, Megumi really shows us that he doesn’t want Yuji leaving him or he wants to stay by his side. Those few chapters really made my heart feel some type of way because it just the way Megumi is for Yuji and I can honestly feel how much he cares for him. As I mentioned above, I feel like everything goes to shit when those two aren’t together and I hope that they develop more and more. There has been two more occasions where Fushi doesn’t want Yuji to be left behind; one during when they were in prison and the second during the fight against Hanamin. The eyes that Fushiguro gives Yuji is full of trauma and careness.

In conclusion, I can’t wait for Nobamaki and Itafushi to develop more and more in future chapters. Again, you guys don’t have to agree with me on this. This is just for fun and sharing is fun too! If I’m overreaching then I’m sorry I just can’t help it :(!!

I hope you guys enjoyed my lil analysis! I’m sorry for the bad writing, I’m not very good at translating my feelings as I’m typing because my brain goes all over the place lol! But please, feel free to comment or give me an ask! I’ll be happy to elaborate more for you guys!

Stay safe y’all! And good night or morning!

[lemonade-if]

First of all, I absolutely adore all your characters and your plot, they re incredible!

And your writing is great! I love slice of life ifs and I'm glad we are getting more. :))

I am curious as to what genre you tend to gravitate more towards when it comes to reading, is it the same genre that you prefer to write in or are they completely different? In terms of characters what are your favourite types of characters to write and your favourite types to read? Is there any clichés that you're a huge fan of/never get tired of seeing? And last question in terms of interactive fiction as a whole what genres and themes do you feel aren't represented enough in if and you would like to see more of?

Thank you so much for your kind words! You've honestly made my night. Thank you for such an indulgent question, too. I'll put this under a cut for those uninterested in an old man's long rambling :- )

Lemonade is quite different from the stuff I prefer to read and write. My favorite genres are seinen and darker psychological series, and Lemonade is overall a happy, vanilla series. I actually rewrote the opening about 6 times, because the tone was too bitter and hopeless at first 😂 If I wrote Lemonade in the style I usually write in, it’d sound like a story being told from Yuushin’s perspective.

For reasons both within and beyond my control, there are a lot of things I feel like I missed out on as a teen; a lot of things that I could never have closure in; a lot of mistakes and regrets...I guess Lemonade is a bit like my own personal therapy. Somewhere inside this tired, jaded adult is a person who still wants a second chance at reliving the hopes and joys of youth.

My favorite characters to read are the ones you can't decide whether you like or hate. Even if they're against the hero, you're not sure if you want them to win or lose. Tsurumi Tokushirou and Ogata Hyakunosuke are the best examples of this I've ever come across (from Golden Kamuy, one of my favorite manga of all time). Another great example is Takahashi Hisanobu from REAL (my favorite manga of all time).

I like writing all types of characters: jackasses, stick-in-the-asses, smartasses...why are they all asses? If I had to choose, unhinged or raunchy characters are probably the most fun, since I don't have to hold back. Dumbasses are fun too. Another ass...

You didn't ask, but my least favorite is writing cool characters. I get so worried about whether or not they'll come off as cool enough. I bully Yosuke the most because he causes me the most stress.

I love many cliches! In terms of relationship dynamics, Grumpy x Sunshine, Delinquent x Honor Student, Enemies to Lovers, Rivals to Lovers...In terms of general cliches, I like every single angst cliche under the sun. If it hurts me, I'm all in :D

Personally, I'd love to see more IFs that are:

Non-fantasy slice of life

Stories that take place outside of Western society or history

Relationship/character and choice-driven stories (romance or not)

I have a few more story ideas of my own in terms of addressing the above...but rest assured, I won't touch them until at least one book of Lemonade is complete :D

[makeste]

some meta about Izuku, Katsuki, and trust

and choosing to trust is the real bridge that goes to accepting that person as a part of your live again and what the offender has to earn. I think the interesting aspect of Deku and Bakugou's relationship is that Deku has always trusted Bakugou, and I would say more than he had forgiven him at the start of the story (where he does show more frustration and resentment towards Bakugou's behaviour and see him as a jerk) but despite that he can always trust Bakugou to him himself, attested to

the fact that Deku feels very confident about how Bakugou will act or what Bakugou's true motives are and probably the reason why he always sees Bakugou as a hero despite his hurtful behaviour is because Deku 100% trusts Bakugou even if he's doing something disagreeable or that will hurt him. Knowing someone and trusting is not exactly the same and I see it as trust because of Deku willingness to be co-operative. On Bakugou's side he is mistrustful of Deku and thats where the communication

breaks down and there has been plenty of meta exploring why Bakugou has deep rooted problems around Deku and his journey is him taking accountability of that and changing to be a better person. While understanding and miscommunication get their fair due I think trust and mistrust are the true bedrocks of the bkdk river bed because that allows for how they can still be so connected despite the miscommunication (with Bakugou mistrust is mixed with some trust) because of knowing.

anon I really enjoyed this, thank you for sharing your thoughts! I concur with just about all of this, and this ask got me thinking a lot about the nature of trust, and how it applies to Izuku and Katsuki’s relationship.

I think a lot of people’s reactions to reading the sentence “Bakugou and Deku have always trusted each other” would pretty much be, “???” and “lol what.” like, yeah, sure. they trusted each other so much that Bakugou decided that throwing a tantrum for ten years would be an appropriate reaction to Deku trying to hold his hand. classic Trust, right there!!

lol but I honestly think this is true, though. it’s just that there are different... levels?? types?? of trust. let’s go with types. there are different types of trust, and what makes Izuku and Katsuki’s relationship so interesting to me is that it’s kind of the opposite of what these fictional rival-type relationships usually are. it’s basically the difference between knowing, and understanding.

okay so first of all let’s back up here to make sure we’re all on the same page. we’re defining trust as “firm belief in the reliability, truth, ability, or strength of someone”, which is the Oxford Language definition and which works pretty well for me. you’ll note, btw, that the current relationship between Katsuki and Izuku more or less meets all four of these criteria.

reliability - both boys regard each other as dependable and are willing to rely on each other in a pinch (although Izuku is currently having some difficulty with that, but that’s another topic for another day).

truth - both are honest with each other, though not completely honest (this is the aspect that Katsuki still needs to work on, as he’s currently hiding his desire to atone).

ability - neither of them have any difficulty with this. Izuku admires Katsuki’s ability so much that he’s made it his own gold standard since childhood, and Katsuki respects Izuku’s ability enough that he made him his main rival, and never doubted that Izuku was qualified to receive OFA and become All Might’s heir.

strength - as with ability, this is another aspect of trust that neither of them has ever struggled with. in fact, a lot of their relationship struggles happened specifically because Katsuki never doubted Izuku’s strength, but feared it because he didn’t understand it.

so yeah. there’s a lot more trust between them than most people realize, I think. but the thing is that the type of trust they have is based more on knowing than understanding, and that’s where so much of their conflict stems from.

when I say knowing, I’m talking about the kind of awareness that comes from familiarity and experience. this is the type of trust that’s difficult to take shortcuts with, because it mostly just has to be accumulated over time. this is all about learning what someone is like through observing them and being around them. and it’s just as much about being known as well, because at the same time that you’re learning who the other person is, they’re learning about who you are. and that’s where trust starts to work its way in. it’s the slow unveiling of who you are, and laying it on the table piece by piece over time. and every time another little piece of you is revealed and accepted, and every time you accept one more piece of who the other person is in turn, that trust increases a little bit more. this type of trust takes a long, long time to build up, but in exchange the foundation it creates is pretty much rock-solid and nigh-indestructible.

understanding, on the other hand, to me is more instinctual. it’s about empathy and insight. and the interesting thing is that it’s possible to know someone for years upon years, and yet never truly understand them. and on the flip side, it’s also possible to understand someone within minutes of meeting them, even if you know almost nothing about them. if “knowing” is about learning who someone is, I would say that “understanding” is about learning why they are who they are. this type of trust isn’t necessarily always mutual, but it does necessitate forming a connection with someone. because empathy is such a critical component of it, it’s basically impossible to understand someone and not form an emotional connection to them in some way. this type of trust can be far more powerful and intense than the “knowing” type of trust, but the flip side is that it can sometimes be less stable and easier to break.

I think that the majority of fictional relationships, especially the ones that become really popular ships, are based more around the latter type of trust because of its intensity and unpredictability and potential for story development. the thing is, both of these types of trust are necessary for a good ship (and when I say “ship”, I’m talking about both romantic and platonic relationships just fyi). if neither type of trust is present on at least some level, then there’s really no foundation to start building up the relationship. so most of the time a ship will start out with one or the other, and then over the course of the story they'll work on building up whichever one was lacking.

and because of how stories work, the majority of the time we’re going to be dealing with characters who at first don’t know each other all that well. and so the relationships we get are ones where the characters first form some kind of emotional connection that builds understanding, and then over time they start to learn more about each other and build up that kind of trust as well. I feel like 90% of ships have this kind of dynamic. it’s the basis for things like enemies-to-lovers, fake dating AUs, and basically any kind of trope in which the characters get stuck somewhere and are forced to spend a lot of time together. it’s good, and it works.

but the fascinating thing about the relationship between Izuku and Katsuki, though, is that it’s actually the exact opposite of this. the premise of Izuku and Katsuki's story is that these are two people who’ve known each other their entire lives, but have almost no understanding of each other whatsoever. they know almost every little detail about each other, so much that they hardly even think about it. but all of their conflict is based on the fact that understanding between them is basically nonexistent.

and to me this is such an intriguing dynamic. the two of them know each other like the back of their hand. they’re familiar with the smallest habits. they can predict each other’s actions. they know how the other person thinks. and they have the kind of trust that comes with having seen the other at both their best and their worst. Katsuki is capable of letting his guard down around Izuku in a way he doesn’t do around anyone else. he cries in front of him on multiple occasions. he lets Izuku call him “Kacchan” long after their other childhood friends have stopped doing so. and even though he fears and resents Izuku’s strength early on, he also subconsciously acknowledges it in ways that even he doesn’t realize (e.g. “don’t you dare get into U.A.,” rather than “you can’t get in” or “you won’t get in”). he knows Izuku.

but he doesn’t understand Izuku. he knows who he is, but he doesn’t understand why. he knows that Izuku is strong, but he can't wrap his head around the nature of that strength. and because he lacks that understanding, this vital aspect of the trust between them is lacking, and is all too easily broken when Katsuki falls into the creek and Izuku tries to offer his help. Katsuki knows that Izuku is a good person, but he doesn’t understand that goodness, that selflessness, and so he’s mistrustful of it.

on the flip side of the coin, however, Izuku has the utmost faith in Katsuki. to him, Katsuki is the strongest, smartest, most capable and most amazing person in the world (aside from All Might). and Izuku, unlike Katsuki, actually does understand his childhood friend at least a little bit. he understands Katsuki’s reasons for wanting to be a hero. he understands that Katsuki is not just mindlessly pursuing strength. he understands that Katsuki’s motivation is about overcoming obstacles and beating challenges. and most importantly, he understands that Katsuki, in spite of everything he’s said and done to Izuku over the years, is fundamentally a good person.

and this is crucial. because, along with the bond of familiarity they’ve built up together over the years, it’s this other, one-sided bond of understanding that is responsible for their relationship enduring for as long as it did despite everything. as you put it, anon, Izuku’s trust is ultimately what becomes the bridge between them. on some level, he trusts in Katsuki’s innate goodness. he believes in it in spite of all of Katsuki’s attempts to persuade him otherwise. e.g. when Katsuki suggests that he go jump off the roof, Izuku is hurt by the words, but he never once takes them to heart, because he knows on some instinctive level that Katsuki doesn’t mean them. and so he grumbles to himself about Katsuki needing to think before he speaks, but aside from that he never gives the words another thought.

Katsuki would no doubt consider this yet another example of Izuku not caring enough about himself or taking himself into account. but it really is more than that. the reason the words don’t cut deep in spite of them being vicious and well-targeted is simply because Izuku knows that Katsuki isn't truly that cruel. and he knows that on a level so deep that Katsuki is never able to break it despite his best efforts. he can’t break it, because there’s nothing to break, because it’s true. the reason the relationship endures in spite of everything is because deep down Katsuki is fundamentally a good person, and so Izuku’s trust, in the end, is based on truth. and so it never fully breaks, and eventually, it becomes reciprocated.

and that’s what their story is all about. it’s two people that have known each other their entire lives, but have to work in order to build their understanding of each other. unlike many ships, they start off already having that foundation of knowing and being known, and so their story instead is about forging that connection of empathy and insight. and it doesn’t come easily to them at all. but they keep at it.

anyway, so thank you again for sharing your thoughts on this, anon. I didn’t even get into the topic of forgiveness, but I agree with you about it being a process of letting go of negative feelings and resentment. I also agree that forgiveness is a separate thing from trust, but I do think trust plays a big part in one’s decision to forgive or not forgive. it's a lot easier to forgive if you have an understanding of the other person’s actions. and it’s also far, far easier to forgive if the offender’s actions are long in the past. and because the latter is now true in Katsuki’s case, that shows a pattern of him learning from his mistakes and not repeating them. which further builds trust, especially in the “reliability” department. and so even though forgiveness and trust are two separate things, they’re still connected. and in many ways, by working to rebuild the understanding between him and Izuku, Katsuki is also working towards earning Izuku’s forgiveness, even though that’s ultimately something that can never truly be earned, but can only be granted.

I’m not sure if I’m really making my point very clear here lol, but basically what I’m trying to say is that while the relationship may have once been one-sided in this aspect, it’s not anymore. it’s mutual, and they’re both putting the work in. and Katsuki is also doing his part without any guarantee or expectation of forgiveness on Izuku’s end. it’s unconditional. he’s doing it because he wants to atone. and he’ll continue to do it whether he’s forgiven or not. and that’s important. it’s important because it shows that the relationship has value to both of them. and it’s important because neither of them wants to lose it. they want to fix it; they want to make it stronger.

and ultimately what that means is that the relationship will continue to endure, despite their ups and downs. because even though it may have started out as something incidental -- two boys who just happened to become friends because they spent a lot of time together as children -- it’s not, anymore. it’s no longer just something that happened, something that just accidentally came together. it’s something that they’re both working to build. they want to trust each other. they want to understand one another. their relationship is no longer something that simply withstood and persisted -- it’s something that is now being nurtured. and you love to see it.

so let's see, how do I even begin to tl;dr this post lol. something something blah blah blah trust, understanding, childhood friends, knowing someone, having faith in someone, being the recipient of that faith, and working to become worthy of it. they're very confused, but they care about each other a lot, and they are good boys.

[shihalyfie]

Shounen anime character archetypes, and how the Adventure and 02 characters don’t entirely follow them

Adventure is a kids’ show, and so it’s only natural that its characters would have certain surface archetypes common to others in the genre, like “the impulsive leader” or “the cool-headed rival”...except it actually doesn’t, really! It was actually a deliberate decision to make the characters go against their archetypes, and even the ones that did toe closer to it still had a number of nuances that distinguished them greatly from what you would usually expect from these kinds of characters. A lot of this was a deliberate attempt to make the characters relatable, so that it would allow each and every one of them to have their own unique strengths that their usual archetypes wouldn’t generally allow them to.

To be clear: tropes are not a fundamentally bad thing, especially since fiction very much relies on them to communicate (Adventure and 02 sometimes being so contrary to media expectations that they often frustrated viewers for not apparently making sense), and moreover, there are tropes that still are very true to reality (for instance, although the archetype of the “crybaby child” wasn’t in this series, many people have stated that Tomoki in the significantly more conventional Frontier was no less a realistic representation of what a child his age might do in an unfamiliar world). It’s also quite foolhardy to claim that Adventure and 02 never indulged in tropes at all, of course. However, things that fall outside the conventional mold are much more difficult to find proper representations of, and there’s an unfortunate trend of many (especially those in the mainstream who don’t quite remember the series well, or mainstream press) often pigeonholing Adventure and 02′s characters back into those tropes because that’s what you’d normally expect of them, sometimes to the point of negatively comparing them to other things -- and that’s just something that really isn’t fair to the series!

Disclaimer: Note that the following post works first and foremost off of the original Japanese version, so if you’re coming purely from the American English dub, there may be some substantial differences in what’s described (most noticeably in regards to Mimi and Daisuke).

Taichi

While shounen media has been a lot more willing to change things up a lot since Adventure first aired in 1999, the general idea you get of a shounen protagonist is a hot-blooded one who charges recklessly into everything on impulse. Taichi definitely fits a handful of the traits on principle in that he’s a passionate sports boy, and one who takes an “action-first” philosophy and often acts on impulse, but there’s a lot more nuance to that than you might expect.

Firstly, it would be very off to pigeonhole Taichi as the belligerent type to like fighting and to charge into everything thoughtlessly, because while Taichi does get cocky in the midst of battle while riding the adrenaline, he’s not the kind of person who likes fighting enemies just for the sheer sake of fighting and defeating them (and, in fact, it would probably be incorrect to say this about any Adventure or 02 character). As is pointed out by Koushirou even when Taichi is at one of his most haphazard and reckless in Adventure episode 16, Taichi’s actions are still always out of consideration for others, and he’s the kind of selfless person who in fact only hits his most reckless points when he’s cracking so much under the pressure of needing to do things for everyone’s sake that he even throws himself into the fray out of self-sacrifice. Even during the late points of the series in Adventure episode 45, he felt that the method of “pushing forward despite everything” was the best way to repay the sacrifices their Digimon friends had made for them -- he has a tendency to advocate for actively doing things because he firmly believes that sitting around doing nothing won’t solve anything, or would result in more victims. He has had introspective moments of weakness (see Adventure episodes 17, 20, 21, etc.), and it’s specifically because he has to reconcile the facts that he knows nothing good will come out of being a sitting duck, but he also has to figure out a way to do it that won’t accidentally cause collateral damage.

Taichi is “impulsive” in that he tends to play things by ear, but that doesn’t always mean he advocates for the most aggressive solution -- in fact, there are times where he’s often too chill and is picking the simplest and least complicated thing to do for now while he tries to figure it out later. Plus, it’s not like he recklessly charges into battle against everyone’s wishes -- the few incidents he does are explicitly marked as his moments of weakness, and in fact the reason he gets into conflicts with Yamato so much during the early part of the series is technically because he’s taking the time to argue back at him and try to make his point instead of just going ahead and doing it anyway.

Taichi doesn’t have that much of an ego! Adventure episode 28 reveals that he’d never even thought of himself as the group’s “leader” to begin with, nor did he necessarily think he should have the position (by all means, despite how unreliable he was at the start of the series, responsibility belonged to Jou as the oldest in the group). But Taichi has a remarkable knack for seeing things on the bird’s-eye view, and that’s what makes him suitable as a leader -- not in the traditional shounen sense of just aggressively pushing everyone forward into battle, but looking at the full picture and making judgment calls, delegating jobs, and bringing people together. It’s a much more true-to-life description of what a “leader” needs to be beyond what media (or even real life resources, honestly!) would usually suggest, and Taichi being someone naturally suited to this position encompasses most of his personality -- it unfortunately makes him not very good at seeing the little things in front of him, but he’s capable of assertively and firmly making decisions for the sake of everyone’s welfare.

And even when Taichi does hit the general shounen lead trope of being on the argumentative or irritable side, a lot of it has to do with the fact he’s a bit of a playful troll who doesn’t take things seriously enough, not that he’s brash and wants to start a fight -- he sometimes makes insensitive remarks because he was under the impression others shouldn’t be taking it so seriously (”it was just a joke!”), or he gets defensive when someone (usually Yamato) calls out his plan for not being that great. But on the flip side, the fact he treats people equivocally and without distant weirdness allows him to have a sense of charisma to bring people together (it’s the very reason Koushirou was willing to approach him to begin with), and because he has a priority of pushing everyone forward productively with a sense of firmness, he’s able to conclusively make judgments and decisions during times others would hesitate. Even if they turn out to not be great decisions in the end, they’re still decisions that he consciously thought through to at least some degree, made for the sake of helping everyone and pushing them forward.

Yamato

Yamato’s archetype is one that goes down to appearance -- the cool-looking, bishounen rival who advocates for a more “rational and cold” approach in contrast to the lead protagonist’s hot-bloodedness, who looks down on him for being stupid and irrational, and refuses to get near anyone due to looking down on them (or the concept of having friends in general). This is to the point where his own voice actor saw his design and immediately expected him to be this archetype to the point of worrying that he might not be able to pull off this role, only for himself to find out that Yamato is the exact opposite.

Yamato is, in fact, one of the most openly emotional and compassionate people in the entire original Adventure group, and given that Taichi is actually someone who often is too chill and doesn’t take things seriously enough, Yamato is actually the one who actively instigates fights with him and escalates things to physical levels, because he perceives Taichi as being inconsiderate. His first focus episode (Adventure episode 3) has him completely go off his rocker for Takeru’s safety, but while Takeru definitely elicits the most extreme reactions from him, he really does escalate fights immediately the moment he feels sufficiently offended on others’ behalf. So in other words, “rational and cold” are just around the last words you should be ever using for Yamato.

Moreover, what seems to be detachment from the others ends up ultimately just being a byproduct of awkwardness -- even as early as Adventure episodes 6 and 18, he had no problems openly laughing and smiling with the others, and it was just his prior lack of friends beforehand that made him unsure of how to open up to others. Adventure episode 51 has him directly say in words what his actual reasoning for his awkward behavior and friendless background was: it wasn’t that he didn’t want to be near others, he was just so obsessed with being independent and self-reliant that he felt that he shouldn’t be dependent on others. He liked others’ company, and he didn’t look down on them at all -- he cared a lot about the others’ welfare, he was just averse to the idea of actually being emotionally dependent on others, until he was able to be snapped out of that mindset and able to understand that relying on others doesn’t indicate a personal failing.

These kinds of characters usually are fueled by some kind of pride or condescension, but in fact Yamato doesn’t have that at all (in fact, you could more accurately say that it’s insecurity more than anything). Even when he openly breaks down into a crying mess in front of everyone (he has the highest cry count in Adventure, at that!), he doesn’t seem to have any shame about having exposed some of the rawest parts of himself to the others -- think about how this archetype would usually get embarrassed about people finding out they’re “soft” -- and there’s no evidence that he has any sense of superiority whatsoever.

By the time of 02, since he’s portrayed as having become openly sociable and cheerful, for all intents and purposes, the only thing he has left in common with the archetype is just the fact he seems to be really into a sort of edgy aesthetic. Otherwise, he’s just as emotional as ever, makes even some of the funniest facial expressions in 02, is on fantastic terms with Taichi (it is very important that the single punch he lands on him is purely in a sense to snap him out of it and not made out of anger or condescension), and, really, if you want to say that he has a responsibility of reining Taichi in, considering Taichi’s penchant for being a little too assertive about his decisions, it’s just in the sense of lightly reminding him not to get too ahead of himself, which is not any worse than keeping an eye on a cat with a track record of getting into willful trouble. This is especially because, after all, Yamato is someone who has compassion for others’ welfare and feelings -- and that includes Taichi, too.

Sora

This kind of character is usually thought of as the “badass action girl”, especially since Sora is established as also being rather physically active much like Taichi, but one thing that often comes with this sort of character is that they often “have it together” all of the time and are seemingly implacable in personality. Adventure goes out of its way to indicate, even as early as episode 3, that while it is true that Sora has it together and is capable of pulling her own weight, she is also not a saint -- that is to say, she’s capable of having moments of pettiness, poor judgment, or irrationality like any other flawed human being. In fact, her first focus episode (Adventure episode 4) has her outright look down on Piyomon for being, in her mind, overly mushy and clingy and not really up for the job of protecting her, only to be proven very wrong at the end of the episode.

One thing Adventure and 02 don’t shy away from is the concept of “selflessness to the point of self-destruction” -- it’s good to be kind and considerate, but at what point are you doing so much for other people that you’re not properly taking care of yourself? In Sora’s case, the problem is defined as compulsive -- even when, in Adventure episode 26, she claims herself to be an inconsiderate person who doesn’t care about anyone and is incapable of love or affection, it’s revealed that, despite consciously thinking that, she’d still gone out of her way to help everyone behind the scenes in the last few episodes because she still couldn’t stop wanting to help people. Even her own flashbacks (and rather inaccurate testimony) about her past with her mother have a constant thread of her working for others’ sake more than she’s doing anything for herself.

In other words, being this image of a perfect, well-behaved, reliable person whom everyone can depend on no matter what is actually pretty unhealthy for her, because she’s capable of cracking under the pressure and not being allowed to be, well, a normal human being once in a while. Being that sort of person requires constantly catering to obligations (real or perceived) to others, which she’s unfortunately capable of falling so deeply in and not thinking of herself at all to the point she gets self-destructive. Because her problem with this is so bad, Jou and Yamato reaching out to her in Adventure episode 51 literally just involves reminding her about the sheer concept of personal will and volition, because without that, she’d basically considered herself a piece of the situation who does everything she does because that’s what she has to do.

And yes, indeed, a “lead” female character in this position would usually be played up heavily with the main lead male character, because media traditionally loves to hint that the sheer existence of a male and female lead with any kind of relationship whatsoever means that they have to be fated to be in love, but given the philosophy of not wanting to apply tropes unless there’s an in-universe rationale for it (of which “pairing the main male and female leads” is directly cited as one potential such trope), it is true that just because Sora knew Taichi from the soccer club and is usually the first-listed female character in Adventure doesn’t really necessarily indicate she should be obligated to fall head over heels in love with him (especially because they don’t interact nearly as much as you’d expect two characters with that kind of backstory to, and Koushirou, who’s also from the same club, hangs with him much more prominently) -- and in fact, when the issue of her love life does come up in 02, it’s treated as a very non-dramatic issue that becomes a background element of the narrative, which is not how you’d usually see the issue of romance or a love life usually treated in the kind of media that loves to bring that front and center most of the time. While the fanbase loves to treat it like it was some kind of love triangle, that kind of reading actually requires an extra dose of interpretation from a very ambiguously portrayed situation that ultimately isn’t given much fanfare by even the characters in-universe, because, really, two fourteen-year-olds dating is...rather commonplace and not actually that big of a deal, especially when compared to something like preventing monsters from blowing up the city.

Koushirou

Adventure actually has two plays on the traditional “nerd” character, separating the archetype into one who’s good with data and random trivial information (Koushirou) and one who’s good at rote memorization and doing practical calculations that are good for school environments (Jou). So already, there’s a bit of subtle nuance in the fact it makes this distinction at all, in that there are different ways to be “smart” -- Koushirou’s depth of knowledge is significantly less practically applicable than Jou’s in most ordinary situations and isn’t tailored well to institutional expectations like school and exams, but he has a much wider range of things he knows about and ends up more directly pertinent in regards to his knowledge about computers and data analysis.

In any case, a “smart” character would often have an angle of being condescending, i.e. lording over others that they know so much more than them and knowingly being showoffs as a result, or actively disliking people and considering machines to be superior. In the case of Koushirou, however, it’s established that while he does have a certain level of intimidation around other people and find himself more comfortable around his computer, and while he can get absorbed in gathering information or rambling off about things because he’s passionate about it, he doesn’t actively dislike nor look down on others (rather, he’s actively intimidated by them, according to Adventure episode 38), and he states outright in Adventure episode 10 that he doesn’t want to spurn Mimi nor does he care about his computer more than he cares about others, he just genuinely thinks that what he’s doing right now will benefit even Mimi in the long run, too.

Koushirou may not be experienced in dealing with other people and may be a bit uncomfortable in high-pressure social situations, but at his core he’s a very kind and compassionate person who cares about others! The fact he’s constantly polite to others isn’t just out of awkwardness, but also out of a genuine desire to keep courtesy and distance, and as the series goes on it turns out he really is as polite and humble as he sounds -- he’s doing it because he’s shy, not because he considers himself above the others, and by Adventure episodes 38 and 54 he says that he would like to be able to speak more casually and be closer to others, it’s just that it’s going to take some time for him to do so. And even if he does mess up a social situation, if he’s informed he’s messed up, he’s easily capable of taking this to heart and trying to do better (which makes up all of Adventure episode 10 when he eventually realizes he went too far with Mimi). Just because he may not be fantastic at handling the fallout doesn’t mean he doesn’t fundamentally care or want to minimize harm to others. Not only that, he’s also one of the youngest in this group, and for all it’s worth, he shows every indication of being properly respectful of his elders from his position.

Moreover, while Koushirou is so heavily associated with his computer, the series doesn’t take long to establish that the computer really is not the focal part of his character as much as it’s the concept of “gathering and analyzing information”. However much knowledge Koushirou had gained prior to the series, and whatever tech skills Koushirou may or may not have (if you look closely, his tech feats aren’t actually that impressive within the scope of Adventure and 02, and a lot of what he does in terms of tech feats is heavily outsourced), are considered relatively unimportant in comparison to his actual attitude about it, which is that he never stops wanting to learn more or dig deeper into things whenever something’s piqued his curiosity. The conflict in Adventure episode 24 that establishes the true, functional meaning of the Crest of Knowledge has very little to do with computers at all, but rather Koushirou insatiably pursuing more about the Digital World itself and Gennai, and, really, the topic could be anything as long as it’s new and interesting -- it’s just that computers (especially ones connected to the Internet) are a convenient place to gather and analyze different kinds of information, and the Digital World happens to be an absolute treasure trove of new things to discover.

In other words, Koushirou knows a lot of things not because it gives him some status of superiority over others for being “smart”, but rather because he’s genuinely passionate about exploring and learning about things, and you can also see it in the difference between the way he approaches “gathering” information versus “disclosing” information. During times he’s focused on gathering or analyzing information, he focuses on it and tends to shut others out because he wants to make sure he’s uninterrupted and can get every little detail out of it, and whenever he’s talking to himself, others might sometimes get lost in his rambling, but whenever he’s put in a situation where it’s of importance that he explain to others (examples being Adventure episodes 19, 28, and 42), he clarifies when people have questions, sometimes checks to make sure everyone’s still following, and, in general, has no sense of condescension about the fact he knows more than them, with the implication that wants the others to be able to understand and appreciate the information he’s passionate about.

Koushirou is also one of the most visible seniors in 02, because as someone whose defining trait was “curiosity and inquisitiveness”, it stands to reason that he’d be the one most curious about what his juniors are getting involved with, what’s going on with the Digital World, and anything else to do with it (hence why he occasionally asks his juniors to test things for him, such as in 02 episode 17, and hauls himself all the way down to Tamachi to pick Ken’s brain about anything he knows in 02 episode 33). Again, like in Adventure, his character portrayal actually has very little to do with computers, despite what the imagery and archetype would suggest -- it’s more about how he’s now become able to take a leadership role like that of the computer club and start coordinating and organizing people to be able to figure out even more things, while also being able to personally unravel more of the mysteries behind the Digital World and the story itself.

Mimi

Coming from a background of being a bit pampered and spoiled, Mimi aligns a bit to the “pretty girl” archetype that generally has a few things associated with it -- someone who might be a bit materialistic or fixated on appearances, and someone who’s a bit condescending or high-horse in compared to others. So it’s interesting that Mimi is actually portrayed as, for the most part, not that absorbed about appearances or materialism (it’s not to say she doesn’t care at all, but any references she makes to appearance are vanishingly rare in the series, and she’s even willing to warm up to the Numemon or Scumon/Chuumon and not hold grudges against them), and in fact all of her “complaints” that she makes in the early parts of the series are meant to be in line with what an average child would have in her situation. Complaints like “I don’t like this” in reaction to little things like having to get dirty or endure something tiring aren’t complaints she makes because she looks down on it as much as she’s just had a very sheltered upbringing that hadn’t involved a lot of hardship, so now that she has to grit her teeth and go through a lot of difficult things, she simply has low tolerance and high sensitivity and is having difficulty coping.

Beyond that, Mimi is consistently portrayed as likeable and devoid of malice or condescension towards anyone -- so much to the point that even at the beginning of the series, she saw no reason to look down on Koushirou or make fun of him when her classmates did, because she didn’t see why she should. Mimi is said to be someone who is so naturally likeable that she has no problems making friends with anyone, which is why she’s the one who’s able to gather together allies at the end of Adventure -- because she lacks condescension or malice, and is compassionate enough to never get on the wrong foot with anyone, everyone ends up able to get along with her with no problem. As one of the youngest in the group, she’s polite to her elders and uses proper honorifics on everyone, and moreover any lashing out she does is purely defensive and not aggressive towards others. She lashes out because she doesn’t like herself or her friends being hurt, but otherwise she doesn’t care to do anything cold or rude towards others, nor have a grudge; her first focus episode (Adventure episode 6) involved her having absolutely nothing but "they don't seem like they're having fun" towards everyone making fools of themselves in front of her, and she even goes as far as to outright call them her “friends” at a time in the series when everyone barely knew each other! This is also why 02 depicts her as having already made a ton of friends in America (such as Michael, or the attendees of the huge party in 02 episode 14) despite having been there for only a year; she’s that likeable to the point she can get along with people from even an entirely different country easily.

Mimi is “extremely empathetic”, which means that she won’t cause harm or pain to others because she herself feels their pain when they’re in trouble or hurt -- the closest she got to being on a power trip was her “princess” mental health crash in Adventure episode 25, which almost immediately led to her having nightmares about everyone feeling betrayed and potentially hating her and turning around in less than one night. Hence, she won’t do anything to hurt others’ feelings, because she herself feels hurt if she does. However, that means that once the Dark Masters arc kicks in and many of their friends are hurt and killed in the process, her feeling every bit of that makes her the first to take it the hardest and become unable to fight (and, by extension, is very tied to that “extra sensitivity” that made her so sensitive to pain or unpleasant experiences at the beginning of the series). Mimi is consistently portrayed as a pacifist, and while many other shounen battle series would portray this as a weakness, Adventure episode 50 establishes that while it of course isn’t good for her to sit around doing nothing, it would be inhumane to force Mimi to personally participate in something that causes her so much pain, and instead may be better channeling her abilities to bring people together by amassing allies and contributing to the struggle in other ways. While Mimi does eventually get herself together enough to participate in the direct fighting in Adventure and 02, she never gets portrayed as someone who enjoys it for the sake of it besides the end goal of protecting others, and in 02 her ability to bring people together and not hold grudges is a much more significant influence on her juniors (especially Miyako).

As a side point, this kind of “pretty girl” character is often also stereotyped as being rather lacking in common sense or airheaded, but while Mimi certainly isn’t the paragon of intellectuality compared to some of the others in the group, she’s never portrayed as particularly lacking in common sense, and in fact her sense of empathy and sensitivity makes her very able to “read the room” and say things or act in ways that are in fact extremely helpful to others. “Emotional intelligence” is a fairly prominent character trait for many characters in Adventure and 02 (particularly in regards to Digimon partners), and, especially in a narrative where the characters are dealing with a lot of stress and emotional issues, is no less important of a role in terms of figuring out what’s going on and figuring out the best possible solution for everyone going forward.

Jou

Jou’s got two archetypes going on here: one being the “studious nerd” type (touched on earlier in Koushirou’s section), and one as “the oldest and therefore most responsible” -- except we quickly find out that Jou is extremely stress-prone, often high-strung, and not particularly put-together (especially because, as it turns out, he’s actually the youngest of his own siblings, meaning he’s not particularly used to being in the role of the oldest). Nevertheless, he takes his role as the oldest very seriously, but the way it’s played is interesting: while he initially seems like the type to hold his position as “the oldest” over everyone and act as if they’re obligated to treat him with respect, Jou actually doesn’t have any indication of caring that much about status or esteem as much as he considers himself obligated to fulfill the role of the oldest and take care of everyone. Hence, why he’s willing to even throw himself recklessly on a Unimon in Adventure episode 7 -- he’s a very selfless person whose main drive is to protect others and help people more than he cares about his own status.

That extends to his role as a “studious” person too -- someone like him who comes from an “elite” family of doctors would often be portrayed as someone who themself cares about the prestige and honor of being a doctor, or at least is proud of being an honor student over everyone else, but there’s no indication in Adventure or 02 that Jou has any interest in the act of studying itself or the status that comes with it as much as he considers it part of a “comfortable routine” that’s integrated into his life, especially compared to the stress of being in an unknown world (Adventure episode 6 even has him preface his statement with “don’t laugh at me,” acknowledging how unusual it would normally be to miss something like studying). Adventure episode 35 has him be mostly rather unfazed about getting a bad grade, past an initial (understandable) bout of disappointment, hinting that this whole affair is actually him going through the motions moreso than he has any real attachment to this lifestyle. Jou doesn’t have a condescending bone in his body, and in fact a lot of his behavior has heavily to do with high stress and a feeling of obligation to help others.

Eventually, via his brother Shin, Adventure episode 38 clarifies the reason for Jou’s behavior of being the “studious type” yet also not really being into it all that much -- Jou’s doing this out of his obligation to his family more than he even personally cares about it, and the “elite” track of being a doctor was never something he personally wanted as much as something his father wanted of him. So in other words, Jou had no personal investment in status and thus can’t be motivated to do something with passion unless it’s something he personally has a reason for wanting to do. He certainly was very motivated to throw himself recklessly into situations where he could sacrifices himself for others in Adventure episodes 7, 23, and 36, because it was a no-brainer that he wanted to help people, but something like the status of becoming a respected member of society is comparatively nebulous and vague to him, especially since, as per Adventure episode 38, he has a phobia of blood that makes the profession outright uncomfortable to him.

Because Jou is the kind of person who wants to do his best for others’ sake and help others, it’s only when he rationalizes that with his father’s desire for him to be a doctor that he’s able to form a desire for it -- namely, the Dark Masters arc has him witness pain and death, and combined with him outright coming to terms with the fact that he's not that great at fighting to begin with (in Adventure episode 50), he decides that the Digital World is rather lacking in healers and that he needs to be there for them. Hence, why his goal to become a doctor is still “unexpected” in its own way, because he’s not doing it for the status of becoming an “elite” doctor the way his father wants him to, but rather one specialized in helping the denizens of the fantasy world that society isn’t all that aware of. It’s also why, in 02, he seems to be fairly unfazed by the prospect of having to temporarily ditch his studies in order to get Gomamon or his juniors out of a pinch -- because if he allowed there to be casualties on his road to becoming someone who can help people, that’d be pretty hypocritical.

Takeru

The “designated kid character” usually manifests in one of two ways: one who’s an immature brat who often causes a lot of trouble, or one who’s much weaker than the others and holds the others back from constantly being emotionally overwhelmed. While neither of these are really things you can blame a child for being at this kind of age for being (especially in such a stressful situation), Takeru is nevertheless neither. Mainstream media, and sometimes even people in the fanbase itself, will talk about him being a “crybaby”, but Takeru’s moments of breaking down into tears or having extreme emotional reactions in Adventure are actually quite uncommon (Yamato’s moments of such outstrip his by a landslide, and almost all of the situations Takeru ends up that way aren’t particularly more unusual than any of the other characters in this cast, especially Mimi).

In truth, Adventure episode 43 makes it clear that Takeru detests the idea of being a “ball and chain” holding everyone back, so, as a result, he’s going out of his way to be “put-together and well-behaved” -- hence, why he, as one of the youngest, keeps on his best behavior in front of his elders and has a constant sense of responsibility. Moreover, there are multiple indications that he’s covering up his own emotions to unhealthy extents as part of his attempt to be so “put-together” -- he has moments where it’s obvious he’s thinking about the impact of his parents’ divorce (a freeze-frame in Adventure episode 3, his reminiscence in Adventure episode 12, or his talk about dislike of “family” getting separated in Adventure episode 26), but constantly tries to veer away from the topic or even lie about it (see Adventure episode 12 where he basically pretends he doesn’t remember anything at all about his young childhood despite the fact that we as the audience are shown that he very much did).

The fact that 02′s incarnation of Takeru has him show a lot more viciously negative sides of himself may catch one off-guard, and it’s sometimes been said by observers that he seems to have taken a mysteriously nasty turn in his personality, but, in fact, Takeru’s habit of being dishonest about and hiding a lot of negative emotions had existed as early as Adventure -- observe him blowing a complete irrational fuse at the well-meaning Tokomon/Patamon in Adventure episodes 22 and 33, just because things had hit him a little too closely (the latter episode is especially notable because Patamon’s statement had been completely innocuous for the most part, only for Takeru to suddenly get angry at him). Such a thing isn’t something you would have expected from an eight-year-old child, given that the archetype is usually portrayed as “innocent”, but it had remained largely unaddressed by the end of Adventure, and it’s only natural it would have gotten worse over the three years in between Adventure and 02, especially as Takeru became older and more independent. When Iori points out the strange “duality” between the kind and cold sides of Takeru in 02 episode 34, he’s really just directly stating what had been going on since the very first episode of Adventure.

That said, it’s also not like Takeru’s trying to be dishonest or guilty of subterfuge -- it’s just that his coping mechanisms are very poorly developed and that he’s constantly trying to keep the peace and come off as pleasant while suppressing all of his negative emotions under a smile, only for things like anger and personal grudge to explode all at once at inopportune times (his punching of the Kaiser in 02 episode 19 being the most famous, but you can see traces of it emerging even beforehand in 02 episodes 11 and 13 whenever things get a bit too personal, to the point it almost jeopardizes his ability to help Hikari in the latter). Hence, why the positive development for Takeru by the end of 02 involves him becoming someone who’s better able to express his thoughts and feelings with the help of Iori, who, despite being younger than him, is also significantly more blunt and straightforward.

Hikari

Being tied to a Crest that’s linked to “life itself”, Hikari comes off as the sort of saintlike figure who has purity of heart all the way through and has nothing but peaceful thoughts about everything. However, a lot of her appearances in Adventure were heavily impacted by context -- other than the fact she was sometimes held back by illness, Hikari was otherwise portrayed as an ordinary playful and cheerful young girl, and there are multiple layers to her character added or enhanced in 02 that indicate that she’s not quite the saint that her archetype would suggest.

For one, like with Sora, we again see how “excessive selflessness” can actually lead to self-destruction if left unchecked: Taichi states outright in Adventure episode 48 that Hikari’s penchant for putting others before herself means that she won’t do anything for herself even if it results in self-harm. Hikari herself confirms this in 02 episode 31, stating outright that she compulsively cannot express her own feelings even if she wants to, to the point she’s outright jealous of Miyako for being able to do so. Because she’s so inclined to not burden others and to work for others’ sake instead, when something bad is about to happen to her and only her, such as the Dark Ocean-related incidents, she can’t bring herself to do anything and is forced to either rely on others’ help or simply resign herself to her fate.

That said, Hikari is also not characterized as someone who’s passive in general; because this passivity is tied to “excessive selflessness”, anytime the issue has to do with anyone else’s sake, she doesn’t hesitate and will even be firm in taking a stand. She’s so assertive that she even momentarily freaks Miyako out in 02 episode 18! In the end, it’s a textbook case of “it’s easier to do it when it’s for other people, but harder to do it when it’s for yourself, especially when doing it for yourself means bothering others,” and this is also something that had dated back as early as Adventure, when she’d made a lot of fairly independent decisions about things she felt strongly needed to be done, like giving herself up for everyone's sake in Adventure episode 36 (very much against her friends' will), or standing up for the Numemon in Adventure episode 49, or even being much quicker to accept the inevitable need to kill an enemy than the emotionally wrecked Miyako in 02 episode 44, because they’re all things she truly and strongly felt needed to be done for the sake of others.

Plus, it’s also not like Hikari’s such a pure-hearted, saintlike person who can do no wrong even at the base level -- 02 episode 6 indicates that she’s not above toying with Daisuke’s feelings for her in order to get what she wants, and in general, the fact she’s aware he likes her but isn’t doing anything about it has both the nuances that she probably doesn’t want to hurt his feelings but is also capable of exploiting an extra level of leverage over him as well. The fact that Hikari is seen as “charming” gives her a certain degree of power of persuasion to get her way, and it seems she’s quite well aware of it...

As the younger sister of Adventure’s lead protagonist, Hikari’s often also stigmatized as having some kind of unhealthy fixation on her brother, or a brother complex (also a rather common anime trope among “younger sister” characters), but this kind of reading requires a huge amount of exaggeration and extracting the relevant lines out of context; at no point in Adventure or 02 is Taichi and Hikari’s relationship portrayed as particularly unusual relative to a reasonable level of concern a pair of siblings that get along should have, especially since any behavior that is particularly notable or unusual or dependent is strongly contextualized as having to do with the above issues regarding Hikari being potentially self-destructive if left to her own devices, and how both Taichi and Hikari react to it (hence why the problem is ultimately addressed most effectively by Miyako, who has no real personal stake in the siblings’ relationship).

Daisuke

Daisuke has been stated outright by Adventure and 02′s director Kakudou to have “the most anime-like personality”, and it is true that even going beyond his base profile, a lot of his characteristics are much closer to that of an idealistic shounen anime protagonist than Taichi’s are, including (as the article in question points out) that he’s a lot more “hot-blooded” on principle but suddenly loses his head when around a girl he likes. Past that, however, there’s a lot of depth going on that reveals that Daisuke is in fact quite the deceptive character.

The first thing you might realize after watching Daisuke closely enough is that while he may initially seem aggressive, he’s actually not very assertive or aggressive at all, especially in the earlier parts of the series. It's very common for the others to shut him down or overturn his opinions in the earlier parts of the series, no matter how much he may ostensibly seem argumentative about it -- he very quickly backs down, at worst seeming a bit irritated, or even going into full-on disappointment with “Oh...okay...” Hence, why Kakudou refers to him as being “prevented from doing very much in the first half,” because for the most part a lot of the decisions made by the group in said first half are made by the entire group in agreement more than they’re made by him specifically, and becoming someone who can make more firm statements is a major point of his growth throughout the series. The first major moment he’s able to do such a thing is 02 episode 20, where, despite everyone’s opposition, he continues to assertively put his foot down that he doesn’t want to pull back when doing so could result in more victims -- and that ultimately becomes the start of him starting to be more confident about doing things even when others disagree with him. Even when he does become more assertive, at no point is Daisuke ever said, in-universe, to be the “leader” of the 02 group as much as he’s simply the one giving them the drive to move forward while they all work things out as a group.

Beyond that, another point that comes out of this is that Daisuke is actually a very deeply emotional person, which means that he has very strong emotions in every direction, including those of empathy and kindness. In fact, similarly to Mimi, Daisuke’s “abrasiveness” and “lashing out” are more defensive than him ever going on the attack, since he usually does this when he feels like he’s being put on the spot, or insulted, or is suspicious. There’s a reason I like to compare him to a puppy with a louder bark than its bite -- said puppy might bark at anything it doesn’t like or understand, or get pouty and offended at times, but also will immediately switch to open adoration or genuinely wanting to make you happy, and that’s also Daisuke in a nutshell. You may notice that he never, ever says anything condescending towards others nor does he dunk on them without reason, and 02 episode 7 indicates that if he realizes he’s stepped over the line, he won’t hesitate to apologize -- something that Taichi, who often veered into the insensitive, was rather bad at doing. Moreover, whenever something deeply hurts him, he also becomes genuinely, truly upset about it -- see him openly weeping over Wallace’s problems in Hurricane Touchdown despite having just met and bickered with him, and him being very audibly on the verge of tears during the situations in 02 episodes 20, 26, and 43 (Kiuchi Reiko’s acting especially brings this out). He’s a dramatic person with an extreme emotional reaction to everything, and that often means blowing small things out of proportion, but it also means that he really, truly does feel for others and care about things with large stakes.

In addition, someone who’s this sort of “hot-blooded” would usually also be portrayed as self-absorbed and arrogant, but Daisuke reveals as early as 02 episode 8 that he’s actually extremely humble -- he knows when he’s out of depth, acknowledges when others are better than him (such as knowing even from the very beginning that he was likely to lose against Ken and the Tamachi team), and actually just enjoys being around others on sheer principle. Read between the lines and you’ll realize that a lot of his behavior actually comes not from arrogance but rather insecurity -- he doesn’t expect anyone to adore or respect him, rather, he ends up running himself in circles trying to impress others (especially Hikari) because he wants the validation of them considering him cool. Hence why he never looks down on anyone nor insults anyone, because he’s much more confident in their awesomeness, and every time he’s around elders or respected seniors, he immediately takes a much more well-behaved and respectful tone in general. For all it’s worth, he’s a pretty deferential person, and has a genuine appreciation for even the little things in life, which is why he’s okay with running a ramen cart in the future -- sure, it’s not super-flashy as a career, but it makes him happy, and that’s all he wants.

So in other words, Daisuke likes people, and he likes his friends a lot; it’s just that his tendency to need validation from others, combined with his emotional tendencies to get really dramatic about everything, makes for a surface temperament where this isn’t immediately apparent. Even his original motivation for fighting comes not from liking fighting, but from his frustration that he wasn’t strong enough to protect others three years prior (also reiterated in the Adventure novels). In the end, pretty much everything he does comes from a desire to protect others and help them, which means that he of course resents those who hurt others, and it’s why he takes Ken exploiting his otherwise admirable abilities for harmful purposes so personally in 02 episode 8. Hence why Kakudou described him as having no evil in him, and that “the only thing bad about him is his head” (i.e. he’s not very smart) -- because once you get past the initial abrasiveness, he’s extremely friendly, all-loving, and loyal, and he isn’t malicious nor does he hold significant grudges.

Even Daisuke’s penchant for being “an idiot” is played a bit differently from the usual, because it’s consistently shown to be a byproduct of the fact that he’s “simple-minded” and doesn’t do well with complex thinking or overthinking, which, in many ways, is an asset as much as it’s a drawback. It means that he doesn’t do well with complex problems and isn’t very intellectual, and it also means that he gets overly suspicious at things that aren’t what they seem or aren’t being straightforward (which is why he initially gets so antsy around Takeru and Wallace, especially the latter, whom he was suspicious of before he started flirting). But it also means that he won’t easily get distracted by platitudes or overthinking, which, during situations where the simplest answer is the correct one, will sometimes conversely result in him being the smartest person in the room. Being so simple-minded gives him a certain degree of pragmatism; while everyone else is getting caught up in moralistic issues of forgiveness or non-forgiveness, Daisuke, who doesn’t get hung up on things like grudges, becomes the most open-minded towards Ken because he practically observes that Ken is not causing problems anymore and thus should be allowed to take responsibility for his mistakes, and also successfully dissuades Ken from recklessly throwing away his life in 02 episode 26 because, as “symbolic” as that kind of penance might be, it’s also very unproductive and will make things worse for everyone. It’s also why he’s one of the first to emotionally come to terms with the potential necessity for killing enemies in 02 episodes 25 and 43; it’s not like he enjoys it, but he’s the first to point out that if they hadn’t done it, even more victims would have been taken.

And as for Daisuke’s interest in Hikari: it’s basically there as a character note as to how Daisuke will completely lose his brain cells and bend over backwards when he’s trying to impress someone he has on a pedestal, and it becomes completely irrelevant to the plot and not even brought up after 02 episode 35, so while it’s not something that vanished completely (especially since it makes a return in post-02 material), it’s also treated as an example of one the many weird hangups that Daisuke will put aside when other things become more important, and an ultimately fairly shallow thing that he hasn’t thought through very clearly (he never directly asks Hikari out nor verbally expresses having a particular crush on her at any point in the series because he’s so wishy-washy about it, which is why she’s so easily able to dodge it), rather than a guiding part of the narrative or his character.

Interestingly, Daisuke’s unusual position as a shounen lead is hinted at even in franchise meta; you might notice he’s the only lead Digimon protagonist to be so heavily associated with blue instead of the warm colors of orange or red, and when you think about it, despite having Taichi’s goggles and supposedly having the “hot-blooded” personality, you could draw just as many parallels between him and Yamato, who’s also friendly behind all of the initial awkwardness and is also a passionately emotional person.

Ken

Really, the single most unusual thing about Ken’s character and his character arc is the fact that such a plotline even exists in the first place. How many series would take the main antagonist of the first half (not an underling, but the actual primary antagonist) and not only reform them but also turn them into the best friend of the protagonist for the second half? And not even in a “begrudging edgelord rival” sense, but legitimately the person who becomes a straightforward best friend with no standoffishness and full-on social-life supportiveness to the protagonist?

In any case, the entire concept of the Kaiser and his story is unusual even from the get-go -- we’re initially introduced to him as an “evil genius”, which is a common villain archetype because it’s very terrifying to have an enemy who’s one step ahead of you, but the Kaiser ends up being rather pathetic -- he’s constantly losing territory to a group of elementary school students, his “tactical abilities” have no real sense of scale beyond a soccer field sort of affair, he’s incredibly petty and will make irrational decisions just because his pride was wounded (see 02 episode 8), and seems to have no real long-term goal besides conquest for the sake of it. Eventually, 02 episode 20-21 reveals that he’d been doing this entire thing because he’d thought the entire thing was a game -- in short, he wasn’t taking this seriously at all, and the entire affair had been tantamount to an eleven-year-old throwing a tantrum.

The point being made here is that the facade of the so-called “evil genius” is significantly less brilliant than it’s made out to be, and, actually, when you think about it, Ken’s initial reformation is mostly kickstarted by himself and Wormmon moreso than it is the other Chosen Children, because while they’re there to drive the nail in, Ken had already been emotionally falling apart and realizing he wasn’t cut out for this for the entirety of the last handful of episodes, and it was ultimately his own realization and mental breakdown that did the honors -- the other kids were really mostly doing cleanup duty at the time, and Daisuke’s influence on him is more important to his process of healing than it was the initial calling it quits. Moreover, as we get to see Ken more in his proper element in the latter half of the series, it becomes apparent that the “true personality” of Ken is actually the more assertive, level-headed one, whereas the Kaiser was the childish and fragile facade; Ken is significantly more comfortable being in his normal element to begin with, and he’s not standoffish or edgy because he doesn’t even like being condescending. If anything, the Kaiser was a manifestation of him forcing himself into an uncomfortable mold in an attempt to emulate his brother, so of course he isn’t going to feel comfortable doing that once all is said and done.

While Ken in the second half does initially express some traits that can be misconstrued as standoffishness, because he’s significantly more level-headed and assertive in this state, it becomes clear that he’s not doing this because he looks down on the others or anything; it’s just that he has very strong opinions on what he thinks needs to be done, and he doesn’t hesitate to explain why he feels this way when he’s asked (he says outright in 02 episode 25 that he believes they shouldn’t be responsible for cleaning up his mess). 02 takes a stance of favoring the concept of “taking responsibility for one’s mistakes” over “penance and punishment”, so even though Ken himself does have moments of devaluing his own life due to his sins (such as in 02 episode 26), ultimately, he states that his primary goal is to fix the mess he started, and he’s not averse to working with the others for the sake of that goal. If he does initially push the others away, it’s simply because he thinks he’s burdening them too (and, likely, that he doesn’t feel he has the right to be around them), but even when he’s at his most irrational about this in 02 episode 30, he turns out to be fairly capable of being reasoned with in pretty short order. So he’s not standoffish or “edgy” just for the sheer sake of it nor for drama, and it’s why he ends up on a very conciliatory relationship with Daisuke and the others by the end of the series, with very little, if at all, in common with the usual “rival” archetype you’d expect in this kind of series.

Considering that Ken is characterized as “kind” and “soft”, it’s easy to not realize that he’s actually one of the most assertive people in the group, and more so than Daisuke (note that he never seems to be all that easily intimidated even when the universe seems out to get him, and in 02 episode 29 he even offers to do the “dirty work” of potentially having to kill an enemy in lieu of the other kids if push comes to shove because he knows they’re uncomfortable with it). Although the issue of the Dark Seed makes it ambiguous as to how much of his turn into the Kaiser was supernatural interference and how much of it was himself, either way, the series doesn’t try to absolve Ken of his sins just because there was something extra pushing him over the edge -- again, the series operates less on “fault” than it does “responsibility” -- and when you look at these kinds of traits, you realize that the Kaiser existed because Ken had always been capable of this kind of aggressiveness, he just doesn’t do it because he doesn’t want to unless it’s necessary, nor does he like it. It’s also why he banters so playfully with Daisuke in most post-02 material -- like many of the other characters in this narrative, being “soft and kind” doesn’t mean he’s necessarily a saint, he’s just someone who willfully chooses to be a good person for the most part.

Miyako

Miyako is a character who has a lot going on with her at once, having a ton of traits that you normally wouldn’t see combined into one character because they usually occupy separate archetypes (and, in a textbook case of reality being a lot less clear-cut than fiction, she’s the one character out of this group said explicitly to be based off a specific person). The fact she’s outwardly aggressive may make you think of the “badass action girl” type, but she’s also the kind who gushes over hot guys and fits the stereotypes of the “materialistic girly-girl”, and on top of that she’s a computer specialist working under Koushirou who begs the image of a “nerd girl”, and, unlike all of these archetypes, she’s a rather sloppy mess of a person who ends up loudly running her mouth, being prone to panic, and spitting out the first thing on her mind without restraint. On top of that, these traits tend to mix easily, so as much as she’s in-your-face about trying to physically fight things, she’s also the kind who’ll aggressively hug or dote on anyone she likes (which is a lot of people). Miyako is closer to the shounen brash hero archetype than even Taichi or Daisuke are, and yet is also closer to the “materialistic girly-girl” archetype than Mimi is at the same time.

Much like Koushirou, the part about being good with computers is much less of a prominent part of her character arc than you might initially think -- she herself doesn’t actually bring it up much during the course of the series, and, much like computers are an outlet for Koushirou to follow his thirst for knowledge and insatiable curiosity, Miyako’s connections with computers and tech have a lot to do with how she constantly goes out of her way to be helpful to others, such as being helpful to Koushirou as his junior, or helping out Iori’s mother with their computer (02 episode 1), or helping Yamato’s band (02 episode 29), or getting to do something helpful for the group in general (Diablomon Strikes Back). She’s not particularly show-offy or even all that fixated the actual subject as much as she’s proud of the fact she got to do something helpful and useful, and it ties deeply into her personal struggle with how to be capable of doing good for others when she’s actually not the striking image of a mature, put-together person who would usually be good at that kind of thing.

Miyako is consistently portrayed as having a complex about her “aggressive” tendencies -- she negatively compares herself to Mimi (02 episode 14) and Hikari (02 episode 31), on the grounds that she’s less put-together and more insensitive than them, and labels herself a “bad partner” for being such a sloppy person (02 episode 18). She does not want people to get hurt because of her actions, especially because whenever she loses grip on herself like this, that’s something that’s very liable to happen (which is exactly what happens with Hawkmon in 02 episode 18), and her tendency to be judgmental or to have no brain-to-mouth filter means she can be occasionally insensitive (see 02 episode 31). She even ends up fostering an idea that Hikari must be thinking of her badly, while she’s at it (02 episode 31)!

The end result of Miyako’s character arc is that, while she ends up needing to adjust the more negative aspects of her personality that involve causing trouble for others and being insensitive, that doesn’t necessarily mean that she has to completely change her personality to accommodate that. Hawkmon assures her in 02 episode 18 that he likes her the way she is, and, as it turns out, Hikari and Miyako both realize in 02 episode 31 that Miyako’s in-your-face, aggressive personality is very helpful when dealing with someone who’s so closed-in and repressive like Hikari, because it means Miyako has the right temperament to go out of her way and reach out to her despite how high of a hurdle that would normally be. On top of that, a consistent thread from the beginning of the series is that her over-the-top antics bring the group proper cheer, with the kids genuinely enjoying the vibrance she brings with her dramatic Digital Gate entrances, and multiple significant scenes indicating that her being dramatic and silly will make people laugh and be happy. So in other words, Miyako is capable of being emotionally supportive and helpful while also being her aggressive and messy self, and there’s no need for her to have to change herself drastically to resolve the supposed “contradiction” that one might initially think this poses.

Miyako’s also generally the first female character billed in 02 (mainly because Hikari’s returning from Adventure), but she isn’t particularly teased as having any romantic relationship with Daisuke; not that they don’t have a compelling rapport, but any idea of them having any real feelings for each other isn’t exactly stated to any significant degree over the course of the series. Miyako herself comments on multiple people being attractive over the course of the series, and it’s interesting in how this is played; the earlier parts of the series involve her completely losing her head and getting weirdly hung up and fixated on her targets of attraction to the point of getting derailed over more important matters (see 02 episodes 6, 8, 14), whereas she’s later able to express this in a lot more straightforward of a manner without being weird about it (02 episodes 38, 39), and so in the end, it’s not exactly a fundamental sin for Miyako to be open about the concept of attraction, especially as it ends up not really having a huge place in the overall narrative, which is consistent with Adventure and 02 not really treating romance or attraction as if it’s such a game-changer for these kids at this point in their lives.

Iori

Iori is the youngest in this entire group of twelve, and yet carries himself with a sense of maturity that goes far beyond his age, to the point he even comes off as one of the most mature in the 02 group despite being younger than all of them by a significant margin. Even taking into account the concept of the “precocious kid”, however, Iori’s not only polite but also very stoic and stern, meaning he often can come up with some really passive-aggressive or stern remarks (completely in polite Japanese). Of this entire group, the youngest one is the most likely to completely roast you with some well-timed statements.

However, one important fact to keep in mind is that Iori isn’t doing this because he’s “naturally” stoic or emotionless, but because he’s deliberately suppressing himself in an attempt to be well-behaved. (A really big clue in the Japanese version that Iori’s facade is “slipping” is that he ends up losing his composure and using casual Japanese instead of the polite form that he so constantly adheres to.) This is something that partially comes from his upbringing from his family, especially his grandfather, but even said grandfather is concerned that he’s a bit overkill in this regard (see 02 episode 6). By all means Iori should be allowed to express himself a bit more freely, but he keeps restraining himself and trying to be well-behaved in front of all of these elders that he develops a complex over the one time he allowed himself to act excited and cheerful in 02 episode 16, to the point the episode ends with Submarimon basically dragging him out on an undersea trip so he can enjoy something for once, dammit.

Iori is described as “clumsy at expressing himself as a child”, and 02 depicts the problem that comes out of the flip side of a young child being so mature that they have more comfortable company with older kids than kids their own age: Iori is outright isolated from his peers because of how different his mentality is from theirs (02 episode 3), and moreover, his stubborn insistence on doing things a certain way to the point even his grandfather thinks he’s overdoing it is, in fact, his own way of being “childish”. He’s basically trying to follow the honorable principles he wants to follow from his family, but taking them to their logical extreme because his view of the world is too simple-minded from his lack of life experience. Hence, why he develops such a black-and-white view of morality trying to categorize people into boxes of “good” and “evil”, and why he ends up trying to follow principles to pretty impractical extremes such as thinking that a single white lie is going to send him on a path to moral debauchery. In short, he’s a young child trying to deal with very abstract concepts much bigger than him, and dealing with it in a very simple-minded, overly reductive way befitting that of someone his age.

However, one thing Iori does acknowledge is that he’s probably not going about this the right way, and that he needs to understand more about others if he wants to do better. From the very beginning of the series, Koushirou (02 episode 2) identifies him as someone who has a “curious mind” like himself, but while he initially expects Iori to be like him in terms of being curious about the Digital World, Iori’s “curiosity” ends up manifesting more in terms of wanting to know about how humans work and what’s the right thing to do. This is how he ends up breaking through to the very convoluted and repressive Takeru, because he has the drive to poke through Takeru’s many layers and figure out what’s going on with him, and it’s how he eventually manages to become more open-minded about the issues surrounding Ken and Oikawa despite initially having been so hostile to them. All things considered, “understanding morality” is a pretty heavy burden for someone who’s supposed to be the designated kid character!

[misscrawfords]

3 or 4 families in a seaside town...

I get big Emma vibes from Hometown Cha Cha Cha. Honestly, kdramas in general I feel have a lot in common with the plots of historical Western romantic comedies - it's something I find very interesting - but that's a tangent for now. But this show has a very particular vibe.

The thing that most strikes me is the setting. Both Hometown and Emma rely on the location of a small town to provide the basis of its characters and plots. Both Highbury and Gongjin are almost an extra character in their importance. The nature of the small town provides a reason for the characters to be there and gives them a strict hierarchy within village life. In Highbury, the relative class status between the Woodhouses, Westons, Knightleys, Coles, Goddards, Elliots etc. is key to the plot. In the same way, society in Gongjin is also highly structed from village chief to restaurant owners to landlords to grandmas and then to the incomers who are Hyejin and Miseon, the film crew, the actors, the pervert etc.

The other aspect of the small town location that is so similar between the two works is the aspect of a community knowing everything about each other, gossip, and care. In Gonjin, gossip forms the backbone of the community's life, including making things very awkward for Hyejin while also being used as a vehicle to hint at and resolve mysteries about characters' backstories. In the same way in Highbury, everyone knows everybody's business and one of the most clever aspects of the novel is the way in which Miss Bates' seemingly random gossip in fact contains all the crucial information needed to solve the mystery of Frank Churchill and Jane Fairfax. This same gossip and threat of it is also very hurtful in particular to Jane.

But both communities take care of each other and this is where parallels in characters start to emerge. In Gongjin, Dushik takes care of the whole village through his indiscriminate kindness and his many part time jobs and is consequently adopted as their child. In Highbury, Mr. Knightley as the richest and most significant landlord in the area also takes care of those in need, from sending food to the Bateses to offering his carriage to Jane. In return, he is respected above anyone else.

In both works the heroine is at least initially to some people entitled and dislikeable. Both Emma and Hyejin are snobs who believe themselves above the rest of the community and a major part of their character development is coming to terms with their mistaken thinking and reaching out to be a more worthy part of the community. Both make truly horrific public acts of prejudice and snobbery and must perform acts of genuine atonement before they can be accepted. (Insulting Oh Yoon's music in public for Hyejin and Emma's snub of Miss Bates.)

And yet both heroines have kindly intentions and are good, albeit complicated, people. Emma means well when she takes Harriet under her wing even if the outcomes are disastrous and her judgement of characters like Mr. and Mrs. Elton show her intelligence. Hyejin hides her kindness in acts she can be detached from such as giving charity from a distance. Both lack a mother in their life and have a complicated relationship with their father.

And crucially from the romance perspective, both are forced to confront their flaws by the hero who is the only person willing both to call them out and believe in their goodness underneath everything else. Dushik and Mr. Knightley have remarkably similar roles towards Hyejin and Emma despite their intial relationship being very different. Emma and Mr. Knightley have known each other all their life, after all.

There are various other parallels - the love triangle with the overly amiable rival, jealousy of whom helps the hero to understand his feelings; the way strange mysteries about the town and the characters' backstories are cleverly interwoven and revealed over the course of the plot... but I'd say these are the main ones.

I find it really cool to see such an Emma-esque narrative in a kdrama. Pride and Prejudice is such a straight forward type of inspiration (though tbh I rarely feel that things that people claim are obviously P&P inspired actually are - usually it's a short hand for "rich/poor enemies to lovers story" with little actual connection to the source material) but Emma is a bit different and whether there's any intentional connection or not, it's refreshing to see a story in this vein!

[thygoddessouijathicc]

A shipping trope I’ve noticed

So no two ships are ever exactly the same as they come from different fandoms, different levels of canonness, different levels of toxicity, and all that shit. But there are definitely tropes. Like certain types of characters that are often shipped together.

There’s one in particular that I have decided to try to emulate in my own original work, because I personally believe it to be the most fun and I’ve never seen a lesbian version of it done. It’s always two guys or a girl and a guy, never two girls.

This trope is one that I feel goes unnoticed by most people despite the fact that it’s usually like THE ship of the fandom it’s from. I’ve only ever seen it handled in a way I truly liked once. And that was because unlike in most cases the creator himself had some level of belief in the ship but intentionally left it ambiguous rather than it just being the fans who decided it should be this way putting in all the leg work themselves to build the ship from the ground up and neglecting canon details such as how the characters actually interacted meaning it would probably be toxic.

I like to call this ship the “Lovable Psychopaths” trope.

A basic rundown of what it is, is we got as usual, two characters, a usually very dark setting and plot although this isn’t entirely required, as well as usually some very amoral cast members, but again, not required.

One of these two characters is a complete fucking lunatic. Very outwardly so. Maybe not right away, but they show their cards pretty fast if it’s not literally one of the first things we learn about them. They tend to be violent, totally insane, they have a tragic past which isn’t IMMEDIATELY explored but it very likely will be and will impact the audiences views on the characters greatly. The character is again, insane, and usually completely evil or at least a rival character, or a villain for a little while, but they are more often than not one of if not the most popular character in the story due to their dialogue, appearance, demeanour and backstory making them highly endearing. They usually are the one with a more obvious thing for the other character although this is not required. This is also where I find it’s often mishandled by a one sided thing that may not even be a crush at all being seen as mutual love.

The other character is usually less liked, but honestly a much more in depth and interesting character if the fans weren’t so busy being distracted by all the other shit going on. The character tends to, but doesn’t have to at all, seem outwardly very sane, very reserved, and sort of like a foil to the other character. This is not at all the case. In fact, this character tends to be WAY more messed up than the other character ever could be. They are completely messed up, twice as tragic at times, capable of far far worse crimes for instance playing a somewhat active role in causing the apocalypse or killing god. This character is often also interpreted as an UwU femboy if male, or as a tsundere softie if male or female, which pisses me off but ok go off. This character is very interesting in the way the act, they usually take on a protagonist role and regardless of what their actual relationship is with the other character wether they are a friend or enemy, they interact a lot, tend to be at odds with eachother, and have an interesting dynamic.

This ship occurs a lot, and I have yet to see anyone ever bring it up.

I believe if handled incorrectly, and by that I mean it having no canon bearings and being entirely collective headcanon, it is one of the worst tropes ever. I think things that save it is if both characters are decidedly better people by the ending, if there was even a hint of intention from the creator to even have these characters have a bond, if they have any positive interactions, and for gods sake if they are both legal, not related, not at a major power imbalance, it’s not obviously one sided, and not overtly stating that their negative traits are not negative and that neither character is capable of being held accountable for any of their actions.

Other people might have mentioned this I’ve just never seen it in any “shipping dynamics” images which is weird because I’ve been in multiple fandoms where it’s happened and happened to be front and centre, so it feels like no one has really given it much thought.

I’ll talk about how I plan to utilize this in a repost of this with no tags attached because I do not feel it to be related nor do I want to force anyone into hearing stuff about my project.

[thrill-seeker-vn]

Hi! I was wondering what some of your favourite character types are in if/media? What are some of your favourite tropes in terms of characters and plot? Also what would you like to see more of in if in terms of story, themes and representation?

Hi there!! These are some amazing questions, so i'm really excited to answer them!

My favorite character types: For romance, I'm a sucker for the cold and quiet but with a heart of gold, they just don't know how to express themselves. I also love the egotistic cocky bastard type, its very funny to me. For myself, the type of character I play is usually the same as who I am in real life. I present myself as very charismatic and manner of fact, but I also don't tolerate any bs and so I think it's a pretty balanced character. I'm a happy nerd type. I also like to not just set one talent to the absolute stats, I like to be good at several things, even if I'm not expert level at them. For friends, I honestly don't mind any type of character, as long as they are loyal and honest.

My favorite tropes: rivals to lovers (my ABSOLUTE NUMBER 1, bonus points if height difference), enemies to lovers, only one bed, fwb to lovers, opposites (light x dark, personality, etc).

In terms of storyline, like which kind of stories do I like to see? I think I love seeing stories that have the idea of a 'second chance'. You'll see later in Thrill Seeker there will be several themes of this idea of there being another opportunity, or maybe another path, that kind of thing. I also LOVE betrayal. And moral fights, between what is right and revenge.

What I would like to see more of in IF is disabled and chubby characters, especially love interests, but I don't want those parts of them sexualized or romanticized, do you know what I mean? A lot of the time with disabled characters, people will be quick to make sexual remarks about what they've gone through, and honestly I think they should be treated like everyone else. I honestly didn't know that you COULD write it, and that people would be willing to consume that kind of media, when I started writing Thrill Seeker. I would also like to see more religious ROs, but not just Christians and Jews (but I would like to see a lot more Jews of Color!! I honestly only see white ones). Sikhs, Muslims, and Buddhists are often taken out of the picture (and pretty much all asian religions, ngl). I'm working on a second WIP right now that has all those things in it, because now I know I actually CAN do it, haha

I hope you're having a wonderful day, Anon!!! Thank you so much for the wonderful ask!!