#has hints of the following;

[lotus-pear]

ok gayboy

[waterthatsmoe]

"Do you regret it?"

"It's for the best."

"Do you miss them?"

"I'll never forget this ache for the rest of my life."

Part 4 [end] | Part 3 [prev]

[scroofy-was-here]

if byler isn't endgame, why did they let it drag on for so long?

why have they been building it up season after season? why haven't they had mike reject will already?? why didn't they resolve it in the same season where it's a major plot point??? why are they giving us the possibility that it could happen if it's not????

why even give Will a crush on Mike?????

[howlonomy]

imigane clover ever letting slip how fucked they family life was and ceroba just being mortified

the gang ends up on the local news

[leblogreblog]

ok, but imagine a post/mid-credits scene:

We see a dark door to Bucky's apartment from the inside, then hear rattling. Bucky opens the door while on the phone with Sam, ranting about what happened during the movie.

Then, he notices that there's faint light in one of his rooms, abruptly stopping the conversation and saying he'll call back. He cauciously walks up to the room as silently as he can, pulling out some kind of weapon in the meantime. He takes a steading breath and walks in.

Near a lightstand sits a man, one Bucky knows all too well, reading one of his books, his coat folded nearby. He doesn't look at Bucky but acknowledges him, greeting him.

Then he starts to talk.

He talks about power, how it corrupts absolutely. He talks about irony, how somones impulsive want can become their only purpose, the thing that was supposed to kill them the only value keeping them alive. He talks about a mission he was sent for, how it obviously is something he wasn't supposed to return from alive. He says that they can call it paying back for his help from last time, to make them even.

Bucky only raises his eyebrow, visibly unimpressed that so little info was supposed to convince him to do anything, especially for him. He asks for more details.

The man looks at him for a moment in silence, then closes the book he was reading.

"Say James," says Zemo, tilting his head, "What do you know about Latveria?"

[aalghul]

"claiming any writer ever intended to write that jason was sexually assaulted as a child is stealing from mia" is still one of the most ridiculous takes i have ever seen. by the way

[ndostairlyrium]

Vacanze Romane playing in the background

Ankh: "I'm gonna get your ring back"

Cullen: "You better. That thing costed me a fortune"

[lochallthedoors]

Noel Versus the Council Skies Tracklist

Context: If you pick just one interview of Noel's to read/listen to from the Council Skies promo run, chances are that interview will feature Noel complaining that he fucked up the tracklist--that he now believes "Think of a Number" should have been first and "I'm Not Giving Up Tonight" should have gone last.

I find his obsession with the album's messaging kind of fascinating in the context of whatever led up to the Oasis reunion, so I thought I'd put together a masterlist of interview excerpts where he explains why he made the choice he did and why he wishes he could go back and get a do-over.

I have thoughts but they're very rambly so they're going in the tags. The focus should be on the transcripts here anyway.

NME Interview Posted 3 June 2023

Noel: "Think of a Number," yeah, it's got a Bowie feel to it. If I had my chance--if I had my time again, I would have had that as the opening track on the album. I've kind of--yeah, that's--that's--I mean, every album that I make, anyway, tends to be flawed in some way, and this is almost perfect, but that's the biggest flaw, is that the opening track, "I'm Not Giving Up Tonight," should be the closing track, and "Think of a Number" should be the opening track. But I didn't think "Think of a Number" was strong enough until it was too late. You know, and, uh, yeah--what a dick. But there you go--I'm allowed to be a dick when it's my own music, so. later in the interview Interviewer: I mean, you talked about how, uh, Council Skies was about you asking "how did we get here, and how did I get here?"--as in you, not me. I know how I got here. Um, did you find any answers? Noel: (pause) No, I think--I think the last line of, um, "Think of a Number," although--although it should be the first track on the album, I think the last line of it is perfect for an ending of an album, which is--is--it's like, "let's drink to the future / I hope it comes round again." Did I find any answers? No, but I will--no, I will find them, though.

Radio X Interview Posted 8 June 2023

On "I'm Not Giving Up Tonight" Noel: The biggest or the most interesting thing, or what I find interesting is I--this should be the closing track on the album because it ends with a lot of hope, you know I mean? "I'm not giving up tonight" and all that. And I, for some reason--the track that closes the album, we'll get to that obviously at the end, but, um, I didn't feel the track that closes the album was strong enough to open a record with. It's a big, epic kind of affair, and I thought that would be a bit obvious. And, uh, I thought "I'm Not Giving Up Tonight" would be a great way to ease into a new record. If I could go back now, I'd--I'd have it closing--closing the record, but it was too late to change my mind. But, um, I do like that song. It's, uh--it's, uh--yeah, it's got a great vibe that's slightly reminiscent of Buffalo Springfield, and, uh, Gem plays a great guitar part on it. And, uh, yeah, I mean, it's--I don't know. Kennedy: Yeah, yeah, no, it's interesting. I mean, it's got the strings on it, it's got the horns on it, and there's a little bit of the gospel choir, and-- Noel: Yeah-- Kennedy: Those are all elements that are through the record. Noel: But I guess the sentiment of it is a song of defiance, you know? "I'm not giving up tonight," and that, you know, obviously writing these things in--in lockdown there was a bit--there was a bit of that in--in a lot of the songs. But, yeah, it's a grand--it kind of sets it up perfectly because it's a--it's a grand kind of opening, but it's a bit laidback as well. On "Think of a Number" Noel: I love the song. Now--and it's me playing the guitar, so it's really epic, and, so, as mad as this sounds, I didn't think that song was strong enough to open a record with. I liked it, right? And I did, and--and something inside of me hung in there with it, and--I don't like closing records on a negative kind of, uh, almost, um, what's the word I'm looking for--uh, pessimistic kind of, um, feel to it. The last line is, you know, "let's drink to the future, I hope it comes around again"--that really should have been the opening track on the album and finished with "I'm Not Giving Up Tonight," you know? That would have been the journey through the lockdown and isolation and all that. But as that song went on, I was like, you know, just didn't feel it was strong enough. I thought it was just a bit standard High Flying Birds rock kind of tune. Obviously, when we finished--when I finished it and mastered it, the penny dropped one night at home, and I was like "Oh, God," you know. And then you do the frantic "Can we change it?" and it was like, "No, we pressed up now. What are you doing?" Um, so it really should have been the opening track, but I love the lyrics on it, and they paint a really pessimistic picture of the future, which is what I was feeling at the time. And, yeah, there's some great--the lyrics are really visual, and, um, yeah, it's--I mean, it's an epic rock tune, and it's--it's got the full production and, yeah, really great.

XS Manchester Drive Posted 9 June 2023

Note: For the clip of Clint calling out Noel's pause, see definitely-rubbish's post here

Noel: Let's do a track called "Think of a Number." Clint: "Think of a Number"--now, this is the--it's the actual last track on the album, innit? Not including the bonus track? Noel: Mm-hmm. Yeah. Clint: When I heard this--and I made some notes--some of the--"Let's drink to the future / I hope it all comes 'round again." It sounds like you reaching out to somebody. Noel: Well, uh-- [Long pause] Clint: That was a brilliant pause! Noel: I could never-- Clint: That pause was amazing. It's gonna sound great on the radio, that! Noel: I could never decide if that track should have been the opening track or the closing track. And if I had my time again, I'd have it as the opening track, because the track that is the opening track, "I'm Not Giving Up Tonight," would end the album on a real--"I'm not giving up tonight"--a kind of sense of hope. But with this song, right up until the death--I never thought it was strong enough to open a record. I thought people would go, "You know, okay, well, I was expecting that from him." And--yeah, I kind of bottled it a little bit and put it as the closing track, which ends on a really bleak note, you know? Uh, but there you go. You know, you live and learn.

SoCal Sound Interview Recorded June 9, 2023

Harcourt: The opening track is "I'm Not Giving Up Tonight," and, I mean, that's full-on. Noel: Mm-hmm. Harcourt: There's bells, there's whistles-- Noel: Oh, yeah. Harcourt: It's--it's the whole thing. Noel: Yeah. Harcourt: Uh, is that at the beginning of the album for a reason? I mean, it sort of seems to set an intention. Noel: Yeah, I should have actually had it as the closing track. I think--I think there would have been a--well, so, the--the closing track is a track called "Think of a Number," and, actually, the entire track listing was set in stone very, very early, apart from these two tracks, and I kept flipping them, just to listen to at home, and I kept flipping them, and I--ludicrously, I actually thought "Think of a Number" wasn't strong enough to open a record, and I thought people would be expecting a big, kind of--and, actually, in hindsight, I should have had that as the opening track, because it would have meant the album would end on a more positive note, whereas it ends on a bit of a bleak note. Harcourt: Mm. Noel: But that's the one change I would make. Um, but, no, it's ["I'm Not Giving Up Tonight"] not there for any specific reason other than I felt like, for this--you know, my albums always open up with something huge, and I thought for this one, maybe something a bit more understated, um. But it's a fucking great song. Harcourt: It is a great song. Noel: Yeah, it's a great song. Harcourt: Yeah. Noel: The way that it--the way that it came out sounding is amazing. Yeah.

[sweetestflow3rs]

i personally think it’s so funny how amongst all the people in doltown, the main two who are vying for vani’s heart and have reciprocation ( or a form of it ) is whitney and the fuckass doctor, harper.

like whitney is self explanatory, i’ve went into depths, details of their dynamic. meanwhile, vani just started bothering harper for simply blackmail & a way to get deeper in the cult besides just being reliant on avery. which, if i had a nickel for every time vani fell hard for what started as a bit, i’d have two nickels which isn’t a lot, but it’s weird it happened twice.

[nabaath-areng]

Native english speakers learning swedish should NOT fear pronouncing the letters Å, Ä and Ö, because those all exist in english. Do you use Discård? Have you cut your häir recently? Do you live on planet Örth? Those letters are old friends. You just didn't recognize them because they were wearing hats!

What you should fear is swedish U and, above all, swedish Y. The former will make you question how much tongue should be involved, the latter will have you question everything you thought you knew about using your mouth.

[ace-ogato]

Big fan of headcanons that are deep analysises and explanations of a character with a lot of thought into how it fits into their narrative and characterization. Also a fan of headcanons that are "I like this idea because ☝️I said so" Trans!Elder Faerie is both of these.

[thelilylav]

What's ur favorite charmaiden moment in semi charming kind of life

OOOOO ok so my personal fav is probably QC asking Marian to sign Darling’s book. It’s off screen as an interaction but it’s such a sweet moment that just feels so “for old time’s sake.” Plus, because it’s off screen I can hc whatever conversation I want into the scene.

Now I’m curious, what’s everyone’s favourite Charmaiden moment from the books?

[ghostbustermelanieking]

the petty handmaid's tale fan in me who quit the show in season 2 (but has been following thru recaps) is laughing my ass off at nick's death i'm sorry i've just never liked him even in the books

[eternal-reverie]

Im literally having an evil cackle moment right now scrolling thru the lauriam tag on my blog and seeing how the story developments shifted general opinion of him

[zylphiacrowley]

tags from @sae-mian

ngl also my ONE FEAR

but also how many Alphinaud minions do we have? Also all the rest of the scions... I do fear since he's the artbook minion, but I am hoping that in-game dialogue would suggest he'll be back.

I will also bite tho.

[severants]

stuck constantly between i need to fix him and actually he never needed to be fixed in the first place because i was there and we are so in love forever