#heyheyyy look its that metaphor again !!! ehehe

[eebie]

Sorry if this is kind of a strange question, I'm sure my wording is weird as it's hard to explain this in words, but would you be open sometime to maybe demonstrating/explaining/(not sure what word honestly) how you go about your doodles? There's this quality that's particularly noticeable in your sketches and less polished work where your grasp of things like movement and main forms and stuff becomes obvious- basically, you're pretty good at comprehending the bigger picture- and as someone who struggles with getting caught up in details to the point where it impedes my ability to draw, I'm curious to see if I can get into your brain a little bit.

sure!! it's very easy to get caught up in all the deets when it comes to drawing, n i totally relate. Sometimes as im drawing, i notice myself slowly drifting into more detail oriented stuff before i even get the main 'picture' of what im tryna draw down, and when i catch myself i have to be like LEAVE IT like i'm a dog trying 2 eat something i shouldnt off of the ground N haul myself back on track. it's very much something you have to unlearn, rushing to get the final thing you're picturing in your mind down on paper ASAP.

there's a metaphor I like to use with the tendency of bein stuck on the details: Imagine someone's carving a statue. Usually it starts off with em carving out a rough shape of one large stone, and only then moving onto the details once everything is sorted. Pretty straightfoward, right? Now, imagine they're trying to carve the same statue, but instead of doing that on one large, coherent piece of stone, working in stages, they immediately go to carve every detail out onto individual pieces which will then be stuck together (like a puzzle) to form the statue at the end. The results will be hella janky, and it will take MUCH more time to achieve something satisfactory, because there was no rough guideline that came before going into detail. you're essentially working backwards.

so i really try to focus on getting that gesture down before Anything else. gotta know where everything goes before you think about detail, and it can feel really awkward at first, it was for me, but it is an incredible help. Look at some of the gesture sketch examples that you can find on google, or even better watch videos of people doing it! For my figure sketching, i start with a single line that represents the spine, (S and C shapes are super important! Use them!) and then two rough shapes to represent the hips and shoulders. then it all branches out from there. You start with the trunk of the tree, then the branches, and then the leaves.

And it doesn't hurt to brush up on your general anatomy as well, cos it does help with knowing where things go. I really recommend watching Sycra, I learned almost everything about drawing anatomy from him ( https://www.youtube.com/user/sycra ) His story's pretty inspiring too, as he started art Very late and still became an incredible artist Hell yeah.

ik its better to actually See this stuff so here's a rough sketch to show my process :