#hindi new hit song

[mrpeace123123]

Tu Hi NA One Of The Best Song Of 2023 - 2024

[reallyironcreator]

Watch Now: http://surl.li/uhoydw

[onlinedigtal]

Agar aap Hindi songs ke shaukeen hain aur naya MP3 gaana play karne ka man hai, to yeh track aapke liye hai.

[jayhoshow]

Kumar Sanu's take on changing landscape of hindi music

[severetravelerhologram-blog]

Jaan Hai Meri Song: Radhe Shyam | Prabhas, Pooja Hegde | Armaan M, Amaal M, Rashmi Virag, Bhushan K

Presenting song ‘Jaan Hai Meri’ from the movie #RadheShyam Gulshan Kumar and T-Series present, a UV Creations in …

[doiliedaze]

The Jewel of the Sea

Warnings: Sevika kidnaps reader, age gap (reader is 25 and Sevika is around her early 40s), reader is chaotic, enemies to lovers, mean Sev for a while, y’all threaten each other a lot and both have hit each other, Sevika kills someone, reader almost dies, another awkward fight scene, virgin reader, reader cums fast because that’s normal for a first time (so is taking a second), reader has blood on her when they have sex, praise, check-ups, reader gets eaten out, tribbing, I think that’s it LMAOOOO

Genre: fluff, angst, smut

A/N: im so excited for this fic and will be expanding on pirate Sevika!! They are so soft to me like I love them together!! Thank you all for your support I get so happy seeing you all and talking to you guys ʕ̡̢̡⌯͒•ɷ•⌯͒ʔ̢̡̢ this is long asf omg and I wasn’t gonna make it a series cause I can’t have another series rn lol

Translations- priya = darling, jaanu = my life

I researched that her name has Hindi, Sanskrit origins so I thought this would be a cute way to tie her culture in.

───────┈ · ·

Tonight is the night you’ve been raised for, tonight you become queen. The day was going as planned. Flowers here, knights there, it was almost out of a fairytale. You knew this was too good to be true. You’ve been known for your intuition, it’s why your parents put you before your older sister. Whom holds no resentment towards you only a sadness that you couldn’t pursue your own dreams.

Since you were little you’ve adored the ocean, often thinking in another life you were a mermaid. Admiring the idea of protecting the ocean and it’s creatures somewhat like how you saw your mother care for her people. To swim as free as your sister rode. To sing an enchanting song to defeat enemies as your father cut others with his words.

You often reminisce on the idea and in your opinion it helps you be a better princess. Your thoughts were interrupted as your seamstress finish the last lace detail on you coronation dress. You step off the box to admire yourself stuck in utter awe.

Time passes as you wait behind that humongous door, the door that’ll start the new chapter in your 25 years. The love your family expressed to you unmistakable. As soon as you were alone you felt odd? Almost on edge…

You kept your eyes peeled, and shrugged it off as nerves. The thing about intuition is, it’ll work for you if you work with it.

Ignoring the churn in your stomach you walk as you hear the cue of the violins. As soon as the door opens, chaos is afoot!

Your eyes can’t focus on anything as you look for your family whom are nowhere to be found! Panic is settling into you as you try to create a plan. You see a discarded sword and pick it up awkwardly clutching it, you were always better with archery.

Running through the crowd not sure how to help or what to do your eyes settle on her.

She’s looks like she’d tower over you and hunt you down. You notice her scars and her mechanical arm. Her light smirk and her piercing gaze. It’s like the confusion in the crowd didn’t matter because she was steadily stalking towards you. You’ve heard of her before, she’s known for what she does and how she gets away with it.

Prey in a predators radar is exactly what you were, but you had a choice to fight or flee. You choose to flee as it’ll be you advantage. You know this castle and it doesn’t matter how many times they could’ve mapped it out this is your home.

Clutching the sword you run through the doors and into the hallway. Your main focus is making it to your crawl space which will take you to the gardens. As soon as you got close enough, the knob a fingertip away a sturdy hand grabs your waist and pushes you to the floor. Your sword drops as you try to brace your fall. Not ready to give in despite the pain in your body, you kick at her.

She laughs, how dare she mock you?

To make sure you stay still so her crew could make a swift escape she knocks you out with a cloth.

In almost an instance you went from queen to be, to hostage.

In a haze you wake up in a strange room, it looks to be a office with a makeshift bedroom area? You grip the sheets as you sit up eyes taking in the decor. Treasure here and there, maps neatly tucked away. Slowly you get up feeling that you are without your corset. Heat runs to your face but you push that aside as you look for a weapon.

Gathering courage you go out into the deck looking for her. That brute that took you from your home! The sun was blinding as and the smell of the sea was consuming but you saw her.

You storm up to her despite the laughs from her crew that quite when you dawn the knife you found.

Her express has yet to change from that smug satisfaction.

“Take me home, I demand it!” You yell pointing the knife at her face.

“Careful princess you might hurt yourself.” She laughs, oh what you’d give to rip that laugh out of her throat.

Before you could protest further she grabs then squeezes your wrist disarming you. You squirm as she slings you over her shoulder and makes her way back to her room.

Softly she places you on the bed and closes the door. “You’ll be staying in my quarters.” She states as she gives you space.

“Take me home!”

“I know you aren’t deaf.” She snorts

“You must be dumb because I refuse to stay on this ship!” With that she gets in your face, “you’ll mind how you talk to me.”

Anger rising in you, you spit on her square in her face.

Keeping her composure she steps back and wipes her face.

“I understand this isn’t ideal but you’ll get use to it.”

“Wow an understanding pirate how lucky am I!” You say with an eye roll.

“I took you because of your looks but you’ll stay because of that mouth.”

Being as bull headed as you are, you get off the bed and walk up to her.

“I will be going home with your permission or not!” You keep your voice steady and clear.

Swiftly she pushes you up against the nearest wall. Her breath ghosting your neck. Her thick fingers playing with the lace on the bust of your dress. “Don’t push me princess, you aren’t the first pretty thing I’ve thrown overboard.”

Fear churning in your stomach you whimper softly, pulling a wolf like grin out of her.

“You like that pretty thing? Being threatened is that what gets ya goin’.” Softly she tugs on your dress revealing more of your plush breast.

Your chest heaves as no one has seen you like this. “You are a degenerate.” You state avoiding eye contact. “Sometimes” she states as she moves her flesh hand to pull a stray coil. You swat at her hand and she moves, “get some rest you’ll need it for tomorrow princess.”

Defeated and highly flustered you lay in the bed and give your mind to your dreams.

Your nights use to end with you going to sleep alone and you waking up alone until one night. Sevika was charting at her desk and you were reading on the bed. When she assumed you were getting sleepy she packed up to leave but you broke the silence. “Stay…please.”

She gave you an expression you couldn’t read but she obliged. She puts her things down and lays next to you. “Trouble sleeping?”

“Before this I’ve never slept on a ship before…it’s different.”

“It’s not that bad once you get used to it.” She awkwardly slide her fingers into yours. Obvious she hasn’t done this before. You put your pride to the side and nuzzle into her. “I had a bear…I can’t sleep without her so…” with that she just squeezes you close, embracing you. Being able to relax you inhale until you drift off to sleep.

The next months were a blur as you roam the ship endlessly. You were peering out at sea when you smell her behind you. That strong scent of wood burned into your senses.

“What’s occupying your mind priya?” Her rough hand softly touching your shoulder.

Priya…you still don’t know what it means but it’s nice to hear, better than a condescending princess or pretty thing.

Over these last few months you’ve learn to tolerate her. You two still argue like there’s no tomorrow but you grew to worry when she would stress and you’d help keep order. You saw how she’d grow to worry when you couldn’t sleep or if you’d stare off too long, wanting this to be a home for you how this has been a home to her crew.

“I want to go home.” You sigh leaning forward, gripping the ledge.

“You are home.” Sevika states coldly, “ I don’t understand why this isn’t enough for you?”

“Why being a hostage isn’t enough for me?”

“Hostages don’t get freedom or new clothes you choose to stay on the boat when we dock!”

“I refuse to be seen with you!” You shout turning to face her. The hurt in her eyes are evident but she pushes it down, “this is what I get for protecting a brat!”

“You aren’t protecting me at all! I told you I’m going home with or without you!”

“How would you suppose you’d get home princess?” She cocked her eyebrow and spoke with venom.

Irritated and wanting to prove your point you look around and it dawns on you, you are an amazing swimmer.

Without warning you hoist yourself over the ledge and fall into the ocean. The water was cool but not unbearable.

You sink down trying to gain cover with the bubbles of your submersion but it wouldn’t matter because Sevika jumped in after you.

Concerned more than angry she swims to you and with a rope and the help of the crew the two of you are retrieved!

“Are you out of your fucking mind y/n! Do you not understand how you could’ve hurt yourself pulling a stunt like that?” She shouts not giving you a chance to catch your breath. The crew was quite, it’s a big divide whenever you two argue, Ran typically getting in the middle of it.

“Why can’t you understand you took me from my home and I don’t feel safe with you!”

Angrily she grabs your face squeezing just enough to leave a sting. “So all the nights I hold you and talk to you doesn’t make you feel safe?” You claw at her biceps as you feel tears well in your eyes.

“That’s enough Sevika I think she understands she’s wrong.” Ran states stepping closer.

Sevika can feel her stomach churn because she made you cry. “There’s nothing to see here go back to your stations!” She yells as she pushes you into Ran then left to her quarters.

With that you walk away and go to your spot. You like to sit on the front of the ship with her right hand Ran. They are sweet to you surprisingly and keep you updated on your kingdom. You’ve been presumed dead and your family is devastated but they have to move on.

“I don’t understand why she keeps me here, I refuse to help.” You sniffle and wipe your face.

“You’re entertaining to her I suppose.” Ran says with a shrug, “I don’t question her anymore she wouldn’t give me a straight answer at least when it comes to you.”

“Why’d you guys raid my castle in the first place?” You turn to face them.

Ran’s shoulder tense slightly. “Not sure if I should tell you honestly.”

“You’re the only person I can talk to Ran please!” You grab their hand.

“We were raiding your kingdom because we heard of a King getting ready to kill his heir and we wanted to goods before the drama settled in.” They avoided your eyes feeling a slight shame.

Dread seeps into your heart as their words repeat in your head “ a King getting ready to kill his heir.”

“No I…he wouldn’t!” You stand abruptly, “he loves me!”

“He was raising you for slaughter! Who makes their second in line the monarch? Look I know this is hard but you ever wondered why your family never truly went looking for you? We’re a notorious group and-”

Without another word you were running to Sevika.

When you enter the bedroom you find her frustrated at the desk writing in her journal.

“How may I help you princess?” She mutters without even looking at you, “he was trying to kill me?” You whisper as your voice shakes.

Sevika looks up at you not sure how she wants to respond. She’s never been good with emotions whether it’s hers or someone else’s. Sevika had to grow up in a world where she was the only person who cared about her. That’s why it was so easy to make the seas her home.

Slowly she opened her arms to you and you run over to her lap. In disbelief you sob on her mechanical shoulder. “Why would he do that to me?” You ask in broken breaths.

Sevika could feel her heart in her throat unsure how to respond. When she was younger she imagined having friends and having to comfort them but she never got there with anyone besides Ran and Ran isn’t a crier. So she pulls you closer and lays her head on yours. “If you didnt take me…do you think that would’ve been the day?”

“Priya I don’t know much…but I do know you get headaches after you cry so stop crying please.” She whispers as she wipes your tears. You try to even your breathes but you can’t. So there you sit in your accidental saviors embrace.

Ever since that day you’ve been attached to her hip. This life isn’t what you’d imagined but it’s yours. You often think back and try to see what you missed but it’s no use.

“Sev, whats your favorite thing about being a pirate besides killing people?” You ask as you two walk around a market. You feel like a true swashbuckler with your floppy hat, flowy fabrics and the gun Sevika taught you how to use.

“Watching my crew enjoying themselves.” She bites into an apple then hands it to me, “you all deserve nice things and that’s better than bloodshed…I guess.”

“Big ole’ softy…” you nudge your shoulder into her as you bite the apple.

“Don’t get use to it.” She mutters and you were going to tease back till you saw an amulet.

“Jaanu look!” You point but she stops, “what did you call me?” Her voice unsteady. “Jaanu? Oh I…well you call me priya so I wouldn’t to call you something sweet too…I don’t necessarily know what either means but I read it in one of your romance novels you like to hide.” You state this like it’s no big deal as you buy the golden amulet. Sevika can feel her face burning and her palms sweating. “Priya means darling and jaanu means my life.”

Stopping in the middle of a market is frowned upon as it slows the hustle and bustle of the environment but you could care less as you stare into her grey eyes. “Then here jaanu I want you to have this.”

You lean up on your tippy toes and clasp the amulet around her neck, “now you’ll always carry me with you.” With that you walk away to catch up with Ran but you look over your shoulder to see her lopsided smile.

You were too busy gushing to Ran about what happened that you weren’t watching your surroundings. You’re still getting use to being a pirate let alone an ex-royal. Technically people still want you dead so it was confusing when Ran tackles you!

Word got out about Sevika’s new lover and how she favors the beauty of a princess. There’s been more incidents at the docks lately but nothing this bold! Another crew mate covered you two as Ran and you prepared your guns.

Lost in the frenzy you got separated. You get a sense of deja-vú. A weapon in your hand you haven’t used on anyone before, fear churning in your stomach and your intuition screaming at you.

Sevika isn’t around to immediately safe you so you have to choose; fight or flight. You don’t need a repeat of what happened a year ago so you choose to gain cover and shoot.

Aim is sloppy but you hit enough people more to disarm them, not having the heart to kill anyone.

That’s when you feel a cold gun pressed to the back of your head. Panic is seeping into your body, what do you do in a situation like this? You aren’t savvy enough to fight them off.

You thought back to all the moments you made on the ship, how you just accepted this is your life. Now it’s getting taken away. You close your eyes thinking about how you wish to be in Sevika’s arms one more time, to tell her how you feel.

In an instance you hear a pop and you assume it was you but you feel a thick warm liquid flow down your shoulder. You look back and there she stood. Sevika always protecting you.

Quickly she rounded you and the crew up. “Are you hurt?” Sevika held your face, her grey eyes searching yours. Not wanting to waste another moment you kiss her.

You two fumble to your quarters, breathing heavily. She shakily takes your clothes off as she bites your neck. “Been wanting you for so long priya.”

“Take me then” you moan clawing at her clothes. Sevika pushes you down on the bed and pressed your things to your chest. Her thick tongue slowly licks and teases your cunt. “Jaanu please I want more” you mewl overwhelmed by the sensations.

“I’m going to take my time and you will listen. Now this might hurt for a second so breathe f’me.” She pushes one finger into you slowly and listens to your drawn out moan. “Feels good priya?”

“Fuck yes!” You moan as you bite your lip. Needing to do something with your hands you pull her hair. “Sevika more!”

“Can’t ever stop being a brat huh?” Always striving to make you happy she pushes another finger in. Her tongue wrapping around your clit, sucking harshly.

Broken moans is the only thing able to come from your throat as you cum into her mouth. “Are you okay, does anything hurt?”

“No more please” you whine although this position is hurting your thighs.

Sevika gently placed her bare cunt against yours and rubs. The satisfaction of that small amount of friction got you wet. “Fuck you feel so good” she moans into your ear.

“You make me feel so good” you lick the outer shell of her pierced ear causing a shiver to go down her spine.

Your hips grind up against hers and you feel yourself already on edge so you both slow down. The drawn out strokes had you both twitching and moaning. The mixture of your juices staining the sheets when y’all came.

Sevika leans her forehead against yours and says, “promise to sail the seas with me forever?”

“I do.”

───────┈ · ·

A/n: this is the longest fic I ever wrote and bitch I don’t wanna do this shit again🥹 in all seriousness I wanted to push myself and I can see the moodboard already!! I hope you all enjoyed this and criticisms is welcomed!!

Taglist: @manfuckthisimout @bambishaven @femme-historian

Dividers- @dollywons

[weirdly-specific-but-ok]

Heyy, hope you're better now after that Good Omens s02 ending, and if not, sending lots of long hugs - actually sending hugs either way 🫂 (I rewatched the season on this new year and cried yet again, plus yeahh, every post about the final fifteen hits right to the core ):).

Sorry if the question is weird but you mentioned in a recent post about listening to an old hindi song from a 1990s military movie which also reminded you of AziraCrow. Being a native hindi speaker, I was excitedly interested but couldn't guess the original song from the translated lyrics. So if possible, could you please tell which song it was? And if any other hindi songs you've heard that might remind you of the Ineffable Husbands. I remember, for more than a few months, almost all songs I listened to reminded me of them as well - Salamat, from the movie Sarbjit, is the one that's popping up in my head right now, soo if you're interested, definitely recommended!

Again, sending hugsss, and now that the third season is renewed, may we get closure soon! B'byeee!

Hello anon maggot thank you so much take all the hugs too. We're all dying together with brainrot, aren't we.

The Hindi song in question is Har Koi Chahtha Hai (Ek Mutthi Asaman), the title song of an old movie. Thank you for the song rec! I'm afraid I don't know many songs in Indian languages, and you've probably heard all of these, but Akhiyaan, Agar Tum Saath Ho, Tum Hi Ho, and Baarish remind me of our favourite ineffable idiots. I've linked them in case any maggots who haven't heard these want to.

(for non-Hindi speakers, the last one Baarish reminds me of them because baarish means rain, and Crowley's method for falling in love involving a rainstorm and getting two people wet and staring into each other's eyes lives rent free in my head)

[bollywoodirect]

Tribute to Saraswati Devi, the first woman music director in Hindi films, on her 44th death anniversary (09/08/1980).

Born in a Parsi family in 1912, Saraswati Devi was a trained classical singer and rose to become India’s first woman music director of Bollywood.

A musical rage in the 30s and early 40s, Saraswati Devi's musical career was mostly confined to films produced by Bombay Talkies. Starting with 'Jawani Ki Hawa' in 1935, she went on to compose highly popular music for hit films like Achhut Kanya, Kangan, Bandhan and jhoola.

She was born as Khursheed Manchersher Minocher – Homji.

She changed her name to escape the wrath of the conservative elements of her community as they could never stand that a lady from their clan would enter the film world.

Once when at a gathering the Bombay Talkies owner Himanshu Rai heard her, he instantly invited her to join his concern as a music director. She was reluctant at first, not knowing how she would adjust herself to the needs of the film industry. But finally she accepted the offer.

She was the first woman music director no doubt. But the biggest challenge she faced was to groom non-singers into singers. That was a very, very big challenge in view of the competition from New Theatres as she didn’t have a Saigal or a Kanan to sing her compositions. That is why one should say that she had a formidable task to perform unlike her counterparts like R.C.Boral, Tamir Baran and others in Calcutta.

The biggest contribution by Saraswati Devi, therefore, was to produce hit songs through the lips of non-singers like Ashok Kumar, Devika Rani and Leela Chitnis.. Right from Achchut Kanya till Jhoola, Saraswati Devi went on rampage, so to speak, producing one hit after another. Leela Chitnis could sing hit songs like, ‘Meera ke jeevan ki sooni parri re sitar’ (Kangan), ‘Man bhavan lo sawan aya re’(Bandhan) and ‘Jhoole ke sang jhoolo jhoolo mere man’.(Jhoola) Imagine Saraswati Devi producing a golden jubilee hit in the voices of Ashok Kumar and Devika Rani in film ‘Achhut Kanya’ (a film that Nehru saw and appreciated)-‘Main ban ki chirriya ban ke ban ban bolun re’. The biggest hit by her was the marching song of Bandhan, ‘Chal chal re nau jawan’ sung in solo by Ashok Kumar, sung in chorus by Ashok Kumar and sung as a duet by him with Leela Chitnis. She used a non-singer like Sneh Prabha to sing the Puner Milan song, ‘Nacho nacho pyare man ke mor’. The male singer she had was Arun Kumar, who sung for Kishore Sahu in Punermilan, for Mumtaz Ali in ‘Jhoola’ (Main to Dilli se dulhan laya re he babuji) and others. Incidentally, it was she who gave break to Kavi Pradeep as a singer though he was writing lyrics for the concern since 1939 from film ‘Kangan’. She first used him in that immortal song of ‘Bandhan’ which is played in the back ground: ‘Piyu piyu bol praan papeehe piyu piyu bol’ Pradeep did sing subsequently some big hits after leaving Bombay Talkies. But in ‘Jhoola’ he has left behind a memorable song too tuned by Saraswati Devi: ‘Mere bichade hue saathi teri yaad sataye, baar baar teri chavi aye birha agan jaraae’

After she left Bombay Talkies, she shot into limelight again in the early fifties when she tuned two non-film ghazals for Habib Wali Mohammad. These were: ‘Lagta nahin hai dil mera ujjarre dayar mein’ and ‘Yeh na thi hamari kismet ke visaal-e-yaar hota’. When you listen to her compositions, specially the indigenously-flavored background music, you are transported into the environment of the India of the early 20th century.

During the later years of her life, the bad and selfish film world turned apathetic towards the doyenne. Not even a single person visited her when she fractured her hip bone after falling from a private bus. The legendary singer and India’s first female music director left for a better world in 1980 with no one to mourn her death. Even the media did not find her worthy of an obituary. Image: Saraswati Devi, Lata Mangeshkar, Madan Mohan, Jaikishan, Anil Biswas and Naushad

[thescribbleddiaries]

Bollywood Vs The South Indian Cinema

Introduction to Bollywood and South Indian Film Industries

India is renowned for its vibrant and diverse film industries, with Bollywood representing the Hindi-language cinema based in Mumbai and the South Indian movie industry encompassing Tamil, Telugu, Malayalam, and Kannada films. Each of these industries has its own unique characteristics, cultural influences, and star power that have captivated audiences worldwide. In this article, we explore the dynamic landscape of Bollywood and South Indian cinema, delving into their historical evolution, box office impact, global recognition, stylistic elements, talent pool, evolving trends, and the challenges and opportunities they face in the ever-changing world of cinema.

Overview of Bollywood and South Indian Movie Industries

Introduction to Bollywood and South Indian Film Industries

Bollywood, the Hindi-language film industry based in Mumbai, and the South Indian movie industry, comprising Tamil, Telugu, Kannada, and Malayalam cinema, are two powerhouses of Indian cinema known for their unique styles and storytelling.

Historical Development and Growth

Bollywood traces its roots back to the early 20th century, while South Indian cinema has a rich history dating back to the 1930s. Both industries have evolved over the years, embracing new technologies and trends to captivate audiences worldwide.

Cultural Influences and Diversity in Bollywood and South Indian Films

Themes and Storytelling in Bollywood Films

Bollywood films often explore themes of love, drama, and family relationships, blending extravagant song-and-dance sequences with emotional storytelling that resonates with audiences of all ages.

Regional Diversity in South Indian Cinema

South Indian cinema, on the other hand, boasts a diverse range of genres and storytelling techniques across its different language industries, showcasing rich cultural traditions and narratives unique to each region.

Box Office Success and Market Reach of Bollywood vs South Indian Cinema

Box Office Performance of Bollywood Films

Bollywood films have a global appeal and consistently dominate the Indian box office, with big-budget productions and star-studded casts drawing massive audiences both domestically and internationally.

Market Dominance of South Indian Cinema in Regional Markets

While Bollywood enjoys a wide reach, South Indian cinema holds sway in its respective regional markets, with loyal fan bases and a steady stream of hit films that cater to the diverse cultural preferences of audiences in the South.

Impact of Bollywood and South Indian Films on Global Cinema

International Recognition and Film Festivals

Both Bollywood and South Indian films have garnered international acclaim, with entries in major film festivals and recognition for their unique storytelling, performances, and technical brilliance that transcend cultural boundaries.

Global Box Office Influence

The global popularity of Bollywood and the rising profile of South Indian cinema have expanded the reach of Indian films on the world stage, influencing trends in filmmaking and attracting a diverse audience eager to experience the magic of Indian cinema.# Unique Characteristics and Stylistic Elements in Bollywood and South Indian Movies

## Musical Elements in Bollywood Films Bollywood movies are known for their infectious songs and dance sequences that range from emotional ballads to energetic dance numbers. These musical interludes often become chart-topping hits and play a significant role in the storytelling of the film.

## Action and Visual Effects in South Indian Cinema South Indian cinema, particularly in the Tamil and Telugu industries, excels in high-octane action sequences and cutting-edge visual effects. From gravity-defying stunts to larger-than-life fight scenes, South Indian movies set the bar high when it comes to adrenaline-pumping action on screen.

Talent and Star Power: A Comparison between Bollywood and South Indian Film Industry

## Superstars of Bollywood vs South Indian Cinema Bollywood boasts of iconic stars like Shah Rukh Khan, Salman Khan, and Aamir Khan who have a massive global fan following. On the other hand, South Indian cinema has its own galaxy of superstars including Rajinikanth, Vijay, and Prabhas, who command immense popularity and loyalty from their fans.

## Emerging Talent and New Faces in the Industry Both industries are witnessing the rise of talented newcomers who are making a mark with their fresh acting skills and unique personas. Whether it's Bollywood's Sara Ali Khan or South Indian sensation Rashmika Mandanna, the influx of new talent ensures a dynamic and evolving film landscape.

# Evolution and Trends in Bollywood and South Indian Cinema

## Technological Advancements and Digital Impact With advancements in technology, both Bollywood and South Indian cinema are embracing CGI, VFX, and digital filmmaking techniques to enhance the visual appeal of their movies. This digital revolution has revolutionized the way films are made and consumed, opening up new possibilities for storytelling.

## Changing Audience Preferences and Genre Shifts Audiences' tastes are constantly evolving, leading to a shift in the kinds of films being made in both industries. While Bollywood is exploring diverse genres beyond traditional romances and dramas, South Indian cinema is experimenting with unconventional narratives and pushing the boundaries of storytelling.

# Challenges and Opportunities for Growth in Bollywood and South Indian Movie Industries

## Piracy and Copyright Issues One of the major challenges faced by both industries is piracy and copyright infringement, which affects the revenue of filmmakers and producers. Finding effective ways to combat piracy and protect intellectual property rights is crucial for the sustainable growth of the Bollywood and South Indian movie industries.

## Collaborations and Co-Productions for Global Reach To expand their reach and appeal to a global audience, collaborations and co-productions between Bollywood and South Indian filmmakers are becoming increasingly common. By joining forces and sharing expertise, the industry can leverage international markets and create content that resonates with a diverse audience worldwide.As we conclude our exploration of the Bollywood and South Indian movie industries, it is evident that both have made significant contributions to the world of cinema, showcasing diverse storytelling, cultural richness, and immense talent. While Bollywood's global reach and iconic status continue to shine, the South Indian film industry's regional dominance and unique offerings are equally noteworthy. With ongoing evolution, emerging trends, and the constant pursuit of excellence, these industries stand poised to shape the future of Indian cinema and captivate audiences for generations to come.

[radiohaanji]

Radio Haanji: Experience the Best of Punjabi & Hindi Radio station and Podcasts in Australia

In today’s world, staying connected to your culture while enjoying fresh, exciting content is essential. Radio Haanji is here to provide just that—whether you’re in Melbourne, Sydney, or anywhere across Australia. We are your one-stop destination for the finest in Punjabi and Hindi entertainment, bringing you everything from the latest music hits to podcasts, news, and community stories.

Radio Haanji: More Than Just a Radio Station

What makes Radio Haanji different? We don’t just play songs—we create an immersive entertainment experience. We’re a lively hub for Punjabi hit songs, Hindi podcasts, and cultural programs, delivering the perfect blend of content to keep you entertained around the clock. Every show, every podcast, and every song brings you a piece of home while embracing the rich diversity of Indian and Punjabi culture.

24/7 Non-Stop Entertainment – Always On, Always Entertaining

At Radio Haanji, we’re not about downtime. Our station is always live, broadcasting the very best in Punjabi FM radio across Australia. Whether you’re driving through the streets of Melbourne or relaxing at home in Sydney, we’re with you every step of the way. From heart-thumping Bhangra beats to soothing melodies, our station keeps the energy alive and flowing.

The Pulse of Indian Radio in Melbourne & Sydney

Whether you’re tuning in from Melbourne or Sydney, Radio Haanji has something for everyone. Our Indian radio station in Melbourne brings you the latest news, Bollywood hits, and cultural insights, while our Sydney-based station offers the same vibrant mix with a Punjabi twist. We connect communities, tell stories, and celebrate the Indian and Punjabi cultures in every broadcast.

Dive Into Our Punjabi Podcasts

Love podcasts? We’ve got just the thing for you! Our Punjabi podcasts are the perfect blend of entertainment, knowledge, and culture. Covering everything from lifestyle topics to inspiring interviews and current community issues, these podcasts are designed to keep you engaged no matter where you are in Melbourne or Sydney.

Take It to the Next Level – Explore Our Punjabi YouTube Channel

For those who want more than just audio, our Punjabi YouTube channel delivers a whole new level of engagement. Whether you want to watch interviews, music videos, or behind-the-scenes content, Radio Haanji’s YouTube channel provides a rich, interactive experience that goes beyond radio.

Why Radio Haanji Is the Best in Australia

Non-Stop Fun: Broadcasting 24/7 so you never miss a moment of your favorite shows and music.

Culturally Rich: A perfect blend of Punjabi and Hindi content, including news, podcasts, and hit songs.

Community First: Focused on bringing the Indian and Punjabi communities in Australia closer together.

Accessible Anywhere: Tune in live on the go, at home, or from your car via our online streaming platform.

Ready to Tune In? Contact Us Today

Join the Radio Haanji family! To listen live or learn more, visit haanji.com.au or contact us at 0447 171 674 or 039 356 0344.

At Radio Haanji, we believe in the power of music, culture, and community to keep you entertained and inspired. “In music, as in life, every moment is a new beginning.” Tune in today and let the rhythm of your culture fill your heart!

[malaidarling]

Any Punjabi music recs? 👀 I'm not learning the language quite yet since I'm focusing on Spanish and Russian until I'm back in a place I know has more Punjabi resources, but I'd love to listen to the language more!

uhhh most of the music i know is party music that goes way hard and everyone knows (illegal weapon by garry sandu, kala chashma by prem & hardeep, lahore by guru randhawa, na ja by pav dharia, off the top of my head. also wakhra swag by navv inder, which my dad uses as a ringtone)

my parents really like harrdy sandu and i do too bc all of his songs get stuck in your head so quick!! my dad named our new car after a song by him called bijlee bijlee, which means lightning/electricity, because it's a nice blue lol.

i also like bajre da sitta, and consequently all the songs that are on a soundtrack for a movie by the same name <3 it's a nice movie and the girls have such lovely voices.

some more random ones that idk how i know... waalian by harnoor, kinni kinni by diljit dosanjh. hm. yeah, i don't know that many tbh. spotify playlists will pop up immediately with some fire music when you look tho. tbh i’m not the biggest fan of punjabi music outside of parties so i don’t know much more besides popular hits, as much as i would like to. i also listen to a lot of songs that are more hindi/punjabi mixed than just punjabi, so i tried to list songs that are more on the authentic side? i don't know if i succeeded lol.

i hope i could help! thank you for the ask :)

[worldwidemovies012]

Thangalaan review

: Pa Ranjith's film is intertwined with some fantasy and mystical realism. A must watch for Vikram fans.

Thangalaan is a period action drama starring Vikram, Parvathy Thiruvothu and Malavika Mohanan in the lead roles. The film is directed by Pa. Ranjith, produced by Studio Green K.E.Gnanavel Raja and the music is scored by G.V. Prakash Kumar.

Premise:

Britishers are in a wealth hunt, they take tribal people to work for them. Strange visions of Vikram to lead the troop to the Gold-rush area. What happens after forms the crux of the story.

Writing/ Direction:

Gold is the base of the film, the film showcases how it was handled in the 19th century by our rulers. Well-researched in terms of landscape, the way people look and the terms they use, which is sure to take the viewers back in time. The fantasy element is intriguing, the dynamic development of it is one of the few appreciable aspects of the film, the closure to it makes sense, sadly it is rushed by leaving no impact. The first half is like an adventure flick, with many different themes tried, but the result is extremely flat.

No clarity in the fight scenes as to who is winning and who is losing, the Black Panther sequence is a big dud with poor vision and the heavy smoke effects used lowers the visual standard.

Pasupathy’s humour portions are a big relief to the dry screenplay. The second half starts on a promising note with a few good scenes, displaying the happiness of the tribes for receiving new clothes, how the British treat the tribe with respect until they get to the Gold and shows their true nature after that, etc. Post which the film becomes dull with the slavery part not turning out to be emotional on-screen, the payoff is also very weak by bringing in a clumsy platter which is hard to consume. The biggest drawback of the film is the dialogue modulation of the artists which is probably authentic for the period, but had to go through hell to follow and understand.

Performances:

Chiyaan Vikram’s limitless efforts are evident on-screen, showing great variety in makeover, body language and expressions. Parvathy Thiruvothu is very casually natural on-screen, her scenes with the hero are lively, but the script required more to utilize the chemistry between them. Quite a challenging role for Malavika Mohanan, she has given her best, just wish she had more highlight action scenes to prove her full-potential. Pasupathy’s character started off fascinatingly, but then the arc was left abruptly without giving a proper ending it deserved. Stone-faced villains, the issue with foreign actors’ performances which the most Indian films have exists here too. The other supporting characters are written in a half-baked manner that we don’t get to feel for them.

Technicalities:

Meticulous work by G.V.Prakash, top quality songs overall, especially the Minikki Minikki track stands out and it is beautifully placed in the film. Solid score, his music made a lot of weak situations better, he has focused on what instruments to use as well. The visuals are first class, strong production value and location recce have led the team to explore new terrains, however the action is captured in an unimpressive manner. A lot of edit patterns and jump cuts are fascinating, but finesse is missing when things are simple, the packaging fails to engross. VFX is a mixed bag, the models look neat during the static shots, but the motions aren’t done right to make the sequences believable. Stunts lack punch, the approach is realistic but the output feels hurried.

Bottomline

Fantasy element is fine when it stands alone, falters when blent with reality. The film misses to hold the interest except for the initial chunk in the latter half. Had immense potential to be a hard-hitting flick, but it never took off from the ground level.

hindi:- थंगालान समीक्षा: पा रंजीत की फिल्म कुछ कल्पना और रहस्यमय यथार्थवाद से जुड़ी हुई है। विक्रम के प्रशंसकों के लिए यह फिल्म अवश्य देखें।

थंगालान एक पीरियड एक्शन ड्रामा है, जिसमें विक्रम, पार्वती थिरुवोथु और मालविका मोहनन मुख्य भूमिकाओं में हैं।

फिल्म का निर्देशन पा रंजीत ने किया है, जिसका निर्माण स्टूडियो ग्रीन के.ई. ज्ञानवेल राजा ने किया है और संगीत जी.वी. प्रकाश कुमार ने दिया है।

प्रस्तावना:

अंग्रेज धन की तलाश में हैं, वे आदिवासी लोगों को अपने लिए काम पर ले जाते हैं। विक्रम को सेना को गोल्ड-रश क्षेत्र में ले जाने के लिए अजीबोगरीब दृश्य दिखाई देते हैं। उसके बाद क्या होता है, यही कहानी का सार है।

लेखन/निर्देशन:

फिल्म का आधार गोल्ड है, फिल्म दिखाती है कि 19वीं सदी में हमारे शासकों ने इसे कैसे संभाला।

भूदृश्य, लोगों के देखने के तरीके और उनके द्वारा इस्तेमाल किए जाने वाले शब्दों के संदर्भ में अच्छी तरह से शोध किया गया है, जो दर्शकों को निश्चित रूप से समय में पीछे ले जाएगा।

फंतासी तत्व दिलचस्प है, इसका गतिशील विकास फिल्म के कुछ सराहनीय पहलुओं में से एक है, इसका समापन समझ में आता है, दुख की बात है कि इसे जल्दबाजी में बनाया गया है, जिससे कोई प्रभाव नहीं पड़ता।

पहला भाग एक साहसिक फिल्म की तरह है, जिसमें कई अलग-अलग थीम आजमाई गई हैं, लेकिन परिणाम बेहद सपाट है।

लड़ाई के दृश्यों में कोई स्पष्टता नहीं है कि कौन जीत रहा है और कौन हार रहा है, ब्लैक पैंथर का दृश्य खराब दृष्टि के साथ एक बड़ा डफ है और भारी धुएं के प्रभाव का उपयोग दृश्य मानक को कम करता है।

पसुपथी के हास्य भाग सूखी पटकथा के लिए एक बड़ी राहत हैं। दूसरा भाग कुछ अच्छे दृश्यों के साथ एक आशाजनक नोट पर शुरू होता है, जिसमें नए कपड़े प्राप्त करने के लिए जनजातियों की खुशी प्रदर्शित होती है, कैसे ब्रिटिश जनजाति के साथ सम्मान के साथ व्यवहार करते हैं जब तक कि वे गोल्ड तक नहीं पहुंच जाते और उसके बाद अपना असली स्वरूप दिखाते हैं, आदि।

इसके बाद फिल्म सुस्त हो जाती है क्योंकि गुलामी वाला हिस्सा स्क्रीन पर भावनात्मक नहीं बन पाता है, भुगतान भी बहुत कमजोर है क्योंकि एक भद्दा प्लेट पेश किया जाता है जिसे पचाना मुश्किल है।

फिल्म की सबसे बड़ी कमी कलाकारों के संवादों का उतार-चढ़ाव है जो शायद उस दौर के हिसाब से प्रामाणिक है, लेकिन इसे समझने और समझने के लिए नरक से गुजरना पड़ा।

प्रदर्शन:

चियान विक्रम के असीम प्रयास स्क्रीन पर स्पष्ट हैं, मेकओवर, बॉडी लैंग्वेज और भावों में बहुत विविधता दिखाते हैं।

पार्वती थिरुवोथु स्क्रीन पर बहुत सहज रूप से सहज हैं, नायक के साथ उनके दृश्य जीवंत हैं, लेकिन स्क्रिप्ट में उनके बीच की केमिस्ट्री का उपयोग करने के लिए और अधिक की आवश्यकता थी।

मालविका मोहनन के लिए काफी चुनौतीपूर्ण भूमिका, उन्होंने अपना सर्वश्रेष्ठ दिया है, बस काश उनके पास अपनी पूरी क्षमता साबित करने के लिए और अधिक हाइलाइट एक्शन दृश्य होते। पसुपति के किरदार की शुरुआत आकर्षक थी, लेकिन फिर आर्क को बिना उचित अंत दिए अचानक छोड़ दिया गया।

पत्थर के चेहरे वाले खलनायक, विदेशी अभिनेताओं के अभिनय की समस्या जो कि अधिकांश भारतीय फिल्मों में होती है, यहाँ भी मौजूद है।

अन्य सहायक पात्रों को आधे-अधूरे तरीके से लिखा गया है कि हम उनके लिए कुछ महसूस नहीं कर पाते।

तकनीकी बातें:

जी.वी.प्रकाश द्वारा किया गया बेहतरीन काम, कुल मिलाकर बेहतरीन गाने, खास तौर पर मिनिक्की मिनिक्की ट्रैक सबसे अलग है और इसे फिल्म में खूबसूरती से रखा गया है।

सॉलिड स्कोर, उनके संगीत ने कई कमज़ोर स्थितियों को बेहतर बनाया, उन्होंने इस बात पर भी ध्यान दिया कि कौन से इंस्ट्रूमेंट का इस्तेमाल करना है।

विज़ुअल बेहतरीन हैं, प्रोडक्शन वैल्यू और लोकेशन रेकी ने टीम को नए इलाकों की खोज करने के लिए प्रेरित किया है, हालांकि एक्शन को बहुत ही कमज़ोर तरीके से कैप्चर किया गया है।

एडिट पैटर्न और जंप कट बहुत आकर्षक हैं, लेकिन जब चीजें सरल होती हैं तो बारीकियाँ गायब हो जाती हैं, पैकेजिंग भी ध्यान खींचने में विफल हो जाती है।

वीएफएक्स एक मिश्रित बैग है, स्टैटिक शॉट्स के दौरान मॉडल साफ-सुथरे दिखते हैं, लेकिन दृश्यों को विश्वसनीय बनाने के लिए गति सही तरीके से नहीं की गई है। स्टंट में दम नहीं है, दृष्टिकोण यथार्थवादी है लेकिन आउटपुट जल्दबाजी में किया गया लगता है।

बॉटमलाइन

फ़ैंटेसी एलिमेंट अकेले होने पर ठीक है, लेकिन वास्तविकता के साथ घुलने-मिलने पर यह कमज़ोर पड़ जाता है।

फिल्म के दूसरे हिस्से में शुरुआती हिस्से को छोड़कर बाकी हिस्सा दिलचस्पी बनाए रखने में विफल रहा। इसमें एक दमदार फिल्म बनने की अपार संभावना थी, लेकिन यह कभी भी जमीनी स्तर पर आगे नहीं बढ़ पाई।