#hedi jouini

[ta-matia-tou-morfea]

"لاموني الي غارو مني

وقالولي اش عجبك فيها

جاوبت الي جهلو فني

خذوا عيني شوفو بيها"

[mariasdaddylilwhore]

إذا ما ترضاشي باش نحياها هالعيشة إلي القلب يتمناها خلي نبكي حياة ضيعناها و الورد إلي بدمنا سقيناه يا خسارة قتلناه بين إيدينا . . .

[revev2]

The Charm of Hizemeh and Sidi Mansour in Tunis

Hizemeh and Sidi Mansour, ancient neighborhoods that stand as some of the most famous and historic areas in the city of Tunis and its surroundings. It was here that the renowned singer El Hedi Jouini grew up, nurturing his talent from a young age with the teachings of Sidi El Mechref. These neighborhoods also witnessed the upbringing of numerous notable figures, including doctors, educators,…

[elwarsha]

(Kalighalia)

[hanna251]

مساؤووووو ❤️❤️❤️🇹🇳❤️❤️❤️🇹🇳🇹🇳

[suha-sawyer]

ياللي عيونك في السما .. والسما في عيونك

[nohaelghalban-blog1]

- الهادي الجويني ياللي عيونك فى السما

[meow-on-beach]

(zeyadkenawi)

[thewidowstanton]

The Widow’s Best of 2019

Welcome readers to our Best of 2019 round-up. Some of you might remember that when one half of The Widow, Liz Arratoon, started writing about the circus 25 years ago – with Widow other half Adrian Arratoon by her side – she was almost a lone advocate for the art form. Don’t you get jaded, people ask us. Absolutely not! But we do long for something a bit different, and this year we have been disappointed that so many circus shows and acts have started to look a bit similar and yawny.

One notable exception gets our Best Show, and we did love Company Soralino’s clowning with cardboard boxes, and Mizuki Shinagawa on silks at the 40th Cirque de Demain festival, but we have cast our gaze beyond circus to take in whatever else has taken our fancy. Just to remind people, and before any more sensitive hearts are broken, anything we have seen this year, no matter when it was created, is eligible for selection, but if we haven’t seen it, it isn’t. Our list, our rules, and, in no particular order, here it is. All shows are in London unless otherwise stated.

BEST SHOW: We really enjoyed Aurelia Thierrée’s Bells and Spells at the Norfolk & Norwich Festival, but our Best Show is La Nuit du Cerf (A Deer in the Headlights) by Cirque Le Roux, seen on French TV. This is the company’s follow-up to The Elephant in the Room, and new cast members Valerie Benoit and Mason Ames join the original troupe of Lolita Costet, Yannick Thomas, Philip Rosenberg and Gregory Arsenal. Together they showcase a sophisticated and exquisitely choreographed blend of top-flight acrobatics, handstands, hand-to-hand, roller-skating, tight wire, you name it, in a totally fresh and exciting presentation, all backed by a wonderfully eclectic soundtrack. If only more companies could come up with something so innovative.

FEMALE ARTIST OF THE YEAR: Extraordinary acrobat Esmeralda Nikolajeff, part of the line-up for Barely Methodical Troupe’s third show, SHIFT, which opened the London International Mime Festival at the Platform Theatre.

MALE ARTIST OF THE YEAR: Wes Peden, juggler, who had a scintillating guest spot in Gandini Juggling and Alexander Whitley’s show Spring at Sadler’s Wells. Don’t miss his solo show Zebra at the Southbank Centre’s Purcell Room during the London International Mime Festival in January 2020.

BEST GIG: Le SuperHomard in the library at the Institut Français as part of the Music Rendezvous season, and Durand Jones and the Indications, seen at the Southbank Centre’s Queen Elizabeth Hall during Meltdown.

MOST ENTERTAINING: Lucy Worsley’s talk about Queen Victoria at Southwark Cathedral.

BEST VENUE: The Poodle Club in Sydenham. 

BEST ACT: Foot-jugglers Marina and Svetlana Tsodikova, who are the Crystal Ladies in Cirque du Soleil’s Totem. They also get MOST GLAMOROUS.

BEST COSTUMES: Alejandro Gómez Palomo for The Male Dancer, choreographed by Iván Pérez, seen on the Arte app; Jean Paul Gaultier’s Fashion Freak Show (pictured below) seen at the Folies Bergère in Paris, and Queen Victoria’s crown, designed by Sheila Hay for A Night with Thick and Tight at the Lilian Baylis Studio, during the London International Mime Festival.

BEST INTERVIEW: Alec Baldwin’s chat with Elaine Stritch on his podcast Here’s the Thing.

BEST MAGIC TRICK: Shin Lim, winner of America’s Got Talent: The Champions 2019, doing card tricks.

LOUDEST GASP!: This photo of Joan Crawford, seen on @cjubarrington’s glorious Twitter account, where he posts vintage photos of Hollywood stars.

BEST MOVE: Anything by world champion football freestyler Liv Cooke.

BEST CASTAWAY: Living legend John Cooper Clarke on Desert Island Discs on BBC Radio 4.

BEST GOWN: Kathleen Nellis’ fabulous recreation of Marlene Dietrich’s ‘naked’ dress for Peter Groom’s show Natural Duty, originally designed by Jean Louis. Peter also wore it in Dietrich: Live in London, seen at the Crazy Coqs, Live at Zédel, for which he gets BEST CABARET.

MOMENT OF WONDER: Andy Goldsworthy throwing handfuls of snow into the wind in the documentary Rivers and Tides.

BEST LOOK AT THE MET GALA: Harry Styles wearing a sheer Gucci blouse!

HOTTEST TICKET: Phoebe Waller-Bridge’s solo triumph, Fleabag, at Wyndham’s Theatre, and, yes, we did speak to Andrew Scott this year!

FUNNIEST PERSON: David Mills, who stormed New York with Bitter Endings, but we saw him at the Poodle Club. Someone! Book this show for London!

BEST DANCE: The Seasons’ Canon choreographed by Crystal Pite at the Opera Garnier, seen on the Arte app.

BEST SET: Anna Reid’s simple, stylish and effective design for The Sweet Science of Bruising at Wilton’s Music Hall.

BEST SHOWBIZ STORY: The Man Behind the Microphone, first heard on Outlook on BBC World Service. The story of how filmmaker Claire Belhassine discovered that her unassuming Tunisian grandfather, Hedi Jouini, had been a singing megastar. Then we found the film of the same name.

BEST DOCUMENTARY: Liz Garbus’ 2016 Leave Nothing Unsaid, in which Anderson Cooper interviews his remarkable mother, Gloria Vanderbilt, about her life. Devastating and moving.

MOST FLAMBOYANT: Zack MacLeod Pinsent, who dresses like this all the time!

BEST SHOWBIZ BOOK – MALE ARTIST: Me by Elton John with Alexis Petrides.

BEST SHOWBIZ BOOK – FEMALE ARTIST: Dreamgirl: My Life As a Supreme by Mary Wilson… of the Supremes, with Patricia Romanowski and Ahrgus Juilliard.

BEST AUDIENCE: Ah, woof!

MOST NOTABLE ANNIVERSARIES: Ten years of The Double R Club, which was founded by Benjamin Louche and Rose Thorne, and runs at Bethnal Green’s Working Men’s Club, and three years of Cabaret vs Cancer, the registered charity started by Rose.

BEST VINTAGE CIRCUS PICTURE: Coo!

BEST FILM: Spike Lee’s BlacKkKlansman – which should have won the Oscar – and Olivia Wilde’s delightful teen comedy Booksmart.

BEST FILM SCORE: Out of Blue by Clint Mansell.

MOST IMPRESSIVE MEMORY FEAT: An hour and 40 minutes’ worth of words spoken by the one and only Maggie Smith, who returned to the stage in A German Life at the Bridge Theatre.

MOST ALLURING: Dina Martina, seen at Soho Theate Downstairs in Forgotten but Not Gone.

MOST MISSED: Agnès Varda, Clive James (born Vivian Leopold James!), and the French TV variety show Le Plus Grand Cabaret du Monde, hosted by Patrick Sébastien, which started in 1998 and ended this year.

GONE FAR TOO SOON: The creative genius Nell Gifford, co-founder of Giffords Circus, who died at 46.

MOST ANTICIPATED: Obviously Wes Peden’s previously mentioned Zebra, and Daniele Finzi Pasca’s latest creation, NUDA, premiering on 11 September 2020 at LAC, Lake Lugano in Switzerland.

Look out for our first interview of 2020, with Scottish aerialist and acobat Lauren Jamieson, who has a PhD in chemistry but gave up her science career to focus on circus full time. She will appear in The Feathers of Daedalus show Tarot during the Vault Festival 2020.

Picture credits: Company Soralino, Valérie Thénard Béal; Wes Peden, Pierre Feniello; Peter Groom, V’s Anchor Studio. Any we’ve missed, please let us know.

Follow @TheWidowStanton on Twitter

© thewidowstanton.com

[afterrimage]

Was tagged by @subjectaobliterates to list my current top 15 most listened to artists:

1) Tim Hecker

2) Nina Simone

3)  Essaie Pas                    

4) George Wassouf 

5) Slowdive

6) HTRK

7) Ahmed Fakroun 

8) Raime 

9) Galaxie 500 

10) Tom waits

11) Hedi Jouini

12) Belong

13) Restive Plaggona

14) The cure

15) Chab khaled

[desertislandcloud]

Listen/purchase: In Waves by Franz Kirmann & Roberto Grosso

With a rich and diverse background that has seen him produce numerous compositions for a variety of high-profile projects, including the score for the BBC/AMC series McMafia and BBC4 Storyville documentary Locked In, not to mention his heavily-praised solo material, French producer Franz Kirmann has now teamed up with Italian artist Roberto Grosso to deliver their new single ‘Saudade’, lifted from their forthcoming collaborative EP ‘In Waves’ through Kirmann’s own Days Of Being Wild imprint.

Much like his work to date, ‘In Waves’ looks to inhabit the darker and more driven side to the electronic sound. Self-described as “filmic” with its cinematic approach to both production and composition, the two creatives aim to create a warm and enticing release that showcases the more intense and explorative sides to their character.

Taken from their new collaborative EP ‘In Waves’, the pair plan to create a sonic experience that goes beyond what we can simply hear. Creating a multimedia project that will use augmented reality to bring artworks to life through sound, painting, and video, this new release will showcase the wide and eclectic desires of Kirmann and Grosso, delivering an aesthetic that neither have ventured through before.

Franz Kirmann has been releasing music since 2006, both as a solo artist and with composer/multi-instrumentalist Tom Hodge with their electronic/post-classical crossover project Piano Interrupted. Between 2012 and 2016, Franz released three solo albums and three Piano Interrupted albums (primarily on German label Denovali) in addition to touring around Europe. In 2009, he founded electronic music label Days Of Being Wild.

In 2016, Franz met film and TV producer Paul Ritchie and the pair became friends. After seeing a performance of Piano Interrupted in London, Paul asked Franz and Tom to score his BBC/AMC series McMafia. The series, written by Hossein Amini and directed by James Watkins, was a success and a second season was ordered, which the two are continuing to score. In early 2018, following signing to Decca Publishing, the pair wrote the score for the documentary The Man Behind The Microphone about Hedi Jouini, the godfather of Tunisian music (film of the month, MUBI July 2019), and the score soundtrack was released through 1631 Recordings. Both projects saw Franz and Tom collaborate with the London Contemporary Orchestra.

In 2019, Franz released his 4th solo album, Madrapour, on London label Bytes / Ransom Note. Entirely composed on a modular system and synthesizers, the album is a return to Franz’s purely electronic sound.

Roberto Grosso is an Italian artist, born in 1977, known for creating music inspired artworks. To show where his inspiration comes from, Roberto develops an Augmented Reality layer, unique to each piece, to complete the experience of the viewer. He works with brushed metal, perspex and metallic paper, and his works have been exhibited in the UK, USA, and Italy.

While winning competitions in New York, in September 2018, he also received the honour to become the subject of the thesis of a graduate in fine arts at the University of Urbino, Italy.

In 2009 Kanye West awarded him as his artist of the month on the most followed blog at the time, ‘Kanyeuniversity’.

Franz Kirmann https://www.facebook.com/FranzKirmann https://twitter.com/franzkirmann?lang=en https://www.instagram.com/franzkirmann/ https://soundcloud.com/franzkirmann https://open.spotify.com/artist/5ZPoz4WrKX7jKlbTp4S9Qe

Roberto Grosso https://www.robertogrosso.com https://www.facebook.com/robertogrossoartist/ https://www.instagram.com/roberto_grosso_art/

[koukoubgh-blog]

Écouter Nejla Belhaj _Ahmed Chennoufi _ Hobbi Yetbaddel _(Hedi - Jouini ) par Imen HZ #np sur #SoundCloud