#hans rudolf lutz

[garadinervi]

Hans-Rudolf Lutz / Studio Hollenstein, Caractères à empattements, Studio Hollenstein, Paris, 1973 [Museum für Gestaltung Zürich]

[katebrown2025]

Hans-Rudolf Lutz Ich–Wir link

[kylewatson634]

Verlag Hans-Rudolf Lutz — 1979

[typenerd]

Museum für Gestaltung Zürich : Hans-Rudolf Lutz

Artist Info

[friendoftype]

Museum für Gestaltung Zürich : Hans-Rudolf Lutz

Artist Info 

[gdbot]

garadinervi: Hans-Rudolf Lutz, UM 68 – Konkrete Utopien in... https://ift.tt/3bUfUWQ Telegram Design Bot > https://t.me/gdesignbot

[drawdownbooks]

30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter (TM RSI SGM 1960–90)⁣ Available at www.draw-down.com⁣ ⁣ The Typografische Monatsblätter was one of the most important journals to successfully disseminate the phenomenon of Swiss typography to an international audience, as well as spread the burgeoning ideas of the New Wave style. In existence for almost eighty years, the journal was a vital forum for concepts and discussion. Throughout these years, the Swiss typographic journal witnessed significant moments in the history of typography and graphic design.⁣ ⁣ 30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter provides a condensed overview of the period between 1960 and 1990, an era of transition. In the second half of the 20th century factors such as technology, socio-political contexts and aesthetic ideologies profoundly affected and transformed visual language.⁣ ⁣ This publication features a selection of covers and key images from the journal and presents work by a number of well-known designers such as Emil Ruder, Wolfgang Weingart, Hans-Rudolf Lutz, April Greiman and Jost Hochuli. 30 Years of Swiss Typographic Discourse in the Typografische Monatsblätter enables a greater understanding of the development of late twentieth-century typography and graphic design.⁣ ⁣ #design #Swiss #Typographic #Discourse (at Switzerland) https://www.instagram.com/p/B05zsVLnzOe/?igshid=ea87av0jhiie

[ichkuessdeinherz]

Plakat Blut - Herzblut - Populäre Gestaltung aus der Schweiz - Eine Ausstellung vom 2. September bis 8. November 87 - Museum für Gestaltung Zürich 1987 Gestaltung Hans-Rudolf Lutz (CH, 1939 - 1998)

[janniksterling]

Welcome in the cultural city Weimar! The hometown of ... Wolfgang Hohlbein @whohlbein Johann Wofgang von Goethe (+ other von Goethes) Friedrich Schiller (+ other Schillers) Anna Amalia von Helvig / von Imhoff Karl Ludwig von Knebel Anke Lutz @anke.lutz.3 Marlene Dietrich @marlenedietrichgram Johann Sebastian Bach (+ other Bachs) Curt von Bardeleben Princess Augusta Marie Luise Katharina Ludwig Bechstein Johann Jacob Böber ("Boeber") Karl August Böttiger Lucas Cranach the Elder Steffen Dittes @steffendittes Johann Peter Eckermann Lyonel Charles Adrian Feiniger Fritz Fink Evelyn Fischer Rudolf Joseph Lorenz Steiner Elisabeth Förster-Nietzsche (+ other Nietzsches) Alfred Götze Walter Gropius Heinrich Carl Gustav Herbst Johann Gottfried von Herder Helmut Holtzhauer Franz Huth Hans-Dietrich Kahlke Max Liebermann Matin Luther Natalie von Milde Edvard Munch Johann Karl August Musäus Carl Leonard Reinhold Adele Schopenhauer Friedrich Wilhelm "Fritz" Seidenstücker Marcus Urban @marcusurban Christian Gottlob von Voigt Johann Karl Wilhelm Voigt Richard Wagner Carl Zeiß ... and many more. (at Weimar, Germany) https://www.instagram.com/p/CVv5B8pomzN/?utm_medium=tumblr

[volumetricdisplacement]

Hans-Rudolf Lutz

[garadinervi]

Karl-Heinz Drescher (design) – Hans-Rudolf Lutz (typography), Bertold Brecht: 'Lob des Revolutionärs', Berliner Ensemble, Berlin, 1996 [Image source: Handsetzerei Ernst Gloor, Zürich] [Museum für Gestaltung Zürich]

[stefanytafur97]

𝓛𝓸𝓰𝓻𝓸𝓼

๑  Carson se convirtió en el director artístico de la revista Transworld Skateboarding.

๑ Definió la era del Grunge (subcultura juvenil de principios de los 90).

๑  Ha recibido más de 200 premios, entre ellos estan: Portada del Año de la Society of Publication Designers in New York, Diseñador del año (1998 and 1999) de la International Center of Photography, Medalla AIGA en 2014 y distinción en 2004 como el diseñador gráfico más famoso del planeta para la revista London Creative Review.

๑  Fundó su propio estudio llamado David Carson Design en Nueva York.

๑ Ha tenido a clientes en su estudio como lo son Pepsi, Ray Ban, Nike, Microsoft, Budweiser, Levi Strauss, Nissan, Intel, Giorgio Armani.

๑ Carson diseñó recientemente un conjunto de tres carteles para el Surf Film Festival de San Sebastián; uniendo dos de sus pasiones.

๑ Hans-Rudolf Lutz fue una gran influencia para el en el mundo del diseño grafico, unos años mas tarde se convirtió en su maestro.

๑ Dirigió artísticamente varias revistas de música, monopatines y surf en los años 80.

๑ Ray Gun fue una de sus mas famosas revistas que experimentaba con la tipografía y influenció en el estilo deconstructivo del diseño y a una nueva generación de diseñadores.

๑ En Noviembre de 1995, publico su primer libro titulado End of print que conto con mas de 20,000 copias en 5 idiomas diferentes que tiempo después se convirtió Best-Seller a nivel mundial.

Tomado de:

https://es.slideshare.net/juansgonzalez/david-carson-14289214

https://www.laimprentacg.com/david-carson-el-influyente-disenador-de-la-tipografia-grunge/

https://giphy.com/stickers/FITC-design-designer-speaker-JpqmyYiuIgEWthejZM

https://youtu.be/99AZAw5Qc28

[rachaelmac]

Influence of Wim Crouwel

Crouwel began his career in 1955 creating exhibition, graphic, and product designs along with fellow designer Kho Liang Ie.In 1963, he was one of the founders of the design studio Total Design which today is currently known as  Total Identity the first multi-disciplinary design firm in The Netherlands. Other founding members were Friso Kramer and Benno Wissing. Soon joined by Ben Bos and became one of the best design offices worldwide, serving prestigious clients. During the 1960s his work began to be widely published on international design magazine, such as Domus.

 In 1967 he designed and released the well known and experimental typeface New Alphabet, a design that embraces the limitations of the cathode raytube technology used by early data display screens and phototypesetting equipment only containing straight lines and diagonals. This technology rendered images into large pixels that made letterforms difficult to reconstruct. 

“ Never meant to be really used, but a statement on the impact of new technologies on centuries of typographic tradition.” 

However, as unreadable as it was, it made a comeback in 1988 when designer Brett Wickens used a version of the font on the sleeve of Substance by Joy Division.In 2011 it was acquired for the permanent collection of Museum of Modern Art New York, that included many other projects by Crouwel.

Wim Crouwel is the epitome of experimentation. He combined careful structural logics with significant expressiveness, showing ability in colour and typography, making letters become wonderful images. Following three basic requirements dot, line and shape. He produced many what are considered masterpieces that perfectly match functionality with aesthetics and that considered great work in both art and graphic design. Its the level of details in all this work that's is especially incredible. Breaking any element of his design down nothing all areas are perfection.

Craig Ward

Craig Ward is a British-born Design and Creative Director based in New York. Artist, best-selling author and contributor to various industry journals, he is best known for his pioneering typographic works.

Fascinated by process and the concept of word as image, Ward established his own studio in New York in 2011 after working as Head of Design at Grey New York and agencies in London including CHI & Partners and MCBD. Wards clients include the likes of Calvin Klein, Adobe, Aesop, Google, Hennessy, Nike, Macy's, Gillette, Peugeot, The New York Times, Wired, the V&A Museum, Mulberry, Dockers, and RED.

Ward’s work has been recognized by ADC, the TDC and One Show as well as being exhibited globally including at The Museum of The City of New York, The Cooper Union, the Hammer Museum in Los Angeles, Colette in Paris, Minneapolis’ Walker Art Center and London’s Conningsby.

"Craig Ward is something of a genius. For many years now he's been pushing type in directions never seen before and his work has since spawned many imitations." Creative Bloq

In 2015 Ward was named one of the most important designers of all time. In 2018 he was the creator of a custom typeface for the England World Cup kit in Russia that received much acclaim from the design community.

Through design and as an author Ward has had a huge influence in modern typography testing the limit between illustration and typography. It’s his experimental and unpredictability of projects that stands out from the crowds such as using methods like ink and water to create different outcomes before taking it into software.Giving inspiration to many many to think outside of their own creative.

"Ward has reached what we might deem the hating point - that point at which a designer or image maker reaches a certain stage of acclaim which then triggers the inevitable backlash from his or her peers."

Patrick Burgoyne, Creative Review

David Carson

Carson's first contact with graphic design was in 1980 at the University of Arizona during a two-week graphics course, taught by Jackson Boelts.

While a teacher at Torrey Pines High School, Stacy Peralta got Carson a job at Transwrold Skateboarding magazine. Carson has no formal training in design and considered working at Transworld Skateboarding for him "schooling in design".

By1983 Carson started to experiment with graphic design and found himself engrossed in the artistic and bohemian culture of Southern California. He attended the Oregan college of Commercial Arts only for a couple of months before accepting an unpaid internship with Action Now magazine. That year, he went to Switzerland to attend a three-week workshop in graphic design. The teacher of the workshop Hans Rudolf Lutz who became his first great influence.

By 1984 Carson became the art director of Transworld Skateboarding magazine and remained there until 1988, helping to evolve the magazine and give it a distinctive look. By the end of his tenure there he had started to develop his signature style, using "dirty" type and non-mainstream photographic techniques. He was also the art director of a spinoff magazine Transworld Snowboarding which started publishing in 1987.

In 1989, on the recommendation of Paul Holmes Carson was headhunted to design Beach Culture and by the sixth issue Carson to make this first significant impact on the world of graphic design and typography with people recognising his innovative. In 1992 Carson art directed and designed Surfer Magazine before joining Ray Gun Magazine and relocating to New York. During his time there he gained more following and was featured with his work with Ray Gun several times. One of the most famous being a front cover  where he used the font Zapf Dingbats contains symbols.

"He significantly influenced a generation to embrace typography as an expressive medium" Design Writer Steven Heller

In 1995, Carson left Ray Gun to found his own studio, David Carson Design, in New York City. He started to attract major clients Such as Pepsi, Cola, Kodak, Sony and British Airways.

He named and designed the adventure lifestyle magazine Blue in 1997. David designed the first issue and the first three covers. Carson's cover design for the first issue was selected as one of the "top 40 magazine covers of all time" by the American Society of Magazine Editors.

Carson claims that his work is "subjective, personal and very self indulgent". His layouts are distortions or mixes of 'vernacular' typefaces and broken imagery, rendering them almost illegible. He questioned the role of type in the emergent age of digital design.

www.designculture.it. (n.d.). Designculture • Wim Crouwel. [online] Available at: http://www.designculture.it/interview/wim-crouwel.html.

Wikipedia Contributors (2017). Wim Crouwel. [online] Wikipedia. Available at: https://en.wikipedia.org/wiki/Wim_Crouwel.‌‌

Anon, (n.d.). Dutch Profiles: Wim Crouwel. [online] Available at: https://www.youtube.com/watch?v=DAsk8Q_dFj8 [Accessed 2 Nov. 2020].

CRAIG WARD. (n.d.). About / Contact. [online] Available at: http://wordsarepictures.co.uk/about-2.

‌Staff, C.B. (n.d.). Craig Ward. [online] Creative Bloq. Available at: https://www.creativebloq.com/computer-arts/craig-ward-6099057.‌

Wikipedia Contributors (2019). David Carson (graphic designer). [online] Wikipedia. Available at: https://en.wikipedia.org/wiki/David_Carson_(graphic_designer).‌‌

www.davidcarsondesign.com. (n.d.). david carson design. [online] Available at: http://www.davidcarsondesign.com.

‌

[booksfromthefuture]

Edmonton Journal – Hans Rudolf Lutz

[theguideforwriters]

80+ MASCULINE GERMAN NAMES

Under the cut, are 80 masculine names, of German origin.

ABELARD

ADALBERT

AKSEL

ALBERICH

ALDO

ALMERIC

ALRIC

ANSELM

ANTON

AUREL

BALDRIC

BARTHOLD

BENEDIKT

BERTRAM

BRUNS

BURKHARD

CARLOMAN

DIEDERICK

EBERHART

ELDRIC

EMERIC

FRANZ

FRIDERIC

GEREON

GISILBERT

GÜNTER

HANS

HARALD

HARIRIC

HARMUT

HEIDEN

HEIKE

HEILGAR

HEINRICH

HERMANN

HERRICK

HILBERT

ISAAK

IVON

JAKOB

JAN

JEREMIUS

KAI

KAISER

KLAUS

LENZ

LEON

LUDWIG

LUKAS

LUTZ

MANFRED

MARKUS

PHILIPP

RAGINMUND

REGINAR

RICOHARD

RIKERT

RUDOLF

RUPERT

SASCHA

SEVERIN

SIEGMUND

STEFFEN

THEODORIC

THEUDOBALD

TIELO

UDO

ULFRIC

VALENTIN

VINZENZ

VOLKER

WALDO

WARIN

WENDELL

WENZEL

WILBERT

WILHELM

WILMAR

WOLFGANG

XAVIER

[gdbot]

Hans-Rudolf Lutz, UnknownmiX: miX 3, RecRec Medien AG, Zürich,... https://ift.tt/2EfLJtl