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fadinginfluencerblaze · 5 years ago

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Fallen Dreams

Disclaimer~ Art is devised by me and all editorial work is a solo operation. “Fallen,” will be my last publication before my vacation: https://adventvoice.newgrounds.com/news/post/1057611 If you would like commissions or requests for art work done please visit my patreon account https://www.patreon.com/AdventVoice https://adventvoice.newgrounds.com/news/post/1057550 https://adventvoice.newgrounds.com/news/post/1057522

From several authorities of art and creativity, I’ve heard something after completing “Loving My Dragon,” something I’ve not heard since I was sixteen. My ability in the arts is worth more than a few hearts, likes and the endorsements of a few passerbys. It is better than what people have been forced to digest in the past twenty four years. Could be longer really. Depends on your tolerance for main stream media.

Forced to settle, due to never being exposed to minds similar to my own. Which there are a lot of us. I’ve realized as I dig deeper into the internet, blogs, and journals of other dreamers.

There was a study, a social experiment really, given by Facebook and other online platforms, seeking to gauge how to rate worker performance by emoji. Wanting to reward creative minds who earn the most accolades and applause of the people. It can become rather addictive and I find I may be falling into that same trend. Advertising more or less for the approbation of people and not so much for pay.

I explained this to a few supporters and they were shocked. Believing me to be worth far more than the few seconds of increased impressions on twitter and the level of dinner table conversation I can influence with a few well directed bards and illustrations of the latest trending topic.

Now if only I could find a paying sponsor that believes the same thing. Then me and the Dream Weaver would really go places. Here’s the thing about me, that is different from your average ambitious and dedicated creator. I don’t want to go anywhere my friends won’t be invited to reap the benefits.

I’ve seen too much in this life to believe I can do anything on my own and be a success at it. You know I remember a time when people could have 500+ Facebook friends and no one spend a dollar with or on each other. On anything that could turn a profit. Nearly a thousand people talking, interacting, mingling and no money is made on the effort. Oh there is a lot of sexy talk, a lot of people locked up cause the girl is underage and the guy is enthralled with her pictures. Oh there was a lot of room fo shows like “Cheaters,” to corner a market in tracking people via location recognition devices on the broadband signatures, but for nearly ten years, no one was making any real money that would put them on the Forbes list as the best entrepreneur, besides those buying out all of the larger retail stores and Disney. Could be why I spend so much money on everyone else and not on myself. Makes me feel like I am saving the small business owners world, one click at a time.

The loss of Tina-Raze on the internet and access to her work has really made me appreciate the gift of visibility attributed to my own work. Sure I desire a physical gallery, but that cost money and you need dedicated staff. An online gallery is a one man show that will last as long as I have material, drive and an interactive audience. But when outside forces wage against one’s output and you are forced to erase everything and the years put into a showcase are no longer accessible; there is something daunting in the realization that everyday I have a chance to present anything, it should not be wasted on the trivial.

That is a sharp word because I highly doubt any of us have the authoritative right to define what is relevant or trivial to a creator. We can choose to interact with a product of not but we can’t say what someone was seeking to share has no value and thus erase them from existence. Not if we have any respect for the sanctity of the culture of art and the freedom in which we universally share this gift.

~ I can never say enough of how much I appreciate the time we shared and I hope you return to the creative scene soon Tina-Raze.~

I was reviewing “The Action Bible,” published by David Cook and illustrated by Sergio Cariello. It is an extensive publication that sought to illustrate the entire Bible, without the mistakes seen in previous renditions. It really took that whole group a while to find the best method to bring the Bible to life for young and old readers. I enjoyed their expressive illustrative skills and dedication to keeping to as much as can be had with a book as fantastic as the Bible.

What surprised me was the decision to eliminate the wings of angels and go with the ‘golden locks,’ signature. For years the wings of angels and demons played a big part in aiding people in separating the two worlds. Without the wings, we are no more than disembodied spirits, ghosts of our formers selves and have a long journey yet to that pinnacle of glory that awaits the faithful. So it was taught to me at least.

There were a lot of ideas shared with me as boy that I spend little time contemplating now, because I am a man and more than assured of where I will be regardless of the mistakes in this life.

Others may doubt. Others may seek to clip my wings as I ascend. Others may project their insecurities and through bitter imaginations suggest that because of the curse of Ham, and Nimrod, the black race will never have a place in heaven. Some may build a whole world of fantastical proportions and place compartments, as zookeepers, locks and doors upon the gates, with signs that say, “If you never drank yourself into oblivion while on earth, you go here, you never loved anyone but God you go here, if you never where tempted to fuck a woman in the ass, though she begged for it, you go here.”

Another sign reads, “Collect your white wings for perfect attendance on the earth, to every Sunday meeting.” In this corner of heaven, you should have received a notice in your casket upon death, we were sure to send Gabriel, who after years of working for God, never got his golden winged promotion.

All who have been the black sheep of the family and have been to prison more than once in their life time be sure to collect your “black wings,” down isle five. Five is the number for grace and that is the only reason you’re hear, so don’t be cute and try to steal the ‘white wings,’ from your betters, who happen to shine a little sharper in hue and have more gold flakes in their hair.

Those who were on earth and always fought for a righteous cause but failed to achieve any victory and remain angry behind the loss, you will receive your ‘red wings,’ in the dust falcons chamber. Some of you were clumsy on earth. Always bumping into things. Could never walk in heels or win a fashion show. Never turned the heads of men or appealed to women. Had a haunch in you back from never learning poise and posturing. Be sure to pick up your set of ‘spotted owl,’ wings, found in the east gate.

God is a god of order and angles never complain about their lot in heaven. There in whatever state they are in, there, they are to be content. There is a hint of a karmic code in association with the hue and colors of heaven and I was never one to believe in eastern influences when it comes to what my place in heaven would be like. I bend so far on earth, doing what I am told, I will go to heaven with white skin, white wings and all curse will be lifted from my body upon death and the curse of the previous life that marred me and made me black, while I was alive.

I don’t think so. No, I’ve believed for a long time now that even black angles deserve to fly. https://avproductionsblog.wordpress.com/2017/11/03/even-black-angels-deserve-to-fly/ https://avproductionsblog.wordpress.com/2017/03/18/you-read-it-here-first-black-amethyst/

I know I am not one to be denied.

Those of you that know how to twirl and twerk and shake your tail feathers, to win the Twerk Team Auditions https://www.youtube.com/watch?v=Rba9Z0CcWwQ&list=PLxwfHzPeMrG0N0E5Q3hBI_vRjXl-BqJAR or hang out with DJ UNK https://www.youtube.com/watch?v=TeLdCPINh6M and earn 15 minutes of fame for being a video vixen with a phat ass, you can gather your eagle wings in the North tower. You should notice the Notorious BIG Smalls in the butlers uniform, set to serve and assist you wonderful ladies in fitting for your wings. He was always so good at zipping up Faith Evans dresses, we thought he’d like doing that for eternity.

Just stand there and zip wings.

He was way too dark and ugly so he never earned his own, but Puff Daddy sand and danced enough to ensure he’d make it in.

https://www.youtube.com/watch?v=0LHyvFryW2M

What a joke, eh that might have been a cheap shot to bring Puff Daddy and Biggie into this conversation, it’s just, I am so sick of color being a barrier for people I guess. But as long as there are people, it will play a part in the minds of men and women that hold their minds hostage and will build politics and kingdoms centered around it. We will split God into figures of hued stone that resembles us in some fashion and suggest if he looks like me, then he is the one that created me. Odd considering how I can create characters of different races, backgrounds and love each with as much joy as the next. Why would I doubt God would love me less because my hair is not wavy or red and ruddy and my skin is not peached or pinked, but bronzed and red? Why is my tolerance for people and the curves, shapes and hues greater than that of a god and I am a mere man?

King Solomon, black but comely: I am glad I’ve never heard it taught, due to Solomon’s hue of skin the temple came down. Why are we so caught up with color that we would actually base our safety on it, risk our lives for it? When in the middle of turmoil, pain, upheaval, or simply in a moment of benign joy during an annual parade in the city, color should be the last thing discussed.

Ever since I was a boy, I’ve held a rigid position on color talk. I had to be set because all of my friends where white. My first love was a gothic princess, that used to put a cat collar and a leash around my neck. I lived in New Jersey and traveled to upstate New York and Ohio all the time and had so much fun playing video games, poker or reading comics with white people. Lived in Kansas where they tried to make me where a confederate uniform for the JROTC program. I did not know if it was a joke of if they really felt I would be honoring someone’s death by wearing that uniform.

I sought to be above the barriers poised by classification and color because I am an artist. Because I am a storyteller and find relevance in people and can’t deny anyone based on my insecurities. I would not want someone to look at me and deny me access to anything. A communicable discussion, a forum, anything political, or my own comfort and what I believe to be good for me because of my color, because their preconceived beliefs denotes I should be marginalized.

I laughed myself into stitches, when during my junior year of highschool I realized all of the black children expected me to eat my lunch on the wall and away from the ‘preppy-white,’ children because they decided to self-segregate. Because they felt they did not have a life style or come from a family that could afford to play golf at the local country club. That they would not and were not admitted to be apart of a society setting our grandparents and great grandparents were conditionally denied. I was infuriated by the idea of having to defend my home and right to existence, from people of my own color, if I ever married an Asian, white, Indian, Arab, anything besides a black woman. Especially to look at me, you’d never out right believe I was of African decent until I grew out my hair, which I would wear proudly, long and wild.

Fredrick Douglas had nothing on me in my desire to topple the walls the youth of my generation would build around themselves for the sake of traditions that should have been long dead. I would have loved to ignore this conversation, but it is all over the conservative radio, it is misdirected or used callously on liberal stations and it’s become too easy to degrade someone you might disagree with on a benign social discussion, as a racist.

It is too easy to believe I don’t attribute credibility in the claim when you call me an Uncle Tom because I speak well and try very hard not to curse when it would be so much more convenient to do so.

https://www.newgrounds.com/portal/view/730095

Honestly in the world of art this should never be a discussion and if life truly imitated art in this dynamic the world would be a better place. At least confrontation and schisms would not be as prevalent as it is today. To me it is like we begin the topic of hues and what is beautiful or seen in heaven, because we don’t have anything else to talk about.

I illustrated “Fallen,” as a response to how ridiculous of an idea of not being accepted by God or anyone would feel that way, because they are black. That someone would use the Bible to teach that and we would stop illustrating wings when talking about angels, in order to unify the spectrum of colors that make up our world into the kingdom of Zion.

Hard to imagine; in some aspects we still can’t agree on a marketable environment that unites black, white, Asian, and Indian dreamers.

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pw-wp · 7 years ago

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FAN ART: Weird subculture or Natural offshoot of Graphic Design?

IMAGE: Examples of fan art from the Deviant Art website.

My work often takes me to the hallowed halls of convention centers and community centers for annual gatherings of image makers of all stripes and their fans. These conventions, or “Cons”, be comic, horror, or video game themed, but one thing seems to be universal about them: Fan Art.

IMAGE: The fan-art-made-good example of Fiona the human and Cake the Cat from the Adventure Time cartoon series.

Fan Art is, essentially, art created by a fan-base centered around a specific property, actor, story, etc. It fulfills several purposes, from practicing art-making, community building, and, in some controversial cases (like most Cons one could attend), for profit. PBS’s Off Book program has explored how fan art is something that transcends media, stretching from graphic design to illustration and beyond (Brown, 2012). In some cases it can even influence the original product, as in the case of Adventure Time’s gender-swapped characters Fiona the Human and Cake the Cat (gender-swapped fan art creations of series leads Finn the Human and Jake the Dog). These characters proved so popular that series producer Fred Seibert greenlit an episode starring the duo (Brown, 2012). This is a grand example of fan art, but with the ocean of other offerings in the realm via online homes like Threadless, DeviantArt, and Mondo (at varying levels of quality and legality) and the recent experience of walking through mountains of fan art at a Wizard World Convention, I thought it might be a fine idea to look at the genesis of this subset of art.

Commissioned Beginnings

IMAGE: Top Row: Mythical figures drawn by Hokusai, Bottom Row: A selection of Mucha’s posters of Sarah Bernhardt.

Like much art, the term fan art is subjective. For example, if we consider religions to be organizations and gatherings of fans, why, we have fan art going back to ancient times of religious figures. Maybe the Venus of Willendorf had her own comic book. These images extend up to today, outside of Islam, anyway, and I don’t have years to write a single blog post, so we will narrow our scope a bit. Perhaps the best look at the origins of fan art can be traced back to the same beginnings, we ascribe to modern graphic design. I’m speaking, of course, about posters and Japanese ink prints.

Meggs notes that some of the early Japanese ukiyo-e woodblock prints that made their way over to Europe depicted Kabuki actors (p. 196, 2012). While the context is lost to many viewers today, these images functioned the same way as movie posters of actors function today. This is essentially the legit version of fan art- advertising art that is usually commissioned by the rights holder. It was not limited to just actors: like the posters of Superman or Wonder Woman on your kid’s wall, artists like Hokusai produced prints representing heroic warriors like Yoshitsune (Bouquillard and Marquet, pp.151-152, 2007) It did not take Europe long to pick up on this trend, either.

Artists like Mucha and Toulouse-Lautrec immediately spring to mind. Ulmer writes about how Mucha practically produced a sub-genre of Sara Berndhart posters in the late 19th century, when the actress contracted him exclusively to produce the now immortal prints (p.8, 2007). It would not long before professional image makers like Mucha found themselves joined by amateurs as well, and not just in the schoolbooks of aspiring artists.

SKYGACK and the Beginnings of Cosplay

IMAGE: Original comic image and homemade costume of Skygack the visitor from Mars.

Innovations in printing lead to an image explosion around the turn of the twentieth century. Along with adverts, newspapers helped launch the comic strip, a medium that has since branched into the multi-billion dollar businesses of animation, comic books and films. It’s fitting then, since thousands dress up as Batman and Spiderman every year, that one of the earliest documented examples of fan art would concern cosplay (the dressing up as) a comic strip character.

According to Ron Miller, Mr. Skygack was the creation of cartoonist A. D. Condo and was essentially a fish-out-of-water gag wrapped up as a visitor from Mars (2013). The character proved so popular that Plunkett notes fans started to make costumes of the Martian for city events and parties (2016). Apparently it was such a big trend that the newspapers picked up on it, so we have visual evidence of it, over a hundred years later. While the creepy looking fellow is something of a footnote now, Skygack deserves at least a plaque in the inevitable fan art hall of fame as a pioneer in the field. While this fellow was all laughs and harmless fun, there is also seedier side to fan art, so much so that the label may not even be properly applied.

TIJUANA BIBLES and Selling under the Table!

Image: Safe for work covers of Tijuana Bibles.

Now comes probably the most controversial subsection of fan art: erotic fan art. No, there won’t be any NSFW images presented here, but it is fascinating to examine this subsection, considering it is most associated with Rule 34 of the Internet today.Rule 34, of course, is, as Dewey writes, “If it exists, or can be imagined, there is Internet porn of it” (2016). Like the pioneering days of film, video and art itself (exhibit A: The Venus of Willendorf, of comic book fame), fan art’s less discussed and notorius subset has a history dating back decades. Tijuana Bibles, sometimes referred to as bluesies or eight pagers were illicit, cheaply printed little tracts depicting your great grandpa’s favorite cartoon characters in sexually explicit situations.

These illegal little books were sold under the counter and included scandalous adventures being pursued by Popeye, Blondie, and even Mickey Mouse. While the quality for most is lacking, some actually include some fine draftmanship, enough so that places like Duke University have collections of the little deviants(David M. Rubenstein Rare Book & Manuscript Library, 2017). They served as an income source for many artists in the same way that illicit images produced on the internet are sometimes produced for profit. Indeed, they could even be used as stepping stones to “legitimate” careers. Faraci writes about how the initial Bazooka Joe (of gum comic fame) artist, Wesley Morse, got the nod from producing Tijuana Bibles (2012). The legacy of these little things extends out to today, and beyond just visual art. After all, we are all suffering through Fifty Shades of Grey movies thanks to written erotic fan fiction writing based on the Twilight series. One wishes the artists of the original Tijuana Bibles could have gotten a piece of that pie!

Beyond this somewhat seedy side of the fan art universe, not much of note has lasted the years between the early 20th century up to around the 1980s, outside the fantastic riffs of MAD magazine and the extreme world of Underground Comix in general, there is a style of fan art that is worth noting.

Before they were Pros: Fan art by Superstars when they were Young

IMAGE: The evolving skill of painter Alex Ross, as seen through his love of comic books.

Everyone has to get started somewhere. As Brown notes, oftentimes fan art is used as a way to practice the craft while having a guidepost and not needing the time to make new ideas (2012). This certainly makes sense. Even the author of this blogpost got his start from drawing horrendous Mickey Mouse doodles. The recent influx of artist books in the marketplace also provide the proverbial proof to the pudding.

Alex Ross is known far and wide for his painted depictions of superheroes. A collection of his work for DC comics shows that the man has been steeped in his subject matter for years (Kidd, 2005). His early drawings are certainly crude (he was, after all, five years old) but his efforts certainly pay off over time as his work gets better and better. He moves from doing fan art to inspired original characters, building his skill level over time before getting to college and mastering painting (pp. 21-28). Like many other comics artists, Ross does not appear out of a stump- he starts by emulating things he enjoys and grows into his own style and artwork. He is not alone in this- one particularly famous quartet of terrapins owe a lot to fan art and fandom in general

IMAGE: From left to Right: The work of Jack Kirby, Frank Miller and Eastman and Laird.

Kevin Eastman and Peter Laird have been very open about the inspiration that creators Frank Miller, Jack Kirby, and the character of Daredevil from Marvel Comics provided them in creating the Teenage Mutant Ninja Turtles. Farago writes about how both were inspired by artist/writers Jack Kirby and Frank Miller (p. 20, 2014). These inspirations, swirling about in the indie-publishing scene of the 1980s, were given manifest presentation in the first issue of the Ninja Turtles, which blatantly presents the heroes sharing an origin story with Daredevil (Farago, p. 20, 2014)- at the time being brought to new prominence by Miller. The fact that the comic book is dedicated to Kirby and Miller helps seal the deal.

The themes and art style of the early TMNT books has a healthy blend of Kirby dynamism and Miller inking techniques from that time. While not strictly an exercise in fan art, Eastman and Laird’s admitted admiration for the two other creators helped shaped one of the most dynamic franchises of the last thirty years. Like with Ross, the fruit of this labor shows the benefits of early, devoted fan hood combined with art making.

The Good, the Bad, and the Interesting Controversy

So we’ve seen a ton of interesting sides to this whole fan art thing. The good side has been expounded upon, along with the seedy seed, but what about the bad side? Well, the last bit of this blogpost will take a look at that and some of the controversy involved. Specifically, the copyright infringing, convention engulfing controversial side of the issue.

The culture news site Bleeding Cool has done fairly extensive reporting on the issue of rampant fan art at comic conventions. They have noted the uptick of giant collections of fan art that keep showing up at these fan gatherings, and how much these collections irk some practicing artists, who may rely on licensed image reproduction of everyone’s favorite superheroes to supplement their income in a tough business. One artist, Aldrin Aw,, was so frustrated at a particular vendor selling “fan art” (which here mostly related to copying original art and adding digital effects) that he hounded him out of the convention (Johnston, May 2016). He also went out of his way publicly shame the “fan” artist on social media. The growing conversation around the fan art and bootlegging at conventions has also lead to greater efforts at explaining the legal repercussions of selling another person’s intellectual property throughout the community. Seth C. Polansky, a lawyer specializing in art and IP issues points out that much of what we consider “fan art” is, in a strict sense, illegal (Johnston, June 2016). That’s certainly a downer for a growing artistic subculture.

Thus, we find ourselves at a crossroads. A long-running subset of image making and artistic development that’s struggling to find a balance between a passionate hobby and legitimate money-making venture that crosses many redlines in the legal sense. Perhaps the best balance is seen in the work of studios like Mondo and Gallery Nucleus. Both offer a variety of fan art paintings and other works, but they are licensed. Unlike sites like Deviantart, much of this work is invited and functions in the same way as the commissions of Kabuki art cited above. Things have gone full circle, in effect.

Regardless of the many issues involved, fan art is something here to stay, and it has a pedigree. It will be quite interesting to see just how far it spreads in the future.

Sources for this writing include:

Bouquillard, J., & Marquet, C. (2007). Divinities, warriors, and legendary figures. In C. Henard (Ed.), Hokusai: first manga master (pp.145-157). New York: Abrams.

Brown, K. (2012, May 3). Fan Art [Video file]. Retrieved from http://www.pbs.org/video/off-book-fan-art-creativity/

David M. Rubenstein Rare Book & Manuscript Library. (2012).Guide to the tijuana bibles collection, 1930-1998 [Data file]. Retrieved from https://library.duke.edu/rubenstein/findingaids/tijuanabibles/#historicalnote

Dewey, C. (2016, April 6). Is rule 34 actually true?: An investigation into the internet’s most risque law. The Washington Post. Retrieved from https://www.washingtonpost.com/news/the-intersect/wp/2016/04/06/is-rule-34-actually-true-an-investigation-into-the-internets-most-risque-law/?utm_term=.eed623bc895e

Faraci, D. (2012, July 25). Tijuana bibles from wesley morse, creator of bazooka joe (NSFW). Birth.Movies.Death.. Retrieved from http://birthmoviesdeath.com/2012/07/25/tijuana-bibles-from-wesley-morse-creator-of-bazooka-joe-nsfw

Farago, A. (2014). Teenage mutant ninja turtles: The ultimate visual history (1st ed.). San Rafael, CA: Insight Editions.

Johnston, R. (2016, June 10). Artists alley, art theft and copyright law- a lawyer speaks to bleeding cool. Bleeding Cool. Retrieved from https://www.bleedingcool.com/2016/06/10/artists-alley-art-theft-and-copyright-law-a-lawyer-speaks-to-bleeding-cool/

Johnston, R. (2016, May 8). Buzz sends tim lundmark packing at wizard world minneapolis comic con. Bleeding Cool. Retrieved from https://www.bleedingcool.com/2016/05/08/buzz-sends-tim-lungren-packing-at-wizard-world-minneapolis-comic-con/

Kidd, C. (2005). Mythology: the dc comics art of alex ross. New York: Pantheon Books.

Meggs, P. B., & Purvis, A. W. (2012). Art Nouveau. In Meggs’ history of graphic design (pp.196-231)(5th ed.). Hoboken, NJ: John Wiley & Sons Inc.

Miller, R., (September 19, 2013). Was mr. Skygack the first alien character in comics?. Io9. Retrieved from https://io9.gizmodo.com/was-mr-skygack-the-first-alien-character-in-comics-453576089

Plunkett, L.,(May 16, 2016). Cosplay is over 100 years old. Kotaku. Retrieved from https://cosplay.kotaku.com/cosplay-is-over-100-years-old-1777013405

Ulmer, R. (2007). Alfons Mucha. Los Angeles, CA: Taschen

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