#her mistrust of men as people who could do inflict the kind of cruelty that she punished wasn't baseless or even discriminatory

[forcebookish]

and can i just say that i hate her character development lol

[violethowler]

Break the Wheel

It’s a common point of discussion in the Kingdom Hearts fandom how often the main heroes are screwed over by the actions and attitudes of their various mentors. Ansem the Wise, Eraqus, the Master of Masters... Nearly every mentor figure in the series has contributed in some way to the pain the young people they interact with have endured over the course of the series. 

The Master of Masters deliberately manipulated his pupils into turning against each other and starting a war to further his own agenda. The Foretellers spread that suspicion and mistrust of each other outward to the members of their respective Unions. From what we’re seeing so far, the Dandelions are removed from the Master’s direct influence and are handling the Potential Traitor discussion so much better than the Foretellers did in Back Cover, but something still clearly went wrong that left at least four of them thousands of years in the future with only vague memories of their past at best. 

Birth by Sleep showed how Eraqus’ paranoia and distrust of darkness directly lead to the suffering of his pupils. His attitude toward Terra’s darkness in the beginning drove the latter to seek validation from Xehanort, who used Terra for his own agenda causing Aqua to trap herself in the Realm of Darkness to save her friend. Eraqus’ insistence that she spy on Terra and bring Ven back to the Land of Departure drove a wedge between the trio at Radiant Garden. And his willingness to kill Ventus to stop Xehanort leads to his duel with Terra and subsequent death. 

Ienzo’s role in the experiments performed by the Organization’s founders prior to the fall of Radiant Garden is unclear, but his conversation with Ansem in Kingdom Hearts III suggests that the older apprentices kept him in the dark about many things and might have potentially used Ansem’s fondness for him to manipulate their mentor. This resulted in Ansem’s banishment and - if DDD is any indication - turning Ienzo into a Nobody against his will when he was only 8 years old. 

Ansem himself went on to openly seek the destruction of Roxas, Xion, and Namine for the sake of his revenge against everyone who wronged him, using his prejudice against Nobodies to justify the things he did in pursuit of his goals. And despite guiding Riku to accept his own darkness in Chain of Memories, Ansem still fundamentally buys into the view of Darkness as something inherently negative, best illustrated at the end of Riku’s side of that game where DiZ attempted to make Riku choose between the “road to light” and “road to darkness”, implicitly trying to force Riku into a rigid either/or path that Riku rejects in favor of choosing “the middle road”.

This pattern has repeated often enough that when fans on Twitter shared screenshots of Dark Road from the game’s prematurely leaked website showing Master Odin, several fans - myself included - began eagerly anticipating the ways in which this pattern of old men failing the young would rear its head in Xehanort’s time as an apprentice. 

The fact that this pattern appears so consistently across the entire Kingdom Hearts timeline is not an accident. The entire starting point of the Heroine’s Journey is built around the idea that the protagonist’s environment - parents, mentors, peers, sometimes even their entire society - has failed them in some way[1]. By forcing them to adhere to a rigid binary of what traits are considered desirable versus undesirable, it forces people who do not fit those standards to cut themselves off from vital parts of who they are in order to be recognized and validated.

So when the younger generation grows up with these standards and is called to fix the mistakes of their elders, they are expected to do so on their mentors’ terms[2]. In doing so, they will ultimately continue the cycle that led to those problems in the first place. But the central protagonist of the Heroine’s Journey is different. The qualities which set them apart are the same ones that allow them to think outside of this rigid binary and ultimately break that cycle. In the course of their growth, the main character learns to create a new, better world not by vanquishing a villain who represents the failures of the old one, but by healing the wounds those failures created. 

Kairi said it best in Kingdom Hearts III that Sora’s journey is about helping people, many of whom he’s never met before. This is significant because the protagonist breaking out of the cycle has commonly taken the form of learning to solve problems with compassion and understanding instead of violence and punishment[1]. The main character cannot improve the world around them by simply killing the villain and calling it a day. In order to achieve meaningful change they need to help the people who have been hurt by this rigid cycle. And as the contrast between Sora’s attitudes towards the dying Organization members in Kingdom Hearts II and III demonstrates, that includes the same villains he’s fighting against. Yes, even Xehanort.

Because when you look back and think about it, every non-Disney antagonist in the Kingdom Hearts series is shown to be motivated by the pain and/or trauma inflicted on them by the worldview of their peers and mentors, which they then took out on the people around them. 

Marluxia as Lauriam was powerless to stop Strelitzia’s murder, and then he lost all memory of his past when he arrived in the present from the Age of Fairy Tales. That knowledge casts his behavior in Chain of Memories as someone trying to control the people around him as a proxy to feel like he has control over his own life[3]. 

Ienzo’s words when Ansem returns in Kingdom Hearts III[4] and the fact that he was a child [5] when Radiant Garden fell[6] paint his words toward Riku in Chain of Memories about the latter destroying his home as Zexion projecting the repressed guilt over the destruction of his home onto Riku. 

Saix’s cruelty toward Roxas and Xion in 358/2 Days is revealed in Kingdom Hearts III to have been driven by jealousy towards Axel and the feeling that he was being abandoned and replaced[7].  

All of these characters’ villainous actions can be traced back to the influence of the mentor figures of their generation. Marluxia’s survivor’s guilt over Strelitzia’s death is the result of her killer attempting to defy the manipulations of the Master of Masters. Saix was gaslit about his own humanity by Xemnas and Xigbar for over a decade with Xemnas’ manipulation and whatever effect Norting had on him on top of that. Ienzo’s conversation with Ansem in Kingdom Hearts III indicates that he didn’t fully understand what Ansem’s adult apprentices were doing around him when they were conducting their experiments, and the flashback at the start of Dream Drop Distance suggests he had not become a Nobody of his own volition. 

Xehanort too, is someone who was hurt by this destructive cycle. The things he indicates he saw during his world tour - people refusing to acknowledge the darkness in their own hearts and allowing it to grow [8] - showed him the consequences of repressing one’s darkness and negative emotions as he and Eraqus were taught. He wanted to change this, but he was still so entrenched in that system that the best he could think of ultimately amounted to the same rigid viewpoint but flipped so that darkness was on top. 

The merciless death many fans felt Xehanort deserved would only reinforce the “darkness evil, light good” worldview that Riku’s redemption arc was built on overturning. In order to truly heal the wounds created by the rigid belief system that made the villain who they are, the protagonist needs to be able to extend their compassion and sympathy even to their greatest enemies, or else it fundamentally breaks the narrative. The idea that there should be limits or conditions on such compassion is exactly the kind of mentality that led Eraqus to try and kill Terra and Ventus in Birth by Sleep. It doesn’t mean the main characters will ever forgive the villain(s) for what they’ve done, but that they are choosing to let go. To focus their energy on self-care and rebuilding, instead of more violence and more destruction[2].

Regardless of how individual fans feel about it, Xehanort being treated with dignity in his final moments needed to happen in order to show Sora’s growth. If Kingdom Hearts III had given Xehanort a violent demise like some of us wanted, it would have been a betrayal of the Heroine’s Journey’s major themes. Treating opponents with sympathy and compassion is a critical element of the framework, and is necessary in order to allow the protagonist to break free of the destructive mentality that created the story’s overarching conflict in the first place. 

Sources:

[1] “The Heroine with a Thousand Faces”; June 13, 2019;

https://www.teampurplelion.com/heroine-with-a-thousand-faces/

[2] “On Love and Lions Part 1: An Analysis of Love in VLD”; February 14, 2020. https://www.teampurplelion.com/on-love-and-lions-1/

[3] Analysis of Marluxia by @mlhelena;  https://mlhelena.tumblr.com/post/185211447430/thought-that-ive-been-nursing-for-a-while

[4] Kingdom Hearts III. Square Enix, 2019. 

[5] Kingdom Hearts: Birth by Sleep. Square Enix, 2010.

[6] Kingdom Hearts 3D: Dream Drop Distance. Square Enix, 2012. 

[7] Concerning Atypical Heart Regrowth in Nobodies: Saïx Case Study by dicax; June 23, 2019.

https://archiveofourown.org/works/19329115

[8] Kingdom Hearts III Re:Mind. Square Enix, 2020.