#he liked rock n roll (specifically hard rock and glam rock)

[70smarauderz]

marauders favorite artists and other music-related headcanons totally not based on me being obsessed with late60s-70s music

james potter: yes, jethro tull, steely dan, donna summers, billy joel, the kinks, van halen

i think james would listen to anything and everything tbh, he’s he epitome of eclectic music taste to me, he has his faves obvs but he honestly enjoys all of his friends' faves too totally didn’t put billy joel there because of only the good die young...

sirius black: the rolling stones, queen, led zepellin, ac/dc, black sabbath, KISS, judas priest

i imagine sirius loving black dog by led zeppelin and saying that it’s his song even b4 completing his animagus transformation and it only gets worse after that

remus lupin: elton john, the beatles, david bowie, the who, the doors, boston, joy division

remus lupin would f*cking love people are strange FIGHT ME. post-1981 remus would listen to a lot of joy division, and i swear im not just saying that cause ian curtis gives off remus vibes to me

peter pettigrew: alvin stardust, the rubettes, blue öyester cult, genesis, squeeze

putting blue öyster cult for peter and just picturing sirius saying something like he's shocked peter finally developed some good taste 100% did not put BÖC for peter because of career of evil idk what ure talking about

lily evans: fleetwood mac, marvin gaye, the beatles, creedence clearwater revival, ABBA, neil young, barry manilow

this is 100% a stolen hc from a microfic but lily thinks something by the beatles is the peak of romantic lyricism (btw if u know what microfic i’m talking about pls tell me, cause i can’t find it anywhere) lily and remus like the beatles because it reminds them of their moms

mary macdonald: the beach boys, bee gees, fleetwood mac, nina simone, stevie wonder, eric clapton, diana ross

i think mary and lily had a pretty similar music taste and gave recs to each other when they discovered new songs lily and mary saw eric clapton live in 1978 and ABBA in 1975 (i wanted them to see fleetwood mac live but the dates of their UK concerts just don't really work, unless i put them going to a concert in 1980 which seems a bit weird to me cause yk the war)

marlene mckinnon: the clash, heart, sweet, thin lizzy, pink floyd, the damned, x-ray spex

marlene listens to psycho killer by the talking heads non-stop and everyone groans when she puts it on; sirius gets it because he does the same with killer queen marlene introduces thin lizzy to sirius and james and the three of them saw them live on the 1977 Reading Rock Festival

[avengedbiologist]

Thunderbirds 80s style

So turns out my 80s phase I've been having has brought me back to tbirds so here's my 80s au. Info under cut x

Firstly I ain't taking criticism, these designs feel right 2 me and so do the song choices. Sorry there isn't more diversity in the music tastes these r literally just from bands I know.

Gordon-

Kiefer Sutherland (specifically him in the movie 1969 with his longer hair) and George michael r my inspo for him, I mean the hair is the main inspo but the vibes from both of them R verryyy Gordon to me. He dresses very typical 80s he's a big big fan of denim.

His playlist:

His favourite bands are Wham and Cinderella, being a big George Michael fan in general. His favourite album is night songs by Cinderella. Not sure why Cinderella is his fave but it feels right ☝️ (everyone listen to Cinderella xxx)

Him and Alan being the lame duo they are, were Wham for Halloween.

Alan-

Alex Winter for this guy, probably because of bill and ted (definitely because of bill and ted and also nose 👃) and I can genuinely get behind Alan having curly hair. Despite this he has long hair in this cause he's a trendy fella, and if I didn't give any of them long hair I would be a fraud and a fake to the 80s cause. He switches his style a lot but he has a lot of inspo from rock bands.

His playlist:

(I am definitely not projecting) (okay maybe I am, be glad my favourite KIX song is from the 90s)

I feel he is more rebellious (very 04 Alan me thinks) so he tends to lean more to the rebellious type music (big glam rock fan) his favourite band is and will forever be KIX, he has seen them live like 50 times. And his favourite album is Midnite Dynamite by KIX. Listen to KIX and u will get it (or not idk).

Scott-

I'm blaming @knyee because of their Tom Selleck thoughts 😩. Older Scott very Tom Selleck, younger Scott very Tommy Lee, and Jason patric is just there cause he's a guy with brown hair and blue eyes, any 70/80s person with brown hair is Scott to me (could Eddie Van Halen be the next Scott Tracy 😮).

His playlist:

I feel Scott's tryna be more cool but hes not as deep with his music as say Alan or Kayo. So he's a very, whatevers popular kinda guy. Big Bon Jovi fan, his favourite album is Bon Jovi, slippery when wet. And he's a big fan of older stuff as well, big Kinks fan.

Ugly ass fashion as per w Scott, I mean it's not bad it's just,,, very Scott 🧍‍♀️.

Virgil-

Now I am about to be controversial,,, I genuinely forget Virgil exists. Like who is he,, U tell me ? So this made someone that vibes w him very hard to find. So this may be weird to people, this may not fit as well as the others, but if U ignore the hair I hope U can see my vision. Paul Stanley. Look at his eyebrows, look at his cheek bones then get back to me Kay x.

His playlist:

Virgil's cool af what can I say, he does like older songs too but alas I didn't focus on them. Tho this au of the Tracy family has no specific like version (weather it's tag tos or 04, tho with me it's never TAG do not speak to me about TAG Alan xx) I will say this, TAG Virgil is a Metallica fan, I get he does classical music but he can do that,, and like Metallica, cause guess what,, he's cool as shit. Despite this is fave album is Lick it up by kiss.

Don't ask me how to dress virgil, I just put him in green and call it a day.

My fun fact about Virgil is his gay awakening was Slash from guns n roses.

John-

Again don't know shit about John, not do I care for him but if I make him look like Billy Idol I begin to care. I'll tell U sommat not only is this inspo, Billy is like a face claim for me, Ur telling me that's not John Tracy. Is Billy wasn't cool af he would be John Tracy. And as well as looking like Billy idol he is a fan of Billy idol, his fave album being Billy idol by (U guessed it) billy idol.

His playlist:

(R we starting to see my love for lost boys, cause if not just wait till kayo xx)

Rolling stones yeah pretty sick, time in a bottle is out there compared to the others but John's an all over guy I think.

Kayo-

Oh look, Jami Gertz, lost boys reference, what a shock.

Kayos cool, like just look at her, holding hands with penny (women in love what can I say) originally her like fave album was gonna be Kill em' all by Metallica but Kayos here for the girls so her fave Album is Vixen by Vixen. Corker of an album (everyone listen to it x)

Her playlist:

I fear Joan Jett would also be on her playlist but idk man. Kayos just like quirked up but in a fun way, she does try to listen to a lot of female artists. She likes spooky music and old music. If I was doing a 90s or later au she would be a fan of the song 'Living dead girl' by Rob Zombie.

She's a lost boys fan (not projecting) and loves horror films and she takes John to see em, only cause Penny does not like horror films.

Penelope:

Janet Gardner (from Vixen) is her celeb inspo, tho I fear there's a lot of blonde 80s celebs that would work, but why go for Madonna when Janet's right there, and her hair is taller. If Penny doesn't have tall hair that ain't Penny.

Her playlist:

Big big big Stacey Q fan, her fave album is Stacey Q better than heaven. Penny is a big fan of 60s music as well, loving Erma Franklin, he favourite song being her cover of 'Hold on I'm comin''. She loves Daughters of Eve, their song 'Hey lover' is her and Kayos 'song'.

She has seen Stacey Q live many times and has (lovingly) dragged Kayo to them. Kayo is also a bit of a fan. They both like a lot of each other's music, if they find a new band or an artist they like has released a new song they always try to listen to it for the first time together.

I am realising now I didn't write Penny's fave films which are: Heathers, Labyrinth and Hairspray.

This is a long ass post oopsies, hope U enjoy my nonsense x

[eddiethehead-uwu]

Alright, here's some music headcanons for the Glamrocks bc all I see on tiktok to my little metal elitist brain seems so innacurate (not saying they wouldn't like the things people headcanon them to like, like I fully agree Roxy is a Mitski stan and Monty secretly listens to Adele or smth LMAO)

Don't take this too seriously, it's really just my dumb little headcanon lol

Anyways, aside for glamrock (duh that's what they play) here's some other genres I think the gang would like:

Freddy: classic rock and prog, probably into 80s disco and pop too, blues definetly, I can kinda imagine him liking some of the early metal classics too. He probably likes a lot of modern pop too, not really the stuff you hear at the radio but he probably would try to appreciate what you suggest him

Chica: girl can shred that guitar like a master so definetly into hard rock and early classic metal bands too, I can see her liking 60s rock n roll. I think she likes modern stuff better than the rest of the gang

Roxy: New Wave, synth rock, euro synth pop, maybe death rock and definetly at least some more popular punk bands, pop rock and punk rock. Thanks to tiktok I'm now convinced she likes indie rock too

Monty: ok he's the one into the heavier shit, I don't take criticism lmao. Definetly into very underground punk bands and hardcore punk, surely into metal but only some specific genres (DEFINETLY THRASH. I would also guess he likes the classics, glam metal, prog and djent, kinda see him liking death metal but only some bands).

Bonus og characters that aren't in SB!!

Bonnie: I think he's like one of those dads with the massive vinyls collections who appreciate a bit of everything, but for some odd reason I think he really loves electronic music and funk?? Like, sure he's into the good ol rock classics and he's great on guitar, but I can just imagine him blasting Daft Punk and it fits so well for some reason.

Foxy: fucking pirate shanties- lmao jk I think he would LOVE alestorm tho. Anyways, I can kinda see him liking prog rock bands like Jethro Tull and 80s pop, not really into newer stuff, probably very stuck in the past

[deathstalkersdemise]

Do you have playlists of your ocs? So many metal heads, do they have a favorite album?

Actually, it's all far from being completely metal, none of them is a 100% metal head. I could talk about music genres for a long time, but I don't know much about it myself (and I don't wanna be annoying), and there are too many intermediate genres and all that. Perhaps I attach too much importance to this, but everything is quite complicated. I don't like to think about albums, because there's a lot wrong with that, it's easier for me to talk about their favorite genres and artists. • Miguel - it's difficult, there are a lot of mixed genres and their offshoots, but he likes heavy metal, hard rock and punk rock. • Ashley - glam rock, glam metal and many different kinds of rock (like rock 'n' roll, hard rock, blues rock? idk, there's too many; tbh, even artists call it just "rock" or "rock 'n' roll"). • Michael - he listens to everything that resonates in his heart. He loves Ozzy Osbourne because he feels that he understands him. Michael listens to "Demon Alcohol" and he's like, "Oh man, we're really in it now...". • And very briefly about each member of Grave Robbers: they all like punk rock, in particular horror punk. Tony likes funny songs about all sorts of monsters, zombies, etc. and songs about love (bro, I'm not sure if "Pretty in a Casket" is about love, but if you say so...). Percy likes a lot of things, but he likes faster and louder songs. André likes something slower and more mystical.

And yes, Miguel, Ashley, Michael and Grave Robbers have playlists, I updated them for that, enjoy! 🤘🏻😈

(About half of Michael's playlist is oddly specific (I'm mostly talking about Black Sabbath and Ozzy Osbourne) 💀).

[sluggishtin]

for the obscure asks: ALL OF THEM!

Oh gosh okay

1. Fave way to dress

Glam. Like Steve summers, Sami yaffa, and mark slaughter all had a child

2. If I could change anything about myself

Probably either my stomach or my face but perhaps i would just like a new self esteem

3. What movie/game/etc helps me calm down

Rock n roll high school

4. What does your room smell like?

Depends if I wanna use the hot chocolate candle, the marshmallow whatever it is candle or the one that reminds me of Disney.

5. Do you like to organize?

Oh heck I have to be organized or it bothers me.

6. What kind of music would you listen to if you could only choose one?

If we mean genre then perhaps 2000s Finnish rock. Or maybe 80s glam. But if we’re going for bands Poison and Pretty Boy Floyd never get old.

7. What song is your aesthetic?

MOONCHILD!!!

The song, the video, ALL OF IT!

8. What color do you think goes best with your personality?

Although my favorite color is green I’m usually associated with black or red.

I’ve been told if I was a color I was without a doubt the color black

9. Do you believe in auras?

Perhaps so.

10. What do you wish you hated but actually like?

Apulanta 😂

Well not really but it’s hard to explain them to people. I could probably name a few things but nothing comes to mind off the top of my head.

11. Vague about your crushes.

Well, he’s got the most beautiful eyes and voice and the warmest smile. I think he lives in France with his girlfriend so he’ll never like me but something about him just gives me a warm feeling. He has a message with his music and I just wish I could be like him. Is that too much to be vague?

This ones definitely been through a lot but I feel like I need to try and make a difference in his life. Frankie knows who he is cause I’ve told her this before but ever since I first discovered him I fell in love with him and most people don’t support that I like him but that’s okay. He’s funny to me and his music is comforting to me.

12. Is there someone you have mixed feelings towards?

It’s hard to pinpoint my emotions. Especially when I first meet people. Sometimes I just don’t know how I feel about one of my friends that I dated once. Do I love him or not? I’d like to know.

13. An Au or story I came up with.

I have a lot of crack stories about poison and Jekyll and Hyde I’ve yet to write. All I gotta say is cc’s insults give me life.

14. Do you like makeup?

I liked it better on me when my hair was long now I just don’t vibe with it but concealer has saved my life a few times. It’s just better on guys.

15. Do you prefer space or ocean?

Y’know it may come as a surprise but I’ve always kinda wanted to visit space. I absolutely love the stars and I’m kinda a space geek.

16. If I could pick any planet besides earth, where would I live?

I wanna say Uranus as a joke but on a serious note I think Venus or Mars would be neat.

17. What form of government do you like most?

Monarchy. It’s just easier than this american shit.

18. What animal would I keep as a pet?

Omg omg I always wanted a snow ermine🥰

19. What do you think the purpose of our universe is?

Well I’m a Christian so I could go deep into it but I’ll just leave it at that.

20. Do you believe in god(s)?

Yes if my last answer wasn’t obvious enough.

21. Is there a song you can’t handle listening to even tho I like it.

It was hard enough to get into this song but when I discovered why mark wrote it it’s hard not to cry when I hear it.

22. What ex do you miss most?

Well I wouldn’t quite say I miss any of them. I’m still best friends with my most recent. I feel like I haven’t found a great relationship yet. Sorry val babe.

23. Do you like soft fluffy rough or smooth blankets.

I have a fluffy one hanging on my bed frame haha.

24. What is your fave thing to learn about?

Hmm I love a lot of stuff, as much as finnish fascinates me I absolutely adore mythology.

25. What country’s history do you find most interesting?

I’ve been in too many American history classes to enjoy it anymore. The Finnish history is very neat to me.

26. What do you think about genderbent characters?

Heck I used to love them but now I’m neutral

Perhaps depends on the character.

27. What breakup was the hardest.

Oh none hit me very hard but my last boyfriend took it the worst I’d bet.

28. Do you have someone where you can’t decide if you like them romantically or just as a friend?

Still with Val. I just don’t know how to feel.

29. What do you think about tumblr discourse?

Ugh I came here to get away from it but as long as it’s sporadical and not constant I can put up with it.

30. What instrument do you wish you could master?

I’d just like to pursue bass decently rn, we’ll talk about that later.

One day I’ll drum hot for teacher. I just needa buy a better drum set. I guess just being able to play both instruments decently would be a blessing.

31. How easy is it for you to be honest?

As easy as it is to lie.

I’m very honest and trustworthy but I could also be the exact opposite.

32. Do you have any strange interests?

Oh god okay so while y’all are over here obsessing over guys hands I can’t help but look at their stomach like omg I just wanna lay on it while my man tells me how much he loves me.

It’s not weird but I love Finnish accents. Just less common to hear someone say that rather than English.

Well I could go on and list a lot of stuff but then again

33. Do you have any strange fears?

Peter steele 🤣

Obviously a joke but anyways

34. What food do you binge when you’re lazy?

Fries usually but I could eat pasta or fish sticks or rice galore.

35. When you get angry how do you show it?

Usually through cursing a lot but when I’ve got the hots for someone I curse a lot too. I speak more violently when I’m mad though I probably won’t act as violent as I sound. Don’t be afraid.

However as much as I say it I will gladly break your nose and you’d better believe it so it better not come to that point.

36. Do you have any impulsive movements?

Eh idunno but when I get bored I’ll put my index finger on my nose (up to about my eye. So if my hand is on my nose you better spice up the topic.) oh I also play with my hair when I get bored.

And if I get anxious it’ll be obvious. I’ve also been told when I get scared I have a death grip so if you try and work up my nerves just expect your hand to be broken 😝

37. What do you listen to music on?

That depends. If I want 80s music I’ll go to amazon, if it’s not on Amazon or I want something specific from Spotify then I go to YouTube. If I don’t know what I want or I want Finnish music I’ll go to Spotify.

38. Are you left brained or right brained?

I don’t think I have a brain. As much as my mom wants to tell me I’m left I seem to be more right brained.

39. Earbuds or headphones?

Ugh earbuds. I don’t like headphones unless I’m using my Walkman. Headphones are so 2010s/elementary school 😂

40. Do you like light blankets or heavy?

Meh light. I just don’t get the thing about heavy blankets. Plus they’re frustrating to get settled in.

Yay that was super fun! Thank you!!

[oldies-enthusiast]

She’s A Sensation: Ch. 1 | Marty McFly x reader

A/N: Hey guys! So basically, I’m in the middle of one of my many BTTF marathons & since I’m clearly In The Mood™️, I decided to bless your feed with some Marty McFly content.

The name of the band in this story is inspired by my favourite band, Psihomodo Pop from Zagreb, Croatia & their song Sexy Magazin.

Have a great day! —Ally xx

Chapter 2

For as long as you can remember, you’ve loved music with inexplicable passion. Some of your earliest memories involve blasting out The Sweet’s Ballroom Blitz on your old radio & jamming out to it with your dad. Your parents noticed you had talent when you would sing or hum absent-mindedly while dressing up your Barbie dolls or playing outside.

You got your first guitar at the age of 13, but your parents couldn’t afford guitar lessons as well. You spent that whole summer saving up for the lessons & finding all sorts of ways to make money, which sounds easier than it was for a 13-year-old, though. Most of the time you would walk dogs for other people, mow their lawns or babysit little kids when needed. Old ladies were especially fond of you & made sure to pay you a dollar or two extra when you carried groceries for them. It wasn’t the hardest work, but it definitely was a fair responsibility given how young you were.

On the other hand, you’d been dreaming of playing the guitar for years beforehand and that’s why you were so determined.

When the day of your first lesson arrived, you were ecstatic. Playing the guitar turned out to be a lot more difficult than you’d thought it was going to be, but your enthusiasm never subsided. It required talent, patience & hard work, and you had it all. You got better and better with each day.

Sophomore year of high school you made friends with some cool guys who liked punk and glam metal and you started playing together soon after. At first, it was only for fun. You would goof around on your instruments pretending you were Iggy Pop or Joan Jett; at parties people would sometimes ask you to play something & that was when you first realized that as a group, you sounded really good. By the end of the school year, you were officially a band.

Your main influences were the Ramones & Alice Cooper. First you started as a cover band and soon began to write and play your own stuff. You’d been searching for a proper band name for weeks before you agreed to be called Sexy Magazine. The main theme you represented combined proto-punk style with shock rock elements. What you actually were was intimidating, and that’s how you chose the name—you really wanted to shock people.

One morning, you saw the announcement for the rock band audition at your school. You knew that with the name you had and songs you played you wouldn’t even stand a goddamn chance. After all, the school was looking for a group that would play at the upcoming dance and there was no way in hell a bunch of punks singing taboo shit would win—which was exactly why you signed up. All four of you thought it would be hilarious to walk up on stage and see how long it would take the judges to cut off the ultimate atrocity that you were.

On the day of the audition, you arrived somewhat early because you wanted to take a look at other bands. While you were hanging around, checking out the music and waiting for your name to be called, some cute guy in denim brushed hurriedly past you, slipping his guitar strap over one shoulder and heading to the front. His bandmates were already onstage. He walked up to the microphone, cleared his throat and said:

“We’re, uh... We’re The Pinheads.”

The Ramones’ Pinhead immediately started playing in your head and within an instant, all your attention was on those guys.

You were surprised to find out they weren’t going to play any Ramones. Instead, they started playing a thing you quickly recognized—it was The Power Of Love by Huey Lewis & The News.

And actually, they sounded amazing.

If this was a fair, honest-to-God rock band audition, these guys would make for some serious competition, you thought to yourself.

To your complete and utter shock, the judge stood up with a loudspeaker and cut them off within the first guitar riff. You couldn’t believe your ears.

Too darn loud?? It was a rock band audition, for crying out loud! Since when’s rock ‘n’ roll supposed to be soft?

The guy in denim looked disappointed. He quickly gathered his stuff and descended.

You honestly felt sorry for them because they sounded great and didn’t even get a proper chance. After that, it was almost final: you weren’t going to make it past five seconds on that stage, but you decided to go for it anyway.

You had agreed to play a song you wrote together called The Midnight Hour, which was basically the Cinderella story full of more or less subtle dirty references. You did have butterflies in your stomach despite the fact that you were there just for kicks. But as soon as you grabbed the mic and started singing, the feeling faded away—it was like an instant transformation.

You didn’t even notice how far into the song you’ve come and before you knew it, it was over and people were cheering, their voices snapping you back to reality. You exchanged incredulous glances with your friends, your breath caught in your throat. Even the judges seemed impressed. In fact, you saw the one with the glasses whisper something to the guy next to him, who nodded and immediately turned to the rest of them.

You thought it was all a joke. You couldn’t believe they’d let you play in the first place! This was the exact opposite of what you’d planned on doing. As much as you hated to admit it, you felt a wave of excitement wash over you as you watched the audience applauding with joy.

You sticked around for a short while afterwards and pretty soon the judges arose from their seats and signaled for everyone to gather around. They’d apparently decided on the winner.

“All right, everybody. Thank you all for participating. Your effort is appreciated. To be fair, we had a tough time choosing among so many great groups...”

A couple of kids exchanged amused looks and you heard faint snickering somewhere behind you. This guy talked like he was an actual game show host. It was ridiculous.

“...Congratulations to...”, he trailed off, taking a breath. When he spoke at last, it seemed as though he didn’t say, but spat out: “Sexy Magazine!”

Your bandmates started laughing in disbelief. You couldn’t seem to wrap your mind around what had just happened.

We won? Us?! We are going to play at the dance? 

A couple of kids came up to you to say congrats and tell you they’d really enjoyed the show. Some dude you recognized from earlier who looked as if he was high all of the time, the lead singer of some mediocre blues rock band, gave you a slow nod and a high-five and then proceeded to disappear somewhere in the crowd.

You turned around, searching the room for a specific face, but not his. You were trying to spot the one in denim, the Pinhead.

He was standing on the other end of the hall with his back to you, packing up his guitar. You pushed your way through the crowd, trying to reach him before he left. He unexpectedly turned around just as you were going to tap him on the shoulder.

“Hi”, you said, pulling your arm back.

He started, his brows furrowed. “Oh, uh... Hey.”

You wondered how come you hadn’t realized he had such beautiful eyes. Up close, he looked much more handsome than you’d thought at first.

“So, uh, I guess I just wanted to tell ya that I saw you play and you were really good. I mean, you sounded almost like Huey Lewis himself!”

You swore you saw a smile tugging at the corners of his lips as he scratched his head nervously, shifting from one foot to the other.

“Well, thanks, but, uh... We didn’t play much, to be fair.”

“I know! I was really pissed when they cut you off like that. And then they let us play!”

He smiled uneasily and you thought he didn’t believe you.

“I’m not trying to sell you that fake modesty bullshit, I really think you guys were awesome. I was so angry they made you stop before the first verse. I wish I’d been able to hear you sing.”

His smile now grew bigger and more sincere as he locked his eyes on yours.

“Thank you”, he said, “it really means a lot. And, well, uh, congrats to you... I mean, you rocked that stage for real!”

You chuckled, feeling your cheeks redden all of a sudden. “Thanks! My name’s [Y/N], by the way.”

He shook your hand with a grin. “Nice to meet you, [Y/N]. I’m Marty, Marty McFly.”

The warm look in his eyes made your heart flutter. He was clumsy in a cute sort of way. He’d almost dropped his guitar case when he took your hand, which made you both laugh awkwardly.

“I ought to join my friends now, but it’s been real nice talking to you. I guess I’ll see you around, then”, you said, trying to sound casual.

“Yeah, sure thing. Thanks again. See you around, [Y/N]!”, he smiled and waved before he left.

You turned slowly and walked back over to your bandmates, trying to hide how flustered you were. His eyes and his laugh were the only things you could think about at that moment.

Marty? Such a nice name...

[mytrashylove]

Castiel’s music taste + Crowstorm’s sound: a headcanon by moi

alt title: i was bored

ok so this is my first time doing something like this, and english is not my first language so pls bear with me

the other day @mycandylavynder​ asked what Crowstorm would sound like, and then @principalshermansky made a post with examples of what type of music they think the characters listen to (check it out! it’s great), which got me wanting to compile everything i can find regarding castiel’s music taste and crowstorm, to see what the game points to as castiel’s music

disclaimer: this is not to say that one headcanon is more valid than other, because at the end of the day everyone can think whatever they please, specially about a fictional character in a fictional band. i just thought it would be fun to do this. 

let’s take a look at Castiel’s room as seen in episode 40 of high school life:

there are three bands that can be easily identified: 

Pink Floyd’s The Dark Side Of The Moon poster on the wall

Never Mind The Bollocks, Here’s The Sex Pistols album by Sex Pistols among the cd’s on the shelf

The Rolling Stones logo on the pillow

according to the My Candy Love wiki page, Castiel’s favorite music genre is grunge. tha trivia also says that his favorite band is Winged Skull, but since it’s a fictional band there’s no way to know which kind of music they play, although i’d guess it’s a heavy metal band due to the name and logo.

let’s break the four bands we know he likes (and the albums that appear on the picture) down to the basics:

PINK FLOYD (UK, 1965-1995) album rock, progressive rock, art rock, hard rock, british psychedelia, psychedelic garage. - The Dark Side Of The Moon (1973) hard rock, progressive rock, psychedelic garage.

SEX PISTOLS (UK, 1975-1978) punk, new wave punk, british punk. - Never Mind The Bollocks, Here’s The Sex Pistols (1977) punk, new wave punk, british punk.

THE ROLLING STONES (UK, 1962-present) album rock, british invasion, contemporary pop/rock, hard rock, regional blues, rock & roll, british psychedelia, psychedelic garage, blues-rock, british blues, dance-rock, early pop/rock, am pop.

based on the information so far, we can assume a few things about Castiel’s taste

he seems to like rock music from the 70s

there’s a prevalence of british bands, but that might just be a coincidence

his taste might be summed up in the following genres, since they seem to be the most relevant ones: - punk, new wave punk - hard rock - blues-rock - rock & roll - psychedelic garage, british psychedelia - dance-rock - album rock - grunge

but what do all these genres mean? good question:

the 70s & rock music

aside from disco, funk, smooth jazz, jazz fusion, and soul, which remained popular throughout the decade, rock music played an important part in the Western musical scene, with punk rock thriving throughout the mid to late 1970s. other subgenres of rock, particularly glam rock, hard rock, progressive, art rock and heavy metal achieved various amounts of success.

highlights: (aside from the four bands already mentioned) Led Zeppelin, Queen, Kiss, David Bowie, Aerosmith, Joy Division, Fleetwood Mac, Black Sabbath, The Velvet Underground, Alice Cooper, The Ramones.

punk

a simple melody with three chords, but louder, faster and more abrasive than any other rock genre at the time. although bands like The Velvet Underground and The Stooged had a similar sound in the mid 60s, punk didn’t become its own genre until the mid 70s.

highlights: The New York Dolls, The Misfits, Generation X, Blondie, Talking -Heads, The Ramones, The Jam, Buzzcocks

new wave punk

where post-punk was artsy and difficult, new wave was, simply put, pop music that retained the vigor and irreverence of punk music.

highlights: The Police, The Cars, Blondie, Talking Heads

hard rock

hard rock is loud, aggressive guitar rock, but it isn't as dark and menacing as heavy metal, and it's rarely influenced by punk. it is (for the most part) exuberant, party music.

highlights: Led Zeppelin, AC/DC, Aerosmith, Janis Joplin, Van Halen, Jimi Hendrix, Guns N’ Roses, Queen, Pink Floyd, The Rolling Stones, Queens of The Stone Age

blues-rock

blues-rock didn't fully develop into a subgenre until the late 60s. it emphasized two specific things: the traditional, three-chord blues song and instrumental improvisation.

highlights: Fleetwood Mac, Janis Joplin, Jimi Hendrix, ZZ Top

rock & roll

in its purest form, Rock & Roll has three chords, a strong back beat, and a catchy melody. it drew from a variety of sources, primarily blues, R&B, and country, but also gospel, traditional pop, jazz, and folk.

highlights: Elvis Presley, Chuck Berry, The Who, The Beatles

psychedelic garage

instead of the concise verse-chorus-verse patterns of rock & roll, artists used free-form, fluid song structures. they also incorporated elements of Indian and Eastern music and free-form jazz to their sound, and experimented with electronically altering instruments and voices.

highlights: Pink Floyd, Jimi Hendrix, The Doors, Jefferson Airplanes, Grateful Dead

british psychedelia

british psychedelia was more whimsical and experimental than its American counterpart, and it tended to work within the pop song structure.

highlights: Pink Floyd, Cream, The Beatles

dance-rock

dance-rock was born in the mid 70s, when bands experimented with the simpler rhythms and heavy groove of funk and disco. they relied on keyboards and drum machines or used the standard guitar-bass-drums format of most rock bands, but they were performed many songs in a way that made them apt for the dancefloor, with simple, heavily repetitive choruses or hooks.

highlights: Queen, David Bowie, INXS, Duran Duran, Eurythmics, Talking Heads

album rock

the one thing that tied all album rock artists together was their dedication to the album as the vehicle for their music, as well as certain artistic aesthetic and constant exposure on FM radios. this broad criteria made it a fairly diverse genre.

highlights: Led Zeppelin, Aerosmith, Pink Floyd, The Who, Queen, Janis Joplin

grunge

hybrid of heavy metal and punk, grunge music adopted the lyrical approach and musical attack of punk. it had three waves: the first one was heavier, drawing from early 70s metal; the second one began with Nirvana and it’s more melodic sound, as well as distorted guitar sound that became a genre convention; and the third wave that came with Nirvana’s mainstream status, when grunge  lost many of its independent, punk connections and became the most popular style of hard rock in the 90s

highlights: Green River, Soundgarden, Mudhoney, Nirvana, Pearl Jam, Alice in Chains

to be clear, dividing music into genres is a complicated matter, and even more so is trying to reduce someone’s music taste in genres, since it is entirely possible to like wildly different music as well as dislike certain bands that fit the same category or certain songs from the same band. this is all just meant to show an inclination that Castiel seems to have in order to see what kind of music Crowstorm might be influenced by. 

that said, let’s get down to businees. what do we know about crowstorm?

popular and well-liked

has music videos that sometimes feature actors

at least one of their songs involves a piano (according to candy on ep3)

people dance to their music 

the members (or Castiel, at least) have given interviews on radio

based on that, we can say that Crowstorm:

has mainstream appeal

has at least some danceable songs

taking into account the info about Crowstorm & Castiel’s inclinations that might influence his music, here are a few examples of what i think some of Crowstorm’s songs could sound like

(danceable songs, “mainstream” radio music)

Head Staggered - That Petrol Emotion  // Blue To Black - That Petrol Emotion  (this band is influenced by The Beatles, Buzzcocks and Public Image Ltd., all of them from the 70s/80s and within the genres Castiel seems to like)

Some Like It Hot - The Power Station // Murderess - The Power Station (influenced by Led Zeppelin, similar to INXS and associated to Duran Duran)

Never Let You Go - INXS // Mystify - INXS (popular dance-rock band)

Are You Gonna Be My Girl -  Jet // Put Your Money Where Your Mouth Is - Jet (influenced by AC/DC and The Beatles)

(hard rock/blues rock songs)

Young Lust - Pink Floyd

Voodoo Child - Jimi Hendrix

Whole Lotta Love - Led Zeppelin

this is just my headcanon based on what the game says tho, but i am someone who personally believes that canon and canon “evidence” don’t really matter in the end, so although Crowstorm’s music seems to fit the dance-rock criteria, i ultimately prefer to think of them as a hard-rock/blues-rock band with a bit of punk and psychedelic garage influence. 

so why did i even do all of this if i don’t really care in the end? i don’t know, but it was really fun and it kept me busy.

anyway, if you got to this point you might as well tell me your own personal headcanons regarding Crowstorm’s music! feel free to reply, reblog, tag me in your own post or hit me up via inbox

TL;DR: based on what seems to be Castiel’s music taste and what we know of Crowstorm, the band might make dance-rock/hard-rock music and might be heavily influenced by bands from the 70s. but at the end of the day canon doesn’t matter as long as you are having fun, so if you want Crowstorm to be a goth-rock, nu metal band it might as well be! 

[cinemasnob412]

Them There Songs Used In Movies Creating That There Perfect Moment

Music and film have had a symbiotic relationship for as long as celluloid carried sound. Often times lesser films are elevated simply by the use of the perfect song (Kenny Loggin’s “Meet Me Halfway” made the almost run of the mill OVER THE TOP memorable for more than Sylvester Stallone adjusting his hat backwards) or a somewhat forgotten tune is resurrected thanks to it’s inclusion in a hit film (think “Bohemian Rhapsody” in WAYNE’S WORLD). There are those songs that have been with us for what seems like forever, but the moment they appeared in a classic scene, their association with their moving picture counterpart shines a light on them in a completely different way then we’ve ever thought of them (”Stuck In The Middle With You” in RESERVOIR DOGS). This is the beauty of the pairing of cinema and sound. 

There’s an old tale about when John Carpenter first screened his 1978 film HALLOWEEN for some executives. Without a score present one of the female audience members attending claimed it was the least scary film she ever witnessed. That same audience, complete with that same woman was shown the same exact film a short time later, this time with Carpenter’s now iconic score attached and that same woman was astounded by how frightening the film was. She was certain changes were made in the editing process, but the truth of the matter was it was only the music that was added. Proof that music can make or break a film.

Everyone now seems to know how important a film’s score can be. Try thinking of an INDIANA JONES film without whistling or humming John Williams’ “Raiders March” theme. Nearly impossible. The same holds true for pop music when used properly in a movie. Ever heard Peter Gabriel’s “In Your Eyes” on the radio and not immediately thought of John Cusack holding that boombox above his head? Bet you at least once thought of rockin’ the Ray Bans, white socks and a button down shirt and little else when you heard Bob Seger’s “Old Time Rock N Roll”. Those of us familiar with those scenes seem to forever associate those tunes with those images.

Whether a film or scene needs a boost of adrenaline (Kenny Loggin’s “Danger Zone” in TOP GUN), a rousing anthem (Survivor’s “Eye Of The Tiger” in ROCKY III), a somber dramatic gut punch (Celine Dion’s “My Heart Will Go On” from TITANIC) or a crowd pleasing showstopper (Bill Medley and Jennifer Warnes’ “The Time Of My Life” in DIRTY DANCING), music, pop music specifically in film is as important a piece to a movie’s success as the actors the director or the script itself are.

What are the greatest uses of pop music in film? Here’s my definitive top 10 list of the greatest songs to appear in a film and the scene they’ll forever be linked to. Note: I’ve excluded songs that were written specifically for a particular film, so although memorable and great, tunes like Kenny Loggin’s “Footloose” or Ray Parker Jr.’s “Ghostbusters” are not addressed.

10 - Harry Belafonte - “Banana Boat Song (Day O)” - BEETLEJUICE (1988)

Director Tim Burton’s use of Belafonte’s “Banana Boat Song (Day O)” covers two attributes I spoke of earlier. It’s a song that is almost completely juxtaposed against the occurrences on screen as well as a nearly forgotten song that found new life once it appeared in the film.

9 - Dire Straits - “Romeo And Juliet - CAN’T HARDLY WAIT (1998)

Right about the time gross out comedy was about to hit big with the likes of AMERICAN PIE (1999), a throwback to the teen angst filled rom-coms of the decade prior found itself a little audience. That film, CAN’T HARDLY WAIT had an onscreen couple you couldn’t help but root for in Ethan Embry and Jennifer Love Hewitt. Throughout the film, like many in a long line before it, our love struck protagonist Preston (Embry) tries to drum up the nerve and courage to ask his longtime highschool crush (Hewitt) out, in this case before their final graduation senior party comes to an end. One of the film’s more tender moments is when Preston, contemplating his next move before time runs out, does so while the Dire Straits ‘’Romeo And Juliet” sets the scene. It’s heartwarming and perfectly timed.

8 - George Thorogood And The Destroyers - “Bad To The Bone” - CHRISTINE (1983)

Used in films quite often, George Thorogood And The Destroyers’ “Bad To The Bone” is often played for laughs (TERMINATOR 2: JUDGEMENT DAY (1991)), but for my money it’s appearance in the opening scene of John Carpenter’s CHRISTINE is it’s best use. If ever a demonic, possessed inanimate object could ever speak of it’s evils and the perils to come, this would be the song that voices those warnings of the threats ahead.

7 - Chuck Berry - “You Never Can Tell” - PULP FICTION (1994)

It’s a tricky endeavor to place an almost three minute dance scene in the middle of a hard nosed crime film. Do it wrong and you’ll almost certainly lose your audience. Do it right and you create one of the most iconic scenes in motion picture history. Quentin Tarantino’s gangster picture is full of memorable dialog and occurrences, but arguably none that encompass exactly the absurdity and attention to detail Tarantino has become known for like the Jack Rabbit Slims dance scene. For the film buffs you have John Travolta cutting a rug once again onscreen, long after his SATURDAY NIGHT FEVER (1977) days and better yet doing so to such an iconic Chuck Berry song. Classic.

6 - Whitney Houston - “I Will Always Love You” - THE BODYGUARD (1992)

It’s a common misconception that Whitney Houston’s “I Will Always Love You” was written specifically for THE BODYGUARD. The truth of the matter is it was written by Dolly Parton way back in 1972, and released in 1974 as the second single from her album “Jolene”. It’s not even the first time the song appeared on film as Parton’s version was featured in 1974′s ALICE DOESN’T LIVE HERE ANYMORE, in 1982′s BEST LITTLE WHOREHOUSE IN TEXAS and in 1996′s IT’S MY PARTY. It’s the inclusion of the song in the 1992 Houston, Kevin Costner film that launched the song into cinematic history. Houston’s powerful vocals carry the tune farther than Parton herself was ever able to. Placed perfectly within the film itself, “I Will Always Love You” sparked the right emotions the film was striving for and became one of the most popular singles of all time.

5 - Righteous Brothers - Unchained Melody” - GHOST (1990)

Who would have thought that one of the men responsible for films such as AIRPLANE! (1980) and THE NAKED GUN: FROM THE FILES OF POLICE SQUAD! (1988) would also give the world one of the most romantic films of the 1990′s? Jerry Zucker’s GHOST captured the hearts of nearly everyone when it hit theater screens in the summer of 1990. It’s “potter scene” featuring the Righteous Brothers’ “Unchained Melody” not only launched a litany of copycat humorous (some not so funny) spoofs, but it also catapulted the duo’s song to number 13 on the Billboard charts, almost three decades after it was first released and charted for the first time back in 1965. 

4 - Sam Cooke - “Twistin’ The Night Away” - INNERSPACE (1987)

***SPOILER*** There’s something sweet when two movie characters share “their song” in a film. Often times it’s done in such a manner that it purposefully tugs at the heartstrings. Joe Dante’s INNERSPACE takes a different route. With his lead protagonist Tuck Pendleton (Dennis Quaid) trapped inside unassuming store clerk Jack Putter’s (Martin Short) body, Pendleton, with the use of the music he often shares with his lost love interest (Meg Ryan) simultaneously loosens up the hypochondriac, nervous wreck Putter and wins back his girl, all thanks to Sam Cooke and a few remade tunes by Rod Stewart. The songs still play and offer realization to the characters, but it’s Dante’s approach that sets this film apart. The “Twistin’ The Night Away” dance scene is the cherry on top. Martin doing his best, vintage Martin to a fabulous Cooke tune. You can’t help but feel good after such a scene.

3 - Eric Clapton - “Layla” - GOODFELLAS (1990)

***SPOILER*** Now the meat and potatoes of this list. These final three embody everything I love about film. Talk about juxtaposition. Martin Scorsese’s usage of the outro from Eric Clapton’s “Layla” is the perfect example of this exercise in film and music marriage. As the deadly finale to the Lufthansa Heist rears it’s ugly head, the opening piano notes play over the camera rising above the hood of a parked pink Cadillac. Inside the bodies of two of the “expendable” participants in the heist. The montage then goes on to show the discovery of the other principal cast members who met the same fate. It’s a chilling scene that reminds the viewer that all the glitz and glam of the gangster life that came before usually ends in this manner. Chilling and perfectly orchestrated filmmaking.

2 - Night Ranger - “Sister Christian” / Rick Springfield - “Jessie’s Girl” - BOOGIE NIGHTS (1997)

***SPOILER*** 1997′s BOOGIE NIGHTS already boasts one of the greatest scenes in cinematic history, the opening three minute tracking shot that rivals the one found in 1990′s GOODFELLAS, but it also features one of the most tense scenes ever to grace film stock. With life unraveling at lightning speed, Dirk Diggler (Mark Wahlberg), coerced by his rag tag crew, agrees to try and sell baking soda in place of cocaine to local eccentric and unsuspecting dealer Rahad Jackson (Alfred Molina). As the scene unfolds, the tension and anxiety build for not only the characters, but the audience as well as Jackson, high as a kite on his product, along side a firecracker throwing Asian boy toy, insists Diggler’s gang listens to his mix tape of assorted 80′s gems. Remember, this film takes place in the Regan era, so the character’s excitement over being able to experience and share his vision on a single audio cassette makes perfect sense. As Night Ranger’s “Sister Christian” builds to a crescendo, Diggler’s discomfort with the entire ordeal becomes evident. As the song gives way to the more subtle “Jessie’s Girl” by Rick Springfield, Dirk’s right hand man Todd (Thomas Jane) grows impatient and turns the once shady deal into a full on armed robbery. Needless to say things don’t end well for nearly all involved, with Diggler barely escaping with his life intact. It’s a masterful achievement in filmmaking and one of the greatest scenes in 1990′s cinema.

1 - Grateful Dead - “Ripple” - MASK (1985)

***SPOILER*** I’ve championed this film and it’s ending on multiple occasions. For me, it’s the most emotional scene in any film I’ve ever seen. As Rusty Dennis (Cher) starts her day, California sun in full effect, she becomes unnervingly aware that her physically handicapped son Rocky (Eric Stoltz) has not gotten up and made it off to school. She cautiously enters his bedroom, knowing exactly what she’ll face, but does so with a brashness and sense of denial that sort of makes the day seem as any other. Her son is dead. We know it. She knows it. As her denial gives way to sorrow, then to frustration we overhear The Grateful Dead’s “Ripple” softly playing on the radio. Rusty completely breaks down, smashing things with reckless abandon. The song still plays. As the scene concludes her anger and denial rests into a soft acceptance. The song still plays. She reapplies her son’s pins from his dream travel map that he removed the night before, knowing it was to be his last night on earth. The song still plays. It’s gut wrenching. If you’re human with even the slightest bit of compassion for your fellow man this scene will wreck you.

HONORABLE MENTION - Stealers Wheel - “Stuck In The Middle With You” - RESERVOIR DOGS (1992)

***SPOILER*** Quentin Tarantino films could populate a list like this all on their own. Being as I went and chose his usage of Chuck Berry’s “You Never Can Tell” from 1994′s PULP FICTION for the list, I decided it would only be fair to go to the Tarantino well once. Leaving off his “Mr. Blonde torture scene” would make a list like this invalid, therefore I’ve included it as the honorable mention. No need to dig into the gruesome details of the scene, if you haven’t ever seen it for yourself you should. If you have, you know what I’m talking about. An upbeat song played over torture and murder. It doesn’t get more diverse in content than that!

[wintbuffalo]

Def leppard 80s

Rex, Mott the Hoople and almost Queen," Collen said. "I'd done this song 'Kick,' which really kind of sounded like something from the early '70s, like Bowie, T. Collen and Elliott worked on pieces from their homes. The writing occurred organically as the COVID-19 pandemic began rolling and was not immediately earmarked for Def Leppard, Collen said, but rather as a celebration of songwriting in general. More: Mötley Crüe, All IN fest and more: 10 big late-summer shows around Indianapolis It's the lifeblood, I think, and so we've done that."ĭef Leppard's latest album, "Diamond Star Halos," was inspired by the '70s glam rock that motivated Collen and vocalist Joe Elliott to get into music. They keep going, and they always put new music out. Unfortunately, they'll still have to sit through Poison to get to it."But we're not a nostalgia act, obviously," he continued. The band's recent collaborations with Tim McGraw and Taylor Swift are simply inexcusable.įortunately, set lists from recent shows have stuck mostly to the band's early catalog, which should come as welcome news for longtime Def Leppard fans. "Let's Get Rocked," the first single from the band's 1992 album Adrenalize, featured lyrics as trite as the worst Poison song and marked the beginning of Def Leppard's decline. Some fans were put off but the pop sheen of 1987's Hysteria, even as it went on to sell more than 20 million copies worldwide. That's not to say that Def Leppard haven't had their musical missteps. The combination of Def Leppard's songwriting chops and Lange's layered, meticulous production spawned such classic hard-rock staples as "Photograph," "Foolin'," and "Bringin' On The Heartbreak." Def Leppard's 1980 debut, On Through the Night, fit nicely into the NWOBHM mold, but it was a partnership with producer Robert John "Mutt" Lange that produced a pair of bona fide masterpieces in 1981's High 'n' Dry and 1983's Pyromania. It may come as a shock to some younger fans who associate the band with the strip club staple "Pour Some Sugar on Me," but Def Leppard was once at the forefront (along with Iron Maiden and Judas Priest) of the "new wave of British heavy metal" during the late '70s and early '80s. Instead, the band's primary focus, at least for the first decade or so of its career, was solely on its music. Aside from a penchant for sleeveless T-shirts and short shorts emblazoned with the Union Jack, Def Leppard never appeared to put much thought into their image. Songs like "Talk Dirty to Me," "Nothin' but a Good Time," and "Unskinny Bop" set the bar so low that a host of similarly hackneyed, second-generation hair-metal bands inevitably followed in Poison's footsteps.ĭef Leppard, on the other hand, were really never a hair-metal band at all. While the androgynous cover photos from Poison's debut album, Look What the Cat Dragged In, might have inadvertently caused countless adolescent boys to confront uncomfortable questions about their own sexuality, the band's music posed no such deep, philosophical quandaries. From the moment they broke onto the national scene in 1986, Poison was the embodiment of everything that was wrong with heavy metal in the 1980s: simplistic, derivative song structures, inane lyrics, lipstick, eyeliner, and, of course, ridiculous hair. The two most common terms for the style of the pop-inflected metal that proliferated in the '80s are "hair metal" and "glam metal." It's significant that those terms specifically refer to the genre's image, whereas labels for other genres described (go figure) the actual sound of the music - such as "thrash metal," "speed metal," and even "grunge." The average hair-metal band's popularity was frequently defined by how much Aqua Net, spandex, and mascara they employed, as opposed to the music they produced.įew bands epitomize hair metal's reliance on style over substance as thoroughly as Poison. But upon closer examination, Def Leppard and Poison represent nearly opposite ends of the '80s metal spectrum. After all, they're two of the most successful bands of the 1980s and, no doubt, they probably share a significant number of fans, which should bode well for this tour. At first glance, a bill featuring Def Leppard and Poison seems a natural fit.

[punkrock-streetlight-diy]

Introduction: Mad Ones from Canada

Music for your good times and bad, Mad Ones have been fortunate to play weird gigs all over the world from Serbian raves to roller rinks in Alberta, they play their own specific and ever evolving version of rock n roll. Count on memorable live shows and finely-crafted studio albums from this Toronto based 3-piece featuring Andrew DeVillers (vocals/guitar), Russ Fernandes (bass/vocals) and Jesse L. Bellon (drums/vocals).Last Forever, the band’s fourth studio album is out now on all digital streaming platforms via Fortune Stellar Records.

Interview with Andrew from Mad Ones:

The last few years have been hard for the band. Who helped you through the valleys? The last few years have been hard on everyone. We are not alone and definitely empathize with anyone else who lost a loved one during this strange time.For us, losing our dear friend and bandmate of the past 5 years, Adam Balsam, last October was extremely hard, just as it was looking like we could resume touring and release the new record.Mad Ones’ Russ Fernandes and I have been leaning on each other, as always and newcomer Jesse L. Bellon has brought a lot of levity and friendship at the most crucial time. My wife Shiloh Harrison of the band HotKid was been a complete rock and the musical community surrounding our Fortune Stellar Records Label have been incredible, especially José Contreras of By Divine Right who is helping produce our new record. Was it always clear to you that you wanted to continue the band? I can’t even remember if it was a conscious decision, we stumbled numbly into the booking commitments that were already planned, and the album was already coming out so we felt like we had to do something to honour all the hard work Adam, Russ and I had put into the record…but quickly we realized that performing and writing new material was some of the only peace we were finding, which made continuing a necessity. In Canada the distances are very long. How do the tours there work for you?Yes they are a little insane, in North America in general. We have learned to sometimes book tour dates around festivals when possible and do things like fly to the other end of the country then do stuff in neighbouring provinces as opposed to driving the whole stretch. Focusing on certain regions at different times of the year is key as well. In the early days of the band we drove 28 hrs straight to play in Austin, Texas…have I mentioned that we love playing in Europe?! In Europe you have made a name for yourselves in the meantime. How many EU tours will you play this year? We will hit 6 EU countries this fall supporting Mad Ones “Last Forever” LP. Then we hope to be back next year twice on the next album, revisiting the places in central and eastern EU that have been so great to us and then come back and try some more stuff in western EU and UK that we haven’t done yet. You have collaborated with Eamon McGrath. How do you know each other? I am a big fan of Eamon’s music and work ethic. We have been friends since 2016 when he first started booking Mad Ones in EU. We have a lot in common,  he has helped book a bunch of great bands and I run a record label and book tours as well. So it’s always great when we get to talk about recent successes or challenges we might be facing. Musically, Adam had been drumming with Eamon and I’m glad they got to work together before he passed. Do you have any regrets? Our 3rd album was actually called “Regretless” hahah! Maybe I have a few, but then again maybe too few to mention… What are you looking forward to? It feels like everything has taken on more gravity and levity simultaneously… I’m looking forward to the future and excited for each and every upcoming show and any chance to play or record. Sept. 24 - Feldbach, Austria - Glam Sept. 25 - Kecskemét, Hungary - Kilele Music Club Sept. 26 - Budapest, Hungary - S8 Underground Club Sept. 27 - Ljubljana, Slovenia - Prulcek Sept. 28 - Salzburg, Austria - Narrencastl Sept. 29 - Dortmund, Germany - Subrosa Sept. 30 - Stuhr, Germany - Vereinsheim TV Stuhr Oct. 1 - Brussels, Belgium - Rock Classic Bar Oct. 2 - Antwerp, Belgium - Borger Bottles Oct. 3 - Mannheim, Germany - Kurzbar Oct. 5 - Berlin, Germany - Wild At Heart Oct. 7 - Klagenfurt, Austria - Das Wohnzimmer Oct. 8 - Prague, Czech Republic - Cafe Na Pul Cesty

[huntressjinsoul]

The Making Of

Summary: AU. As they decide to turn over a new leaf and a better deal, TBD signs to a new record label and meets their new songwriter, MC.

A/N: Slightly nsfw. Happy Kaitlyn Appreciation Week! Thank you for hosting @aryn-choices

Kaitlyn looked around the building and its surroundings before looking at the man in front of her.

“Alright, welcome, TBD, to HDS Productions. I know it’s a little unorthodox, but I’d like to give you a tour of our building,” the CEO of the record company, Chris Powell said. “I know we’re fairly a new label, but thank you for choosing us.”

“Oh it’s no problem. You were the most genuine label offering us a good contract,” Amara smiled.

“Thank you, we try our best to be authentic to our clients,” Chris beamed. “I’m sorry my partner, Ms. Becca Davenport, isn’t here to welcome you as well. She had to attend to one of our other clients.”

“Oh it’s fine, Mr. Powell,” Annisa replied.

“Please, at this label, we’re on a first name basis with everyone. Now, c’mon let’s start this tour.” Chris led them through the building, noting important people. “While I manage the label and its overall business affairs, Becca looks over the legal stuff and the contracts.” They reached another private office, and knocked before opening it. “This is Zack, he’s in A&R and the head of promo for all of our artists.”

“Hey, you must be TBD. I look forward to working with you guys,” Zack grinned.

“Nice to meet you Zack,” Kaitlyn grinned as she shook his hand.

“Alright, moving on next door is the head of our marketing team and publicity. She also creates the cover art for our artists’ singles and albums,” Chris explained. “I think she’s away for lunch now, but you’ll meet Abbie later. Now onto the most important part, the recording studios.”

As TBD looked around the booths, Kaitlyn heard a loud laugh coming from one of the booths. She directed her attention to the two men and, more specifically, the woman. “Who are they, Chris?”

“Ah, that’s one of our signed artists, Zig Ortega. The other guy is Tyler, our senior producer, and the woman is MC, one of our senior songwriters. It looks like they’re on a break, let’s go meet them.”

Chris opened the door and popped his head in the room. “Hey guys, our new clients are here and I’m giving them a tour.”

“Hey, I’m Zig, one of the artists,” Zig smiled politely.

“Sup? So can I take a look at those drums in that booth there? Because I’m digging them,” Rachel stated. Chris shrugged and nodded before Rachel went inside the booth.

“She’s… not one for talking with new people,” Kaitlyn explained.  

“Hey it be like that,” Tyler chuckled. “It’s nice to meet you girls, I’m Tyler.”

“And I’m MC, songwriter,” MC smiled widely. Kaitlyn was enraptured by her smile and was too busy staring at MC to greet her.

Thankfully, Amara saved her. “Hey, I’m Amara. These two are Kaitlyn and Annisa. And the one checking out the drums is Rachel. We can’t wait to work with you guys.”

“The feeling is mutual,” MC replied sweetly. “Now, I’m used to writing more pop and R&B, but I think I can take on the challenge of writing some metal and rock.”

“Oh don’t worry, Kaitlyn can help you. She writes most of our discography,” Annisa said as she playfully bumps her elbow at said girl.

“Cool, it looks like we’ll be spending a lot of time together then,” MC grinned at Kaitlyn.

“G-great, I look forward to it,” she hastily replied.

“This is your chance to ask her out,” Annisa told Kaitlyn as they sat in Rachel’s van on their way to HDS Productions. Annisa grabbed a stale pizza crust up from under her seat. “Rachel would it kill you if you cleaned up your van?” She scrunched up her nose in disgust.

“Yes, yes it would,” Rachel replied bluntly.

“What do you mean?” Kaitlyn asked, feigning innocence.

“We all know you’ve got the hots for MC. So don’t play dumb,” Amara interjected from the passenger seat, throwing a smirk at Kaitlyn. For the last couple of days, TBD worked with a few producers and songwriters to get a feel of the artistry. They collectively agreed that it’d be best to work with Tyler, MC, and another one of the senior songwriters, James. “Maybe try not to undress her with your eyes whenever you look at her?”

“Ugh I thought that I was discreet,” Kaitlyn groaned. The last couple of days gave her a challenge between work and pleasure. Through her eyes, Kaitlyn was being discreet and there was a little flirtation between her and MC. In actuality, the rest of TBD suffered second hand embarrassment from all the stuttering and butchered pickup lines Kaitlyn tried with MC.

“As discreet as a bomb,” Rachel deadpanned. “If you don’t ask her out today, I’m going to do it for you.”

A few minutes later, the band was met by MC and James in the studio. “Hey girls. We’re going to do something a little different today. MC and I will talk to each of you individually to compose and write your parts on your single. Amara, Rachel, you’re with me. Kaitlyn and Annisa, you’re with MC.”

“You’re with me first, Annisa,” MC grinned. “Let’s go across the hall for more privacy.” During the wait, Kaitlyn mentally prepared herself for her time with MC. She calmed her nerves as if she was preparing to perform at one of her concerts. After a few minutes, MC and Annisa came back to the studio. “Alright, Kaitlyn, your turn.” She got up and followed MC to the other studio across the hall. “Ok. So I know we settled on a having a socially political song undermining our current government- great idea by the way- but is there anything else you’d like to add? Annisa said that you guys wanted it to be direct, no metaphors, no double meanings.”

“Yeah, I feel like we could use our music to inspire our audience to take a stand,” Kaitlyn explained. “I want it straight forward so everyone can see our stance and understand better.”

“Well, I think that’s an awesome idea. I’ve always believed that artists should be able to connect to their audience and inspire them,” MC smiled widely.

Kaitlyn felt her heart skip a beat upon seeing her smile and decided that now was a good time to bring up asking her out. “Hey, I was thinking, well, wondering. You’re single, I’m single, we should fix that,” Kaitlyn finished off lamely. She groaned and face palmed.  “Ok, I really like you. And I’ve been so nervous to ask you out. My bandmates keep teasing me about it, and I’m finally growing some balls.  Will you go on a date with me? You don’t have to say yes if you’re not interested, I underst- mmmph.”

She was cut off by a pair of lips kissing her own. After the initial shock, Kaitlyn eagerly kissed MC back. After a few more minutes, MC pulled away, but still remained close, smirking. “I was wondering when you’d make your move.”

“I- you- wha,” Kaitlyn stuttered.

MC giggled and played with Kaitlyn’s hair. “You were pretty obvious, Kait. I can call you Kait, right?”

“You can call me anytime,” Kaitlyn said dreamily. She snapped out of it when she heard MC laugh and blushed. “I mean, yeah you can call me that.”

“Now as much as I want to continue making out with you, we have work to do unfortunately,” MC said as she stroked the side of Kaitlyn’s face softly. Kaitlyn sighed in content and moved her face closer. “We can discuss the details of our date later.”

“One more kiss?” Kaitlyn pouted. MC smiled softly and kissed her once again.

Four Months Later

“Mmmm you sure we can’t just stay in bed all day?” Kaitlyn murmured as she kissed her way up to MC.

“You know I really want to but it’s your first album listening party, babe. That’s a huge deal,” MC sighed as Kaitlyn kissed her way towards her breasts. “You need to get glammed up soon.”

“Is it really that important though? I mean, I could call Amara and say that I’m sick,” Kaitlyn smirked as her fingers wondered down MC’s stomach.

MC groaned, “You really should go, Kait. It’s a party for TBD and your album release. Although, you’re making it really hard for me right now.”

“That’s not the only thing that’s hard.”

“Babe, you don’t have a penis.”

“Ooo but we could get one,” Kaitlyn smirked mischievously.

MC laughed and flipped both of them over. “We’ll revisit that later.” She kissed the rockstar soundly before sitting up to gather her clothes. “Now come on. Annisa texted me to drive you over to her apartment to get ready. And Rachel left a voicemail basically saying, ‘Stop fucking and get our girl over here pronto!’”

Kaitlyn groaned but complied. “We should, like, take a shower together though.” When MC glared at her, she countered. “Hey, I’m serious! We reek of sex and taking one together will be quicker. No funny business I promise.”

There was, in fact, funny business during that shower.

After dropping off Kaitlyn to Anissa and Amara’s apartment, MC drove off and prepared for the party as well. She arrived at the party early and was talking to Abbie and Becca when TBD made their appearance. She walked over to the band and greeted them. “Hey guys! Congratulations on the album! You all look great, especially you,” MC directed towards Kaitlyn, wrapping her arms around her girlfriend and kissing her soundly.

“Barf. I’m gonna go drink all of our bosses’ alcohol,” Rachel said as she walked off. Amara and Annisa rolled their eyes at her but followed her after thanking MC.

“Hey, Kaitlyn, congratulations on the release. Chris and I are very sure that this album will blow you guys up bigger than ever,” Becca said.

“Thanks, Becca, but TBD has to thank you and Chris for signing us on to HDS Productions. We made the best choice signing on here,” Kaitlyn replied.

“It’s no problem at all,” Becca grinned. “Now if you’ll excuse me, I heard Zack telling Tyler and Zig that he’s bringing the big guns out tonight and I have to find out what it is. Can’t have the whole flooding fiasco happen again,” she rolled her eyes playfully as she walked away.

When Kaitlyn looked at MC confusedly, MC replied, “I’ll tell you that story later. It was before HDS first opened for business.”

A few hours later into the party, Kaitlyn was resting outside and nursing a beer bottle in her hand.

“Hey, you tired?” MC asked behind her.

“Nah, just needed the fresh air,” she shrugged.

MC walked up behind her and held her from behind as Kaitlyn sighed and relaxed further into MC’s embrace. “I’m really happy and proud of you and TBD, I hope you know that,” MC mumbled into Kaitlyn’s hair.

“I know, and I am so happy that I met you. You, James, and Tyler helped us a whole lot. We’re so lucky to have an awesome record label.”

“I’m so glad Chris and Becca expanded their reach to rock and metal musicians. Without them, I wouldn’t have met you. I love you, Kaitlyn, and I can’t wait to see you grow into the talented artist you are.”

Kaitlyn turned around to face MC and kissed her deeply. She pulled away slightly, “I love you too, MC.”