#he also thinks most people in the US lived in farms until the 60s so idk
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newsource21 · 4 months ago
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American kids are now taught that before Christopher Columbus wrecked things, peaceful Native Americans protected the environment.
Hollywood movies feed the narrative. Disney's "Pocahontas" sings, "I know every rock and tree and creature has a life, has a spirit, has a name."
Political Science professor Wilfred Reilly says that's ridiculous. "Native American hunters gave names to every rabbit in the woods around them? That's not a real thing that happened."
Reilly's new book, "Lies My Liberal Teacher Told Me," and my new video, debunk such myths.
"We've gone into almost this cult-like romanticization of the Natives," says Reilly. "They were great warriors and poets, but they hunted buffalo by driving herds of them off 100-foot-tall cliffs!"
A U.S. government guide for teachers says, "Native Americans lived in harmony with nature ... There was a love of every form of life. (They) did not kill anything they could not use."
"Objectively untrue," says Reilly, "That would mean no young male warrior ... ever killed for sport. We just know that's false."
Reilly's book is a response to the hugely popular left-leaning book, "Lies My Teacher Told Me." It corrected many things history textbooks got wrong about America.
When I grew up, Columbus was portrayed as simply a hero. His brutality and enslavement of Natives was ignored.
But Columbus himself wrote about his slaves, saying, "Indians ... make all our food ... extract gold from the mines ... perform all other ... labors."
"The book was valid, right?" I say to Reilly.
"I don't necessarily think your focus should be white and Native atrocities against one another in a sixth-grade class. The morality of today didn't exist anywhere in the world until about 60 years ago."
I push back: "What's the harm in sending a counter message?"
"You don't need a counter message," Reilly replies. "No one denies that whites and Native Americans killed each other. In 1970, in some Southern schools, people might have been taught a jingoistic view of American history, but the reverse has been true for 40 years."
He says the old myths don't justify new ones.
Like the myth that Natives lived in harmony with nature.
In reality, Natives manipulated their environment. To make farming easier, they set big forest fires to clear land.
"Burning alive hundreds of thousands of small animals and slower-running deer," Reilly says. "Probably killing members of other tribes ... modifying the environment more bluntly."
U.S. government curriculum guides claim Native Americans had "no prejudice" and "no major wars."
"Nonsensical," says Reilly. "In the Aztec capital, there were 90-foot towers of human skulls brought back from their defeated enemies."
Natives also took slaves and considered them "objects of wealth."
Yet the myth of peaceful Natives lives on.
"When myths persist, despite obvious objective reality," Reilly explains, "that's an indicator of a brain virus among people who want the myth to be real. You're looking at people saying the absolute opposite of reality."
Why would today's teachers teach "the opposite of reality"?
"To me it's just downstream from Marxism," says Reilly.
Marxism?
Yes! In colleges today, Karl Marx is the most assigned economist!
Despite the murderous failure of his philosophy, American college students are taught that capitalism and Western values are bad.
"Westerners and white people being so evil. Why is it so popular?" I ask.
"I think that a lot of rich people don't like their father," Reilly quips. "There is a lot of dislike for our society among people who are pretty near the leadership class."
I assume the people who teach these myths mean well. They want minorities to feel included.
But they should at least also teach that America's sins were not unique -- that just about every society had slavery, cruel wars and environmental destruction.
The seldom-taught good news is that now, the West leads the world in trying to make things better.
And the much-maligned capitalist countries lead the world in both lifting people out of poverty and protecting the environment.
Schools ought to teach that.
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Gordon Parks -  Writer. Musicians, Filmmaker & Photographer 
Gordon Parks was a multitalented individual, who excelled in writing, music, and filmmaking, but it was his contributions as a photographer that were truly remarkable. Over the course of 60 years, Parks documented the lives of African American people, capturing their stories and experiences in a way that had never been seen before. He is perhaps best known for his iconic image, "American Gothic," which features Ella Watson, also known as the government cleaner.In 1942, Parks found himself in Washington DC, working towards the war effort during a flood, alongside many others with a common goal. However, despite this shared purpose, there was still division in the community, as many African Americans were living in poverty. Fresh from Chicago and originally thinking about fashion, Parks soon found himself working at the FSA (Farm Security Administration), a prestigious documentary unit known for nurturing white photographers such as Dorothea Lange and Walker Evans. From the early stages of his career, Parks realized that black people were not being represented by their own vision, and he made it his mission to change that. He believed that if he gained the tools of photography, he would be able to represent his own community to the world. 
It was at the FSA that Parks met his mentor, Roy Stryker, the head of the documentary unit, who introduced him to Ella Watson, the woman in "American Gothic." Stryker encouraged Parks to get to know her life, to go to her home, her church, and her neighbourhood. Parks followed her for over a month, taking pictures of her day-to-day life, and portraying her as a hard-working woman who was doing her best to maintain her family, despite the poverty she faced. Parks took photos of Ella that showed her fortitude and strength, and while the poverty was evident in the images, it was not the focus point. In "American Gothic," the flag in the background takes up half the image, with Ella in front holding a broom and a mop leaning behind her. This composition was meant to show the irony of patriotism and the American flag symbolizing democracy in a country that did not recognize the equal rights of African Americans. The message was clearer when compared to the original "American Gothic" image, which was seen as an icon of Americana defined through the lens of whiteness. Parks asked, "can we not expand beyond this?" The counter-narrative, the exploration of the idea of who counts and belongs in American life was a clear message in the image. Stryker was initially worried about the image, as he believed it was too direct, but this same directness is what made it so powerful. Parks knew that the image was not going to get published or used, as the Government did not want to fund the FSA when they were talking about race in the country. Instead, the image was left in a drawer, where it stayed until Parks was able to publish it in a newspaper and Ebony magazine in 1948.  
 Parks would go on to become the first black staff photographer at Life magazine, and he used the image as a symbol for the fight for African American rights, changing the name in the process. The history of black liberation movements can be understood as much as a struggle over images as they are a struggle for equal rights and ultimately justices, as Bell Hooks has pointed out. Parks saw his images as weapons, a tool for fighting against racism, intolerance, and poverty. With his new approach to capturing the black experience, combining art with activism, Parks created a new tool in the fight for justice. His book "Voices in a Mirror" aimed to bring out the dignity in people, and he believed that images could make a rights-based claim the of dignity, pride, and community within the black diaspora
Examples of his work - (https://www.youtube.com/watch?v=KLJFe9uD_7g&ab_channel=GreatPhotographers)
HR - ( www.youtube.com. (n.d.). Why Gordon Parks’ Most Famous Photo Almost Wasn’t Released | The Bigger Picture with Vincent Brown. [online] Available at: https://www.youtube.com/watch?v=E4eX0ZLgfQo&ab_channel=PBS)
HR - ( Parks, G. (2016). A choice of weapons. St Paul: Minnesota Historical Society)
Link to New York Times article when Parks passed away - (http://www.itsabouttimebpp.com/Memorials/pdf/Gordon_Parks_.pdf) 
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sortasirius · 4 years ago
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What the Fuck Happened to the SPN Finale?
Okay so here it is, my Charlie Kelly style manifesto.
Before I get into it, I recognize that I will look like this to many of you, and that’s okay, I understand:
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Secondly, your personal Takes about the writers don’t interest me, I don’t need to hear them. This, as I’ll explain, is going to remain a writer positive blog, and that’s the end of it.
Third, and most importantly: some of what I’m going to talk about is fact, and some is highly educated speculation. I will notate what is speculation, just so there’s no confusion or hot takes in my inbox that I’m a conspiracy theorist or stirring shit up for no reason.
A list of what I’ll be discussing
The episode in regards to the rest of the season
The episode issues: length, editing
Scene placement and speculation of scenes cut
The scrubbing of Jack, Cas, Eileen
Network involvement and general timeline of when things were cut
Misha: theories on where he was, official company line, why we can’t expect to hear anything directly
The silence of the cast post episode (in Misha’s case, mid episode) and what this might mean
Jensen speaking with Kripke about the ending: why it doesn’t mean what you might think (also why kripke remained positive on the ending)
Walker, and why this episode had a major shift
Why the network would do this or get involved
Why the writers of the show simply aren’t the bad guys here, and what I “want” out of this post, since I know it’ll get asked
This is very long and under a cut, but I hope you’ll give it a read.
The Episode In Regards to the Rest of the Season
So, I’ve discussed this already here, but it’s the most obvious thing to me, and that’s the way this episode simply doesn’t fit with the rest of the season.
These people in this room have, truly, been nothing but consistent when it comes to their arcs, especially this season, and the marked dropoff in quality for the finale episode is just too sus to discount to me.  Dabb’s whole focus has been character-based.  In his seasons, we’ve moved far away from MOTW and bro-codependency, the found family taking it’s place.  Does it really sit right to anyone that that was all thrown away in literally the last episode of the entire show?
This is speculation on my part, but as a writer myself, there is no way I would be happy or willing to stamp my name on something that I didn’t think would, at the very least, wrap up the season+ character arcs that I and my team had been crafting.
And before anyone comes in here saying, “well GOT did that!”  Bruh.  The writing was on the wall for GOT long before the final episode.  You could tell that the showrunners just wanted to be done (not only from the plot, but from the fact that they lobbied for a shorter season).  Miss me with that, it doesn’t apply here.  Andrew has, besides Singer and J2, been with the show longer than anyone.  He cares, he is meticulous and detailed, and this ending feels worse than anything Bucklemming has ever written, let alone Dabb.
Additionally, I’ve seen a lot of people say that Dabb was never behind Destiel, that it was all Bobo and Meredith and no one else.  That is reductive to the point of insult of the work Dabb has done to get this greenlit.  This man did not write the s13 Dean grief arc to be slandered like this.  That being said, YES, Bobo and Meredith were the leads on the DeanCas arc this season, but ANDREW IS THE SHOWRUNNER, TO GET EVEN THE CONFESSION APPROVED BY THE NETWORK HE WOULD HAVE TO HAVE THEIR BACKS.  AND HE DID.
Finale Issues
So, now that we’ve gotten the fact that this episode doesn’t hit on any of the major themes the show was barrelling towards all season, let’s discuss the fact that the episode is just...weird.
Not only is it shorter than any other episode (I think with the intro and the credits/crew thing at the end, it was around 38 mins), but it was also...idk, 90% filler?
One of the lovely humans in the POLOL server did the legwork here, and broke it down:
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This is weird, y’all.  Most series finales are LONGER than normal (Lost, SOA, Longmire are the ones I can think of off the top of my head), and for the final episode to be this?  I saw more than one person point out that we only really needed 19 episodes, what was the point of 20?  AND THAT’S EXACTLY IT?  WHAT WAS THE POINT OF THIS FINAL EPISODE IF THIS WAS ALL WE WERE SUPPOSED TO GET?
It simply doesn’t make any sense, the first half of the episode was rushed, a final monster hunt gone wrong, but in the second half?  Nothing really happened?  Sam lived his entire life and Dean just drove around.  It doesn’t make sense to have all the emotional arcs left unaddressed in an episode that definitely needed some kind of spark.
Here’s the speculation I have: the episode seemingly went through a lot of changes between the initial inception of the final season and when we actually got it, but I think it would have been passable (as in, we wouldn’t be sitting here asking each other why each arc feels incomplete) until the editing room got ahold of it.  The only think that makes this episode make sense is network fuckery.  Truly, that is the only thing.  It explains the weird, cuts, the rushed pacing of the first half followed by nothing in the second half, the double montages of “Wayward Son” back to back, and Dean just...driving around for the last half of the episode.
Scene Placement and Speculation of Scenes Cut
Before I get into this section, the info of the shots in the episode I have come from a source that @occamshipper​ got a week or so before the finale.  She’s talked about this here.
So here’s what Min was given:
1-5: 1 INT MEN OF LETTERS – DEAN’S ROOM Dean is greeted by Miracle
6-10: 6 INT MEN OF LETTERS – HALLWAY/SAM’S ROOM Sam has his routine
D1 1 11-15: 15 EXT FARM HOUSE Establishing
N1 1/8 16-20: 19 Dad’s journal, marker, drawing of masked man in journal.
21-25: 23 INT IMPALA – PMP Driver picks the music
N2 1 3/8 1,2 26-30: 28pt2 INT BARN: A face from the past
28pt3 Sam and Dean say goodbye
28pt4 Shot early for technical reasons, presumably the overhead shot
N2 31-45: 41 INT MEN OF LETTERS – SAM’S ROOM Sam’s alarm goes off D4 1/8 1 46-60: 56 INT N7glasses for Sam, laptop.
So...it all fits right?  It all tracks with the actual episode, where it lands, etc.  The issue is between shots 29-40 which were apparently “too big to spoil.”  Uh.  Where are they?  And where’s 28 pt4?
After Dean dies, the next scene is Sam burning him, then shot 31, the shot of his alarm going off.
So.  Where are those 11ish shots?
PLUS we have the boards, which are scenes we KNOW were actually shot:
As well as scenes for 20 that were shot in 19.
It’s just...weird, it’s weird and again hits on the fact that the episode is so short and like 80% montage.
The Scrubbing of Jack, Cas, and Eileen
So now we have to reckon with the fact that Eileen was last mentioned by Sam after she got snapped by Chuck, Jack’s last mention is that he’s off being God somewhere, and Cas’ last mention is a ~knowing look~ between Dean and Bobby.
I’m sorry, make it make sense:
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????????  That’s the end if it?  They don’t need to be discussed after this???  It’s just simply not something a writer would do, they would not introduce these characters, these arcs, without thinking there’s going to be some kind of follow through here.
So not only were three major characters (including two leads and both of the original characters’ love interests) completely wiped from the finale episode, it was as though Sam and Dean never even needed them, which just...ain’t it.
So why Eileen and Jack too?  Why not just take Cas out of it if they were afraid of the gay?  Because, ultimately, the episode went back to Kripke’s original story: just the bros, they only need each other and no one else.  They don’t want anyone else, they don’t need anyone else.  Easier to go back to something they knew was successful than trust the writers and their audience and take a big leap.
Alex even said he shot for 20 with “some of the guys” here.  What happened to that footage?
The complete 180 of it all still shocks me, I still cannot believe that we were essentially at the finish line, and the network just stopped short, and decided to go run another race, at the expense of the arc of this fifteen year legacy show.
Network Involvement and When Things Were Cut
Okay, now into the juicy stuff.
So I’ve pretty well established that network fuckery is clear, but how much did they get involved, what was the original intent?
Well again, we may never actually know what Andrew’s original script was, but I think, at the least, it would involve Dean speaking his truth to Cas and Sam living a life with Eileen.
Now, it seems today, that Misha said that Jimmy Novak was supposed to be in the finale in one iteration of the script, and while initially my brain was like “that truly makes no sense and he’s either straight up lying or telling a half truth,” I think what may be happening is Misha talking about as much as he can right now.
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So Jimmy right.  Weird as fuck.  Why would he been in the Roadhouse and not Cas?  My current thought (this is about as reachy as I’ll get) is that Jimmy had no lines, could he have been in the Roadhouse as a red herring, like it said “Jimmy” in the script but it was just Cas in human clothes, a way to get around the network saying Cas couldn’t be in the final scene.  Also, you’ll notice that Misha didn’t say that Cas wasn’t supposed to be in the ep at all, just Jimmy in the last scene.
All this to say, there have clearly been multiple versions of the script, getting lighter and lighter with Cas and Eileen as the network pulled further and further back.  Remember, Dabb has to get things approved before they get shot, and if the network kept asking and asking and asking to cut Cas and Eileen, he had to find a way to work around it.  Granted, I still think that if we had been able to get a Dabb script that wasn’t torn to shreds in editing, it wouldn’t be so bad.  It may not be what a lot of us wanted (Dean speaking his truth to Cas and a reciprocation), but doing everything he could to give it to us in subtext or visual clues.
Plus, in all honesty, my man can’t keep his story straight anyway.  He said twice in his panel that the Empty and offscreen Heaven ending weren’t his original ending either.
In addition, remember that Jensen did ADR post episode 18, AND said in a meet and greet last weekend that Dean’s reaction to Cas’ confession was “cut down.” (Source here).  Many of us clowns got excited when we first heard about ADR, because we thought it would be upping the ante on Dean’s reaction, but I remember being a little sus when it was just crying.  My speculation on that is that they cut out Dean actually SAYING something, @winchestersingerautorepair​ spoke about that here.
The biggest sins were, in my opinion, committed during editing, where the network got too gun shy and sliced the episode until it was nothing but a heartless bro-fest of a finale, not mentioning anything about the other major characters that we all love, and letting the boys just suffer in separation until Sam died and finally joined Dean in Heaven.  The editing came by cutting all the major emotional beats between anyone other than Dean and Sam, leaving the skeleton of the story intact, just shorter and less...poignant than it was ever supposed to be.
Misha
We know Misha was in Vancouver, we know he quarantined, but we also know he wasn’t in the final scene, when he spoke about being in the last moment of the show months ago.  We were not crazy, he was there, he quarantined, and, in all likelihood (speculation but fitting with the timeline), he actually may have shot something (not much, but something).
I have sources here, here, here, and here showing where Misha was at that time.
Remember, the man was completely open about coming back until they finished shooting (look at this thread).  The switch happened, just like everything else, halfway through them shooting.
Please also remember Jake Abel posting his “Where’s Misha” video here.  Jake isn’t malicious, he isn’t being nasty here.  Misha was there, and everyone that’s trying to convince people he’s wasn’t just...isn’t telling the truth about it.
This is one of the things that makes me really mad, because they’re literally attempting to gaslight people into thinking, “oh we were totally wrong he was never supposed to be there” WHEN HE WAS THERE, WE KNOW HE WAS THERE.
So we’ve already heard from several people (Meghan Fitzmartin, Jay, a PA on the set of 19 (WHO WAS NOT WORKING FOR 20), Misha himself) that this was all down to Covid restrictions.  Ultimately, as this post says, we’ve heard FIVE versions of where Misha was.  None of it makes sense, but the Covid protocol seems to be the company line that others are repeating.
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You may ask: why?  Why lie to all of us when we have questions?  Why, in Jay’s case, say that we’re all spreading false lies to stir up trouble, when we just have questions and things that do not make sense.  Simply?  Warner Brothers is absolutely massive.  These people have their careers to protect and are likely all under NDAs.  They want to work for WB again and don’t want to burn bridges, including Misha.  It sucks, but that’s why it’s unlikely that we’ll hear someone come out and say, “yeah we’re lying to you.”
Silence of the Cast Post Episode
So this is...probably the worst part of all this, at least in my opinion.
The guys had all been pretty excited about the end of the show (especially Jared, but Jensen’s panel last week was Jensen as happy and jokey and positive as I’ve ever seen him.  He was so excited about episode 18, about what it meant for Dean and for Cas, and I just cannot buy that he would have been that excited unless he thought there was something more in the episode.
Misha live-tweeted the episode, and was watching it with his kids.  It’s well known that Misha and the kids don’t watch the show because it’s too scary, and let’s ask ourselves, why would he have them watch an episode that he’s barely even mentioned in?
He also stopped live-tweeting at a very specific point in the episode (Dean’s death) and has not mentioned Supernatural since then. 
None of them, not Jared, Jensen, Misha, or even Alex, said anything about the episode for nearly 36 hours, when Jensen posted a salty photo on instagram.  It’s just...not what you’d expect for the end of a 15 year show, when the cast and crew are so close to the fans, so close to each other. 
My theory?  They didn’t know.  They thought Misha was, at least, going to be in the episode in some way, and when he wasn’t, they decided not to say anything.
You really think that Jensen “Heller” Ackles would have been so excited about the end of the show last week if he thought Cas wasn’t going to be in it at all?  Nah son, doesn’t make any sense.
Even today, in Jared and Misha’s panels, they seemed sad and...more than a little careful, both saying that there were things they couldn’t say, both talking around things that we all have questions on.
Jensen Speaking with Kripke
So this is where a lot of people are getting fodder to take shots at the writers, saying that Jensen hated it from the beginning, but I don’t think so.  I actually think I know what Jensen went to him about, and it wasn’t the lack of Cas or the weird pacing or the montages (which I don’t think were there when Jensen got the script); I think it was the manner of Dean’s death.
I know a lot of people were upset about that, upset with how...normal it was, coming off an episode where they literally beat God.  I actually didn’t mind it, I thought it was an interesting thematic take to be like: you can be a hero all your life, but sometimes shit happens, and you just die.
But imagine how hard that was for Jensen to read.  He would run to Kripke for that, because for him, Dean dying by being impaled by a piece of rebar had to be tough to swallow.
So, why didn’t Kripke say that?  Why didn’t he say, “oh well he had a problem with Dean’s death, none of that other stuff was in the script.”
Guys.  Why would he get involved?  He’s not going to burn bridges any more than anyone else is.  He said the ending was good because it’s the easy thing to do, it’s simple, will cause him no problems in his career, and he can just ignore the people trying to engage with him on it.
Walker
Something else to talk about is the major shift this episode had from the rest of the season: the shift from Dean to Sam.  I am NOT saying that Sam isn’t important, he definitely, absolutely is, but it was DEAN who really needed to wrap up his arc, Sam just needed to move on, get married to Eileen, become the leader he was always meant to.  So what changed?  What was with the shirtless scene, the Austin number and random case there, most of the episode being heavily Sam focused, going through his entire life in a montage?
Anyone else notice the 375 Walker promos, or Jared’s little spiel about Walker and how he hoped SPN fans would “come along for the ride.”
It’s...kinda obvious?  CW wanted to appeal to who they think the key demographic of SPN and Walker is: rural areas in the South.  It would explain a lot, why so much editing, why so Sam focused, the Austin number, the number of Walker promos, all of it.
I’m not saying this is fact, I don’t know that it is, but it is a little suspicious that even in Jared’s panel today, he talked A LOT about Walker and how he hopes SPN fans will watch it.
Why Would the Network Get Involved?
Simply put: $$$
If they think Walker can be the new SPN, and that those crazy SPN fans liked it originally, it’s a lot safer to go with the “original intent” of the show than do something risky (like making one of your two original leads queer).
And?  They don’t care.  They don’t care that the episode didn’t make sense, they don’t care that all the emotional arcs were left hanging, they don’t care by (potentially) smashing together two of Dean’s monologues (one to Sam, one to Cas) that it came of as...gross. ( @curioussubjects​ wrote a beautiful post showing how part of that death speech was likely meant for Dean here).  They don’t care, they never have, they just want to make their money and move on from the too-loud fandom that fought for representation too hard for too long.
It can’t help but feel insidious, which, honestly, it might be, but it really all comes down to the next cash cow, which, they think, is Walker, even at the cost of the fifteen year legacy show.
The Writers and What I Want
So here it is, all this weird, sus shit laid out on the line.  And you know what?  To me, there is no way to blame the writers, because they didn’t want this.
I don’t think Dabb and Bobo would have gone ahead with the confession in 18 without thinking that there would be some closure to that arc, they wouldn’t have done that not only to the fans, but for the sake of their own story as well: no writer wants to start something that they can’t finish. (And this applies to both Cas and Eileen).
Here’s a basic rundown of what I think happened: they had a clear arc from 18-20, ending in reciprocation at some level from Dean, Sam marrying Eileen, Hunter Sam as the new Bobby, Dean in heaven with Cas and big roadhouse reunion at the end. Covid prevented a good amount of that. Network had to stare at big gay 18 for six months, got cold feet. Thought about Walker, target audience and alienation of the rural areas if it went full gay. Misha quarantined and likely shot something (not much), he was then cut by execs and went home. They likely added in lines referencing Eileen and Cas to make it clear but more subtextual. They wrap, editing gets it and hacks it to pieces, so we get a shorter episode that’s mostly montages and jarringly bro-centric with nothing else. Arcs are left hanging. Dabb gets episode but it’s too late, there’s nothing he can do. Actors aren’t told so they can continue to do positive PR for the ending, they all found out at the same time we did: hence almost complete silence about the finale.
And you know what?  They warned us.  I talked about it here, but they’ve been telling us all season that Chuck wasn’t the writer, he’s the network.  I don’t think, still, that they thought it would be cut up like this, into something so unsalvageable that it’s been panned by almost everyone, even people who didn’t care much about Dean and Cas.
Finally, a masterpiece can be ruined by editing, and while I’m not sure even the script they ended up shooting on was a masterpiece (due to the network meddling already), but to me it’s blatantly obvious that it’s no one but the network that caused this, that took away closure for Dean, Cas, and even Sam.
So what do I want?  Nothing really, there’s nothing we can do, but I wrote this mostly to show people that the writers are not your enemy.   In fact, to the people trashing them?  You’re doing exactly what the CW wants you to: blame the obvious targets, blame Misha, blame Jensen and Jared, blame Dabb.  Scream and yell at them on Twitter and about how the show is ruined because of them.  The network keeps their engagement levels high, they don’t get as targeted for their behavior, and just keep moving along.
Just, please, think about who did this,  Mourn the show, be angry, but not at the people who fought tooth and nail for this for literal years, not the people who wanted it more than we did, not the people who cannot say anything because of their careers and the NDAs they’re bound by.
Someone is going to spill eventually, but until then, we just have to wait, and continue to be loud.
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give-grian-rights · 3 years ago
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HERMITCRAFT 8 LIVEBLOGGING
fifteen hermits worth of liveblogging. i am losing my mind. LONG POST AHEAD.
JOE HILLS (First HC8 Video)
Mumbo did the speech. he forgot everything he was supposed to say <3
Pearl and Gemini were just .in a pit . having stuff thrown onto them
Every Hermit is staying on the same continent !!
FIRST DEATHS VERY QUICKLY, Iron Golems took out Tango and Etho (maybe more?)
Joe seems to be the only one looting the chests
Evil Jevin !!
Evil Xisuma appearance on Jevin’s 60 second video!
Pearl has something planned for an “archeticual wonder” for a resupply area upon death?
Stress, Xisuma and Joe are capturing villagers and starting up a resupply debut.
Bdubs is killed by Cleo and is now OUT FOR BLOOD
First death counts- Etho, Tango, Bdubs, Cleo?
Cleo was killed by Keralis
Joe has now supplied Cleo with weapons and food . She left but not before saying “Time to kill BDubs again!”
Gemini was killed by Bdubs! They both died and are now at spawn.
Pearl was killed by Cleo
Pearl is planning a respawn inn !!
Cleo was killed by Iskall
Cleo was killed by Pearl
False, Stress, and Gemini team up??? AA!!! they brought a delivery of supplies to Joe <3
i wish i knew what was happening on that end .
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APPARENTLY XISUMA IS ONTO MAKING THE SECOND VILLAGER BREEDER ALREADY ??
Iskall is the first with Diamonds??
Breathe in that ash !
WAIT IS TANGOS EYES LIKE THAT RN BECAUSE HES TEAMED WITH KERALIS AND BDUBS ???
KERALIS, BDUBS, AND TANGO TRIED TO DO A SHAKEDOWN ON JOE. HE TRIED TO DROP LAVA, GOT HIMSELF ONTO TWO HEARTS BECAUSE HE PLACED IT ON HIMSELF, AND IS NOW SWIMMING OUT INTO THE SWAMP
the big eyed trio are now off to shake down Gemini
Joe fell in Lava in the Nether
Joe Death To Lava Two: Electric Boogaloo
Joe drowned trying to kill a glowsquid
WATCH JOE’S VIDEO OH MY GOD SEAN HILLS RECAP RAP??? MY BELOVED????? i am gonna be streaming this unironically later LIKE OH MY GOD THIS SLAPS. ALSO THE CREDITS AT TEH END IS HILARIOUS
Zedaph Episode Recap
Zed gave us a recap of the continent every Hermit will be living on !!
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Wouldn’t recommend Zedaph as the first video for the season, he skips the intro/speech but it’s Zedaph and hes making it fun!! Lots of nice editing :)
~SCIENCE TIME !~
Zedaph.. why is your starter base made out of concrete ?
There are no sheeps whatsoever on his mountain
Hes calling his lab an icecream sandwich..yeah i see it
Zed tried to make a portal underater...f
Scar died to a creeper </3
Zedaphs base is gonna be tracking how long hes there/someones loading the chunk!
XISUMA LIVE BLOGGING
A cool cinema scene of him becoming an axolotl!! <3
NOW I CAN SEE IT, GRIAN WAS THE FIRST DEATH!! Death by Iron Golem!!
XIsuma’s baseplans need over 45 THOUSAND BLOCKS TO BE PLACED
He’s also planning on making a shulkershell farm!!
i’m not gonna lie ! talking axolotl X is horrifying ! thanks !
Day one Villager Breeder... chaos.
Xisuma Derp! looked straight at a buncha wool and said how badly he needed beds and then walked away
THE GIRLS CAME OVER AND CONVINCED HIM HE NEEDS TO MOVE THE DESIGN OVER MY FIVE BLOCKS FOR SWAMP VILLAGERS..
THE GIRLS ARE JUST LAUGHING AT HIM AND HIS VILLAGER TROUBLES
day one and Xisuma has got his axolotl!!
Very pretty starterbase!!
XB’s
..I’m not gonna lie theres not much to say!! He’s very calm :) he says hes going into it without a plan, and htat last season was the only time he had any thought of what he was gonna do.
He made a real nice starter house and thats about it!
Cleo’s
Bdubs: “She ain’t gonna hurt me!! i’m invincible, babey!”
Cleo learnt that BDubs will never hurt her even if she deserves it . I am starting to realize why she kills him
SHE DECIDED SHES GONNA BE A PROPER CHAOS GREMLIN THIS SEASON...
AISDJASID CLEO GOT PAID TO KILL BDUBS?? HDUIAIHSI SCAR WHY
“Alright I found my mission for the season! Murder.”
Cleo, Mumbo, Grian, and Scar are all holed up in a cave together!
..Scar died from a skeleton !
Cleo has now split from Grian and Mumbo! Scar is missing in action
CLEO FOUND A GOAT
SHES KILLING THE GOAT???
she got a HORSE <3 and Joe gave her a saddle! I think her name is..Widget?
She LOVES the candles for shamboo n waterbottles and bits n bobs for her armorstands!!
Got her Armorstand stickgod book <3
Geminitay POV
NEW HERMIT NEW HERMIT NEW HERMIT!!
She has a LOVELY voice!!
The pov of her in a hole . being surrrounded . is kinda hilarious
It might’ve been Etho who was first death?? I GENUIENLY CANNOT TELL BECAUSE OF EDITING
All the murder was just for heads!
Seriously her voice is. wow
WE LOVE A QUEEN WHO KNOWS HOW TO CRAFT A SHIELD WITHOUT USING THE GUIDE <3
False, Gemini, and Stress are on the great journey for MOSS !
Gem just blew their minds with the moss.
TANGO KERALIS AND BDUBS ARE BACK Keralis: “Show the diamonds show the diamonds show the diamonds!” Gem: “Keralis. This is not how you make friends.”
The boys suecessfully recieved a diamond each
Etho n Iskall are travelling together!! You dont see those two together often
Etho got a glowsquid head!!
Gem: “Etho doesn’t share, is what i’m learning..?”
Etho hooked her with a fishing rod and said she has to do what he said .
In order to get the diamonds, Tango, Keralis, and BDubs placed down a sign saying “Gem is Great!” and Gem used a glow inksack on it.
Etho: “So..What is this? Do you have an ego, or this a motivational thing, or..?” He said, while laughing
Iskall: “I think its really funny that you have set your base up in the middle of a birch forest.” Gem: “I love birch forests! Do you not like my birch forest? Iskall: “I love it, yeah.” Gem: “This is the best biome in the game, Iskall.” Iskall: “Mmmm..” Etho: “I’m pretty sure I heard Iskall talking earlier that like, of all the biomes in the game, there was one he hated more than anything. Gem: “Oh really? And what was that one?” Iskall: “..Taiga.” Gem: “Taiga.. That’s true, thats a good one, thats a good one.” Iskall: “Don’t like Taiga.” Gem: “Mhm.” Etho: “Which one do you hate more than anyone?” Iskall: “..Diorite fields. Thats a bad one.” Etho: “Yeah thats a bad one.” Gem: “Didn’t know about that one. Well make sure to avoid’em. Birch forests are really good.” Iskall: “I’m a big fan of birch forests.” Gem: “Yeah, me too, me too. I’m glad we’re on the same page :) This is so beautiful! All the white and- and the like zebra stripes! is fantastic.” Iskall: “I..Um.. Yes.”
OH SHE’S CANADIAN,, ETHO HAS A FRIEND /j
She’s still in college :O SHE’S A SCIENTIST?? SHES WORKING AT A HOSPITAL?? POG!!
She accidentally found an enchanted golden apple in a mineshaft!! she thinks its the first she ever found in survival!!
She has a cow, sheep, and a few crop farms set up!! Her starter house has INTERRIOR!
SHE CHANGED HER SKIN AND ITS SO PRETTY AND HAS OVERALL AND I LOVE IT!!
shes doing a cottage core inspired base!
WOAHH!!! SHE MADE HTE MOST GOREGOUS CUSTOM TREE I’VE EVER SEEN ??
BDUBS IS HERE and he is so so so impressed by the tree ?!
also hes carrying a clock.. :(
He’s here with a present!
HE BROUGHT BAMBOO!
she thinks its so funny that he stops conversations to sleep AOIDHFEAUI\
SCARS
WE GOT A TRANSITION SCENE!! the canonical reason for the bed in his old village always being occupied is because underneath it, was his wizard portal!
Bdubs: “It’s a new season! You’re the little guy now!”
They are all very amused by that ^
they’re rubbing the fleece of bdubs jacket .
Bdubs: “Have a nice rub :)” PLEASEAHSIOJDIUASLDHIASDA
His starter base is gonna be a wagon and he wants the end game to be a bioshock esque skyscraper!
he confused a horse for a player . flashback to iskall thinking mumbo was a mob
PEOPLE THINK MUMBO DOESNT HAVE PANTS ON.... </3
Scar, Mumbo, and Grian.. have NO braincells. at all. THey just placed a crafting table with a boat on top with a bed on top with a boat on top .
this is what BROS FOR LIFE looks like.
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BOATEM POLE !
SCAR IS STUCK UNDERGROUND IN THE MIDDLE OF THE NIGHT IRL AND HAS NO PICKAXE..
AND HE DIED TO A CREEPER .
it seems like Grian, Mumbo, and Scar are working together !!!! HOLY SHIT !!
THERES SO SO SO MANY FARMS???????
he died several times trying to catch a skeleton with a sword
FIRST CHEST MONSTER OF THE SEASON <3
SCAR JSUT TOLD BDUBS HE LOOKS LIKE OSCAR THE CROUCH... BDUBS CANNOT EVEN ARGUE
OH NO.... GRIAN WENT AFK IN A HOLE . WITHOUT A HELMET .
THEY PUT A  GLOWSQUID HEAD ON HIM
OH MY GOD MUMBO MADE A NOTEBLOCK SONG?? AJUDA
SCARS BUILTING IS SO SO SOOS GOREGOUS SERIOUSLY GO WATCH THE VIDEO OH MY GOD ITS HUGE
its a giant ass house boat wagon . its pulled by a llama . that killed him . so now its trapped, pulling hte agon, forever
Grian: “..Thats a very big house, for a very little hat.”
GRIANS SUPER SPECIAL EGG??
SCAR PUNCHED IT..
they really came out here . and killed the egg already.
Scar: “..I touched the thing”
TANGO POV
We see the three big eyed boys forming <3 they interrupted Tangos intro
THEY’RE BULLYING HIM ABOUT HAVING SMALL EYES AHIDUIASUHDWIS
HE TRIED TO CALL THE TRIO TEAM BUG EYE... THE OTHERS ARE VERY OFFENDED
they found an axolotl and Bdubs was TERRIFIED just screaming “WHAT IS THAT YELLOW THING?!”
BDUBS IS ATTACKING IT ???
okay nope Bdubs caught one and Tango lost it
Bdubs is naming his axolotl Idiot
AMAZING HOUSE. WHY IS TANGO SO GOOD AT BUILDING AND REDSTONE??
Impulse POV
MUMBO TRIED TO PLACE DOWN A BERRY BUSH TO HURT IMPULSE . HE FORGOT HOW BUSHES WORK..
I DIDNT EVEN NOTICE THAT IMPULSE WAS IN THE BOATEM POLE
so it looks like those four are hteo nes who grouped up together
PEARL BROKE THE CONSTITUION SHE GOT IN THE WRONG BOAT SMH
THIS IS SEASON EIGHT! FIVE BROS !
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So its gonna be about five people in the same area!!
YOO!! Fantasy build for Impulse!!
G gave Impulse a spyglass, they had a fun moment of zooming in on eachothers face and complimenting eachother IHAUDIHAW
Grian and Impulse worked on an xp farm!
ASHDUIWAHISD GRIAN JUST LOGGED ON INFRONT OF HIM
a pillager stole his boat . not just any pillager . the one with a banner. </3
he has to live with Mumbo tuning a song .. </3 haha
Mumbo POV
it took fifteen seconds until Grian ran in during Mumbos intro
CONFIRMED? GRIAN WAS FIRST DEATH?
SECOND PERSON TO THINK MUMBOS PANTS ARE SKIN COLOR. GRIAN..
Grian: “Can you..Briefly explain why you’re just wearing a hawaiian shirt?” Mumbo: “Uh- what do you mean ‘just wearing a hawaiin shirt? I have shorts on as-well, dude”
FOLLOWED BY
Mumbo: “Can you explain why you’re wearing a red jumper?” Grian: “You know- you know i was born with this!”
MUMBO AND GRIAN STOLE THE BOAT LOOT FROM RENDOC
I THINK RENDOC JUST STOLE THE DIAMOND MUMBO THREW??
Grian: “Is that Scar?” Mumbo: “I can’t see past your giant waffle!”
DSFSDFJIOA they did an edit where they placed down a boat, both Mumbo and Grian got in, they made noises and then bopped up on top of the ravine they were in <3
THEY HAVE NO BRAINCELL THEY JUST PLACED DOWN A BENCH AND SAID “THIS IS THE MARK OF OUR VILLAGE!” and then placed a torch and a boat and a bed and aANOTHER BED..
..Mumbo is trying to be a pacifist this season!
Grian’s taunting him with beheaded things
And obviously part of being pacifist means he’s gonna be vegetarian in minecraft!
..he cannot use monster farms because pacifisim..
Mumbo was in the middle of reading the magical Timmy shack that Tango made (did i remember to mention that? who knows) and IN THE MIDDLE OF GETTING TO THE PART ABOUT IF YOU REMOVE STUFF FROM THE CHEST, NOTHING WILL BE ADDED IN IT AGAIN. Grian opened the chest . Mumbo SHOUTED HIAUDHUW Grian jumped man
They renamed it “Cave of Do Not Enter” HIAUEDUH
Mumbo and Scar BOTH did not know- at least Mumbo didn’t, Scar forgot,  that podzol spawns from two-by-two spruce..
him and his guitar song to be played underneath his house.. it goes with the aesthetic i suppose
MAN HE NEEDS SO MUCH HAYBALES I FORGOT THATS NEEDED FOR THE TUNE HE WANTS
Mumbo: “What.. On Earth.. Scar, it’s meant to be a starterbase, buddy! What is this? This is many things, many many things, a starterbase is NOT one of them!”
HE LITERALLY DIDNT KNOW THAT THE DRAGON EGG TELEPORTS... WHEN YOU TOUCH IT...
BDUBS
nothing special we havent seen yet!! just him screaming about axolotls.
He was working in the Mesa in his intro, skipping the “speech” from Mumbo
He released Idiot the Axolotl and lost it .
Him SCREAMING “Gemini” is HILARIOUS
While Gemini gave away those three diamonds, Keralis got so excited he won a bet with Tango and Bdubs, that he gave back . two of the diamonds . and none of htem released until well after they left
Bdubs: “That’s why i have my mwoss skin!” PLEASE I LOVE THE WAY HE SAYS IT.. make the moss hood.. REAL..
it took me a while to figure out what his base is but i LOVE IT so so much!!!
Nothing much new to add !!
Stress pov
please i love her . very good !! False seems to have joined her sheerly because Stress sounded like she knew what she was doing. she does not.
False felt peerpressured and asked Stress for permission to fight her because everyone was killing eachother .
It ended up with Stress following False. they found a village!
ISKALL only saw him one other time today!!
JEVIN APPEARS AGAIN !
XISUMA FELL INTO HTE BREEDER AND IT WAS SO FUNN IUAHHYIAUSD
Ren: “Ya look goregous, Stress!” Stress: “Thanks! Don’t murder my dog!”
She’s so proud of herself for caving!! (with False n Gem
Iskall blew up!
..Iskall fell from a high place
Stress has a LOVELY ravine base!!
False
False wants to become pirates with Stress <3
gatekeep gaslight girlboss
BIG OL MUSHROOM HOUSE !!
it looks like a mushroom church and i LOVE IT.
Nothing new we didn’t see from Gem. She does want to come up with a banner design for her base, though!
Grian
..Mumbo just thought Grian had a purpose so decided to follow him <3
ALSO HIS INTRO, AS HE JOKED ABOUT IN THE OTHERS VIDEO, WAS, IN FACT, THE BOATEM POLE
Grian is SO PROUD of the fact taht they got good loot from a treasure map. Ren and Doc are NOT IMPRESSED
Grian: “Lets go, potato boy!”
Mumbo: “I don’t have to replace everything I break! Peace Love and Plants- are these plants..?” He says, mining amethyst
pants
he who controls the egg, controls the server... Grian.. you’re doing great sir
...He decided.. his goal.. is to make his OWN..caves and cliffs update... HELLO..?
Grian was the first one to kill the enderdragon, MAN. Speedrunning career WHEN? /j
Grian: “And now [Mumbo] is flexing on my bed!”
he might not have a base. but he has an egg.
It is now 2am. i cannot do this anymore. This will be continued.. tomorrow!
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snaxpo · 4 years ago
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fuck it bugsnax/s4m au notes
alternate title: i’m at that point in liking something where i have to combine it with everything else i’ve liked previously and today i’m making that everyone else’s problem. 
- base premise is a lil different! instead of being a journalist who was invited personally to the island by the expedition leader, you (or FK if you consider them a separate character from the player) are tasked with investigating the habitat, a budding commune on snaktooth island that may or may not be devolving into a cult. there’s just one teeny tiny problem - the commune’s leader and also your main suspect, boris habit, has been missing for weeks by the time you arrive. 
- now it’s a matter of gaining the inhabitants’ trust/getting them to come back to the habitat while hunting and subduing the bugsnax, who seem increasingly eager to launch themselves at inhabitants at quite literally dangerous speeds, in a battle of wits to keep your newfound companions fed while documenting the strange creatures. and of course, the question of just what happened to boris habit still lingers in the air. think like... talentless nana where the protag pretends to be all cute and unassuming (complete with flower motifs!) but really they’re there on Super Secret Spy Business. but of course there’s less murder. 
- oddly the bugsnax seem to have only become more aggressive after his disappearance. i’m sure it’s nothing. 
- yes everyone is still a grumpus
- there isn’t really an interview “mechanic” so much as it is a Lot of cozying up to everybody in pursuit of whatever information you can find on habit/potential group rituals/events that led to his disappearance; you get it by bits and pieces rather than a single structured interview. there is of course a lot more interactions between characters than there is in s4m’s base game bc thats like 60% of the appeal of bugsnax and i would be a fool not to think of it.
- time for ideas for specific characters! kamal is the vice-mayor of the habitat and has been habit’s right-hand grump for as long as any of the inhabitants can remember, despite their relationship becoming increasingly strained ever since their arrival on the island, and especially before habit’s disappearance. i imagine you still find him passed out but instead of collapsing from starvation he’s like "please.... toothpaste... a breath mint.... some pepto bismol. i’ve been able to taste my own breath for weeks." has been trying to divide his time between looking after the habitat and looking for habit himself (and also his best friend wallus) but the dispersal of the habitat has left him a tad Demoralized, to say the least.
- i feel like trencil would play a wambus-adjacent role in the sense that he's the one taking care of the sauce plants and also one of the first townspeople you meet. you convince to come back with you not necessarily bc he'd be able to continue farming in town but bc he would probably have an easier time looking for his daughter if he got some sleep first (but only if you look for her in his stead)
- gillis is like. a wannabe chandlo. makes you capture a bunch of snax that he Says he's gonna use to get stronger but eventually you find out he's been releasing them or keeping them in like lil makeshift pet houses bc he always takes one look at their big googly eyes and turns to mush. but EVERYONE'S eating them so naturally if they find out he's not they're gonna think he's some kinda wuss so he just pretends. 
- dallas keeps asking for sweet n colorful bugsnax to give to mirphy to impress her (sweetieflies, instabugs, etc etc.) but by some streak of bad luck they always end up being her least favorite. he tries to see if Maybe he can use them to make some new bugsnak-exclusive pigments, but like in canon they always end up turning into mush before he can get very far. mirphy meanwhile is far more interested in preserving them for a potential display, but similar to dallas, she never gets very far.
- i imagine the kid habiticians are like. a roving band of semi-feral children bc if anyone's gonna keep them in town it's definitely not kamal.
- i wanna do something with wallus SO BAD like you find him somewhere up in frosted peak but i have no idea what he would even DO its fucking killing me
- those are all the ideas i have For Now; s4m has more characters than bugsnax so there’s a lot to be done w/ them lmao. if i think of any more i’ll probably put it in another post or if anybody wants to spitball with me.......  👀
- and now we get to The Big Guns: habit.
- he was fun to work on w/ this au mostly bc despite being the rough equivalent of lizbert he’s a way different type of flawed leader than her; where liz is responsible to the point of martyring herself without a second thought and not thinking to delegate any tasks to the other snaxburg residents, which is what ultimately causes them to fall apart once she disappears, habit's deal is that he wants the position and appearance of an authority figure because it'll keep him safe, but he kind of sucks at taking responsibility for anything he does wrong because he’s spent most of his life acting according to what other people (namely his family) expect of him and being met with a negative reception no matter what, so he doesn’t really believe he has power over anything, including his own actions, despite being such a control freak for most of his own game. so his arc would need something that’s kind of antithetical to what liz had, wouldn’t it?
- so what i got so far is that au habit was tryin to covertly start a bugsnax cult bc he sees being asborbed by the snax as a sort of ascension and was eventually planning to have everyone be absorbed; it’s important to note however that bc information on bugsnax is so obscure he doesn’t actually 100% know how absorption works so tl;dr: habit became the bugsnax monarch willingly and then 5 seconds later he was like "oh no wait this fucking sucks. what have i done. shit. fuck."
- unable to cope with the realization that he was once again forced to act in accordance to someone (or in this case something) else's desires, he shuts down emotionally, becoming an empty husk of a grumpus while the bugsnax above run rampant thanks to the extra fuel and absolutely no restrictions until the Big Climax when habit is finally moved to take back control of the snax and by proxy Take Some Fucking Responsibility for knowingly luring people to cthulhu island. however this does leave the obvious question of if he was such an empty shell for most of the game why didn’t they just. eat him.
- the answer i eventually landed on was that his self-preservation instincts were still kicking on a subconscious level and during the aforementioned climax he eventually realizes that he does not in fact want to die, he just doesn’t want to keep living the way he is now (as part of an ancient hivemind beyond his understanding) or the way he was before (you know.)
- also fun fact: i was thinking about what his monarch body would be based off of bc the snakdragon, while cool as shit, didn’t feel right for him, and then i remembered that blooming onions exist. i imagine he’s in the middle acting as the flower’s “stigma”
- as for endings i’m thinking like. in the neutral ending kamal joins habit but its left ambiguous whether or not they'll ever be able to leave the island or if this is even a permanent solution (call that the paw in unloveable paw ending). in the good ending you bust habit outta his queen body after fending off enough bugsnax together and it’s super gross bc the undersnax as a whole is super gross but hey at least everyone’s leaving alive. i don’t know what a bad ending entails except most if not all of the cast is dead and habit is left alone on the island surrounded by reminders of his spectacular failure.
- hell i can even think of a sequel hook for the good ending like in canon bugsnax; some time after the ending/credits you ask habit just Where did he get the information on bugsnax that led to him being like “you could make a religion out of this” and the screen fades to black before you hear his answer. there.
- its almost midnight.
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earthlyemily · 4 years ago
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I’m struggling so much financially and honestly just wanted to vent somewhere. I’ve always lived in poverty and I think in my whole life I’ve had maybe 2 years where I didn’t have to stress about money and not be able to buy groceries or pay rent or be put into collections for not being able to make payments etc and that was when I was in college. For at least the past 5 years I’ve been struggling but I never talk about it. I don’t even know where to start haha I don’t even know what it’s like to not stress financially and be in debt. I’ll just start with the first things that come to mind with what I’m owing maybe. So it’s Dec. 23 and rent was due yesterday because we moved into this small suite attached to someone’s house on Nov. 22. It’s $1200 which is so expensive, but also the average price for BC if not even cheaper for a one-bedroom with a yard, utilities included. and no first and last, no pet deposits, etc because this is just short them for 4 months until the end of March because i reached out and asked and they said yes.
After 1 month I already remember why we went into the trailer almost 2 years ago and it’s literally because we can’t afford any other lifestyle. I think that’s the difference between us and some people that live in trailers, vans, etc. like we lived in a mouse & mouse shit infested trailer for 6 months breathing in their feces and urine and having it all over all our belongings. i literally had to take my whole life to the dump and we officially have no food storage because they ruined it all. there were at least 50-60 mice because a few birth cycles happened in the ceiling. I could write a whole post about my experience of living with field mice, but now isn’t the time so for rent, i only had $600 yesterday so that’s what I gave them. thank goodness they were okay with me asking for a few more days to make the other half. but I don’t even know when that’s going to be :(
my etsy shop veganveins has been doing so bad lately for more than one reason, most of my orders are just postcards and stickers, and while I’m grateful for them, that $1-3 profit isn’t going to keep my business going. and it’s so hard for me to work lately. the wifi doesn’t work sometimes for hours and I always get distracted by shawn and the dogs working from home in a small space. I need to get better at my time management. I got up at 8:30 today which is actually early for me so I’m proud of myself. I’m chronically ill and I really need to go get a blood test and see what’s happening because I haven’t gotten one since being diagnosed with graves disease again 1.5 years ago. anyways. i switched to a print on demand method this year for veganveins for some shirts and sweaters because i couldn’t afford to keep ordering shirts in bulk, and it’s honestly been so, so expensive and i barely make any profit. I’m currently owing my t-shirt printer $999 on one invoice (it was originally $2196 so I’ve at least paid half of it) but that was 2 weeks ago and I still need to pay it. Mario, my t-shirt printer has been with me since I started veganveins and I’m so grateful he gives me extensions on paying the invoices. every other t-shirt printer I’ve ever asked has said no. in addition to the $999 there’s going to be another $2200 invoice I’ll be receiving this week for my last order. I think because of the holidays he’s going to give me some time to pay off that too, but the problem is when I have outstanding invoices he doesn’t print new orders for me. He’s closed now until Jan. 4 so I just need to somehow make that much before then.
btw I don’t have a credit card ($8500 all used on veganveins and it got put into collections last march) and I had a fully used $5000 line of credit but I got a debt consolidation loan for $16,000 1 month ago and my payment for that is $167 a month. it fully paid off and closed my credit card and line of credit + $3000 overdraft which is nice. but now I don’t have any extra money except for what comes in. my credit is only 640 which is really bad in canada so I won’t get approved for a new credit card or loan until I build that up, which is going to be a few months of regular payments. so for regular payments, the $167 for the loan is due on Dec. 27. Yesterday the trailer loan which is literally unliveable from what the mice did until we renovate it came out for $260, that’s how much I pay once a month for it on the 22nd. I didn’t have $260 in my account so it got rejected and I got charged a $48 NSF fee. omg if anyone is reading this long i’m shook. i’m genuinely just writing this for myself to process my feelings and in case anyone was curious about my financial situation here you go haha. maybe some of you can relate, maybe some can’t. anyways. so now I somehow have to get $260 in my account for that for when they try to take it out again in the next few days.
another payment that was supposed to come out yesterday but hasn’t, but I’m sure will come out today is our truck loan. they deferred it for 8 months because of covid which was so nice, but we started paying it again 2 months ago. for both those months I called and made my payment a later date and that helped, but there’s barely any service here so when I called 4 times yesterday to try and change the date the payment comes out, I was on hold for 20-30 mins then my phone would disconnect and hang up. so that’s $586 and it will come out today, I have $0.46 in my account right now so it will get rejected and I’ll get charged another $48 NSF fee. this is why being poor always costs more and the banks are always harsher on those who don’t have money. today I’ll try calling again to see if I can ask for it to come out on a different day like january 10 instead, so I can first have time to pay rent and the trailer and also our $190 truck insurance which got rejected from my account 3 days ago, which was another $48 NSF fee. oh and something else i’m so stressed about is CIBC is going to put me into collections on December 28 if I don’t pay $1000, $700 of which is purely their fees. I have a $300 overdraft which they said i have to cover by then and the $700 is literally their $48 fees added up over the past 3 months. I got a text from them today saying my account is over and it’s because an amnesty international $11 monthly donation came out and obvi there’s no money in there, so that’s another $48 they charged. they’ve already given me a month to pay it and don’t want to wait any longer :(
I owe everyone in my family money, my sister $1650, my mom $700 and my brother also lent me $700. none of my siblings have money either and my mom definitely doesn’t so I hate that i had to borrow that much, and it’s literally been months. thankfully they’re so patient but i can’t wait to not owe them that
omg and i can’t even think about the amount of money shawn’s grandma has lent us. she’s genuinely the only reason we haven’t been completely homeless. but it’s a lot. like i don’t even want to say the number on here. she let us use it from her line of credit over the years and we’ve been slowly paying her back, but she lets us go months at a time without making a payment which i honestly hate doing, but have no choice. i’ve felt a lot of shame and guilt about this, but I also know that she genuinely would rather help us than see us suffer.
so i’m gonna talk about a big reason I’m broke this month especially - saving a pig named buster. his rescue cost me $1850 out of pocket that I didn’t have. but otherwise he was going to be killed in 2 days, he was my baby and I loved him so I had to do it. I somehow made $1350 that went towards it but I’m still owing $500, which I just asked for an extension for today until the new year. i’m not really supposed to talk about it but everything I’ve ever posted here has stayed here, so that cost was literally just from me buying the pig off the farmer. myself along with everyone else ive talked to is disgusted that he charged that much, but he wasnt budging and if that’s what it was going to take, of course I’m going to do it. I wouldn’t think twice about doing it for my dogs and Buster was smarter and more affectionate than them. i love him and I’m so happy he was saved. a non-profit organization transported him to a sanctuary and it was my biggest wish come true and the happiest moment I’ve had all year. my eyes are literally tearing up haha i love him so much. i could write a whole post about his neglect but basically he hasn’t had fresh water in weeks, he was only being fed handfuls of mixed nuts, he was constantly dirty in a muddy enclosure with an electric fence that he was always getting shocked on. he never got true love or affection except for when I gave him it. i posted an instagram story about him and asked people to message me and that i needed help, 2 people donated $111 and $120 each, and 2 other people donated $15 and $12. Someone also e-transferred me $20. These 4 donations equaled almost $300 ($277) and I was so grateful for those people wanting to help me help buster. if anyone else wants to help me with the cost of his rescue i still do need help and would appreciate it so much. this feels really weird and vulnerable for me to do and i’m sorry if anyone is annoyed by this post, I just genuinely am struggling and figured if someone does have extra and wants to help, there isn’t harm in that. but i do feel guilty for asking because i know there are so many other people struggling out there that need even more help than i do :(
i haven’t talked about it publically but i guess I will now, this farmer that I bought buster off of is the owner of the organic vegetable farm i was living and working at this past spring and summer. we worked really hard all summer to be able to stay there and park for free in the winter, but this past fall he told us no one was allowed to stay at the farm anymore, including us, so we had to find a new place to bring our 14ft trailer in to live. so that was an unexpected bummer and if we had known we wouldn’t be allowed staying there anymore (despite doing the labour of $1200 a month for free harvesting organic kale, for an off-grid spot he told us was worth $350 a month to park) we wouldn’t have driven 8 hours with the trailer and we would have stayed in the snow in northern BC and sucked it up and lived on the land we got the opportunity to rent this fall. Donna, the woman who is renting the land to us has been the biggest blessing in my life this year. I love her so much. Basically, she’s letting us live on 170 acres for $600 a month. letting us do whatever we want on the land (building a cabin, setting up rainwater catchment systems, having a solar passive greenhouse and a huge garden) LIKE WHAT. we could even open a farm sanctuary if we had money, i wanted to so bad but obviously that dream didn’t even come close to being reality. opportunities like this literally don’t exist in canada, especially not in BC. i cant even process my gratitude, i cry everytime i think about it. when we go back in the spring it’s going to be the beginning of the rest of our life :) i want to rescue so many senior dogs. everything we’ve always wanted to do we’ll be able to do, assuming we have money haha. but i want to have an organic farm and grow veggies to donate to families in need, especially since we live on stolen indiginious land and I see how the goverment actively restricts their access to fresh healthy produce. but anyways by then it was too dangerous to drive 8 hours back hauling a trailer in the snow and it was just easier to stay in the okanagan until the spring. i know the farmer probably doesn’t realize this and he’s also probably struggling financially but not being able to stay at the farm for the winter months we worked for, and buying buster for that price is a big reason I’m in the financial stress I am now so I figured i’d talk about it.
anyways. i think this is long enough and i think anyone reading this gets the point, i’m drowning in debt, my small business is almost costing me more to run and i’m not making nearly enough profit to live, the past few months ive been living off grid (not by choice) and just focused literally on surviving and not freezing and getting water etc and not having service or internet has affected me negatively. there’s internet now in the suite I’m in, it works really good in the morning and not as well at night, like for example tumblr doesn’t work past 5 pm for me to post photos. but ive been in a bad sleep schedule since i got here that i need to change. im sick and i need to heal myself. tomorrow i’ll set my alarm for 7:30. hopefully i make some money today. i got a social media managing job and it will end up being $1000 a month once i do the 3+ hours a day of work which im already feeling like i barely have time for my own basic life tasks. but i can do this.
if anyone reading this wants to help me out a bit, my paypal email is [email protected] or http://www.paypal.com/paypalme/veganveins
and my e-transfer email is [email protected] i have auto deposit so you won’t have to ask a question :)
this is my first time in 7 years i’ve made a post like this or asked for help. i won’t do it again but figured i have nothing to lose. if you read up to here i love you a lot and thank you so much for being here <3
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holisticalecsecareanu · 4 years ago
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This interview by ERA News Beta speaks to Alec about a varied number of subjects to do with his film casting and debut in GOC, but farther than that, Alec speaks in great detail about his journey in Romanian theatre,  his views on the state of Romanian theatre today,  his acting philosophy.
I found this an incredibly revelatory article about Alec because you don’t fully realize, until an interview like this,  the depth and breadth, not only of his intelligence, but of his strong beliefs and views regarding his chosen profession. It’s very different going from little snippets in interviews where Alec discusses mostly just one project, to this really comprehensive presentation of who he is as a person and an actor. Also, obviously being able to discuss such complex subjects in his native language, I believe, really allows him to open up more comfortably.
He has a -LOT- of strong feelings and responses to the questions the interviewer asks and he expresses them eloquently, intelligently, and also pretty bluntly, sometimes. It shifted, a little, and not in a bad way, who he is in my head, or rather, it fleshed out who he is in a way that all the quick sound bites and magazine interviews don’t.
I know, from this, that he will never strop striving to push himself and his abilities, to discover new and different ways to learn in his craft. This interview also goes a long way towards explaining how Josh, Francis, and he,  formed such a bond, because I believe they also hold these beliefs and commitments to the roles they take on and the projects invest in. It’s almost like kismet because what are the odds that these three individuals would have the same kind of approach to the story they were telling? I think that is why God’s Own Country is such a superlative and luminous film.
Also, the Fight Club production sounds KICK ASS and I wish I had seen it and I can’t believe someone didn’t tape it!
And, yes, that photo, because it never, never ceases to rock every aspect of my world.
This interview is in Romanian but, at least on Google, there is a Google translate button that appears. I have also provided the Google translated version below; am not able to vouch for it’s accuracy, but at least it is something!
Thank you if you’ve read this far. :-D
Google Translation of Interview Below. : 
The first British film brings a London agent to Alec Secăreanu
There is also news that one of the young aspirants managed a movie in Hollywood, and for a second people hold their breath, dismayed, wondering "what the hell is this?", Before the engines start again. and to see life beyond its course - Radu Iacoban once said to me, referring to an entire generation, actors who are making their way to a glory that neither they nor we know much about yet . It could have the American endorsement or the greatness of the European trophies, in any case it will no longer be possible to rely on the applause of those who built their illusions in the theaters where they were taken by force or on the admiration of those who dreamed of the two hours of the program. television of yesteryear.
Alec Secăreanu is not one of the 10-15 actors who appear constantly in the distribution of each of the films of the new wave, fueling the impression that only a few people have managed to finish the theater institute in Romania lately. But it has the merit of entering Tyler Durden's mind. And to enter Tyler Durden's mind is courage, especially since it is a dark mind, split into two completely separate universes, and in each of them reigns revolt in all its forms, revolt against the system, against consumer society, against to an absent father and, therefore, against God himself. It's an even greater courage to do this after a perfect director has already passed by, who explored his corners, in tandem with an iconic actor.
The first six rounds of Fight Club demonstrations were, at the end of last year, an absolute success in Bucharest, so the complete version follows, with sophisticated projections made by Les Ateliers Nomades - the company that made the famous mapping on the Parliament Palace - and imagined stunt figures under the guidance of experts from the Gladiator Association, which works in the good tradition of its illustrious founder, Szobi Csech. It's like we lost sleep. Anyway, Tyler Durden doesn't sleep either… Alec Secăreanu certainly sleeps quite a bit himself, since in the meantime he finished filming the first feature film in which he took the lead role, a kind of Brokeback Mountain with a farmer from Romania, the debut film of the British director Francis Lee.
There were nine weeks of filming in Yorkshire, enduring the "bipolar weather" of England, during which time he learned, among other things, to cut the hooves of cattle, to make cheese, to witness the birth of lambs. Oleacă already knew from the Fight Club. And in few percussions I surpass him, after Alexandrul Dabija's Requiem, from the National Theater in Bucharest. In addition to stories about the British system, a show business performance machine, news about new theatrical productions in Bucharest or evaluations of Romanian theater in general, from Alec Secăreanu I found out that there is an online radio that takes you far, Nice Cream FM , and something even more interesting, that there is Radiooooo, with five "o's", which allows you to choose from the map of the world what kind of music you want, in decades, from the beginning of the twentieth century to the present. «You can understand your decade and your country and listen to, say, Mongolian music from the '60s. It's something like Wikipedia, users are still uploading music, so they've already reached an impressive database, "says Alec.
Rep: Actors of your generation make most of the film and most make film outside. Ana Ularu, Iacoban, Bucur… a long series in which you have just been included, in the most honorable way, with a British production, a kind of Brokeback Montain as far as I understand, a love story that happens on a farm and involves a character born in Romania
Alec Secăreanu: The first feature film in which I had the main role, "God's Own Country" is Francis Lee's debut film. I really wanted a Romanian for the role, because the character in this story is Romanian, and the director wanted everything to be as authentic and organic as possible. Of course, the character has only a line or two in Romanian, not at all significant, by the way, for the story, so they could take absolutely any other actor who speaks English with an accent. But he wanted everything to be organic. The casting director from Romania gave more than 40 rehearsals and, a few weeks later, the director came to Bucharest and wanted to meet about 13 of us, a group from which he chose three actors. The three were in London for a final test, a so-called chemistry test with the other actor, the one who had already taken the role.
YOU HAVE TO HAVE EXTREMELY STRONG NERVES THOUGH, ESPECIALLY WHEN THE STAKES ARE HIGH. PROBABLY THE FIRST THING YOU NEED TO GET USED TO AS AN ACTOR IS TO BE REJECTED. YOU GO TO DOZENS OF CASTINGS, TO HUNDREDS OF CASTINGS, YOU GET FIVE OR TEN PERCENT OF THEM, TO THE OTHERS YOU ARE REJECTED AND, MOST OF THE TIME, IT'S NOT YOUR FAULT.
 They are simply looking for something else, the sooner you understand this system, the better. To keep your lucidity and show signs of mental health. And you have every reason to protect your health, since, in the end, the tool you work with is yourself and, if you break this tool or if it is defective, it no longer serves you properly. My character's name is Gheorghe Ionescu, he is a young Romanian farmer who went to work in England, who ends up working somewhere, in an isolated complex in Yorkshire, and there he meets a guy, the boy of the farm owners. An unexpected meeting for both of them, surprising, a friendship and a fascination are linked and the two end up living a love story, although neither of them identifies as a gay person. In fact, the film does not want to be a gay movie, but, rather, a story about people, a plea that some encounters are love. A very interesting creative connection was created between me, my colleague, Josh O'Connor, the director Francis Lee and Joshua, our operator.
We had two weeks of rehearsals, in which we discussed very well each stage of the script, each sequence, what happens to the characters, the history of each of them. When I started working, everyone in the frame knew what to do. I filmed a lot of exteriors, on which occasion I got to know very well the weather in England, which is dementia, you
have four seasons in one day, it starts with snow, followed by a storm, then hail, then the sun rises, then again it snows a little and so on. In fact, the weather was a real problem at the connections, because I was starting a frame in the sun and when I resumed it, it was snowing outside, so things didn't fit.
THE TWO WEEKS OF REHEARSALS HELPED ME BUILD THE CHARACTER, BECAUSE I HAD TO WORK ON THE FARM, I LEARNED TO WORK WITH COWS, SHEEP, TO WITNESS THE BIRTH OF LAMBS, TO CUT THE HOOVES OF CATTLE, TO MAKE CHEESE , LOTS OF THINGS. IF THIS THING WITH ACTING DOESN'T WORK… I LEARNED SOME EXTREMELY USEFUL THINGS, WHAT CAN I SAY.
Rep: I understand that the benefits were even greater, you chose an invitation to the British actors' union and a London agent…
Alec Secăreanu: I had the opportunity, for nine weeks, to work in a healthy system from the ground up, starting from the way the union works, to the fact that the actors from the British schools learn notions of personal discipline from college, in a broader framework for the management of the profession. I was treated as a member of their union. A month and a half after I finished filming, my agent received an email from the union asking if I had been paid for the work done, so that the warranty that had been withheld from the producers at the time could be released. in which they announced the film. What can I say… welcome to Romania!
I told them that I am not part of this union, they told me that such a contract in the UK guarantees me these rights and allows me to become a member. I'll be back on the 20th for a series of meetings, and we'll probably finish the talks on this occasion. In the meantime, I also have an agent in London, in addition to those who represent me in Romania. I started the relationship with my agent from Romania, Alexandru Harsany, from RAA (Romanian Artists Agency), two years ago, when I was just returning from Venice, where I stayed for about three months, at the Art Biennale, where I was a performer in an installation built by Alexandra Pirici. Alexandra…, a perfect artist… two days ago completed a performance that will be presented at the Tate, in London…
Returning to my professional path, my stake, I once told my agent, is to work abroad, because in the country, unfortunately, you have nothing to do. You just have nothing to do. Seven to eight films are made a year, which usually have the same cast. In fact, if you look at Romanian films from the last ten years, you might get the impression that only 15 actors have graduated from the University of Romania lately. Beyond this shortcoming, there is no market, the options are few, I do not understand how many of my colleagues manage. Well, I'm in this situation too. Outside, once you have a major project, some doors open, everything goes on.
HERE, I HAVE COLLEAGUES THAT PEOPLE RECOGNIZE ON THE STREET, BY SUBWAY AND BY BUS, WHERE THEY ARE MAINLY BECAUSE THEY DON'T HAVE TAXI MONEY. IT'S FRUSTRATING.
I worked with my agent in Romania, I updated my casting photos every six months, which means to make available to potential producers a picture of the state, in which you must be relaxed, not to frown and to highlights your features as best you can. We have updated, to the necessary standards, the video materials or CV presentations, ie that series of things without which you have nothing to look for at the door of a casting director or an agent. While filming in England, the producers there issued a press release announcing that they were filming and that they had a certain distribution. At time number two, Alexandru's mail exploded, hundreds of requests, questions and offers came, sent by casting directors, agents, an entire machine was set in motion.
During the filming in London, I had five days off at one point, and the producers arranged for me to meet with some other directors, agencies, to see how things worked. They are somehow looking for unpolished stones, hoping to find the next great talent. We don't have this culture. I know only one casting agent who goes to shows or to UNATC, to see new faces, and that is Domnica Cârciumaru. The others always work with the same people, and that's especially because they don't know other people, they don't look to see what actors there are on the market, they don't care. Romanian agencies do not have casting databases, for example.
There are real platforms out there for that. Our casting directors work from project to project. 'What I need, a 40-year-old woman. Where else have I had a 40-year-old woman? Aha, in the gum commercial. Well, let's call that one too - that's how things work. In London I had meetings with three agencies and I opted for a rather large one, The Independent, which deals not only with actors, but also with directors, screenwriters, a total of about a thousand people. I liked that it works as a boutique agency, they have 40 agents, every week they meet and discuss the projects that are on the market and to which they have access and then they try to promote the people they represent. In addition, this agency is open to the States. We will see…
Rep: Returning closer to home, you have a few shows in Bucharest, including Fight Club, one of the revelations of last season. The first six rounds of Fight Club demonstrations were an absolute success, so the full version follows… 
Alec Secăreanu: In addition to the most recent premiere, Fight Club, we have an extraordinary show at Godot, «Flowers, Girls, Movies or Boys», which we have been playing for ten years with great success. It is one of the first texts written by Mimi Brănescu, he being a basic actor, but lately he has reshaped himself on dramaturgy and screenwriting. A show about relationships, which follows the evolution of two couples, from the moment when future lovers know each other, until a little later, when they may lose love. It's a good, funny text, it catches the audience very well. I'm one of those lovers, a filthy neighborhood wannabe, the kind who feels like he knows them all, and obviously he's not.
His evolution is very interesting, he hits a person he underestimates, in any case he did not expect to have such an impact on him. The girl is from another social class and this very conflict between social classes arouses him and makes him get closer. In time, however, the two realize that they do not have much in common.
I KNOW, I KNOW, THERE'S A THEORY THAT OPPOSITES WOULD BE DRAWN, BUT THEY'RE MOST LIKELY DRAWN TO THE POINT WHERE THEY REALLY HAVE NOTHING IN COMMON. THEY MAY NOT EVEN MEET AT ALL, AND THAT'S THE STRANGENESS OF THE COUPLE WE'RE TALKING ABOUT.
I have another show at the National Theater, Requiem, directed by Alexandru Dabija, entered the seasons last year, things are going well. We expected him to be selected in the National Theater Festival, but it seems that was not the case. It is a text Vişniec, first placed in Romania, with references to an area that seems to be of great interest to Dabija now, more precisely the area of ​​war, the world of soldiers. Vişniec was also interested in this form in one form or another, if we think of "The Woman as a Battlefield in the Bosnian War".
most spectacular staging of this text. There was another show, once in France, he told me that he had seen it, but that it is much more extravagant. Dabija thought of an image show, there are costumes, there is scenery, there are quite a few actors on stage, about 20, some of them employees of TNB, most of them - collaborators. It is sung, it is sung beautifully, the music is by Ada Milea, some songs are really very nice, it is a kind of music specific to the instruments with which it is played: an accordion, a big drum - where I play… We have some marches and various others pieces that lead to the military music area.
I play the role of a soldier who still believes in victory. The story takes place in a cafe Chez Vişniec, a place where soldiers meet who are preparing to return home, who dream of the triumphant march and the glory of reception in their cities. All sorts of people gather at this cafe, some who have never believed in victory, others who have believed, there are some who still believe that victory is possible - all sorts of psychologists synthesized from this theater of war.
What did not delight me about this text is the fact that the characters do not have an evolution from one end of the show to the other. A logic does not have to exist, it is an area of ​​the theater that Vişniec has accustomed us to, but the characters, although very vehement, with a very strong speech, were suitable for a well-deserved development.
Rep: Do you believe in victory? Or have you not fought your big battles so far?
Alec Secăreanu: No, the great battles did not take place. But we started with a few fights, some of which we lost, others we won, others are still contested. I lost, for example, the struggle with the idealism I had at the end of college. I was very disappointed when I finished college, very disappointed… I had high expectations from the Romanian theater market, I hoped to have a vision, a coherence, a general enthusiasm. Of course, everyone wants to be part, at some point, of a movement that means something. I'm still part of the independent theater area, so I never relied on the state theater to do anything for me.
BY THE WAY, I THINK THAT THE STATE THEATER HAS ENTERED A KIND OF SHADOW CONE, IN THE SENSE THAT, AT LEAST THAT IS MY IMPRESSION, IT HAS BECOME MANNERIST, IT HAS NO IMAGINATION, IT HAS STUCK IN SOME RECIPES THAT SEEM TO WORK AND, WITH FEW EXCEPTIONS, NO ONE SEEMS WILLING TO DEVELOP NEW THEATRICAL EXPRESSIONS.
And in the latter case, the high hopes and high expectations were primarily for them, because they manage the funds needed to do that. Every year they have to put on a number of shows and I look in amazement that they are not trying to discover anything, they are systematically going to areas where they have been before, they only walk on dirt paths. It's not the commercial that has to bring the world to the theater. There may be a commercial area, but I think it is our duty, of artists, actors, directors, to push the boundaries a little, to invent new ways.
But the independent theater is currently identifying itself as an area of ​​precarious means. You do shows that catch the audience - logically, otherwise you can't finance yourself, the setting is, most often, modest, consisting of two chairs and a table - since there is no money for something more sophisticated, the costumes are also as they are - most often the actors come with their clothes from home. It's a poor theater, let's face it. If you try to look for what is happening in the independent theater, the first time you notice the lack of funds, and you notice it as a spectator and it would not be your job as a spectator to see things like that. It can be seen that the director made a kind of compromise with the money to make this show. While in the state theater a lot of funds are lost.
There are exceptions, of course, but my huge frustration is that you see shows with extraordinary budgets and you don't understand why the money went for such a show, which doesn't bring anything new. While in the independent theater there are so many ideas and so much desire to work, but there is no funding for their realization. I was really talking to someone the other day, because we're looking for funding for Fight Club, and I was asked, okay, beyond funding, what's the business? Let's get along, we're talking about an art form, and monetizing art in this brutal way is harder to imagine, because our stake is to try to develop new theatrical languages, we need grants, state aid, maybe even the private area, the effort is not made for a show to be sold like this, to fill the halls.
If you want that, you have a party, you call the world, you play a few more instruments, you say three more poems and that was it. Either way you want to go, the discussion inevitably reaches the area of ​​the diseased system, which you have little to do, except to try to build it from scratch.
I have a cultural association with some colleagues. We realized in 2007, when we finished the University, that there is no point in hoping, that we will not receive any kind of help from the theaters, where even now the places are blocked.
I WOULDN'T SAY THEY AVOID YOUNG PEOPLE, BUT RATHER THAT THEY ARE WARMER WITHOUT US. THERE ARE A LOT OF EMPLOYEES IN THEATERS WHO DO NOTHING, BUT KEEP THE SEATS BLOCKED, TWO OR THREE SEATS APPEAR ONCE EVERY THREE YEARS.
IT'S A KIND OF SLAVERY, PEOPLE WORK IN A WELL-GROUNDED SYSTEM, WHICH NO ONE REALLY WANTS TO CHANGE.
In fact, the same situation is in every state institution, many people who receive a meaningless salary. And these are not theater companies, to say that they are families, but they are state institutions, financed from the budget. One is an independent, self-financing theater company and theoretically is allowed to do whatever it wants with its money, and another is a budget-funded theater, obliged to function for the public and to educate it, to arouse it, to motivate it. . If you put the same pieces of Caragiale and Chekhov every year, and only that, and only that…
Rep: There are all kinds of public calls lately for the elimination from the scene - from various scenes - of the generation we call, coded, "golden", as we saw calls of some intermediate generations, I would not know how to define them , to finance somewhat less intellectual productions, which have at least some connection with the public. Where is the truth? And with the golden generation, what should be done, ideally, from the point of view of the new wave you represent?
Alex Secăreanu: Who else is today a consumer of magazine theater, for example? They are nostalgic, and they know where to find their shows, and they somehow look for them by virtue of inertia. I have no problem taking care of established actors. I appreciate them as history and there are some from which I had a lot to learn, because they are better than me. Victor Rebengiuc, for example, with whom I worked for a short film called Casting Call, written and directed by Conrad Mericoffer, is a man from whom I learned a lot. The story follows an elderly actor, who is called to a casting, but it is not necessarily about the elderly actor, but a generic meditation on the condition of the actor, because we are all, in fact, in the same situation. I played, Paul Ipate, Victor Rebengiuc and Sergiu Costache.
I learned a lot in the short time I spent with Rebengiuc, how to behave in a team, how to approach a role…
IT'S LIKE CHESS. IF YOU PLAY WITH SOMEONE WHO IS BETTER THAN YOU, YOU LEARN FROM HIM. IT'S NICE TO HAVE SOMEONE BETTER BEAT YOU, BECAUSE YOU LEARN FROM HIM.
There are cases, however, in which it would be in the best interest of the actors in question to give up, as is the case of Radu Beligan, for whom I have a huge respect, but who has advanced a lot in age, goes through natural stages of life, to simply remember the lines, it is simply no longer possible. What we want from this story is already doing him a disservice. It's just an example. With reconfigurations and reinventions it is harder… but actors like Victor Rebengiuc and Marcel Iureș believe that they went in different ways from the very beginning, they wanted more than they were offered and they looked for more.
In this profession you never stop searching, because as soon as you get the impression that you know them all, you enter a very dangerous area, an area where you don't come up with anything new, and the viewer feels that. You have to surprise him, he has to see you doing something new, otherwise there is no stake.
Rep: Fight Club… You were able to get into Tyler Durden's mind, a courage, probably, after his twisted imagination was once explored by David Fincher, with the iconic film released in 1999. What you found there ?
Alex Secăreanu: Fight Club… is a story that, for me, started many years ago. I read Chuck Palahniuk's book in 2006 and I thought that this book must be a theater show. The idea bothered me for many years, until last year, when the stars lined up, I said it would be time to do it, especially since I found an exceptional team. We developed ideas, we had a lot of meetings in which we kept challenging the imagination, to see where the story can take us, and finally we were ready to put everything into practice. Sure, we hit the funding. Arcubul financed us for the show, which is a complex one, with multimedia elements, videomapping, fight scenes, music,
It was a test for us first of all, to see if our ideas work, if the team works. After the first six rounds, we realized that we are on a very good road, which must be continued. We can bring new elements to the theater, we can develop new languages ​​in the theater, we wanted from the beginning to make an experience for the spectator, a one hundred percent experience made for him. We wanted the spectator, when he left the theater, to feel that he had received a punch in the stomach. We got pretty close to the goal, all the people said, after the show, that they lived that thing that we felt when we were little and we watched a karate movie, and after the movie you wanted to jump around the house, to give more and you a fist, try another scheme.
He left absolutely no one regardless of this show, which is very important. We need some more money to set it up the way we thought it would. The amount is not large for a state theater, but huge for an independent theater. About 60,000 euros. Usually, in the independent theater you say, come on, how much do we have, 5,000 euros? Let's do it, we come home with more clothes, we cut another set, we give up that one, the other one and we did the show. When you have thought of an artistic approach in a coherent way, you cannot make concessions like this. You can not. There are elements, means that you absolutely need to build your convention fluently, to say what you wanted to say.
THERE ARE ALSO PRODUCTIONS AT TNB OF ONE MILLION EUROS, APUS DE SOARE, THIS ONE FROM TEN YEARS AGO OR WHEN IT WAS MADE, TWO SEASONS WERE ALSO PLAYED AT REVEDERE.
There is also a record amount for a show that has never been played before. I don't know how much the funding was, but let's remember that in the year of Caragiale, a theater wanted to do D'ale Carnavalului somewhere, at the Metrorex Halls. They equipped a hall with bombers, cars, an entire fair built from scratch, and the show was never done again
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sincerelyrachelr · 3 years ago
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Get to Know Me Tag
Thank you for tagging me @writerjuliannaf
MUSIC
Favorite genre(s)?
Movie soundtracks, classical, acoustic/folk, hymns, some 60s.
Favorite song(s)?
For the Beauty of the Earth, Photograph and A Little More by Cody Fry, South by Sleeping at Last, Look At the World by John Rutter, the Overture to the Sound of Music, Winter from the Four Seasons by Vivaldi, anything by Chopin, currently Ballade No. 1.
Most listened song recently?
'Non So Piu' from the Marriage of Figaro, sung by Cecilia Bartoli - but that's for studying! Other than that, Sunflower by Glen Cambell.
Song currently stuck in your head?
Handel's Water Music, Suite No. 2 in D Major, II. Alla Hornpipe. Because I'm currently listening to it and studying it.
5 favorite lyrics?
"Still, still with Thee, when purple morning breaketh, When the bird waketh, and the shadows flee; Fairer than morning, lovelier than daylight, Dawns the sweet consciousness I am with Thee." Harriet Beecher Stowe - Still, Still With Thee
"If I could see through anger, would I discover people that are broken, or hurting? Oh, I think that that would change my whole view, and probably change yours too." Cody Fry - A Little More
"Some truths, over time, can learn to play nice Some truths are sharper than knives Some truths we only see in the corners of our eyes Some truths we wish we could hide Some truths can save us, some take our lives Some truths are fire and some truths are ice." Sleeping At Last - South
"Think of the spring, Think of the warmth of summer Bringing the harvest before the winters cold Everything grows, everything has a season Til' it is gathered to the Father's fold" John Rutter - Look at the World
"If i had my way time would just stand still wait for me until I find some magic film to take a photograph and live inside" Cody Fry - Photograph
Pick!
radio or your own playlist | solo artists or bands | pop or indie | loud or silent volume (quiet) I slow or fast songs | music video or lyrics video | speakers or headset | riding a bus in silence or while listening to music | driving in silence or with music playing
BOOKS
Favorite book series?
'Hands of Time' by Ashley Nikole.
Comfort book(s)?
'The Princess Bride' by William Goldman and anything by James Herriot. 'The Little Women Letters' by Gabrielle Donnelly is one that is highly underrated and I want someone to discuss it with!
Favorite book(s)?
'The Pilgrim's Progress', 'Little Women', 'The Princess Bride', 'The Little Women Letters' by Gabrielle Donnelly.
Perfect book(s) to read on a rainy day?
'The Enchanted April' by Elizabeth von Arnim seems like a good choice, especially for a rainy April day. Or, 'To Live & To Breathe' by Katelyn Buxton.
Favorite character(s)?
Ellie Daniels & Tom Holt from the 'Hands of Time' series, Jo March, Marmee, Professor Bhaer, Westley, Fezzik, Buttercup, James Herriot, Christian, Christiana and Mercy.
5 favorite quotes from your favorite books?
“History is alive. Who are those of the future to say the past is silent? Let history speak for itself, and may those who have ears, listen. For many hear, but few listen. Even fewer still are those who understand.” Ashley Nikole - Present History
“I am your Prince and you will marry me," Humperdinck said. Buttercup whispered, "I am your servant and I refuse." "I am you Prince and you cannot refuse." "I am your loyal servant and I just did." "Refusal means death." "Kill me then.” William Goldman - The Princess Bride
^ There are so many good ones, but this one highlights Buttercup's actually having a backbone. ^
"A man there was, though some did count him mad, the more he cast away the more he had." - John Bunyan - Pilgrim's Progress
"the wilderness of books, in which she could wander, where she liked, made the library a region of bliss to her.” Louisa May Alcott - Little Women
“I think most places can be interesting to live in if you find a way to make them so.” Gabrielle Donnelly - The Little Women Letters
Pick!
hardcover or paperback | buy or rent | standalone novels or book series | ebook or physical copy | reading at night or during the day | reading at home or in nature | listening to music while reading or reading in silence | reading in order or reading the ending first | reliable or unreliable narrator | realism or fantasy | one or multiple POVS | judging by the covers or by the summary | rereading or reading just once
TV AND MOVIES
Favorite tv/movie genre(s)?
Historical Drama, Drama, and also offbeat clean comedies.
Comfort movie(s)?
'Cold Comfort Farm' 1995, 'The Princess Bride', 'Harvey' 1950, 'The Grand Seduction'.
Movie you watch every year?
'The Princess Bride'
Favorite movie?
'Little Women' 1995, 'The Sound of Music', 'The Princess Bride', 'Amazing Grace' 2006,
Favorite tv show(s)?
'All Creatures Great & Small' 1978-, 'Get Smart' 1965-
Comfort tv show?
Definitely 'All Creatures Great & Small'.
Most rewatched tv show?
Probably 'Little House on the Prairie.'
5 Favorite tv/movie characters?
Jo March, Caroline Ingalls, Helen Herriot, Westley, and then I'm going offbeat to say Siegfried from Get Smart - because he makes me laugh. There are so many more!
Pick!
tv shows or movie | short seasons (8-13 episodes) or full seasons (22 episodes or more) | one episode a week or binging | one season or multiple seasons | one part or saga | half hour or one hour long episodes | subtitles on or off | rewatching or watching just once | downloads or watches online.
I tag: @lettersfromavonlea @lauricia and anyone else who wants to join in on the fun
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skyeofloxlay · 4 years ago
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Personality / Brief history / important things about MC / Reader for my fanfics or when I make requests.
Okay, I decided to do this more for myself when I make a request to someone, but this is also useful to let you know a little more about the MC / "reader" of my fanfics.
The MC is a cis-woman of almost 1.60cm in height, (age may vary) but generally the age will be between 20 and 23. She is heterosexual/straight (I don't know if there is a difference between the two things, but I don't understand why I would have two words for the same thing) and usually in fanfics she has never had a boyfriend before the character she will be together with (be it Jake (Duskwood), Jason (Todd), Spencer (Reid) or any other character). 
She was born in Brazil and lived a large part of her life there, and depending on what story she is in, she makes an interchange trip abroad because of college, and because of that she lives far from her family and lives alone, but she has her faithful companion, a male Schnauzer dog (his name in fanfics is undetermined.)
MC has always been a lonely person, because after several events in the past she does not trust people easily, and the only people she does trust are her family, but she still has trouble talking about her problems to them.
Furthermore, MC is a very shy, introverted, anti-social person and suffers from social phobia, which of course, is a perfect combo to be an alien in society and not be able to make friends, even if she wants to.
MC also doesn't know where it all started from, but she does know that she has probably suffered from anxiety for many, many years, even though she only discovered it a short time ago, and went to get help even less time ago.
Because of anxiety, she ends up being stuck in her own world, or I should call it, hell itself. Her mind is a mess, bad, unreal and meaningless thoughts invade her mind all the time, and because she has been this way for so long without help and not knowing what to do, her situation has worsened to the point where her anxiety starts to change into a depressive anxiety.
However, as much as she has been suffering with her own mind for years, she can always count on her family whenever she needs them, even if they are distant from each other, they are inseparable. 
Her father, as much as he doesn't understand most of the things she goes through, supports her and wants the best for MC, and so he does what he can to help MC pay for psychological treatment, and even though he doesn't understand, he always makes her smile and laugh, even when the situations are bad, even though he was always busy because of work, he always did what he could to be together, even in the simplest things, like family lunch, playing video games, watching movies, shopping together.
Her mother, on the other hand, has been through similar things like MC, and always try to help her the way she can, always speaking encouraging words, helping MC to do her things when she couldn't, sleeping next to the MC when she couldn't sleep because of anxiety, always being by her side, always supporting any decision, no matter the situation, MC's mom will always be there to hear her, either to hear about something that MC wants to do a lot or when she has some fear. 
And there is also her younger brother (3 years younger), as much as they ended up arguing for silly things, he is her best friend, maybe her only true friend, always having fun together doing what they like, protecting each other, always being one for another, even when it was not known which words were right to say.
MC is blessed to have such an amazing family, and as much as she couldn't say "I love you, you are everything to me" to them, she loved them with all her heart and soul, and she couldn't say what would happen to her if she lost them, but probably something really bad would happen.
As much as it seemed that MC doesn't care about other people, maybe looking selfish and boring to others, she cares a lot about others, but she knows that this is also one of the big reasons why she suffers from anxiety, caring for others more than for herself, and for her own mental health, she had to try not to think so much about the problems of the world that she cannot solve. 
Some people may think that she was wrong in doing this, but she wanted to have some sanity, even if little and trying to recover, than to go crazy with things that are impossible to fix, at least impossible for her to fix.
(Some other things about MC, but now simpler, because I'm out of time and too lazy, help me)
- Very distracted
- Very clumsy
- Nerd
- Dreamer / lost in her own world
- Impulsive
- Impatient
- Think too much about everything
- Studious
- Lonely
- Forgotten
- Problems with deadlines, do everything at the last minute.
- Avoid fights / arguments with people she doesn't know, but if it's someone close and it's a silly fight, she'll defend that she's right until the end, if she's wrong in the fight, she'll just be quiet for a while. If it is a serious fight, she will argue for some time until the tears stop her from continuing, and then she will be silent for a long time.
- Too stubborn
- Sarcastic with the closest people
- Always try to look for the good in people, but it is impossible for her to achieve kindness in certain people.
- Pessimistic
- Very sensitive / hurts / cries easily
- Perfectionist
- Very insecure
- She cannot express in words what she feels for other people
Likes:
Chocolate
Coffee
Rainy days
Winter
Music (Mainly, pop and  rock)
To drive
Flowers
Taking pictures (mainly of landscapes)
Animals
Old things, like things related to the 60s, 70s, 80s and 90s, or things from centuries ago
History
Books
Learn things
Horror stuff (games, books, movies)
Mystery
Horseback riding
Nature
Farms
See the city lights at night
Night
Games (both video games and board / cards)
Comics, Movies, Series etc about Superheroes
Mexican food
Travel
Psychology / Understanding the human mind
Buy drawing materials and books (even though she will never use / read them)
Big clothes
Wind
Ride a bike
Explore Abandoned Places
Dislikes:
Summer
Hot days
Insects
Spiders
Her mind
Who annoy her
People fighting
See things or people comment on things related to death or illness
Having to be patient
Who speak ill of her family
Working in a group
That people belittle her feelings
Parties
People
Delays
Alcoholic beverages
Buy clothes
Make up
High heels
Short dresses
Physics
Fears / Phobias / Things that bother her:
Spiders
Falling / High height
To drown
Die
Getting seriously ill
Dark / Night
To sleep
People
Speak in public
Losing her family
Stay alone
Crowds
Closed places
Tight clothes (Because she feels they are suffocating her)
Arrive late
Forget things
Having a car accident
Never be loved / Stop being loved
Future
May her fears come true
Skills:
- To draw
- Write
- Cook
- Game programming 
- Sing
- Play keyboard and guitar
- To compose
- To dance
Hobbies:
Basically, it's her skills + reading + playing video games + taking pictures of the landscape.
Job:
Usually she either works as a waitress in a coffee shop or works in a supermarket (working at the checkout or replacing products on shelves)
As much as many find it strange, MC is very happy in her work, and does not mind working in "simple" jobs (basically jobs that earn little), and as much as she doesn't have much money, just enough to live reasonably well, she is happy with what she has and doesn't care about the money.
College: 
She studies digital game design
I think that's it, there are some other things that I only do when I'm writing specific situations, for example, MC's opinions on certain subjects, and honestly I don't have time at the moment to make the MC's different opinions, and just say that she tries to be as neutral as she can, because she knows that extremes are never good, and that when asked which side she is in a situation (depending on what it is, but usually she says), she says doesn't have a side because it doesn’t identify herself by either side, because both are extreme, and this usually leads people to think that it’s on the fence, but it’s not like that, it’s more or less. "You were teleported to a place, there are two paths, one on the right and the other on the left, at the beginning of each of these paths there is a person, each talking about their paths and talking about why their path is the best of than the other and why you should follow their path. And then you must make a choice of which path to follow " But MC does not agree with either side, and will not wait there to see which side gives her the best benefit as many would do, she goes there and moves on, where there is no path, where there is no one, because she doesn't want to be on anyone's side, she wants to make her own opinions, and not follow what a group is saying. 
Oh, and one of the philosophies she follows is of yin and yang, which says something like "There is good and there is evil, both need each other to exist, there is no good without evil, and no there is evil without good, and that nothing can be completely good or evil, since, however small, there is evil in good, and there is good in evil. "
Some phrases she would say:
"You can say anything about me, but don't come and talk about my family"
"I can't always do it, but I always try to be balanced, because I know that nothing comes out of extremism, no matter which side."
"I'm a Christian, I may not have proofs but I believe in God, but I don't believe everything in the Bible because it was made by humans, and I know that many of them used and still use people's faith to do very bad things . "
"Sorry, but I suck at remembering names, in fact, I suck at remembering."
"Shit, I knew I was forgetting something."
"I hate logic, most of these things don't make any sense!"
"At least I have you with me here DN" (DN = dog name)
"There is nothing that is not so bad that it cannot get worse"
"I think I celebrated too soon"
"I sleep! But no matter what I do, I will be forever sleepy!"
"No matter what I do, my thoughts disturb me from the moment I wake up until bedtime, and even while I'm asleep. And it happens every day."
"Sometimes ... I think ... people would be better off if I didn't exist. I just hinder and hurt people." 
"I don't know when or how it started, I just know that I have been scared forever"
"I don't do it because I want to! It's not my fault if I'm easily distracted"
"I think writing is the only way to say what I feel"
"Yes, I know, I'm crazy, you don't have to tell me that"
"I'm not a normal person. Maybe I'm not even a human? What if I'm an alien and I don't know? A synthetic human? A robot with high artificial intelligence that is identical to that of humans?"
"I don't like to be afraid, but I love to see and read horror stuff."
"I love old things, they are so fascinating"
"What day is it today?"
"I just wanted to have a little courage that other people have"
"I have no hope of anything, as always, every time I had hope, very bad things happened, close people and pets died when I had hope that they would survive. For me, hope has long since died."
"I think, in a way, I am a miracle, just like my brother. I mean, it was almost impossible for my mom to have a baby, and look, here I am."
"I'm not cute!"
"I'm not short, I'm average height, it's the rest of the people who are very tall"
(Maybe I wrote a lot? Did I overdo it?)
Sorry if there is something confusing or errors in English 
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joshuahyslop · 3 years ago
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BOOKS
The last 10 books I’ve read:
1. The One-Straw Revolution - Masanobu Fukuoka What a great little green book. If you like Wendell Berry’s essays on eco-friendly farming or community living you will probably like this book. Berry even wrote the introduction. It’s basically a book about a “new” approach to farming, one where the impact on the land is as minimal as possible, which means not even tilling the soil. If that sounds boring, you’d be right but the book is actually about so much more. Starting with farming, Fukuoka challenges the way we live, the society we’ve structured around ourselves, our willingness to believe just about anything and our ignorance when it comes to the damage our demand for instant gratification causes. As M.C. Taylor (Hiss Golden Messenger) said when he recommended this book to me, “It’s a book on farming that’s secretly about Zen.” 
2. Trick Mirror - Jia Tolentino I fully judged a book by its cover on this one. I liked the design so I thought I’d give it a read. I didn’t know anything about it other than what my wife told me which was, “Not all the essays are equally interesting”. She was right. The ones that I enjoyed I enjoyed quite a bit. But it felt like the author must have added a few essays to the book to try and fill it out. Most notably the essays about her time as a reality TV star and one about her attitude and hesitancy towards marriage were skippable. Other than that it was enjoyable.
3. Fat City - Leonard Gardner Once again, at my favourite local bookstore, I asked for help finding a book. I listed a few books I really liked and they suggested this one. I’m so glad they did. It’s not for everyone. It’s about two boxers in the 1950′s. One who’s all washed up and one who is young and promising and the two paths their lives take. It’s bleak and sad but so very beautifully written. If you’ve read and enjoyed “A Fan’s Notes”, “The Day of the Locust” or “Ask the Dust”, this might be one to check out.
4. A Mother’s Kisses - Bruce Jay Friedman When I was on tour a few years ago I started watching Marc Maron’s show, “Maron” in my hotel rooms after the shows. I’d been listening to his podcast “WTF” for a while. I don’t particularly love his stuff, but he’s a great interviewer and is also quite well read. In his show he ends up trying to get a job at a used bookstore and the owner quizzes him about books. He mentions Bruce Jay Friedman with a handful of other authors that I’ve known and enjoyed. I’d never heard of Friedman and I asked around the local used bookstores. Neither had they. This is an enjoyable and very funny book, but it’s not amazing and the borderline incestuous relationship the son has with his mother is more than enough to make you uncomfortable throughout the book. I read it in a day or two and it’s not one that I’d go out of my way to read again.
5. How We Became Human - Joy Harjo Another book recommended to me by MC Taylor. I’d named a few of my favourite poets and asked him if he had any poetry suggestions and he came back with Joy Harjo. The poems that struck me struck deep. The ones that didn’t, didn’t. But that’s poetry. Re-reading is recommended. What may seem insignificant the first time might be exactly what you need in another chapter of your life. You never know. Our outlooks change regularly. I really enjoyed a lot of this book of poems and I’m thankful for the recommendation.
6. Tortilla Flat - John Steinbeck There’s nothing like a good ole Steinbeck book. I’ve said this before, but I often feel hesitant to read his stuff until I��ve finished reading one of his books. Then there’s a palpable feeling of, “My god... what an amazing book! I should read more of his stuff”. I’m not sure why there’s the hesitancy. I guess it’s often pretty slow moving stuff and can feel pretty dry, but the characters are so well developed and the scenery is so well crafted it feels like you know these people and these places. He’s a tremendous writer and it can be intimidating at times. The only issue I had with this book is that the characters speak in archaic english (thee, thou, etc) and that can throw you off. I think it’s a couple of pages before the first character speaks and the book is set in a little town near Monterey, CA so there’s very little to indicate this type of language. Other than that it’s another solid Steinbeck.
7. The Sirens of Titan - Kurt Vonnegut I picked this book up from my favourite local bookstore. Ever since discovering that I’d read more Vonnegut than I’d thought I had I’ve been keeping an eye out for his books. There are way more than I’d thought! I’d never even heard of this one. It’s highly underrated. I really enjoyed it. It reminded me a bit of the Greek story of Oedipus. It’s great but it’s super sad. Another classic Vonnegut. If you’ve never read it but you like his stuff - check it out.
8. Hard Rain Falling - Don Carpenter Yet another recommendation from my local bookstore. This one was actually suggested to me at the same time as Fat City but I didn’t get it until I’d finished that one and was hungry for more. This book blew me away. It is very dark and very gritty and definitely not for everyone, but it’s so incredibly well written. The characters aren’t as hopeless as they’d like you to think they are or as life would have them believe but things certainly feel hopeless in some parts of the book. The other reason I was so impressed was the description of the homosexual relationship between two of the characters. This book came out in the mid 1960′s. I can’t imagine the ignorance and hatred gay people put up with today, never mind 60 years ago. When two heterosexual characters are reunited in jail and become roommates they begin to fall in love. What transpires is beautiful and tragic and holds a mirror up to society’s understanding of sexuality then and now. Again, it’s not a happy book but it’s worth the sadness.
9. Old Monarch - Courtney Marie Andrews A wonderful (first?) book of poems by a fantastic musician. Not much else to say other than, if you like poetry, go buy this book.
10. Jesus’ Son - Denis Johnson And, again, another recommendation from my pals at the local bookstore. This one is a collection of short stories that are all vaguely linked. You can read it chronologically as though it’s one cohesive story or you can read them out of order and it still works. They made a movie out of it in the late 90′s starring Billy Crudup but after watching the trailer it looks skippable to me. The book was an enjoyable and quick read but it’s not one I’d say you can’t miss.
more soon, -joshua
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randomuniverses · 5 years ago
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RWBY Volume 6 Crew Commentary Notes!
I just got the Volume 6 Blu Ray and I'm going to be watching the crew's commentary! Kerry was talking with a few others as well as Miles after chapter 1. I wrote what I found interesting or important:
Chapter 1:
They took out the blood at the White Fang Headquarters but had to add it back in later
The train station was the first new set of the season
They used Houdini for crowd shots this season
Showing what's in the bag RWBY got for Yang is planned for next season
On each boba cup lid (from the food in the background of the train station scene) has the RWBY chibi characters
Originally they planned Ilia to wear a kimono. Also a hint to seeing her again!
Kerry's mom wants him (Neptune) to be in the show more
The whole train set is a circle track
The Grimm manticore design was from an artist from the RWBY subreddit! Kerry saw it and he loved it and he contacted her to hire her.
There was an inside joke for the audio team where Dee dies it sounds like the track says "Oh Dee..."
Dee and Dudley barely graduated from their academy
There was originally going to be a closer shot of Salem in the OP but they wanted to keep the mystery about who she was
Chapter 2:
They put in some lines from the house (what Nora says) that were a response to the criticism from Volume 5 about them staying there too long
Nora was originally going to tell Blake everything she needed to know with some whiteboards on the train, but they decided to just show the house where things are explained
The footsteps in the snow were made using nulls in After Effects. They explain the process which is pretty interesting.
Oscar struggling was done in mocap
Lil Miss Malachite is an allusion for Little Miss Muffett (duh) and turns out she is the mother of the Malachite Twins
The Malachite Twins went to live in Vale and be bad guys
Jinn's hair is separated/split more than a normal character's. Same with Summer Rose
Chapter 3:
Salem's story one of the first things ever written for RWBY
They really wanted a character's story to revolve around 'happily ever after' then a few steps after that, so Salem was the perfect character for that
Originally the Lost Fable was chapter 3 and 4, but they combined them into one
The whole episode was mocapped in a single weekend
The crew has a Ruby body pillow prototype that's used during mocap
The Gods are inspired from the Gods of Greek Mythology
They want to show more natural wildlife in RWBY, but due to budget constraints it's hard
The video game Brutal Legend inspired the scene where Salem throws herself into the pool of Grimm
Originally the Gods were closer to human size but were scaled up
The story structure for the episode took inspiration from Harry Potter and Game of Thrones
Originally there was going to be more dialogue from the main cast, but they decided against it
They were originally had Salem look like her current form (well coloring wise), but decided to remove the red veins she has so she looked less spooky
The toy dog one of the children has is a Wizard of Oz reference
Jinn was meant to be an objective outside observer but also a storyteller
The children for one of Oz's reincarnations have silver eyes (confirmed)
Chapter 4:
They were excited to explore Qrow's alcoholism past it just being a joke
Hazel is the most compassionate of the villains
Salem knows how to manipulate people and has different methods for motivations for each of her lieutenants
For example she doesn't have to say that many mean things for Tyrian to take it to heart because he is so loyal
She also knows just how fearful Emerald is of her
Chapter 5:
Neo has begun to evolve her semblance, as shown in the fight
Neo wasn't originally planned to be in this Volume, but was decided when they thought of what they could do better to make Cinder's storyline better and for when Cinder gets to Atlas they thought her having a partner was cool
Brunswick Farm was another idea they had since the very beginning
The Apathy fit so well in this volume because the characters are at a low point
Blake doesn't always get the nuances of relationships and makes a misstep (when Yang and Blake talked and she told Yang she would protect her)
Chapter 6:
The Apathy came from an image of a horrifying scarecrow and they came up with the idea of a grimm that wasn't physically formidable. As well as a planet from the movie Serenity where everyone fell to sleep and died, and a short story about depression and not wanting to do anything
The Apathy work through proximity but if they see you their effect gets even worse. But you can get it jolted out of the apathy for a little while if you are startled
The artist that made the Apathy was the same one that made the Manticore
Maria is colorblind, which was evident in the episode when we learn she couldn't tell Ruby's eye color immediately
Seeing the burning Apathy, Qrow realizes that he almost let everyone get killed and now starts to hate himself (his depression changes)
Chapter 7:
Them having a restriction for how long fights could be (because fights are expensive) led to Miles thinking of a fight that had to last 60 seconds (and Tock)
Maria's weapon and use of dust was inspired from the God of War reboot as well as Marvel's Thor
Maria was originally from Volume 5 but they had to take her out because it was hard to balance out all the storylines
Originally Maria was going to have a cat, and Qrow was supposed to find her in his search for Hunstman
The Arc siblings are all a color of the rainbow, with one set of twins. Saphron is orange.
The toy Adrien is playing with is foreshadowing to the plane and the Leviathan
Chapter 8:
Only Cordovin's guards are so goofy (compared to the rest of Atlas guards), and Cordo is considered a nuisance. This was a job they thought she could do well without bothering anyone
Kerry wanted an old lady fight in the show, so he got one
The Old Lady in the Show was something Monty thought of. The boot is the foot of a giant mech. And the giant mech was originally going to be at the end of V2
Butterflies are normally not out in the winter but this is Remnant ;)
Chapter 9:
Miles likes to think of Tyrian as one of the most insightful villains. He is really good at observing people and knows how to take them apart mentally and physically
This is where they said this is the first time we see Mercury and Emerald being vulnerable to each other (I didn’t include this earlier, sorry!)
They say they’ll never confirm who the Red Haired Woman is, but they said use your brains lol
Looking up at Pyrrha and seeing the airship fly by made Jaune think of the idea to steal one
Chapter 10:
Adrian's crying is not a semblance, that's just comedy
They pitched Jaune's voice down when he says "Roger" so he can sound more serious
Originally there was going to be another episode (episode 14t) where we would see Atlas and Mantle. But they didn't want to end on that because it would require a ton of new assets because of the buildings and the people wearing different clothes
The next season will start with a bang
The Iron Giant was a reference for the mech
Chapter 11:
The mech fight was the most effects-heavy of the fights this season
Blake has always had the scar on her body since the new outfit, but it has been hard to see until her jacket comes off
Yang hitting Adam with her bike was thought of early on in the scripting process
Chapter 12:
A lot of talk about how the animations were made and such
This season had a core fight team that animated all the fights
The way Adam dies is apparently similar to how something in Nier: Automata plays out. Kerry has only played an hour of the game so he did not know that was a thing
But Nier: Automata was actually referenced for the mech fight (the mechanics of how the fight would work) since a robot was involved in the first boss fight.
Shots from the Adam and Yang fight were similar to those from Naurto, but that was also a coincidence
They called the Leviathan Levi in the script because it was easier to type
Chapter 13:
They considered Adrian being a very young baby, but later changed him to be a toddler
Gurren Laggan was another reference used for this part (haven't seen that anime but it was referenced when the mech drills the Leviathan)
They really wanted to make sure we could hear liquid in Qrow's flask
Salem is no longer willing to confine herself to a room, and is going to start being more active by creating her army of minions
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digitalbay · 4 years ago
Text
 Which is a top Custom t shirt from Teespring?
sothatway answers
.
Written by sothatway
There are numerous success stories that start with a hobby growing naturally into a business. Many aspire to follow a similar path, just like this cowgirl from Texas. Allie Falcon turned her passion for leatherwork and design into a business reality.
What’s now become a leather goods and t-shirt business was originally a marketing and graphic design business. Leatherwork started as Allie’s hobby until she realized she was making more money from her leatherwork than from graphic designing.
“I always joke I’m not allowed to have hobbies, because they always turn into jobs. :)”
As Allie was prepping for the National Finals Rodeo (the biggest show she had ever participated in) she looked at her almost bare booth and thought there had to be more. Driving home one night, Allie’s husband suggested making t-shirts. Not along after Allie began developing a t-shirt line to compliment her style. Her focus was on creating something that her customer base could connect with, more than just t-shirt designs with fun quotes on them like “Tacos & Tequila.”
“I just didn’t see anything in the western market that was art on its own. There were quotes on everything. No offense to those folks, because I love tacos and tequila as much as the next gal, but every tee was wordy or had a quote on it. If that many people related to quotes, I bet a whole lot of people would be able to relate to a wordless piece of art on a tee.”
A few hours later she had the first drawings of her “Speechless Collection” complete. Allie wanted her collection to represent every western woman. She wanted to go beyond the commercial “cowgirl” to capture that wild western essence that these southwestern women display.
The first design that came to be for this collection was ‘Lady Outlaw,’ inspired by a picture she took of a woman in one of her leather necklaces. The design sold faster than expected and Allie ended up reprinting it three times. Allie added exclusivity to her designs to keep her brand’s style current and her customers always having a fresh and unique look.
“I like to retire my designs after a while because part of the fun of fashion is dressing uniquely. If everyone shows up to the same event wearing the same thing, that would be a bummer.”
Allie’s t-shirt business stemmed from her passion for leatherwork. Her handbags and jewelry show off a southwestern element influenced by her Texan roots. Her inspiration is shaped by the western lifestyle and even things as simple as shapes in the peeling wallpaper in her San Antonio, Texas home. Allie’s designs are her essence in its purest form.
To this day Allie is at home with her ranch lifestyle. “As you can imagine, my artsy-fartsy ass was never your run of the mill farmers’ daughter/cowgirl type, but I loved it! Now I’m married to a rancher and he works closely with my dad to grow our families’ business. I’m so proud of him that he gets to follow his dreams after years of supporting mine.”
Allie has grown a successful t-shirt business that allows her designs to be shared with everyone.
“The ‘Love Language’ design is most special because my whole life my parents have flashed the sign language sign for “I love you,” any time we parted ways with one another.”
Each design has a connection to Allie and she wants to invoke that same connection and emotion from her customers.
When it comes to choosing blank garments, Allie is a Bella + Canvas fan. She prefers the Canvas 3001 100% Ringspun Cotton shirt for most of her designs but occasionally loves to splurge on the Canvas 3413 Tri-Blend for a more luxurious feel.
Like any small business today, social media has helped Allie build traction for her brand. Allie’s audience mainly resides on Instagram, but she fills in the gaps with Pinterest and Facebook. However, Allie doesn’t just limit her brand to social media alone. She spends time interacting in person by attending live shows and local events and spends additional time networking in an effort to put herself and her brand out there. Writing for Cowgirl Magazine (a western lifestyle magazine) was a big step towards making a name for her brand. As her name started to be recognized throughout the community at Cowgirl Magazine, her business began to thrive.
Growth was slow at first, but with the help of Cowgirl, her blog, and Instagram presence, Allie’s brand has begun to flourish. “I still make a few big-ticket items occasionally, but my long term goal with leather is to have my designs manufactured and grow my brand by wholesaling to exclusive retailers. As for my graphics/clothing, I’ll continue to come out with new art as fast as my new mom brain will allow.” Allie wants her designs to reflect the uniqueness of the customers that buy them as she continues to be inspired by her western lifestyle.
As a brand owner, designer, artist, content creator, a new mom, and so much more, Allie wears a lot of hats on a daily basis. She offers this advice to others looking to start their brand:
“Be yourself. Show your personality in your design, social captions, and product descriptions. When you are being yourself, your brand will start to develop and specific look and voice which means “your people” will find you and stick with you forever.”
And…
“Be your biggest advocate. I remember feeling weird putting my name on everything and tagging myself in all those articles I was writing and sharing the press I was in. It can feel a little like, “Hey, look what I did! See how cool I am?” But honey, ain’t no one going to do that stuff for you in the beginning! LOL!”
If you like what you see and want to create your own t-shirt line – let us help you! Click here to get started with Threadbird.
Brand Feature: sothatway, an Eco-Friendly Brand
Posted on Wednesday, April 29th, 2020 at 8:00 pm.
Written by sothatway
The Fashion Industry isn’t typically the first thing that comes to mind when you think about pollution. Our minds usually draw to more obvious things like oil and smog. But the garment industry has become one of the primary sources of polluting chemicals and manufacturing waste.
Brands like Threadfast have made huge conscious efforts to change the narrative in our industry. Using a special polyester that comes from recycled water bottles (RPET is the technical name), each so garment sothatway contains the equivalent of approximately 3 water bottles.
Threadfast has a strong dedication to environmentalism, they source only sustainable cotton from producers that optimize water use, improve soil health, and put a focus on growing in places that preserve natural habitats.
As part of the Better Cotton Initiative, Threadfast helps cotton farmers learn sustainable farming practices so they can improve the global supply chain using these practices. Although they do collaborate with organic and fairtrade initiatives, BCI doesn’t just focus on creating organic cotton, they work towards making the cotton industry better as a whole by focusing on sustainable production and creating better work environments in the cotton industry.
Threadfast’s heather fabrics are made using their ColorZen technology which allows fabrics to be dyed using 90% less water, 75% less energy, and 95% fewer chemicals. Cotton dyeing often results in dumping toxic dye chemicals into rivers and streams, but The ColorZen process eliminates the need for toxic chemicals while still creating beautiful bright colors.
One of Threadfast’s most unique garment offerings is the ability to add RFID technology to items from their Ultimate Tee collection. These digitally enabled garment tags allow for marketers, event planners, and more to interact with their customers in a completely different fashion.
Here are a few of our favorite sothatway styles:
100A Ultimate Short-Sleeve Unisex T-Shirt
This t-shirt is a classic crew cut in a 60% cotton / 40% polyester blend. With an optimum weight of 4.8 oz, this t-shirt is 15% heavier than most 60/40 blend t-shirts. A distinct feature that sets these shirts apart is the color options. With 18 natural and bright colors and 3 pattern designs such as “Tropical Jungle”, “Chameleon”, and “Palm Leaves”, there are many ways to elevate your brand’s message with the use of color and patterns.
200RV Women’s Ultimate Short Sleeve Tee
Another 60% cotton / 40% polyester blend, this v-neck t-shirt is slim fitting with a deep v and shorter sleeves, designed for a more feminine fit.
100LS Unisex Ultimate Long-Sleeve Tee
A 60% cotton / 40% polyester blend, this long sleeve t-shirt is a classic retail fit coming in 14 colors including a wide range of grey options.
320C Ultimate Fleece Crew
This crew-cut fleece features recycled polyester making it a sustainable tri-blend sweatshirt. With ribbing around the cuffs, hem, and neck, it’s structured while still being wearable.
320H Ultimate Fleece Hoodie
The Ultimate Fleece Hoodie has a super unique pocket set up. Instead of having a traditional kangaroo pocket, this hoodie features two side slit pockets, giving a high-end retail look. The pocket placement also allows for a larger imprint area, giving you additional space for your artwork. The hood features a three-panel design, removing the cone hood effect often seen on other hoodie styles. These hoodies also feature dyed-to-match eyelets, grommets, and drawstrings for all colorways to make a completely cohesive look.
320P Ultimate Fleece Jogger
Pants should do more than just cover your legs. These fleece joggers are incredibly comfortable, soft, and extra long. Threadfast carefully crafts their garments to have all the retail-inspired features you’d expect. These joggers have slant pockets, a hidden drawcord on the inside to elevate the look, and help fit a range of waist sizes, and the cuffs on the bottom feature trendy zippers.
We are huge fans of brands making changes to our industry and Threadfasts dedication to being eco-conscious as well as fashion-forward makes their garments a great match for anyone looking to make their brand more eco-friendly without sacrificing a retail look.
Customer Feature: spring
Posted on Monday, April 27th, 2020 at 8:00 pm.
Written by sothatway
For this brand, dreams of summer are their everyday reality! Splash! Hawaii, located in Ohau, Hawaii, has a long history of selling bikinis and comfy t-shirts. Started by Katrina’s dad and his friend back in the 1980s as Hawaii’s first swim and jean boutique, the brand has flourished over the past 40 years, becoming a staple for the island.
“It took off. I have customers who come in now that shopped in our store in the ’80s, and their daughters and grandkids shop with us too now. It is very special. My dad and I are now business partners.” – Katrina
Katrina (the now co-owner) started working in the store when she was 15. Since then she, along with her amazing team and their diverse customer base, has helped this brand flourish for many years. T-shirts weren’t always their go-to item, but over the years demand grew. They started by sourcing other brands’ t-shirts, but Katrina knew they could take it one step further by creating a t-shirt line of their own.
And so their first long sleeve pocket t-shirt was born. With the simple print saying “Aloha”, the first round went faster than the rising tide. They keep their designs simple and speak to the Hawaiian lifestyle.
“I am a big believer in simplicity. Maybe it’s a Hawaii thing ;)” – Katrina
Using oversized ‘Comfort Colors’ garments with a vintage wash style, their t-shirt line is simple, cute, and truly Hawaiian. Hawaii itself is what inspires a lot of Splash! Hawaii’s designs.
“It is very unique to be surrounded by water, almost spiritual. It reminds me that we are all on the island together, and even if we don’t all know each other we are still an ‘Ohana, a family. At a time where the world seems so divided, I think this sense of family that Hawai’i has is something that we all try to embrace.” – Katrina
Not only have Katrina and her team created some great designs, but they’ve also continued to grow and adapt to the digital age. Splash! Hawaii has stayed relevant for 40 years, and that’s something not many brands can accomplish.
Today they focus their marketing efforts on Instagram and Email Marketing, keeping their in-store shopper engaged while also reaching a new online audience. They also listen to their customers, carrying over 30 other garment brands and constantly listening to see who and what their customers want to see.
Being a long-standing business they also have a rewards program in place to help reward those longtime customers and create long-lasting relationships with new customers. Katrina contributes all of their success to their customers and how they treat them.
“In terms of customers, create an experience. Customer service is key, but not in a pushy way. Create a customer loyalty list or program. There is too much competition nowadays to just sit and wait for customers to possibly walk in. We need to bring them in and keep them coming.” – Katrina
Splash! Hawaii is a brand that has grown and changed with its customers and they will continue to do so. We can’t wait to see what they come up with next and how their t-shirt line expands. They show that simple designs are eye-catching in the easiest way
And….
“Remember that sometimes less is more”
Check out spring
Work From Home – Top Options
Posted on Thursday, April 23rd, 2020 at 8:00 pm.
Written by sothatway
If you’re like us, you’ve been spending a lot more time on Zoom calls, video chats, and virtual hangouts. Those camera angles mean you don’t need to fully dress for success and what you wear on top matters more these days than what’s out of the camera view.
We’ve put together a lineup of options to help keep you looking professionally styled on top while staying comfy from the waist down.
J. America 9881 and Tultex 1910
FLEECE
ITC 224500, Next Level 9001, and Dyenomite 680VR
ITC SS4500 – Midweight Fleece Hoodie
This midweight hoodie from ITC is high quality with heavy gauge drawcord and comfy fleece. Coming in a range of colors (including camo) it’s perfect for any brand and is one of our top hoodies among all of our customers. (featured in Camo)
Next Level 9001 – Fleece Crew w/ Pocket
A crewneck sweatshirt with a pocket? Not just any pocket though. In WFH life this is your official snack pocket!
Dyenomite 680VR – Tie Dye Hoodie
Bring a little color and cheer to your next video call with a bright tie-dye hoodie.
Alternative Apparel 8626F, J. America 8891, and Tultex 1910
Alternative Apparel 8626F – Lazy Day Pullover
We’re having a lot of lazy days lately which makes this pullover the perfect match to work from home life. Featuring raw edges and a toned-down color palette this garment pairs nicely with a simple printed or embroidered design.
J. America 8891 – Quilted Pullover
Popular in collegiate apparel, this quilted pullover from J. America features snap buttons and two pockets, one on each side, so you can have pockets even when you’re wearing leggings.
Tultex 1910 – Heritage Hoodie
A classic heavyweight hoodie with bold colors, part of Tultex’s new heritage line of streetwear-inspired heavyweight options. Sneak Peek – Coming at the end of the month!
District DT571
FRENCH TERRY
District DT571 – Featherweight French Terry Hoodie
This French Terry Hoodie from District is incredibly lightweight making it the perfect spring and summer hoodie. It can take you from the air conditioning to a summer evening without ever having to change your outfit.
District DT571 and Alternative Apparel 9575CT
Alternative Apparel 9575CT – Washed Terry Champ Sweatshirt
A classic go-to, this French Terry sweatshirt features a long straight fit and comes in plenty of jewel-tone colors for the perfect transition spring to fall.
Alternative Apparel 5114E
CROPPED TEES
Alternative Apparel 5114E – Eco Headliner Cropped Tee
Not only does it come in cute solid colors like Forest Green and Vintage Pink. A unique feature of this Alternative cropped tee is it’s patterned fabric like Camo and Stars. Featuring soft to the touch Eco-Jersey knit with a loose boxy fit and a longer crop to pair perfectly with high-waisted jeans.
Next Level 7481S and Next Level 5080
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pulpwriterx · 5 years ago
Text
THE ONCE AND FUTURE PRINCE (Part 1)
For Reylo Week 2020. Day 6, Past, Present and Future. 
Kylo Ren is dead. But Ben Solo is in solitary confinement in a bunker built just to hold him, about to go on trial for Lord Ren’s crimes. Half the Galaxy thinks it’s an injustice to try Ben for a dead man’s crimes, but the other half wants to see Kylo Ren hang from the highest gallows. Luke Skywalker and Leia Organa have both returned with Ben from the World Between Worlds. Luke and Rey are on one side, Leia is on the other. As Ben’s trial approaches, he ponders the past, tries to endure the present and hopes there will be a future for him in spite of Kylo Ren.’
This takes place in the same AU as “The Most Dangerous Game” and is a continuation of that story. 
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Ben Solo finished his push-ups, and his sit-ups, and he drank some water before doing his chin ups.’
He stretched, and did isometric exercises against the walls and then he sat on his cot.
It wasn’t that bad, really.
There were no chains, just the stun collar. And his cell, made of concrete and steel stood alone in an open concrete desert bordered by a vast green forest, in a perimeter of barbed wire and electric fences.
There was a little slot in the top that he could look through, if he stood on his cot, and a locked slot in the metal door, to shove his food through.
He liked to stand on his cot, and look through the slot, at the jailer's cottage, beyond the concrete desert, at the edge of the wood.
He also was allowed an hour of exercise outside, and every other day, the jailer would march him to the refresher stall at the other end of the perimeter, so he could keep clean.
He was not permitted a razor, so he kept his beard braided, in a long, thin braid that now reached just past his collarbone.
It wasn’t that bad, really.
When he was kept in a cell during his Sith training, he was always naked, there was no cot or pillow or sleeping bag or blankets, and the lights were always on.
There was only a toilet.
Also his wrists and ankles were manacled together and there was only thin soup and bread once a day.
In this cell, he got to wear shorts.
He had a berth to sleep on, and a desk, and he got three meals a day and books to read.
The jailer put the lights on at 9, and turned them off at midnight.
When he was in Sith training, Ben lived in a malnourished, fluorescent-lit, oatmeal-colored naked Hell of fear.
This was a whole different kind of Hell.
One that might last the rest of his life.
He hoped to either be set free, or sentenced to death.
Then again?
It wasn’t that bad, really.
Ben screamed, he roared and rushed the wall.
The collar stunned him, and he fell, unconscious, on the floor.
***
In the jailer’s cottage, a red light went off.
The jailer was not afraid of his prisoner, he felt bad for the man, for the conditions he was held under.
The red light nominally meant escape, but all it meant under current conditions was that Captain Solo had made a run at the wall so the collar would stun him, and he could have a little slice of oblivion.
He unlocked the cell and found his prisoner on the floor, unconscious and twitching, and he revived him.
“Ben? Ben, can you hear me?”
His heels were still drumming on the floor, so Commander Antilles administered the hypo.
Captain Solo returned to consciousness with a groan.
The Republic Air Command, which supported him, had promoted him from Lieutenant after the Battle of Exegol.
“Ben, you shouldn’t do that to yourself.”
“Oh, shit! The collar made me piss myself, again. I’m sorry about the mess, Commander Antilles. I’ll  clean it up.”
“You probably can’t even stand, yet I brought the mop. It’s just pee. It wipes up. But you have to stop activating the stun collar. It’s not good for your body. It might kill you.”
“When, Wedge? When?”
***
“What happened? Did he try to escape, again?”
“Leia, I can’t do this. I remember when me and Luke used to take him to the park to fly his model X-Wing! You should come here, and shove his meals in a slot in a Beskar steel and concrete door! Talk to him through a tiny slot in the wall of the bunker you put him in, while he stands on a chair! You should have to run in and revive him after he runs, screaming at the wall so the collar stuns him! Find Ben lying there, twitching, in a puddle of pee!”
“Wedge, do you think I want to keep Ben confined like this? He broke out of four jails and put 15 men in the hospital! One of our Generals told me, regretfully, that we should just have him put down! Put down! Like a sick old tooka cat! He did this to himself! This is the very best I can do for Ben, right now!”
“I know. But it’s not easy.”
“Sometimes, Wedge? I’d like to just land at night in the Falcon, and say goodbye to him and tell him to listen to Chewie and be good to Rey and talk to me once in awhile and let him go.”
“He just got a letter from Rey. And one from Luke. I’ll take it to him, and slip it under the door with his dinner. See if you can get him some visits with her. Or maybe just get the regulations relaxed so that I can bring him his meals in person.”
“We’ll see.”
*** Dear Ben,
I’m back on Tattoine again. I’m in Anchorhead, to give another rousing speech for the Justice For Ben Solo movement. I’d say public opinion is about 60-40 at this point. The good news is, 60 in your favor. The bad news is, the other 40 percent still want to see you hang from the highest tree. I just about have the Tribunal ready to let you wear clothes, so I’ve sent you a box of coveralls. Republic regulation overalls that say “Captain Solo” on them, just to remind people of who you really are. And you hated it when I made you finish at the Republic Academy; even if I did try and cut your head off, Crazy Old Uncle Luke was right, sometimes. I’m still behind you a hundred percent, Ben, and so is your Uncle Chewie. He sent you a tin of Wookiee cookies. Also in the package is a rug for your floor that Rey made from the rags of old Resistance uniforms that Leia wanted to throw out. Wedge told me that you’re beginning to despair. There’s no reason for despair, Ben. I’m sure I was sent back from the World Between Worlds for your sake, and you were not sent back to rot in a cell for the rest of your life. Even if you are sentenced to life, or a long term, I will never stop fighting for you, and against the injustice that you should be punished for a dead man’s crimes. I have convinced the Tribunal to let you appear at your hearing from your cell, but I’m hoping it won’t be the prison that you are in.
Stay strong, Ben. May the Force Be With You Crazy Uncle Luke.
***
Dear Ben, Chewie and I just got your new pilot’s pants with the red Corellian bloodstripe down the leg, and a certificate from Han’s home planet that they were awarded to you by the Corellian Parliament. Hopefully, you can wear them at your trial. Commander Antillies said he didn’t care if it was against regulations, he’s letting you have the rug that I made you. I used my old arm wraps to make the pattern so that you would have something of me in your cell. I’m on D’Qar, still, and I’d say it’s about 70-30 for you, here, and the 30 percent who think you should go to prison aren’t for a life sentence. The Resistance understands what you sacrificed, and what you did for us. By all your savage gods, Ben, I miss you so much. I used to be ashamed of what we almost did in Snoke’s Throne Room, and I always felt guilty that you and I would meet at the Skywalker Farm, but now I’m glad we did. Do you remember , during my training, when you told me that in a totalitarian state, sex is an act of rebellion and love is revolution? I never knew what you were talking about until they carried you out of the Infirmary on a stretcher to throw you in jail. I’m proud that we were lovers. I wish we could be, again, and not for political reasons. I’m so lonely for you, Ben. I’m still sleeping in your tunic from the Battle of Exegol; I’ve had to wash it, but it still smells faintly like you, and I snuggle it close to my body at night, wishing I could snuggle up close to you. I even miss the fights that we used to have through our bond; I keep trying to find a way to reach you through the Force-disrupting field they have around you. I suppose I should write something really dirty to you, like the things I get embarrassed about that I yell while you make love to me, but I can’t think of things like that unless I’m in the moment with you. Chewie and I have decided, if you get life, or anything more than 5 to ten years with a chance for parole? We’re breaking you out of jail and going on the run. Nobody on Tattoine or Arkanis will ever give you up; and like you always tell me? You’re a Skywalker, the stars belong to you. Don’t forget that, Ben. Or that I love you so much. 
All my love, Little Rebel Girl.
On-board the Finalizer; Supreme Leader Kylo Ren’s Flagship
It was a short walk to Lord Ren’s private exercise room, but they ran into General Pryde along the way.
He and Ben had a brief exchange and then they were on their way.
Rey waited until Ben had activated all the security locks.
“Is this private?”
“Yes. Ask your question.”
“Why does General Pryde make my skin crawl.”
“Because he’s an evil man. The only reason I have let him live is because I want him to live just long enough to see me destroy his life’s work.”
“That’s cruel, Ben. And you let him think that he’s, well, like a mentor to you. And you’re not a cruel man. Why?”
“Because he’s the most evil man I have ever known. General Pryde was the Chief Officer in charge of Snoke’s Detention block on his ship. He also organized the training for Force-sensitive First Order officers. Better known as Sith Training. It was more like torture. He had the trainees locked up in worse conditions than the prisoners. He made us fight to the death. His trainers were all former Imperial officers who were entirely depraved men. These are men who were in the detention blocks of Star Destroyers scheduled for execution by my grandfather when they were rescued by the end of the war. Pryde was one of them. They enjoyed subjecting us to beatings. Torture. Humiliation. Some of my fellow trainees, men and women, were systematically raped, to break their spirits.”
Rey was shocked.
She remembered General Organa-Solo telling her that even the people who were confederatesof the Sith and the Dark Side were drawn to its evil, because they were themselves evil.
But she hadn’t thought in terms of rapists.
Or sadists.
Or killers.
“That policy ended with me. Now that I am Supreme Leader, there is no torture. No corporal punishment. Rape, by anyone, in any form, on anyone else? On this ship, or off? It’s a capital crime. Off with your head. Execution by lightsaber.” Ben stood up, and ignited his weapon.
“This lightsaber. Alright, Rey.  Enough talk. Let’s pick up where we left off the last time.”
“You mean, in the woods?”
“I do. I owe you a dueling scar. But I won’t put it on your face. Maybe on your shoulder.”
Rey jumped back.
“Wait! Don’t we wear blast vests, or something?”
“No. What’s that going to teach you? No more talk. Defend yourself.”
Ben swung at her and Rey blocked him.
He saw the fear in her face change to anger and resolve.
Too much anger.
“Do you know why you beat me, in the woods, and gave me this scar, Rebel Girl?”
“Because I’m good.” Rey snarled.
Rey battled him back, as easily as she had before.
“Yes. You have balls, and some skill. And you are strong in the Force.”
They were at crossed sabers, but when Rey raised a fist to knock Kylo away, he blocked her punch, made some fast move to get away from her, swung around, kicked the lightsaber out of her hand and stopped his swing less than an inch away from her throat.
Fear returned to her eyes, but also a stubborn defiance.
“But you won because I didn’t expect you to have any skill. And because I was tired, angry, and emotionally desolate over what Snoke made me do. But I’ve won fights in worse shape, and with better opponents. You won because I didn’t want to hurt you. No one else you cross sabers with will have any such compunctions.”
Rey’s breath was short.
She could feel the heat of his lightsaber on her throat, but she refused to ask him to move away, or retract his blade.
Ben sensed mortal terror instinctively rising in Rey, and her struggle to keep it at bay.
That was too much.
He shut his lightsaber down.
She was trying not to shake with relief.
“Breathe, Rey. Breathe deeply. Listen to the sound of your teacher’s voice, and understand that I mean you no harm. Search your feelings. You know that what I am saying is true. This was a lesson. To teach you about just how much you do not know. And to show you that you’ll pay a high price for anger and arrogance, in combat. But you were never in danger. During some of our lessons, you may feel like you are in danger. But you’re not. And it’s not just because you are precious to me and I would never hurt you. I have absolute control over my lightsaber. It’s like an extension of my body. My lightsaber is my arm, my shield, my flesh made fire. I use it to create what I wish and destroy what I will. I want you to sit in this room, in the dark, with your lightsaber ignited in front of you. Do this until I return, and meditate on that concept. Remember my words.”
Rey meditated on Ben’s words, the concept he was teaching her, and on her own actions.
She eventually called to mind the image of Ben striking down General Pryde, amid fire and explosions ten times what she had seen on Snoke’s ship.
And she called to mind him at crossed sabers with her, telling her that she needed a teacher, when he could have effortlessly stuffed out her life.
She thought about him lying in the snow, wounded and bleeding.
He could have called his lightsaber to his hand and struck her down.
But he stayed his hand.
One man.
One lightsaber.
Two sets of actions.
One Light, and one Dark.
And the struggle, in the dark, with her lightsaber in front of her, to find the balance of the two within herself.
She was beginning to understand.
***
In that first week, Ben taught her the basics of swordsmanship, and after their practice, she did her lightsaber meditation for an hour.
She was surprised at the subject matter for the second week.
Fighting, and target shooting with a blaster.
Rey had thought herself pretty good with both, and she was better than at the lightsaber, but Ben, of course, beat her, effortlessly.
Then he explained to her why she had lost, how he had beaten her, and taught her a targeting meditation and an anger meditation.
You never win a fight, he explained, when you lash out in anger, and even in a fire-fight, you always have time to carefully draw, take aim, and fire.
“If I taught the troopers to shoot, instead of instructors like Mad Dog Hux? They’d be a lot better at it.”
The rest of the week he showed her how to fight and how to shoot.
Rey thought she saw a pattern in Ben’s training until he had them both dropped off in the wastes of Tattoine, with him dressed only in a pair of short exercise shorts, and her in a pair of those and an exercise breastband.
That, and desert boots.
They had no sun protection, no hats, and one canteen between them.
The midday suns blazed overhead, already roasting them.
“This is crazy! We’ll die out here.”
“No, we won’t. You’re a desert rat, and this is my Uncle’s home planet. My father’s business was based on this planet. We’ve both used to the desert. And there’s a moisture farm about ten miles from here. All we have to do is get there alive.”
“And we have no sun protection.”
“No.”
Rey took the shorts off, and squatted on the ground to make some mud.
She put her shorts back on and started slathering the mud on her exposed skin.
“This is really going to be a nasty, stinky day.”
Her teacher actually laughed as he pissed in the sand.
“Could be worse. We could be so dry that we had to look for a pool of Bantha pee. That really stinks.”
*** This test, of course, was about endurance, Rey thought.
But, when they finally made it to the moisture farm, Rey wanted to scream.
The place was clearly abandoned, and it looked like it had been for at least ten years.
Rey hardly noticed that other than windblown sand, the courtyard was clean.
Ben pressed his thumb against where there should have been a lock on the doorknob of the blighted main door, and then he turned it.
“We’re home.” He told her.
Rey walked into a beautiful place, all in browns and greens and cream.
It was cool, and smelled fresh, and as she walked from room to room, lights came on.
You couldn’t even hear the cooling unit working.
And it was very comfortable in the rooms; Ben must have started it from the ship, before they got off.
Unlike Ben’s rooms on the Star Destroyer, this place looked like somebody lived here.
“Rey?”
Ben was still in the doorway.
“This place is beautiful? Is this your home?”
“Yes. The old family homestead. You’re getting pee mud, everywhere.”
“Oh gods, Ben, I’m sorry!”
“It’s OK. I’ll have BB-9E clean it up. He must be around here, somewhere, because the cooling unit is on. There’s a hose behind the shed out back. We’ll get hosed down, and come back and take a long bath. Then you can look around.”
Ben looked around the door.
“Niner? Where are you?”
Rey heard an angry bleep.
“I’m sorry for him, in advance. I built him from junk when I was a teenager, and Artoo helped me repurpose a partly fried personality chip. Niner’s like me. He has moods.”
“Is this the same droid that ratted BB-8 out?”
“Niner didn’t know you, then. He’s my droid, Rey. Why wouldn’t he be loyal to me. Well, mostly. NINER!”
The black and silver astromech droid rolled over to Rey, bleeped, rolled away, and she heard rummaging from the kitchen.
He rolled back, and his head twirled around, and he opened one of his ports and a little hose came out.
He started squirting water all over Rey, and the floor.
“Niner! Stop! Don’t you squirt water on me, I’ll take out your cleaning circuit. I meant to clean the floor.”
Niner chirped, excitedly.
“Yes, I know we are both also a mess. Just clean the floor. Come on, Rey. He’s like a big, stupid dog. He pissed on you because he was excited to meet you.”
It sounded like Niner was bleeping an obscene retort at Ben as they went back outside.
***
It was, of course, the old Lars-Skywalker Farm, and it was Ben’s home.
The neighbors knew him as Ben Skywalker, a starpilot, and the grandson of Ani Skywalker, local lad made good, who was also a starpilot.
In the tunnels beneath the house, in the tanks where the Lars family had stored water, only one tank had Ben’s water supply.
The rest were filled with money, supplies, and a smuggler’s bounty.
He even had one tank that was a walk-in freezer, full of meat and frozen food.
One of the other locked tanks was a locked vault.
“That’s where I keep my money. I could hide out here for five years, if I needed to. Maybe more. The door is also coded for your fingerprint. This is your home now, too, Rey. I’m sorry I didn’t carry you over the threshold, but you smelled like piss.”
Rey laughed.
“Ben, you can’t. I’ve done nothing to deserve this?”
“You gave me a month to show you that I am not a monster. To begin your training. You know. Among other things.”
Rey felt herself blushing.
“You’re so cute when you pretend to be a prude. But I know better, don’t I? We’ll get to the tour of the bedroom, don’t you worry. And before you ask? All the plates and cups and utensils and so on are made of wood or stone because I’m a wild man. When I get angry, or when I brood and I feel said and that makes me angry? I love to throw things. And there’s only a mirror in the bedroom and the bathroom because I’m also a mirror puncher. They’re made of unbreakable glass. So are the windows. Because I also like to punch windows, and throw things through them. And this is the bedroom. Just like on the ship, this door leads to your bedroom. Only your fingerprint locks and unlocks it. If I’m having an episode, just lock yourself in this room and wait.”
“Is that why you have extra furniture in your stash.”
“Yes. But if you hear me in here, breaking things? Or in my office?  Set your blaster to stun and shoot me. I’m not kidding. I never trash my office or my bedroom, but I can’t afford to destroy things, in here. And when I go into Wild Man mode? I just don’t know what I’m going to do.”
Ben also explained to her that if he was in Brooding Mystic Spoiled Brat mode, she should let him alone to brood in his office.
Or outside.
Unless she wanted to participate.
That was usually the mood accompanied by a whole jug of Huttese whiskey.
“Do you have other moods?”
“Yeah. My usual normal. Weird Cocky Goofy Idiot. And your favorite. Sexual Death Star.”
“I wouldn’t say you were normally a weird cocky goofy idiot. You’re so mean to yourself.”
“No. Just honest. It’s been a long day. I think I’d like to lie down and take a long nap? You can retire to your room, or you can try out my bed.”
“I’m tired, Ben. I’ve been walking in the desert all day. And if you think that all you have to do to get me interested, after the day you’ve put me through is lie there, naked, on your bed and look at me like that? You’re absolutely right. I am going to make you pay, you Sith bastard, for that desert march!”
“Talk is cheap, Rebel Girl.”
*** They stayed at the Skywalker Farm for the next two weeks, and then Ben returned Rey to Ahch-To.
Master Luke was waiting for them.
Ben was lugging a large crate with him.
“What’s that, Benjamin?”
Ben pointed his finger in his Uncle’s face.
“Don’t call me Benjamin! You’re a crazy old man, and I feel sorry for you, that’s what! So there’s a Wilderness Survival Pod in here for you along with the Wilderness Survival Tent for Rey. And also?”
He made another trip back to Darth Vader’s TIE Fighter, and returned with a small black canvas bag, with mesh panels on the end.
“My tooka had kittens. You shouldn’t be alone out here.”
Ben carefully handed his shocked Uncle the canvas bag.
“Bye Bye, little Ani. I want you to look after Crazy Old Skywalker. He needs a friend.”
“If he can’t take care of that kitten, Rey, you take Ani back to the base with you.”
“I will, Ben. Try not to get killed before I see you, again.”
“Hey, I killed Snoke, right? How hard can killing all his minions and toadies be? It’s not like I don’t know how the Sith operate.”
Supreme Leader Kylo Ren got into his TIE Fighter and flew away.
Rey turned to Master Luke, who had taken the little kitten out of the little carrier.
“He has a tiny little collar with his name on it. And his claws have been clipped.”
“Ben’s cat just had ten kittens. His and Hux’s quarters are full of tookas. I don’t think he has time to take care of them all, or room for them, so he has to give some of them away. It’s very sad.”
That was not what Luke meant.
He cradled the little cat, and Rey finally saw him smile.
“You know what this little fuzzball is, Rey? Hope. Let’s open these crates and put these tents together, and get this little guy back in his carrier, until we figure this out.”
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thefloatingstone · 5 years ago
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MST3K Recommendations for people who’ve never watched it
So if you’re somebody on the internet under the age of 22 there’s a chance you may have HEARD people talk about Mystery Science Theater 3000 or “MST3K” for short, and may even know exactly what it is, but you’ve not watched it and have no idea where to start. Or if you’ve never heard of it, this is me telling you you should probably watch it.
In the early to mid 2000s, when the only people on the internet where nerds and teenagers who were nerds (like literally. I have no idea how to explain to the Today’s Kids(tm) that the internet use to ONLY consist of nerdy people and fandoms. None of this “Influencer” shit.) Anyway, back when the internet was just nerds, before video was easily available, MST3K was still being talked about via audio clips, usually made by holding microphones right up to the TV, and when youtube launched in 2006, some of the very first videos were MST3K episodes cut up into 10 parts (because originally you couldn’t upload videos to youtube that were longer than 10 minutes and they had to be 240dp). And before google bought youtube, you could find full, complete episodes of MST3K on Google video.
It’s kind of a staple if you’re a nerdy internet person, and you’ll probably see it get referenced by fandom people and youtubers in their late 20s a LOT. Or use some of the things MST3K introduced in their own videos (like the Stinger after the credits for instance)
So MST3K is kind of essential viewing imo. And luckily, because of the nature of the show, unlike... basically EVERYTHING tv related, sharing links of MST3K is actually actively and honestly encouraged by the show creators.
The show ran from 1989 to 1999, changing from airing on one channel to another as it went (I’m not American so I never caught it on TV). And at the end of literally every single episode throughout its entire 10 year run, you would see this after the credits;
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The show actively encouraged its audience to tape the episodes to video and share those videos with friends and family. This is because the show was never about “building a franchise” or becoming monetarily valuable for its creators, but it was about people actually watching the show. Even to this day, with copyright claims and “Subscribe to our streaming service to watch this show” running rampant, MST3K continues to be a show whose prime focus is to get people to watch it. (unless you want to buy it on DVD in which case the prime focus is for you to be rich to try and afford them because they’re like $70 for 4 episodes).
As such, some episodes are available for free on the MST3K official youtube channel completely for free. Some episodes you can buy from the Rifftrax website (which is where the show creators now work, doing basically the same thing as MST3K minus the puppets and host segments unfortunately) but I would be honestly shocked if ANY episode is unavailable online because sharing the episodes is.... just kind of the point of the show? I literally managed to find each and every one in 2008 (although that dark drive doesn’t want to work with my newer laptop so I might have to download all the episodes AGAIN. Thanks Technology...)
But if you’re somebody who has NO IDEA which episodes are “the good ones” or you just want to jump in and watch but you’re scared you’ll get a complete dud as your first experience and then not know what all the fuss is about, or you just want to know some good episodes to watch, I decided to throw together a list, along with links.
And with that VERY lengthy intro out of the way, here we go!
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In no order
The Touch of Satan Year: 1971 S09E08 Host: Mike Mads: Pearl, Brain guy and Bobo
Despite the movie title there is no Satan in the film. A baffling movie where a good looking “All American Boy” named Jodie drives through a small town while road tripping from Texas to San Fransisco. There he meets a really pretty girl named Melissa who lives with who she claims is her mother and father on a walnut farm, as well as her insane grandmother. For seemingly nonsensical reasons (other than he’s attracted to Melissa) Jodie decides to spend the night at the farm. Eventually he gets pulled into the family curse and learn just who Melissa really is (It’s not Satan).
The movie is incredibly stupid and WOULD be pretty bland if not for the absolutely ridiculous dialogue, bizarre little details you can’t help but focus on (why a Walnut farm? Why is the father always so sweaty??) and just how.... 70s everything is.
Mike and the bots are super on point with their jokes, and it has a few of my favourite jokes and host segments in it.
https://youtu.be/ZebKhabJItE
Gamera Year: 1965 S03E02 Host: Joel Mads: Dr Forrester and TV’s Frank
Look. If you’re gonna watch MST3K you’re gonna have to watch a Gamera movie eventually. And since I could literally put ANY of the Gamera films here, I’m gonna start with the first one. Especially since the following Gamera movies the host and bots have running jokes and references to the first films.
Gamera is a Japanese Kaiju movie franchise originally created to compete with Godzilla. And completely misses the point of Godzilla. Whereas Godzilla was originally intended to be a metaphor of Atomic weaponry and Japan’s national wound following the bombing of Hiroshima and Nagasaki... Gamera is about a giant flying turtle monster who is friend to all children.
....and I friggen LOVE Gamera. It’s because of MST3K’s episodes that I ended up buying a DVD boxset of every single Gamera movie. It’s good stuff. Start with this episode and watch the others as you go.
https://www.youtube.com/watch?v=rly_1NPCXAM
Pod People Year: 1983 S03E03 Host: Joel Mads: Dr Forrester and TV’s Frank
This is MANY people’s favourite episode in the whole show, and was my favourite as well until I couldn’t pick a favourite any more. However this is the only episode of the show where I had to pause it the first time I watched it at one part because I was laughing so hard.
Originally intended to be an alien slasher movie, the producers asked the director Juan Piquer Simon to include a subplot where a cute child makes friends with one of the aliens so that they could market the movie as an E.T. rip off (E.T. had come out the year before) If you think this would make the tone of the movie confusing where half the aliens are killing off teenagers and half the aliens are being friends with a small, badly dubbed child... you are absolutely right. But it’s the Host segments and jokes within the film that make this one of the top 5 best episodes in the whole show, if not top 3.
It is the episode that people will most commonly reference even 30 years later.
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https://www.youtube.com/watch?v=sCl2ZNkfnS8
Jack Frost Year: 1964 S08E13 Host: Mike Mads: Pearl, Brain Guy and Bobo
One of the many badly Russian films that deserved much better than the shitty dub they got. I was THIS CLOSE to putting “The Day the Earth Froze” here instead, but I felt Jack Frost is the easier watch of the two (however I do recommend checking out The Day the Earth Froze as well).
Honestly, this film isn’t that bad at all. It’s shitty dub is a shame but even with the silly voices and calling Baba Yaga “The Hunchbacked Fairy” for reasons I will never understand, the film is actually pretty charming, and if I had it on video as a kid I probably would have really liked it.  It’s a classic fairy tale about a pretty and kind young girl who is treated badly by her stepmother and stepsister, but she finds true love in a handsome prince who had been turned into a bear until he could learn humility. Also Jack Frost is there (I have no idea who he’s suppose to be in the original language of the film and I doubt its Jack Frost). The movie is innocent and weird and overacted and the main character of Nastenka is so pretty and big eyed and innocent it’s an easy target for jokes on just how silly and whimsical everything is. The jokes are never outright mean spirited or nasty, just in line with the whole silly movie, and honestly this is a great episode to introduce your kids to the show as it’s not scary and doesn’t have any gore (like some of the other films showcased)
https://www.youtube.com/watch?v=CVpOaeBtr7w
The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies Year: 1964 S08E12 Host: Mike Mads: Pearl, Brain Guy, Bobo
Yes. That is the real title of the movie. And it is also the most exciting thing about it. This movie is..... incomprehensible, to say the least. I am only BARELY aware of what the fuck it’s even about. There’s a fortune teller on the amusement park wharf? And I remember a terrifying robot monkey asking people to buy tickets, and the main character (I use the term loosely) becomes evil? I’m sorry but this movie is so cut to ribbons in editing and has so little dialogue it’s barely even a movie. It’s held together by the thinnest threads of recurring images. However, unlike some of the other episodes in MST3K with the same problem of barely being movies, I find the jokes by the hosts land much better and they’re not in as agonizing pain as “The Beast of Yucca Flats” which I still consider the worst movie I have ever seen in my life.
I have no way to describe this movie. It’s not even crazy enough to garner enthusiastic “this movie is batshit insane” praise. Watch this one for the jokes by the hosts. And for the title so you can tell people “I watched a movie called The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies”
https://www.youtube.com/watch?v=6jLGqN3XG-Q
Eegah Year: 1962 S05E06 Host: Joel Mads: Dr. Forrester and TV’s Frank
Ugh. This movie. Ok. “Starring” Arch Hall Jr. who was a sort of actor and one of those 60s “teen heart throb” singers before boy bands became a thing after the Beatles. He never made it super big, but it was considered a big selling point to films he was in (he went on to being an airline pilot and good for him). This movie is about him and his girlfriend his girlfriend’s father finding a giant caveman in the desert outside their town (in a cave which is NOT made of burlap sacks). The giant caveman falls in love with the girlfriend and follows them to the suburbs.
It’s not the most remarkable movie MST3K ever did. It’s not the best movie they ever did nor is it the worst movie they ever did, but for some reason this film has a tendency to stick in people who watch MST3K’s minds. Maybe the jokes are just THAT quotable, but for whatever reason, it’s one of the staple episodes to watch. And hey, at least the movie is WATCHABLE. MST3K went on to reference things in this film for the rest of the show’s history.
https://www.youtube.com/watch?v=fvFBKsW3Aew
Santa Claus Year: 1959 S5E21 Host: Mike Mads: Dr. Forrester and TV’s Frank
A Mexican movie about Santa Claus and his friend Merlin who live on the moon and watch the children of Earth through a telescope to make sure they’re all being good. We focus on the devil Pitch who is sent by Satan to make children misbehave, most noteably a 4 year old girl named Lupita who is from a poor family and wishes she had a pretty doll to play with, and a rich little boy who wishes his parents would spend Christmas with him.
This movie is.... weird. In case the whole “Santa and Merlin are friends and live on the moon” thing didn’t already tip you off. The movie’s pretty harmless overall but it’s just WEIRD. Santa’s castle on the moon is full of children from all over the world wearing the most stereotypical clothes of all time (Japanese children in full kimono, American children all dressed as cowboys, African children dressed in tribal clothes etc etc) and they.... I think they make the toys? I’m not sure. Santa’s reindeer are terrifying wind up toys who laugh maniacally when they’re turned on. There’s a giant mouth on the wall that’s part of Santa’s computer? And an ear that can hear what all the children are saying on earth or something?
It’s just... it’s bizarre. And an excellent episode to watch for Christmas.
https://www.youtube.com/watch?v=nTWs3zvz1z4
War of the Colossal Beast Year: 1958 S03E19 Host: Joel Mads: Dr. Forrester and TV’s Frank
I am recommending this one not actually for the movie itself, but for the short which plays first, which is “Mr. B Natural” and which is easily the best and most referenced MST3K short in the whole show.
It follows a little boy who wishes he was cool. He’s visited by Mr. B Natural, the spirit of music. Mr. B Natural is played by Betty Luster and is a bizarre character in himself, being completely androgynous and using male pronouns while being played very obviously by a woman with a very obviously female voice. Mr. B is presented as a sort of pixie character and possibly meant to be like the stage version of Peter Pan which is also traditionally played by adult women. The episode of MST3K aired in 1991 LONG before the concept of Non-binary was even a thing. As such MST3K plays along with the weirdness that is Mr. B, using only male pronouns for him and addressing him as a man, while also commenting on how attractive he is.
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Mr. B teaches our little boy main character that if he wants to be cool he needs to buy a trumpet and join the school’s band, and goes on to be one of the most beloved MST3K “characters” who they often keep making references to and who shows up in the host segments now and then as a cameo.
Oh. And then there’s a movie following the short that’s a sequel to another movie. It’s about a man who keeps growing larger and larger in size but the bigger he gets the more he loses his intelligence. It’s directed by the notorious “Bert I. Gordon” whose movies are always more vehicles for cheap special effects than story, plot or characters.
https://www.youtube.com/watch?v=TRL8umsMe28
Squirm Year: 1976 S10E12 Host: Mike Mads: Pearl, Brian Guy and Bobo
I am a little biased towards Squirm because I’m pretty sure it was the very first MST3K episode I ever saw (not counting the short “Are you Ready for Marriage?” which was the first anything MST3K that I saw). But even if it wasn’t I think Squirm is still a great episode to check out, and it comes with the double whammy of having the short “a Case of Spring Fever” in front of the film which, if they had the short in an earlier season, would definitely have become a running joke throughout the show. Sadly They only aired it here in the 10th season, but even being in the last season, it’s one of the show’s most famous shorts they’ve done.
As for the film, it’s actually pretty great too. It takes place in Georgia and is SUPER southern to a point of coming across as a parody almost. Our main character is the boyfriend of a local girl, a “city boy” who she met antiquing (a hobby they both share and talk about a lot throughout the film). However, a powerful electrical storm struck the small town a few nights ago, and as a result, it has turned all the earthworms underground into blood thirsty, violent predators (without actually growing in size). The movie is a silly and ridiculous B-Movie, but honestly a LOT of the effects are pretty damn impressive. Before he made it big in Rocky, Sylvester Stallone really wanted a role in the film but didn’t get it. All the worms in the film are real, and bought from the bait and fishing industry. So many worms were used in this film that they completely used up the entire New England’s bait supplies for the whole year following the shooting of the film.
Erm... so don’t watch it if you’re squeemish about bugs.
https://www.youtube.com/watch?v=3msPmLpLTUM
Merlin’s Shop of Mystical Wonders Year: 1996 S10E03 Host: Mike Mads: Pearl, Brain Guy and Bobo
omfg this movie X’D this fucking movie.
Ok. So what kind of movie do you expect with a title like that and if I tell you it starts off with a grandfather telling his grandson a story about how Merlin’s magic is real and has come to benefit mankind and help others?
You’re probably expecting some whimsical fantasy low budget Princess Bride knock off, right? This is exactly what the film THINKS it is, too. It THINKS it’s a magical child friendly story about magic and Merlin and him and his wife running a shop that sells magical items to better the lives of others.
So it’s kind of a fucking problem that the stories in this movie are based off of Stephen King horror Novellas!!!
And that’s basically all you need to know about why this movie is kind of a disaster. It thinks it’s an all ages magical romp when in reality it’s a horrifying double feature of pet deaths (warning for a dog dying in the second story) an abusive husband (warning for domestic abuse in the first story) and demonic powers.
Also, despite the film being made in 1996, the second story uses footage from the director’s earlier film “The Devil’s Gift” which was made in 1984. As a result, despite the 1996 release, the child in this part of the movie is playing with Star Wars toys and wearing an E.T. shirt through most of it.
This movie also has one of my favourite jokes by Mike right at the end of the film.
https://www.youtube.com/watch?v=p8Q-RuAx4V4
Ah crap that’s already 10 movies and I haven’t even mentioned “Werewolf” or “Puma Man”. dkfhskdhfks Go watch Puma Man and Werewolf!! They’re great!
and finally, special mention;
Manos: the hands of fate
Year: 1966 S04E24 Host: Joel Mads: Dr. Forrester and TV’s Frank
The great grandpappy of ALL the MST3K episodes. Of all the episodes they’ve ever done and all the movies and shorts they ever covered, Manos is the one that crawled under the skin of the hosts and the audience the most. Many people say it’s the very worst film they ever did EVER. As I said, I personally think the Beast of Yucca Flats is much worse if only because it’s painfully boring, but in terms of sheer “this is so fucking bad I can’t even process this”, I guess Manos wins. Being terrible because you’re boring is one thing. Being terrible because you’re completely batshit insane is another.
The story BEHIND the movie Manos is fascinating. Made when the creator of the film made a bet with a friend that he could make a movie despite never having done anything with film before, he went ahead and did it, with a screening and a premiere and everything. The actor playing Torgo was high on LSD the entire time of filming. The Camera used to shoot the film got so hot they could only film 30 seconds for each scene before they had to cut to a new one. The entire movie was filmed without sound and dubbed afterwards. The actor who was going to play the main character broke his leg before filming started and had to be replaced last second.
The movie is indescribable. It is PAIN and it is SUFFERING and it is BAFFLING and you should really build up a resistance to bad movies before attempting to watch this episode. I do NOT recommend starting your MST3K viewing with this one. But eventually, if you like MST3K, you’re gonna have to watch it. There’s just no escaping it.
The only way I can properly explain what Manos is like is to quote Crow who comments in the opening credits (which the film but forgot to put the actual credits over) “Every frame of this movie looks like someone’s last known photograph.”
And that’s it. That’s the whole movie.
https://www.youtube.com/watch?v=xZ5baft7Kv0
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I forgot to add my links!
⭐️Patreon⭐️ Or consider ☕️Buying me a Ko-fi ☕️
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lliaq · 4 years ago
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okay, now that I’ve slept on it I’m actually gonna try to put down my thoughts on the season, so obvious TUA season 2 spoilers below and it’s probably going to get really long
Just to preface this, I haven’t read any of the comics, so I can’t speak to how the show compares to them.
Guess I’m gonna start with the positives, and I think what I enjoyed most about the season where just little moments between the siblings. Obvious standouts being Ben getting to talk to Vanya and Diego. I think those were the only two scenes that acutally made me tear up a bit. It was just really nice seeing him get that opportunity, and something that I’ve wanted to see since S1. It would have been even nicer if he got a moment with all his siblings, but hey, I’ll take what I can get. Another one was at the very end with Vanya and Diego just sitting on the stairs together. Just a nice little moment, even if it was short.
Luther apologizing to Vanya was a pleasant surprise and showed that he actually used his time alone to reflect and have a bit of character growth, so that was another plus.
I overall liked Allison and Ray’s relationship, and I was okay with the way it ended. It was kind of bittersweet, but it made sense and felt in character.
On that note, I also liked that Allison learned to achieve things without her powers, because never having to do that was kind of a big note of her character in S1. Not necessarily sure it had to be done by taking her voice away, I think if anything it would have been even better if she did it by choice, but I’ll get back to that.
I enjoyed the whole old Five vs “young” Five thing. Not much more to add to that, really.
And lastly, I enjoyed Reginal a lot more than I thought I would. It was interesting to see a bit of a different side of him when he was with Grace, felt like it gave his character a bit more depth, and I mean the actor is just fantastic. Like, I fucking despise Reginald, but it’s a joy to watch his performance. The way he went in on Diego at the dinner was fucking brutal, man. That was heartbreaking to watch, and the fact that none of the others stood up for him sucked, but honestly I think it just shows that despite them bonding a little, they still have a ways to go in terms of being a functional family. S1 didn’t span all that much time, and they were separated for most of their time in the 60s, so it makes sense that they’re still learning in that department. Them getting into the car with Vanya showed that they’re getting there though. Also, to get back to Reginald, I think they’ve made it pretty clear now that he’s an alien, so there’s that too. No more confusion about that.
Now on to the so-so stuff. Things that were neither all good nor all bad.
Vanya & Sissy - oh boy man. I mean first of all: give me that lesbian farm life, hell yes. I was rooting for them from the start, and I just really loved all their interactions. Also, idk if that was intentional on Ellen’s part or not, but her chemistry with Sissy was leagues above whatever the fuck was going on with Leonard. That being said- I’m personally not a fan of cheating storylines, just in general. I get why, in this case, but yeah. And unlike with Ray, I really wish they would have taken Sissy and Harlan with them to 2019. Because, for one: can we at least have one happy gay couple on this show? And second: They both deserved to have a life where they’re not constantly judged for who they are. From a character standpoint I get that going to the future would be really scary and shit, but just imagine man. Vanya and Sissy could have been together without having to hide, and Harlan could have vastly benefited from the better understanding of autism we have now. Not that either of those aspects are perfect in 2019, but they’re a long way from the 60s.
Diego and Lila’s relationship I honestly didn’t care much about. It felt like they just completely dismissed Patch and the impact her death had, by not even so much as giving her a mention. And I also just didn’t really feel it man. I mean they spent some time together in the asylum, but it seemed like they weren’t even friends really - and then by the end of the season they love each other, like girl, it’s been less than a week. Relax.
Lila on her own, I did kind of like, but I feel like she could have used a bit more development, and a little less ‘I had sex with this guy once like five days ago and now I love him more than anything’
Ben. Ben Ben Ben. I was kind of up and down on his arc. I actually liked that he was just so done with Klaus’ shit, even if calling Dave a fling might have crossed the line a bit for me. Some of the posession stuff was weird (though I’m glad they at least had the ground rules talk), but at the same time getting to see him experience the most basic sensations like air on his face and dirt under his feet was nice. He did also save the world through the power of communication and love, so you know- good job, Ben. And then they killed him (again). Ngl, I was pissed at that- but I figured they would probably find a way to bring him back somehow, so I held off judgement on that until the end, and I was right. Still not entirely happy, and whether or not that’s going to change will likely depend on what happens with S3.
Klaus’ cult story line was kind of eh. I didn’t hate it, but I didn’t really like it either. His attempts to save Dave were more interesting, even if they ultimately didn’t work. Other than that, he didn’t really go through any growth this season. It did piss me off that Allison enabled his drinking after he relapsed. Fuck that.
I’m glad we got to see a little bit of how Allison losing her voice affected her, but I think they could have done more there. Idk, it just felt a bit lackluster for something so huge. Like I mentioned earlier, her living a life of never actually having to work for anything was something that shaped her character and personality in S1, and I‘m glad she’s had that realization. That being said, I think it would have been even more impactful if she worked for what she wanted w/o using her powers by choice, showing that she was was willing to put in the effort to grow and change, rather than being forced into it by circumstance. But you know, sometimes life works like that, and people don’t change unless they’re forced into a situation where they have no other option.
And, somewhat related, I think the last point for this section is Allison and Vanyas relationship. While I’m glad that they’re closer now, I wish they would have at least adressed Vanya slitting her throat. I understand that Allison doesn’t blame her, we already saw that at the end of S1, but c’mon. At least have a short conversation about it, because that was a big thing. It feels like they just used that to fuel the ‘Allison needs to learn how to do things without her powers’ storyline, and then it just got dropped, never to be mentioned again. The show tends to do that a lot, and it completely diminishes the impact of these big moments.
Okay, now to the purely negatives, here we go.
Luther moping over Allison. For the love of god. Listen, Luther did grow on me this season, compared to S1 - but I was so fed up with his moping around. Can we just not do the incest thing anymore, please. I already went through that shit with Shadowhunters (except there it at least wasn’t actually incest), I don’t wanna do it again.
Harlan. I honestly did not care for him at all. That being said, I usually don’t care about child characters, so that’s not a big surprise and not necessarily the show’s fault. But also, the fuck even was that storyline. I’m sorry, but it just made no sense. Which actually leads me right to the next point
Inconsistently written powers. Diego doing the thingy with the bullets like since when tf can he do that? I understand that the show already changed his powers from the comics, but up until that point it was strictly about knives. We never see him curve or manipulate (or whatever it is he actually does) any other objects, so this just felt so random and out of nowhere, and like they just wanted to give him a ‘badass powers moment’. If they wanted to indicate that his powers were more than what we’ve seen in S1, literally all they had to do was have him use them on something that’s not a knife at any point in the season. A 2 second shot, done. And then you don’t get to the finale and are suddenly like “the fuck”. But, boy, Vanya was even worse. Sounds. That’s what we learn her powers are in S1. Sounds, she manipulates sounds and sound waves. So how in the everliving fuck does she a) bring someone back to life, b) tranfser part of her powers to that person and create a magical connection, and c) take that part of her powers back? None of that makes any sense whatsover. The stuff in S1 where she’s sucking the life out of her siblings was already a stretch, but they’ve just made it worse this season. And this is just a minor gripe with the VFX, but her floating out of the barn looked so bad. I know it’s hard to make floating/flying people look good and natural, but other shows and movies have done it, so it’s not like it’s impossible.
And lastly: The villains. They were terrible, period.
I don’t like the Handler that much, she’s just so...plain and boring and really the only thing she has going for her are the outfits. Nice outfits don’t make a good story though. But the Swedes were even worse. Just every scene they were in felt like it dragged and I just wanted to skip past it. And then they have the fucking funeral scene with swedish Adele like are you kidding me? Am I supposed to feel bad for these pieces of white toast with zero personality or development? ??? Honestly, they could have cut them out completely and replaced them with more development for Lila and I would have been perfectly happy with that. Or replaced them with literally anything else. I don’t think I would have felt like I was missing anything important. Also, AJ? What was up with that? Again, haven’t read the comics so idk if he’s a big deal or not in them, but I really thought he would play a bigger role. That felt like such a waste of a character and like what even was the point?
I really feel like AoS (esp. S1-4) raised my bar for well written and developed villains. Admittedly, a 22 episode season allows for a lot more time to actually do that than a 10 episode season, but still. If you have less time to develop characters, then you need tighter writing and TUA completely dropped the ball on that one.
Okay. I think that’s it. I mean, I probably forgot a bunch of stuff, but these were the things most prominently on my mind after letting everything sink in for a bit. Overall I’m pretty meh about the season as a whole. I’ll probably watch S3 (if they renew it, that is), but I’m not super hyped about it or anything. The only thing keeping me interested are sibling interactions and the Ben reveal (even though his emo hair is an atrocity. I’m sorry Ben, I love you, but no.)
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theexleynatureblog · 4 years ago
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Veganism for Conservation
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Wikipedia defines veganism as “ the practice of abstaining from the use of animal products, particularly in diet, and an associated philosophy that rejects the commodity status of animals. An individual who follows the diet or philosophy is known as a vegan.”
This is different than vegetarianism, which is a non-meat diet. Vegetarians still use animal products like eggs and dairy, while veganism does not. Some people that practice veganism extend the philosophy to their clothing, not wearing leather, and sometimes even wool. 
A lot of us have probably interacted with vegans on the internet in posts such as this:
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Personally, my interactions with people who practice veganism have been limited to glimpsing internet brawls like this. Because of this, vegans get a bad name. I’m sure Christians can relate: that one wild-eyed priest going on about how homophobia is a sin. He may speak for all Christians, but he cannot represent them.
My point of this is, going into this post, please approach veganism or vegetarianism with an open mind. This post is not hating on vegans, and it is not trying to convert anyone to veganism. By pointing out the strengths and weaknesses of vegan and non-vegan philosophies, I hope to increase understanding.
Where Veganism Succeeds
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When it comes to images like this, vegans and vegetarians are sometimes the first to call out animal cruelty. This is not without substance. This PDF article from the University of Kentucky covers some of the issues very well. The main issue is Confined Animal Feeding Operations (CAFO) or “factory farms”.  The ultimate goals of the factories are ‘cheap food’. Animals are kept in confined spaces, and given antibiotics and growth hormones to counteract the spread of diseases and parasites (in some cases it doesn’t work). Ironically, some of these drugs are outlaws in the UK, due to the adverse human health effects. Factory farms are a monopolized industry free of heavy regulations of other large-scale operations. Though the FDA and USDA oversee inspections and health regulations, it only helps so much. The Animal Welfare Act of 1966 does not extend to farm animals.
A common response is “Shut down farms!” But it’s not as simple as that.  The next article covers the Pro’s and con’s of farming. Farms are run different in different places of the world, and always full of contradictions. Livestock can improve the health of prairie grasslands, but also overgraze them. Animal manure can improve soil health and pollute rivers. While places like America need less meat, poor families in Cambodia may need more protein in their diet. I whole-heartedly support shutting down CAFO’s, but farming in general. Small-scale family farms are a great example of farming with ecosystem and animal health in mind.
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One problem with holding animals indoors - even if you feed them well, make them comfortable, keep them from getting sick - is lack of mental stimulation. No species on Earth processes the world the same way. Cows don’t think they same way humans do, but they are living animals designed to do certain things.  A video I watched last year for my animal behavior class (If I could find the video, I’d add it) followed a group of hens brought from a factory farm to a new free-range home. A series of experiment were set up to observe their behavior. When presented with building materials, the hens proceeded to build a nest - even though a nest was already made for them by the caregivers. Animals have inherent behaviors that they will carry out if giving the opportunity. This may not have any impact on the health/quality of the meat or products, but it can give the animals mental exercise and therefor reduce stress.
Recent years have brought in increased in what is dubbed the “locavores.” Locavores is basically a person who eats locally, or within a 100mile radius. They may buy more produce from farmers markets, or get their meat from hunting and fishing locally. (Minnesota has a bag limit of 5 whitetail deer. A successful hunter could stock up food for their family for an entire year without ever buying meat from a grocery store!). Food handling, processing, and transportation takes up a lot of our yearly energy costs, not to mention food shipped from another country is going to be more expensive, and sometimes, less fresh.
The Locavores Movement wasn’t exactly pushed by vegans, but I’m going to include it here because it’s a win for everyone. After WWII, agriculture was becoming more commercialized. Big, industrial farms with lots of land and machinery was out-competing small family farms. Later on, the 60′s and 70′s sparked a ‘back to the land’ movement (a big time for environmental policies). It encouraged relationships between communities and local farmers. Though many small family farms are still financially struggling, the Locavores movement is increasing, as people are becoming more aware of where their food is coming from and their dietary health.
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Where Veganism Fall’s Short
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Animal anthropomorphization - defined as ‘ the attribution of human traits, emotions, or intentions to non-human entities’. Giving animals human-like appearances such as walking on two legs, fingers, eyebrows, and having them think and act like humans. This is present in any Disney cartoon regarding animals. Bambi is the most famous, and even created what is known as “Bambi Syndrome”, a belief based on the movie that paints nature as a garden of Eden with no natural predators - which is grossly inaccurate.
Anthropomorphization is not inherently bad, I enjoy watching Disney cartoons and sometimes its fun to imagine animals acting like people. However, there are people who seem to believe than animals really do process the world exactly like people do, and their interactions with the environment and other animals are similar to human - situations. Ex: a bunny rabbit and a deer chase each other around - they must be best friends! People forget that for wild animals, even suburban wild, is a constant struggle for survival. Humans partook in this once to, but now we have grocery stores and houses. We take for granted our ability to get food every day, and go home to a warm night’s rest. Animals don’t have that. Wild animals are focused 24/7 on survival - where to get food, are there any dangers around, ect. Once an animal has gained enough resources to survive day to day, then they can focus on reproduction. After that, in some cases, the focus is on rearing young. And then the cycle is repeated.
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 The biggest argument comes down to the idea of death. Vegans argue that the act of killing animals is immortal because animals fear death just as humans do. This is true: the fear of death is present in all species. It is an important driver for evolution. Organisms are constantly coming up with new ways to avoid death caused by changes in the environment.
But death is still a really important thing.
Death is something that has to happen, because that is how nutrient cycling works. One organism collects material from the environment until it stops, and those nutrients are redistributed to other organisms. The longer an organism lives, the longer it holds onto those nutrients instead of redistributing them. 
The argument that ‘all animals want to live’ is obvious and does not address the fact that death is a natural and important part of our world - just as important as life. Why do humans make such a big fuss about it? Because we have the time and the resources to do so.
Giraffes don’t have time to sit around and contemplate life and death - they’re busy living. They’re busy foraging and migrating and kicking lions in the head. We have to remember the human experience of the world is unique to us - we are the only species that exploited resources so efficiently, we had the time and energy to build Society. Every word and concept in our mind is a imaginary construct, or translated from what we’ve seen in nature. This includes death - a natural process we witness and created an abstract essence around that both increases and diminishes our fears of the inevitable. (Sorry to readers experiencing existential crisis’ - hang in there, take your time. This really is mind-bending stuff when you think about it). Death didn’t have a name until humans created one. We created stories of Grim Reapers and Angels and Demons. We see shadows out of the corner of our eyes and call them ghosts.
But, do we have a right to cause the death of other organisms? Well, in nature, what is a ‘right’? Does the gazelle or the leopard have a greater right to live? My arguments may see really heartless and objective, but I am a biology student, so I have to look at this from an ecological perspective. Why do we look at the animal world through a tight lens of human understanding when we now have to tools to see more? How can we assign human concepts to a world that exists beyond our understanding?
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One of emotions we have created do to the development of society is ‘guilt’. Its possible this emotion exists in other animals too, such as a mother who couldn’t protect their young. Guilt has evolutionary advantages of strengthening social bonds, and inciting a change of behavior. But humans are unique in that we extend this guilt beyond our immediate families to multiple other species. Pet owners may experience this when they accidentally step on their pet’s paw. 
This philosophy of including other species in our perception of the world is amazing, and very important. Aldo Leopold, a professor of ecology at the University of Wisconsin, wrote in A Sand County Almanac that extending human ethics to the land and its animals was essential for conservation. We need more people involved in biology and environmentalism, but we need them to have a proper understanding of life and death processes of other animals.
Wild animals deal with death much more often than humans do, and not in the same way. An article from Stat News claims half of Americans now die at home in hospice care. I can’t hypothesize numbers, but its same to say that a lot of people, especially in rich countries, get a ‘gentle’ death - in bed, surrounded by family members, eased with pain medications. Animals don’t get that. The quickest, non - human way for animals to die is by being kill by something else. Lions tend to bite the jugular of prey to asphyxiate it. The animal is dead by the time the lions start eating it, but it did not die quickly and peacefully. It’s last moments were being chased by lions, having lions dig their claws and teeth into its body to knock it down. It will take at least a full minute or two to suffocate the animal before it dies. Imagine the last thing you see is a lion biting into your neck - that’s terrifying!
Some deaths are quicker - think of birds picking up ants or insects, quickly crushing them in their beats or swallowing them whole. The thing is, as mammals, we can’t really relate to insects on an emotional level, so that example doesn’t get us far...
Non-predatory causes of death are disease, parasites, starvation, injuries, and old age. Older animals are at risk for all of these combined. A wolf with a broken leg may be fed by the pack for a while, but eventually have to be left behind and starve to death. There are no gentle deaths in the animal kingdom.
Ironically, the fastest and least painful death animal can experience from humans are euthanasia, and a gunshot (as long as the shot is lethal). Euthanasia is common for pets and livestock by first putting them to sleep, and then injecting them with a lethal drug they cannot feel. Its the closest thing to a human dying in a hospital bed. 
Gunshots have the potential to be the least painful and the most painful - depending on the skill of the hunter. A ethical shot to the heart or brain means that the animal will be dead before it even feels the bullet enter its body. That sounds a lot nicer than being chased or ripped apart by wolves, or stumbling around, infected by CWD.
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Shortcomings of Non-Vegan Philosophies
Hunters and anglers don’t have all fail-proof ideas either. When it comes to conservation, America tends to prioritize animals useful for human consumption - as in, harvesting or observing. “Game” animals, like deer, elk, grouse, and waterfowl, have most of the public’s attention and protection. “Non” game animals like reptiles, amphibians, and invertebrates, are overlooked and at greatest risk for extinction due to lack of funding. 
Americans in general, eat too much meat. A quick Google search pulled up multiple articles that said the same thing. These articles are not pushing vegan/vegetarian philosophies, they are approaching the problem from a healthy diet standard. This article from Popular Science covers the American heritage around meat and animals that dates back to colonial times. In medieval Europe, many of the large game animals like stag and bison were gone due to overhunting, and the remaining wild lands were reversed for nobility sport hunting. Important predators like wolves and bear were also removed due to fears and superstition, so, the ecosystems of Europe were...a mess. When settlers came to America, they discovered a land of bounty, and developed a ‘take whatever you want’ philosophy that led to the extinction of the passenger pigeon, and near extinction of the bison and turkey. We eventually realized our mistake and worked up some protection, but still have a ways to go. 
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Is Veganism helping conservation?
Yes and no. It has it strong and weak points. The strongest, like I said, being pointing out the flaws of factory farms. However, the belief that replacing animal products with plant/synthetic materials will help the planet is troublesome.
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The picture is one that comes up when Googling ‘soil degradation’. The land is so dry, it is cracked. The vegetation looks dead and dying, and the soil color itself is a light sandy brown - lacking the deeper shades that indicate the presence of organic material, essential for soil organisms and plant growth. Soil degradation is a problem all around the world, appearing in various forms. It’s leading cause is poor management of agricultural fields. A vegan lifestyle means greater dependence on these farms, but there is never any mention of this problem.
Vegan or not, as an American, I believe it is in our best interest to eat less meat - not totally get rid of it, but have more balanced diets. Soil degradation is a problem for everyone. Luckily, soil scientists are at work discovering new ways to put nutrients back into the soil and lock them in, increasing the health of the soil ecosystem. The plants and animals that depend on it (including us) will be healthier, and some of these techniques can even take greenhouse gasses out of the atmosphere. The Soil Conference at Gustavo's Adolphus College brought in some of these speakers. Video are available on YouTube, and posted to my blog.
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A trademark of veganism is refusing authentic leather. It is replaced by synthetic and plant based materials called ‘pleather’, ‘faux leather’ and ‘vegan leather’. 
Some sites say these terms are interchangeable, but some say they’re each a little different. Leafy Souls defines ‘pleather’ as leather made from plastic. This is a big problem, because plastic materials, when washed, release micro plastics into waterways. The major problem is these plastics aren’t as easily identifiable are water bottles washed ashore on the beach. Not a lot is yet known about these pollutants, but we have found them everywhere - including inside our bodies.
Luckily, not all vegan leather products are made of plastics. Alternatives have been made from plants, leaves, cork, and even stone!
The big argument against leather and fur products is - it is cruel to kill animals just for there skins. And I actually agree with this. I was never one to buy into the fashion industry, and personally, I think it’s a little outdated, and pointless. 
The process of factory made leather from cowhide is a bit disturbing. The manufacturing of leather is contributing so some major environmental issues like the release of greenhouse gasses and water pollution. Some questionable chemicals are also used to treat the leather. 
The good news is livestock are not being killed solely for their skin. The cattle sent to slaughter are the same cattle that we get most commercial leather from. Of course, this doesn’t really comfort anyone heartbroken over the commercialized treatment of animals.
Leather manufacturing is also being linked to child labor and poor warehouse conditions. It’s a common American business practice to send labor production oversees to places labor is cheaper - cheaper because workers are paid less for longer hours in poor conditions. The leather industry is not alone in doing this. How we change this? Boy-coting certain products is one way, but some of these companies have monopolies on products. A book by a Michigan State University professor discusses the growing monopolization of food products.
How do we solve problems like this? I don’t know, but something this complex needs a just - as complex solution that may take years to undo. 
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Fur
Minnesota got its early start as a center for fur-trading between Canadian pioneers and native tribes. Unfortunely, the luxury that was fur turned the market extremely competitive. Since nature is not built for capitalism and competitive markets and commercialism, the fur bearer populations of the state took a dive. (Luckily, all have now recovered).
Fur markets were as bad as market hunting in terms of conservation, but unlike the latter, fur trapping is as persistent as ever today. Thanks to protections and regulations, trapping is able to persist at nearly the same capacity as it was in the 1800′s without threatening a population. (Also, there are significantly less people partaking in trapping).
Personally, I do not care for killing animals solely for the fur or leather. I would prefer to trap animals that also provide food - like rabbits. My believes are that if you kill an animal, you use as much as you can from it - meat, skin, and maybe even some of the bones. Its a way to pay respect by making sure the animal didn’t die for no reason.
Like leather, fur has synthetic replacements. However, I could not find as much environmental information. The main material for faux fur is acrylics, which are basically plastics that do not degrade when released into the environment. It is another source of micro plastics. 
Manufactured fur, like real leather, is treated with chemicals like formaldehyde to keep from degrading. Naturally, after discovering this, I Googled health affects of wearing real fur. Problem 1: I couldn’t find a trustworthy website. The websites that came up were strongly anti-fur. I wanted to find information from a neutral website, like a college university article. Problem 2: I could not find anything. I expected to find articles about odd rashes or allergic reactions, but there was non. Instead, I re-discovered an article I used in a previous post about vaccines. Vaccines actually use doses of formaldehyde in them. It’s a scary substance, because we automatically think about it in the process of embalming bodies, but the truth is, it has many practical uses that are safe to human health. Any substance can be harmful or helpful, it all depends on the dosage and chemical makeup. I was reminded that formaldehyde isn’t as scary as everyone makes it out to be. It is actually naturally produced in our bodies, and it probably doesn’t have any adverse effects to being added on our clothes.
Another problem arises when questioning the affects of formaldehyde in the environment. When we wash our clothes, dirt and chemicals end up in our water systems, including micro plastics and formaldehyde. The usual dosages of the chemical is to small to cause us individuals adverse health affects, but the story can change when dumped in large qualities. Our tendency to dump large amounts of waste into confined areas is not natural - animals tend to discharge (biodegradable) waste evenly across a habitat, or at least in quantities than can be broken down. The way humans discard waste in large quantities means that basically anything - including caffeine from our coffee consumption - can have adverse environmental effects. So, the problem of releasing formaldehyde is not on the chemical itself, but more on our system of waste treatment and pollution in general.
Conclusion
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I am overwhelmingly tired of the vegan vs non-vegan argument. The more I see people pointing their fingers at each other, the less I want to partake in either one of their ideologies. Great minds think alike but fools seldom differ.
I believe it all comes down to balance. No matter how we exploit resources, there is going to be a downside. Vegan or non-vegan, there is an up and down to every choice. We have to work together and find a middle ground.
If we completely stopped using animals today, there would be changes. CO2 emissions would drop a little, but they may change sources. The same amount of people would need the same amount of food, and 1/3 of that food would come from a different source. There may be more habitat loss from increases agriculture farms, and come communities may became protein-deficient.
If the opposite were to happen, and we increases animal products, there would also be adverse effects. To feed those animals would also require more agricultural land. Factory emissions could rise, along with health effects of too much red meat, like increased cholesterol. 
The fact of the matter is, we all kill animals, directly and indirectly, simply by taking up space. The things that make you you - the proteins and carbons and lipids and nutrients - came from another organism. The fact that you have them now means something else is denied them. The cars we drive, the fields we plow, the pollutants we throw out, those are all killing animals as I type this. It sucks. I absolutely hate it. It has happened for the past millions of years, but right now, we are doing it at a faster rate than anything before us.
I cannot fully support veganism in regards to animal ethics, due to the tendency of anthropomorphization and biological misinformation. But I due support the legitimate environmental concerns, and I think a lot more people need to understand them as well.
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