#he heard taylor stan has a priest of the god of death by his side

[sadlynotthevoid]

It's always 'KRS transmigrates', or 'the Soo's trasmigrates'. But what about 'Jour's reincarnation transmigrates back into TBOAH'?

Kid was just doing her own stuff until a monter attack happened and a creepy voice offered to help her not to die in exchange of delivering a doodle to some guy she doesn't know.

Of course, she said yes. Was that or dying, which is why the creepy voice is also a scammer and she'll smack they if they ever meet.

The next thing she knows, the sky is way closer than it should be and the floor is getting closer and closer and closer—

'Oh no! Did that stupid bastard send her to who knows where just to kill her?'

Luckily for her, a cute redhaired guy managed to catch her. 'Ja. Take that, creepy bastard voice.'

He also gives her good vibes and has nice hair. He's her new best friend, she decides.

Turns out, the doodle was also for the red haired cutie. Which means she fulfilled her part of the deal, different from some annoying voice.

...Maybe she could get a compensation?

For now, she'll just go with Cale, her new best friend, to his house. Because he's the best person ever and he said she could stay there and eat delicious food, and desserts, and teas—

She could get used to this.

[milquetoast-on-acid]

Sanctuary City p2, A Reactionary Post

Lacking Faith

Major Crimes, S6xE2: Episode Review What this episode is about: Provenza's Printer Pricing & Prickly Page & Knowledgeable Nolan The Question of Father Jonas' Guilt Rusty goes to Stepdad Looming threat of Stroh Sharon's Office & Fish Art Two Mothers The Morgue & The Church: Sharon and Sarah Fire & Water: Dealing with our emotions Sarah & Mateo Garza Sharon & Andy Conflicting Missions Sharon & Father Stan The Ending Scene(s)

I really enjoyed this episode, more so than the first part. I see the first part as exposition and this part as the start of the emotional meat to the episodic arc. There is a lot to unpack in this episode but it's focus is on emotions this time.

Hyphenated Nation: Mike Pointing out the Hypocrisy in people Mike gives me life. I love it when he points out hypocrasy in people. "What about Irish American's or German Americans?" "Doesn't seem to come up."

"Michael" I don't know why but hearing Provenza shout out Mike's full name gives me life. When the team serves the search warrant at Ian’s house. Like when have we heard anyone call him Micheal? About as rare as we hear Louie, Andrew, Francis, Fernando and Russell. Page punching Ian was pretty badass, though. 

The News Vultures Can I love how each of the news casters have their own spin on what's going on since the police haven't released any information on the Joseph's three.

This one is obviously Fox news.

Sanctuary City I love when Sharon lits into Vega and gets on her soap box. Love the rant so much. Her pointing out that them threatening deportation is going to get them no where. 

"I'm not giving up my jurisdictional authority over this case without cause." Sharon was not happy when Mason negotiated their case over to the FBI if it was a kidnapping. If it does end up coming to that you can bet damn sure that Sharon is going to fight tooth and nail for it back.

Provenza's Printer Pricing & Prickly Page & Knowledgeable Nolan

Last week I thought that the printer was new because I had thought it was white. And then this episode went and proved that was not the case. "Look you just have to do it." I love how, Wes doesn't even know why everyone has to pay Provenza to use his printer.  And takes the moment to tell Page about everyone's various quirks and how to work around them. Not that he can understand why they are the way they are. He has just learned to go with the flow - so to speak. He does get a bit snarky when he tells Page she really shouldn't interrupt Sharon.

Question: Does Page only express one emotion? Why does she always have this dower look on her face?

"This is a new federal tax." This scene reminds of when Provenza made Taylor pay ten cents a page instead of five cents. And as everyone knows five cents is the friends and family discount. Except here he's really pushing the price up really high for the feds.

Mason as a Leader "Commander Raydor leads or we go our separate ways. The End." I love this and another comparison to Taylor. I don't think I would have ever seen this much support for Sharon (as a leader) in Taylor. Taylor usually humors the FBI but didn't ever put his foot down quite like this. "Uh ever hear of money laundering?" "Uh ever hear of house flipping?" I do love this moment of the FBI thinking they found some really good information only having it turn out that it was just how the couple made their money.

The Hollywood Strangler Buzz is really terrible at coming up with an on the spot story. And I can't believe the FBI actually bought it.  And I wish Andy would have given one of the FBI agent's the cursed desk.

The Question of Father Jonas' Guilt I wasn't so convinced about about Father Jonas in the last episode but now he's looking very suspicious. Especially with him flying the coop right as the kid he had so much feeling for was found dead and they hadn't even determined if he'd been killed or not. Especially since Father Jonas is someone the kids would go with willingly and would definitely be someone who'd leave Lucas at the church. Not to mention him moving to five different diocese in six years. Some things that could be alarming... "Ryan is not interested in Kelly Garret that I can promise you." "My bond with Ryan is more intense." Both statements sound soo creepy.

"This is exactly the ending I want to avoid." Father Jonas is kind of stuck in the 50's. And as much as I want to blame Provenza, Wes and Page for their pushy interrogation. I have to put some of the blame at Sharon's feet. They are the wrong detectives to interrogate him. I would have sent either, Mike, Amy or Buzz in there. The three of them have a much gentler touch that was needed for him. Provenza hates the Catholic church, Page doesn't know subtly if it hit her in the head and Wes is a bit of a snark king.

While everyone is preoccupied with Ma Garza's explosion over the death of her son. It seems that everyone is missing the most important thing that's happening at that moment. Father Jonas seems just a little too close to Miss Rojas. "So Ryan didn't do it. Thank God." Sounds like she inadvertently told the cops that Ryan killed his step father.

Rusty goes to Step Dad "Why ask me about a gun instead of Sharon?" The answer to that question is that Rusty knows exactly what he's doing. And knows that he's got a much better chance of getting the gun and a concealed permit by speaking to Andy first. This way Rusty has someone else on his side about getting the gun. If Rusty were to go to Sharon first she'd be much more likely to say no. He's got someone as a buffer to Sharon and that will help soften the blow for him. And I also love Andy's reaction. "What!" "At least your not completely crazy." "Oh my god."

Looming threat of Stroh

Sharon's Fish Artwork and her Office

In my review of pt1 I talked about one of the kid's book Moby Dick that Sharon had on her desk and how that symbolizes Stroh and Sharon's relationship. Sharon's new artwork on her walls. One of the paintings is of a giant whale being caught by a tiny fishermen. MC is very deliberate with it's details this not a coincidence. Especially considering this really isn't the kind of artwork you would think Sharon would have. It isn't anything like any of her other artwork. And when has she ever talked about her love of fishing?

Not to mention that since Sharon's office has blown up all of her furniture and artwork is completely new. Her furniture is very sixties vintage looking to me. While the condo might have a touch of that this it's much more so prevalent here. I also really like the colors they choose. Lots of soft blues and a few splashes of bright yellow. Blue is a very calming color and Sharon would want to feel comfortable in her office. A space that's a home away from home to her. The yellow gives it a bright vibrancy to the room but there's only a small touch of it. To the point that it wouldn't overwhelm you, it's an inviting room. 

Andrea Hobbs and her slightly awkward speech about her feelings on Rusty Can we talk about how awesome this little speech Andrea gives Rusty. Her I didn't like you because I don't like kids and you were annoying but now you're an adult and mostly have out grown that annoying. Is pure awesome. And I love how she gives this speech because it's her worrying over him because he doesn't want protection. 

I don't understand why Sharon doesn't compromise. She loves making deals. I could see her making a deal with Rusty. He can get a gun and a CPL if he accepts undercover officers. And I am kind of surprised that Sharon didn't put her foot down more about the protection. I get that it's been a few years since Stroh was around - but this is Sharon we're talking about. She knows how to negotiate. I think the only thing I can think of is that...

1. Rusty is older and wiser. Rusty has grown up since season 3. He's not the same person he was before and he's not as naive as once he was. 

2. Sharon ordered undercover officers without Rusty knowledge and she saw the effects of that from a different perspective. And how something like a mother's obsessive protectiveness ended up putting a wedge between a mother and her child. 

3. Rusty is an adult. Who is capable of making his own decisions. 4. If he doesn't accept police protection he's going to need some kind of way to defend himself. 

5. Seeing that Lucas died because he didn't have access to food or his insulin. Prompts Sharon into thinking that Rusty should have a gun. In case he's separated from Protection. And this sound an awful lot like foreshadowing to me. 

Wait...Is Rusty tracking Stroh's kills? huh....why?

Shooting Range Seeing Sharon load a gun is such a contrast to Rusty firing the gun. She's instructing him but all the while she's completely focused on the gun. Rusty's confidence isn't his problem but focus might be. He certainly needs a lot of practice that's for sure.

Fire & Water: Dealing with our emotions

Sarah & Mateo Garza

This arc really seems to make a huge point in the way that Sarah deals with her emotions and grief verses the way Mateo deals with them. Sarah is volatile and angry. She feels her emotions very intensely and often lets them control her. Look at how she explodes with anger at everyone closest to her when confronted about her sons death. Her husband, priest and her son's closest friend's parents. When the search warrant is executed at their house in part one. That's the first time we get some intense emotions coming off of her. She explodes with anger at Mateo, yelling at him. Which gives the detectives a sense that there are some real problems in their marriage. 

Mateo on the other hand doesn't deal with his emotions at all. He's intensely repressed. It's not that he doesn't feel the same emotions. In fact I may argue he may feel them more intensely which may explain why he's an addict. He doesn't want to feel them. He doesn't want to feel out of control. Especially his behavior at the morgue. He was so numb almost like a walking corpse. The way he talked about his son, about how they removed his organs and stitched his body back up. In such a clinical detached way almost like he was talking about a doll or a car. 

I find it interesting that these two are married, yet so very different. It's obvious that things aren't rosy between the two of them. There's so much going on with Mateo that he's not dealing with and may even feel that he needs to hold it together to deal with Sara's volatile moods. They are such a spot light in these episodes with their emotions and the way the deal with them that they are most definitely a mirror to...

Sharon & Andy Sharon and Andy are two very different people. Something all of us fans know very well. Like Sarah Garza, Andy is an intense ball of emotions. He feels and acts first and thinks second. There have been many times when Sharon (most often) has had to hold Andy back from his emotions. Like in "Heart Failure" when the killer punched Sharon in the face. Sharon had to yell at Andy to defuse his emotions. Like Mateo, Andy is also an addict. Fortunately for Andy, he's sober and clear enough to feel his emotions. 

Since we really don't know what it was that caused Andy to drink so heavily. I suspect that it was a combination of different things. The stuff that you see as a cop could drive anyone to drink. And since Andy feels his emotions so deeply there might not have been anyone he could have talked to about them. It was also suggested in "The Ecstasy and The Agony" that Andy may have drunk because their was an emptiness inside of himself that he was desperately trying to fill. 

Sharon is much like Mateo Garza. Repressed and reserved. She feels emotions quite deeply but does not express them very easily. She takes her time in dealing with her emotions, usually by herself. Sharon is similar to Mateo in another way in that she desperately does not want to feel out of control. She has a hugely hard time feeling vulnerable in front of others. So much like the way she dealt with shooting Dwight Darnell. She detached herself from her own emotions. She was cold, probably more cold than we'd ever seen her. It's a defense mechanism for her, in that she's trying to protect herself from the intensity of her feelings. 

Unlike, Sarah and Mateo. Sharon and Andy have a much healthier relationship. They have managed to balance themselves out with the other. In a way that I can't see Sarah and Mateo ever getting to. Sharon is still Sharon and Andy is still Andy but the two of them are better people for having been in a relationship with the other. 

Andy has his anger issues but he's become a much calmer person that he was before. A lot of that has to do with his own work on himself and a lot of that has to do with his relationship with Sharon. And how her calm personality and influence temper the flame inside of himself. Like wise with Sharon. She's still very reserved and always will be but not like she was before. Andy's bright and passionate personality has helped to push Sharon much more out of her shell. She is able to enjoy life more now that she has a supportive partner.

Two Mothers

The Morgue & The Church: Sharon and Sarah

The way the morgue was lit and shot. Felt like another funeral scene. The stark colors, the natural light. The organ/funeral music that has played very subtly throughout both parts. I don't think we've had music quite like that on MC ever before. Most of it's pretty standard stuff so to me to have it so tailor made for an arc is something that stands out. 

The morgue scene is very similar in tone and the way it's shot to the ending of part 1. But where's the church scene focused on Sharon's emotions. The morgue focus' on Sarah's emotions. Lucas' mother.

Conflicting missions

Sharon & Father Stan

Anyone find it odd that Father Jonas Alcaraz has a full name but Father Stan is just called Father Stan. And I don't even know if that's his first name or last name. Maybe Father Stan has only one name. You know like Cher. 

"Are you suggesting are mission's conflict?" I also really like how Sharon talks to Father Stan in her office. Notice that she doesn't take him to her conference room or an interrogation room, the break-room or the murder room. It's her office she talks to him. Why? Because it's her inner sanctum and the place she feels most comfortable. Her office really represents her heart. 

Sharon bares her soul to him. Sometimes in matters that even Andy doesn't know or understand (as we have seen in White Lies). Father Stan is one of the very few people that she trusts to be open and vulnerable with. So got to be extremely troubling for her to find herself on the opposite side of him. 

Sharon being pulled in two different directions by challenging her faith in the catholic church verse her belief in the justice system. Is about a million times more interesting of an arc for her than her being sick. I am so jazzed about the next few episodes and seeing how she's going to have to struggle in dealing with being on the opposite side of her priest/church. This is a position that she never expected that she would ever be in but somehow has found her way to. She has dealt with the church before but this is different because this is not just any church and not just any priest. 

Speaking of Sharon being sick....whatever happened to that storyline? It's such a odd thing for them to subtly hint about it in pt1 and not doing anything with it in pt2.

I love how Sharon speaks to Father Stan after Father Jonas leaves their interrogation. Almost like she's talking to a little boy and leaving out the part that they pissed him off. I mean I understand what she was trying to do. Trying to talk it down and smooth some edges before he hears Father Jonas' side of the story.

Unfortunately for her it doesn't work. 

"We have nothing to hide." Father Stan goes from being open and very cooperative in the beginning of the episode. But by the end of the episode only a court order will force him to let the police into the church's private rooms. I find it interesting that he tells Sharon that there's no need for them to have a search warrant but he won't let them in. Neither did he tell them that Father Jonas had left until Sharon asked him. He knew what they were there for. And I understand his need to protect him but if Father Jonas hurt those boys he needs to answer for it. And While I don't think it was Father Jonas that took the boys I do think he it very likely he was molesting Ryan. 

It's also interesting that since Sharon is so open to Father Stan with herself and her own heart. He's not as reciprocal when it becomes too tough for himself. And by that I mean his emotions regarding Father Jonas. Sharon let him into her heart and now he won’t let Sharon into his. 

The ending scene(s)

I really really love what their doing for the Sanctuary City arc. The first two episodes and I'm guessing their going to continue doing this throughout the arc. Each ending scene is an poignant moment for Sharon. Part 1 features a Sharon who is almost blown away by the death of a child. To the point where she had to take a moment for herself before she broke down in front of her team. Part 2 features Sharon as she has to battle her own priest for access to a potential suspects room. And if we want to boil down the emotions that Sharon expresses in each scene. It would be...

Sadness (or depression) Anger

Could each episodes's ending express a different emotion in the stages of grief? Interestingly there are five of them and their are five episodes in this arc. Denial, Anger, Bargaining, Depression, Acceptance. 

I don't know if I'm reading too much into it but I think it would be kind of cool if they did that. What is becoming clear is that Sharon is at the focus of these very poignant scenes. And do you know how much I love that!

Speculation: Let's gather what we do know. Lucas may not have been murdered and his death looks like the result of him not getting insulin to treat his diabetes. He did not have access to food or was not allowed to have any. He was left at the church, wrapped in a blanket and left on the flower bed. The boys were not coherst into the car that drove them away from the field trip.  All three boys had family issues. Two with father issues and one with the looming threat of deportation. Father Jonas Alcaraz left in the middle of the missing boys not being found. 

What does this information tell us? The person who took them was someone they knew and trusted. The person who dumped Lucas' body cared about him. Probably someone with a connection to the church. Like a member of the church or one of the parents. 

Which makes me think definitely not Marvin Garret or Ryan's father. Both of them wouldn't think twice about putting Lucas' body at the church. Garret wouldn't care where he would have left his body and Ian doesn't have enough care for Lucas to put his body there. My new suspect, Ryan's mother. Miss Rojas.

What I don't like: Lots of over acting. While I like the contrasting between the two parents, Sarah's extreme emotional outbursts verses Mateo's calm almost corpse like manner. And I talk about the reason why their portrayed the way they are but Sarah was just was just too over the top. If they could have held her back a bit on that I think she would have nailed it. I think for the case with The Garza’s mirroring Shandy the point could have gotten across the same but with more subtly. I'm all for annoying FBI agents doing their job in a shitty way and MC walking all over them. But the two of them are written so brusque that they could be scaled back a bit too. 

the face of crazy

What I do like: Sharon getting an emotional arc! Sharon battling her own priest in her own church. Makes it so intensely personal for her and I love it so much! The Garza's as a mirror for Sharon and Andy's relationship. The ending scene, the morgue scene. Rusty going to Andy about a gun. Because he's smart and also because fathership. Every time I view this episode I like it more and more. And I am really excited to see how the rest of this arc is going to play out and what it will ultimately do to Sharon's psyche.