#haus-rucker-co
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Haus-Rucker-Co, "Electric Skin 1", 1968.
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Belagerung / Stairway to the city hall Vienna, Austria 1972–1976 Haus-Rucker-Co (1967–1992)
#haus-rucker-co#vienna#austria#architecture#europe#1970s#20th century#leisure#outdoors#state#building on the built#pavilions#temporary architecture#public spaces
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Haus-Rucker-Co, Oase N. 7 (1972)
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Oase No. 7, designed as part of the Documenta 5 exhibition, Fridericianum museum, Kassel, West Germany, 1972.
Architect: Haus-Rucker-Co.
Photography: Hein Engelskirchen
#art#architecture#exhibition#Haus-Rucker-Co.#Oase No. 7#Hein Engelskirchen#Documenta 5#Fridericianum#Kassel#West Germany#1972
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Haus-Rucker-Co / Oase no. 7 / 1972 / Image © Hein Engelskirchen / via Architectuul / Walker Art Center
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Flyhead (Environment Transformer), Wien, 1968
Haus-rucker-co
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Haus-Rucker-Co. Fly Head, 1968
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Haus-Rucker Co, Kassel
1960s
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Haus-Rucker-Co, Günter Zamp Kelp, Laurids Ortner, Manfred Ortner, Klaus Pinter. Mind Expanders, 1968.
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Haus-Rucker Co. and Erich Weismann/ Oberbank Agency/ 1980 / Wels, Austria
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Haus-Rucker Co. and Erich Weismann, Oberbank Agency, Wels, Austria, 1980
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artists and negative space
sculptural examples
Geraldo Zamproni: Tends to work with contradictive materials in architectural forms, basically he installs these massive pillows into restrictive and very structural places. His pillows have a playful, soft and colourful quality in comparison to their harsh and geometric environments. Negative space is being questioned in this instance .
Haus-Rucker-Co, Coop Hummb(l)au, R. Buckminster & Eventstructure Research Group: I see these examples of negative space as social spaces, drawing attention to personal space as negative space. The areas in which people exist in the outside world, not belonging to any person, but in that time it belongs to whoever is occupying it. (Haus-Rucker-Co example:) Questioning space in a way that disrupts norms, the occupation of space in an area that humans were not made to exist in.
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Haus-Rucker-Co, Oase No. 7 (1972), Kassel
are.na
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