#hero book 1

[the-unseelie]

ASH FELL FROM THE SKY.

[ambcass]

INVINCIBLE X MALE READER BRO IT COULD BE ANYTBING HERO X VILLAIN OLS IM CRHIGN MY EYES OUT

hello everypony. this is my brother. he decided to SPAM my inbox for a fanfic for his twink. as the amazing sister I am I will write smth for him (after 1.5 weeks of this sitting in my inbox) I'll make a pt.2 if u want

"No, it can't be. You can't be *villain name*." is the same thing every guy you've dated said after you told them about your secret. The truth is, the world classified you as a villain. Everyone watching the news considered you a cold, no-good killing machine.

Being a villain with telepathy, telekinesis, fire abilities, and mind-altering powers is never a good mix for anyone! Would you kill your ex's after finding out you're a villain? No, you cared too much for them. Altering their mind until you erase yourself from their minds and everyone they knew.

This time is different. You met a dorky-looking boy with slicked-back dark hair and blue eyes on your first day at Reginald Vel Johnson High School. You two had chemistry together, and the second you stepped foot in that class, he couldn't keep his eyes off you. You were so handsome in his eyes. He told William all about you every since! Crazy how much someone can be so obsessed with someone even without mind-altering.

Did you notice at first? No. Bad as feelings as you were, you could not give a fuck about Mark. He didn't interest you in any way until one day.

You were not in a good mood that day at all. Last night you were running off rooftops, trying to escape the hero in yellow and blue. You got away by creating a firewall and going into his mind, making him forget why he was there in the first place. This stunned him and you receive plenty of time to escape. The next, you got to Chem and sat behind Mark and William's lab table. You close your eyes and rest your head on the table while using your arms as support.

"*Name*? Him? The boy behind us?" William's words caught your attention. You looked up and glared at the two. Intrigued, you pretended to sleep. Keeping out for what they were about to say. Mark forcefully turned William's head,

"Noooo. Why would it be! You're so funny! hahaha," Mark grinned awkwardly. He grabbed William's face and spoke quietly but loud enough for you to hear. "Of course it's *name* you moron! Don't say it out loud-" You cut him off.

"Will you two stop talking about me?" you asked. Mark's face turned tomato red as he sank to his chair in embarrassment. Both William and Mark would look back at you but Mark would just stare at you, smiling. "Okay. Creepy...but he's kinda cute." You smiled softly.

Time past by and you couldn't stop wondering why they were talking about you! It's not like you actually knew them. Your eyes lit up as a idea was formed. If he wouldn't tell you, then why not find out for yourself. A smirk appeared on your face. "He wouldn't mind if I just- " Focusing on Mark's mind, you wonder why he's been staring at you ever since your first day, why he's talking about you like he's got some type of crush on you.

"I really like *name* but don't know how to tell him. He seems cool and I want to be closer to him but I'm scared he will shut me out... I have to tell him how I feel eventually. Right?" You're shocked. Lost for words even. Were you flattered? Maybe. It's been a while since you've been in a romantic relationship. This might be it.

A few minutes before class was about to end, an idea came to your mind. Why not give Mark some help confessing to you? Was it wrong? Yes. Did you care? No. You focused on his mind again. First, you thought of Mark confessing to you. Then, you sent it off to his brain. Lastly, you watch everything come into play. The bell rang and you packed up your stuff. Mark was lost in a trance while William was trying to figure out what was going on.

"Earth to Mark! Hellooo? Is anyone home?" You walked past the two without saying a word but stopped at the door frame. Mark snapped out of it and sprung up from his seat with a joyous smile. William raised his brows to an overly happy Mark. "Hey, are you okay-" William was cut off,

"I think I'm gonna do it, Will. I think I'll tell him how I feel."

[stovreye]

Percabeth for valentines day because they own my heart !! 🔱🦉🏛️🫶

So the new PJO show has reignited my middle school obsession with the riordanverse (my tlt-pj-musical brainrot has also made a swift comeback 🫡) and I’ve been hyperfixating on it for the last couple months (WOOHOOO SEASON 2 WAS GREENLIT 🎉🎉🎉). I’ll ramble more about how much this show means to me and just how amazing it is to see these beloved characters come to life on screen in a future post, so expect more pj fanart soon. Also what even is valentines day, I only know of Percabeth day 🙈🙈

When I saw @/jonesy.cosplays and @/tinydancercosplay ‘s percabeth post (on ig), I just had to draw one of their pics! I love yalls cosplay sm!!!!

Anywho, I started this drawing in December, but I’ve been so busy with school (💀), so I apologize about the overall unfinished look to this piece 🫠🫠

-

Saves and shares are super appreciated 🤓🙏

[rainbowdonkee]

Title screen art for FEH Book 1-8

Which one is your favorite?

[mishy-mashy]

I was gonna make a post at some point questioning if Kuroiro had a crush on Komori, with proof, since his wiki page never confirmed it in his Trivia

But nah, it's canon

(And now I also know his Relationships page says he seems to have a small crush on Komori- but this page is not "seems". This is definitive)

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[nightswatchdisbandmentera]

And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....

Oh yes he would!

One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014

GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017

In fact he already has ☺️

[currently-evil]

Sidestep after putting Ortega in hospital

[sadlittlepotatobean]

SEASON 2 BITCHES!!!!

Annabeth getting cold feet the day before her wedding to Percy and going to Grover for help (“I’m afraid he’ll end up resenting me for all that’s happened and that he’ll leave like everyone else has”) and Grover being like “ he’s been in love with you sense he was 13 years old. He was in love with you even when he didn’t know his own name. He was in love with you when he was walking through literal hell, just so you wouldn’t have to walk alone. His loves only gotten stronger over the years. He WON’T leave you because he’s not Luke or your Dad or your Mom. He would reather DOE then hurt you or see you be hurt, hell I’m pretty sure that he would (successfully) take down gods, titans, preimmortals if they even THOUGHT about hurting you. Honestly i’m more worried that YOU will leave HIM, ”

[valhallavalgrace]

How are you adjusting to the whole Norse mythology situation?

LEO: I’ve mostly been bugging some of the older einherjar, and Hunding, a little bit, to figure this place out. Do you know how cool it is that some people have been here since the industrial revolution?? There's no way that I'm the first of my dad's kids to make it here. I just don't know who to talk to about it.

((Leo's coping mechanism re: Norse mythology is just hating himself more bc of course he doesn't belong in his own afterlife. but he won't admit that to anyone bc he doesn't know who can be vulnerable with.))

prev ask

[alaraxia]

I don’t romance him but Herald is making me less evil by proxy

[broodyelii]

Mistborn Era 1 finished!!

This was an incredible series. I genuinely have no words for how much I enjoyed this story.

All the characters and storylines were on point (except for ZanexVin storyline - for me at least XD )

The way everything was tied together in the last book made me stare at the ceiling multiple times. I had to put the book down about five times in the second part of The Hero of Ages. Well, I can safely say that I've joined the countless fans of Brandon Sanderson. And now it's time to give myself a little break to accept the ending and read the next books. My wallet will cry and so will I...

[birdletss]

spook

[rainbowdonkee]

Full art for Duo Sharena and Veronica - Pillars of Peace!

Artist: hanekoto

[mishy-mashy]

Got my hands on a Ultra Analysis BNHA book from a library

Some points I liked (I focused more on 1B since they don't get a lot of attention)

1B once had a Tetsutetsu BBQ. They heated him up and cooked food on him. He proceeds to ruin it when he declares his sweat is the salt to their food

Yui is canonically the prettiest first-year

Mineta has no sex appeal at all, but he thinks being a hero will make him lucky

Class B does respect Monoma. He's sharp-minded, witty, and has a way with words

Monoma sometimes wanders into 1A's dorm just to throw down a mean speech, and heads back to 1B

Juzo probably isn't helping Monoma's confrontations with 1A, since he just always asks him why he can't say it to their faces whenever Monoma complains about them

Shiozaki tries to be polite even in a fight

Pony hosts anime parties, so 1B knows a lot about anime. Vice-versa, they teach her Japanese, and everything nasty is Monoma's fault

Tokage was a gyaru

Tsuburuaba, Kaibara, and Kuroiro get worked up whenever they talk about girls

Manga likes Kenranzaki

Awase's family runs a small factory. He also restrains Monoma whenever Kendo isn't available

1B likes hearing Rin say "Aiyah", so he does it for them

Kamakiri is obsessed with cutting into things

Class B's play was really successful

Tamaki is scared of Kirishima's energy

1C was planning a send-off party for Shinsou for his upcoming hero transfer. They didn't doubt he would make it, ever since the Sports Festival

Shishikura (meatball Shiketsu boy) might've chosen Shiketsu because he likes the uniform's hat

Nakagame and Yo are dating

Tsuyu's family gets to spend a lot of time together now, since their parents' busy jobs have calmed down

Tsubasa (devil wing kid in Midoriya's memories) suspiciously lost touch with Midoriya and Bakugo in middle school (his Wiki page confirms Garaki - his grandfather - turned him into a Nomu)

Torino likes goofy gags. This rubs off on All Might (ex. when Midoriya thought he died when Torino fell with ketchup. People don't know whether to laugh or be concerned)

Nighteye has yellow streaks in his hair as a homage to All Might

Nezu likes worming into tight, dark places, so he likes Aizawa's scarf. They went into detail, describing why Nezu likes it, such as material to crawling in, etc.

Recovery Girl has to travel around Japan regularly to help people with her Quirk (as in, she uses her Quirk to help them. Healing Quirks are SO rare)

Hojo, Tabe, and Sestuno are kept in the same jail, so at least they're not separated

[nanyangjj]

binghe ... ure so cute and normal and also ure only a kid keep it up <3