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5616 . homasote a.m., 10-1.00-255 . 20231003
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Area, 2016 - Skylar Fein
#skylar fein#matchbooks#contemporary art#painted aluminum#homasote#rubber#art#buy art#jonathan ferrara gallery
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Home Bar in New York Example of a large, open-concept, minimalist family room with a bar, brown walls, and a television mounted on the wall.
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I recently went to a local glass shop and had a VERY long conversation with the kind owner who gave me a lot of great advice and recommended this Homasote Board and guides and even set them up for me! My last piece had a little bit of a bend to it so I’m excited to be able to use this now and even make that right angle perfect.
Excited to start soldering this one but it already looks so pretty I’m afraid to mess it up...
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my freshman year of art school my drawing prof required us to make drawing boards out of homasote (the fiber board used for sound proofing fucking walls). they had to be 36” x 48” and weighed between 10-20 lbs
we had to bring them with us to every. single. class. we were in the middle of brooklyn so that shit had to go on the subway, up and down city blocks, rain or or shine. also i’m only 5 feet tall so that fucker was almost as tall as i am
imagine a giant, dirty rectangle with little feet struggling down fulton street almost being carried away by the wind multiple times
and that’s what i got for being gay
Norman Rockwell (American, 1894 - 1978), Wet Paint, 1930, oil on canvas.
#what a fucking experience#we all tried to make handles with varying degrees of success but like…#i am very smol i cant just carry this slice of fucking apartment insulation like a damn suitcase
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Today's stained glass adventure is me having to get this half complete window (3.5x2.5~ feet) onto this piece of fiber board bc my metal soldering table is too small for it and its currently on a plastic folding table which i don't think would hold up to the high heat well.
I also just want to turn it 180 degrees bc my backs bad and i can't be bending over it to reach the pieces
and the after:
please ignore the fact i way overestimated how much board this would use and had to cut it after moving the window onto it (bc i didn't think this mess through) time to go get everything realigned:/
#'why didn't you use homasote?' Bc nobody sells it within an hours drive of me.#and like hell am i paying the mark up for the up charged 'for stained glass' bull#this 4x8 sheet was 17 bucks. You cant get that sort of deal on delphi.
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still need to get safety gear for revitalized hobby. very, very important.
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I didn’t know some of the artists mentioned in this week’s reading so I looked them up. This is work by Robert Rauschenberg and I actual saw this a few years back when I visited Amsterdam.
CHARLENE1954 Combine: oil, charcoal, paper, fabric, newspaper, wood, plastic, mirror, and metal on four Homasote panels, mounted on wood with electric light 89 x 112 x 3 1/2 inches Stedelijk Museum, Amsterdam
https://www.rauschenbergfoundation.org/art/artwork/charlene
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2051 . homasote geranium 8:00 a.m. light . 20211204
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IBM, 2015 - Skylar Fein
#skylar fein#matchbooks#contemporary art#buy art#painted aluminum#homasote#rubber#art#jonathan ferrara gallery
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Green Building Materials Market is anticipated to show CAGR of 9.5 % between 2021 to 2028
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Anyways since it's not common knowledge that you can get into doing stained glass really easily nowadays i thought I'd go ahead and put together a quick and dirty explanation on it. Prices are given in USD and are based on how much they cost at my localish stained glass shop in jul 2022 but all items can be gotten at larger craft stores or online.
Hobby Lobby has an extensive stained glass section usually. They also have coupons and don't put barcodes on their merchandise so they don't always track their stock super well. do with that last bit of information what you will
skip to the bottom of you just want to see steps
Supplies:
Mandatory Tools, buy these once and never again (unless they break or somethin):
Glass cutters: Pencil grip if you're confident in your hand strength, Pistol grip if you have joint issues (most of the folk i know irl that are into stained glass are arthritic and swear by the pistol grips, do with that tinfo what you will)
Pliers: You'll need 2 types, grozzier pliers and curved jaw pliers. these are not the same as the pliers you use in most other applications. you can usually get both bundled with a glass cutter for less than 30$
Soldering Iron: Get one that comes with a soldering station and a flat chisel shaped tip. Weller is the industry standard. 40 bucks.
semi optional: a wet grinder: not 100 percent necessary but it makes life a hundred times easier and lets you do more complicated shapes with less skill than you would need otherwise, so I'm putting it here. It's vital that it's a wet grinder because aerosolized glass dust is bad for your everything. 90$. if you don't get a wet grinder you will just need some 400 grit or higher waterproof sandpaper. Wet sand your pieces. Do not dry sand.
70-190$ to start
consumables:
Glass: comes in two main types, Translucent/Cathedral, and Opaque. From there there are Many variations including waterglass and iridescent glass. Prices range from 8$ a square foot up to a couple hundred for handmade artisan stuff, but most seem to be between 10$ and 20$ 1 square foot of glass goes further than you think it will
Solder: Must Be Acid Free. Solder with an acid core is really common because that's what's used in every other application. it will not work for stained glass. Solder comes in 4 main types but there's plenty of others out there: lead free, 60/40, 70/30, and 50/50. Get 60/40 to start out unless the lead scares you, then get lead free. (the lead content in solder is not dangerous so long as you aren't regularly licking the final product/using it for food. The fumes can cause migraines tho so ventilation is a good idea) 26$ per pound, goes a long way
Flux: any solder flux will do, 4$ lasts forever
glass cutting oil: it's what it says on the tin, use this with the glass cutter to make it work. 10$ per bottle lasts forever.
copper foil tape: used to make the solder stick to the glass. comes in may sizes, just grab one that's thicker than your glass and Feels right. what width you use is entirely personal preference on anything that's not too big. 7$
Homasote/compressed cellulose fiber board/ cork/ ceiling tiles/ drywall/ plywood: You're going to need something to solder and pin your glass pieces on, any of these will do. All of them are reusable but you will probably need to cut them down to more comfortably fit your project which is why I'm putting them here instead of the buy them once category. 69¢ for the cieling tiles to like 50$ for a sheet of homasote get whatever is easiest/cheapest. or solder on a heat proof surface you already have.
tarnish/patina: the solder will naturally turn black overtime but it won't look pretty while doing it. you either need to clean it regularly or just accept that it will tarnish and do the work for it. Tarnish commonly comes in black and bronze. don't let these get on your skin. it won't hurt but prolonged and repeat exposure is a cancer and chemical burn risk. 11$
~100$. everything besides the glass and solder will last a couple dozen projects at minimum, most will last Mucho longer.
optional:
Nick's Grinder's Mate. it's a special made item for stained glass grinding but if you don't like your hands getting wet or have issues with your hands it makes the process So Much Easier.
Metal or glass head sewing pins. they're used to help hold your glass in place while soldering many people don't use them at all.
plastic waffle grid: it catches the tiny little glass shards that flake off while cutting. It just makes clean up much much Much easier and reduces the amount of shards that end up on the floor and in your feet (please wear shoes while cutting glass, i don't, but you should.)
Safety:
Eye protection, you don't need anything super extreme but yeah glass shards bad.
gardening gloves with thick palm and finger protection to reduce cuts and handle pieces during soldering.
bandaids, glass cuts don't usually hurt but they do bleed. think paper cut in terms of severity.
additional bits you probably already have:
scissors, paper, sharpie or dry erase markers, glue sticks
Basic process
find or draw up a pattern
make 2 copies of it, one to use as reference one to cut up and glue to your glass as a pattern. Alternatively you can trace your pattern onto the glass if you'd rather not use the paper
number the pieces on both the glass and the pattern to avoid having to do a broken glass jigsaw puzzle.
score the glass
use the pliers to break along your score lines
wet sand the sharp edges or grind to final shape
(if you're starting with a pre cut kit which are apparently becoming more common, skip to here) clean the pieces to remove grunge so the tape will stick
wrap edges in copper tape,
burnish them to smooth out the foil, i just use the handle on my scissors
arange the pieces in their final shape, pin them if desired.
coat the copper tape in flux and tack the joints together with solder.
run a bead of solder along the lines.
flip the piece and repeat 10 and 11
cover the edges.
add tarnish if desired.
ooh and ah over your final piece.
Full Written Instructions Here
YouTube channels for English instructions and demonstration (if you have non English recommendations please let me know so I can add them):
SunBearGlassCraft / ALEX GREENFIELD
Stained Glass For Dummies PDF
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a.m.
2409 . homasote orts . 20220302
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The Shed
One of the salient advantages at growing up at 314 Midfield Avenue was that surprises were many and close between. My dad (and his friends) always seemed to have something in store. Add my mom’s brother, Uncle Buzz, to the mix, and adventure, usually concomitant with fun, was ever on the menu.
That spring Saturday so many years ago stands out. My brother and I awoke to the sounds of carpentry coming from the backyard. Various implements banged in a striking cadence of metal on wood.
Still pajamaed, we raced into the yard, mindless of our grandma’s call to breakfast. We scarfed down her velvety scramblers posthaste. A handful of men worked at the project. Uncle Buzz (a reputed carpenter by trade) led the tradesmen as Dad handled some plans and made measurements.
“IT’S A TOOL SHED. WELL, GONNA BE,” Mom offered. “BUZZ, YOU DON’T NEED A BEER! IT’S GOING FOR NINE!” My mother had a unique way of telling time. For years, I had no idea of actual numerical chronological increments. Our household was limited to a number of phrases that merely approximated real times in hours and minutes. We deciphered code phrases like “going for”; “a little after”; “not quite,” among others.
The concept of a tool shed did little to boost the morale of the Hollerkids, but it’s not every day a new edifice arises in your yard. So, jeaned and sneakered, we ventured out. This foray did not last long, since Buzz delivered yet another hammer blow to a gnarled, already indigo fingernail. A raft of curses ensued, accompanied by Dad ushering us out of earshot. Snagged.
Buzz came to the rescue, proffering his seemingly endless supply of silver coinage for us to go to the matinee at the Marilyn. We celebrated with Milk Duds, Junior Mints and popcorn doused in semi-buttery, mucilaginous petroleum product. A few Roadrunners, some Stooges and jutting-jawed white men shuttling fighter jets in dazzling array kept us at bay for the afternoon.
Back at home, the skeleton was complete. This seemingly massive structure spoke of more than a mere tool shed. My brother and I conferred in our bunks that night, sharing dreams about this mysterious new building.
By the time we got back from Mass the next day, our future shed was just about done. But the mystery lingered on. Over Mom’s paprikas, the subject stayed off the table. After the meal, I noticed Dad had left something behind. It was a clear piece of lucite. A small key dangled from one end. On the plastic, hand-etched in my father’s precise fashion were the words:
CLUB HOUSE AND TOOL SHED
“A CLUB HOUSE!” two boys screamed in concert. We burst out the back door and hit the shed. It was actually a two-room affair; the larger space was for the “club.” Someone had put a couple of old folding chairs and a rickety table about the room.
Somehow, the silent signal made its way to both our noggins. We owned this! No rules! No grown-ups! Nirvana! My brother and I were hootin’ and Holleran. We stomped, danced and otherwise caroused. With nobody trying to simmer us down.
Mom had to drag us out to the real world at suppertime. I made sure to secure the lock; no strangers could violate our Valhalla.
Our fortress was spare. A single, sliding window was the only outlook. To that end, we left the door open most of the time. The wall dividing the shed was made of Homasote, a dismal, gray fiberboard affair, but begging for thumbtacks.
Not to fear. One day, Tom and I retreated to our castle to see some color photos affixed to that wall. Willie Mays, Al Kaline, a crookedly grinning Larry Berra. All these borrowed from Dad’s Sport magazine. We cautiously decorated to our own tastes. A grinning, gapped Alfred E. Newman did not go over well, but remained. For some reason, adults viewed this character as a denizen of some warped Sixties Gehenna.
As school ended in June, we looked forward to quality time in The Shed, as Mom had dubbed it. One day, my brother brought up a touchpoint. “Do we have a club, or what?”
Whoa. The idea of an organized association of any sort was foreign to us. But heck, the Little Rascals had clubhouses. They even put on shows! But what about nomenclature? A cool handle meant everything. We both descended into deep thought. Which didn’t last long.
“I’ve got it!” exclaimed Tom. “The Night Crawlers!” Debate over. We both had seen the sign advertising these varmints at Ted’s Bait Box for years. The moniker was menacing enough, with no swears or other nastiness that might upset adults. Perfect.
Tom voted me president; I voted him sergeant-at-arms. Politics done.
Prospective members became a problem. Word ignited around the neighborhood. I got skinny that guys we didn’t even know—from the other side of the Avenue—were claiming to be members. Of course, Lloyd and Barry Tichey from across the street were charter Crawlers. We had to let in Linda Fortune, who lived in the three-top above the Ticheys. Her dog, Hercules, became our unofficial mascot.
We discussed others. Tom wrote the name of every vaunted associate in chalk on the fiberboard. Inky O’Doul, Johnny Sabo and Swedey Johnson, who was by popular mandate the most popular kid in Park Terrace.
I can’t accurately describe the Night Crawlers as an organization. We never had a meeting. No charter, no dues, no mission statement.
As luck would have it, things eventually went dark. One day, I returned from a sojourn to the local playground (better known as “The Field”). The door to The Shed lay open, as it often did. Only standing in that doorway was one Michael Fanelli.
I could hear him muttering something to my brother, who cowered away. Fanelli wasn’t the most hated kid in the neighborhood; he was just the least liked. He was not of any type other than rodentine. He could have been twelve or sixteen. Black clothing, engineer boots in summer. He seemed to belong to no school or family. .
He was tolerated by the Dirt Kids from Tin Can Alley, mainly because he would treat for candy at United Cigars. Otherwise, no one claimed him as a friend. And I didn’t want him in my backyard.
His mouth was a slash of a sneer as he kept calling my brother “kid” in the snottiest way. I didn’t hesitate. “Clear out, Fanelli,” I said. “Hit the road.”
“Screw you and your crappy club, kid,” said my nemesis. Nonetheless, he shambled down our driveway. I felt Tommy’s sigh of relief in Fanelli’s wake. I clutched him instinctively. He was already tough stuff but I could feel a tremble.
He said, “Fanelli said we had to let him in the club or he’d kick my ass.”I knew the interloper was all mouth and no action. Word was that he would talk trash to guys at The Field and sidle away when anyone had a problem.
I saw no need to consult Bucky Maraglino and Rats Müller about Fanelli bothering my brother, knowing that these older guys would intervene for us. For a while, Fanelli faded.
The Shed served us well that summer. We’d hang out on drowsy days. Our grandmother would make us pitchers of iced tea, levering cubes out of trays to fill an old enameled pot that served as a cooler. Chips and other salt-laden treats were always on hand, and slabs of meat on Wonder were always available for lunch.
Kids would come and go throughout the day. Tom and I ruled over this tiny kingdom. I just enjoyed sitting back, inhaling the still-fresh woodsy aura of the building. I felt safe, protected and independent.
Guys supported us. Wifty Schultz, already a budding artist, dolled up a Newman poster with our club name in two-toned type! Some cool flame decals appeared for window decorations. The space became our castle, our keep. Dad would putter in the tool quarters but pretty much left us alone.
These were heady times, for sure. The days seemed warmer, brighter. The two sturdy maples in our yard brought relief from city heat, slicing sharp sickles of sun that darted through the sparse, dusty patch where grass could find only a timid purchase. In those days of innocent clarity, nothing could stop us. We were indeed Dukes of Earl.
We were fortunate that Michael Fanelli never made a return visit to The Shed. One day, biking up to The Avenue, I peered down an alley behind stores. We used to flip baseball cards back there. I saw Fanelli kicking the wall, his black boots looking odd and scrufty in the heat.
I couldn’t resist, and approached the kid. He looked especially feral; his sneer seemed nastier, more menacing. “They kicked me out of United,” he said. “Caught me stealing.” It was a neighborhood tradition not to nick anything from United Cigars. Old Mr. Kessler, no humanitarian himself, treated the kids with benign neglect.
Fanelli cast his eyes away from me. I was astonished to see he was crying. He said, “I guess I can’t be in your club.” I felt badly for him, for some reason..
“No. You can’t, “ I said. “Not when you threaten to beat up my brother,”
“I didn’t mean nothin’.”
I said, “You should think of that before you open your mouth.” I decided not to make fun of his tears, as much as I wanted to mock him. But I couldn’t resist a final dig. I added, “Just stay away from our house, our club. Or I will kick your ass.”
He shied away, sniveling. I went into United and got a Tru Ade and a couple of Fireballs. I wasn’t sure of any physical prowess over Michael Fanelli. I don’t even know if I ever saw him again.
I rode home and went right to the shed. For some reason, I gave my brother a Fireball and held him close. I said, “Nobody’s gonna bother us anymore. We’re the Night Crawlers.”
Tom and I stood there, clinging to each other, protected by The Shed.
And it was all good.
***
We had a few good summers in that shed. Soon, my brother outgrew me and became MY protector. After Mom sold the house, the new owners tore down The Shed. They also put a statue of a saucy jester in the front yard. That would have driven Dad up a wall.
Many years later, on a visit home from the Left Coast, I stopped by the Sons of Sweden. A lot of the old gang was there; drinks were hoisted; jollity ruled. Some guy I didn’t recognize was reminiscing about the old neighborhood. “Where did you live, anyway?” said Hook Grywalski.
“Barketine Lane,.”said the guy.. This was up on the Hill, a small enclave for the monied set.
Swedey Johnson jumped in, “But you were never a Night Crawler.”
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