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tavolgisvist · 28 days ago

Text

Michael Lindsay-Hogg

about Let It Be and our lads

I showed the final cut to them and we all had dinner afterwards. Then we went down to a discotheque underneath the restaurant. Ringo was jiving 'til two in the morning, Paul said he liked the movie…It was all a very good experience until they broke up, which was only two months after they'd seen the picture ready to go.

And then, of course, there was so much going on to do with the breakup. First it was legal issues, but then legal issues became personal issues. By that point, Let It Be was kind of a little character in the corner saying, "Oh, remember me? Remember me?" They were not interested in it anymore, which they had been up until that point. There was just so much going on. … I didn't want the Beatles to lose their momentum. So when Paul came to me after the concert idea was off and said, “Should we stop filming?” And I said, “Well, no.” I thought, “Well, here's a chance to maybe do the documentary of the Beatles, which nobody has done before." Nobody had ever filmed them rehearsing. I didn't want to lose the chance, or risk the chance of their attention span going on to something else. So I was glad we stayed with them. … The Beatles were psychologically so interesting, having been together for such a long time. When they stopped touring in 1966, I think that had a very big effect on them because the other big bands kept touring. It makes bands more cohesive because they're stuck with each other. They're in a hotel room in Minneapolis and they can't leave the hotel because the crowd outside won't let them. So what are they going to do? They go down to the coffee shop, go get some breakfast and go back to their room. Nowadays they probably play video games, but back then they’d write a song. That's partly what changed for the Beatles, because they stopped touring and then they stopped living so closely and intimately with each other as they had in Liverpool, or performing in the Red Light District in Hamburg. Back then they were in the same hotel room, And then they stopped and they had to start to think, “What is my life?” I was always kind of aware in Let It Be that that's the point I got them at. I'd worked with them in ‘66, but by the time we were doing ‘69 they were asking the question that often people do ask: “What is my life and where am I? “ Even though they were so successful and so talented — they kind of had taken over the world — it still was the same questions: “Who am I, where am I, what am I doing?” … To get them on the roof was hard enough with the eleven cameras and the [camera crew] in the road and the two way mirror [with a camera] in the foyer [to film the police arrival]. But they got up there. And it was not a slam dunk even five minutes before we were supposed to be on the roof. There was still a sense of, “Well, do we want to do this…” I expected them to play the songs, but I didn't expect them to have so much joy in doing the songs. When I saw it the other night again, it's just so sweet. The way they look at each other, the way John looks over at Paul, and Paul and John. You know, they went to school together. They started writing songs when they were 16. And George embraced his part as the lead guitar player. You look at them and you go, “That's good, isn't it?” And that's the thing which is so miraculous about the picture: I didn't do it, they did it. The connection between them is so potent at the end that it almost breaks your heart to see…

(Michael Lindsay-Hogg, May 2024, interview with Jordan Runtagh for People)

Q: There’s the infamous “argument,” between Paul and George, which now looks really tame. А: Well, that’s very interesting you say that, because whenever they saw it, they never mentioned the argument. They never said, ‘Boy, what are people going to think?” Once we turned it into a documentary, Paul said, “If you find there are things that we say to each other that show, ‘This is who we are now, it’s not the way it was a few years ago,’ let’s put them in.’ So that went in. But that’s really what you could look at as an artistic discussion between musicians. It’s the same in the theater, the same kind of things the actors say when they talk about a scene. “Are you really going to say the line that way? You can’t say it like that.’ ‘But if you say it like this, I can’t have my reply the way I want to do it.” And so that’s exactly like that. So for them it was business as usual. Q: Why did it look so shocking to people? А: It was shocking because they still thought of the Beatles as the mop-tops. People still saw them as the Ed Sullivan Beatles, the way they were when they started. People thought they were so cute and adorable. Well, they weren’t cute and adorable. They were four tough kids from Liverpool who’d learned their craft playing in hotel-cum-brothels in Hamburg. I mean, they were tough. They grew up in Liverpool, which was a tough city. It’s like growing up in Detroit or somewhere. Somewhere, that toughness always comes out. But when people went to see Let It Be, the Beatles had just broken up, and so people were watching the movie trying to discover the reasons why they’d broken up, looking for things that weren’t there, because it was such a big issue for a lot of people. Especially in America, because the Beatles represented so much here: President Kennedy in November ’63, all that grief, then the Beatles on Ed Sullivan, February ’64, and all the grief is overcome by joy. Everyone in America thought they were so cute, wearing badges that said “I love Paul” or “I love Ringo.” This is when they were 22, 23, 24 years old. But then they did change. That’s what you see in Let It Be—the boys we have known are becoming men. People hadn’t seen the men yet. They didn’t know the men. And that’s what I think Let It Be does show.

(Michael Lindsay-Hogg, May 2024, interview with Rob Sheffield for Rolling Stones)

"Because the Beatles had been portrayed as the moptops, that they were just f***ing adorable. In real life, they were tough. This just goes back to where they came from. Liverpool is a tough town. I wouldn't particularly want to run into Paul McCartney in a dark alley, if he didn't like me."

(Michael Lindsay-Hogg, May 2024, interview with Brian Hiatt for Rolling Stones)

As the TV concert had been cancelled, Michael felt he needed a new ending. ‘So I said, “Why don’t we do a concert on the roof?” Since then everyone has claimed credit for it*, including the ladies who cooked lunch!’ Before the event, he installed a two-way mirror in the lobby downstairs. ‘I did it in case the police showed up. I knew some people would complain about the noise and as an American who didn’t really have a work permit, I was afraid of being deported,’ he admits. As it turned out, he had bigger problems. In the anteroom underneath the roof, Paul was raring to go. ‘Ringo said, “It’s really cold up there” [he ended up wearing his wife Maureen’s coat while drumming] and George said, “What’s the point?” John hadn’t said anything yet and there was a pause where the whole thing was in the balance,’ says Michael. ‘Finally, John said, “F*** it, let’s do it” and they all walked up the ladder, onto the roof and into history.’

(Michael Lindsay-Hogg, June 2020, Lina Das for The Weekend Magazine)

Q: You’ve said the rough cut had more of John and Yoko but that the other three members “didn’t want to have a lot of the dirty laundry” in there… A: I would not now call it ‘dirty laundry’. I would say that The Beatles didn’t want distraction. <…> Q: There’s one scene where Paul and George are arguing about what George is going to play… A: They never asked for that to be taken out of the movie… I think that, for them, that was a normal exchange between two musical artists who are thinking what’s best for the song. <…> Q: Who do you think was most invested in keeping the band together? A: Paul had the idea that they should maybe do a concert and the others more or less agreed. I mean, he’s a very strong personality. He’s incredibly smart… And I could completely see how that would focus them all. It seemed like a really good idea. So I would say Paul was the one who wanted that and it made a lot of sense. So that’s my answer to that question. Q: When George quit and then came back, he suggested moving to The Beatles’ Apple HQ to finish the album… A: Yes, he said, ‘let’s not worry about performing [the planned concert] and let’s just get out of Twickenham.’

(Michael Lindsay-Hogg, May 2024, interview with Alex Flood for NME)

“There are moments of great sweetness,” he said. “No matter where you put the camera, no matter how you edited it, they loved each other. Anybody who sees ‘Let It Be’ again will find that.” … The film was a victim of bad timing, in his view. By the time of its May 1970 premiere, the Beatles had broken up. Traumatized fans saw it as “a breakup movie: ‘Mom and Dad are getting divorced!’” he said. … He has preserved much of what he went through with the Beatles in diaries, which he has kept since the “Ready Steady Go!” years. … He thumbed through the pages and landed on January 30, the blustery day in London when the Beatles played in public for the last time. As captured by Mr. Lindsay-Hogg and his team, their swan-song performance was the climax of both “Let It Be” and “Get Back.” The diary page was blank, except for one word scribbled in black ballpoint pen. Roof. “The busier you are,” Mr. Lindsay-Hogg said, “the less you write down.”

(Michael Lindsay-Hogg, July 2022, interview with Alex Williams for The New York Times)

*Jan 7th

gif by @sgt-paul

Also Jan 7th Paul's 'colossal' idea about ideal end of their show

@crepesuzette2023, your tag 'Michael Lindsay Hogg would not like to run into him in a dark alley when he was in a bad mood!' reminds me I forgot to publish this :)

#michael lindsay-hogg #let it be #sessions: get back #the beatles #john lennon #paul mccartney #george harrison #ringo star #get back #peter jackson

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