#have some word vomit lol

[pettyprocrastination]

whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!

this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!

warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 

So the general Idea is that you and Joel are happily married before the outbreak. 

You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 

you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 

nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 

On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after

it is his birthday afterall, you want to focus on him. 

but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 

its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 

Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn

its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 

there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 

when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-

all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river

Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 

“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 

he isn’t sure if he’s saying it to his daughter or himself. 

but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything

its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 

Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 

Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 

“We’re gonna find her, but not there.” 

So Joel searches. for the first year spent in the world post-outbreak its all he did. 

He became a smuggler because of it. 

Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 

But it’s Tommy that asks him to give up. Not in those words of course. 

The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 

But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 

“You think she would have wanted this for you?” 

the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 

“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 

All he can do is nod. 

It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 

It begins his new life. One that empty and cold but one he can live. 

Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 

its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 

when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 

Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 

He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 

Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 

“You hurt one of mine, I hurt one of yours. That a fair deal?” 

Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 

But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.

“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 

Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 

“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 

He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 

“One.” 

The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 

“Two”

Wait. No, they both do.

“Three.” 

Twins. Jesus fucking Christ you had twins. 

“Four.” 

Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 

Your voice softens just for a moment. “You okay, Duke?” 

Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 

Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.

When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 

She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 

“Joel!” “Just do it, alright?”

He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 

“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 

[sir-toastington]

more art from my gf DeathRay (Grumpy Bear is both our favorite)

She also made her own Care Bear Cousin- Gloomheart Bat! Specifically nocturnal, she's rarely seen by the other cousins with the exception of Brightheart who's also nocturnal.

She stands for the importance of patience, and listening to others without interrupting while they share their feelings.

[mx-myth]

Okay so I've had some meta thoughts about Laurence's amnesia and how it relates to his relationship with Tharkay sitting in my drafts for like over a year now so I figured I'd finally clean it up and post it. Heads up it's really long.

Laurence finally consciously realises that he loves Tharkay (or is in love with him, whatever nuance you'd like) after "knew him, and knew himself." But at this point he's completely in pieces as a person (more on this next paragraph). Post-amnesia, he's an entirely different man. Pre-Temeraire Laurence is the harshest, strictest version both of and with himself. He follows the rules to the letter, basically takes Temeraire only out of duty in the beginning, and even keeps the promise between him and Edith despite there being no formal arrangement at all. Post-Temeraire but pre-amnesia Laurence has softened. He's putting less emphasis on the rules and more on his morals (see: treason). He has more leeway but still carries that honor/duty/order with himself.

Which is why post-amnesia Laurence is the version of himself that discovers that he loves Tharkay. In the wake of losing his memories and then regaining them he's lost and unmoored. Both of his past selves are so different and therefore so distant. They're both true but it's too jarring for him - especially in his current circumstances, much less the overall war - so Laurence becomes a new person. This is Laurence at his most vulnerable, his most unguarded, who smiles more often now because he doesn't really know that he didn't smile that much before. He has two major tethers to his personhood: Temeraire and Tharkay (I hesitate to say only tethers, simply because Laurence's life isn't that small, but repeatedly these two are the ones who have had the biggest impact on his life, who have kept him going). Obviously he loves Temeraire, he's never going to stop loving Temeraire, he just isn't capable of it, but seeing Temeraire didn't bring back his memories (I can't imagine how Temeraire must have felt, meeting a version of Laurence who had never met him). Laurence loves Temeraire in the most unconditional, selfless way - to be very Greek about it, his philia. But I think when he finally comprehends how Tharkay was the catalyst behind this radical change of his self he dives into his memories again and goes over them in excruciating detail (and he was definitely doing that already, but now he's doing it with a lens exclusively focused on Tharkay). At some point he comes to the realisation that Tharkay loves him, and that he loves him, and that he's been unconsciously shoving it down every time it's surfaced (past-Laurence was saying no homo while actively homo-ing). And with the benefit of being an new version of the same person (and also some hindsight, finally), this Laurence says, I've committed treason. My country sees me as a traitor but they still need me to serve them as a tool. I lost myself once in a war (see: "what are you doing?") that's still being fought. Time is short and there's no guarantee I won't lose my memories again, that I will still be the person I am right now. What do I have to lose?

(And on some level, this Laurence thinks, what can stop me?)

He begins giving to Tharkay what Tharkay always had given to him. His acts of devotions start small (relative to Tharkay's; transporting too many ferals is obviously a little outside of what Laurence can feasibly do). He cares for Tharkay once he wakes ("have you noticed the top of your head appears likely to come off?"), he helps him eat and drink, he massages his hands once they heal, he stays with him through the nightmares that come to haunt him. And he continues doing these little things for Tharkay, hoping that he understands (he's willing to wait, Tharkay waited for him after all, and Laurence doesn't want to push him, especially as he's healing). But I think the act that hits Tharkay like, oh, it's different this time is when Laurence bargains his freedom to Napoleon. I feel like that carries unspeakable meaning for Tharkay, who was ostracized growing up and ended up never having a "permanent" home since he travelled so much. I can't imagine that he hasn't been in a similar situation before, but he's probably always been expected to weasel his way out of it without any outside help. He's trained himself out of expecting someone to help him, to care enough about him to save him. Yet part of the man who turned to treason simply so the dragons of France wouldn't die in pain lives on in this Laurence. Pre-Temeraire Laurence is rules and post-Temeraire pre-amnesia Laurence is morals, but post-amnesia Laurence is all heart. There was never a way he was going to leave Tharkay behind.

So Tharkay starts watching him. He watches Laurence continue to devote himself to him, again and again. He brings him his coat on cold days. When it rains and their scars ache he curls around his hands and rubs lotion into them. When he goes into town he always brings Tharkay back a little gift. He starts growing vegetables in the garden and he learns how to cook non-wartime foods and how to knit (because he is a man forged by war and what does one even do during peacetime when one's dragon is busy reforming the government, anyway?) and suddenly he's providing for Tharkay like never before. He looked away for one moment and suddenly Laurence's prescence and all that he does has made the manor a home.

Yet Tharkay, for years, has told himself so many times that Laurence is off-limits, untouchable, that he can love him but that there's no chance that Laurence will love him back. The only way he can love Laurence is silently, nearly from afar, and so he tried to do that. But he can't just stand by and so every time he finds himself committing a deux ex Tharkay (see: ferals, again). He understands that there's some shit Laurence needs to learn himself (and god is this series very good about character development for Laurence) but he's not going to do nothing when the man in about to die. For him it's about caring and providing for Laurence even if he doesn't know it. He learns to content himself with the knowledge that, even if nothing comes of it, he can still be by Laurence's side.

But then the amnesia plot happens (which he only learns of after all of it goes down) and suddenly there is a half-stranger wearing the skin of the man he loves (loved, he tells himself) looking at him with those familiar blue eyes filled with a completely unfamiliar emotion. He's relieved that Laurence remembers but he's said that his Laurence is gone that he's even thinking of it like that (Tharkay has a lot of anger, both at himself and others and the world). Laurence is right in front of him, he's not gone at all, but he's gone in a way that matters. But also this new Laurence is by his side all the time. He's feeding him and helping him drink and dress and he sleeps on the floor by his bedside. Tharkay is so confused because this has to be some kind of fantasy dream he's having. He must still be in the cave (and it's believable that he is, because he returns there every night in his dreams). But he isn't and he has to struggle to come to terms with this new Laurence.

So every time Laurence does something even remotely nice he hyper-analyses it and rationalizes it to himself. He deludes himself into thinking that this is normal for Laurence now. It's normal for Laurence to fuss and hen over him now; it's normal for him to smile at him with that emotion written plainly on his face that Tharkay still hasn't (refuses) to decipher. And he does this well into post-canon.

For that reason he only gets with the program when Laurence has to leave the manor (leave home) for a long while (probably with Temeraire) and suddenly Tharkay is all alone in this huge manor. He's wearing the socks Laurence knitted for him and eating food Laurence grew and walking into rooms and seeing little parts of him scattered everywhere. There's a novel he's reading left on the table by the chair he prefers in the library. There's a cookbook in the kitchen in which he's bookmarked recipes he thinks he might like. Tharkay finds a handwritten list of things they need to buy in town left out for him. He left his pillows on Tharkay's bed because he knows he likes sleeping with a ton of pillows (and they smell like him, and Tharkay pretends he doesn't bury his face in him, that he doesn't miss him while he's gone). When Tharkay wakes up in the morning he makes two cups of tea and waits for Laurence to come in from talking with Temeraire before remembering that neither of them are here (home). He expects Laurence to appear in the evenings to ask if he wants to go on a walk through the grounds with him (and he always ends up saying yes). Tharkay learns that the manor is too big for one man who has always been a little too lonely in his life.

So until Laurence returns home he plots and plans and agonizes. After a week once Laurence has come home (and the first thing he had said to him was welcome home, and Laurence had beamed at him, and it was so unbelievably natural to say it) Tharkay begins his attempts at reciprocating. He wakes up earlier so that he can brew Laurence tea so he can take it out to sit with Temeraire. He says that he cooked some of the recipes from Laurence's cookbook and insists on making them for Laurence (he had to figure out his system of marking which recipes were Laurence's favourites). He gifts him a sturdy, functional, and beautifully crafted knife to wear around the house for daily use; he specifically makes sure the knife is up to Temeraire's standards. In fact, Tharkay talks to Temeraire about everything, and Temeraire tells him, with no minced words while completely drawing his own conclusions, that it's very nice that Tharkay is asking him for his blessing, but does he really need it at this point? Haven't they been courting long enough? He's always approved of Tharkay, because he makes Laurence happy.

That's how Tharkay realises he and Laurence have been dancing around each other like shy birds, both of them subtly showing off but not making the first move. And maybe he realises that Laurence is thinking how he used to think - that it's okay as long as he can be by his side, that he doesn't need his love reciprocated (it's a very long chain of Tharkay loving Laurence, Laurence knowing Tharkay loves him and loving him back, and Tharkay loving Laurence and knowing he knows he loves him and loves him back). And of course Tharkay wasn't going to make the first move back then, and if Laurence hasn't by now, then maybe he should borrow some of Temeraire's courage.

It's something small. The words come later, given how action-forward both Laurence and Tharkay are. They don't even need words. Maybe Tharkay takes Laurence's hand during dinner and intertwines their fingers, maybe he touches Laurence's cheek after he's braided his hair as their eyes meet in the mirror, maybe as they pack away the port and piquet he kisses him good night. Whatever it is, they look at each other and simply know. Tharkay sees Laurence slowly start to smile, a huge one that spreads across his entire face, one that he's only seen on Laurence when he thinks he's alone with Temeraire. He seems to brighten, almost radiating light.

For his part, Laurence reciprocates. He squeezes Tharkay's hand, he turns his cheek into Tharkay's touch, he pulls him in for another kiss. He watches as something seems to drop from Tharkay, something that he hadn't even known he was carrying. He becomes loose and relaxed, his body language more open as he looks at Laurence with one of his little smiles, a bit of shyness that he's never seen before evident on his face. He tells Tharkay that he's the most beautiful person he's ever seen.

[silentassassin21]

no y'all don't understand how much i fucking adore taryon darrington, like maybe nobody loves him as much as me. he just loves vox machina so fucking much even when he's a little bit of a dick about it. like the way that from the start he thinks keyleth is so cool and capable and powerful and obviously that's kind of a joke from sam because keyleth is a bit of a mess (affectionate) but also it's so sweet when tary sees keyleth like jump off a boat and he decides that if their fearless leader is doing it then of course he must too. and the deep, genuine love he has for doty as his first and, for a long time, only friend and how hurt he is when he dies and, even though he can rebuild him, it wouldn't be the same. and while it's always funny when tary brings up his father because sam is funny, it's also so goddamn heartbreaking how scared tary is to go home and feel like he's failed his father again. and the scene where tary tells the group about lawrence and that he couldn't possibly have a future with him because all the adventurers in stories go home to beautiful maidens not older men is just so fucking real and while it's a little funny (because once again: sam), the way the group fucking melts and assures him that none of that is true and comforts him. not to mention his friendship with vex and how much they come to love and respect each other even when tary is being such a little shit. and the way that he immediately finds a kinship in percy and clearly considers him his friend so quickly even when percy is being standoffish and falls a little in love with him even while knowing he won't do anything about it because he loves vex and percy too much. and just the development of his relationship with the whole group who he never really understands are hesitant around him at first because of how much they have their own personal shit that has nothing to do with him but they end up opening up to him and loving him so dearly. shit this ended up being a lot of rambling about tary, i just love him so much, he's one of my favourite cr characters and i never see enough love for him. when i bought a bunch of keychains from an artist at avcon and the first one i asked for was the tary they looked so surprised and happy and said "nobody ever gets taryon" and i just. guys. he means so much to me and i'm not at the end of him being with vox machina but i'm getting close and as much as i love scanlan i'm going to be so sad when he leaves <3

[foreverxdaydreaming]

x

[lee-hakhyun]

from an outside perspective it’s really feeling like they’re emphasising kim dokja’s status as an eldritch god. like,,, you don’t feel it through orv because kim dokja himself has just enough knowledge from reading twsa to navigate, and on his own you can really tell how human he actually is, but. take things from a distanced perspective, and suddenly. suddenly, it’s azathoth and the outer gods of lovecraftian lore, played completely straight. i’ve heard enough people compare azathoth and kdj that i think i can say this much

you wanna know something i’ve thought about a lot regarding kdj and the oldest dream? about yjh becoming a terrorist, and how kimcom willingly went back into the fray, how they returned to the previous timeline - and how some people couldn’t comprehend their choices at first? it makes me think of that old trope of ‘going mad from the revelation’, how some people say that gazing upon this otherworldly being’s true form or ‘learning the truth of the world’ would surely make someone go mad.

go mad with what, though? insanity? or grief? because so, so often, one’s pain is incomprehensible to outsiders, and fail to understand how or why you lash out or break down. it’s a depressing pattern in real life, too. kdj goes mad with grief and self-hatred, learning the truth; kimcom take on the insane route of going through the apocalypse again just to reach the end; yjh is unable to heal, to cope with a world without the scenarios and without his companion to bear through it, and so he fights over the replica of the arc. from an outsider’s perspective, without the understanding that the people involved are all brokenhearted over truths only they know, it might come off as insanity. but it’s all just grief.

with that said, however, to have someone jung heewon KNEW, cruel as he was, replaced by someone from a world beyond - and to start singing the praise of someone else’s name? to say ‘i need to find them?’ how all of them look to one name that outsiders simply DO NOT KNOW, to hail this unknown person as important, as an idol, as… as a god…

the 41st turn before their version of shin yoosung travelled to the other worldlines is a forgotten story, and by orv logic forgotten stories are outer gods. in lovecraftian lore, the outer gods sought to wake the blind idiot god azathoth, who in orv is represented by kdj dreaming for ‘eternity’. also, the Outer Gods of orv (the one actually being called as such right now) see the side story - which is the ‘forgotten’ 41st turn, now being written in where once it was not - as their chance to finally be written on the wall. so it’s. it’s. this is just singshong taking their lovecraftian elements to their logical extreme

interestingly, however, kdj isn’t the only reader anymore, is he? orv places a lot of emphasis on communication and writing on the wall, but in the side story it could perhaps be interpreted as ‘trying to be read by one person in particular’. and then the readers that die are labelled as ‘kdj33’ or ‘kdj47’, reducing them to being ‘just a part’, but… they’re all different people. they’re all people who took in kdj’s story, thus his story becomes a part of their own - but only a part. i’ve said that before, but.

well, you can’t force your own narrative on to someone else.

han sooyoung tried that, actually, didn’t she? tried to get kdj back through ending the story early only to realize the hurt she was causing and backing off. you can’t always reach people in the way you want. that doesn’t mean you shouldn’t stop trying, but there’s also a point where you need to recede, to compromise. am i making sense? i have no idea where singnshong is taking this story, but i’m looking at hsy with lee hakhyun and ceokdj with the readers turned kdj fragments and the outer gods wanting their story written on the wall and. i feel like i’m starting to see a pattern. i could also be hallucinating, but i could also not be. i offer this for your consideration

okay i put this aside for a bit but yes. oh my god. eldritch kdj.. i had not heard about this before, but that's so interesting thinking about it through that lens. and in the side story, hsy forcing the memories of orv on jhw to try to break her.. the explict mentioning of han sooyoung being seen as a 'god' in that moment...

--

fun fact, if you don't remember! lovecraftian horrors are also mentioned as outer gods in orv

chapter 179. when talking with the devourer of dreams, kdj mentioned these modifiers

the fear of sarnath - bokrug

horror from the hills - chaugnar faugn

master of r'lyeh - cthulhu

--

now, adding my own thoughts - the pattern is identity. stories.

there's something wrong with everything in this turn.

the kkomas were cute. until it was revealed that they were dead readers. though.. is that not also kind of what the yoo joonghyuk kkomas are? they may have all been yoo joonghyuk, but their lives in that turn were their own. <- however. the difference here is that while the yjh kkomas were all 'yoo joonghyuk' these kdj kkomas were NOT. they all had their own lives before being brought to wos, and upon being killed and placed in the theater.. they lost themselves.. which is terrifying to think about. you die, and you're brought back to watch your companions go on without you, but you're not yourself anymore. you're kim dokja, who wants to continue watching the stories on the screen.

the transmigrated readers. until the latest chapters, we hadn't been shown the real effect of the readers possessing characters in this world (honestly, we were led to believe that most people transmigrated into 'extras' without their own story. but that's not true, is it?). cheon inho has no one close to him as far as we know (lol), but that's not the same for others. what about the people who knew the possessed characters? lee hakhyun realizes this in the latest chapter, that maybe him and the readers coming here were an additional disaster for the people that lived here.

lee hakhyun's problems,, he's constantly going back and forth on 'lee hakhyun' and 'cheon inho', and there's clearly something wrong with the way he sees himself... we know more about him that he does currently, and if he does find out. i don't think things are going to end well.

and of course. everything about kim dokja. his name is in everyone's minds, the readers are desperate for a source of hope and he has become that to them. kim dokja is being idolized. even before the scenarios, there were those using kim dokja's story in the same way he used yjh. it's not framed as a negative, if that's what you need to do survive, then you should always do what you can to survive, no matter what. but even when you borrow stories, you need to stay yourself. you are your own person.

there's a clear connection with all of these, and it's identity. who someone is, the way they're seen, their stories. what makes you yourself? stories make up who you are, and these outer gods want their own stories written down on the wall to define themselves. rep kdj wanting the readers to forge a new story, lee hakhyun discovering stories that were never told in orv.

right now, nobody's happy. time is running out for the outer gods, the readers have unwittingly destroyed others by taking over these 'extras', kimcom are still desperately searching for their star, our dear protagonist is continuing to doubt himself. and kim dokja is still watching.

...this is orv. not everyone will get their happy ending. their goals oppose each other. we can hope for the best, but that isn't going to happen.

[infinitystation]

it's been a LONG time since i've made any sort of personal post but i wanna ramble a bit! i've never felt more relief than finally deciding to use the term aro for myself after fighting with it on and off for at least 5 years. i'm not sure WHY it's so relieving but it is!

(under the cut bc it's long, i genuinely havent spoken here in like. years. even stopped talking on my sideblog bc i feel a bit safer on a private twitter for personal posts...)

the way i found out was a little hilarious but i am Not going into all that here that's for my private twitter, long story short someone made a post along the lines of "romance is something you FEEL not something you DO" and i was like. wait what the hell you guys Feel a crush you don't just Make one?? OH THAT'S MAKES WAY MORE FUCKING SENSE- *(&$@#)*&%^* quickly realized i had spent my whole life trying to Make crushes oops. there's more to it but that's the extremely simplified version

i had a big relief when realizing my sexuality and gender too but this one was a lot different for some reason. maybe because i'm older now? i'm not really sure. could have also been because i've been fighting with it for so long. i did the same with gender stuff too but it never felt like this big revelation, it was a lot slower and easier to come to terms with. this one made me reevaluate my entire life and go "ohhhhh that's what i was doing wrong all those years" lmao

i dont think i've ever loved myself so much since realizing this. fuck the loveless aro thing (shoutout to you guys tho, just couldnt be me), i am SO full of love. now i realize what was wrong the whole time! trying to put people above other people and put them in the Special Love category was fucking me up, love doesnt need to fall into special categories with certain terms and conditions, it can just be whatever i want it to be and as strong as it wants to be without it ever leaving the "platonic" stage and i love that. realizing that my friends are the closest people in my life and that doesn't have to change has been so nice. no more "you'll find someone Even More Special" these are just my favorite people! i love them! we dont have to get into a relationship to make it The Specialest Relationship, what we have is enough

i am also having way more fun headcanoning characters tbh, that's a silly point but it's a fun one. i never fully understood the "giving your faves your identity" thing bc i just did whatever i saw fit regardless of whether it was MY identity or not, but making random characters aro is awesome. not all of them, i'm a big fan of fictional relationships (relationships are super fun from a distance i love smacking my guys together like barbie dolls). but taking my old inkling oc and making him aro? that has made me so fucking happy. rip to his boyfriend FKJHG

[ribbittrobbit]

lately i’ve been stewing in a weird feeling when i see all the ads and the media and the shocking uniformity of what a “normal” person looks like, particularly in terms of weight.

I guess I never thought about it before because i was very much within the “normal” range, to the point that I have said that i count myself lucky, that i didn’t count body image issues among my issues.

Like for context, i’m 167 cm/ 80 kg at the moment and i have gained somewhere around 30kg, possibly more, in the last 2-3 years, in part because of medication and health issues and honestly probably because i’m 25, and I no longer have the insane metabolism i had when i was a teenager doing competitive sports.

This weird feeling is seeing the world as it’s portrayed in media and advertising and how aware i am of (a) i do not look like the “normal” body and (b) all the bodies are shockingly uniform, in no particular order.

It’s ever weirder, knowing that i didn’t used to feel this way, back when i was the “normal” type of thin. It’s also because i’ve been reminded many times that i’m not that far off the mark. I’ve been told “oh if you just stop eating carbs, you will probably lose all the extra weight pretty easily” or some other “easy diet tip” and repeatedly been “consoled” by the fact that I’m lucky that it would be easy to look that way again, that it could be worse or i could be unluckier.

I’m pretty convinced that the scrutiny I have for my own body is what makes me feel awkward and clumsy and it has nothing to do with my actual body. But it’s frustrating to have to continually, actively undo the expectation i have that I need to look a certain way, or that the only positive changes in a body are those that get you closer to looking “normal”.

[mulderscully]

matthew driving it IN that alex is henry's first love makes me feel so insane thank u king

[kiisuuumii]

what else is there to say (that you don't already know)

you're all i ever want to write about now. but what else is there to write about. you and the universe know how i feel; who else needs to know how i wish?

wishing that i hadn't said anything that night is futile. who i was then was no one but me. if i wish that it had been different, i would be wishing that i was never born to immigrant parents, that they didn't move out of texas, that i didn't meet the people i met, love the people i loved, that i didn't break their hearts, that i didn't break mine, that i didn't go to an in-state university, that i didn't choose to write poetry again, that i never met you. i would be wishing i weren't me.

there was no other way.

instead i wish for possibilities. i press my palms together, i hold them up and open to the universe. i hope. not that you'd be mine. but for an opportunity, to hear your voice again. to hear you laugh again.

tell me about the books you've been reading. tell me about work. tell me about project zomboid. tell me about her.

i still have so many questions for you. they sit here, collecting dust.

[estherkae]

june 10

i don’t remember the last time i’ve been okay. but maybe my okay is less than i expect or think it should be.

your poetry isn’t about me when i think it is. a crow woke me up early this morning and i laid in bed for longer than i should’ve. i think i was waiting for you, maybe i wanted you to call or maybe i wanted to turn around and just find you there. my mom was doing laundry and folding socks. i didn’t say your name when i woke up because i knew you wouldn’t hear it even if you had been there or on the phone. the tree with arms is still and not silent and not moving.

my dad left the garage light on two days ago and i don’t know how to turn it off. i’m mad at you. i’m mad at everyone. i’m insecure. i miss my boyhood. i miss my girlhood. i don’t remember the last time i’ve been okay and not falling.

[bittertomato]

Wait, SAKURAI WROTE TUNGUSKA SANCTUARY???

Here I was, thinking it was bad due to being an attempt at shoving what should have been a whole-ass story chapter into a short Raid event, but in hindsight, it being the product of Sakurai's writing does make sense, and in that case, Tunguska Sanctuary's probably the de facto worst thing they've written to date... right?

Please tell me there's nothing worse made by them on the horizon, my heart can't take it.

Haha yeah. Quill had told me Tunguska's disappointing writing was why they never advanced in JP, so I went in prepared. It was shorter than Olympus and Heian Kyo, so I didn't fry my braincells as much as back then. Plus I'm still riding on my Lostbelt 6 high.

My main gripe with Tunguska is that it was a story that was meant to focus on Koyanskaya, but it gave us 8 entire chapters of Taigong wank and not a single appearance from Koyanskaya herself until near the end. It soured me from Taigong's character until I saw an analysis of him and warmed up to him just a little after the event ended. And the end resolution was literally, "What if we turned Talk-no-Jutsu into an actual way to resolve a convoluted situation which didn't need to be convoluted in the first place."

An egg, really?

I don't think there's anything upcoming (i.e., currently on JP) that's what I would consider worse than Tunguska. I actually haven't read any of the fan translations of the chapters myself so I can't speak for myself. But for the main story chapters...

I think Higashide (the guy who wrote Fate/Apocrphya) wrote Traum? Quill just went through it and said it seemed pretty good until the end when it felt like the ball had dropped a ton. They said it still can't compare to how disappointing Tunguska was, which is a good sign I guess lol.

Nasu wrote Lostbelt 7, and as far as I've heard it seems fine (not on the same level of hype as Lostbelt 6, but also pretty good too if not dampened by the slow release after its hype). Ironically, Koyanskaya is in Lostbelt 7 and when Quill finally got to reading it, told me it feels like Nasu and Sakurai did not communicate at all with how Tunguska should be written.

Ordeal Call I also sounded ok. Again, dampened by the slow release (there's a reason why people nicknamed it "Ordeal Stall").

But as disappointing as Tunguska was, the contents of the chapter itself still can't top the utter cringe that is known as the Agartha chapter. That was just bad. Sakurai's writing may be flawed, but she hasn't written anything that's blatantly horrible like Agartha lol.

[kokitschi]

"like, once he's got miu and gonta killed, it's like nooo im totally not acting out because i feel extremely guilty. nooo this kamikaze plan is definitely not a direct result of that. i am simply the antagonist. im evil and crazy and this is what is in character for me. this is simply my curtain call."

I NEVER THOUGHT ABOUT IT LIKE THAT NOOO. but YES omg that. plays SUCH a part. he's trying SO hard to make himself completely logical and cold and calculating to help everyone without all those silly caveats. but he's HUMAN and he FEELS and he's doing this to help everyone and he feels so so bad about everything he's doing (except he's not, obviously, that's sooo dumb why would he feel bad about helping everyone? you're so dumb :/ NO HE'S NOT CRYING SHUT UP)

ohh and that SO helps him detach from everything doesn't it. he so THOROUGHLY sees himself as the antagonist because of his own guilt that he starts planning his own downfall, literally becoming his own worst enemy because he cannot let this shit continue but also he's the one doing it? and it's for the good of everyone? but that's what every villain says.

(man writes his own narrative. tsumugi who?)

(no seriously my most self-indulgent headcanon is that so much of kokichi's bullshit was completely unplanned. like they wrote the characters and some of their progression but they did NOT plan for this so every time some more crazy bullshit happens and tsumugi's got her whole "omg O_O that's so weird guys!!" schtick going it's almost COMPLETELY genuine because internally she's genuinely just going "what the fuck??? i did not sign up for this shit." layers upon layers of pretending. also it's my silly little way of letting kokichi win in my brain. because he DID confuse the mastermind. even if it was mostly just a series of inconveniences.)

anyway your brain is iconic. got me rotating.

im still not over how many crying sprites this guy has - and i also think it's pretty clear when he's fake crying and when he isn't and he certainly was crying for real after the fourth trial.

i think it's very wonderful how emotional he actually is - like, yes, he's logical, smart and he can be cold af. but he also gets happy and sad, he gets devastated and super angry, he gets annoyed and he gets proud. and sure, sometimes he does exaggerate and he lies (a lot) - but i don't think it's all lies. i think he likes to pretend like it is though. and well, what's that one quote... "he wears a mask and his face grows to fit it" or smth like that

and i think that's an important aspect - because no matter how much you tell yourself that it's just a role, a mask - in the end you're still the one doing everything. you are how you act.

and i think kokichis very self aware in this aspect. ch 4 happens and he knows, this isn't something he can come back from. he fucked up beyond repair. and while he did already believe himself to be the villain, and perhaps this was a self fulfilling prophecy of a kind, i think actually having something like basically killing two people on your conscience gives it a whole different weight.

i think he had to confront the reality at this point and i think it made him despair a bit - which then leads to the kamikaze plan. (because why does someone who was just willing to sacrifice two people for his own survival suddenly choose to basically kill himself? and trust someone else to end the game?)

-

i love the hc that kokichi did genuinely derail the whole game! i think it's credible enough too, considering the absolute mess that was chapter 6.

and monokuma sometimes really seemed to have personal beef with him which to me says that he was actually getting pissed at him lol

tsumugi also seemed to be quite wary of him - though you can also interpret that as her setting him up as the antagonist ig. i think it was both.

-

my brain is very honored ♥️

i very much enjoy yours too :D

[itsalmostavengers]

Saw an announcement on Twitter that you're back and literally screamed, your fics were the first stevetony fics I read back in 2018 and you're still my favorite stevetony writer to this day 🫶 anyways welcome back, I'm so excited to read your new stuff!

Ahhh thank you! I’m excited to get it finished tbh, I’ve been writing it for over a year now oop. I’ve got a shorter fic I wanna publish too and that’ll probs come first cuz I needed a break from the behemoth one I’ve got in my google docs, so stay tuned!

Love ya x

[hcguesstheauthormessageboard]

how’s your fic going for the event? You said you haven’t written for it? Have you made progress?

I also remember you saying you’ve sent in asks to the board too about it right?

.

[thegetdownrebooter]

i think all the roy siblings are bi, and especially roman seeing as his love for gerri is so evident and stated. and important to his character. to dismiss that is to just stereotype him

that's cool anon, you are free to think what you want about a fictional character like, my opinion isn't gospel lol.