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[travelling-my-little-pony]

Love Wishes is just hanging around on the Hazlehurst Estate.

In London, England.

[xtruss]

Souls Grown Deep Like the Rivers Review – Art of Poverty and Resilience From the US South!

This moving show considers the wealth of inventive and work by African American artists from communities that remained in southern states after the civil war

— Royal Academy, London | Ashish Ghadiali | Tuesday 14 March 2023

A Cosmic Night Sky … Thornton Dial, Stars of Everything, 2004. Photograph: Stephen Pitkin/Pitkin Studio/2023, Estate of Thornton Dial/Artists Rights Society (ARS), New York/DACS, London 2023

Narratives of the great migration and the Harlem renaissance have dominated conversations around African American art in the 20th century, but a new exhibition, Souls Grown Deep Like the Rivers, which opens at the Royal Academy in London this week, invites us to consider the cultural contribution of artists from the American south. Communities that remained there in the aftermath of the civil war continued to be exposed to extremes of racial violence, segregation and the hardship of economic exclusion.

Burgle Boys, 2007 by Mary Lee Bendolph. © ARS, New York and DACS, London 2023.

The psychic scars of that collective trauma run deep through many of the works in the show. Alabama native Thornton Dial’s Blue Skies: The Birds That Didn’t Learn How to Fly, for example, where cloth rags hang limp from a rubber-coated copper wire, paints a picture of abjection, while Mary T Smith’s We All Want a Jobe, created in the early 1980s during her retirement in Hazlehurst, Mississippi, positions a line of blurred faces beside the desperate, scrawled text of the title to create a tableau haunted by otherness. In Keeping a Record of It (Harmful Music), Lonnie Holley, also a native of Birmingham, Alabama, positions an animal skull in the centre of a salvaged record player, gripped as though by a pincer in the record player’s arm while Ronald Lockett’s Oklahoma, made in 1995 in response to the Oklahoma City bombing, pieces together sheets of metal, tin, wire and nails on wood to conjure the horror of murderous white supremacy.

Martha Jane Pettway’s Housetop — Nine-block Half-Log Cabin Variation, c1945. Photograph: Stephen Pitkin/Pitkin Studio/© Estate of Martha Jane Pettway / ARS, NY and DACS, London 2023

At times the exhibition feels overwhelmingly bleak. And yet in the material inventiveness of the works and in the sense of meaning made in community, with what materials are available, a powerful counterpoint to suffering emerges. It speaks to resilience, innovation and a propensity for survival that, through these artists, continues to exert an influence on prominent African American artists including Theaster Gates and Leonardo Drew (whose new work Number 360 opens at the Yorkshire Sculpture Park chapel this week) who have also made use of waste materials to propose an art of reclamation.

‘The 400 Years Journey of Africans in America’ … Joe Minter, And He Hung His Head and Died, 1999. Photograph: Stephen Pitkin/Pitkin Studio/ARS, NY and DACS, London 2023

Dial’s Stars of Everything, for example, transforms old cans into a cosmic night sky and a spray paint can and a piece of old carpet into an almost human presence that dances in the centre of this assemblage. His Tree of Life pulls together fragments of found wood, roots, rubber tyres and air freshener to create a monument to being that also reflects his 30 years’ experience as a steelworker in Bessemer, Alabama, where his sons, Thornton Jr and Richard (both artists in the exhibition too) also worked.

Ralph Griffin’s Eagle, 1988, ‘its wing a clattering array of sticks’. © ARS, New York and DACS, London 2023

The theme of intergenerational conversation and a creative tradition sustained through adversity underpins the exhibition and is also evident in the display of quilts (intended as objects to help people keep warm economically) that were made through the course of the 20th century in Gee’s Bend, on the banks of the Alabama River, by artists including Rachel Carey George, Martha Jane Pettway and Loretta Pettway. “I came to realise,” Loretta Pettway has written, “that my mother, her mother, my aunts, and all the others from Gee’s Bend had sewn the foundations, and all I had to do now was thread my own needle and piece a quilt together.”

Purvis Young, Untitled (Narrative Scene), 1980s. Photograph: Maciej Urbanek/© 2023 The Larry T. Clemons Collection / Artists Rights Society (ARS), New York.

Rashaad Newsome’s Stop Playing In My Face!, 2016. Photograph: Courtesy of Rashaad Newsome Studio and Jessica Silverman, San Francisco

In the early 1980s, when the boxcar factory that was employing Dial and his sons shut down, they went on to set up a metal patio furniture business together where they would, on the side, experiment with making sculptures from scrap metal. Jesse Aaron, working as a cabinet maker in Lake City, Florida turned his skills in woodworking to the task of carving faces on trees around his property to act as protective presences. Joe Minter’s And He Hung His Head and Died draws on the artist’s experience as a welder in the construction industry, also in Birmingham, Alabama, to evoke “the 400 years journey of Africans in America” – a theme that also runs through the immersive environment, African Village in America, that he has installed behind his house to preserve the tradition of the yard show – artists, for want of any kind of institutional support, would exhibit works at their properties.

Lonnie Holley, Keeping a Record of It (Harmful Music), 1986. Photograph: Stephen Pitkin/Pitkin Studio/2023 Lonnie Holley / Artists Rights Society (ARS), New York / DACS, London

There’s a giddying contrast in seeing these works now on display, when so many of the artists included in the exhibition are already dead, in the vaulted galleries of the Royal Academy where so much of the wealth and cultural capital amassed through the era of the plantation has been preserved. Placed here, this show speaks, above all, to the cultural life that has prevailed in communities shaped by histories of African exploitation and enslavement on the other side of the Atlantic Ocean, and that contrast, though uneasy, feels generative, too, and perhaps the first intimation of a longer process of reparation that is to come.

Red/ Meridian, 2021-22 by Lina Iris Viktor. Photograph: © 2022. Courtesy the Artist and Hayward Gallery

— Souls Grown Deep Like the Rivers: Black Artists from the American South is at the Royal Academy, London, from 17 March to 18 June.

[stereostevie]

'Brother Robert' Reveals True Story Of Growing Up With Blues Legend Robert Johnson

December 29, 20203:51 PM ET | Heard on All Things Considered | Ben James

Annye Anderson — stepsister of Robert Johnson — published her memoir Brother Robert: Growing Up with Robert Johnson in June.

Blues legend Robert Johnson has been mythologized as a backwoods loner, his talent the result of selling his soul to the devil. Wrong and wrong again, according to Johnson's younger stepsister, who lives in Amherst, Mass. She tells his true story in Brother Robert: Growing Up with Robert Johnson, a memoir about growing up with her brother she published in June.

Her name is Annye Anderson, but unless you're older than she is — and fat chance of that, as she's 94 — you better call her Mrs. Anderson.

"People say, 'Don't you have a first name?'" Anderson says from the couch in her living room. "I say, 'Yes, I do.' And they wait for it. But I tell them, 'Mrs. Anderson will do just fine.'"

Amherst is a long way from the Memphis of Mrs. Anderson's childhood, where she grew up in an extended family of siblings, half-siblings and the guitar-playing older stepbrother she called Brother Robert.

"Brother Robert and I used to do the buck dance," Anderson says. "Because you know he could move. People don't know. He didn't just sit and play like they showed him with that caricature."

Anderson's childhood — back then she was Annie Spencer — was steeped in the tunes played by Johnson and others, along with all the popular songs they listened to together on the radio.

But before his mysterious death in 1938, Johnson's "Baby Sis" only ever held one of his records in her hands. It was "Terraplane Blues," his first release and only record to gain any popularity during his lifetime. After he died, his 29 recorded songs were quickly forgotten.

Anderson became a short order cook, a secretary at the pentagon, a teacher and school administrator. She moved to Washington, D.C. and, later, Massachusetts. In the '60s, amidst the civil rights movement, she began to hear something familiar on the radio: her brother's songs.

"During the movement, people were playing his music everywhere and his riffs everywhere," she says. "Sound familiar, but we didn't know they were copying from — we didn't know about Eric Clapton, and Led Zeppelin, and Keith Richards, the Rolling Stones."

Music and culture critic Greil Marcus has been a fan of Robert Johnson for decades. Now he's a fan of Anderson. Marcus praises her new book — and Johnson's artistry — in the New York Review of Books.

"There is something in Robert Johnson's music that goes beyond, goes above, that is harder, that is deeper, that burrows beneath in ways that other music doesn't," Marcus says.

The cover of Brother Robert shows the third known photograph of Johnson, never before seen by the public. Anderson and her older half-sister, who she called Sister Carrie, kept that photo close for decades, storing it in a box that originally held sewing machine oil.

Anderson's story begins with her family's roots in Hazlehurst, Miss. — including her first memory of Johnson in Memphis when he swept her up and carried her up a set of steps "like lightning" — and spans the decades after her brother's death, when a mostly-white audience invented the story of Johnson selling his soul to the devil at the crossroads, a myth that was more racist caricature than anything having to do with his actual life.

"I'm not saying he was an angel," Anderson says. "And I'm not saying what he didn't and did do. Because I didn't have him in my pocket. But people like to be on the dark side. And that's what they paint. He's brilliant on one side. And he's dark on the other. And I deeply resent that."

The second half of Anderson's book recounts numerous ways in which she and Sister Carrie were excluded from Johnson's estate while white music publishers and other opportunists sought to profit from his legacy.

Anderson co-wrote Brother Robert with historian Preston Lauterbach. She sought him out herself, she says, after his book The Chitlin' Circuit fell at her feet in the music section at her local Barnes & Noble.

"I opened it and then I saw this white face," Anderson says. "And I said, 'Well, what does he know about the chitlin' circuit?'"

She bought the book and read most of it that same night, deciding she needed Lauterbach's help in her ambition to correct the record on the life of Robert Johnson. Anderson talked about the book for years, never believing that it would exist one day.

"She felt that the story had been told badly by outsiders for long enough," says Elijah Wald, author of Escaping the Delta: Robert Johnson and the Invention of the Blues. "And she wanted to tell the story herself."

Wald, who wrote the introduction to Brother Robert, says Anderson's book offers a necessary corrective to the image of Johnson as a backwoods loner playing primal and haunted music.

"Robert Johnson was as much the guy from Memphis who went out in the country and was the hip city guy as he ever was the guy from the dark Delta who went up to the cities," he says.

Marcus concurs, saying what stands out most in Brother Robert is the sheer range of American popular music flooding through Anderson's story. A couple pages in, he says, he started making a list of songs the family listened to or played.

"And the list just grew and grew until there were maybe 20, 30, 40 different examples. And I realized no one could have a richer, broader, more mainstream American cultural life than the one that Robert Johnson lived out," Marcus says.

Some of Anderson's favorites included The Vagabonds, Gene Autry, Clyde McCoy now, Count Basie, Fiddlin' John Carson, Bing Crosby and Louis Armstrong.

"Brother Robert is the one that got me into country music," she says. "'Course, Jimmie Rodgers was his favorite. I will never forget 'Waiting for a Train' and doing it with Brother Robert."

The two would bust up laughing at the line "Get off, get off, you railroad bums." And then came Rogers' famous yodel.

"I tried to yodel," Anderson says. "But brother Robert could yodel. He could mimic anything."

In the memoir there's a moment, toward the end of Johnson's life, when a young Anderson walks her brother to a spot on Highway 61 so he can hitch a ride across the Mississippi. He smelled of cigarettes, Anderson writes, and Dixie Peach pomade:

"He would say, 'Well, little girl, this is far as you could go,' Because I wasn't supposed to go but so far. He'd give me a hug — 'Bye Little Sis' — and tell me to go straight home."

Many of Johnson's fans would likely sell their own souls to be able to follow him down that highway to his next house party and to hear his version of "Waiting for a Train." Instead, they've got his 29 recorded songs. And now they have Anderson's memoir.

[kerlonamazing]

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[nauticarealty]

Real estate terms can be tricky, especially when it comes to financing your home or condo.  Contact Terry Williams today to discuss options for listing a property or purchasing a property. Contact Terry at 888-501-6003 or nauticarealty@gmail.com in Florida or Georgia. #hazlehurst #baxley #vidalia #douglas #southgeorgia #georgiacoast #georgiabeaches #stsimonsisland #brunswick #jekyllisland #seaisland #woodbine #kingslandga #stmarysga #kingsbay #fernandinabeach #ameliaisland #jacksonvilleflorida #jacksonvillebeaches #pontevedra #nocatee #staugustine #staugustinebeach #daytonabeach #floridabeaches #floridacoast #emeraldcoastrealestate #emeraldcoastflorida #panamacitybeach #seagrove #graytonbeach #santarosabeach #destin #destinbeach

[aaafencemasterinfo]

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[dexterallen]

Today! Dexter Allen Entertainment @ Shannon Family Estate (Reunion) in Hazlehurst, MS - July 30th

[brenda11511-blog]

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[berkshirehhomes]

REALTOR® Spotlight: Q&A with Shonda Campanaro

Where are you from?

Hazlehurst, Georgia is my hometown. I have lived in Jacksonville for 20 years now and am proud to call this city my home.

What brought you to real estate?

At 26 years of age I had a landscape design company and met Pud English. I absolutely loved her, looked up to her and knew she was a successful Real Estate agent. I thought about becoming an agent for a few years and eventually decided it was for me. I called Ms. Pud up and she told me about Prudential and her sister who worked there. I decided I would interview with them and here I am almost 10 years later.

What actress/actor would play you in movie?

I think I would be played by someone like Reese Witherspoon or Kate Hudson because we have similar personalities and they could definitely pull off my accent.. lol

What is your favorite local restaurant?

I am a huge foodie so there are so many places I love here. Azura would be one of my tops because of their black garlic and Sea Bass that won the James Beard award. I also love BB’s, Biscotti’s, Blue Fish, Marker 32, Ocean 60.

Thing you’re most excited about this year.

I believe 2017 is going to be a great year. I think people are excited for changes in the markets and they are feeling more secure with work. I know we are on track for a record year.

_________________________________________________________________________

For more information, Shonda can be reached by phone at 904.962.6139 or Shonda.Campanaro@FloridaNetworkRealty.com and website:ShondaSellsJax.com. The Mandarin/St. Johns office is located at 11576 San Jose Boulevard, Jacksonville, FL 32223.

_________________________________________________________________________

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from REALTOR® Spotlight: Q&A with Shonda Campanaro

[nauticarealty]

Becoming a homeowner or condo owner is a big decision, there is a lot to consider. But there is also probably a lot already indicating that it's time, and one doesn't have to figure it out on their own. Terry Williams at Nautica Real Estate, LLC is here to help!  Contact Terry at 888-501-6003 or nauticarealty@gmail.com to get the process started.  #hazlehurst #baxley #vidalia #douglas #southgeorgia #georgiacoast #georgiabeaches #stsimonsisland #brunswick #seaisland #georgialakes #woodbine #kingsland #stmarysga #FernandinaBeach #ameliaisland #jacksonville #staugustinebeach #nocatee #jacksonvillebeaches #daytonabeach #pontevedra #floridabeaches #floridacoast #emeraldcoastflorida #emeraldcoastfl #panamacitybeach #destin #seagrovebeach #santarosabeach #graytonbeach #miramarbeach #nauticarealestate #nauticarealty #terrywilliams

[nauticarealty]

There are a lot of things you'll need to know when buying a home or condo, but you don't need to figure everything out on your own! Terry Williams at Nautica Real Estate, LLC will guide you every step of the way and answer any questions you may have along the way.  Contact Terry at 888-501-6003 or nauticarealty@gmail.com to get started. #hazlehurst #baxley #vidalia #douglas #southgeorgia #georgiacoast #stsimonsisland #brunswickga #woodbine #stmarysGA #kingsland #kingsbay #fernandinabeach #ameliaisland #jacksonvilleflorida #jacksonvillebeaches #pontevedra #nocatee #nocateeliving #staugustinebeach #staugustine #emeraldcoastrealestate #floridacoast #panamacitybeach #seagrovebeach #santarosabeach #graytonbeach #destin #nauticarealestate #nauticarealty #terrywilliams #daytonabeach

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Selling a home or condo is a full time job. Nautica Real Estate, LLC engages in worldwide digital advertising and other forms of medias to market a property.  We guarantee an offer on your property! Contact Terry Williams at Nautica Real Estate, LLC at 888-501-6003 or nauticarealty@gmail.com to get the process started in Florida or Georgia.  #hazlehurst #baxley #douglas #vidalia #floridarealestate #georgiarealestate #florida #georgia #nauticarealestate #nauticarealty #terrywilliams #southgeorgia #stsimonsisland #brunswickga #seaisland #woodbine #kingsland #stmarysga #fernandinabeach #ameliaisland #jacksonville #jacksonvilleflorida #jacksonvillebeaches #pontevedra #nocateeliving #nocatee #staugustinebeach #staugustine #emeraldcoastrealestate #panamacitybeach #fortwaltonbeach  

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Did you know in today's real estate market, most homes and condos have equity? Contact Terry Williams at Nautica Real Estate, LLC at 888-501-6003 or nauticarealty@gmail.com to list your home or condo in Florida or Georgia.  We guarantee an offer on you home or condo!! #baxley #hazlehurst #vidalia #douglas #southgeorgia #nauticarealestate #nauticarealty #TerryWilliams #stsimosisland #georgiacoast #floridacoast #seaisland #brunswick #kingsland #stmarysga #fernandinabeach #AmeliaIsland #jacksonville #jacksonvilleflorida #jacksonvillebeaches #pontevedra #nocatee #nocateeliving #staugustine #staugustinebeach #daytona #daytonabeach